YOUNGBLOOD #1 (2025 - IMAGE COMICS)

At last, the long wait is over! YOUNGBLOOD kickstarted the Image Comics revolution in 1992. The series has had a history all its’ own. Fans have never waivered in the support of the series. Now in 2025, Liefeld is bringing Shaft, Badrock, Vogue, Chapel & Die-Hard back home. The legendary creator is launching an all new explosive series back where it all began!

YOUNGBLOOD (2025) #1 by Rob Liefeld, Juan Manuel Rodriguez, Chance Wolf & Rus Wooton brings the action in its’ latest chapter!

Let’s take a closer look at how this debut issue fares.

YOUNGBLOOD (2025) #1 by Rob Liefeld, Juan Manuel Rodriguez, Chance Wolf & Rus Wooton (Image Comics)

*** POSSIBLE SPOILER WARNING ***

One thing that is for certain with Liefeld writing, buckle in for the action. The chapter opens up with the team intercepting a threat in the Pacific. Xerxes’s ship has appeared with a deadly warning. Readers watch as the team does what it does best. The writing does an excellent job in showcasing the team to new readers. This quick synopsis compliments their extreme actions in trying to stop Xerxes. It might be the only slow point of the book.

As previously alluded to, the action doesn’t take long to start. Readers watch as the team deals with opposition with no punches pulled. Once arriving at the big boss, one member is made an example of. This works in instantly legitimizing Xerxes. The same method can be said for Vandel, Xerxes’s enforcer. Liefeld uses a very simplistic method in teasing what this group is about.

Some may not love the “Less is More” approach, but honestly, it works to establish the basics.Readers instantly know who’s the heroes and villains in the beginning. How this all fleshes out reminas to be seen. This all boils to a head with the final page. Another character makes a dramatic entrance as this story is about to go to extremes.

With the art, certain expectations are hit early. The first page pays a small homage to the original Image creators. This moves into a great two splash page team look. Liefeld mixes in a few more full pages images before the fists get flying. The team leaves nothing off limits as they deal with Xerxes’ forces.

Shaft’s strikes are as bloody as it gets. Wooten’s lettering takes these panels to new heights. Once Vandel enters the picture, things go from bad to worse. Readers watch as the strikes go for broke after a full page Shaft image. Xerxes makes a statement finish with his opponent. The panels reflect the power he wields. This leads into the parting image of the chapter. A dramatic return closes one door as Youngblood leaves no doubt they are back!

FINAL GRADE: 8.7

You want Blood? You Got it! The team that put Image on the map returns with a nostalgic feel in this latest debut. Liefeld plays to his strengths with the writing and art. The simplistic format still works to lock readers in from page one. There are many vintage looks woven in the fast paced plot. All build into the groundwork for what is sure to be another fan-pleasing go-around.

Let me know your thoughts on Youngblood (2025) #1 in the comments below! Thanks for reading!

Gargoyles x Fantastic Four #1 (DYNAMITE COMICS/MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the crossover issue of Gargoyles x Fantastic Four #1 from Dynamite Comics!

The Manhattan Clan has teamed up with Marvel's first family

Gargoyles x Fantastic Four #1 by Greg Weisman (Writer), George Kambadias (Artist) & Jeff Eckleberry (Letterer) is an action packed adventure that has twist, turns & surprises from start to finish!

The Story

Greg Weisman brings his A game for this story, and it's a blast from start to finish. The story starts with the Human Torch, The Thing, Angela & Broadway all underground taking on none other than the Mole Man and his forces!

Meanwhile you have Reed, Sue, Valeria, Franklin, Goliath, Elisa, Brooklyn, Katana, Nashville & Tachi back at the Baxter Building preparing to help the group underground by preparing an anti-kaiju serum. But of course trouble ensues.

I really liked the pairings that Greg did in this issue, and they all work so well. I also liked the choice of villains in this as well because they all made sense and were well thought out. Admittedly there was a four legged cameo appearance from the Marvel side of things I didn't expect, but worked out so incredibly well.

The story really excels when it comes to the family aspect of things, and it makes for such a fun read. Seeing the kids from both groups come together and cause some chaos was such a blast to read. I'd really enjoy seeing a mini series run with just the kids, it would be so much fun.
The Artwork

George Kambadias does a tremendous job with the art in the issue, and especially with the way he draws the characters. The backgrounds really enhance how great the panels are, plus you've got the stellar coloring in the issue as well.

FINAL POINT: If this is the end of the Fantastic Four/Gargoyles crossover (and I don't think it is), than it's been an amazing two issue run between both issues. Greg's story is just simply spectacular and the artwork is stunning as well. This is an issue you cannot miss whatsoever!

Overall Grade: 10/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

WE'RE TAKING EVERYONE DOWN WITH US #6 (IMAGE COMICS)

It all comes down to this moment. Annalise Alderman had her world shattered. Her father Dante was “killed” by Agent Rook. The only thing keeping her alive is a guardian robot. Their escapades have been filled with violence, secrets and a healthy serving of revenge.

This series has been an insane ride blending in the worlds of sci-fi & espionage. All bets are off for how this wraps up.

We’re Taking Everyone Down With Us #6 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou closes off its’ initial run.

The time for talking’s done. Let’s jump to the review.

We’re Taking Everyone Down With Us #6 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou (Image Comics)

*** POSSIBLE SPOILER WARNING ***

After five previous issues of sheer creative leaps, the pressure was on to deliver. Fans need not fear missing the landing. This issue lands in spades. The opening pages kick off with Annalise taking care of business. It is a very chaotic scene in comparison to Rook and Dante. Their dialogue is sharp and witty. Rook’s offer plays into the espionage theme. It is greeted with well timed distractions as attacks ramp up.

This builds into an explosive confrontation between Annalise and Rook. There is nothing held back in this sequence. Rosenberg sneaks in a few one-liners to add into the messy battle. Readers watch as drastic measures are taken with heartbreaking results. It spirals into a more grounded stand-off with Rook and Annalise both trying to escape. Their dialogue is fantastic. Many notions and themes play out here. This helps move the story into the final act.

