ARCBOUND #6 (DARK HORSE COMICS)

The best laid plans fall short of expectation. Kai’s mission of revenge has been a fascinating one to follow. After being betrayed by Xander, his body was placed inside an arc. This began a series of events driven by pure vengeance. Xander hasn’t only crossed Kai. He’s betrayed Barnes after a bounty deal went sideways.

Enemies turn into partners. Partners become strangers. The newfound pairing has their sights set on the Zynitec Great Vault. What they discovered inside changes course for the half man/half machine’s plans forever.

ARCBOUND #6 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman, Frank William and Buddy Beaudoin (Dark Horse Comics) concludes its first arc with an action packed issue.

Let’s take a closer look at where events stand now.

ARCBOUND #6 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman, Frank William and Buddy Beaudoin (Dark Horse Comics)

*** POSSIBLE SPOILER WARNING ***

There is much to break down with this chapter. Unlocking the secrets of the vault proves grave. Xander has always thought to be a step ahead. The writing sets him up in a new direction. Knowing how many shifting moves are in place, it should come with little surprise. Xander even knows this too. This pushes forward with an intense standoff that becomes more personal.

Readers watch as Xander implies his devilish ways. Throwing a deal on the table becomes the catalyst for action. The series ultra violent combat comes into play in this phase. It moves events into dangerous chances. One of which is made by Zon. Readers watch as something is unlocked that exposes much truth. The dialogue mirrors the utter shock of their reality. It moves the story into a very scrambled finish.

There are a few character moves that give pause. It almost becomes fatal until the final page. Once here, the story lands for now with no certain path of direction next. The audience will have to make their own theories until this story returns to shops.

Smallman and William go all in on the brutality for this chapter. Watching Xander maneuver between parties shows his deceitful nature. It is a calm moment before Warr takes over. Near full page panels shows him at his worst. The sequences set a tense feel to the event at hand. It conveys the horrible truth to all: no one will survive.

Xander’s personal attack does strike a few chords. Readers see what depths he will go to. This move enrages Kai, who starts the fight. This falls back onto the formula this series has used since issue one. There is no shortage of over the top violence. A multi paneled page shows all key players before one steals the show.

This leads to a few full pages unlocking some ugly realities of this world. The fallout is more puzzling due to character actions. This leads to the frantic closing pages. A calm final panel says goodbye for now but leaves the door open for more whenever that shall be.

OVERALL GRADE: 8

Arcbound wraps up its first arc with some character twists and big action. The writing moves key players into new roles. Extreme action is what the art brings out. This is a space odyssey unlike anything else on the shelves. One thing that can’t be taken away is the chances taken. Go big or go home (even in space).

Let me know your thoughts on Arcbound #6 in the comments below. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #44 (BOOM! STUDIOS)

Jessica Slaughter may not have been the best mentor for a young hunter in training. On a mission in upstate New York, there has been a disconnect between her and Erica Slaughter. This rift isn’t solving a case of murders any faster. It certainly won’t keep both alive much longer.

SOMETHING IS KILLING THE CHILDREN #44 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) continues its’ look into a past mission of Erica Slaughter.

Let’s take a closer look at where events land now.

SOMETHING IS KILLING THE CHILDREN #44 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

As with much of SIKTC, it is the best at slow burn drama. Tynion dives into the aspects of Aaron Slaughter for a good portion of the book. His search for answers leads into a roadblock at the Order of St. George. The writing is sharp as it showcases the quiet conflict. Once there is some ground broken, more is revealed to the audience. Whenever the Order is involved, there is no such thing as open and shut.

Readers see when the story swings back to Erica/Jessica, time is focused on Jessica’s perspective. The dialogue with her and a hotel employee jumps out. As more clues become into light, there seems to be darkness brooding in the background. This pushes towards a very surprising final act. Throwing in a flashback of Jessica’s into the game gives more weight to her erratic behavior here. It provides a few twists before bowing out gracefully. Another case of strong set-up which is never a bad thing.

Dell’edera and Muerto keep events very grounded for this issue. Aaron Slaughter’s morning routine is simple in nature. This is a calm before a larger storm. The eyes tell a story as the inquiry of a case causes tension. It is a very strong delivery while fine detail in presentation.

Erica and a witness to the case have an easier exchange of dialogue. There is much optimism on Erica’s face as she discusses events. This shifts quickly to Jessica’s methods. A suborn approach to hotel rules leads to the most impactful art of the book. The flashback sequence pops off the page. This is largely due to Muerto’s coloring. The light tones add more to the fear growing into the unknown. This builds into the final image. It sets the stage for a larger payoff much in this series winning formula of storytelling.

OVERALL GRADE: 8.8

What really happened on Valmont Mountain? The mystery continues to peel back layers in the latest SIKTC chapter. Tynion’s writing is relentless in building the drama. Dell’edera and Muerto bring out the tension with each panel. This series continues to set a high quality level of storytelling every time out.

Let me know your thoughts on SIKTC #44 in the comments below. Thanks for reading!

MASTERS OF THE UNIVERSE: ANDRA #1 (DARK HORSE COMICS)

In 1982, a franchise made its powerful debut on pop culture. “He-Man and The Masters Of The Universe” made its way into toy stores via Mattel. The saga of Eternia spawned into a hit animated show in 1983. Since that point, fans have flocked to this line ever since. The brand has crossed over into live action (1987) and comics. Even as times have changed, the animated show is a huge part of many people’s fandom.

Recently, He-Man has made the return to the small screen via Netflix. Masters of the Universe: Revelation ignited a new spark in the franchise. Its’ sequel MOTU: Revolution carried that new momentum forward.

This movement is thriving at the comic shops as well. Joining their ranks of stories is one written by someone with a little bit of knowledge on Eternia. Who is more suited to write the new Man-At-Arms: Andra than the voice actress from the show?

Masters Of The Universe: Andra #1 by Tiffany Smith (Voice of Andra), Adriana Melo, Giuliano Peratelli & AndWorld Design brings forth a new MOTU story that can’t be missed.

Let’s take a closer look at what’s happening here.

Masters Of The Universe: Andra #1 by Tiffany Smith, Adriana Melo, Giuliano Peratelli & ANDWORLD DESIGN (DARK HORSE COMICS)

*** POSSIBLE SPOILER WARNING ***

Smith welcomes readers into a detailed side of Andra with this one-shot. The opening pages spotlights her struggle to accept her new role. There’s never a sense of doubt but more of anxiousness. It’s perfectly understandable being in this position. This moves into her first day of training cadets. The writing shows her nervous nature. There’s a few comical moments placed in to break up the overwhelming nerves. It provides a great segway to the true test of this adventure.

Orkas Island sends a distress call & Andra takes charge. Once on the island, readers are hit with many different plot points. There’s a heart-warming moment paired against the threat who’s been looming in her past & dreams. It allows Andra to be vulnerable during her new role. Smith opens her emotions up just enough to capture the pressure of this threat. Readers will be locked in on how she’s handling this along with the emotional connection of family.

It leads into a showdown of top billing. This isn’t your standard fight. Smith showcases Andra’s strategy along with her tech. The results is a fantastic last stand. Readers watch as Andra maneuvers through the battle of tech vs. Magic. It leans into many superhero themes while forging its’ own feel. This moves events into the closing portion. It is a great closing to a very entertaining read.

