AMAZING SPIDER-MAN #12 (MARVEL COMICS)

What a tangled web indeed! Spider-Man disappeared after being brutally beaten by Hellgate. Upon his return, something was noticeably different. Spidey was showing a vicious streak in handling his foes. This same sharp mood was seen in Peter Parker.

Once both parties met, much was explained. That’s not a typo. It was revealed that Ben Reilly was posing as Peter. As for Spidey? It was none other than Norman Osborn! What about Peter? Oh yeah, he’s in space.

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna continues its latest adventure into the unknown.

Let’s take a closer look at what is happening now!

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

This chapter has a more grounded approach than last month. Keeping the story based on Reilly and Osborn helps to fuse their place in this tangled equation. This really helps give Osborn’s new role life. The opening monologue shows how he is dealing with being a hero. Hearing acknowledge the challenges presents a sense of self-doubt. It is very un-Norman like but an effective tactic.

This becomes a larger issue in dealing with another rogue. Their encounter shows how far Norman is trying to hold it together. Readers see how the external demons are the least of his worries. This follows a confrontation of interested parties. Pacing picks up as the action hits. It ends on a very strong note. Kelly reaches back to a connecting plot point. The move eases onto the closing. Once here, a new threat is teased that looks to impact Norman more than realized. Text book cliffhanger finish which helps this chapter.

McGuiness steps in for art duties this go-around. A two page splash shows Norman in action. His heroics are far from flawless. It does add to the questioning dialogue. This gives way to show Reilly some time as Peter. The facial reactions show how Reilly’s performance is starting to crack. The same can be said for Norman’s.

The spider-family crash the scene via half page shot. It leads to a tense conversation. This subsequently rolls into a fight. The two page splash shows Norman holding his own. Even as he battles, the sublime flashbacks are impacting his reactions. None more greater than one in particular. The full page panel stops everything at the drop of a dime. Readers see how far Norman has fallen during the following panels. It leaves events at a standstill before the end. A glimpse into the future leaves the audience with much to ponder when this portion picks back up.

OVERALL GRADE: 8.7

The “Spider-Norman” era experiences some growing pains as past scars resurface. Kelly conducts a look inside a struggling character trying to be good. McGuiness and the team keep things moving with a balance of action and insight. It’s a new day for Spider-Man and fans had better settle in for the ride!

Let me know your thoughts on Amazing Spider-Man #12 in the comments below. Thanks for reading!

MARVEL/DC: DEADPOOL/BATMAN #1 (MARVEL COMICS/DC COMICS)

What year is it again?! Marvel Comics and DC Comics have released a NEW crossover! It has been over 20 years since the "Big Two" of Comics pulled off a massive event like this. The last took place in 2003 with "JLA/Avengers".

Since then, both have stayed focused on building up their multi-media brands. That doesn't mean the fans never lost hope of the world colliding again (and without a vote deciding who wins).

Marvel/DC: Deadpool/Batman #1 kicks off the next wave of crossovers with two of their heavy hitters!

Let’s take a closer look at how this event fares.

Marvel/DC: Deadpool/Batman #1 - Cover art by Greg Capullo, Tim Townsend, Alex Sinclair. Published by Marvel Comics

*** POSSIBLE SPOILER WARNING ***

Anytime you bring in Deadpool to a story, it can have mixed results. The character has transcended the normal comic realm into something else completely. When paired with the Dark Knight, Wade Wilson shines in the absurdity of his world. The writing takes them into perfect "frienemy" territory. Wells hits on every punchline that mirrors the Ryan Reynolds portrayal. It is no shock to see how heavily influential that performance goes here.

Readers watch as the insanity of Deadpool caters to more elements of the Bat mythos. It results in a fitting response to the conflict at hand. Batman is written in more of a "Batman: animated Series" tone. There's a fair share of brooding while dancing in the more calmer stages. The fallout gives a solid close to their adventure. It leaves readers with a wide open door for where things *might* go in November.

The other stories are great compliments to the crossover appeal. Zdarsky's Cap/Wonder Woman story is a fun and heartfelt read. Kevin Smith returning to Green Arrow and Daredevil is just like riding a bike. His previous runs on both breathed new life into both characters. Seeing this meeting is a fun nod to those era. Everything else are sure to bring some smiles to fans faces due endless possibilities for more.

Bringing back Capullo for Batman is a fun throwback. Deadpool crashes the scene (literally) via full page image. The art highlights his delusional mannerisms . It offsets the stern, brooding face of Bruce Wayne. Readers see how Bruce burns a hole through Deadpool with each look. This carries over to another meeting of Gotham’s finest.

Batman meets Deadpool via a gorgeous full page image. Having Jim Gordon play referee helps to move the story forward. Each pairing keeps up the tense mood as the true culprit comes into light. Seeing Capullo’s Joker back via full page is another gem in this issue. Their face-off during dialogue pays a small homage to the “Death Of The Family” covers. It pays off to starting a frantic switch of events. Readers will enjoy seeing how Deadpool reacts to certain Batman/Joker confrontation.

The fallout sends everyone home happy. Panels encompass the combustible mix of personalities. It also leaves a few doors open to play a return of more to come. Every art team on the other tales give their own spins which shows how all these characters gel together. There's something for everyone with this issue.

OVERALL GRADE: 9.5

If this is any indication of what's to come, fans are in for something special. Wells leans into the pop culture aspects of the lead characters with the writing. Capullo and the art team shine in bringing Deadpool into Batman's' world. Readers will excited to see each panel unfold. Factor in the other side tales & this event lived up to the hype.

Let me know int he comments below your thoughts on Marvel/DC: Deadpool/Batman #1. Thanks for reading!

SPIDER-VERSE VS. VENOMVERSE #5 (MARVEL COMICS)

It all comes down to this! The Web-Heart & Hive-Mind feel they can’t co-exist. They have selected champions of Spider and Symbiote. Only one can win. Both sides have pushed the other to the breaking point. There’s been betrayals, unlikely partnerships & Mechas all involved (and that’s just for starters).

Now the unified fronts of Spider-Man and Venom must face off with countless reinforcements.

SPIDER-VERSE vs. VENOMVERSE #5 by Mat Groom, Kyle Higgins, Jim Towe, Rachelle Rosenberg and Travis Lanham bring forth the final chapter in this all-time face-off!

Let’s see how this all shapes up for the close!

SPIDER-VERSE vs. VENOMVERSE #5 by Mat Groom, Kyle Higgins, Jim Towe, Rachelle Rosenberg and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

One notable aspect of this series is the creative freedom the writing is having. Higgins & Groom keep finding new ways to present both Spidey and Venom. Merging the two via Blood transfusion opens up some doors. This leads into an interesting sequence before the final fight. Readers watch as the pairings take on the competition head on. It’s a throwdown worthy of finale status.

During the wild melee, one character stands out. The writing allows Eddie Brock to become something he’s struggled with: being a hero. Against his greatest “frenemy”, the conversation gives Brock validation on what he is doing. It is a moment that shifts everything. This pushes towards a very questionable conversation. The dialogue presents its case with little pushback. It serves as a solid landing spot for the conflict and overall plot. The fallout leaves many doors (and in one case aspirin) open to explore. It is a great ending to what has been a very fun read to experience.