Annalise’s reunion with Nina Pavlovna comes off with mixed emotions. The writing shows Annalise’s sorrow as she tries to keep certain aspects intact. This leads into a superb closing sequence. More swerves are thrown at readers with the spy element growing stronger here. This pushes a drastic action that changes the landscape moving forward to close. The epilogue/flashback adds another layer of intrigue into an already epic finale.

Landini and Wordie open with a fantastic full page image. Annalise’s actions show no mercy. The scenes are brutal and unapologetic in delivery. In contrast, Rook and Dante’s “discussion” echo’s their repour with biting one-upmanship. This serves as a break from the action for a small portion. Once Annalise takes back the attention, her attacks become more savage. Look no further than her brutal “dis-manhooding” of an agent.

This level of violence only escalates when she sees Rook. The panels display all the brutality one can think of. This builds into a dramatic full page game-changer. Once here, the use of smaller panels makes the dialogue jump out more. It is a face-off that neither side wants to cave to. This helps offset the daring escape from the volcano. Pacing slows down for the final act without losing any steam.

Nina’s welcome to Annalise is met with high emotions. The art reflects that in each facial reaction. Watching Annalise feel lied to swings her persona into a darker place. It helps to set up some shocking moments in closing. Red coloring helps distinguish the endgame of her planning. This pushes into a full page which dictates what lies ahead for Annalise’s next steps.

This is only topped by the flashback ending page. A full page image throws everything in flux knowing where we are now. The art never misfired this entire series!

FINAL GRADE: 10

Annalise’s revenge tour hits its’ final date with a finale that can only be described as epic. Rosenberg’s writing heavily lays into the emotional side of “spy-fi”. Landini, Wordie & Otsmane-Elhaou craft a balance of violence and heartache with amazing art. Highest possible recommendation.

Let me know your thoughts on We’re Taking Everyone Down With Us #6 in the comments below. Thanks for reading!

Star Wars: Hyperspace Stories - Tides of Terror #3 (DARK HORSE COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 3rd issue of the Tides of Terror story in the Star Wars: Hyperspace Stories series from Dark Horse Comics!

Things are not looking good on the Axil Research Station! An underwater research facility, it's been under constant threat since the story started and it's been sinking ever deeper into the depths on the planet Tordus. So will our heroes be able to save it? Let's jump into it!

Star Wars: Hyperspace Stories - Tides of Terror #3 by George Mann (Writer), Luis Morocho (Pencils), Ramon Lopez Cabrera (Ink), Michael Atiyeh (Colors) is an action packed adventure from start to finish!

The Story

George Mann keeps the action up in this issue with a great story that left me on the edge of my seat right up to the very end. Kit Fisto & Nahdar are still on board the research station and trying to save as much as they can & escape safely.

Between the action & the mystery surrounding who (or what) is causing so many issues on the station, this issue really had a feel of a middle episode of an arc from season 3 or 4 of The Clone Wars when it was on TV. And the way the issue ends? Just a classic cliff hanger ending that makes me wish I had the next issue now!

The Artwork

Luis Morocho, Roman Lopez Cabrera & Michael Atiyeh are truly a team that might be one of the best art teams in all of comics right now. The artwork in each panel is so crisp & well drawn. They did a really good job with Fisto & Nahdar and bringing them to the 2D format, and I really liked the way color was used to give it a sense of impending doom.

FINAL POINT: George Mann is crafting an absolute masterpiece of a story that any fan of the Star Wars prequels should read. Together with artwork that is absolutely masterful, this is an issue that cannot be missed!

Overall Grade: 8.0/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

Spider-Man '94 #3 (Marvel Comics)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 3rd issue of Spider-Man '94 from Marvel Comics!

Peter Parker has been fighting battles on both sides of his life, in this return to the classic cartoon show from the 1990s. He's been fighting battles against the mysterious Morlun, while having Kaine following him as well. All the meanwhile he's been dealing with his life as Peter Parker & his usual drama with his family. But what happens when we learn the past of who Morlun is? Let's jump into it!

Credit: Marvel Comics

Spider-Man '94 #3 by J.M. DeMatteis (Writer), Jim Towe (Artist), Jim Campbell (Color Artist) & VC's Joe Caramanga (Letterer) is a great issue  that peels back the mystery on just who exactly is the villain Morlun.

The Story

After getting his beat up pretty badly in the last issue, Peter is in Morlun's clutches with seemingly no hope for escape. This is when we start to learn the backstory of just who Morlun is, and what his end goal is. It's a fascinating backstory that feels like something right out of the cartoon show if it were still on TV today.

Meanwhile, we finally get confirmation on what was teased in the previous issue. That is that Aunt May does indeed know Peter's secret, and that she has known for sometime. It's a twist that isn't exactly new to the mythos of Spider-Man but it is a surprise here. It's a touching moment between MJ & May as they share an intimate moment discussing just how they need to be there for him.

The story involving Kaine is interesting, and should start to pay off in the next couple of issues. However for right now it's moving along a little slowly. Oh by the way, did I mention Kraven is here? So suffice it to say the next couple of issues should be VERY interesting!

The Artwork

Jim Towe & Jim Campbell bring their A game yet again with this issue. The flashback sequence for Morlun is so immaculately drawn that it flows together so seamlessly. Also I cannot praise their work on recreating Peter, Mary Jane & Aunt May so immaculately compared to the animated series. It looks exactly like the show, and it really adds to the feeling of continuing the story.

FINAL POINT: If you're a fan of the animated series, you need to be reading this series. It's so faithful to the original works that it's been such a seamless jump into the series. DeMatteis has been incredible with the story, and the artwork has been perfectly drawn. You cannot go wrong with reading this issue & series.

Overall Grade: 9.0/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

Star Wars: Han Solo - Hunt For the Falcon #3 (Marvel Comics)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm reviewing the third issue of Star Wars: Han Solo - Hunt For the Falcon #3 from Marvel Comics!

