AMAZING SPIDER-MAN #6 (MARVEL COMICS)

Is there ever a down moment for Peter Parker? With the Hobgoblin taken care of, things seem on the up. He has a new job at Rand Enterprises. It looks as an old flame is talking with him again. Can it be that Spidey has something in his favor? Not if HELLGATE has anything to say about it!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna kicks off a brand new story arc.

Let’s not delay and see what transpires now!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Coming off a huge return, this chapter is more grounded towards Peter’s life. The opening monologue is back to basics. It is a soft intro before Spidey’s night begins. After saving a Senator, business moves to his new job. The writing makes Rand Enterprises seem too good to be true. It allows for a few side plots to start forming. One of which carries a real threat behind it.

Readers see the return of Tombstone into Peter’s life. Knowing what has gone down in recent past issues, this felt like a sudden move. It buys time before another familiar face returns. Kelly’s writing allows Black Cat to steal some scenes along with detouring Peter’s time with Shay. The move carries through to the closing portion. Once here, Peter finds out there’s someone new in his way and any peace might have just faded away.

Romita Jr is back on art duties for this story. The action sequence with the Senator sets a good pace to roll with. It results in a classic full page of a Victorious Spider-Man swinging. The story moves events to Rand’s work. The art reflects the seriousness of the time along with some humor. Any “The Last Of Us” fans will appreciate the knod. Even with Tombstone’s cameo, the mood feels very upbeat. It’s a notable difference from last arc.

The fallout from Hobgoblin continues to be solid. Aunt May and Shay’s portions mirror those events and the distance it has caused. Readers will enjoy seeing Felica crash the scene. Her expressions shine in her devious grin. It works a classic Spidey feel into these pages. Once their time moves to investigating, the mood instantly tenses up. With everything seeming to be simple, the end throws that out the window. A two page introduction piece spells disaster for the Wall-Crawler. So much for down time indeed.

OVERALL GRADE: 8.5

The latest ASM arc starts with a reflection of a “Happier” time for Mr. Parker. Kelly switches gears with a more grounded look via the writing. Romita Jr & the art team mix in a traditional vibe with a new villain ready to make some noise. Peter is back to basics & that’s a win for everyone.

Let me know your thoughts on Amazing Spider-Man #6 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #5 (MARVEL COMICS)

The Hobgoblin has returned with a vengeance! After poisoning Queen's Soda, The rhino nearly died of a heart attack. As Spidey investigated, he was also drugged himself. Dealing with as much daily grief as he does, Peter Parker nearly broken while high out of his mind.

Nowhere near healthy to fight, Spidey has to battle through his inner demons to stop Hobgoblin once and for all!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna concludes the return arc for everyone's favorite neighborhood wall-crawler.

Let's take a closer look how this first arc wraps up!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Kelly delivers a near-perfect ending for this story. Hobgoblin's return as been filled with intrigue. Seeing the classic rogue orchestrate his plan has been extremely fun to watch. What has been even better is a return to form for ol' web-Head. Outmatched physically and having no chance to win, Spidey still heads into action. The results remind everyone why Spidey connects with all readers on a different level.

The action goes into many directions. It reflects the off-balance nature of a drugged Spider-Man. Readers do get an answer to a supporting character and their loyalties. It plays well into the big conflict ending. The writing is as classic as it gets. THIS is what the benchmark should be in telling modern Spider-Man tales. Kelly also wraps up a hanging loose thread since issue one. In dealing with the flashbacks, there has been some friction between Peter and someone he cares about. Kelly's dialogue leave readers with a massive smile on their face when the dust settles. If this is any indication of where we are heading, all superhero fans need to jump on board now.

In a short amount of time, Larraz has thrown his hat in for best Spidey artist. Even if JRJR is returning for next arc, many fans (including yours truly) will be on watch for Larraz's return. The full image of Hobgoblin menacing Rand Industries sends an early message of what's to come. It's upended by a gorgeous two page splash of Spidey swinging in to make the save. From here on out, it's off to the races with big screen combat.

Pacing is flying as Spidey races against the clock to win. Panel structure compliments this movement. Readers watch as the action is flying furiously off the pages. Hobgoblin's menacing grin takes some moments but Spidey's relentless attack wins out. The unlikely turning point is capped off with a terrifying full page image. Save room for one more full image and the fight comes to a show-stopping end. The fallout leaves time to tie up loose ends. This is especially impactful for the final page. One image will take president over the rest. It will leave the audience with a long wait for the next sage to start.

OVERALL GRADE: 9.7

I have said it once and will say it more: SPIDER-MAN IS BACK, BAY-BAY! Kelly pens a chapter bursting with action and emotion. Larraz and the art time keep raising the bar with each page of art. This run has taken off and shows no signs of slowing down anytime soon.

Let us know in the comments below your thoughts on Amazing Spider-Man #5. Thanks for reading!

Marvel Knights: The World To Come #1 (MARVEL COMICS)

A legacy renewed. A future uncertain.

Back in 1998, Marvel Comics pushed a bold new initiative onto readers. Led by Joe Quesada and Jimmy Palmiotti,"Marvel Knights" took certain Marvel characters into the realm of mature readers content. The harder edge takes were a massive hit with readers.

Bringing Kevin Smith in (w/ Quesada & Palmiotti) for "Daredevil" brought many new eyes onto the imprint. Soon after, Punisher and The Inhumans joined the ranks. The original group was rounded out by a phenomenal take on Black Panther by Christopher Priest and Mark Texeria.

Fans gravitated for the fresh takes and one creator was given the keys to the house of ideas. Quesada was named Marvel Comics Editor-In-Chief in 2000.

Fast forward to present day and the Knights legacy still resonates with fans. Priest's run heavily influenced the MCU "Black Panther" films. The Inhumans success pushed them towards an MCU project. Punisher's MK run led to Garth Ennis taking the reins with Frank Castle's world. Daredevil's huge wins lead Matt Murdock into a comic renaissance.

It comes as no surprise when Marvel announced that Quesada and Priest were returning to the imprint, fans were elated. Now it's time to see where they take the King of Wakanda in an all new adventure.

Marvel Knights: The World To Come #1 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith brings back the legendary imprint in a huge manner.

Let's see if the issue lives up to the hype!

Marvel Knights: The World To Come #1 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

When you see Priest's name in the credits, you KNOW its gonna be a fantastic story. T'Challa passing away in the opening pages throws down a huge gauntlet. The fallout is immense. Readers watch as the Dora Milaje make their presence felt. A simple return mission spirals into a deeper glimpse of the fallen King. Priest walks a fine line with time jumps. As readers backtrack on key times, the sense of greater impact never escapes the pages.