Melo & Peratelli craft great images to take Andra on this journey. The opening sparring session is light hearted. It also conveys the growing worry of Andra’s new role. The self confidence shines in a full page mirror shot. This moves into the main story easily. Working with the cadets leads to a few comical scenes. Even as serious as her doubt gets, the art never lets Andra slip to far. This helps when the main conflict arrives.

The dream sequence is solid as it teases more coming later. While brief, it makes the mark. This allows the story to transition to Orkas Island. The art mixes in the key emotional panels before letting the main villain take hold. A full page image gives a grand entrance. this is matched equally by one of Andra armored and ready. The first round is a great build for later. Readers watch as the lessons learned here carry over to the eventual next round.

Panels reflect what the supporting cast is processing. There are many various looks given here. This helps to build up the rally of hope for later. The two page spread locks in on the action when time. Readers watch as Andra’s planning comes to fruition. It is capped off with some great panels to usher in the final act. A strong two page splash gives some much needed validation to the lead hero. It moves events to the final pages where everything is wrapped up perfectly. A final full page shot outshines the last page as this chapter closes on a high note.

OVERALL GRADE: 9

Can Andra carry the weight of being the new Man-At-Arms? That is the question posed in the latest MOTU spin-off. Smith guides readers through the journey of self belief with the writing. Melo & Peratelli balance the action with well-timed drama. By the power of Greyskull, fans will want to give this a read on NCBD!

Let me know your thoughts on Masters Of The Universe: Andra #1 in the comments below. Thanks for reading!

X-MEN: AGE OF REVELATION OVERTURE #1 (MARVEL COMICS)

A new age is upon the Marvel Universe. Doug Ramsey has become the heir to Apocalypse. This new stat quo led him to the doors of the X-Men. Ramsey offered to join the group. After a vote accepted him into ranks, Cyclops was psionically attacked.

As he now wakes up ten years into the future, all has changed. Welcome to the Age of Revelation!

X-MEN: AGE OF REVELATION OVERTURE #1 by Jed MacKay, Ryan Stegman, J. P. Mayer, Edgar Delgado & Clayton Cowles debuts a volatile era in X-Men history.

Let’s take a closer look at how this debut fares.

X-MEN: AGE OF REVELATION OVERTURE #1 by Jed MacKay, Ryan Stegman, J. P. Mayer, Edgar Delgado & Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Much like previous “Age” storylines, taking risks on characters is always a gamble. MacKay teases all is not what it seems early. The picture of Ramsey’s Chorister visiting a ravaged territory is prime example. Readers watch as the scene turns deadly quickly. It is a reflection of the struggle against tyranny. How we get to this stage is unclear. The audience does get answers via a time-displaced Scott Summers.

After the events of X-Men #22, Summers’ mind has been swapped into the future. The writing walks through the pivotal moments. As the writing shifts to Ramsey, there is a very familiar feel to his character. It is easy to see how power corrupted him. This pushes for extreme measures to be taken. Much like the alternate timelines do, characters get new stat quos. One that remains the same is Ramsey’s enforcer. Readers watch as his ruthless attack leaves many bodies in his path. It leaves an definitive exclamation point on where this story is going. The closing page feels out of place as far as impact. It is solid for what it wants to say. Get ready for a dangerous fight on the horizon.

Stegman and the art team bring out the intensity of this new world. The opening sequence teases peace until a brutal death. A half page panel sets the tone for what lies ahead concerning that. This moves into Cyclops’ awakening in the future. His reactions mirror the questions arising in this land. The full page image of a destroyed United States territory explains much of this broken world.

Readers watch as Ramsey comes into focus as Revelation. His mannerism reflect the brash drive he’s trying to instill. There is a sense of “Joffrey of Game Of Thrones” to his body language. Even as more characters and action start unfolding, one stands out above the rest. Ramsey’s enforcer makes his way into the story via full page. It is all gas and no breaks from this point. There’s plenty of wild action as the bodies start piling up. One X-Man makes an extreme sacrifice to stop events.

The fallout is given a proper full page. This is followed by a strong image of more aftermath as all parties process what happened. The final page is more simple in delivery. It conveys Ramsey’s thoughts & provides a safe landing spot for concluding the opening round.

OVERALL GRADE: 8.3

The latest X-Event starts off with a very familiar theme before switching into high gear. MacKay’s writing leans into the desperate fight for survival. Stegman and the art team construct fantastic action sequences that hold little back. How this ultimately plays out is anyone’s guess.

Let me know your thoughts on X-MEN: AGE OF REVELATION OVERTURE #1 in the comments below. Thanks for reading!

ABSOLUTE SUPERMAN #12 (DC COMICS)

Can you say No to a Demon? That is the tough question Kal-El from Krypton must answer. Ra’s Al Ghul wants the Man of Tomorrow as his heir. Knowing the limitless possibilities of Superman with his Lazarus Corp, Ghul won’t hear any objection to his demands. He’s also not above killing anyone in the way of getting what he wants.

Not even the people of Smallville are safe…

ABSOLUTE SUPERMAN #12 by Jason Aaron, Rafa Sandoval, Ulises Arreola and Becca Carey pits Krypton’s last son with a dangerous ultimatum.

Let’s take a deeper dive into what is happening now.

ABSOLUTE SUPERMAN #12 by Jason Aaron, Rafa Sandoval, Ulises Arreolaand Becca Carey (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Aaron provides no sympathy for Superman and his allies in this story. The opening moments with Martha Kent spins a personal blow to hope. This only grows as Jimmy, Lois and Kal escape Ghul’s clutches. With personal losses still felt, the writing escapes to a hidden time. Watching Kal-El process what happened to the Kents hits nerves. Seeing the young boy reeling only makes the current conflict greater.

Readers walk back certain times in Kal-El’s life. The sense of wanting to belong takes hold. Sol’s dialogue keeps hitting points as emotions run high. A classic Superman element is introduced in an ingenious way. Aaron also spins a few more Smallville mythos into play with a diner scene. The impact is instant and mirrors what Superman does: inspires. This pushes towards a calm before the storm. Watching the 3 “heroes” try outrunning their troubles falls short. The final page will leave jaws dropped as the Demon refuses to take no for an answer. Brace for War.

Sandoval returns for art duties on this issue. Martha Kent’s joyous panels sent an eerie message of the doom coming. This gets moved aside for a strong two page splash of Superman and company. It provides a segway to start Kal’s flashbacks. There’s plenty of pet up frustration pour out of the young Kryptonian. Seeing how he starts understanding his powers becomes a major factor.

Readers watch as he vents his growing frustrations. It leads into a magnificent full page vision of classic Superman lore. The diner sequence is filled with hope as the dire situation starts to loom. Its’ aura carries into Kal-El’s thoughts. Returning back to Kansas hits differently. It leads to a reformed sense of purpose and connection. A full page vision cements that foundation. There is a small sense of this being “too good to be true.” This momentum moves into the closing act. Panels take a darker approach as the Demon starts his plans. The final page makes a bold statement as to the Hell coming. Whether Superman survives is another question.