Towe & Rosenberg open up with a welcome to an unlikely lead. The image of Spider-Venom is an amalgam of both which tips off the direction of the story. This jumpstarts the action as the final battle commences. There’s plenty of action to go around. Readers will enjoy all the mix and matches of combatants. Seeing Spider-Venom hyper uppercut Spider-Hulk is a prime example of this brawl for all.

Once Brock’s side is slipping, a huge back-up crashes the scene. The full page image is impressive and wild in the same breath. This allows for Brock to connect with a weakened Peter Parker. Watching the acceptance of his role, Brock’s confidence starts picking up. The images lock in on the painful history between both. Its’ fallout starts the closing off on a good note. The move throws a proposal into conversation. This results on impacting the parting images. The final page teases where this all may go form here. At worst case, it sends readers home on a pleased note.

OVERALL GRADE: 8.8

The final face-off between Spider & Symbiote delivers on the action! Higgins & Groom takes readers along for an unlikely redemption story. Towe & Rosenberg present the huge conflict with exciting displays. The Spider-Man/Venom mythos takes a fun turn fans don’t want to miss!

Let me know your thoughts on SPIDER-VERSE vs. VENOMVERSE #5 in the comments below! Thanks for reading!

X-MEN OF APOCALYPSE: ALPHA #1 (MARVEL COMICS)

Magneto and Rogue married? The Summers brothers are not believing in Xavier’s dream? Wolverine and Jean Grey are together? Sabretooth is a noble hero?! What is happening here?!

In 1995, That was the reactions from X-Men fans. In the “Age Of Apocalypse” storyline. In said story, Xavier was accidently killed by Legion. This resulted in a spilt timeline where Apocalypse took over. All the X-line was transferred into this universe until the timeline was reset.

30 years later and those characters are returning to the Marvel Universe in a brand new series.

X-MEN OF APOCALYPSE: ALPHA #1 by Jeph Loeb, Simone Di Meo, and Richard Starkings begins an astonishing storyline.

Let’s see what happens when both universes collide.

X-MEN OF APOCALYPSE: ALPHA #1 by Jeph Loeb, Simone Di Meo, and Richard Starkings (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Loeb picks right up on that classic 90's era. Bringing in Blink and Sabretooth to open was the right call. It's instant fast paced action. As the other X-Characters come in, there is a subtle recap for new readers. The move takes nothing away from the story at hand. Even after finishing their mission, something still isn't right. Magneto is very self aware of this. His dialogue reflects he knows how the original AOA ended. Readers see how he has been making moves in the shadows. This does cause some friction in his team. The moments of doubt are only raised on a rescue mission.

Information is given that changes everything they know. Loeb poses a unique possibility on the table. This leads to a drastic call being made. It also leads into some moments which resonate with the past stories. New readers may not fully grasp Sabretooth's actions here. Readers of the original run definitely do. This X-Men team delivered on many classic elements which made them great. Years later and they pick right up without pause. This pushes towards a predictable yet strong close. Another old friend returns on the final page which can only spell more drama to be had.

Di Meo is the perfect artist for this series. His style captures the Joe Mad vibe from the "Astonishing" line where the majority of this group is from. The two page splash with Blink, Wild Child and Sabretooth is phenomenal. Everything about this altercation with Havok feels sleek and intense. It encompassed the stakes at hand. The conclusion of their fight is very electric. This is largely due to Gambit's arrival via full page panel. The emotions start brewing until events shift back to the X-Leader: Magneto.

Readers see the wear on his mind as he puts events into perspective. The rescue mission at hand unveils a larger problem at hand. A strong two page splash shows the root of this issue. It causes some unlikely responses from the team. Magneto's call starts a few ripple effects with members. None are stronger than Blink and Sabretooth. The art captures their bond as they prepare for the unknown. Rogue and Gambit have a heavy moment right before the close. A solid two page splash welcomes the AoA to the 616. They are also met by an old friend on the last page. Another full page image stops the show for now but certainly not for good.

OVERALL GRADE: 10

Very rarely can an event recapture the magic of its' predecessor project completely. In this chapter, Loeb and Di Meo found a way to take readers back to 1995 without feeling dated. The writing brings out the vintage winning elements of the X-Men. Bold and exciting images guide readers into this new timeline. There's no time like the present to see why this past story is the future.

Let me know your thoughts on X-MEN OF APOCALYPSE: ALPHA #1 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #11 (MARVEL COMICS)

Will the real Spider-Man please set up? After Hellgate decimated the wall-crawler, things have changed. New York witnessed a vicious hero emerge after defeat. This new attitude has ventured into the world of Peter Parker. There is something very different with the beloved hero.

Matters do not get easier when Spidey confronts Peter. No, that isn’t a typo.

AMAZING SPIDER-MAN #11 (LEGACY #975) by Jason Loo, Lee Gatlin, Joe Kelly, Saladin Ahmed, Pepe Larraz, Pere Pérez, Morry Hollowell, John Romita Jr. &Joe Caramagna (Marvel Comics) takes readers into a celebration chapter!

Let’s not wait any longer and join the party at hand!

AMAZING SPIDER-MAN #11 (LEGACY #975) by Jason Loo, Lee Gatlin, Joe Kelly, Saladin Ahmed, Pepe Larraz, Pere Pérez, Morry Hollowell, John Romita Jr. &Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Editor’s Note: The two main stories are penned by Kelly. These are the short tales to celebrate the milestone occasion.

“Rapid Return” by Ahmed, Pérez & Hollowell dives into a hero trying to fill Spidey’s void. The writing locks in on a reluctant soul trying to do good. Readers have some great panels of action. Seeing the face-off with Boomerang gives way to a heavy burden lifted. Readers see how the art walks them through Rapid’s thoughts. It’s a nice compliment to the Web-Head’s Legacy.

Gatlin steps in for “Spider Mayonnaise”. It’s a fun story about the struggles of the perfect sandwich. The tale plays into the quirkiness Spidey is known for. Short, sweet and to the point.

“In the City..” is a fun nod to Spider-Man and NYC. Loo brings to life a normal swing through the City. It is a solid piece to end events after 975 issues.

As for “Broken Mirror”, Kelly throws some wild curves into the puzzling case. The flashback moment with Pete as “Young Cap” is a heartwarming one. It is much different than the current state of affairs. “Peter” and “Spider-Man” continue their face-off from last issue. After some punches thrown, the ruse begins to fall apart.

Readers see the reveal slowly unveil itself. It is a surprise that makes ironic sense. This spills into the abrupt end of their fight. Kelly brings in Felicia Hardy as another voice in the matter provides some breaks in the drama. Their experience is one that leads into the other major reveal. The monologue flowing the pages belongs to an unlikely source. How this ultimately plays out is going to be a can’t miss moment.

Romita Jr. & company kick events off with a classic throwback. It’s a strong contrast from where the present events start. The art doesn’t wait long to throw hands with the parties involved. A two page split rings the bell for the combustible fight. Pacing picks up until its time for the first reveal.