Dabbling into his romance with Storm, T'Challa's reflection of its end packs a heavy punch. The dialogue here guides the King on an unlikely yet needed path. The rules of royalty take greater shape in these pages. Some may question the takes but Priest's set-up nails each point. Readers also see a side of T'Challa that pushes this story. The writing highlights his flawed character. There are multiple examples of his perfect imperfections. None might be greater than the closing act. During these pages, tough choices are needed. The results lead into a monster cliffhanger that is sure to raise some questions. Get settled in for what shall be a saga of epic proportions.

With the art in the hands of a skilled storyteller, expectations were high. There was no letdown once events took off. The opening image of a dying T'Challa strikes an early chord. This moves events along to the Dora Milaje. Readers see their entrance come off as imposing. It sets the stage for discovering a lost friend of Wakanda. His broken mannerisms tell quite the story. It leaves readers in charge if he is delusional or defiant in the face of authority.

There's plenty of action sprinkled throughout this issue. Right from the full page start to the closing pages, the art rarely lets up. A full page image of T'Challa and Storm steals the scene as a transition begins. The panels fill with emotion as the king feels the weight of events. This carries over to another unlikely chapter in his life. Readers see how the full picture comes into view. The ending takes the intensity up a few levels. It doesn't prepare readers for the final image. A full page send-off brings the house down as the story is ready to explode. Phenomenal work as to be expected here.

OVERALL GRADE: 9.5

The King is Dead. Long Live the Legacy. Priest's writing builds up the complex duties of a fractured King. Quesada's art takes the emotions to greater heights. Combining these elements proves for a winning combination. If readers need to know why Marvel Knights was so impactful, they only need this issue for a small glimpse. This delivers on high levels of storytelling few others reach.

Let me know your thoughts on Marvel Knights: The World To Come #1 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #4 (MARVEL COMICS)

At long last, the villain behind Spider-Man’s latest woes has emerged! After investigating The Rhino having a heart attack, Spidey found himself drugged. Peter Parker has been seeing the worst nightmares possible. How he’s still standing is anyone’s guess.

It hasn’t stopped him from searching for answers. His quest has led him to The Hobgoblin! The long-time rogue looks to finish Spidey once and for all. This time, he may actually get the job done!

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna delivers on its’ heavyweight bout!

Let’s not wait any longer and dove into this chapter.

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly wastes little time before getting the action going. Readers watch as the action comes fast and furious. Spider-Man on his heels gives Hobby a more impactful return. The flashback sequences start revealing more of a darker time. It casts a certain sense around Brian Nehring. The writing keeps the audience at bay with their true opinion of him. Once Hobgoblin takes off to confront him, the story works to have Peter confront troubling memories.

Through this period, the writing has shown a moment that proves to be greater than expected. The flashback to Peter’s rebelling comes to a heartfelt close. It proves to be a deeper meaning as this conflict spirals. Readers watch as reality snaps back to a firm landing. The fallout brings forth vibrant action as pacing revs back up. Its’ conclusion sets the stage for a big finale next issue. Fans had better get ready.

Larraz keeps raising the bar with his work on this run. The fight with Hobgoblin kicks off with an intense near full page splash. How the art sets up the fast movements are a real treat for readers. This is classic Spider-Man 101. There’s only a few breaks to catch a breath as the story switches gears.

The flashback moments start off with two monster full page images. It brings out Peter’s darkest hurt as his internal struggle unfolds. This is complimented by a two page splash unveiling Peter’s rebel years. Nothing hits quite as hard as these pages. The resolution with Aunt May is powerful. Its’ half page panel starts off the closing events. Larraz and Gracia gift readers with big ction as the conclusion sets in. The final panels are structured greatly as the last round looms in the distance.

OVERALL GRADE: 9.2

The Hobgoblin makes his evil presence felt with another superb issue. Kelly unloads on the emotional baggage with his writing. Larraz and Gracia construct stunning images covering a wide spectrum. This creative team & story simply does not miss!

Let me know in the comments below your thoughts on Amazing Spider-Man #4. Thanks for reading!

UNCANNY X-MEN #14 (MARVEL COMICS)

A doorway has been discovered at Haven House. The young Outliers have gone to investigate. Deathdream seems drawn to the terrifying place. Once inside, they come across MAN THING! That’s not even the wildest part of this issue!

UNCANNY X-MEN #14 by Gail Simone, David Marquez, Matt Wilson, & Clayton Cowles unveil the next “Dark Artery” chapter.

Let’s take a closer look at where events lie now.

UNCANNY X-MEN #14 by Gail Simone, David Marquez, Matt Wilson, & Clayton Cowles (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Simone breaks this story up into three parts. The first has been devoting time to Henrietta Benjamin. Her backstory of navigating the bigotry of Haven, Louisiana’s past finally gets its payoff. Readers watch as her evolution takes a big turn. It ties events back to the present with a large upside. Where the connection is made surrounds the young mutants under Rogue’s watch.

The Outliers’ journey provides a stop gap to head to the close. Simone has built this team up very well. At their core, they mirror X-themes of the past. Readers sense how they fill a needed space on the team. Ultimately, the franchise of this squad steps up to take the spotlight.

Rogue hijacks Gambit’s tale with much fanfare. Normally, this wouldn’t work well. Simone writes arguably the best version of Anna Marie. When she crashes the pages, readers watch with delight the passing of attention. It leads into more mystery surrounding Remy’s drama. Once in the final stages, all roads lead to an expected landing. It is one that fans are ready for after the two issue build.

Has it been noted how excited fans are Marquez is back on the book? The full page image of the Outliers with Man-Thing transitions from the flashbacks with ease. It is followed with another full page breakdown piece. Readers see how the team deals with Man-Thing’s gaze with big delight.

Events take a backseat once Rogue arrives to fight Sadurang. The near full page image barrels into view. Rogue throwing hands with the monster speaks volumes. Even with Gambit’s roll away panels, nothing comes close to the fight. Once the smoke clears, the flashbacks jump into the present. A full page image ties events up timely as the chapter winds down. How things mesh from here should lead to some exciting times.

OVERALL GRADE: 8.8

A tale of two teams give readers much to talk about with this latest chapter. Simone’s writing weaves through many plots while building up the drama. Marquez and company bring the action with a wild sequence of events. This series lives up to its’ booking every time out.