OVERALL GRADE: 9

A symbol of hope looks to find some before a dark destiny arrives. Aaron constructs a deep look inside Krypton’s last son. Sandoval and Arreola unleash the emotional build with the art. After the last page, will the world of Superman ever be the same?

Let me know your thoughts on Absolute Superman #12 in the comments below. Thanks for reading!

JSA #12 (DC COMICS)

It all comes down to this moment. The injustice Society has struck the JSA on a personal level. Wildcat is dead. Obsidian was kidnapped and replaced. The Tower of Fate was overran. After acquiring the Spear of Destiny, the door has been unlocked to an ultimate terror.

For the JSA, there is no quit. Surrender is not an option. Win or die trying. There’s no turning back now. Welcome to Ragnarok.

JSA #12 by Jeff Lemire, Diego Olortegui, Luis Guerrero and Steve Wands (DC Comics) pits the legendary team against unsurmountable odds

Let’s take a deeper dive into this arc finale!

JSA #12 by Jeff Lemire, Diego Olortegui, Luis Guerrero and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Lemire stages an intense main event for this conclusion. The lead in with the global cameos adds to the danger present. It perfectly leads readers into the wild fight upon them. There are plenty of group combat moments between the longtime rivals. Kid Eternity winds up stealing some scenes in the mix. The action continues to push pace. Lemire ties in some smaller threads before the team gest some much needed back-up.

Once the calvary arrives, the story swings into a desperate attempt to win. The writing borrows from the past to inspire the future. Lemire dives into the vintage knowledge with a well-timed speech. This becomes the driver for the final act. Readers watch as the Society goes All in for the close. It results in a more modern finish. The epilogue cleans up loose threads before a twist throws off everything. A guest star appears who’s presence looks to shape where the JSA heads to in “Year One”. It’s a fitting end to the classic superhero adventure being told.

Olortegui & Guerrero open up with a haunting vision. The effects of the Unnamed Ones is felt throughout the DCU. Sneaking in cameos helps to push the danger level to the audience. The art spares no expense on showing the toll taken on this current mission. The action sequences shine in these moments as well. There is never an escape of a “big fight” feel.

A strong two page splash brings in the reinforcements. This will certainly be a crowd pleaser. Each panel feels magnified as time slips away. The detail in the Unnamed Ones can’t be ignored. A half page image shows them on the move. Readers watch as Doctor Fate and Kid Eternity step into the spotlight. Eternity’s “pep talk” goes over with great emotion. This spins into a two page splash ending the fight. It’s complimented by a near full page image highlighting the victors.

Readers get a solid epilogue. Rarely have we seen genuine smiles on the JSA. There are plenty of images reflecting the newfound hope. It is dashed on the last page. The returning character strikes a nerve as the new reset looks to be short lived. Any superhero fan will enjoy what’s transpired here.

OVERALL GRADE: 8.5

Have the end of days arrived for the JSA? Lemire puts them in a desperate fight for survival via the writing. Olortegui & Guerrero’s art provide the action needed for this event. A timeless tale that still holds up in modern eras.

Let me know your thoughts on JSA #12 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #13 (MARVEL COMICS)

The Spider has been broken. After his encounter with Hellgate, Peter Parker vanished. The encounter left Spidey in a very bad space. This left a hole in New York City. Both Ben Reilly and Norman Osborn have stepped in to fill his void. Neither would believe where Parker is currently residing.

Everyone’s favorite neighborhood wall-crawler is in space!

His displacement has led him to Xanto Starblood. Looking to get stronger for his rematch, Parker forges a deal with the alien. In the process, some truths come to light. Starblood has experimented on sentient life. This doesn’t set well for Parker, who leads a revolt.

AMAZING SPIDER-MAN #13 by Joe Kelly, Pepe Larraz, Marte Gracia, Erick Arciniega & Joe Caramagna sees the web-head leading a new crusade?

Let’s take a closer look at what’s unfolding now.

AMAZING SPIDER-MAN #13 by Joe Kelly, Pepe Larraz, Marte Gracia, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly has really moved Parker out of his comfort zone with this chapter. Having him lead a motely crew of captured aliens makes for a unique dynamic. Seeing Rocket Raccoon’s sharp wit battle with Parker’s logic is a fun read. This moves events enough to circle back to their original dilemma. Starblood is captive to this group. What is his fate? The answer harkens back to the Spider’s DNA.

Readers watch as the debate rages on. The writing pleads a few different looks before deciding. It leads into a present day problem. In dealing with The Black Order, readers see how this “team” is in over their heads. Pacing does jump a bit during these moments. It doesn’t hamper the experience but backs up Parker’s stance. The conclusion teases a more traditional finish. Readers where this story could go. However, Kelly does throw in a sudden change with the final page. Seeing where this choice goes will be enjoyable to follow.

Larraz has quickly mastered how to do Spider-Man action scenes. The opening battle is electrified with a spectacular full page image. Seeing the eclectic group on the attack should be a crowd pleaser. This gives way to the past decision about Starblood. The art shows how certain characters have a strong reaction to his fate. It also provides some comical moments via Rocket. His mannerisms are show stealing.

The action images will be the ones most talked about. Readers will be impressed with Raelith as she fights. A full page shot nails the landing as the fight grows. This momentum carries into the main event portion. Larraz and company welcome in Black Dwarf via near full page. This speeds events up as Spidey takes the fight into his own hands. There’s plenty of fast-paced panels to maneuver through strikes. It leads to a shocking image that ends the conflict. The closing pages tie up loose ends before the end panel shakes things up. A lone image with few words drives home how this story is far from over.

OVERALL GRADE: 8.8

The space escapades of Peter Parker takes a dramatic turn in this latest chapter. Kelly weaves the self-doubt in-between the chaos with the writing. Larraz and the art team shine with their beaming panel pieces. The last panel will shake up the stat quo further as this run continues to impress.

Let me know your thoughts on Amazing Spider-Man #13 in the comments below. Thanks for reading!

JUSTICE LEAGUE: THE OMEGA ACT SPECIAL #1 (DC COMICS)

The DCU is rocked by one of its most deadliest foes. Darkseid disappeared and created the Absolute Universe. A new vision of life created by the Lord of Apokolips. An unfathomable feat completed. For most, this would be enough. Most are not Darkseid.

His obsession of power leads him back to the DCU. The events of “We Are Yesterday” has broken the timelines. It leaves an opening for the Evil Lord to strike. One very unlikely being stands in his way. DOOMSDAY is the Time Trapper & time is running out.

JUSTICE LEAGUE: THE OMEGA ACT SPECIAL #1 by Joshua Williamson, Yasmine Putri, Cian Tormey & Dave Sharpe leads readers into the next big thing at DC COMICS: DC K.O!

Let’s take a closer look at how the DCU prepares to fight!

JUSTICE LEAGUE: THE OMEGA ACT SPECIAL #1 by Joshua Williamson, Yasmine Putri, Cian Tormey & Dave Sharpe (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson sets a few things in motion with the writing. The flashback to Krypton sets up teases for a better payoff later in the book. Once in the “present”, the unlikely key hero steps into the role he has dreamt off. Booster Gold steals this issue. His banter with Time Trapper continues to provide hope when its’ lost. Even as events jump to the 853rd Century, the fight against Darkseid rages on.