Han Solo has lost the Millenium Falcon and wants it back! Call it a midlife crisis, or call it wanting to relive the glory days but Han & Chewie are on the trail trying to track down the Millenium Falcon. Set between the events of Return of the Jedi & The Force Awakens it's filling in some holes we didn't know. So let's jump into it!

Star Wars: Han Solo - Hunt For the Falcon #3 by Rodney Barnes (Writer), Ramon Rosanas (Artist), Guru-eFX (Color Artist) & VC's Joe Caramagna (Letterer) is a great issue that peels back the mystery a little bit at what happened to some of our favorite heroes.

The Story

Rodney Barnes might've written my favorite Star Wars comic in the last couple of months, and I'm not joking! The issue features a number of flashbacks that start to uncover just what exactly happened between Han & Leia, while it also shows Han in a way we haven't seen him before.

I really liked the flashback sequences with Han, Leia & Ben. They're easily the standout portions of the issue, because if you remember we haven't seen what happened between Han & Leia between The Return of the Jedi & The Force Awakens. We saw them happily celebrating the Battle of Endor, and the next thing we knew they were avoiding each other & hadn't seen each other in some time.

I really like the story Rodney is telling with Han as well. So often we see Han in a light like he hasn't lost a step, and that he's still at the top of his game. We even saw that in the last couple of adult book series in the old Legends cannon. Does he still have it? Sure, and we see that in this issue. However we also see a vulnerable Han who is contemplating a lot and trying to find out where his place is in the galaxy. It's such a fascinating read from start to finish.

The Artwork

Ramon Rosanas & Guru-eFX both do a great job in this issue with the art. I love the way Ramon drew the characters' faces, because you really get a sense of the pain & hurt they're feeling in the issue. I also loved the color Guru-eFX did because it helped give such a sense of familiarity for the issue that helped enhance the reading experience.

FINAL POINT: This is an issue that you're not going to want to miss reading, because it starts to add some depth & explanation to one of the most famous romances in cinema history. Together with spectacular artwork, this is one of the best Star Wars comics in recent history.

Overall Grade: 8.5/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

THE AMAZING SPIDER-MAN: TORN #2 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 2nd issue of Amazing Spider-Man: Torn from Marve Comics!

Peter Parker is back in college! No he didn't get his degree revoked, but rather this is a story taking place in the early days of the mythos of Peter in the 616 universe. So just what does it all mean? Let's jump into it!

Credit: Marvel Comics

The Amazing Spider-Man: Torn #2 by J. Michael Straczynski (Writer), Pere Perez (Artist), Guru-eFX (Color Artist) & VC's Joe Caramanga (Letterer) isn't so much a step forward for the serie, but rather a step sideways. It's not bad, but it doesn't continue the great start that the first issue gave us.

The Story

It's a fairly straightforward issue this time round, and there aren't any huge revelations or big plot developments. Peter is on the trail of translating the Proteus Maleficarum, that's the book that was almost stolen in the first issue, but the problem is it's in German.

While he's doing that Evangeline is confronting the man who sent her on the job to steal the book in the first place and turned her into something out of an episode of Gargoyles.

It's not a bad story per se, but there isn't a whole lot going on with it. The story's been started and now the chess pieces are being set up so to speak. I don't want to call it filler, because it's only the 2nd issue, but it's close to it.

The Artwork

Pere Perez & Guru-eFX both do a great job with the art in the issue. As I said before, this series isn't set in the present day time of the 616 universe, but rather an earlier time when Peter & his friends were still in college, As such, Perez & Guru-eFX both do a great job with how Peter & his friends all look and bringing them to look like those early years.

FINAL POINT: The story isn't anything to write home about, but the artwork is definitely worth the read. The series still shows promise, but hopefully they can recover from an early misstep.

Overall Grade: 6.0/10

Thanks for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

THUNDERCATS: PANTHRO #1 (DYNAMITE COMICS)

After finding and saving Bengali, Panthero has put it on himself to find any other Thunderians who may have survived on Third Earth. However, his journey leads him to find out that things he thought were true were not.

credit: Dynamite Comics

Thundercats: Panthro #1

Written By Ed Brisson – Art By Dave Acosta

Colors By Arancia Studio - Letters By Jeff Eckleberry

Edited By Nate Cosby - Published By Dynamite Entertainment

***Minor Spoilers Possible***

One Man Rescue Mission

Panthro prepares his ship to go on a rescue mission, and after clearing everything with Tigre he’s on his way. As he scans Third Earth for signs of Thunderians that have survived he picks up an interesting signal. But as he investigates the area he gets sucked into what can only be compared to a prison. Once inside he is saved by a Thunderian named Grune, who had fought alongside Panthro’s father Pantero. Despite Grune not being impressed with his father, he is happy to have an ally to help escape the prison. But before long Panthro discovers that Grune is not who he seems to be and setting him free may be a huge mistake.

Not Quite an Ally

This issue is a good side mission that enlarges the Thundercats Universe. Ed Brisson does a great job keeping the reader guessing on who and what they can trust. The introduction of Grune adds more layers to the predicament the Thunderians find themselves in on Third Earth, revealing that what they thought they knew wasn’t real. Brisson really excels in this universe when he gets to create new mythologies and stories. The only thing that gives me pause with this book is the feeling that this story could have just been an issue of the main line series. It feels like they put this one-shot together for the sake of having it.

The art in this book is great and matches up with what we have become accustomed to in this universe. Dave Acosta does a wonderful job of showing us a new part of Third Earth and the dangers it hides. Acosta also does an awesome job with character design, specifically bringing the new character Grune to life. The colors match the art perfectly and stand as a testament to how good Arancia Studio is as a colorist. Every panel feels epic and really draws the readers’ eye in.

Final Thoughts

Thundercats: Panthro #1 is a good companion piece that shows the reader that we still haven’t scratched the surface of everything going on in the world of Thundercats. The new character and the situations that said character brings to the table add some new wrinkles to the overall story. This is a must pickup for Thundercats fans as this story will affect the main story going forward.

