AMAZING SPIDER-MAN #10 (MARVEL COMICS)

What happened to Spider-Man? That is the question looking around the Marvel Universe. After encountering HELLGATE, Peter Parker was left as a broken shell. In the weeks of his absence, criminals are taking advantage. The Shocker and Tombstone have cashed in on the void. Everything was looking great until a familiar sound returned.

“Thwip”

The web slinger returned with an all new attitude. There’s nothing very friendly about this wall-crawler.

AMAZING SPIDER-MAN #10 by Joe Kelly, Michael Dowling, Marte Gracia, Erick Arciniega & Joe Caramagna bring forth an all brutal web-head to the masses.

Let’ take a closer look at where thing go from here.

AMAZING SPIDER-MAN #10 by Joe Kelly, Michael Dowling, Marte Gracia, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly poses a very puzzling picture to the readers with this chapter. Seeing a more vicious side of Spidey emerge causes a polarizing reaction. This is very clear in the fight with Shocker’s team. Readers watch as Spidey unloads a brutal message. This carries through to his alter ego. No more Mr. Nice Guy. Welcome to a cold Peter Parker.

This new persona become clear when dealing with Tombstone. The dialogue indicates a rash change in Parker. How he carries himself doesn’t seem to fit the norm. Kelly’s writing weaves this attitude in his normal interactions as well. It eaves many questions for readers to decipher.

Was there more to Hellgate than we think? In the immediate moment, Spidey serves up another message. This pushes towards a very startling end. It is a final page that will have fans very confused but invested on where this will all lead.

Dowling steps in for art duties for this chapter. Spidey jumps into action with a great full page image. What starts out like a standard Spidey fight quickly amps up a few notches. Once the brutality comes out, it changes the mood of the book. This is very evident when dealing with Tombstone.

Peter’s body language never flinches. Even in the past, there has been instances where he sells the fear. Walking away smugly sets a tone. This aura pushes through the book. Once Shocker comes back for another round, he walks in with a solid near full image. readers may think events are back to normal. This is quickly thwarted.

Spidey does a very violent act. Watching a guest look in his eyes after is a strong panel. It tells the readers that someone isn’t underneath the mask. This jumps into the startling final page. The images there throw many ideas out to complete closing. It’s a great moment to leave fans wanting more on. The fallout looks to be very bright.

OVERALL GRADE: 9

Spider-Man is gone. Long live the Spider. Kelly’s writing keeps throwing curves to the readers on its’ direction. Dowling and the art team hone in on the new attitude of Peter Parker and its’ uncharted future. It’s a broken record at this stage but: Spider-Man is back Bay-Bay!

Let me know your thoughts on Amazing Spider-Man #10 in the comments below. Thanks for reading!

X-MEN #20 (MARVEL COMICS)

What has Scott Summers done now? That is a normal question these days. Since the Fall of Krakoa, Cyclops has been a polarizing figure to many. The residents of Merle, Alaska have their opinions. One in particular has had one since the X-Men set up shop.

Agent Lundqvist wants to have a meeting in wake of the events of the Hellfire Vigil. Something tells me this won’t be very diplomatic.

X-MEN #20 by Jed MacKay, Netho Diaz, Sean Parsons, Fernando Sifuentes and Clayton Cowles showcase a meeting of two very opinionated minds.

Let’s take a closer look at where the drama leads now.

X-MEN #20 by Jed MacKay, Netho Diaz, Sean Parsons, Fernando Sifuentes and Clayton Cowles (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

MacKay puts Summers in a very comfortable scenario. Lundqvist comes at Cyclops with a furious aggression. Readers can see the argument why. With the actions Summers were involved in, all good trust has faded (if it ever existed). The action doesn’t take too long to hit. Luckily it does. The remainder of the chapter teases a few sub plots without building to more.

Readers see how the Vigil’s events have left a solid trail of fallout. Beast, Kwannon and Temper all have notable page time. It serves as a good break from the fighting at hand. The Magik/Juggernaut dynamic has been the biggest surprise of the series. Readers have a healthy dose before heading back to the fight. Cyclops’ commitment (for better or worse) takes hold. It leads to omissions that have been brewing for a while. Once the fight is stopped, things speed to close.

The dialogue gives a few more verbal jabs in for the combatants. Readers can sense what Lundqvist truly thinks. It is met with a cold demeanor Summers has been known for. There is a very noticeable shift in the X-Man’s persona. In this moment, it is what fuels him. It also feels as Scott NEEDS to be angry to keep going. The final page leaves him and readers with a nice mystery to solve. It was better than a post fight press conference for sure.

Diaz and the art team lock in on the building rage of both personas. The initial blow is followed up by a direct view of Lundqvist ready to swing more. It helps to fully illustrate Cyclops dirty secrets and their ramifications. The close-up of the eyes tell a tale. This one is not going to end well for someone. The near full page of Lundqvist squaring up is prime example.

The other members have more emotional images to display. Their relationship woes take center stage. As mentioned, they give a break between rounds. As soon as the fight resumes, they all take a back seat. The six-panel page delivers on a great back and forth. It is followed up by a solid full page panel. This energy slows down in the closing pages. The art winds down events with subtle verbal punches. Both opponents have cold reactions until one hits a nerve. It helps to wrap things up with much to consider next time.

OVERALL GRADE: 8.5

The sins of Scott Summers are answered with a knock-down, drag out fight! MacKay unloads on the frustration of events with his writing. Diaz and the art give fans a fight for the ages. The Children of the Atom never cease to get readers talking!

Let me know your thoughts on X-Men #20 in the comments below. Thanks for reading!

THE AVENGERS IN THE VERACITY TRAP (MARVEL ARTS)

In 2022, a new joint venture from Abrams Comic Arts and Marvel Comics made a fantastic debut. Under the imprint name “Marvel Arts”, they ushered in a new era of Marvel Graphic Novels. Having the legendary Alex Ross involved made a huge statement. This lead to his non-painted story “Fantastic Four: Full Circle”.

The project was a smash success. Seeing how Ross paid homage to the classic Stan Lee/Jack Kirby era was a delight to behold.

Three years later and the imprint has another offering for fans. This time, the spotlight belongs to Earth’s Mightiest Heroes. It also isn’t your average story.

“THE AVENGERS IN THE VERACITY TRAP” by Chip Kidd & Michael Cho takes the classic superhero team into a whole new world outside their comprehension.

Let’s take a closer look at what is happening here.