Readers watch as the odds turn against Gold and company. The writing doesn’t pull back on the weight of events. There is an overwhelming sense of loss during this portion. One moment swings back to hope at a shocking time. Has the real threat to Darkseid been here all along? The question lingers as the close starts taking shape. Williamson throws in a few more verbal jabs before dropping the final page. Once here, the final words uttered starts off the main event for the fate of the DCU. No pressure here, right?

Putri & Tormey split art duties for this special. The Krypton flashback moves the sub-plot forward with a strong two page splash. This steps back to allow Booster Gold’s story to fully develop. An incredible two page splash reflects on key “All In” moments. It serves as a great refresher of what has been built thus far. The scene also launches events into a very dark future.

The 853rd Century brawl is a wild sight to behold. Another two page splash starts to justify Time Trapper’s stance. This builds up tension between time lost parties. It starts giving more sympathy to Gold, who’s thriving in this issue. The action scenes feel loud as the never-say-die mantra of Gold carries on. This is capped off in an excellent full page image. Its’ aftermath speeds into the closing pages. Even as the Krypton story is sprinkled throughout, It falls short of the main take. The two page close leads readers into the excellent closing page. A full page panel provides a moment of peace before another fight takes hold.

OVERALL GRADE: 8.8

The prelude to DC K.O. turns into a showcase for a forgotten hero’s will to fight. Williamson pens a steady lead-in for the crossover. The art hits its’ strive when Gold takes center stage. It is a great bridge for where All In has gone and K.O. looks to take events further.

Let me know your thoughts on JUSTICE LEAGUE: THE OMEGA ACT SPECIAL #1 in the comments below. Thanks for reading!

ABSOLUTE EVIL #1 (DC COMICS)

One year ago, a new world came into the forefront of comic fans. It represented a true form of evil. Darkseid has left the DCU and created a universe all his own.

This has produced bold versions of classic DCU heroes. Their journeys fight for truth, justice and a better tomorrow has become more deadly. Some would say it has been absolutely diabolical on their challenges.

With the heroes on the rise, how do their enemies maintain their control? By any means necessary.

ABSOLUTE EVIL #1 by Al Ewing, Giuseppe Camuncoli, Stefano Nesi, Romulo Fajardo Jr. & Tom Napolitano welcomes in a new phase of terror into the Absolute Universe.

Let’s take a closer look at what has unfolded now.

ABSOLUTE EVIL #1 by Al Ewing, Giuseppe Camuncoli, Stefano Nesi, Romulo Fajardo Jr. & Tom Napolitano (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

What a tangled web has been spun here. Ewing throws in many combustible elements into this twisted view. The opening depicts a seedy tone as some familiar faces enter the picture. The writing moves events into the new dynamics of relationships. One that is very similar to previous times is that of Oliver Queen. Readers see how Mr. Queen tries selling the notion of fighting the good fight. Unfortunately, no one is buying.

This becomes very crystal clear when a meeting takes over. Featuring the very elite of rogues, readers watch as the egos becomes enamored at their past and future. Ewing takes chances with new visions of more heroes. This drives home how vastly different this world is.

It takes a backseat to a very violent delivery. Readers can only watch in shock as the meetings’ proposal takes a grim twist. As intense of a point this makes, one character steps into an unimaginable role. The unlikely voice of reason starts breaking down more possibilities. A sharp delivery moves the dialogue into a new area. This pushes the dire agenda into the closing pages. Once their vision lays its foundation, a starling reminder is given. There is no happy ending in sight. All that fuels this universe is the quest for power. It is a true reflection of its creator.

Readers won’t be able to comprehend the final page. It is quite the mic drop moment. Had it not be for the epilogue, this would be the buzz of this book. A very polarizing figure makes his way into this landscape. What he represents for this world remains to be seen. No one will mind the wait as a future uncertain will have them locked in.

Camuncoli and the art team spare no expense as they unveil this dark world. The throwback opening full page teases enough for a larger payoff later. There is a sense of normalcy with Oliver Queen. Seeing his reactions when “Jubal” is mentioned highlights his anger. This moves away when the business meeting starts taking shape. The near full page panel brings the major players into the very dangerous spotlight.

Blending in brutal flashbacks along with present day reveals, the art shines. It brings more gravity to the uneasy proposal. Readers watch as their view of the hero counterparts slips further from their hold. It conveys the dangerous threat they present. This all goes up a few levels with a brutal two page splash.

There is no way to hide the cold visuals. It sinks further into reality with a voice grabs the floor. Watching this person’s expressions start to slowly break sends a message of dangerous consequences. This moves events into a huge two page splash. The meeting has spawned a greater threat than previous thought. Its’ epilogue can make a run for that claim. Readers watch as a new player enters via full page panel. How the heroes will respond here is anyone’s guess.

OVERALL GRADE: 9.5

The rise of good in the Absolute Universe causes much concern for a few major players. Ewing crafts a dark vision of control and conquest with the writing. Camuncoli and the art team press into the unhinged look of Evil for a chapter that sets the table for a larger feast in the making. Just wait for that last page…

Let me know your thoughts on Absolute Evil #1 in the comments below. Thanks for reading!

X-MEN #22 (MARVEL COMICS)

Times for the X-Men haven’t been great lately. Cyclops was arrested in a confrontation with Agent Lundqvist. Magik decided to go on a covert mission with some of the members. Their target: Trevor Fitzroy & The Upstarts.

The mission didn’t go exactly to plan. They walked into a trap. During the fight, Juggernaut crossed a line. With blood on their hands, the team now awaits Cyclops’ return. Chances are he won’t be thrilled about this.

X-MEN #22 by Jed MacKay, Carlos Fabian Villa, Fernando Sifuentes and Clayton Cowles sets the stage for the upcoming “Age Of Revelation” storyline.

Let’s take a closer look at how this issue fares.

X-MEN #22 by Jed MacKay, Carlos Fabian Villa, Fernando Sifuentes and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

MacKay opens up with Cyclops getting his release from jail. Left with a haunting message form Lundqvist, his mood seems somewhat calm. This changes when Magik arrives for him. Their exchange tips off what readers knew was coming. One element that is hidden is Fiztroy’s reason of capture. The writing establishes the move as non heroic, but more of political strategy. In comparison to the other X-team books, this one maintains a more militaristic sense to it.

Fireworks do come sooner than later. The exchange with Beast and “Juggie” cranks up the intensity. Knowing a line was crossed, both argue their stance. It throws the reader a question of where they side. The fallout leaves Beast asking a theme very connected with this team concerning kills. Tensions are boiling everywhere as the story moves to its’ close.

Doug Ramsey shows up at their doorstep. Considering recent events, there is much pause on this appearance. It leads to a more out of character moment for Cyclops. With how he has been in recent years, this move is more awkward that surprising. It leads to a very dramatic close as a new era is upon the X-Men (again).