Readers watch the subtle acts leading into this stage. The close-up on the changing face leads to a more clear resolution of the fight. Its’ complimented by the Tombstone cameo. The cold expressions never stray too far away. This is very unlikely the erratic “Peter.” The art spotlights the true intentions of this character. Twisted is an understatement. Readers get their other reveal in a more calm way. Panel structure eases into the twist flawlessly. This helps to transition where the book goes next.

Kelly does answer the question of “Who is Peter Parker” in the second story. Having him FAR away from NYC is an understatement. Space odysseys are tricky involving the Web Head. In this circumstance, the writing allows him to be rebuilt with mixed results.

Winding up on a spaceship is one thing. Working with Xanto proves to be more deceptive in nature. It gives a touch of Hollywood Horror movies. At any given moment, the shoe will drop. Kelly starts this off with a shocking moment. Xanto’s push for scientific growth turns in a dastardly manner. This leads into a predictable but still exciting fight. Once a winner is declared, the final panel leaves way more questions than answers. This gets a huge assist from the art.

“Broken Man” lets Larraz tear loose on the images. Seeing a broken Peter on a near full shot makes a big statement. The use of smaller panels illustrates how much time has wore Parker down. This changes after a space rescue. A near full shot displays Parker in much better shape. This moves into his new surroundings which are anything but normal.

Readers get a near full shot of Xanto’s secrets. The eventual turn pivots into an excellent fight. It leads to some excellent action shots. Larraz completely understands how to maximize every strike thrown. It doesn’t matter of panel size. There is no wasted motion. The real “return” of Spider-Man is given a full page panel. This results in more great action shots before the startling close. Readers see more than bargained for on the final panel. It sends the issue into its’ bonus tales with much intrigue. Can’t ask for much more than that.

OVERALL GRADE: 9

After 975 issues, the world of Spider-Man still remains Amazing in its’ adventures. Kelly shakes up the status quo with his stories. Romita Jr., Larraz and their teams take readers on quite the journey. Factor in the great side tales & you have the formula for a winning anniversary issue.

Let me know your thoughts on Amazing Spider-Man #11 in the comments below. Thanks for reading!

X-MEN #21 (MARVEL COMICS)

Scott Summers Arrested? The leader of the Alaska based X-Men is in jail. During a brawl with Agent Lundqvist, both were arrested. With Cyclops away, Magik takes the leadership reigns. Her first order of business? Take care of Trevor Fitzroy and The Upstarts once and for all!

X-MEN #21 by Jed MacKay, Netho Diaz, Sean Parsons, J. P. Mayer, John Livesay, Fernando Sifuentes and Clayton Cowles pits the young team against the social media psychos!

Let’s take a closer look at where events play out now!

X-MEN #21 by Jed MacKay, Netho Diaz, Sean Parsons, J. P. Mayer, John Livesay, Fernando Sifuentes and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

This chapter seems centered around an unlikely lead. Jennifer Starkey is a new Mutant due to 3K’s actions. Having this transformation wears on her soul. The writing reflects that as her thoughts crash another mutant’s direction. Seeing Kid Omega provide his type of compassion eases readers into the upcoming conflict. It is a new look for the snarky telepath. The time is dashed quickly as Magik calls her shot.

MacKay ties back to a previous issue on her motivations. Magik’s dialogue provides a twisted way of justifying the offensive attack. In execution, her plans fall very short. Readers watch as the X-Men walk into a virtual trap. As the action commences, the story takes a few turns. Starkley and Juggernaut are put into uncomfortable spots. The writing fits their frustration inside the fast moving action. Once the conflict leads to its’ finish, a few drastic measures are taken. It leaves much to be resolved. With the upcoming “Revelation” event looming, its’ uncertain when this will have complete closure. Until then, the team has much to process from their rash decisions.

Diaz and the art team open with a near full page of Staley in the sunset. Her time with Kid Omega covers her mounting frustrations. Readers can’t escape the worry on her face. Even in vain, Omega’s attempts to pride support fail to help. Their spirits change as Magik proposes her plan. A simple panel of smiles and hands raises lights the ticking emotional timebomb.

With a full page shot, the team enters for battle. Pacing moves very quickly as the groups clash. The art locks in on the building rage of Juggernaut. Even with his helmet, readers can see it rising. No one steals the show more than Staley here. Close up of her eyes as she transitions her fear into anger leads to a solid near full shot. The moment never lets readers escape her emotions pouring out. It reluctantly ends the conflict in certain degrees. Another X-man’s brutal message is sent via a disturbing half panel. Not even an X-Villain’s visit to a shocking location can top that moment. The final page raises some questions before closing the door. With “Revelation” en route, it should be something to see how this all factors in.

OVERALL GRADE: 8.5

With Cyclops away, Magik decides to play. The result turns deadly as her team walks head-on into danger. MacKay spotlights the evolution of a new mutant with the writing. Diaz and the art team balance the conflict with the huge emotions weighing in. Action, Drama and Heroics.. What else could you want more from the X-Men?

Let me know your thoughts on X-Men #21 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #10 (MARVEL COMICS)

What happened to Spider-Man? That is the question looking around the Marvel Universe. After encountering HELLGATE, Peter Parker was left as a broken shell. In the weeks of his absence, criminals are taking advantage. The Shocker and Tombstone have cashed in on the void. Everything was looking great until a familiar sound returned.

“Thwip”

The web slinger returned with an all new attitude. There’s nothing very friendly about this wall-crawler.

AMAZING SPIDER-MAN #10 by Joe Kelly, Michael Dowling, Marte Gracia, Erick Arciniega & Joe Caramagna bring forth an all brutal web-head to the masses.

Let’ take a closer look at where thing go from here.

AMAZING SPIDER-MAN #10 by Joe Kelly, Michael Dowling, Marte Gracia, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly poses a very puzzling picture to the readers with this chapter. Seeing a more vicious side of Spidey emerge causes a polarizing reaction. This is very clear in the fight with Shocker’s team. Readers watch as Spidey unloads a brutal message. This carries through to his alter ego. No more Mr. Nice Guy. Welcome to a cold Peter Parker.

This new persona become clear when dealing with Tombstone. The dialogue indicates a rash change in Parker. How he carries himself doesn’t seem to fit the norm. Kelly’s writing weaves this attitude in his normal interactions as well. It eaves many questions for readers to decipher.

Was there more to Hellgate than we think? In the immediate moment, Spidey serves up another message. This pushes towards a very startling end. It is a final page that will have fans very confused but invested on where this will all lead.

Dowling steps in for art duties for this chapter. Spidey jumps into action with a great full page image. What starts out like a standard Spidey fight quickly amps up a few notches. Once the brutality comes out, it changes the mood of the book. This is very evident when dealing with Tombstone.

Peter’s body language never flinches. Even in the past, there has been instances where he sells the fear. Walking away smugly sets a tone. This aura pushes through the book. Once Shocker comes back for another round, he walks in with a solid near full image. readers may think events are back to normal. This is quickly thwarted.

Spidey does a very violent act. Watching a guest look in his eyes after is a strong panel. It tells the readers that someone isn’t underneath the mask. This jumps into the startling final page. The images there throw many ideas out to complete closing. It’s a great moment to leave fans wanting more on. The fallout looks to be very bright.