Let me know your thoughts on Uncanny X-Men #14 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #3 (MARVEL COMICS)

Rhino rocked by a heart attack. An unknown assailant orchestrating an attack on everyone’s favorite Web Head. The Wall-Crawler is drugged out of his mind. Peter Parker’s only ally is Norman Osborn?! Now he has to deal with the return of Itsy Bitsy?! SPIDER-MAN IS BACK BAY-BAY!!!!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna continues its’ impressive return to basics!

Let’s take a deeper dive & see what unfolds now!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Is it even Spider-Man without personal turmoil? Kelly has dug into a buried memory of Peter and childhood “firend” Brian Nehring to fuel the drama. The opening sequence is intense as young Peter crosses Aunt May. Kelly calms fears that this is real with a simple “Oh Right..I’m drugged out of my skull”. Throw in the unstable Bitsy and Spidey has his hands full.

Their conflict is as classic of a Spidey fight you’ll see. Note: there is NOTHING wrong with that. It’s a refreshing take. The resolution even fits better than expected. Readers watch as Peter must come to grips with perception vs. reality. Even as he furthers his investigation, the sight of him working with Norman Osborn is wild. The writing shows how eerily well they work together. It’s a brief pause before the close. Once here, the mood shifts to all business. Readers watch as the long awaited showdown building since issue #1 is here. The only shame is it’s the last page. Kelly just knows how to bring out the best of Parker’s ever chaotic world.

As for the art, Larraz and Marte continue to shine. The two page spread with Bitsy vs Spidey is pure excitement. Readers watch as the pacing is ramped up to match the electric conflict. The only point it slows down is the resolution. Bitsy’s panels come across as unstable as she is. It’s fitting before the story switches gears.

Larraz mixes in some near full page images of Spidey swinging through his stops. The flashbacks with Uncle Ben and Aunt May strike a chord in reference to Nehring. It may tip off more coming but never hurts the overall picture. Once at the final moments, the full page image takes readers into the main event. A gorgeous final image reveals the true mastermind as their fight is about to finally start. I can’t compliment the art enough in these issues.

OVERALL GRADE: 9.2

Spidey’s throwdown with Itsy Bitsy is filled with hallucinations and heroics. Kelly’s writing is hitting every mark fans could want. Larraz and Garcia crank up the volume on the action with the art. It warrants saying one more time: SPIDER-MAN IS BACK BAY-BAY!!!!

Let me know in the comments below your thoughts on Amazing Spider-Man #3. Thanks for reading!

AMAZING SPIDER-MAN #2 (MARVEL COMICS)

Is anything ever easy for Peter Parker? After starting a new job at Rand Industries, Parker’s superhero life strikes. The Rhino suffers a heart attack during their latest altercation. Something about this doesn’t seem right.

An investigation leads to a swarm of familiar faces ready to greet our favorite neighborhood wall-crawler in his new era. What has SPIDER-MAN gotten involved with now?

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna swings into action with its latest chapter.

Let’s take a closer look at what is unfolding now.

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly keeps readers at bay with what is happening to Spidey in the beginning. Readers watch as his rogues gallery shows up in full force. This leads to nothing but mayhem on the streets of NYC. Once events progress, the ruse is up. Spidey isn’t fighting his enemies. He’s literally attacking parked cars and vehicles. The hallucinations don’t stop here.

At his new job, Peter Parker’s mind is fading in and out. This isn’t sitting well with his new boss. Brian Nehring is an old childhood friend who can’t save him now. The writing is tipping off more to his generous nature than is true. Even stranger is his “partnership” with Norman Osborn. Deducting he’s been poisoned, Spidey swings back to his lone lead. Once here, the story shifts gears. Pacing moves things along to a screeching halt. Judging by the last page, an old friend has crashed the scene. This isn’t going to sit well with an already weakened wall-crawler. The story is pure Spidey 101 which is a welcomed return. Readers should have much to enjoy with this.

The success of this book is Larraz’s amazing art. There is not time wasted in starting the drama. A full page image of Spidey crashing through a wall kickstarts this adventure. The scenes fill with classic rogues. It spills into the true reality. The two page spread shows what Spidey’s been fighting and it’s not a great look. This gives way to another dream moment. A full page image depicts Green Goblin flying in for a fight.

The hallucinations give way to a foreshadowing of the true villains. Each panel slowly tips off their true motives. It leaves to an explosive end to the side plot. Once things swing back to Spidey, The visit to Ravencroft is gifted a half page panel. It’s mixed in with solid flashbacks using grey coloring. Events come crashing down with the final page. A full panel reveals trouble has arrived and Spidey isn’t ready for what’s next. Larraz has got Spidey storytelling very mastered at this stage.

OVERALL GRADE: 8.6

The mystery behind the Rhino’s fall pushes Spidey to his mind’s end. Kelly weaves in a solid build with some curves thrown in plot. Larraz’s art is next level for where the dreams truly are nightmares. This is a great jumping on point for readers looking for that classic Spider-Man feel.

Let me know in the comments below your thoughts on Amazing Spider-Man #2. Thanks for reading!

WOLVERINE #8 (MARVEL COMICS)

Logan. James Howlett. Weapon X. All names connected to the best at what he does: WOLVERINE. The most dangerous X-Man has carved his way into fans hearts since his debut in 1974. Chris Claremont and Frank Miller helped tested the waters with a solo limited series. The fans wanted more and in 1988, Marvel Comics unleashed Wolvie into his first ongoing series.

From that point on, Logan’s adventures have graced comic shops in many different runs. Why is this relevant in 2025? Fans are about to witness a milestone chapter in the life of the pop culture fan-favorite.

WOLVERINE #8 by Saladin Ahmed, Daniel Warren Johnson, Martín Cóccolo, Bryan Valenza, Mike Spicer and Cory Petit celebrates 400 legacy issues with an all-star special.

Let’s not delay any more and cut right to the chase!

WOLVERINE #8 by Saladin Ahmed, Daniel Warren Johnson, Martín Cóccolo, Bryan Valenza, Mike Spicer and Cory Petit (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The special is broken down into three stories. “Adamantine Unleashed” concludes the current story line with Romulus. Ahmed sets up events as straight-forward as Wolverine gets. There’s plenty of brutal action with drive behind it. One element that stands out is the father instinct. Readers watch as his daughter (Laura Kinney) is the catalyst to go extreme. Logan ends the conflict as only he can. It leads to as happy of an ending as he ever gets. This becomes a great Segway point for the next story.