Villa steps in for art duties for this chapter. The opening chapter with Summers and Chief Robbins carries a casual vibe. It is interrupted by Magik via half panel image. At this stage, readers can see the tensions start brewing. This moves over to the Fiztroy segment. It is easily seen how buttons are being pushed. The space provides a great transition point for another face-off.

The conversation between Beast and Juggernaut doesn’t take long to explode. Readers watch as each panel conveys their views. A solid split-face image drives home their differing views. It becomes more gas on the fire once Cyclops returns. The art shows the team disfunction as he speaks his mind. Ramsey’s appearance throws more off via near full panel. His exchange with Cyclops brings a new arrogance to his answers. The team reactions are a bit more eye-raising. It takes nothing away from the final page. A full panel image sends everything into its’ latest event, ready or not.

OVERALL GRADE: 8

Who are these X-Men? Heroes? Killers? Something else? Those are some of the questions raised in this chapter. MacKay throws some conflicts into a greater scheme via the wriitng. Villa and the art team zoom in on the various takes before the end page. Once here, the X-Universe prepares to head into unknown chaos. Here we go again.

Let me know your thoughts on X-Men #22 in the comments below. Thanks for reading!

SUPERMAN #30 (DC COMICS)

Time has run out on the Man Of Steel. After being attacked by an Absolute Legion Of Super Heroes, Superman is saved by The Time Trapper. Knowing that DOOMSDAY is the man in the cloak only complicates things further. Placed in a pocket dimension, the ghost of the past continue to appear.

Superboy-Prime has also been brought here for safety. The Kryptonian Pair deny orders and look for answers themselves. This puts them on an unlikely path to the Absolute Universe. Once here, Superman finds the forgotten hero Booster Gold. He also finds more than he bargained for as Superboy-Prime switches sides.

SUPERMAN #30 by Joshua Williamson, Dan Mora, Alejandro Sánchez, and Ariana Maher concludes its “Legion of Darkseid” storyline.

Let’s take a closer look at how this storyline all plays out.

SUPERMAN #30 by Joshua Williamson, Dan Mora, Alejandro Sánchez, and Ariana Maher (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson delivers a massive pay-off for what has been building here. The intro into Saturn Girl’s backstory shows the influence of Darkseid. It comes across more of a possession feel that only grows from here. Adding in Superboy-Prime to the ranks really stacks the deck. Readers watch as hope slowly slips further out of grasp. The moment continuously breaks Superman down into a state of despair. It is a rare sight but effective.

There is a great break into this story. “Where is Lex Luthor” is a question looming in this series since #25. The writing proves an exclamation point answer. How he will factor in the future is unclear. In this moment, his presence is a how steal. Had it not been for the final act, Luthor takes this issue. Another character grabs the spotlight right to the end.

The subtle 4th wall lead-in is well placed. His dialogue with Superman is superb. It is a new side that readers have never seen. This proves to be the change in events needed to conclude this portion of story. The final pages tie into where all roads are heading to. It is a moment that will make the rounds on NCBD as readers process what just happened. Long live the Legion indeed.

Mora and Sanchez open with a bleak flashback. The visions of Saturn Girl’s mind paint a dark picture. This fast forwards into a strong two page splash. Readers see the smug grin on Superboy-Prime’s face as he flips sides. Even as Superman valiantly fights back, the art shows how much of a lost cause it is. This helps to provide a break to highlight a long awaited return.

Luthor’s conflict is swift and direct. The panels break to show how he handles his attacker. It results in a shocking but “Luthor-esque” moment that only he can pull off. This moves into the ever-rising final act. Readers watch as a turn is taken that changes everything. Action starts ramping up as the escape is made. It leads into some personal moments that give a sense of finality coming. Superman’s part is ended with a strong full page shot. The moment is upstaged by the conflict end. Panel structure puts a nice finish to events for now. This moves everything to the close. The final page speaks volumes as another round with Darkseid is inevitable in arrival.

OVERALL GRADE: 9.5

Will Superman save Booster Gold from The absolute Legion? Williamson boldly answers that with a fantastic arc finale. The writing throws a few fakes before solidly connecting in the end. Mora and Sanchez elevate the pages to new heights. It’s a must-read as the DCU prepares for a fight unlike anything they’ve seen before.

Let me know in the comments below your thoughts on Superman #30. Thanks for reading!

JUSTICE LEAGUE UNLIMITED #11 (DC COMICS)

Doomsday at the mercy of the Justice League?! The Time Trapper is mortally wounded. Only one evil force can be behind this. It is the former Lord Of Apokolips: DARKSEID.

The DCU hasn’t seen him since their encounter during the JLU announcement. Since then, he has disappeared into his twisted world known as “The Absolute Universe.” The JLU has had their own issues to deal with. After “We Are Yesterday” broke the timestream, it opened a dangerous door. Guess who’s coming back for another round?

JUSTICE LEAGUE UNLIMITED #11 by Mark Waid, Carmine Di Giandomenico, Tamra Bonvillain & Ariana Maher unveils a race against time like never before!

Let’s take a closer look at how events are playing out.

JUSTICE LEAGUE UNLIMITED #11 by Mark Waid, Carmine Di Giandomenico, Tamra Bonvillain & Ariana Maher (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid sets a high speed pace from page one and never looks back. Seeing the Parademon invasion strike creates a horrific setting. Watching Mr. Terrific screaming for help only adds to the explosive scenarios. It is tough to comprehend how the League is on the defensive with their expansive line-up. The writing clearly establishes how the threat is hitting on multiple levels. It leaves no doubt of the peril they are in.

Even when the story moves to Markovia, the losing sense never strays too far. Watching Darkseid’s legion in action teases what evil lies ahead. Seeing the corruption of Captain Atom and Power Girl unfold makes a loud statement. Readers sense the sub-plot forming before all eyes switch back to the Watchtower. Peeling back the layers on Terrific’s confidence opens up a few directions. It leads to a strong close with more looming overhead. The final image is very familiar as the dark times for the DCU heroes are about to get a whole lot worse.

Di Giandomenico steps in for Mora on art duties. Keeping the breakneck speed of attacks is no easy fear. The panels capture the desperate attempt at escaping. It leads into a fantastic full page image of the attempt to save Doomsday. This sense of urgency follows the Markovian team as they fight the absolute Legion. Little details like Captain Atom’s painful eyes magnify each blow. Even as the team is being seduced by power, their expresses hone in on the danger at hand.

Readers watch as this all unfolds while the Watchtower hope is crashing badly. The action scenes are pouring with huge energic looks. There is a small sense of horror capping them off. It matches the fear in Terrific’s face until the conclusion. A dynamic full page image brings the house down. This leads into a somewhat slower closing. There isn’t much time to pause as the final page exemplifies the terror lying in wait. It’s a solid lead in for what is sure to be an unforgettable event.

OVERALL GRADE: 9

The League is being overrun on their home turf with no escape in sight! Waid constructs a combustible stand-off with excellent writing. Di Giandomenico & Bonvillain deliver on huge action while unveiling the true terror ahead. This series never ceases to impress with its’ large roster of legends.

Let me know your thoughts on Justice League Unlimited #11 in the comments below. Thanks for reading!