“THE AVENGERS IN THE VERACITY TRAP” by Chip Kidd & Michael Cho (Marvel Arts - (Abrams ComicArts/MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

This is Kidd’s first time writing for Marvel, but he’s no stranger to tackling huge characters. Kidd helmed writing duties on Batman: Death by Design. With the god of mischief running wild, the Avengers arrive to stop his moves. Readers see the classic lineup of Captain America, Iron Man, Thor, the Hulk, Giant-Man, and the Wasp take over. The dialogue is very fitting for the 1960’s era they are in. It feels like a throwback when stories were simpler. Fortunately for the readers, that isn’t the case here.

After defeating Loki and his horde of monsters, Thor is thrusted into a portal. When he returns, everyone is stunned with his revelations. This pushes the story into a very creative narrative. Readers watch as the lines are blurred between Truth and Fiction. Kidd injects some fun awkwardness into the every-evolving tale. It never lets go of the vintage superhero feel. The interactions between characters are priceless.

Even when the final act begins, the story never loses its charm. Kidd leaves readers with a greater sense of what makes these characters legendary. They serve as a reminder of where imagination can take simple dreams. Events conclude in the only fashion they can. There won’t be too many readers walking away from this one without a smile on their face.

Cho brings the Kriby mystique to life with this saga. Loki with his army of monsters gets a full page image to start things off. Following a gorgeous team image, Cho delves into a timeless look. The “Marvel Masterwork Pin Up” is a solid win. Highlighting the squad via full page shots gives a more grand feel. There are plenty of bold action pages to compliment this sequence. Cho even features in the trademark “Kirby Crackle” into the mix. Once the story crosses worlds, it takes on a new look.

Readers see how the other side deals with the crossing over of events. There is a fun half page shot of the Avengers visiting the new world. This leads into a fun two page splash where the unlikely pair heads into the Avengers time. Seeing the reactions when a monster is coming takes on new life.

Cho locks in on the quirkiness of the situation, giving readers a light-heartened laugh while moving forward. This spins events into the final act. Watching a thought translate into an amazing two page splash become a game-changer. It leaves the characters reactions etched into the fabric of the story’s meaning. Another full page image lands soundly to lead into the fun final page. There is much to rave about the art in this novel.

OVERALL GRADE: 9

“Veracity Trap” Takes one party Kirby era storytelling and mix it with some fourth wall hijinks. The result is a truly entertaining glimpse into a forgotten era. Kidd’s writing navigates a much deeper message through the conflict at hand. Cho mesmerizes readers with each beautiful page of art. This one packs quite the punch that readers won’t want to miss.

Let me know your thoughts on “THE AVENGERS IN THE VERACITY TRAP” in the comments below. Thanks for reading!

WEREWOLF BY NIGHT: BLOOD MOON RISING #1 (MARVEL COMICS)

Jack Russell has made quite the impression over 50 years. His escapades have put him in the paths of the Hulk, Moon Knight and countless MCU favorites. Whether friend or foe, when the moon rises so does the terror.

The character’s popularity has grown further after a Marvel Studios Special Presentation. As more fans check out this character, a new special shows there’s more to offer than a good howl.

WEREWOLF BY NIGHT: BLOOD MOON RISING #1 by Michael Giacchino, David Messina, Mattia Iacono, Jason Loo & Joe Sabino presents two new tales by writers well-versed in the Jack Russell tales.

Let’s take a closer look at what is happening now!

WEREWOLF BY NIGHT: BLOOD MOON RISING #1 by Michael Giacchino, David Messina, Mattia Iacono, Jason Loo & Joe Sabino (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The special is broken into two tales. “Nail In The Coffin” by Giacchino, Messina, Iacono and Sabino puts Russell in a curious spot. Waking up in a controlled cell, the mood indicates something more sinister awaits. Readers don’t wait long as DRACULA is proven to be the culprit.

The writing takes Russell into new spaces. Seeing how his alter ego is altered throws a welcomed new look to this conflict. The result adds in a surprise guest with a greater impact than expected. Watching the communication between Russell and said character proves to spark an escape. It leads to a very intriguing close. The last page keeps a door wide open for something far greater down the road.

Messina and Iacono begin with a confused Russell in his cell. The art hones in on the confusion. Dracula’s entrance is given a solid half page. Watching the two personalities clash mirrors the dialogue superbly. This meeting isn’t very cut and dry. There is a fair amount of action panels to enjoy before a new player joins. Another half page welcomes the powerful figure into the tale. They push the events into a more puzzling close. A full page panel ends events for now but certainly not for long.

As a HUGE “All-Nighter” fan, seeing Loo pull double duty is an instant win. “A Howling Nightmare” is exactly that! Throwing in Nightmare as the main villain is another clash of styles. Russell (along with his sister Lissa and Jake Gomez) seem out of element. The writing pushes them into their darkest fears. Loo locks this point in with his art. Readers watch as the terror feels real with Lissa and Jake losing their battles.

This gives way to Jack taking over. Being the seasoned “hero” of the three, his monlogue ushers in the final stand off. Watching each wolf member deal with their terror throws off the mystical being’s smile. Events tie up nicely on the closing page. The reactions of Russell and Nightmare can’t be ignored. They move to a “happy” ending, well as far as werewolves get.

OVERALL GRADE: 8.6

The life and times of Jack Russell are anything but boring. Giacchino & Loo construct two distinct stories that bring out the best of the cursed beast. The art holds nothing back as threats are dealt with the only way he knows. Looking for why the Wolf-Man has lasted over 50 years? Look no further than here!

Let me know your thoughts on WEREWOLF BY NIGHT: BLOOD MOON RISING #1 in the comments below! Thanks for reading!

SPIDER-VERSE VS. VENOMVERSE#3 (MARVEL COMICS)

The stakes are high! Cosmic entities known as the Web-Heart & Hive-Mind have pitted champions against each other. Spiders and Symbiotes battle for survival. With all these personalities involved, it was only a matter of time before something went wrong.

Last readers watched, Spider-Ham took Weapon VIII off the board. Who's next to fall in the dangerous game?

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham looks to keep the excitement level rising with its latest chapter.

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Higgins and Groom come out the gate swinging with Team Spidey's rescue attempt of Miles. The one-liners come fast as Spidey is navigating through the combat. His banter offsets the uneasy tension building. Readers watch as the good times quickly disappear to the nature of the game.

Recluse and Miles (Spider-Prowler) both carry big scars on their sleeves. The writing showcases a more aggressive edge in their bouts. It does contrast the morals of Spider-Man himself. Luckily, he gets a more calm team member added. Having Takuya Yamashiro join the squad is a perfect addition. Readers see there's at least someone he can trust. Most of the other members have other plans in motion. This all gives way to a strong ending. The close builds up a hell of a main event for readers to pull up for next go around.

Towe and Rosenberg drop in a nice two page splash of the Miles rescue to set pace. Panels move fast as the action heats up. The symbiotes give a few different looks to team Spidey's attack. One of which tries playing off emotions. Readers can sense the trouble brooding behind the scenes. it's only a matter of time before it implodes.