“This Is Your Life” centers around a classic match-up. The writing plays into the personal trauma that Wolverine carries. Once again, Wolvie uses his fatherly instinct to push him again. This time, it’s his protective nature of Wendigo. The art showcases the a twisted trip down memory lane. Pacing keeps things pushing right along. Considering the villain at hand, it’s very textbook in execution. Not a bad thing mind you, just very balanced. What will stand out here is the finish. It is a very big turn of events. There are many questions readers will have from the final page. As one door closes after 400 issues, the next phase arrives shrouded in mystery.

Arguably the strongest portion of the book is “Onyrō”. It is a throwback to feudal times. Johnson and Spicer showcase Logan as a violent force of vengeance. The slow build panels give way to bloody justice. There is nothing safe. It is a visceral display that fits the berzerker rage. There is no better example than the full page image of Logan finishing the battle. Its epilogue is given the full page treatment as well. Readers walk away with a bittersweet moment perfectly fitting the mood.

OVERALL GRADE: 8.4

Wolverine celebrates a milestone with a uniquely special chapter. In present time, the writing plays into the strengths of a older and wiser Logan. Cóccolo & Valenza brings out the frenzy inside of the fighter. The cliffhanger ending is one that will have the shops buzzing with wonder. Johnson and Spicer steal the show with a timeless display of the internal conflict brooding for over 400 issues. Here’s to another 400 and many more after that!

Let me know in the comments below your thoughts on Wolverine #8. Thanks for reading!

AMAZING SPIDER-MAN #1 (MARVEL COMICS)

Out of 8 Deaths comes a rebirth. Following a very polarizing run of everyone’s favorite wall-crawler comes a fresh start. Peter Parker is jobless. Norman Osborn is goblin-free. A new villain has arrived. The latest chapter of the life and times of your friendly neighborhood Spider-Man starts NOW!

AMAZING SPIDER-MAN #1 Joe Kelly, Pepe Larraz, John Romita Jr., Scott Hanna, Marte Gracia, Marcio Menyz & Joe Caramagna takes center stage with a fresh new beginning.

Let’s not wait any longer and dive into the new era.

AMAZING SPIDER-MAN #1 by Joe Kelly, Pepe Larraz, John Romita Jr., Scott Hanna, Marte Gracia, Marcio Menyz & Joe Caramagna (marvel comics)

*** POSSIBLE SPOILER WARNING ***

Coming from the previous run, expectations are put in an awkward spot. Knowing Kelly’s writing style, they’re amped up more than usual. The first chapter centers around a “normal” day in Peter Parker’s world. It nails the traditional “lovable loser” themes Spidey is known for. Once the story goes into a familiar showdown does it find its’ footing.

Kelly throws a twist into a classic rogue. Readers watch as it becomes the start of a larger scheme. The writing also slides in a dastardly return. This eventually leads into quite the shocking turn of events. The final pages here carry a deafening take before passing the baton to Norman Osborn.

His story reflects the new stat quo without the Goblin. It plays well to translate Normans attempt at forgiveness. Events switch gears to a more appeasing approach. How long this will last is anyone’s guess. The issue caps off with a new villain making an entrance. All in all, Kelly adds enough fuel to get a fire burning inside Spidey’s latest adventures.

Art duties are split between Larraz (Main Story) and Romita jr. (Normon and Hellgate). The panel set-up by Larraz works well to run with the dueling Peter/Spidey moments. It gives readers a great segway before his latest job begins. There isn’t much time to pause here. A two page splash of Rhino takes center stage.

Events move fast as the curve is thrown into play. This sends events towards a classic Spidey villain. A half panel indicates what’s to come next with him. Readers watch as the closing pages begin here. This story is capped off with an incredible two page splash. It’s a perfect landing spot to pass art duties to JRJR on.

His portions start with Osborn addressing reporters. It doesn’t take long for things to escalate. A would be attacker is given a half page debut. The eventual fight is classic JRJR. It sets up a solid mic drop moment before the easier close. Once here, the art showcases Spidey’s latest threat with a full page image. As previously eluded to, this chapter is juggling many hats.

OVERALL GRADE: 8.6

Welcome back Pete! Kelly’s writing brings back sorely missed themes for Spider-Man. Larraz, Romita Jr. and their respective art teams flourish in the new stat quo with solid images. It’s a welcomed return that can only push forward from here.

Let me know your comments below about AMAZING SPIDER-MAN #1. Thanks for reading!

ALL NEW VENOM #5 (MARVEL COMICS)

At long last, a mystery solved. There is a new host for one of Marvel’s most polarizing characters. Dylan Brock has made it a mission to find out who. Suspects have ranged from Luke Cage to Madame Masque. Masque has drawn out the Lethal Protector. M.O.D.O.K. is on the scene as well. With innocents in the crossfire, will this be a short career for the all new VENOM?

ALL NEW VENOM #5 by Al Ewing, Carlos Gómez, Frank D'Armata, and Clayton Cowles exposes the identity of its’ latest host.

Let’s not delay any longer and find out who it is.

ALL NEW VENOM #5 by Al Ewing, Carlos Gómez, Frank D'Armata, and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ewing draws out the reveal through Robbie Robertson. He is investigating Dylan Brock’s search. It brings him to the doorstep of Paul Rabin and Mary Jane Watson. The conversation is frank as Robbie has pieced together the identity. Paul plays shocked in response to questions. The writing alludes to his blindness of truth. As his probing becomes harder, Paul slips further into a panic denial. All the while, Venom has its hands full.

The majority of the chapter hones in on Venom and Sleeper versus M.O.D.O.K. There is plenty of action to go around. Venom itself carries a new energy to it during the melee. Readers can instantly sense there’s a heroic vibe to the symbiote. The conflict concludes on a very unorthodox move. It proves challenging as far as heroics go. There’s little time to process as Venom retreats to a familiar spot. Once here, all points circle back to a common ground. The last page says it all with many more thoughts behind it. Readers will have to let this era of Venom play out before judgement is made.

Gómez and D'Armata bring the action with this chapter. They open the fight with a near full page shot of M.O.D.O.K. unloading on Sleeper. It’s a great example of how powerful the villain is. Venom’s response is almost comical in presentation. Granted, its’ fighting a monster head but the move is a but too “Looney Tunes”. It causes a drastic response via near full page image.