DETECTIVE COMICS #1101 (DC COMICS)

Dead bodies are discovered on a ship sailing in Gotham. The Dark Knight investigates as a new threat to the city awaits. What he discovers is troubling to say the least. Someone is sending a message of death and fear.

It will take all of Batman’s detective skills to crack this case open. Can he stop the body count before another is claimed?

DETECTIVE COMICS #1101 by Tom Taylor, Mikel Janin, and Wes Abbott takes readers into a question of courage.

Let’s take a closer look at how this chapter plays out.

DETECTIVE COMICS #1101 by Tom Taylor, Mikel Janin, and Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Taylor welcomes a horror element into this very engaging start. The flashback sequence of a young boy foretells the fear of the Bat. It moves to present time where the dire scene keeps expanding with each action. Having Batman monologue a water rescue clues the audience into the details he watches. Even with all his training, few things can prepare him for what he finds.

The writing doesn’t hold back on the horrific scene. 41 dead bodies is quite terrifying. Watching Batman break down how each victim was killed sparks some curiosity. He does discover a message that leaves the audience in shock. Taylor throws in a few more twists before taking the book to close. The problem is of such a level, Batman needs help. A guest star lends some knowledge into the mix while dropping another reveal on the way out. A fantastic start to a new mystery.

Janin returns to art duties after a few issues off. His art locks on the fear aspect of the flashback opening. The vision of a monster Batman via full page shows the impact of Bat’s presence. Readers watch as the events time jump to a tragic sight at hand. Batman’s underwater rescue adds a bit of excitement in before the terror sinks in.

The full page view of the dead bodies stops the show on a dime. It spares no expense on drilling home what horrific scene has taken place. Janin’s attention to detail showcases the scarring and sickness of the victims. Batman’s stern demeanor never breaks until he finds a message left for him. The full page warning takes no chances as it leaves its mark. This moves events into a faster pace. The closing pages brings in the guest with urgency. Readers see the plot unveiled with a solid full page close. Another solid visual experience that is sure to please.

OVERALL GRADE: 9.2

Batman’s worst fear might have become a reality in this opening chapter. Taylor layers elements of horror throughout the search for clues. Janin delivers stunning art that only amplifies an already incredible read. This has all the makings for a legendary case.

Let me know in the comments below your thoughts on Detective Comics #1101. Thanks for reading!

SUPERMAN UNLIMITED #5 (DC COMICS)

The DCU is seeing more green these days. When an asteroid of Kryptonite is on the way to Earth. Superman leads a charge to stop it. After stopping it, the Man of Steel is rendered unconscious. When he awakes, a new fear takes hold.

Access to the deadly element is very easy these days. Many wrong hands are in possession of Kryptonite. One of those hands is President Castilho of El Caldero. The state houses the most Kryptonite. When it’s attacked, Superman has to save the day, even if it might kill him.

SUPERMAN UNLIMITED #5 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo and Dave Sharpe puts the Man of Tomorrow in a no-win situation.

Let’s take a deeper dive into the latest adventure.

SUPERMAN UNLIMITED #5 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo and Dave Sharpe (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Slott takes Superman into dangerous grounds for this chapter. After opening at the ever expanding Daily Planet, Superman decides to go on his own to El Caldero. Readers watch as his arrival is met with a surprising result. The writing shows how he is celebrated in the Green Kingdom. Castilho comes across as a showman disguised as a leader. His dialogue is sharp as the issues with the kingdom are addressed.

It doesn’t take long for Superman to push forward with his plans. This allows for Castilho to dive into a version of backstory. The writing plays up the “sympathetic” nature of his character. It eludes to his saving of Superman after the asteroid. This leaves readers with a sense of uncertainty to truth.

As the conflict emerges, Castilho’s tone swings in a predictable manner. Readers watch as he shows what lengths he will go to protect his illusions. His viciousness unveils his true persona. This winds up unlocking a few secrets heading to close. One of which winds up in the final panel. This leaves the audience with a more complex tale than originally thought. It’s a steady cliffhanger until next issue drops along with being a fun read.

Albuquerque & Maiolo return for full duty with this issue. The Daily Planet intro gives an enjoyable spotlight on the supporting cast. Tee-Nah’s optimism shines on the panels. This allows Lois and Clark to have a brief segway before the Superman business begins. From here, the story takes on a more traditional superhero feel.

The two page splash of the El Caldero carnival carries high energy. It allows Sueprman to soak in the crowd reaction to his image. This provides a segway to stand-off between Supes and Castilho. Each show how they refuse to back down. As they move forward, the flashback sequences work extremely well. Maiolo’s coloring paints a noble view of events. This aura steps back as the conflict arrives. Events start picking up as Castilho sees what’s his in trouble. The rage pouring out takes over panels. It leads right into the dramatic close. The parting shot leaves more questions to ponder as the leader’s true intentions come to light.

OVERALL GRADE: 8.8

An impossible task leads Superman into deadly territory in this latest issue. Slott pens a very steady tale of power and control. Albuquerque & Maiolo throw many different looks at the readers via the art. How this will end is anyone’s guess but you won’t want to miss it.

Let me know in the comments below your thoughts on Superman Unlimited #5. Thanks for reading!

GREEN LANTERN #27 (DC COMICS)

The tide appears to be turning! When Starbreaker and his Sun-Eaters stole all emotion, it took out the Lanterns! This allowed them to run roughshod over the universe. If no one cared, who would stop them.

Due to a small trio of Lanterns, a play was made to the Source Wall. Unleashing the emotion avatars seemed like the jolt needed to fight back. Even with Sorrow’s sacrifice and rings repowered, the fight continues onward.

Now the threat looms to the planet of the Green Lantern Corps: Oa. Are they ready for what’s next?

GREEN LANTERN #27 by Jeremy Adams, Xermánico, Romulo Fajardo Jr. & Dave Sharpe heads further into the Starbreaker Supremacy!

Let’s take a closer look at where events stand now!

GREEN LANTERN #27 by Jeremy Adams, Xermánico, Romulo Fajardo Jr. & Dave Sharpe (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Adams opens events up with a flashback to a conversation with Jordan and Stewart. Seeing the two old friends converse about the universe is a nice break from the draining drama at play. It doesn’t take long for the present situation to take hold. The desperate race to save Oa pushes pacing. There is an overwhelming feel of doubt. This mood doesn’t stay put on their spaceship in flight.

John Stewart leads the plan to stop Starbreaker’s corps once and for all. Readers watch as the tough decision is made. It shows how Stewart is forced a hand he doesn’t want. This results in an unlikely source of backup. Even with another sub-plot growing, Stewart commands the scenes. His actions have huge ramifications. It leads readers into a new beginning and final goodbye. As odds as that statement is, the view on the final page cements any doubt. There is no turning back now.

Xermánico is back on art duties for this pen-ultimate story chapter. The opening sequence with Stewart and Jordan starts with a fun full page. As much as they stay in the starts, seeing the Earth Lanterns have a quiet moment is a solid move. The flight back to Oa carries a tremendous amount of weight. Emotions are high as the heroes know they won’t make it in time. It is a strong view of events. This only helps add more strength to Stewart’s tough call.