OVERALL GRADE: 9

Spider-Man is gone. Long live the Spider. Kelly’s writing keeps throwing curves to the readers on its’ direction. Dowling and the art team hone in on the new attitude of Peter Parker and its’ uncharted future. It’s a broken record at this stage but: Spider-Man is back Bay-Bay!

Let me know your thoughts on Amazing Spider-Man #10 in the comments below. Thanks for reading!

X-MEN #20 (MARVEL COMICS)

What has Scott Summers done now? That is a normal question these days. Since the Fall of Krakoa, Cyclops has been a polarizing figure to many. The residents of Merle, Alaska have their opinions. One in particular has had one since the X-Men set up shop.

Agent Lundqvist wants to have a meeting in wake of the events of the Hellfire Vigil. Something tells me this won’t be very diplomatic.

X-MEN #20 by Jed MacKay, Netho Diaz, Sean Parsons, Fernando Sifuentes and Clayton Cowles showcase a meeting of two very opinionated minds.

Let’s take a closer look at where the drama leads now.

X-MEN #20 by Jed MacKay, Netho Diaz, Sean Parsons, Fernando Sifuentes and Clayton Cowles (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

MacKay puts Summers in a very comfortable scenario. Lundqvist comes at Cyclops with a furious aggression. Readers can see the argument why. With the actions Summers were involved in, all good trust has faded (if it ever existed). The action doesn’t take too long to hit. Luckily it does. The remainder of the chapter teases a few sub plots without building to more.

Readers see how the Vigil’s events have left a solid trail of fallout. Beast, Kwannon and Temper all have notable page time. It serves as a good break from the fighting at hand. The Magik/Juggernaut dynamic has been the biggest surprise of the series. Readers have a healthy dose before heading back to the fight. Cyclops’ commitment (for better or worse) takes hold. It leads to omissions that have been brewing for a while. Once the fight is stopped, things speed to close.

The dialogue gives a few more verbal jabs in for the combatants. Readers can sense what Lundqvist truly thinks. It is met with a cold demeanor Summers has been known for. There is a very noticeable shift in the X-Man’s persona. In this moment, it is what fuels him. It also feels as Scott NEEDS to be angry to keep going. The final page leaves him and readers with a nice mystery to solve. It was better than a post fight press conference for sure.

Diaz and the art team lock in on the building rage of both personas. The initial blow is followed up by a direct view of Lundqvist ready to swing more. It helps to fully illustrate Cyclops dirty secrets and their ramifications. The close-up of the eyes tell a tale. This one is not going to end well for someone. The near full page of Lundqvist squaring up is prime example.

The other members have more emotional images to display. Their relationship woes take center stage. As mentioned, they give a break between rounds. As soon as the fight resumes, they all take a back seat. The six-panel page delivers on a great back and forth. It is followed up by a solid full page panel. This energy slows down in the closing pages. The art winds down events with subtle verbal punches. Both opponents have cold reactions until one hits a nerve. It helps to wrap things up with much to consider next time.

OVERALL GRADE: 8.5

The sins of Scott Summers are answered with a knock-down, drag out fight! MacKay unloads on the frustration of events with his writing. Diaz and the art give fans a fight for the ages. The Children of the Atom never cease to get readers talking!

Let me know your thoughts on X-Men #20 in the comments below. Thanks for reading!

THE AVENGERS IN THE VERACITY TRAP (MARVEL ARTS)

In 2022, a new joint venture from Abrams Comic Arts and Marvel Comics made a fantastic debut. Under the imprint name “Marvel Arts”, they ushered in a new era of Marvel Graphic Novels. Having the legendary Alex Ross involved made a huge statement. This lead to his non-painted story “Fantastic Four: Full Circle”.

The project was a smash success. Seeing how Ross paid homage to the classic Stan Lee/Jack Kirby era was a delight to behold.

Three years later and the imprint has another offering for fans. This time, the spotlight belongs to Earth’s Mightiest Heroes. It also isn’t your average story.

“THE AVENGERS IN THE VERACITY TRAP” by Chip Kidd & Michael Cho takes the classic superhero team into a whole new world outside their comprehension.

Let’s take a closer look at what is happening here.

“THE AVENGERS IN THE VERACITY TRAP” by Chip Kidd & Michael Cho (Marvel Arts - (Abrams ComicArts/MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

This is Kidd’s first time writing for Marvel, but he’s no stranger to tackling huge characters. Kidd helmed writing duties on Batman: Death by Design. With the god of mischief running wild, the Avengers arrive to stop his moves. Readers see the classic lineup of Captain America, Iron Man, Thor, the Hulk, Giant-Man, and the Wasp take over. The dialogue is very fitting for the 1960’s era they are in. It feels like a throwback when stories were simpler. Fortunately for the readers, that isn’t the case here.

After defeating Loki and his horde of monsters, Thor is thrusted into a portal. When he returns, everyone is stunned with his revelations. This pushes the story into a very creative narrative. Readers watch as the lines are blurred between Truth and Fiction. Kidd injects some fun awkwardness into the every-evolving tale. It never lets go of the vintage superhero feel. The interactions between characters are priceless.

Even when the final act begins, the story never loses its charm. Kidd leaves readers with a greater sense of what makes these characters legendary. They serve as a reminder of where imagination can take simple dreams. Events conclude in the only fashion they can. There won’t be too many readers walking away from this one without a smile on their face.

Cho brings the Kriby mystique to life with this saga. Loki with his army of monsters gets a full page image to start things off. Following a gorgeous team image, Cho delves into a timeless look. The “Marvel Masterwork Pin Up” is a solid win. Highlighting the squad via full page shots gives a more grand feel. There are plenty of bold action pages to compliment this sequence. Cho even features in the trademark “Kirby Crackle” into the mix. Once the story crosses worlds, it takes on a new look.

Readers see how the other side deals with the crossing over of events. There is a fun half page shot of the Avengers visiting the new world. This leads into a fun two page splash where the unlikely pair heads into the Avengers time. Seeing the reactions when a monster is coming takes on new life.

Cho locks in on the quirkiness of the situation, giving readers a light-heartened laugh while moving forward. This spins events into the final act. Watching a thought translate into an amazing two page splash become a game-changer. It leaves the characters reactions etched into the fabric of the story’s meaning. Another full page image lands soundly to lead into the fun final page. There is much to rave about the art in this novel.

OVERALL GRADE: 9

“Veracity Trap” Takes one party Kirby era storytelling and mix it with some fourth wall hijinks. The result is a truly entertaining glimpse into a forgotten era. Kidd’s writing navigates a much deeper message through the conflict at hand. Cho mesmerizes readers with each beautiful page of art. This one packs quite the punch that readers won’t want to miss.

Let me know your thoughts on “THE AVENGERS IN THE VERACITY TRAP” in the comments below. Thanks for reading!

WEREWOLF BY NIGHT: BLOOD MOON RISING #1 (MARVEL COMICS)

Jack Russell has made quite the impression over 50 years. His escapades have put him in the paths of the Hulk, Moon Knight and countless MCU favorites. Whether friend or foe, when the moon rises so does the terror.