Overall Grade: 8/10

REDCOAT #15 (IMAGE COMICS/GHOST MACHINE)

Simon Pure. An immortal tool? Some might say. His legacy has covered many key moments in history. Johnny Appleseed and Albert Einstein are some of the figures he has crossed in travels. Last readers witnessed, Pure made a huge decision in 1814. Little did he realize what saving a painting would represent.

Pure’s latest escapades find him in 1909. A new day is dawning with Simon Plum enjoying the quiet life. Let’s see how long this lasts…

REDCOAT #15 by Geoff Johns, Bryan Hitch, Andrew Currie, Brad Anderson & Rob Leigh starts a brand new chapter in the legendary life of Simon Pure.

Time to see what trouble he’s gotten himself into now!

REDCOAT #15 by Geoff Johns, Bryan Hitch, Andrew Currie, Brad Anderson & Rob Leigh (Image Comics/Ghost Machine)

*** POSSIBLE SPOILER WARNING ***

Is it possible for an immortal to start a new life? That is the question posed in this chapter. Johns and Hitch show Pure enjoying the normal life of a tailor. His interactions are very wholesome. Readers can sense a change in his demeanor. There is a sense of true calm surrounding him as he walks through town. Even family like seems like a Norman Rockwell painting come to life. However, as past like his is hard to fully bury.

The audience can see Pure’s restlessness as he searches for answers. This gets a welcomed surprise by an old friend. The dialogue with “Albert” starts playfully enough. Pure’s joy is very apparent in these moments. Unfortunately, that mood is dashed with simple words. The final page drops a huge bombshell that shatters any kind of peace Pure has found. There will be much to discuss from this moment to next issue.

Hitch’s art opens with beautiful full pages and splashes. The view of vintage America carries into exposing Pure’s new life. His genuine reactions beam as he converses with family and friends. The family moments are timeless. Readers will be locked in for this new hope. Sadly, the panels switch directions to a realization.

Pure’s search into myths leaves a puzzled feel to the panels. This gets pushed aside when a guess shows up at the front door. The half panel stares between friends leads into a full page embrace. Both carry joy with their expressions. Readers can sense the bond of friendship that arrives in these pages. This detours with the guests’ trying to delay bad news. Pure’s questioning to this portion leads into the dramatic close. The final full page unveils a long forgotten evil that rocks Pure’s foundation to his core. The art never misses with this series.

FINAL GRADE: 8.6

Simon Pure’s new life comes crashing down with a final showstopping page. The writing navigates Pure with huge highs until the closing act. Hitch and the art team deliver another incredible visual experience. Get on board now cause the new arc is gonna shake everything up for the Ghost Machine legend.

Let me know your thoughts on Redcoat #15 in the comments below. Thanks for reading!

TRANSFORMERS #26 (IMAGE COMICS/SKYBOUND)

No rest for a good soul. Optimus Prime has been trying to refocus since the brutal encounter with Megatron. His allies are in need of Energon. Miles Mayhem has emerged as a possible human resource for help. There is room to proceed with caution. Not all humans reveal what’s behind their M.A.S.K.’s

If that wasn’t enough, Earth problems are only one side of drama. The Cybertronian front is not too pleased with his actions. How will Prime navigate these waters?

TRANSFORMERS #26 by Robert Kirkman, Dan Mora, Mike Spicer & Rus Wooton expands the impact of the Energon Universe.

Let’s take a closer look at what is going down now.

TRANSFORMERS #26 by Robert Kirkman, Dan Mora, Mike Spicer & Rus Wooton (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Kirkman starts putting more weight on Prime’s shoulders to justify actions. With Skywarp imprisoned inside the arc via StarScream, his essence becomes a topic of debate. Many Autobots don’t see the point of trusting him or Thundercracker. Readers can’t blame the worry. They can also see Prime’s point. The writing shows his eternal optimism. How that becomes a crutch or strength is explained later in the chapter.

Miles Mayhem’s involvement proves to slowly reveal itself. Even with returning fallen Autobots, the deception is hiding in sight. His dialogue is cold and filled with dark ambition. Brief but to the point. The same can be said for Elita. Her stance on Earth and Prime becomes more fueled with anger in each panel.

This gives way to circle back to Skywarp. Readers watch as loyalties are tested. The scenes are flooded with varying emotions. This proves to be a costly event for multiple characters. From here, the closing pages tease another surprise moment. What this all entails is up in the air for now. Don’t doubt a huge payoff later.

Mora and Spicer unleash the pent-up rage of Thundercracker to start events off. His facial reactions are impactful in translating motives. This pushes into more action. Ultra Magnus shuts events done via a near full page look. This allows Prime to make a grand entrance. Readers see the fight resolved with more bargaining between humans and Transformers.

Pacing slows enough to let the drama build in the panels. The face-off with Soundwave and Prime tells much in the panels. Blind Optimism vs. Dark loyalty. It is a moment that never loses its drive on both sides.

As the story goes into the final act, Mora takes lead with unloading reactions to Prime’s moves. These panels pit friends into enemies and vice versa. Readers watch the moving pieces fall into place. It leaves a solid, yet somber conclusion in its wake. The final pages add another key figure unto play. His parting image leaves many questions heading into the next chapter.

FINAL GRADE: 8.8

No good deed ever goes unpunished. Optimus Prime is learning this the hard way in this new chapter. Kirkman tests the limits of Prime’s hope with the writing. Mora and Spicer elevate each page to new heights. This series never fails to impress every time out.

Let me know your thoughts on Transformers #26 in the comments below. Thanks for reading!

SPIDER-MAN: NOIR #2 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 2nd issue of Spider-Man Noir from Marvel Comics!

The scene is 1939, and Peter Parker is a private detective by day, and the masked vigilante Spider-Man by night! He's investigating the murder of none other than George Stacy, the father of Gwen Stacy! So will he crack the case? Let's jump into it!

credit: Marvel Comics

Spider-Man Noir #2 by Erik Larsen (Writer), Andrea Broccardo (Artist), Rachelle Rosenberg (Color Artist) & VC's Joe Sabino (Letterer) is a great issue that is filled with mystery & intrigue that helps it stand out from other Spider-Man comics!