Once Stewart comes to terms with his call, the issue eases into its key points. The two page splash of Stewart’s call to action is a huge move. This only is amplified as more characters appear on page. Readers see the emotional call only get graver as Stewart executes it. Another excellent two page splash conveys its’ impact to the readers. It recharges what fans have been waiting for. There are a few heartfelt panels before the ending commences. A full page shot ushers in a return to normal with perfect timing. The final page reveals what’s going and the end is truly here.

OVERALL GRADE: 8.8

One Lantern’s tough call leads into a rally cry for the ages in the “Starbreaker” pen-ultimate chapter. Adams’ writing leans into the gravity of the conflict. Xermánico & the art team fill the pages with many fan-favorite moments. This sets the stage for a finale you wont want to miss.

Let me know your thoughts on Green Lantern #27 in the comments below. Thanks for reading!

IMMORTAL LEGEND BATMAN #2 (DC COMICS)

When humanity messes with dark matter, it creates a new evil. Shadows are now running wild. Heroes have risen to take on these creatures. One in particular is a symbol of justice. He is Vengeance. He is the night. He is an Immortal Legend!

Immortal Legend Batman has resurfaced. Many details need to be resolved upon his return. In the meantime. Shadows still need to be stopped!

IMMORTAL LEGEND BATMAN #2 by Kyle Higgins, Mat Groom, Erica D’Urso, Dan Mora, Tamra Bonvillain, Igor Monti & Becca Carey (DC COMICS) continues its’ epic vision of the Dark Knight.

Let’s take a closer look at where the story goes now.

IMMORTAL LEGEND BATMAN #2 by Kyle Higgins, Mat Groom, Erica D’Urso, Dan Mora, Tamra Bonvillain, Igor Monti & Becca Carey (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Even in space, the elements of crime never veer off track. A simple space train robbery is normal in these parts of the galaxy. The writing stages the play as a very traditional lead. It doesn’t take long for events to take a turn for the worst. One robber stands out amongst the crowd. Readers watch as he holds court on all those in attendance with force. It shouldn’t take long to decipher who this rogue truly is.

Readers see another character of Bat-lore make their entrance here. The conversation with Pennyworth and Wayne is very classic in delivery. It is one that reveals the self-doubt Batman still carries. Once events jump back, the story leads into the real endgame. Action sequences pick up as all secrets come to light.

Once the villain identity is revealed, the main event begins. Readers watch as the combat is very straight-forward. It leads to a thunderous conclusion. The epilogue teases more of the mystery surrounding the lead. It’s a great compliment to a superb read.

D’Urso and Monti craft some amazong images for this chapter. The space robbery set-up is filled with tension. It never ecapes the reader’s mind of what is happening. A full page shot welcomes the thieves into the scene. This is matched with anothe rfull shot of their leader. The scene pops off as the dialogue moves into their immediate issue. There’s plenty of brutality unloading here. Carey’s lettering makes this panels jump off the pages.

Once the story swings to Batman, the mood heads towards a more reflective phase. The art shows the wear in his face as he contemplates moves. This doesn’t last long as his mission comes back into lead. The action scenes comes fast and energetic. It’s becoming a trademark of this series. The main villain reveal gets a tremendous full page shot. Readers sit ringside as the fight goes full throttle. The art exemplifies the wild action. It caps off with a triumphant full page shot.

Mora and Bonvillain’s epilogue follows this same winning formula. It supports the level D’Urso and Monti established. Readers have much to rave about on each page.

OVERALL GRADE: 9.3

Immortal Legend Batman takes action undercover in its’ latest issue. Higgins and Groom throw ILB into uncharted territory with their writing. The art is phenomenal on every page you turn. There is no sophomore slump here. This Batman story is one that should have your undivided attention.

Let me know your thoughts on Immortal Legend Batman #2 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #12 (MARVEL COMICS)

What a tangled web indeed! Spider-Man disappeared after being brutally beaten by Hellgate. Upon his return, something was noticeably different. Spidey was showing a vicious streak in handling his foes. This same sharp mood was seen in Peter Parker.

Once both parties met, much was explained. That’s not a typo. It was revealed that Ben Reilly was posing as Peter. As for Spidey? It was none other than Norman Osborn! What about Peter? Oh yeah, he’s in space.

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna continues its latest adventure into the unknown.

Let’s take a closer look at what is happening now!

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

This chapter has a more grounded approach than last month. Keeping the story based on Reilly and Osborn helps to fuse their place in this tangled equation. This really helps give Osborn’s new role life. The opening monologue shows how he is dealing with being a hero. Hearing acknowledge the challenges presents a sense of self-doubt. It is very un-Norman like but an effective tactic.

This becomes a larger issue in dealing with another rogue. Their encounter shows how far Norman is trying to hold it together. Readers see how the external demons are the least of his worries. This follows a confrontation of interested parties. Pacing picks up as the action hits. It ends on a very strong note. Kelly reaches back to a connecting plot point. The move eases onto the closing. Once here, a new threat is teased that looks to impact Norman more than realized. Text book cliffhanger finish which helps this chapter.

McGuiness steps in for art duties this go-around. A two page splash shows Norman in action. His heroics are far from flawless. It does add to the questioning dialogue. This gives way to show Reilly some time as Peter. The facial reactions show how Reilly’s performance is starting to crack. The same can be said for Norman’s.

The spider-family crash the scene via half page shot. It leads to a tense conversation. This subsequently rolls into a fight. The two page splash shows Norman holding his own. Even as he battles, the sublime flashbacks are impacting his reactions. None more greater than one in particular. The full page panel stops everything at the drop of a dime. Readers see how far Norman has fallen during the following panels. It leaves events at a standstill before the end. A glimpse into the future leaves the audience with much to ponder when this portion picks back up.

OVERALL GRADE: 8.7

The “Spider-Norman” era experiences some growing pains as past scars resurface. Kelly conducts a look inside a struggling character trying to be good. McGuiness and the team keep things moving with a balance of action and insight. It’s a new day for Spider-Man and fans had better settle in for the ride!

Let me know your thoughts on Amazing Spider-Man #12 in the comments below. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #11 (DC COMICS)

There’s a new dynamic duo in Gotham City. After taking out General Grimaldi, Clayface & Two-Face have taken over! They have “clay” sleeper agents planted throughout the city. By replacing Gotham’s power players with their own has given them leverage. No one is safe. Not even Bruce Wayne.

Dick Grayson was removed from his custody. Fake evidence has ruled him unfit as a parent. His Manor was taken siege. There’s nowhere safe to run.

That is just the odds Batman likes…

BATMAN AND ROBIN: YEAR ONE #11 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles brings forth its pen-ultimate issue.

Let’s not wait any longer to dive into the chapter!

BATMAN AND ROBIN: YEAR ONE #11 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid crafts a very high-stakes affair right from the start. Seeing Batman forced undercover leads to questions of denial and doubt. The dialogue with Alfred shows how farthings have slipped out of grasp. It doesn’t defer the attempt to stop “Grimaldi”. The action picks up as Batman swings into action. It exposes a fatal flaw in Grimaldi’s plans. The revelations don’t stop here. Another one takes over the book and haunts to the close.