The art team spotlights the symbiote pairing saving others. It creates a thrilling feel as the fight heads to its’ end. Once here, the attack goes BIG to stop the villain once and for all. The fallout eases fans back into a normal state. This catches up with Robbie’s questioning and Paul’s frantic reactions. This all builds towards the revealing final page. The full page image leaves no doubts on who the host is. Where we go from here is anyone’s guess.

OVERALL GRADE: 8

Venom’s new host is introduced behind an action packed chapter. Ewing sets events in motion with solid writing. Gómez and D'Armata give fans an energetic brawl before dropping the big news. A new era of the Lethal Protector definitely begins now.

Let me know in the comments below your thoughts on All New Venom #5. Thanks for reading!

CAPTAIN AMERICA & VOLSTAGG #1 (MARVEL COMICS)

The Marvel COMICS universe has a deep line-up of characters. Each timeline, world and powerset all stand out for various reasons. When they cross paths, it leads to some creative takes and dynamics. One writer in particular is leading a small run of stories playing off unique pairings.

CAPTAIN AMERICA & VOLSTAGG #1 by J. Michael Straczynski, Bernard Chang, Marcelo Maiolo, and Joe Caramagna is the next up for Straczynski’s eclectic mash-up pairing.

Let’s take a closer look and see how this plays out.

CAPTAIN AMERICA & VOLSTAGG #1 by J. Michael Straczynski, Bernard Chang, Marcelo Maiolo, and Joe Caramagna (Marvel Comics) Cover - Terry Dodson

*** POSSIBLE SPOILER WARNING ***

Straczynski swings big with this second one-shot. The personality clashes are what gives this story it’s strength. Volstagg has always been seen as the jolly fighter of the Warriors Three. In this chapter, JMS gives a few new layers to his character. This plays well off of the Captain. After a brief chase scene, readers see the true tale unfold.

Volstagg’s reasons of action cast a new light. A secret of Volstagg’s past comes back around. It fuels his search for Cap’s help. Readers see how the complicated matter needs Steve Rodgers to assist. The adventure plays out as one may expect. It is very unique to see Rodgers in this element. The writing displays his loyalty to a friend. It also shows the power of a good lie. Events roll up nicely to depart both on their next adventures. An enjoyable read never the less.

Chang and Maiolo play into the gritty espionage world of Cap to kick things off. The panels are all high paced action. They hit their marks before thrusting the Captain into Asgard. Once there, events shift to a more calm state. This is in large part to the selling pitch of Volstagg.

Flashback moments of Triton and Volstagg’s “double life” will be a win with readers. Each show a new side of the jolly warrior. This leads into a gorgeous two page battle splash. Readers watch as Volstagg’s ruse comes into fruition as action commences. There’s a solid extra historical page thrown in for good fun. Oce at the closing pages, events lead to a strong closing shot. The final full page image sends readers off to their next adventure with fun and style.

OVERALL GRADE: 8.5

What happens when you mix a jolly Asgardian with the Sentinel of Liberty? A fun adventure with some deceptive heart behind it. JMS constructs an orthodox tale with many moving parts. Chang, Maiolo and Caramagna weave in drama along with strong action. This is one for readers to get a true vision of the wide MCU landscape.

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AMAZING SPIDER-MAN #66 (MARVEL COMICS)

With a new sorcerer supreme in place, the MCU is on edge. DOOM has taken the mantle from Dr. Strange. He has given Spider-Man a mission to complete. Last readers watch, he was forced to endure the deaths of his loved ones. The challenge has pushed Peter Parker to a broken state. He has now walked away from his alter-ego. What does this mean for the fate of the Universe?

AMAZING SPIDER-MAN #66 by Justina Ireland, Andrea Broccardo, Marcio Menyz, Erick Arciniega and Joe Caramagna contintes “the 8 Deaths of Spider-Man” saga.

Let’s see what unfolds for Peter Parker now!

AMAZING SPIDER-MAN #66 by Justina Ireland, Andrea Broccardo, Marcio Menyz, Erick Arciniega and Joe Caramagna (MARVEL COMICS) Cover: Mark Bagley

*** POSSIBLE SPOILER WARNING ***

Ireland takes readers on the journey of understanding guilt. No one in comics carries grief quite like Parker. Seeing how the vicious cycle of loss affects him is an impactful move. A conveyance store robbery displays how Parker is shattered. The dialogue between him and the robber is cold and emotionless. This mood continues with various other characters. None more impactful than with Shay Martin.

The writing puts Parker’s depression against Shay’s reasons for nursing. It is a jarring picture of a challenged hero. Seeing Parker left in this state will impact readers. It leads him into familiar arms via Felicia Hardy. Their dialogue mirrors their conflicting past. The moments leaves them both in an awkward state. For where his path goes now is up in the air. Save for the cameo from a certain Alaska team, this issue is very grounded in coping with failure.

Broccardo and the team never shy away from displaying Parker’s guilt. A two page shot shows Peter reflecting on the deaths he’s witnessed. The image sets the pave for the remainder of the chapter. Watching the store robbery play out, Peter is shown to be numb to caring. His mannerisms show no life as he walks through the incident.

The conversation with Shay hit key points. It shows Peter grasping for anything to spark him. Shay’s eyes speak of worry for Peter’s wellbeing. It’s quickly swayed with a glimpse of him standing around dead bodies in his mind. Once Hardy and Parker have their meet-up, the scenes are very familiar. It ends with a kiss between former lovers. Both have dealt with pain before. The art locks in on that moment. The closing page is one that loops back to a solid group shot as new heroes have entered the game.

FINAL POINT: 8

The post Spider-Man life starts off with a empty Peter Parker in this latest chapter. Ireland’s writing leans into his guilt of failure. Broccardo and the team bring the pain to life sending Peter into looking for comfort. This is a changing point as the fight against the Scions continues on.

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STORM #4 (MARVEL COMICS)

DOOM has summoned Ororo Munroe. Marvel’s mightiest mutant is still recovering from her near-death experience. It has cost her the use of her powers for seven days. In that time, Munroe has reconnected with the X-Men but happiness is short lived. Now en route to Latveria, Munroe had better be ready for anything.

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham stages a business meeting for the ages.

Let’s take a closer look at what’s happening now!

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ayodele continues to push Munroe into new heights with this series. Throwing DOOM into the mix provides unique banter. Both characters are royalty in the MCU. Their dynamic is as combustible as one may think. Doom carries a sense of arrogance as he tries discussing plans. Munroe stands her ground and delivers back. This leads to a choice with dire consequences.