The Team Spider swinging panel is eye catching. Seeing all the different spiders on page is a nice treat for readers. This quickly takes a back seat to Takuya Yamashiro's debut. The mid page shot is subtle but slips in enough story. It is a huge difference in comparison to Spidey interrogating another member. All events push towards the closing pages form here. The art delivers on setting the stage for something larger at hand. Considering what we find on the final page, readers will have to prepare for the wild action forthcoming.

OVERALL GRADE: 9.2

The latest installment shows desperate times call forth extreme measures. Groom and Higgins present the mounting tension with an excellent script. Towe and Rosenberg construct a high pace conflict with many moving parts. This series has been a blast to read and shows no signs of slowing down now.

Let me know your thoughts on Spider-Verse vs. Venomverse #3 in the comments below. Thanks for reading!

MARVEL KNIGHTS: THE WORLD TO COME #2 (MARVEL COMICS)

The King of Wakanda is dead. This has sparked the Dora Milaje to search for someone with answers. Their search has led them to Everett K. Ross. What Ross speaks takes their conversation into the past. It references a certain point in T’Challa and his son Ketema’s lives. All parties brace to what secrets are uncovered.

Marvel Knights: The World To Come #2 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith continues its’ journey back to the past.

Let’s take a closer look at what is unfolding now.

Marvel Knights: The World To Come #2 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The world through the eyes of Ross is a disturbing place. Considering the places he has been, Ross is a very jaded and broken soul. The writing shows how he’s not afraid to dance with the Devil. It also shows the trail of mistakes made. Readers watch as the tangled web weaved with Noelle Adams provides dark humor and heavy drama. Priest doesn’t let Ross stray too far from his history. It’s not long before Wakanda comes calling.

Resolving the trial of combat isn’t Ross’s specialty . The writing shows how his actions affect an already unstable fight. Ketema and T’Challa’s brawl is unforgiving. The brash young man speaks with much anger in his voice. Knowing the wild history involved, readers can sense his pain. The writing never shies away from this aspect. It plays a good counter to Ross’ internal demons. Everything gets turned when the final chapter starts. A move is made that causes a direct ripple effect. How the final page is going to play long term. In the meantime, this mystery is only getting more intense by the moment.

Quesada and Isanove start off the art with two very different full page panels. The first picks right up where issue one ends. Seeing the brutality commence makes a statement. The following page makes a completely different one. Ross has his issues and this doesn’t back away from it. It plays into the dark humor mentioned previously. Ross’s life is anything but cheery from here on out. The panels with Noelle show his slow breakdown. Readers see how the verbal weight becomes too much and sets forth his new past. Unfortunately for him, his past won’t leave him alone.

The full page view of the Wakandan ship makes a bold statement. It leaves Ross questioning the actions. Readers get caught up on T’Challa’s time during this phase. The heartbreaking pain of losing a child is presented in an emotional flashback. This pushed the time jumping for a few pages. It was nothing that readers were lost in. With Quesada steering the ship, the panels moved very easily. The roads finally lead back into the trial of combat. There’s plenty of intensity to go around during these panels. Readers watch as this leads into the shocking end. A simple panel of two words changes everything. It leaves readers with a full final page that will have the shops buzzing. Nothing is pulled when dropping another exclamation point on this chapter’s end.

OVERALL GRADE: 9.2

The world according to Everett K. Ross provides many avenues of drama leading to a show-stealing end. Priest blends the humorous times in a heavily focused drama. Quesada and the art team shine in bringing out the pent up feelings of all involved. “The World To Come” is definitely one not to sleep on.

CAPTAIN AMERICA #1 (MARVEL COMICS)

The Sentinel of Liberty. Star Spangled Avenger. Since his debut in 1941, Steve Rogers has left a legacy unmatched at Marvel. It is hard to believe there was a time he wasn’t frozen in ice. Rogers’ latest series is taking a deep look into those early days and more. Get ready for a new look at the legendary Captain.

CAPTAIN AMERICA #1 by Chip Zdarsky, Valerio Schiti, Frank Martin and Joe Caramagna delves into his first encounter with an upstart in Latveria.

Let’s not wait another minute and dive into the story.

CAPTAIN AMERICA #1 by Chip Zdarsky, Valerio Schiti, Frank Martin and Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Zdarsky is no stranger into taking classic characters into uncharted waters. This debut focuses on two main characters. Rogers takes the larger spotlight to start. The initial first days out of ice show his struggles t adjust. Some things just come natural to the super soldier. Jumping in to stop a bomber is vintage Cap. The pace speeds up until its’ solid conclusion. In its’ wake, it leaves a great set-up with a few more cameos.

Readers get a healthy dose of classic Marvel Heroes and their interactions prove entertaining. Seeing Rogers decipher information on his mission leaves a true sense on wonder. Piecing together the uncomfortable new landscape leads Rogers into a new pairing. As previously mentioned, he has someone else to split time with here.

The other lead character is David Colton. Watching the tragic events of 9/11 occur, Colton is inspired to enlist. Much like young Rogers, Colton is not physically able to handle the army. The writing shows the brutality he takes while trying to prove himself. Zdarsky adds more to his backstory while mimicking Rogers. The result teases a creation of something else that veers off the Captain playbook. There’s no delay in setting the bar extremely high right from the start.

Schiti and Martin set a devasting mood early depicting Colton watching the 9/11 attacks. The horror of those terrible events come into focus with tears coming down the young man’s face. The story switches over to Rogers’ plot with a look back into yesteryear. The full page image of Cap cycling into action is sure to be a crowd pleaser. Pages following are non stop action. The event comes to a halt when a certain armored Avenger crashes the scene.

This leads into Cap’s return to service. The art showcases his fighting prowess in training. This training is in stark contrast to Colton’s vicious combat. Rogers run-in with Reed Richards proves to be a show stealer. Seeing the pair talk shop mixed with some hero admiration breaks the mood. This leads into an introduction of new faces. Rogers’ confusion is only growing as he prepares for attack. The final page circles back to Colton and where his future went. Readers will have much to process as this new series is only getting started.

OVERALL GRADE: 9.3

Steve Rogers’ “return” issue to the MCU isn’t without complications of past and present. Zdarsky constructs a tale of two people with the writing. Schiti and Martin present the unapologetic reality of both with superb art. Get ready for an unforgettable ride.

Let me know in the comments below your thoughts on Captain America #1. Thanks for reading!

AMAZING SPIDER-MAN #6 (MARVEL COMICS)

Is there ever a down moment for Peter Parker? With the Hobgoblin taken care of, things seem on the up. He has a new job at Rand Enterprises. It looks as an old flame is talking with him again. Can it be that Spidey has something in his favor? Not if HELLGATE has anything to say about it!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna kicks off a brand new story arc.