Readers watch as Batman questions his adopting of Dick Grayson. The Dark Knight watches Grayson have some normalcy. It leads to a self exploration of emotions. Grayson’s reaction is surprising in return. Readers don’t dwell on this aspect for long. Batman wastes no time in trying to take down everyone solo. This is met with mixed results. There is an air of carelessness looming with the attack. Once in the final stages, the errors prove costly. It shifts tones towards a dire direction. The last page shows a glimmer of hope as the truth sinks in: There’s a reason Batman needs a Robin.

Samnee and Lopes bring out the dark side of the new regime with the art. Opening with Batman undercover and running sets an early pace. The interactions with Alfred suggest how costly the failure is. Readers see how this carries over to Batman on the offensive. The panels showcase the sleuth moves as the picture comes into focus. It leaves a few noteworthy action images behind as the spotlight shifts.

The art shows the wide range of emotional pulls involved with Grayson’s separation. While brief, every panel is maximized for page time. It elevates the moment to become a motivator. Pacing ramps up as Batman progresses his mission forward. There is plenty of big action to go around here. It leads to more tense moments. The vintage Batman rage is clearly on display. It gives way to a monstrous closing act. This ultimately moves into a grave closing page. Save for the last panel, it shows the Bat in a new light. That panel shows a possible redemption from an unlikely source. The path to the close is perfectly set.

OVERALL GRADE: 9.4

Clayface & Two-Face advance their plans further while forcing Batman to question himself. Waid’s writing takes readers along for Bat’s doomed, valiant effort. Samnee and Lopes shine with fantastic action and deep emotions. The stage is now set for an unforgettable close to drop.

Let me know in the comments below your thoughts on Batman and Robin: Year One #11. Thanks for reading!

NIGHTWING #130 (DC COMICS)

A new era dawns in the city of Bludhaven. After a wild experience with some fifth dimension drama, its back to basics for Dick Grayson. With a city running wild, it’s up to Nightwing to settle the chaos. One might think where to start. That becomes an easy answer.

A young boy has acquired powers that are eerily similar to a Man of Tomorrow. This could be a breakthrough for the fight against crime. It could also lead to taking the city into a darkness unlike anything before.

NIGHTWING #130 by Dan Watters, Dexter Soy, Veronica Gandini & Wes Abbott hits the ground running with its’ latest chapter.

Let’s take a closer look & see how things play out now.

NIGHTWING #130 by Dan Watters, Dexter Soy, Veronica Gandini & Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters opens up with a return to basics. Grayson is overseeing Mayor Bisogni and his illegal moves. It doesn’t take long for Nightwing to send a message. The moment sets a high pace for where the rest of the book goes. Throwing in a mix of Man-Bat serum and Venom can only spell disaster. This ramps up the action even more. The conflict ends on a more puzzling note. It is all due to another player ready to start his own legacy.

Readers watch as Nightwing Prime swoops in. The moment is brief but causes a domino effect. It also brings in some cooler heads to talk some reason to Grayson. The check in dialogue shows how connected all DCU heroes are. It also drives home how respected Grayson is. Their conversation moves to another vested party. Batman’s time is brief but effective in moving events toward the close.

Watters unloads the drama in the final pages. It serves as another reminder of how Grayson has seen the world. He has been a novice teen hero. Now, he’s a seasoned and tested force. The dialogue leans into this for making a tough call. Readers watch as this leaves room for many directions to go. The chapter closes with a haunting last page. No matter where you go in Bludhaven, it’s not an easy trip.

Soy and Gandini open up with an impactful sequence. The near full page jolts the story into the message being sent. Another near full page shot lets everyone know Nightwing is back. It teases just enough before moving conflicts. The art shows the horrors of the chemical mixing. Readers watch as a series of giant panels take center stage. It gives the conflict enough weight before its’ quick ending.

Nightwing Prime makes a dramatic debut. The looming presences connects via full page. This gives way to a few more guest stars making their appearance. Readers watch as the art locks in on their banter. It carries a more calm mood as the points are made. There’s a mid panel of Nightwing and Batman which the art slides in a quiet smile on Bats. It serves as a good transition point to the close. How Nightwing handles the finish delves on an emotional angle. It ends with a mid-size panel changing all courses. The art leaves a few more clues before bowing out. Readers will have much to break down between now and next chapter.

OVERALL GRADE: 8.8

Nightwing gets back to basics with a powerful problem on his hands. Watters showcases the tough choices and ramifications of being a hero. Soy and Gandini bring a high-energy feel to the art. Readers had better get ready for where this series is going!

Let me know in the comments below your thoughts on Nightwing #130. Thanks for reading!

TITANS #27 (DC COMICS)

After Deathstroke returns, the Titans need time to recover. Their conflict had a personal wound left on Beast Boy. Needing time off, he returned to his “second family”. The Doom Patrol welcomed him and Cyborg for a visit that turned business quickly.

An old rival has emerged and taken Negative Man & Beast Girl. Zookeeper is back. Is the combined effort of Titans and the Patrol ready for this return?

TITANS #27 by John Layman, Max Raynor, Matt Herms and Wes Abbott continues the wild team-up of heroes.

Let’s take a deeper dive on to where events go now.

TITANS #27 by John Layman, Max Raynor, Matt Herms and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Layman plays up to the quirkiness of this team-up. The re-introduction to Zookeeper is a nice touch. Readers get a full understanding of who he is and why. This moves events along to its’ current dilemma. The writing lets Beast Boy shine while things fall apart. It serves as a solid refresh for his character. As solid as this moment is, it is eclipsed by another.

Cyborg’s heart-to-metal talk with Robotman steals the show. Knowing how very similar these two are allows the Titan to open up. The dialogue hits the major points of what his struggles deal with. Seeing Robotman be a voice of reason strikes a chord with readers. It helps to get the hero back on a positive track. This helps to assist in the main conflict.

The writing stages action very traditionally. There’s absolutely nothing wrong with this. These moments come across very well. It allows for a few fun moments to creep in before wrapping events up. Readers watch as the door is left open for more meetings in the future. Once the story goes to close, everything has changed. It is a hard reset lending itself to a larger picture n the horizon. An enjoyable read never the less.

Raynor and Herms set up the Zookeeper sequence with a few different looks. Flashback moments have a varied coloring to the panels. The art leans in on the key reveals before it ends. The final result is a full page image that starts off this issue’s conflict. Readers watch as the heroes converse about best plans. It leads to a solid half page panel featuring a few transformations.

The weight of Cyborg and Robotman can’t be denied in their panels. Vic Stone is clearly impacted by Robotman’s words. They are subtle panels but nail the key points. This moves events to the main fight with the art letting loose. In dealing with changelings, the imagination can run wild. The near full page reflects that view. It helps to compliment the fast action and unique end to the fight. Readers watch as this portion ends on a high note before changing directions in close. The full final page doesn’t pull punches as the next round is taking a bold swing. Get ready.

OVERALL GRADE: 8.4

The Titans/Doom Patrol team-up ends on an entertaining note before more trouble arrives. Layman pens a steady superhero tale with the writing. Raynor and Herms mix in some needed drama in between the action. It is a enjoyable set-up before darker times arrive for the DCU.

Let me know your thoughts on Titans #27 in the comments below. Thanks for reading!