The character’s popularity has grown further after a Marvel Studios Special Presentation. As more fans check out this character, a new special shows there’s more to offer than a good howl.

WEREWOLF BY NIGHT: BLOOD MOON RISING #1 by Michael Giacchino, David Messina, Mattia Iacono, Jason Loo & Joe Sabino presents two new tales by writers well-versed in the Jack Russell tales.

Let’s take a closer look at what is happening now!

WEREWOLF BY NIGHT: BLOOD MOON RISING #1 by Michael Giacchino, David Messina, Mattia Iacono, Jason Loo & Joe Sabino (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The special is broken into two tales. “Nail In The Coffin” by Giacchino, Messina, Iacono and Sabino puts Russell in a curious spot. Waking up in a controlled cell, the mood indicates something more sinister awaits. Readers don’t wait long as DRACULA is proven to be the culprit.

The writing takes Russell into new spaces. Seeing how his alter ego is altered throws a welcomed new look to this conflict. The result adds in a surprise guest with a greater impact than expected. Watching the communication between Russell and said character proves to spark an escape. It leads to a very intriguing close. The last page keeps a door wide open for something far greater down the road.

Messina and Iacono begin with a confused Russell in his cell. The art hones in on the confusion. Dracula’s entrance is given a solid half page. Watching the two personalities clash mirrors the dialogue superbly. This meeting isn’t very cut and dry. There is a fair amount of action panels to enjoy before a new player joins. Another half page welcomes the powerful figure into the tale. They push the events into a more puzzling close. A full page panel ends events for now but certainly not for long.

As a HUGE “All-Nighter” fan, seeing Loo pull double duty is an instant win. “A Howling Nightmare” is exactly that! Throwing in Nightmare as the main villain is another clash of styles. Russell (along with his sister Lissa and Jake Gomez) seem out of element. The writing pushes them into their darkest fears. Loo locks this point in with his art. Readers watch as the terror feels real with Lissa and Jake losing their battles.

This gives way to Jack taking over. Being the seasoned “hero” of the three, his monlogue ushers in the final stand off. Watching each wolf member deal with their terror throws off the mystical being’s smile. Events tie up nicely on the closing page. The reactions of Russell and Nightmare can’t be ignored. They move to a “happy” ending, well as far as werewolves get.

OVERALL GRADE: 8.6

The life and times of Jack Russell are anything but boring. Giacchino & Loo construct two distinct stories that bring out the best of the cursed beast. The art holds nothing back as threats are dealt with the only way he knows. Looking for why the Wolf-Man has lasted over 50 years? Look no further than here!

Let me know your thoughts on WEREWOLF BY NIGHT: BLOOD MOON RISING #1 in the comments below! Thanks for reading!

SPIDER-VERSE VS. VENOMVERSE#3 (MARVEL COMICS)

The stakes are high! Cosmic entities known as the Web-Heart & Hive-Mind have pitted champions against each other. Spiders and Symbiotes battle for survival. With all these personalities involved, it was only a matter of time before something went wrong.

Last readers watched, Spider-Ham took Weapon VIII off the board. Who's next to fall in the dangerous game?

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham looks to keep the excitement level rising with its latest chapter.

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Higgins and Groom come out the gate swinging with Team Spidey's rescue attempt of Miles. The one-liners come fast as Spidey is navigating through the combat. His banter offsets the uneasy tension building. Readers watch as the good times quickly disappear to the nature of the game.

Recluse and Miles (Spider-Prowler) both carry big scars on their sleeves. The writing showcases a more aggressive edge in their bouts. It does contrast the morals of Spider-Man himself. Luckily, he gets a more calm team member added. Having Takuya Yamashiro join the squad is a perfect addition. Readers see there's at least someone he can trust. Most of the other members have other plans in motion. This all gives way to a strong ending. The close builds up a hell of a main event for readers to pull up for next go around.

Towe and Rosenberg drop in a nice two page splash of the Miles rescue to set pace. Panels move fast as the action heats up. The symbiotes give a few different looks to team Spidey's attack. One of which tries playing off emotions. Readers can sense the trouble brooding behind the scenes. it's only a matter of time before it implodes.

The Team Spider swinging panel is eye catching. Seeing all the different spiders on page is a nice treat for readers. This quickly takes a back seat to Takuya Yamashiro's debut. The mid page shot is subtle but slips in enough story. It is a huge difference in comparison to Spidey interrogating another member. All events push towards the closing pages form here. The art delivers on setting the stage for something larger at hand. Considering what we find on the final page, readers will have to prepare for the wild action forthcoming.

OVERALL GRADE: 9.2

The latest installment shows desperate times call forth extreme measures. Groom and Higgins present the mounting tension with an excellent script. Towe and Rosenberg construct a high pace conflict with many moving parts. This series has been a blast to read and shows no signs of slowing down now.

Let me know your thoughts on Spider-Verse vs. Venomverse #3 in the comments below. Thanks for reading!

MARVEL KNIGHTS: THE WORLD TO COME #2 (MARVEL COMICS)

The King of Wakanda is dead. This has sparked the Dora Milaje to search for someone with answers. Their search has led them to Everett K. Ross. What Ross speaks takes their conversation into the past. It references a certain point in T’Challa and his son Ketema’s lives. All parties brace to what secrets are uncovered.

Marvel Knights: The World To Come #2 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith continues its’ journey back to the past.

Let’s take a closer look at what is unfolding now.

Marvel Knights: The World To Come #2 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The world through the eyes of Ross is a disturbing place. Considering the places he has been, Ross is a very jaded and broken soul. The writing shows how he’s not afraid to dance with the Devil. It also shows the trail of mistakes made. Readers watch as the tangled web weaved with Noelle Adams provides dark humor and heavy drama. Priest doesn’t let Ross stray too far from his history. It’s not long before Wakanda comes calling.

Resolving the trial of combat isn’t Ross’s specialty . The writing shows how his actions affect an already unstable fight. Ketema and T’Challa’s brawl is unforgiving. The brash young man speaks with much anger in his voice. Knowing the wild history involved, readers can sense his pain. The writing never shies away from this aspect. It plays a good counter to Ross’ internal demons. Everything gets turned when the final chapter starts. A move is made that causes a direct ripple effect. How the final page is going to play long term. In the meantime, this mystery is only getting more intense by the moment.

Quesada and Isanove start off the art with two very different full page panels. The first picks right up where issue one ends. Seeing the brutality commence makes a statement. The following page makes a completely different one. Ross has his issues and this doesn’t back away from it. It plays into the dark humor mentioned previously. Ross’s life is anything but cheery from here on out. The panels with Noelle show his slow breakdown. Readers see how the verbal weight becomes too much and sets forth his new past. Unfortunately for him, his past won’t leave him alone.

The full page view of the Wakandan ship makes a bold statement. It leaves Ross questioning the actions. Readers get caught up on T’Challa’s time during this phase. The heartbreaking pain of losing a child is presented in an emotional flashback. This pushed the time jumping for a few pages. It was nothing that readers were lost in. With Quesada steering the ship, the panels moved very easily. The roads finally lead back into the trial of combat. There’s plenty of intensity to go around during these panels. Readers watch as this leads into the shocking end. A simple panel of two words changes everything. It leaves readers with a full final page that will have the shops buzzing. Nothing is pulled when dropping another exclamation point on this chapter’s end.