The writing ties ack to the dealing of Brother Vooddo. Its’ payoff throws a monster curve into the mix. All the while, Ayodele slides in some heartbreaking moments before the close. The writing with the “flashback” moments are a big win. Nothing will prepare readers for the ending. The final pages shatter any preconceived notions. Events end with a loud exclamation point heading into next issue.

Wenrick and Guimarâes never let reader escape the regal flare on display. Storm arriving for her dinner gets a fantastic full page image. The expressions she and Doom duel with only add more tension as the night progresses. It is offset with DOOM forcing a hand to be played. The result vasty speeds up the pages.

Once the deal is broken, a shocking action is taken. The art depicts the fading life in the panel set-up. It is countered with an incredible afterlife sequence. This completes with a fitting full page image. Once here, the closing pages change everything readers know thus far. Get ready to be WOW’ed by the images here.

FINAL POINT: 9.3

The Mutant world crashes into the regal landscape with a stellar issue. Ayodele’s writing keeps raising the nobility and possibilities in Storm. Wenrick, Guimarâes and Lanham build the impactful surroundings of a meeting fit for Kings and Queens. This series never is short of surprises and drama. What a winning combination.

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UNCANNY X-MEN #8 (MARVEL COMICS)

A rescue mission has gone awry. Two X-Men teams have returned to their former manor. In its’ place stands a mutant prison. Jubilee, Calico and Beast have been captured by Dr. Correa Ellis. Rogue and Gambit’s squad have broken inside. What they find might be what does them all in. Let’s not forget waiting in the wings is one Charles Xavier.

UNCANNY X-MEN #8 by Gail Simone, Javier Garrón, Matt Wilson and Clayton Cowles concludes the “Raid On Greymalkin” saga

It’s time to take a closer look at this conclusion!

UNCANNY X-MEN #8 by Gail Simone, Javier Garrón, Matt Wilson and Clayton Cowles (MARVEL COMICS) Cover: Dave Marquez

*** POSSIBLE SPOILER WARNING ***

Simone throws a few new looks into this twisting tale. Scurvy comes across as a sympathetic pawn to Ellis. Handling both X teams is quite the introduction feat. Readers watch as a polarizing figure emerges to fight back. It is one that is met with mixed reactions. Xavier’s role gives balance and a few wrinkles into the fight. It covers up the true main event: Rogue vs. Cyclops.

Both X leaders have vast ideologies of how to handle events. Simone has written Rogue as the embodiment of the original dream since the beginning. That never slows down in the conclusion. Even after the conflict is “settled”, Rogue’s emotions flow with the rage and heroics of the true X leader. Its’ resolution feels more of a pause instead of an end. Readers may have differing opinions on the conclusion but one universal statement. Without question, we are in the Rogue era and that is a huge win for readers.

Garron steps in for art duties for this chapter. The book kicks into gear with an excellent two page title splash. It’s always a catching visual to see the title woven into the action. The art team gives readers another great striking image. The full page face off of Scurvy vs. Xavier starts the main event.

The tensions also boil over between Rogue and Cyclops. Emotions take over for powers as the two start letting loose. It ultimately rolls into a big two page spread of the teams poised to end events. As the story rolls into the close, panels switch gears. The mission’s outcome takes center stage. There is enough bad blood between both squads. Judging the finals panels, one round has ended but another is poised to be set off.

FINAL POINT: 8.6

The X-Men’s raid comes to a grinding halt in its’ closing chapter. Simone’s writing exposes the old wounds too grave to overcome. The art juggles the team’s conflict to the stalling end. Knowing “X-Manhunt” is looming in the future, the Raid leaves readers with much to ponder until then.

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CABLE: LOVE & CHROME #1 (MARVEL COMICS)

Nathan Dayspring (Askani’son) Summers. One of the most fierce and dangerous mutants of all time. No matter where, CABLE is a force to be reckoned with. His personal battle with the Techno-Organic Virus has forged the time-travelling solider.

What happens now when he finds someone dealing with that same personal struggle?

CABLE: LOVE & CHROME #1 by David Pepose, Mike Henderson, Arif Prianto, and Joe Sabino (MARVEL COMICS) presents a future saga set for fans of any timeline!

Let’s take a closer look at the X-Man’s latest tale!

CABLE: LOVE & CHROME #1 by David Pepose, Mike Henderson, Arif Prianto, and Joe Sabino (MARVEL COMICS) Cover - Ian Churchill

*** POSSIBLE SPOILER WARNING ***

Within mere moments, Pepose makes it seem that he’s written Cable for years. The writing displays Summers’ gritty drive to win at all costs. It never escapes readers that Summers is there for a mission. The encounter with Cicada keeps skyrocketing the danger to a solid finish. It’s a great segway to hitting the major plot to the futuristic tale.

Salvation Bay provides an edgy background as Cable finds a unique ally. Avery deals with the same deadly virus. The dialogue lowers Cable’s guard long enough to show a different side. Seeing someone else going through his trials provides an unlikely connection. The writing slowly peels back the tough exterior. What is left is a more “normal” reaction rarely shown. This evolves into Cable inheriting Avery’s fight. It doesn’t take long for the action to ramp back up.

Once the smoke clears, the closing moments hit. Pepose sets the stage for a future uncertain for all the right reasons.

Henderson and Prianto hit readers early with the post-apocalyptic energy. The vehicle which Cable is pinned to sets the tone for the issue. It’s a creative near full image that fires off the action in style. The scene is matched by another strong full page image of Cable taking control. This pace carries through the pages of the initial conflict.

Once Avery makes her debut, the one shifts down to a more grounded level. The art reflects two soldiers easing their guard over common ground. Readers watch as Cable leaves his gruff guard to become open to another virus victim. This becomes short lived due to an attack. The new pairing (literally) jump into action via a full page shot. Cable’s reactions during the battle show a rare sight: smiling. This energy leads into the finish. The final pages show the major players put into position for a devasting conflict in the making.

FINAL POINT: 8.8

The X-Men’s time-travelling titan crashes into comic shops with a thrilling debut. Pepose balances the fast paced fighting with the building drama with a phenomenal set-up. Henderson, Prianto, and Sabino bring the pain with extreme action while teasing the danger yet to come. This is one you won’t want to timeslip and miss!

Hit me up on ODPHpod social media and let me know your thoughts on Cable: Love & Chrome #1. Thanks for reading!