The Story

Erik Larsen does an incredible job with the story throughout this issue, and he isn't afraid to push some boundaries. The story feels like a murder/mystery movie you might find on Turner Classic Movies on a Saturday afternoon and it plays out beautifully. It has some familiar beats to the story, but it does a great job at staying rooted in the 1930's.

We're introduced to the villain Hard Boil in this issue, He's a mountain of a man that's sharply dressed and means business. I will say his name is extremely spot on and it gave me a laugh reading the issue.

Peter does eventually work out just who it was that murdered George Stacy, and it isn't good. I won't spoil it here, but it's safe to say that the relationship between this universe's Peter Parker & Gwen Stacy will not be anything like what we've seen in previous incarnations.

The Artwork

Andrea Broccardo & Rachelle Rosenberg both do an AMAZING job on the artwork from start to finish on the issue. They do such a great job with the look of the characters & the backgrounds of the panels. It genuinely looks like the 1930's, and stays away from some of the recent iterations styles. It works so incredibly well and is just so much fun to look at!

FINAL POINT: Erik Larsen provides a different look at Spider-Man than what we've been used to the last couple of years. Together with stellar artwork from Andrea & Rachelle, this is an issue (and a series) that should be at the top of your lists!

Overall Grade: 10/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

C.O.R.T. (CHILDREN OF THE ROUND TABLE) #3 (DC COMICS)

Call it destiny. Say it’s Fate. No matter how you describe it, a group of young individuals’ lives are forever changed. They are bestowed magical weaponry. Put into a life they never asked for, the kids are in trouble. They have drawn unwanted attention.

Now they need to figure out what to do next and FAST!

C.O.R.T.(Children Of The Round Table) #3 by Tom Taylor, Daniele Di Nicuolo, Rain Beredo & Wes Abbott continues forward with its’ magical tale.

Let’s take a deeper dive into what is unfolding now.

C.O.R.T.(Children Of The Round Table) #3 by Tom Taylor, Daniele Di Nicuolo, Rain Beredo & Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

The kids are presented with their first major conflict in Mordred’s forces. Readers watch as they have to adapt on the fly to survive. This results in some quick action before the odds become stacked against them. Readers watch as their weapons’ souls become teachers in resisting the threat. It isn’t until a familiar face crashes the party that the objective becomes clearer.

Merlin’s appearence throws a new dynamic into play. The writing pulls off his charisma while averting capture. His presence proves to be the guiding voice needed to advance. This mentorship works wonders on Connor. The dialogue gives clarity on the destiny he is staring at now. There is a small presence of magic to take readers into the closing act. Once here, the story starts developing into a merger of two worlds. Whether the kids are ready or not is another question yet to be answered.

Di Nicuolo & Beredo ramp up the tense setting early in the chapter. As the kids are being confronted, their weapons take over. The action starts spilling into the panels. This leads into an unlikely full page image. The art carries a very kinetic feel as the fighting escalates. This leads into a full page debut of a powerful figure. Timing couldn’t be better.

Readers watch as Merlin takes over the pages with quiet moves. The kids’ reaction to his leadership varies from worry to shock. It results in a planned escape into a new surrounding. Once at their destination, the mood swings to a lighter approach. There is a sense of wonder as they discover where they truly are. The final page presents their new home via full page. It conveys much magic as their next chapters are about to be written.

FINAL GRADE: 8.4

The new knights are thrown into uncharted territory in this latest chapter. Taylor guides readers through the transforming scenario via strong writing. Di Nicuolo & Beredo construct impressive pages to assist in delivering the wonder of their course. Judging by the closing page, there’s much more to ponder on the horizon.

Let me know your thoughts on C.O.R.T.(Children Of The Round Table) #3 in the comments below. Thanks for reading!

BATMAN: DARK PATTERNS #12 (DC COMICS)

A legacy is not built overnight. As Bruce Wayne has evolved into the World’s Greatest Detective, he has been dealt tough calls. This was especially true in his early days. Some of the grimiest cases have crossed his path. Each more challenging than the last.

One series has flown under the radar in exposing these trials. The format has been self contained cases during the initial BATMAN days. All have shocked and awed readers. Before bowing out for this round, there’s one more case to close.

BATMAN: DARK PATTERNS #12 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic presents the finale to “The Child Of Fire”.

Let’s take a deeper dive into this explosive ending.

BATMAN: DARK PATTERNS #12 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters brings the curtain down with a thrilling conclusion. Watching Nicky Harris maneuver his plans as all lead to his final vision. The writing shows him in all his glory declaring victory. Even as Jim Gordon crosses an ethical line, there’s little he can do to halt the madness. Readers watch as the dialogue between Harris and Dr. Serekia adds more gas to that inferno. Knowing how far gone he is, Harris’ vision is easily interrupted. His explanation of manipulating events moves that notion forward until it’s slammed shut.

The payoff fans have been waiting for finally kicks in. It is a perfect Batman moment. Even in a weakened state, his sheer will shines through. This moves into a more steady landing spot for the case at hand. The dialogue delivers on a colder tone. It results in building up the mystique of the Bat. Watters tie up all loose ends before leaving with a final message. One case has closed but another is set to become wide open.

Sherman and Farrell set the stage early with this issue. The opening pages reflect the intense attempt to stop Harris. Gordon’s doubt is written all over his face. This moves into Harris addressing Serekia. The two page splash reveals many details to the overall schemes. It helps establish the long term booking of his attacks. The use of Batman’s shadow is perfect in these panels. Structure also moves events into a showstopping moment.

Seeing Batman emerge through the raging inferno is going to be a fan-favorite image. The near full page launches into a quick physical standoff. Readers watch as the heat becomes too much of a factor. This allows for a near full page image to end this fight & focus on the greater threat. Using Gordon’s eyes as a blurred panel sells the crash he was involved in. The creativity displayed here is second to none. Having the bat symbol used to block off panels hits a bullseye! It allows the art to finish each sub-plot before the final panel. Once here, a simple freefall carries a new weight into a darker knight’s destiny.