OVERALL GRADE: 9.2

The world according to Everett K. Ross provides many avenues of drama leading to a show-stealing end. Priest blends the humorous times in a heavily focused drama. Quesada and the art team shine in bringing out the pent up feelings of all involved. “The World To Come” is definitely one not to sleep on.

CAPTAIN AMERICA #1 (MARVEL COMICS)

The Sentinel of Liberty. Star Spangled Avenger. Since his debut in 1941, Steve Rogers has left a legacy unmatched at Marvel. It is hard to believe there was a time he wasn’t frozen in ice. Rogers’ latest series is taking a deep look into those early days and more. Get ready for a new look at the legendary Captain.

CAPTAIN AMERICA #1 by Chip Zdarsky, Valerio Schiti, Frank Martin and Joe Caramagna delves into his first encounter with an upstart in Latveria.

Let’s not wait another minute and dive into the story.

CAPTAIN AMERICA #1 by Chip Zdarsky, Valerio Schiti, Frank Martin and Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Zdarsky is no stranger into taking classic characters into uncharted waters. This debut focuses on two main characters. Rogers takes the larger spotlight to start. The initial first days out of ice show his struggles t adjust. Some things just come natural to the super soldier. Jumping in to stop a bomber is vintage Cap. The pace speeds up until its’ solid conclusion. In its’ wake, it leaves a great set-up with a few more cameos.

Readers get a healthy dose of classic Marvel Heroes and their interactions prove entertaining. Seeing Rogers decipher information on his mission leaves a true sense on wonder. Piecing together the uncomfortable new landscape leads Rogers into a new pairing. As previously mentioned, he has someone else to split time with here.

The other lead character is David Colton. Watching the tragic events of 9/11 occur, Colton is inspired to enlist. Much like young Rogers, Colton is not physically able to handle the army. The writing shows the brutality he takes while trying to prove himself. Zdarsky adds more to his backstory while mimicking Rogers. The result teases a creation of something else that veers off the Captain playbook. There’s no delay in setting the bar extremely high right from the start.

Schiti and Martin set a devasting mood early depicting Colton watching the 9/11 attacks. The horror of those terrible events come into focus with tears coming down the young man’s face. The story switches over to Rogers’ plot with a look back into yesteryear. The full page image of Cap cycling into action is sure to be a crowd pleaser. Pages following are non stop action. The event comes to a halt when a certain armored Avenger crashes the scene.

This leads into Cap’s return to service. The art showcases his fighting prowess in training. This training is in stark contrast to Colton’s vicious combat. Rogers run-in with Reed Richards proves to be a show stealer. Seeing the pair talk shop mixed with some hero admiration breaks the mood. This leads into an introduction of new faces. Rogers’ confusion is only growing as he prepares for attack. The final page circles back to Colton and where his future went. Readers will have much to process as this new series is only getting started.

OVERALL GRADE: 9.3

Steve Rogers’ “return” issue to the MCU isn’t without complications of past and present. Zdarsky constructs a tale of two people with the writing. Schiti and Martin present the unapologetic reality of both with superb art. Get ready for an unforgettable ride.

Let me know in the comments below your thoughts on Captain America #1. Thanks for reading!

AMAZING SPIDER-MAN #6 (MARVEL COMICS)

Is there ever a down moment for Peter Parker? With the Hobgoblin taken care of, things seem on the up. He has a new job at Rand Enterprises. It looks as an old flame is talking with him again. Can it be that Spidey has something in his favor? Not if HELLGATE has anything to say about it!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna kicks off a brand new story arc.

Let’s not delay and see what transpires now!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Coming off a huge return, this chapter is more grounded towards Peter’s life. The opening monologue is back to basics. It is a soft intro before Spidey’s night begins. After saving a Senator, business moves to his new job. The writing makes Rand Enterprises seem too good to be true. It allows for a few side plots to start forming. One of which carries a real threat behind it.

Readers see the return of Tombstone into Peter’s life. Knowing what has gone down in recent past issues, this felt like a sudden move. It buys time before another familiar face returns. Kelly’s writing allows Black Cat to steal some scenes along with detouring Peter’s time with Shay. The move carries through to the closing portion. Once here, Peter finds out there’s someone new in his way and any peace might have just faded away.

Romita Jr is back on art duties for this story. The action sequence with the Senator sets a good pace to roll with. It results in a classic full page of a Victorious Spider-Man swinging. The story moves events to Rand’s work. The art reflects the seriousness of the time along with some humor. Any “The Last Of Us” fans will appreciate the knod. Even with Tombstone’s cameo, the mood feels very upbeat. It’s a notable difference from last arc.

The fallout from Hobgoblin continues to be solid. Aunt May and Shay’s portions mirror those events and the distance it has caused. Readers will enjoy seeing Felica crash the scene. Her expressions shine in her devious grin. It works a classic Spidey feel into these pages. Once their time moves to investigating, the mood instantly tenses up. With everything seeming to be simple, the end throws that out the window. A two page introduction piece spells disaster for the Wall-Crawler. So much for down time indeed.

OVERALL GRADE: 8.5

The latest ASM arc starts with a reflection of a “Happier” time for Mr. Parker. Kelly switches gears with a more grounded look via the writing. Romita Jr & the art team mix in a traditional vibe with a new villain ready to make some noise. Peter is back to basics & that’s a win for everyone.

Let me know your thoughts on Amazing Spider-Man #6 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #5 (MARVEL COMICS)

The Hobgoblin has returned with a vengeance! After poisoning Queen's Soda, The rhino nearly died of a heart attack. As Spidey investigated, he was also drugged himself. Dealing with as much daily grief as he does, Peter Parker nearly broken while high out of his mind.

Nowhere near healthy to fight, Spidey has to battle through his inner demons to stop Hobgoblin once and for all!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna concludes the return arc for everyone's favorite neighborhood wall-crawler.

Let's take a closer look how this first arc wraps up!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Kelly delivers a near-perfect ending for this story. Hobgoblin's return as been filled with intrigue. Seeing the classic rogue orchestrate his plan has been extremely fun to watch. What has been even better is a return to form for ol' web-Head. Outmatched physically and having no chance to win, Spidey still heads into action. The results remind everyone why Spidey connects with all readers on a different level.

The action goes into many directions. It reflects the off-balance nature of a drugged Spider-Man. Readers do get an answer to a supporting character and their loyalties. It plays well into the big conflict ending. The writing is as classic as it gets. THIS is what the benchmark should be in telling modern Spider-Man tales. Kelly also wraps up a hanging loose thread since issue one. In dealing with the flashbacks, there has been some friction between Peter and someone he cares about. Kelly's dialogue leave readers with a massive smile on their face when the dust settles. If this is any indication of where we are heading, all superhero fans need to jump on board now.