X-MEN #9 (MARVEL COMICS)

Graymalkin Manor used to be home to the X-Men. It now serves as a mutant prison. Corina Ellis captured Jubilee, Calico and Beast. This has prompted the Cyclops led X-Men and Rogue’s “Louisiana X-Men” teams to raid. Both groups have not been on the same page since Krokoa. Can they pull it together long enough to free their teammates?

X-MEN #9 by Jed MacKay, Ryan Stegman, Federico Vicentini, J. P. Mayer. Marte Gracia, Fer Sifuentes-Sujo and Clayton Cowles presents the pen-ultimate issue of the “Raid on Graymalkin” story. '

Let’s not wait any longer and dive into the action!

X-MEN #9 by Jed MacKay, Ryan Stegman, Federico Vicentini, J. P. Mayer. Marte Gracia and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

MacKay keeps the teams separated long enough to deliver on big action. The opening of the book delves into Ellis’ mutant prisoners attacking both groups. Knowing the personal connection they bare, it reflects in the drama. The writing plays into a lot of “one upmanship” again as both groups vie to be the top one. Readers watch as the showdown boils down to the leaders.

Rogue and Cyclops have varying thoughts of how this mission should go. Rogue aligns more with the original dream. Cyclops sways to a more “Magneto” approach. This throws more conflict into an already built story. The result is decided by a familiar face. One name in mutantkind is extremely polarizing these days. The writing takes into count the legacy said character has left. In its result, the choice is made on how to move forward. It may not be a popular call but could be the one to save all.

Art duties are split between Stegman and Vincentini. The latter leads off the book with a strong two page action splash. Pacing moves swiftly through both teams. Everyone gets a fair share of page time before the conclusion. It wraps up with a full page image of the teams ready for their next moves.

As Stegman and Mayer take over, the story centers around the leaders. Each reaction radiates more anger. The past of Krokoa has never left either team. This mission re-opened old wounds. The art builds up the rage nicely until the closing moves. There’s another surprise on deck which debuts via two page image. It leads into a conclusion most fans were awaiting. Now the questions lead to: what happens next?

FINAL POINT: 8.9

The pen-ultimate chapter of the “Raid On Greymalkin” delivers on various levels. MacKay’s writing re-opens emotional scars never healed. The art teams pack the pages with big action and even great emotion. With one issue left, the endgame might have arrived for both teams and their futures.

Hit me up on ODPHpod social media and let me know your thoughts on X-Men #9. Thanks for reading!

SABRETOOTH: THE DEAD DON'T TALK #1 (MARVEL COMICS)

Victor Creed. A force of nature. The deadly mutant has been a thorn in the side for decades. As Wolverine sits in a pub, he sees a picture from the 1900s on the wall. Logan knows the figure all too well, or does he? The mystery of “Mad Dog Murphy” is about to be unraveled.

SABRETOOTH: THE DEAD DON’T TALK #1 by Frank Tieri, Michael Sta. Maria, Dono Sanchez-Almara, Javi Laparra and Joe Sabino spotlights a secret history of Victor Creed.

Let’s take a deeper dive and start this journey!

SABRETOOTH: THE DEAD DON’T TALK #1 by Frank Tieri, Michael Sta. Maria, Dono Sanchez-Almara, Javi Laparra and Joe Sabino (Marvel Comics) Cover: Adam Kubert

*** POSSIBLE SPOILER WARNING ***

Tieri lays the groundwork for a fast rising tale of power and brutality. Walking readers through the deceptive start, Sabretooth’s tale hides in the shadows. Working for “Dr. Essex” at Ravencroft, Creed lurks. The writing shows how a failed encounter unleashes his fury. Essex’s cold banter doesn’t help his cause. Creed can’t handle failure. This stems into modern times. Being embarrassed breaks him. Readers watch as his next steps opens up new doors.

The encounter with Fyskov (Fisk) is brash and delves into giving Creed a purpose. What follows next is Vintage Sabretooth. Dead bodies and sheer violence is the trail left behind. This leads into an evil finish. Readers literally watch the birth of a evil reign in New York begin right before their eyes. Brace for impact.

Sta. Maria and the team bring this throwback tale to life. The pub beginning opens with a great segment with Wolvie just trying to have a beer. The near full page image finishes the light hearted mood. Once the events shift to Ravencroft 1909, the books starts finding its groove.The throwback fight with Wolverine keeps up its violent reputation. A full page shot encompasses the hatred between them.

In a series of panels, readers watch how Wolverine “broke” Creed. This leads into an unwelcomed encounter with Essex. The body language tells how little Creed is thought of. Fyskov sees through this and manipulates the situation. Creed leaves his “resignation” in a bloody full page. The rage continues to an underground fight. Creed leaves the reader with a parting image knowing that he has arrived with hell to pay.

FINAL POINT: 8.7

A hidden time of the X-Men’s most deadly foe comes to light. Tieri pens a ferocious look into a deadly past. The art leaves no doubt of the pure evil manifesting itself. Get ready for what is sure to be a wild ride.

Hit me up on ODPHpod social media and let me know your thoughts on SABRETOOTH: THE DEAD DON’T TALK #1. Thanks for reading!

STORM #3 (MARVEL COMICS)

Even at her weakest, Ororo Munroe is Marvel’s mightest mutant! She became poisoned while dealing with a power plant explosion. With the radiation killing her, Munroe searched for help. Brother Voodoo is her only chance for survival. Treatment will not be cheap. Is Storm ready to pay the price?

Storm #3 by Murewa Ayodele, Lucas Werneck, Alex Guimarães, and Travis Lanham (Marvel Comics) finds the powerful mutant back amongst some familiar faces.

Let’s take a look at the latest installment of her adventures.

Storm #3 by Murewa Ayodele, Lucas Werneck, Alex Guimarães, and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ayodele throws a curve in healing the powerful mutant. Voodoo’s price for curing Storm is a surprising one. Loosing her powers for a week leads to a fun interaction with Voodoo. It is a more light hearted moment considering recent events. This leads Munroe to take advantage of the downtime by visiting old friends. Readers can’t help but smile as Munroe reunites with the Uncanny X-Men!

The family reunion lead to a pairing that is LONG OVERDUE to be reunited! Wolverine and Storm have had a previous Krakoa relationship that (imo) never got closure. Ayodele revisits this via a training session. Its path is abruptly ended by a surprise request. Hopefully this is rekindled later in this series. Once in the final act, readers witness another powerful figure would like to meet with Storm. It’s a showdown that will have fans buzzing about. Three issues in and Ayodele is hitting it out of the park with this series.