FINAL GRADE: 9.7

The case is bittersweetly closed on this amazing look at Batman’s early years. Sherman weaves in the sleuthing with strong writing. Sherman and Farrell bring out the phenomenal views as the case rages to its’ close. The best Bat series may be over for now but hopefully readers will get a second look in the future.

Let me know your thoughts on Batman: Dark Patterns #12 in the comments below. Thanks for reading!

BATMAN AND ROBIN #27 (DC COMICS)

A father’s revenge. How far would one man go to seek atonement for his son’s passing? That is the mystery surrounding “The Quiet Man”. Hitting Gotham City with a vengeance, he has made an immediate statement. The Iceberg Lounge was destroyed. Penguin and Two-Face are scrambling to solve this problem.

The Dynamic Duo is now on the case and walked into the wrong fight. There is also another player hiding in the shadows that is the key to this conflict.

BATMAN AND ROBIN #27 by Phillip Kennedy Johnson, Fico Ossio, Marcelo Maiolo, and Steve Wands (DC Comics) continues its’ explosive arc.

Let’s take a closer look at what is unfolding now.

BATMAN AND ROBIN #27 by Phillip Kennedy Johnson, Fico Ossio, Marcelo Maiolo, and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Johnson wastes no time in bringing action to the audience. The firefight in the junkyard ramps up to an uncontrollable level. Readers watch as The Quiet Man shows a few new sides to his personality. One of which is trying to save Damian Wayne. It is the fatherly instinct kicking in that make this surprising. Showing a weakness in his persona makes this mission all more complicated. Readers watch as this becomes more complex as the Quiet Man’s origin starts coming to light. It is a solid reveal that makes Batman reflect on fatherhood while dealing with the media.

Speaking of media, The Daily Planet is assisting in some PR work for Gotham’s famous family. Johnson pens a deep look at Wayne’s struggles in raising Damian, not Robin. Clark Kent’s rebuttal put pieces in proper focus. It is a rare insight into lives readers don’t see often enough. The same can be said for Jon Kent and Damian Wayne. The Super Sons have a fun reunion that injects a breather into the brooding aura. This is sure to be a crowd pleaser before events swing back to closing. Once here, the key player in Quiet Man’s mission gets a rude awakening. Desperation sinks in as a violent past is about to be unlocked for where things head now.

Ossio and Maiolo have set a high bar for the action on display in this series. The opening fight is pouring with high paced combat. If anyone can make the Riddler’s old typewriter into a key action moment, you know they’re doing something right. Everything in this sequence feels big and matching the high stakes involved. The art sneaks in some more subtle timeframes with Damian and the Quiet Man. Little expressions in these stages assist in connecting the character with the audience. A full page image of the Dup swinging away launches events into the more grounded area.

The full page shot of the Kents in Wayne Manor kickstarts a lighter portion of the issue. Damian and Jon’s reactions are priceless as the old friends reconnect. The same can be said for Bruce and Clark. Their talk about fatherhood shows the weight of pressure Bruce puts upon himself. Looking over Gotham’s skyline, the pair showcase their friendship with optimism moving forward. The full image of the dads in costumes signs off on the easier times. The art doesn’t delay in moving readers back into the drama before departing. Final pages lead into an exclamation point end panel. Another strong showing form the art team for this one.

FINAL GRADE: 8.8

The Quiet Man’s story gets louder with reveals as force Batman to examine an area of needed growth. Johnson weaves in fatherhood issues through an ever evolving tale. Ossio and Maiolo deliver on the energetic action with the art. Don’t miss on what is developing with this current arc.

Let me know your thoughts on Batman and Robin #27 in the comments below. Thanks for reading!

STAR WARS #7 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 7th issue of the main line Star Wars comic from the folks over at Marvel!

It's a very tense point in time for the young New Republic so far. Yes, the Empire has been defeated at the Battle of Jakku but that doesn't mean it's all parties and fancy dinners! They've had to contend with several issues that threaten to push them to the brink! So just can they get through this? Let's jump into it!

Credit: Marvel Comics

Star Wars #7 by Alex Segura (Writer), Pete Woods (Artist) & VC's Clayton Cowles (Letterer) is a great entry into the series that adds a new wrinkle to things!

The Story

Alex Segura does a great job with the story that is tense & filled with plenty of plot twists from start to finish. From the moment our heroes touch down on the planet Kaltaris the battle is already in full swing.

The battle is great and reminded me of the battle between Luke, Leia, Lando & Chewie against the Empire on Cloud City in The Empire Strikes Back which is always a great battle to emulate.

It doesn't last forever though, because diplomacy does win out in the end. It was great to see it play out in the issue because it reminded me of some of the great episodes of The Clone Wars. However there is a twist at the end, and a new wrinkle is introduced. And it's a wrinkle that's sure to throw a wrench into the New Republic's plans for peace. Just what will happen next is yet to be seen, but it's sure to be great to read.

The Artwork

Pete Woods does a great job with the artwork, as he puts his own spin on things but still maintains the look and feel you're used to with the main line Star Wars series. The way he structures the panels is fascinating because it really gives you that sense of urgency that the characters are feeling in the heat of battle. 

The battle sequences are also spectacular in this scope and just how much is going on in the panel. I'm fairly certain this is the first time I'm seeing Pete Woods work, and I'm very impressed with what I see. I would absolutely love to see Pete on more Star Wars projects.

FINAL POINT: Alex Segura is telling a great story that continues to intrigue and add mystery to the Star Wars mythos. That together with stellar artwork from Pete Woods make this an issue you're not going to want to miss!

Overall Grade: 8.0/10

Thanks for checking out my review! Be sure to reach out to me on Twitter & tell me what you thought of the issue!

BATMAN #162 (DC COMICS)

It has been a hot minute but H2SH is returning to comic shops. Tommy Elliot has emerged with a vengeance. After defeating the Joker, Elliot looks to make Batman’s life a living hell. The former childhood “friend” has forced Batman to be the savoir to the Clown Prince of Crime.