Let’s not delay and see what transpires now!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Coming off a huge return, this chapter is more grounded towards Peter’s life. The opening monologue is back to basics. It is a soft intro before Spidey’s night begins. After saving a Senator, business moves to his new job. The writing makes Rand Enterprises seem too good to be true. It allows for a few side plots to start forming. One of which carries a real threat behind it.

Readers see the return of Tombstone into Peter’s life. Knowing what has gone down in recent past issues, this felt like a sudden move. It buys time before another familiar face returns. Kelly’s writing allows Black Cat to steal some scenes along with detouring Peter’s time with Shay. The move carries through to the closing portion. Once here, Peter finds out there’s someone new in his way and any peace might have just faded away.

Romita Jr is back on art duties for this story. The action sequence with the Senator sets a good pace to roll with. It results in a classic full page of a Victorious Spider-Man swinging. The story moves events to Rand’s work. The art reflects the seriousness of the time along with some humor. Any “The Last Of Us” fans will appreciate the knod. Even with Tombstone’s cameo, the mood feels very upbeat. It’s a notable difference from last arc.

The fallout from Hobgoblin continues to be solid. Aunt May and Shay’s portions mirror those events and the distance it has caused. Readers will enjoy seeing Felica crash the scene. Her expressions shine in her devious grin. It works a classic Spidey feel into these pages. Once their time moves to investigating, the mood instantly tenses up. With everything seeming to be simple, the end throws that out the window. A two page introduction piece spells disaster for the Wall-Crawler. So much for down time indeed.

OVERALL GRADE: 8.5

The latest ASM arc starts with a reflection of a “Happier” time for Mr. Parker. Kelly switches gears with a more grounded look via the writing. Romita Jr & the art team mix in a traditional vibe with a new villain ready to make some noise. Peter is back to basics & that’s a win for everyone.

Let me know your thoughts on Amazing Spider-Man #6 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #5 (MARVEL COMICS)

The Hobgoblin has returned with a vengeance! After poisoning Queen's Soda, The rhino nearly died of a heart attack. As Spidey investigated, he was also drugged himself. Dealing with as much daily grief as he does, Peter Parker nearly broken while high out of his mind.

Nowhere near healthy to fight, Spidey has to battle through his inner demons to stop Hobgoblin once and for all!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna concludes the return arc for everyone's favorite neighborhood wall-crawler.

Let's take a closer look how this first arc wraps up!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Kelly delivers a near-perfect ending for this story. Hobgoblin's return as been filled with intrigue. Seeing the classic rogue orchestrate his plan has been extremely fun to watch. What has been even better is a return to form for ol' web-Head. Outmatched physically and having no chance to win, Spidey still heads into action. The results remind everyone why Spidey connects with all readers on a different level.

The action goes into many directions. It reflects the off-balance nature of a drugged Spider-Man. Readers do get an answer to a supporting character and their loyalties. It plays well into the big conflict ending. The writing is as classic as it gets. THIS is what the benchmark should be in telling modern Spider-Man tales. Kelly also wraps up a hanging loose thread since issue one. In dealing with the flashbacks, there has been some friction between Peter and someone he cares about. Kelly's dialogue leave readers with a massive smile on their face when the dust settles. If this is any indication of where we are heading, all superhero fans need to jump on board now.

In a short amount of time, Larraz has thrown his hat in for best Spidey artist. Even if JRJR is returning for next arc, many fans (including yours truly) will be on watch for Larraz's return. The full image of Hobgoblin menacing Rand Industries sends an early message of what's to come. It's upended by a gorgeous two page splash of Spidey swinging in to make the save. From here on out, it's off to the races with big screen combat.

Pacing is flying as Spidey races against the clock to win. Panel structure compliments this movement. Readers watch as the action is flying furiously off the pages. Hobgoblin's menacing grin takes some moments but Spidey's relentless attack wins out. The unlikely turning point is capped off with a terrifying full page image. Save room for one more full image and the fight comes to a show-stopping end. The fallout leaves time to tie up loose ends. This is especially impactful for the final page. One image will take president over the rest. It will leave the audience with a long wait for the next sage to start.

OVERALL GRADE: 9.7

I have said it once and will say it more: SPIDER-MAN IS BACK, BAY-BAY! Kelly pens a chapter bursting with action and emotion. Larraz and the art time keep raising the bar with each page of art. This run has taken off and shows no signs of slowing down anytime soon.

Let us know in the comments below your thoughts on Amazing Spider-Man #5. Thanks for reading!

Marvel Knights: The World To Come #1 (MARVEL COMICS)

A legacy renewed. A future uncertain.

Back in 1998, Marvel Comics pushed a bold new initiative onto readers. Led by Joe Quesada and Jimmy Palmiotti,"Marvel Knights" took certain Marvel characters into the realm of mature readers content. The harder edge takes were a massive hit with readers.

Bringing Kevin Smith in (w/ Quesada & Palmiotti) for "Daredevil" brought many new eyes onto the imprint. Soon after, Punisher and The Inhumans joined the ranks. The original group was rounded out by a phenomenal take on Black Panther by Christopher Priest and Mark Texeria.

Fans gravitated for the fresh takes and one creator was given the keys to the house of ideas. Quesada was named Marvel Comics Editor-In-Chief in 2000.

Fast forward to present day and the Knights legacy still resonates with fans. Priest's run heavily influenced the MCU "Black Panther" films. The Inhumans success pushed them towards an MCU project. Punisher's MK run led to Garth Ennis taking the reins with Frank Castle's world. Daredevil's huge wins lead Matt Murdock into a comic renaissance.

It comes as no surprise when Marvel announced that Quesada and Priest were returning to the imprint, fans were elated. Now it's time to see where they take the King of Wakanda in an all new adventure.

Marvel Knights: The World To Come #1 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith brings back the legendary imprint in a huge manner.

Let's see if the issue lives up to the hype!

Marvel Knights: The World To Come #1 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

When you see Priest's name in the credits, you KNOW its gonna be a fantastic story. T'Challa passing away in the opening pages throws down a huge gauntlet. The fallout is immense. Readers watch as the Dora Milaje make their presence felt. A simple return mission spirals into a deeper glimpse of the fallen King. Priest walks a fine line with time jumps. As readers backtrack on key times, the sense of greater impact never escapes the pages.

Dabbling into his romance with Storm, T'Challa's reflection of its end packs a heavy punch. The dialogue here guides the King on an unlikely yet needed path. The rules of royalty take greater shape in these pages. Some may question the takes but Priest's set-up nails each point. Readers also see a side of T'Challa that pushes this story. The writing highlights his flawed character. There are multiple examples of his perfect imperfections. None might be greater than the closing act. During these pages, tough choices are needed. The results lead into a monster cliffhanger that is sure to raise some questions. Get settled in for what shall be a saga of epic proportions.