Wernick and Guimarães balance out the magical aspects of the opening with the X-reunion flawlessly. The credits page is an ominous one with the massive grave in full page. The mood shifts to a more heartwarming one with Rogue’s team. Seeing Rogue fly into the house only to see Storm is a great sequence. It leads to a mid panel shot of the team reunited. That is a long overdue X-moment fans will be elated about.

The training between Storm and Wolverine is presented with a unique style. Lanham’s lettering calling out the MMA moves is a great touch. It is quickly overshadowed by the romantic time between the pair. Once the final pages kick in, the art mirrors the emotional conflict Storm has. Finding and freezing love screams off the page. There’s little time for her to react. The last panel reveals who is her next conflict. It will be a tough wait till next issue.

FINAL POINT: 9.1

Within three issues, Ororo Munroe has been challenged on many fronts. In this latest issue, Ayodele tests her heart with superb writing. Wenrick, Guimarães and Lanham give readers an impressive X-reunion while setting the larger stage. This series needs to be on fans’ pull lists without question.

Hit me up on ODPHpod social media and let me know your thoughts on Storm #3. Thanks for reading.

UNCANNY X-MEN #7 (MARVEL COMICS)

Jubilee, Calico and Beast are captured by Corina Ellis. Their former home is now a mutant prison. This doesn’t sit will with both X-Men teams. With tensions still lingering since Krakoa’s fall, there is divided loyalty. Cyclops and his group have staged a strike on Greymalkin. Rogue and her team were never going to sit by idly.

Can they work together long enough to free their friends? Readers won’t have to wait long to find out.

UNCANNY X-MEN #7 by Gail Simone, David Marquez, Edgar Salazar, Matt Wilson, and Clayton Cowles continue the Raid on Greymalkin!

Let’s not wait any longer & dive into the latest chapter!

UNCANNY X-MEN #7 by Gail Simone, David Marquez, Edgar Salazar, Matt Wilson, and Clayton Cowles

*** POSSIBLE SPOILER WARNING ***

Simone brings the “Louisiana X-Men” into the fray with much delight. This chapter shows the contrast between squads. Rogue’s stance subsequently shuts down Cyclops. The way she presents her argument concerning teams hits very hard. It also solidifies what readers of UXM already know. THIS is THE X-Men team that is the definition of what Xavier’s dream truly is. Cyclops’ squad doesn’t carry that same type of energy. They are more of a hit squad that an actual team.

As the story progresses, both teams go into action. One surprising factor was the amount of time recapping X-Men #8. This works for new readers of Cyclops’ team. However, if you’ve read both books, it almost feels like a rewind mid-issue (with familiar images). Once events refocus back Rogue and company, events take off. The fight between teams delivers. The resolution sends the squads into an unlikely confrontation. It’s a strong landing spot taking the crossover into the next phase.

Marquez and Salazar split art duties for this chapter. The emotions pour with Rogue dressing down Cyclops’ orders. This leads to an incredible Marquez full page team shot leading them into battle. There are a few panels that do a mirroring recap of X-Men #8 moments. Once past this, the main event begins.

A mid panel shows the standoff between squads. it doesn’t take long to get things firing up. There are plenty of great action images as its’ X-Men vs. X-Men. It gets upstaged as Beast lets loose on some guards as he and the prisoners make a break. Events conclude with a final full page of what awaits both teams. The Raid is in full swing and not over by a longshot.

FINAL POINT: 8.8

The X-Men face off with their counterparts in a much anticipated showdown. Simone’s writing cements Rogue and company as the premier X team. The art brings the action and defiance of both groups. Judging by the last page, there’s no easy way out if both teams want to save their captured members.

Hit me up on ODPHpod social media and let me know your thoughts on Uncanny X-Men #7. Thanks for reading!

WEREWOLF BY NIGHT #5 (MARVEL COMICS)

Is anywhere safe? That is the question Jack Russell is asking. After two friends are violently murdered, Russell thinks he’s responsible. This is all due to the Blood Hunt event. In its wake, Russell and Elsa Bloodstone ran to the Savage Land to regroup. That plan wasn’t well received by Ka-Zar. Now the question is where does Russell go next to figure out his fate..

WEREWOLF BY NIGHT #5 by Jason Loo, Sergio Dávila, Aurie Jimenez, Alex Sinclair and Joe Sabino (Marvel Comics) takes the lethal lycanthrope in a direct path to an even greater danger.

Let’s take a closer look at how things play out now.

WEREWOLF BY NIGHT #5 by Jason Loo, Sergio Dávila, Aurie Jimenez, Alex Sinclair and Joe Sabino (Marvel Comics) - Cover: Erik M. Gist

*** POSSIBLE SPOILER WARNING ***

Loo takes Russell and Bloodstone into another frantic conflict with this latest chapter. After the return form the Savage Land, there’s little time to rest. Police are now looking for Russell. Their escape leads into a confrontation that truly is incredible.

The run in with Bruce Banner is priceless. Knowing Banner’s struggles controlling a monster, there is much for the parties to converse over. Loo’s dialogue is very natural for where each are in present day. Its’ filled with awkwardness and common ground. The only downside here is it brief due to the Hood’s attack.

Readers watch as the Hulk takes hold of the situation. Knowing the power level he’s bringing, this makes sense for the brief altercation. It leads into a more shocking ending. If you know your Midnight Suns history, the close is one to please. It also drops a solid cliffhanger involving a familiar face in the world of werewolves. Another enjoyable read.

The art team keeps up a frantic pace reflecting Russell’s dash for freedom. Panels move very fast as the lead pair dodges the law. It flows into the run-in (literally) with Russell and Banner. Their body language carries a certain relatability with their issues. The diner scenes come across very smooth with the unsteady talk providing a brief calm before action.

Once at this stage, the art takes full advantage of the red band label. Readers shouldn’t expect this series to be pleasant fighting. There’s understandable violence when needed. The Hulk transformation page pops off to signal the change in direction. Events cap off with a full page image of the newest player for the Darkhold. It also throws in a subtle cameo with a much larger role to play as the series progresses.

FINAL POINT: 8.1

The latest adventure of Jack Russell provides an unlikely third wheel in his travels. Loo’s writing gives readers a mix of action and insight into two men and their monsters. Dávila and company deliver on the extreme fight for survival against the supernatural evil at hand. This series continues to bring the MCU into the supernatural chapter by chapter.

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