His actions haven’t set well with the Bat Family. Jason Todd became involved. He was followed by Damian Wayne and BANE?! Also, Nightwing & Batgirl have an allaince with The Riddler?!

There’s a lot to unpack with this story.

BATMAN #162 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair, Tyler Smith and Richard Starkings continues its’ very polarizing tale.

We’ve waited long enough. Where do things go from here?

BATMAN #162 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair, Tyler Smith and Richard Starkings (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Five chapters in and there’s a lot left in question. Loeb’s writing tries establishing Hush’s manipulations on the Bat family. In execution, there are some awkward landing spots. From the initial start here, Batman’s monologue depicts one riddled with extremes. One of which is the brutal method of dealing with his allies. There isn’t a sense that he is the hero in these moments. They come across like a paranoid traveler lost in direction.

The conversation with Catwoman feels more like a brewing fight than a talk between lovers. Readers sense the dialogue won’t flow as easy as it should. There’s never a let-up of Batman’s convictions with self guilt. Even as other Bat-fam arrive, the internal voice never switches off its’ harder takes.

Readers get some relief when Hush is revealed in the shadows. While brief, it chops up the brooding presence of Batman. The Red Hood/Huntress portion feels forced into the mix. Its’ briefness helps get to the close. There’s a few tricks attempted to sway the readers. They never get off the ground as the final page brings Batman into a somewhat full circle moment. There are just too many forced pieces that divert an organic push for Batman’s latest escapades.

Lee and company continue to be the saving grace of this series. Batman’s face-off with his family leads into a solid two page splash. Showing the tragic pasts of Nightwing and Batgirl attempts to make Bat’s moves more sympathetic. This moves events into the Catwoman portion of the book. Their tension is easy to witness. In this capacity, they come across more as bitter enemies than previously star-crossed lovers.

Damian Wayne’s two page splash amps up pacing. While brief, it hits key points before Riddler steals spotlight. Panel set-up puts a good spin on their confrontation. Hush’s attack carries more purpose when unleashed. The half page shot of Huntress deflecting fire ushers in a pause on the brooding. Jason Todd’s party crashing feels very traditional in set-up. Nothing seems too out of place here. Readers watch as the closing gets a few new looks added into play. A bold two page splash kicks in the door for the final page. Bearing witness to the final full page, where things go from here is literally anyone’s guess.

FINAL GRADE: 6

Had it not be for Lee’s art, this story might be all but lost. The writing pushes a tense combative nature between Batman and allies. Lee lifts this chapter higher with excellent visuals. It’s still anyone’s guess where Batman’s latest landing spot takes him.

Let me know your thoughts on Batman #162 in the comments below. Thanks for reading!

SPIDER-MAN & WOLVERINE #7 (MARVEL COMICS)

Spider-Man and Wolverine get yanked into a Parallel Universe by that universes Reed Richards. They discover in this universe there are no superheroes, but there are super villains. One of these villains is responsible for murdering Reed’s wife, which affects Logan as well.

credit: marvel comics

Spider-Man & Wolverine #7

Written By Marc Guggenheim – Art By Kaare Andrews

Colors By Brian Reber - Letters By Travis Lanham

Edited By Mark Basso - Published By Marvel Comics

***Minor Spoilers Possible***

In Another Universe

It’s a normal evening for Logan and Peter, until it’s not. The two find themselves in a Parallel Universe, 4587 to be exact. They were brought there by Reed Richards, who needed their help getting justice on the super villain team The Revengers, who are led by Arachnix who is only found in this universe. He is also a mix of Spider-Man and Wolverine, and that’s why Reed brought them here. At first Logan had no interest in helping because it’s not their universe. However, once Reed reveals that his wife was killed by Arachnix and in this universe his wife has ties to Logan, that changes his mind. So now they hunt Arachnix, but once they find him, they discover this may be harder than they think, and failure has happened before.

A Shared Love

The twists and turns in this issue keep the reader on the edge of their seat. Marc Guggenheim does an excellent job of revealing the multiple plot twists this issue has. Just when you think you know what’s going on, the script gets flipped and what you think you know gets turned upside down. Guggenheim also does a great job with the lore of the revealed villain Arachnix. The fact that he shares the strongest traits of both of our heroes makes for a hard fight for Spidey & Wolvie. The great setup and reveal leads to a tremendous cliffhanger of an ending that really has the reader fiending for the next issue.

The art in this issue is awesome and captures this world perfectly. Kaare Andrews does a fantastic job of bringing this new universe to life. Andrews also does an amazing job on the character designs, specifically Reed Richards and Arachnix. Pulling from the familiar designs, well twisting them enough to make them feel original. Brian Reber matches the art with his colors seamlessly and makes the art jump off the pages.

Final Thoughts

Spider-Man & Wolverine #7 is an insane ride that keeps the reader uneasy until all the cards are on the table. The twists make sense, well seamlessly bringing the characters from each universe together. The only thing better than the numerous twists is the cliffhanger ending leading into the next issue. This is a must get at the LCS this week, and don’t worry if you haven’t been reading this series as this is a perfect jump on point.

Overall Grade: 10/10

GRIM #25 (BOOM! STUDIOS)

“Don’t Fear The Reaper”. That has been a statement that has defined Jessica Harrow’s adventure. From being an unknown reaper to the heir apparent to the afterlife, Harrow has blazed her own unique trail.

Recently, Harrow’s destiny took a unique turn. After confronting The End, Jessica chose Life over Death. She opted to live a life of a human. Now her time has come to say farewell with an old friend by her side.

GRIM #25 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) concludes the mind-blowing series with its’ closing chapter.

Let’s take one final ride to the other side….

GRIM #25 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips pens a beautiful send-off to a life few could ever envision. Passing the attention to Jessica’s daughter Rowan allows for a full circle structure. The writing shows how Rowan is very similar to her mother. Harold’s interactions with her showcase the sharp tongue Jessica displayed. It also allows her to forge her own destiny with an unexpected trip to Las Vegas.