In a short amount of time, Larraz has thrown his hat in for best Spidey artist. Even if JRJR is returning for next arc, many fans (including yours truly) will be on watch for Larraz's return. The full image of Hobgoblin menacing Rand Industries sends an early message of what's to come. It's upended by a gorgeous two page splash of Spidey swinging in to make the save. From here on out, it's off to the races with big screen combat.

Pacing is flying as Spidey races against the clock to win. Panel structure compliments this movement. Readers watch as the action is flying furiously off the pages. Hobgoblin's menacing grin takes some moments but Spidey's relentless attack wins out. The unlikely turning point is capped off with a terrifying full page image. Save room for one more full image and the fight comes to a show-stopping end. The fallout leaves time to tie up loose ends. This is especially impactful for the final page. One image will take president over the rest. It will leave the audience with a long wait for the next sage to start.

OVERALL GRADE: 9.7

I have said it once and will say it more: SPIDER-MAN IS BACK, BAY-BAY! Kelly pens a chapter bursting with action and emotion. Larraz and the art time keep raising the bar with each page of art. This run has taken off and shows no signs of slowing down anytime soon.

Let us know in the comments below your thoughts on Amazing Spider-Man #5. Thanks for reading!

Marvel Knights: The World To Come #1 (MARVEL COMICS)

A legacy renewed. A future uncertain.

Back in 1998, Marvel Comics pushed a bold new initiative onto readers. Led by Joe Quesada and Jimmy Palmiotti,"Marvel Knights" took certain Marvel characters into the realm of mature readers content. The harder edge takes were a massive hit with readers.

Bringing Kevin Smith in (w/ Quesada & Palmiotti) for "Daredevil" brought many new eyes onto the imprint. Soon after, Punisher and The Inhumans joined the ranks. The original group was rounded out by a phenomenal take on Black Panther by Christopher Priest and Mark Texeria.

Fans gravitated for the fresh takes and one creator was given the keys to the house of ideas. Quesada was named Marvel Comics Editor-In-Chief in 2000.

Fast forward to present day and the Knights legacy still resonates with fans. Priest's run heavily influenced the MCU "Black Panther" films. The Inhumans success pushed them towards an MCU project. Punisher's MK run led to Garth Ennis taking the reins with Frank Castle's world. Daredevil's huge wins lead Matt Murdock into a comic renaissance.

It comes as no surprise when Marvel announced that Quesada and Priest were returning to the imprint, fans were elated. Now it's time to see where they take the King of Wakanda in an all new adventure.

Marvel Knights: The World To Come #1 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith brings back the legendary imprint in a huge manner.

Let's see if the issue lives up to the hype!

Marvel Knights: The World To Come #1 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

When you see Priest's name in the credits, you KNOW its gonna be a fantastic story. T'Challa passing away in the opening pages throws down a huge gauntlet. The fallout is immense. Readers watch as the Dora Milaje make their presence felt. A simple return mission spirals into a deeper glimpse of the fallen King. Priest walks a fine line with time jumps. As readers backtrack on key times, the sense of greater impact never escapes the pages.

Dabbling into his romance with Storm, T'Challa's reflection of its end packs a heavy punch. The dialogue here guides the King on an unlikely yet needed path. The rules of royalty take greater shape in these pages. Some may question the takes but Priest's set-up nails each point. Readers also see a side of T'Challa that pushes this story. The writing highlights his flawed character. There are multiple examples of his perfect imperfections. None might be greater than the closing act. During these pages, tough choices are needed. The results lead into a monster cliffhanger that is sure to raise some questions. Get settled in for what shall be a saga of epic proportions.

With the art in the hands of a skilled storyteller, expectations were high. There was no letdown once events took off. The opening image of a dying T'Challa strikes an early chord. This moves events along to the Dora Milaje. Readers see their entrance come off as imposing. It sets the stage for discovering a lost friend of Wakanda. His broken mannerisms tell quite the story. It leaves readers in charge if he is delusional or defiant in the face of authority.

There's plenty of action sprinkled throughout this issue. Right from the full page start to the closing pages, the art rarely lets up. A full page image of T'Challa and Storm steals the scene as a transition begins. The panels fill with emotion as the king feels the weight of events. This carries over to another unlikely chapter in his life. Readers see how the full picture comes into view. The ending takes the intensity up a few levels. It doesn't prepare readers for the final image. A full page send-off brings the house down as the story is ready to explode. Phenomenal work as to be expected here.

OVERALL GRADE: 9.5

The King is Dead. Long Live the Legacy. Priest's writing builds up the complex duties of a fractured King. Quesada's art takes the emotions to greater heights. Combining these elements proves for a winning combination. If readers need to know why Marvel Knights was so impactful, they only need this issue for a small glimpse. This delivers on high levels of storytelling few others reach.

Let me know your thoughts on Marvel Knights: The World To Come #1 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #4 (MARVEL COMICS)

At long last, the villain behind Spider-Man’s latest woes has emerged! After investigating The Rhino having a heart attack, Spidey found himself drugged. Peter Parker has been seeing the worst nightmares possible. How he’s still standing is anyone’s guess.

It hasn’t stopped him from searching for answers. His quest has led him to The Hobgoblin! The long-time rogue looks to finish Spidey once and for all. This time, he may actually get the job done!

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna delivers on its’ heavyweight bout!

Let’s not wait any longer and dove into this chapter.

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly wastes little time before getting the action going. Readers watch as the action comes fast and furious. Spider-Man on his heels gives Hobby a more impactful return. The flashback sequences start revealing more of a darker time. It casts a certain sense around Brian Nehring. The writing keeps the audience at bay with their true opinion of him. Once Hobgoblin takes off to confront him, the story works to have Peter confront troubling memories.

Through this period, the writing has shown a moment that proves to be greater than expected. The flashback to Peter’s rebelling comes to a heartfelt close. It proves to be a deeper meaning as this conflict spirals. Readers watch as reality snaps back to a firm landing. The fallout brings forth vibrant action as pacing revs back up. Its’ conclusion sets the stage for a big finale next issue. Fans had better get ready.

Larraz keeps raising the bar with his work on this run. The fight with Hobgoblin kicks off with an intense near full page splash. How the art sets up the fast movements are a real treat for readers. This is classic Spider-Man 101. There’s only a few breaks to catch a breath as the story switches gears.

The flashback moments start off with two monster full page images. It brings out Peter’s darkest hurt as his internal struggle unfolds. This is complimented by a two page splash unveiling Peter’s rebel years. Nothing hits quite as hard as these pages. The resolution with Aunt May is powerful. Its’ half page panel starts off the closing events. Larraz and Gracia gift readers with big ction as the conclusion sets in. The final panels are structured greatly as the last round looms in the distance.

OVERALL GRADE: 9.2

The Hobgoblin makes his evil presence felt with another superb issue. Kelly unloads on the emotional baggage with his writing. Larraz and Gracia construct stunning images covering a wide spectrum. This creative team & story simply does not miss!

Let me know in the comments below your thoughts on Amazing Spider-Man #4. Thanks for reading!

UNCANNY X-MEN #14 (MARVEL COMICS)

A doorway has been discovered at Haven House. The young Outliers have gone to investigate. Deathdream seems drawn to the terrifying place. Once inside, they come across MAN THING! That’s not even the wildest part of this issue!