With the art in the hands of a skilled storyteller, expectations were high. There was no letdown once events took off. The opening image of a dying T'Challa strikes an early chord. This moves events along to the Dora Milaje. Readers see their entrance come off as imposing. It sets the stage for discovering a lost friend of Wakanda. His broken mannerisms tell quite the story. It leaves readers in charge if he is delusional or defiant in the face of authority.

There's plenty of action sprinkled throughout this issue. Right from the full page start to the closing pages, the art rarely lets up. A full page image of T'Challa and Storm steals the scene as a transition begins. The panels fill with emotion as the king feels the weight of events. This carries over to another unlikely chapter in his life. Readers see how the full picture comes into view. The ending takes the intensity up a few levels. It doesn't prepare readers for the final image. A full page send-off brings the house down as the story is ready to explode. Phenomenal work as to be expected here.

OVERALL GRADE: 9.5

The King is Dead. Long Live the Legacy. Priest's writing builds up the complex duties of a fractured King. Quesada's art takes the emotions to greater heights. Combining these elements proves for a winning combination. If readers need to know why Marvel Knights was so impactful, they only need this issue for a small glimpse. This delivers on high levels of storytelling few others reach.

Let me know your thoughts on Marvel Knights: The World To Come #1 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #4 (MARVEL COMICS)

At long last, the villain behind Spider-Man’s latest woes has emerged! After investigating The Rhino having a heart attack, Spidey found himself drugged. Peter Parker has been seeing the worst nightmares possible. How he’s still standing is anyone’s guess.

It hasn’t stopped him from searching for answers. His quest has led him to The Hobgoblin! The long-time rogue looks to finish Spidey once and for all. This time, he may actually get the job done!

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna delivers on its’ heavyweight bout!

Let’s not wait any longer and dove into this chapter.

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly wastes little time before getting the action going. Readers watch as the action comes fast and furious. Spider-Man on his heels gives Hobby a more impactful return. The flashback sequences start revealing more of a darker time. It casts a certain sense around Brian Nehring. The writing keeps the audience at bay with their true opinion of him. Once Hobgoblin takes off to confront him, the story works to have Peter confront troubling memories.

Through this period, the writing has shown a moment that proves to be greater than expected. The flashback to Peter’s rebelling comes to a heartfelt close. It proves to be a deeper meaning as this conflict spirals. Readers watch as reality snaps back to a firm landing. The fallout brings forth vibrant action as pacing revs back up. Its’ conclusion sets the stage for a big finale next issue. Fans had better get ready.

Larraz keeps raising the bar with his work on this run. The fight with Hobgoblin kicks off with an intense near full page splash. How the art sets up the fast movements are a real treat for readers. This is classic Spider-Man 101. There’s only a few breaks to catch a breath as the story switches gears.

The flashback moments start off with two monster full page images. It brings out Peter’s darkest hurt as his internal struggle unfolds. This is complimented by a two page splash unveiling Peter’s rebel years. Nothing hits quite as hard as these pages. The resolution with Aunt May is powerful. Its’ half page panel starts off the closing events. Larraz and Gracia gift readers with big ction as the conclusion sets in. The final panels are structured greatly as the last round looms in the distance.

OVERALL GRADE: 9.2

The Hobgoblin makes his evil presence felt with another superb issue. Kelly unloads on the emotional baggage with his writing. Larraz and Gracia construct stunning images covering a wide spectrum. This creative team & story simply does not miss!

Let me know in the comments below your thoughts on Amazing Spider-Man #4. Thanks for reading!

UNCANNY X-MEN #14 (MARVEL COMICS)

A doorway has been discovered at Haven House. The young Outliers have gone to investigate. Deathdream seems drawn to the terrifying place. Once inside, they come across MAN THING! That’s not even the wildest part of this issue!

UNCANNY X-MEN #14 by Gail Simone, David Marquez, Matt Wilson, & Clayton Cowles unveil the next “Dark Artery” chapter.

Let’s take a closer look at where events lie now.

UNCANNY X-MEN #14 by Gail Simone, David Marquez, Matt Wilson, & Clayton Cowles (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Simone breaks this story up into three parts. The first has been devoting time to Henrietta Benjamin. Her backstory of navigating the bigotry of Haven, Louisiana’s past finally gets its payoff. Readers watch as her evolution takes a big turn. It ties events back to the present with a large upside. Where the connection is made surrounds the young mutants under Rogue’s watch.

The Outliers’ journey provides a stop gap to head to the close. Simone has built this team up very well. At their core, they mirror X-themes of the past. Readers sense how they fill a needed space on the team. Ultimately, the franchise of this squad steps up to take the spotlight.

Rogue hijacks Gambit’s tale with much fanfare. Normally, this wouldn’t work well. Simone writes arguably the best version of Anna Marie. When she crashes the pages, readers watch with delight the passing of attention. It leads into more mystery surrounding Remy’s drama. Once in the final stages, all roads lead to an expected landing. It is one that fans are ready for after the two issue build.

Has it been noted how excited fans are Marquez is back on the book? The full page image of the Outliers with Man-Thing transitions from the flashbacks with ease. It is followed with another full page breakdown piece. Readers see how the team deals with Man-Thing’s gaze with big delight.

Events take a backseat once Rogue arrives to fight Sadurang. The near full page image barrels into view. Rogue throwing hands with the monster speaks volumes. Even with Gambit’s roll away panels, nothing comes close to the fight. Once the smoke clears, the flashbacks jump into the present. A full page image ties events up timely as the chapter winds down. How things mesh from here should lead to some exciting times.

OVERALL GRADE: 8.8

A tale of two teams give readers much to talk about with this latest chapter. Simone’s writing weaves through many plots while building up the drama. Marquez and company bring the action with a wild sequence of events. This series lives up to its’ booking every time out.

Let me know your thoughts on Uncanny X-Men #14 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #3 (MARVEL COMICS)

Rhino rocked by a heart attack. An unknown assailant orchestrating an attack on everyone’s favorite Web Head. The Wall-Crawler is drugged out of his mind. Peter Parker’s only ally is Norman Osborn?! Now he has to deal with the return of Itsy Bitsy?! SPIDER-MAN IS BACK BAY-BAY!!!!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna continues its’ impressive return to basics!

Let’s take a deeper dive & see what unfolds now!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Is it even Spider-Man without personal turmoil? Kelly has dug into a buried memory of Peter and childhood “firend” Brian Nehring to fuel the drama. The opening sequence is intense as young Peter crosses Aunt May. Kelly calms fears that this is real with a simple “Oh Right..I’m drugged out of my skull”. Throw in the unstable Bitsy and Spidey has his hands full.