Readers watch as Rowan starts meeting key players from Jessica’s past. Their interactions are met with the same skepticisms. This leads into an ultimate confrontation. The writing shows the vulnerability and buried feelings in trying to hold a family dynamic. Rowan’s reactions to processing this info is priceless. It mirrors much of when Jessica found out her truths. This all results in a bittersweet bonding moment that hits all the marks. You can’t help but have a smile reading the final page and reliving those memories. All of which make life stronger than death, eh?

Flaviano, Renzi and Napolitano open with a final goodbye to Jessica. Renzi’s coloring transitions panels flawlessly. This moves into Rowan meeting with Harold. Their panels come off as awkward as one might expect. This leads into Rowan’s life in NYC. The art is very gritty to translate her tougher times. It is contrasted greatly when Rowan goes to Vegas on her ticket.

Colors pop as she sees the big lights of the city. The full page image of Life playing slots is vintage Grim. This helps to move the story along to its’ big confrontation. A near full page shows the participating characters meeting. It translates into an emotional ride with Rowan trying to comprehend much. This comes across greatly when Rowan’s childhood is explained. It leads into a more grounded close. The full page final is legitimately the only way to end this issue. There’s much to enjoy from this final goodbye.

FINAL GRADE: 10

In 25 issues, what Phillips, Flaviano, Renzi & Napolitano have done is truly special. Blending in themes and elements that shouldn’t work and making it into superb storytelling is an experience. This finale says goodbye with emotional points that nail the landing right to the close. It has been the “coolest book at the LCS” every time for good reason. This issue is another prime example why.

Let me know your thoughts on Grim #25 in the comments below. Thanks for reading!

MEDIEVAL #1 (COMIXOLOGY ORIGINALS)

The knights of the round table. Lancelot. Percival. Galahad. Danny Landau?

What happens when you mix the drama of baseball with the chaos of King Arthur times? A wild, vulgar and entertaining adventure is the answer.

MEDIEVAL #1 by Neil Kleid (“Nice Jewish Boys”) & Alex Cormack (“The Devil That Wears My Face”) throws the first pitch into the lake of Avalon.

Let’s take a closer look at what’s happening here.

MEDIEVAL #1 by Neil Kleid & Alex Cormack (Comixology Originals)

*** POSSIBLE SPOILER WARNING ***

Readers get much more than bargained for with this chapter (in all the good ways). Opening with Danny Landau and Gina Rabinowitz enjoying some Y*nkee* baseball, the tone mirrors the best rivalry in sports. Dialogue is sharp and unapologetic. It is everything you would expect with Boston in the Bronx. One home run later and everything changes in a New York minute.

Once the story heads into the past, it really finds its’ groove. The writing plays into the fish out of water theme with Danny. His New York Swagger never leaves his side. This plays into his first shown conflict one year later. As trouble finds his bar, Danny answers accordingly. Readers watch as the approach isn’t cordial. It allows a release of his anger for his life being lost. This moves into the closing pages.

After reflecting and venting, Danny’s plight becomes more grounded. Seeing his actions haven’t gone unnoticed, the final panel shakes everything up. There are many moving parts to figure out, but enough to lock in another inning of storytelling for sure.

Cormack captures the energy of a Bronx bleacher creature in the opening shots. The panels are filled up with the heated emotions of the rivalry. It spills into the back and forth banter. This builds up into the moment Danny’s life changes. From here, the tone takes a different route but hits the same punch.

The lead-in for the bar fight comes to a head with dramatic flair. Danny’s full page image takes everyone into the wild action sequences. Readers watch as things get brutal with the violence. These panels are not for the squeamish. Its’ fallout teeters to a more realistic view of events. Danny’s frustration is clearly looming overhead. This changes with the final pages in Camelot. A few surprises are thrown into play before departing. It caps off a one-of a kind intro with much room to expand.

FINAL GRADE: 8.6

At its core, “Medieval” is a fun and blunt display of clashing times and emotions. Kleid’s writing takes risks for huge wins. Cormack’s art doesn’t miss in bringing the vivid imagery to life. Step up to the plate on NCBD for this one.

Let me know your thoughts on Medieval #1 in the comments below. Thanks for reading!

GARGOYLES: DEMONA #4 (DYNAMITE COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 4th issue of Gargoyles: Demona from Dynamite Comics!

Demona is continuing her journey through time with a singular goal in mind, vengeance. She’s been joined by her adopted daughter Angelika on that journey and this time their journey has brought them to Constantinople! So just what brings them there? Let's jump into it!

credit: dynamite comics

Gargoyles: Demona #4 by Greg Weisman (Writer), Frank Paur (Artist), Robby Bevard (Colorist) & Jeff Eckleberry (Letterer) is a great issue with some great callbacks to the animated series!

The Story

Greg Weisman does a fantastic job with the story and weaves together multiple perspectives for a mystery that is sure to keep you guessing right up to the very end.

Angelika & Demona have returned to Constantinople (in 1195) for a reason that Angelika cannot figure out. Demona has her reasons, and they become apparent as the issue goes on. I really liked how it was weaved together and came together.

I also get the feeling the building blocks are getting placed for possible spin offs, and future stories. If that ends up being the case, I'm fully on board with the idea. Any opportunity to explore this incredibly rich & deep world is one I would love to see.

The Artwork

Frank Paur & Robby Bevard do a fantastic job with the art in this issue and it really shows in the color. Frank does a great job with the artwork, and that comes through in just how detailed everything is. From the characters, to the backgrounds. You can look behind the characters in the foreground & see just how detailed everything is. I really loved the color Robby uses because it really adds to the depth of the detail provided by Frank, and it also helps everything pop off the page.

FINAL POINT: If you're a Gargoyles fan, you are NOT going to want to miss this issue. It has all the storytelling you're used to from the comics & the tv series, together with some artwork that is some of the best in the series.

Overall Grade: 9.0/10

 Thanks for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!