UNCANNY X-MEN #14 by Gail Simone, David Marquez, Matt Wilson, & Clayton Cowles unveil the next “Dark Artery” chapter.

Let’s take a closer look at where events lie now.

UNCANNY X-MEN #14 by Gail Simone, David Marquez, Matt Wilson, & Clayton Cowles (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Simone breaks this story up into three parts. The first has been devoting time to Henrietta Benjamin. Her backstory of navigating the bigotry of Haven, Louisiana’s past finally gets its payoff. Readers watch as her evolution takes a big turn. It ties events back to the present with a large upside. Where the connection is made surrounds the young mutants under Rogue’s watch.

The Outliers’ journey provides a stop gap to head to the close. Simone has built this team up very well. At their core, they mirror X-themes of the past. Readers sense how they fill a needed space on the team. Ultimately, the franchise of this squad steps up to take the spotlight.

Rogue hijacks Gambit’s tale with much fanfare. Normally, this wouldn’t work well. Simone writes arguably the best version of Anna Marie. When she crashes the pages, readers watch with delight the passing of attention. It leads into more mystery surrounding Remy’s drama. Once in the final stages, all roads lead to an expected landing. It is one that fans are ready for after the two issue build.

Has it been noted how excited fans are Marquez is back on the book? The full page image of the Outliers with Man-Thing transitions from the flashbacks with ease. It is followed with another full page breakdown piece. Readers see how the team deals with Man-Thing’s gaze with big delight.

Events take a backseat once Rogue arrives to fight Sadurang. The near full page image barrels into view. Rogue throwing hands with the monster speaks volumes. Even with Gambit’s roll away panels, nothing comes close to the fight. Once the smoke clears, the flashbacks jump into the present. A full page image ties events up timely as the chapter winds down. How things mesh from here should lead to some exciting times.

OVERALL GRADE: 8.8

A tale of two teams give readers much to talk about with this latest chapter. Simone’s writing weaves through many plots while building up the drama. Marquez and company bring the action with a wild sequence of events. This series lives up to its’ booking every time out.

Let me know your thoughts on Uncanny X-Men #14 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #3 (MARVEL COMICS)

Rhino rocked by a heart attack. An unknown assailant orchestrating an attack on everyone’s favorite Web Head. The Wall-Crawler is drugged out of his mind. Peter Parker’s only ally is Norman Osborn?! Now he has to deal with the return of Itsy Bitsy?! SPIDER-MAN IS BACK BAY-BAY!!!!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna continues its’ impressive return to basics!

Let’s take a deeper dive & see what unfolds now!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Is it even Spider-Man without personal turmoil? Kelly has dug into a buried memory of Peter and childhood “firend” Brian Nehring to fuel the drama. The opening sequence is intense as young Peter crosses Aunt May. Kelly calms fears that this is real with a simple “Oh Right..I’m drugged out of my skull”. Throw in the unstable Bitsy and Spidey has his hands full.

Their conflict is as classic of a Spidey fight you’ll see. Note: there is NOTHING wrong with that. It’s a refreshing take. The resolution even fits better than expected. Readers watch as Peter must come to grips with perception vs. reality. Even as he furthers his investigation, the sight of him working with Norman Osborn is wild. The writing shows how eerily well they work together. It’s a brief pause before the close. Once here, the mood shifts to all business. Readers watch as the long awaited showdown building since issue #1 is here. The only shame is it’s the last page. Kelly just knows how to bring out the best of Parker’s ever chaotic world.

As for the art, Larraz and Marte continue to shine. The two page spread with Bitsy vs Spidey is pure excitement. Readers watch as the pacing is ramped up to match the electric conflict. The only point it slows down is the resolution. Bitsy’s panels come across as unstable as she is. It’s fitting before the story switches gears.

Larraz mixes in some near full page images of Spidey swinging through his stops. The flashbacks with Uncle Ben and Aunt May strike a chord in reference to Nehring. It may tip off more coming but never hurts the overall picture. Once at the final moments, the full page image takes readers into the main event. A gorgeous final image reveals the true mastermind as their fight is about to finally start. I can’t compliment the art enough in these issues.

OVERALL GRADE: 9.2

Spidey’s throwdown with Itsy Bitsy is filled with hallucinations and heroics. Kelly’s writing is hitting every mark fans could want. Larraz and Garcia crank up the volume on the action with the art. It warrants saying one more time: SPIDER-MAN IS BACK BAY-BAY!!!!

Let me know in the comments below your thoughts on Amazing Spider-Man #3. Thanks for reading!

AMAZING SPIDER-MAN #2 (MARVEL COMICS)

Is anything ever easy for Peter Parker? After starting a new job at Rand Industries, Parker’s superhero life strikes. The Rhino suffers a heart attack during their latest altercation. Something about this doesn’t seem right.

An investigation leads to a swarm of familiar faces ready to greet our favorite neighborhood wall-crawler in his new era. What has SPIDER-MAN gotten involved with now?

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna swings into action with its latest chapter.

Let’s take a closer look at what is unfolding now.

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly keeps readers at bay with what is happening to Spidey in the beginning. Readers watch as his rogues gallery shows up in full force. This leads to nothing but mayhem on the streets of NYC. Once events progress, the ruse is up. Spidey isn’t fighting his enemies. He’s literally attacking parked cars and vehicles. The hallucinations don’t stop here.

At his new job, Peter Parker’s mind is fading in and out. This isn’t sitting well with his new boss. Brian Nehring is an old childhood friend who can’t save him now. The writing is tipping off more to his generous nature than is true. Even stranger is his “partnership” with Norman Osborn. Deducting he’s been poisoned, Spidey swings back to his lone lead. Once here, the story shifts gears. Pacing moves things along to a screeching halt. Judging by the last page, an old friend has crashed the scene. This isn’t going to sit well with an already weakened wall-crawler. The story is pure Spidey 101 which is a welcomed return. Readers should have much to enjoy with this.

The success of this book is Larraz’s amazing art. There is not time wasted in starting the drama. A full page image of Spidey crashing through a wall kickstarts this adventure. The scenes fill with classic rogues. It spills into the true reality. The two page spread shows what Spidey’s been fighting and it’s not a great look. This gives way to another dream moment. A full page image depicts Green Goblin flying in for a fight.

The hallucinations give way to a foreshadowing of the true villains. Each panel slowly tips off their true motives. It leaves to an explosive end to the side plot. Once things swing back to Spidey, The visit to Ravencroft is gifted a half page panel. It’s mixed in with solid flashbacks using grey coloring. Events come crashing down with the final page. A full panel reveals trouble has arrived and Spidey isn’t ready for what’s next. Larraz has got Spidey storytelling very mastered at this stage.

OVERALL GRADE: 8.6

The mystery behind the Rhino’s fall pushes Spidey to his mind’s end. Kelly weaves in a solid build with some curves thrown in plot. Larraz’s art is next level for where the dreams truly are nightmares. This is a great jumping on point for readers looking for that classic Spider-Man feel.

Let me know in the comments below your thoughts on Amazing Spider-Man #2. Thanks for reading!