Their conflict is as classic of a Spidey fight you’ll see. Note: there is NOTHING wrong with that. It’s a refreshing take. The resolution even fits better than expected. Readers watch as Peter must come to grips with perception vs. reality. Even as he furthers his investigation, the sight of him working with Norman Osborn is wild. The writing shows how eerily well they work together. It’s a brief pause before the close. Once here, the mood shifts to all business. Readers watch as the long awaited showdown building since issue #1 is here. The only shame is it’s the last page. Kelly just knows how to bring out the best of Parker’s ever chaotic world.

As for the art, Larraz and Marte continue to shine. The two page spread with Bitsy vs Spidey is pure excitement. Readers watch as the pacing is ramped up to match the electric conflict. The only point it slows down is the resolution. Bitsy’s panels come across as unstable as she is. It’s fitting before the story switches gears.

Larraz mixes in some near full page images of Spidey swinging through his stops. The flashbacks with Uncle Ben and Aunt May strike a chord in reference to Nehring. It may tip off more coming but never hurts the overall picture. Once at the final moments, the full page image takes readers into the main event. A gorgeous final image reveals the true mastermind as their fight is about to finally start. I can’t compliment the art enough in these issues.

OVERALL GRADE: 9.2

Spidey’s throwdown with Itsy Bitsy is filled with hallucinations and heroics. Kelly’s writing is hitting every mark fans could want. Larraz and Garcia crank up the volume on the action with the art. It warrants saying one more time: SPIDER-MAN IS BACK BAY-BAY!!!!

Let me know in the comments below your thoughts on Amazing Spider-Man #3. Thanks for reading!

AMAZING SPIDER-MAN #2 (MARVEL COMICS)

Is anything ever easy for Peter Parker? After starting a new job at Rand Industries, Parker’s superhero life strikes. The Rhino suffers a heart attack during their latest altercation. Something about this doesn’t seem right.

An investigation leads to a swarm of familiar faces ready to greet our favorite neighborhood wall-crawler in his new era. What has SPIDER-MAN gotten involved with now?

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna swings into action with its latest chapter.

Let’s take a closer look at what is unfolding now.

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly keeps readers at bay with what is happening to Spidey in the beginning. Readers watch as his rogues gallery shows up in full force. This leads to nothing but mayhem on the streets of NYC. Once events progress, the ruse is up. Spidey isn’t fighting his enemies. He’s literally attacking parked cars and vehicles. The hallucinations don’t stop here.

At his new job, Peter Parker’s mind is fading in and out. This isn’t sitting well with his new boss. Brian Nehring is an old childhood friend who can’t save him now. The writing is tipping off more to his generous nature than is true. Even stranger is his “partnership” with Norman Osborn. Deducting he’s been poisoned, Spidey swings back to his lone lead. Once here, the story shifts gears. Pacing moves things along to a screeching halt. Judging by the last page, an old friend has crashed the scene. This isn’t going to sit well with an already weakened wall-crawler. The story is pure Spidey 101 which is a welcomed return. Readers should have much to enjoy with this.

The success of this book is Larraz’s amazing art. There is not time wasted in starting the drama. A full page image of Spidey crashing through a wall kickstarts this adventure. The scenes fill with classic rogues. It spills into the true reality. The two page spread shows what Spidey’s been fighting and it’s not a great look. This gives way to another dream moment. A full page image depicts Green Goblin flying in for a fight.

The hallucinations give way to a foreshadowing of the true villains. Each panel slowly tips off their true motives. It leaves to an explosive end to the side plot. Once things swing back to Spidey, The visit to Ravencroft is gifted a half page panel. It’s mixed in with solid flashbacks using grey coloring. Events come crashing down with the final page. A full panel reveals trouble has arrived and Spidey isn’t ready for what’s next. Larraz has got Spidey storytelling very mastered at this stage.

OVERALL GRADE: 8.6

The mystery behind the Rhino’s fall pushes Spidey to his mind’s end. Kelly weaves in a solid build with some curves thrown in plot. Larraz’s art is next level for where the dreams truly are nightmares. This is a great jumping on point for readers looking for that classic Spider-Man feel.

Let me know in the comments below your thoughts on Amazing Spider-Man #2. Thanks for reading!

WOLVERINE #8 (MARVEL COMICS)

Logan. James Howlett. Weapon X. All names connected to the best at what he does: WOLVERINE. The most dangerous X-Man has carved his way into fans hearts since his debut in 1974. Chris Claremont and Frank Miller helped tested the waters with a solo limited series. The fans wanted more and in 1988, Marvel Comics unleashed Wolvie into his first ongoing series.

From that point on, Logan’s adventures have graced comic shops in many different runs. Why is this relevant in 2025? Fans are about to witness a milestone chapter in the life of the pop culture fan-favorite.

WOLVERINE #8 by Saladin Ahmed, Daniel Warren Johnson, Martín Cóccolo, Bryan Valenza, Mike Spicer and Cory Petit celebrates 400 legacy issues with an all-star special.

Let’s not delay any more and cut right to the chase!

WOLVERINE #8 by Saladin Ahmed, Daniel Warren Johnson, Martín Cóccolo, Bryan Valenza, Mike Spicer and Cory Petit (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The special is broken down into three stories. “Adamantine Unleashed” concludes the current story line with Romulus. Ahmed sets up events as straight-forward as Wolverine gets. There’s plenty of brutal action with drive behind it. One element that stands out is the father instinct. Readers watch as his daughter (Laura Kinney) is the catalyst to go extreme. Logan ends the conflict as only he can. It leads to as happy of an ending as he ever gets. This becomes a great Segway point for the next story.

“This Is Your Life” centers around a classic match-up. The writing plays into the personal trauma that Wolverine carries. Once again, Wolvie uses his fatherly instinct to push him again. This time, it’s his protective nature of Wendigo. The art showcases the a twisted trip down memory lane. Pacing keeps things pushing right along. Considering the villain at hand, it’s very textbook in execution. Not a bad thing mind you, just very balanced. What will stand out here is the finish. It is a very big turn of events. There are many questions readers will have from the final page. As one door closes after 400 issues, the next phase arrives shrouded in mystery.

Arguably the strongest portion of the book is “Onyrō”. It is a throwback to feudal times. Johnson and Spicer showcase Logan as a violent force of vengeance. The slow build panels give way to bloody justice. There is nothing safe. It is a visceral display that fits the berzerker rage. There is no better example than the full page image of Logan finishing the battle. Its epilogue is given the full page treatment as well. Readers walk away with a bittersweet moment perfectly fitting the mood.

OVERALL GRADE: 8.4

Wolverine celebrates a milestone with a uniquely special chapter. In present time, the writing plays into the strengths of a older and wiser Logan. Cóccolo & Valenza brings out the frenzy inside of the fighter. The cliffhanger ending is one that will have the shops buzzing with wonder. Johnson and Spicer steal the show with a timeless display of the internal conflict brooding for over 400 issues. Here’s to another 400 and many more after that!

Let me know in the comments below your thoughts on Wolverine #8. Thanks for reading!

AMAZING SPIDER-MAN #1 (MARVEL COMICS)

Out of 8 Deaths comes a rebirth. Following a very polarizing run of everyone’s favorite wall-crawler comes a fresh start. Peter Parker is jobless. Norman Osborn is goblin-free. A new villain has arrived. The latest chapter of the life and times of your friendly neighborhood Spider-Man starts NOW!

AMAZING SPIDER-MAN #1 Joe Kelly, Pepe Larraz, John Romita Jr., Scott Hanna, Marte Gracia, Marcio Menyz & Joe Caramagna takes center stage with a fresh new beginning.

Let’s not wait any longer and dive into the new era.

AMAZING SPIDER-MAN #1 by Joe Kelly, Pepe Larraz, John Romita Jr., Scott Hanna, Marte Gracia, Marcio Menyz & Joe Caramagna (marvel comics)

*** POSSIBLE SPOILER WARNING ***

Coming from the previous run, expectations are put in an awkward spot. Knowing Kelly’s writing style, they’re amped up more than usual. The first chapter centers around a “normal” day in Peter Parker’s world. It nails the traditional “lovable loser” themes Spidey is known for. Once the story goes into a familiar showdown does it find its’ footing.

Kelly throws a twist into a classic rogue. Readers watch as it becomes the start of a larger scheme. The writing also slides in a dastardly return. This eventually leads into quite the shocking turn of events. The final pages here carry a deafening take before passing the baton to Norman Osborn.

His story reflects the new stat quo without the Goblin. It plays well to translate Normans attempt at forgiveness. Events switch gears to a more appeasing approach. How long this will last is anyone’s guess. The issue caps off with a new villain making an entrance. All in all, Kelly adds enough fuel to get a fire burning inside Spidey’s latest adventures.

Art duties are split between Larraz (Main Story) and Romita jr. (Normon and Hellgate). The panel set-up by Larraz works well to run with the dueling Peter/Spidey moments. It gives readers a great segway before his latest job begins. There isn’t much time to pause here. A two page splash of Rhino takes center stage.

Events move fast as the curve is thrown into play. This sends events towards a classic Spidey villain. A half panel indicates what’s to come next with him. Readers watch as the closing pages begin here. This story is capped off with an incredible two page splash. It’s a perfect landing spot to pass art duties to JRJR on.

His portions start with Osborn addressing reporters. It doesn’t take long for things to escalate. A would be attacker is given a half page debut. The eventual fight is classic JRJR. It sets up a solid mic drop moment before the easier close. Once here, the art showcases Spidey’s latest threat with a full page image. As previously eluded to, this chapter is juggling many hats.

OVERALL GRADE: 8.6

Welcome back Pete! Kelly’s writing brings back sorely missed themes for Spider-Man. Larraz, Romita Jr. and their respective art teams flourish in the new stat quo with solid images. It’s a welcomed return that can only push forward from here.

Let me know your comments below about AMAZING SPIDER-MAN #1. Thanks for reading!

ALL NEW VENOM #5 (MARVEL COMICS)

At long last, a mystery solved. There is a new host for one of Marvel’s most polarizing characters. Dylan Brock has made it a mission to find out who. Suspects have ranged from Luke Cage to Madame Masque. Masque has drawn out the Lethal Protector. M.O.D.O.K. is on the scene as well. With innocents in the crossfire, will this be a short career for the all new VENOM?

ALL NEW VENOM #5 by Al Ewing, Carlos Gómez, Frank D'Armata, and Clayton Cowles exposes the identity of its’ latest host.

Let’s not delay any longer and find out who it is.

ALL NEW VENOM #5 by Al Ewing, Carlos Gómez, Frank D'Armata, and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ewing draws out the reveal through Robbie Robertson. He is investigating Dylan Brock’s search. It brings him to the doorstep of Paul Rabin and Mary Jane Watson. The conversation is frank as Robbie has pieced together the identity. Paul plays shocked in response to questions. The writing alludes to his blindness of truth. As his probing becomes harder, Paul slips further into a panic denial. All the while, Venom has its hands full.

The majority of the chapter hones in on Venom and Sleeper versus M.O.D.O.K. There is plenty of action to go around. Venom itself carries a new energy to it during the melee. Readers can instantly sense there’s a heroic vibe to the symbiote. The conflict concludes on a very unorthodox move. It proves challenging as far as heroics go. There’s little time to process as Venom retreats to a familiar spot. Once here, all points circle back to a common ground. The last page says it all with many more thoughts behind it. Readers will have to let this era of Venom play out before judgement is made.

Gómez and D'Armata bring the action with this chapter. They open the fight with a near full page shot of M.O.D.O.K. unloading on Sleeper. It’s a great example of how powerful the villain is. Venom’s response is almost comical in presentation. Granted, its’ fighting a monster head but the move is a but too “Looney Tunes”. It causes a drastic response via near full page image.

The art team spotlights the symbiote pairing saving others. It creates a thrilling feel as the fight heads to its’ end. Once here, the attack goes BIG to stop the villain once and for all. The fallout eases fans back into a normal state. This catches up with Robbie’s questioning and Paul’s frantic reactions. This all builds towards the revealing final page. The full page image leaves no doubts on who the host is. Where we go from here is anyone’s guess.

OVERALL GRADE: 8

Venom’s new host is introduced behind an action packed chapter. Ewing sets events in motion with solid writing. Gómez and D'Armata give fans an energetic brawl before dropping the big news. A new era of the Lethal Protector definitely begins now.

Let me know in the comments below your thoughts on All New Venom #5. Thanks for reading!

CAPTAIN AMERICA & VOLSTAGG #1 (MARVEL COMICS)

The Marvel COMICS universe has a deep line-up of characters. Each timeline, world and powerset all stand out for various reasons. When they cross paths, it leads to some creative takes and dynamics. One writer in particular is leading a small run of stories playing off unique pairings.

CAPTAIN AMERICA & VOLSTAGG #1 by J. Michael Straczynski, Bernard Chang, Marcelo Maiolo, and Joe Caramagna is the next up for Straczynski’s eclectic mash-up pairing.

Let’s take a closer look and see how this plays out.

CAPTAIN AMERICA & VOLSTAGG #1 by J. Michael Straczynski, Bernard Chang, Marcelo Maiolo, and Joe Caramagna (Marvel Comics) Cover - Terry Dodson

*** POSSIBLE SPOILER WARNING ***

Straczynski swings big with this second one-shot. The personality clashes are what gives this story it’s strength. Volstagg has always been seen as the jolly fighter of the Warriors Three. In this chapter, JMS gives a few new layers to his character. This plays well off of the Captain. After a brief chase scene, readers see the true tale unfold.

Volstagg’s reasons of action cast a new light. A secret of Volstagg’s past comes back around. It fuels his search for Cap’s help. Readers see how the complicated matter needs Steve Rodgers to assist. The adventure plays out as one may expect. It is very unique to see Rodgers in this element. The writing displays his loyalty to a friend. It also shows the power of a good lie. Events roll up nicely to depart both on their next adventures. An enjoyable read never the less.

Chang and Maiolo play into the gritty espionage world of Cap to kick things off. The panels are all high paced action. They hit their marks before thrusting the Captain into Asgard. Once there, events shift to a more calm state. This is in large part to the selling pitch of Volstagg.

Flashback moments of Triton and Volstagg’s “double life” will be a win with readers. Each show a new side of the jolly warrior. This leads into a gorgeous two page battle splash. Readers watch as Volstagg’s ruse comes into fruition as action commences. There’s a solid extra historical page thrown in for good fun. Oce at the closing pages, events lead to a strong closing shot. The final full page image sends readers off to their next adventure with fun and style.

OVERALL GRADE: 8.5

What happens when you mix a jolly Asgardian with the Sentinel of Liberty? A fun adventure with some deceptive heart behind it. JMS constructs an orthodox tale with many moving parts. Chang, Maiolo and Caramagna weave in drama along with strong action. This is one for readers to get a true vision of the wide MCU landscape.

Hit me up on ODPHpod social media and let me know your thoughts on CAPTAIN AMERICA & VOLSTAGG #1. Thanks for reading!

AMAZING SPIDER-MAN #66 (MARVEL COMICS)

With a new sorcerer supreme in place, the MCU is on edge. DOOM has taken the mantle from Dr. Strange. He has given Spider-Man a mission to complete. Last readers watch, he was forced to endure the deaths of his loved ones. The challenge has pushed Peter Parker to a broken state. He has now walked away from his alter-ego. What does this mean for the fate of the Universe?

AMAZING SPIDER-MAN #66 by Justina Ireland, Andrea Broccardo, Marcio Menyz, Erick Arciniega and Joe Caramagna contintes “the 8 Deaths of Spider-Man” saga.

Let’s see what unfolds for Peter Parker now!

AMAZING SPIDER-MAN #66 by Justina Ireland, Andrea Broccardo, Marcio Menyz, Erick Arciniega and Joe Caramagna (MARVEL COMICS) Cover: Mark Bagley

*** POSSIBLE SPOILER WARNING ***

Ireland takes readers on the journey of understanding guilt. No one in comics carries grief quite like Parker. Seeing how the vicious cycle of loss affects him is an impactful move. A conveyance store robbery displays how Parker is shattered. The dialogue between him and the robber is cold and emotionless. This mood continues with various other characters. None more impactful than with Shay Martin.

The writing puts Parker’s depression against Shay’s reasons for nursing. It is a jarring picture of a challenged hero. Seeing Parker left in this state will impact readers. It leads him into familiar arms via Felicia Hardy. Their dialogue mirrors their conflicting past. The moments leaves them both in an awkward state. For where his path goes now is up in the air. Save for the cameo from a certain Alaska team, this issue is very grounded in coping with failure.

Broccardo and the team never shy away from displaying Parker’s guilt. A two page shot shows Peter reflecting on the deaths he’s witnessed. The image sets the pave for the remainder of the chapter. Watching the store robbery play out, Peter is shown to be numb to caring. His mannerisms show no life as he walks through the incident.

The conversation with Shay hit key points. It shows Peter grasping for anything to spark him. Shay’s eyes speak of worry for Peter’s wellbeing. It’s quickly swayed with a glimpse of him standing around dead bodies in his mind. Once Hardy and Parker have their meet-up, the scenes are very familiar. It ends with a kiss between former lovers. Both have dealt with pain before. The art locks in on that moment. The closing page is one that loops back to a solid group shot as new heroes have entered the game.

FINAL POINT: 8

The post Spider-Man life starts off with a empty Peter Parker in this latest chapter. Ireland’s writing leans into his guilt of failure. Broccardo and the team bring the pain to life sending Peter into looking for comfort. This is a changing point as the fight against the Scions continues on.

Hit me up on ODPHpod social media and let me know your thoughts on Amazing Spider-Man #66. Thanks for reading!

STORM #4 (MARVEL COMICS)

DOOM has summoned Ororo Munroe. Marvel’s mightiest mutant is still recovering from her near-death experience. It has cost her the use of her powers for seven days. In that time, Munroe has reconnected with the X-Men but happiness is short lived. Now en route to Latveria, Munroe had better be ready for anything.

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham stages a business meeting for the ages.

Let’s take a closer look at what’s happening now!

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ayodele continues to push Munroe into new heights with this series. Throwing DOOM into the mix provides unique banter. Both characters are royalty in the MCU. Their dynamic is as combustible as one may think. Doom carries a sense of arrogance as he tries discussing plans. Munroe stands her ground and delivers back. This leads to a choice with dire consequences.

The writing ties ack to the dealing of Brother Vooddo. Its’ payoff throws a monster curve into the mix. All the while, Ayodele slides in some heartbreaking moments before the close. The writing with the “flashback” moments are a big win. Nothing will prepare readers for the ending. The final pages shatter any preconceived notions. Events end with a loud exclamation point heading into next issue.

Wenrick and Guimarâes never let reader escape the regal flare on display. Storm arriving for her dinner gets a fantastic full page image. The expressions she and Doom duel with only add more tension as the night progresses. It is offset with DOOM forcing a hand to be played. The result vasty speeds up the pages.

Once the deal is broken, a shocking action is taken. The art depicts the fading life in the panel set-up. It is countered with an incredible afterlife sequence. This completes with a fitting full page image. Once here, the closing pages change everything readers know thus far. Get ready to be WOW’ed by the images here.

FINAL POINT: 9.3

The Mutant world crashes into the regal landscape with a stellar issue. Ayodele’s writing keeps raising the nobility and possibilities in Storm. Wenrick, Guimarâes and Lanham build the impactful surroundings of a meeting fit for Kings and Queens. This series never is short of surprises and drama. What a winning combination.

Hit me up on ODPHpod social media and let me know your thoughts on Storm #4. Thanks for reading!