G.I. JOE: A REAL AMERICAN HERO - BEACH HEAD #1 (IMAGE COMICS/SKYBOUND)

In 1983, a G.I. Joe story was released that was unlike anything fans had seen prior. Issue #21 of the Marvel Comics series led by Larry Hama released “Silent Interlude”. The Snake-Eyes focused tale is legendary. It was the first appearance of Storm Shadow. As impactful as that moment was, it is not the main takeaway from fans.

The story had no dialogue.

Fast forward 42 years later and G.I. Joe: A Real American Hero is having a renaissance under the Skybound Entertainment Banner. The series has restarted in continuation under Hama in 2023. Going in on that success, the line is revisiting this creative style of story telling with “Silent Missions”.

G.I. Joe: A Real American Hero – Beach Head #1 by Phil Hester, Travis Hymel, and Lee Loughridge launches this new initiative.

Let’s take a closer look & see if this new mission is a success.

G.I. Joe: A Real American Hero – Beach Head #1 by Phil Hester, Travis Hymel, and Lee Loughridge (IMAGE COMICS/SKYBOUND)

*** POSSIBLE SPOILER WARNING ***

Hester throws Beach Head (literally) into a demilitarized zone when a COBRA helicopter crashes. The full page image sets a tense pace for this mission. Two orphans find him and help him escape. The dire situation reflects the war torn landscape. Hester and Hymel spare no expense on the gritty ordeal. Readers watch as the orphans struggle to survive. This touches a chord with Beach Head. They helped save him. He intends to return the favor.

Once COBRA catches wind of survivors, the issue hits the gas petal. Hester unapologetically brings the brutality of war to this issue. Beach Head must act quickly to survive. Readers sense the mood change when he dons his mask. The mid page panel resonates with readers. Loughridge’s coloring compliments it well when the action starts. It thrusts the survival instinct into the spotlight. Even when one of the children try to get involved, Beach Head acts valiantly.

The fallout plays into a solid finish. It also gives a definitive thought to the readers. Beach Head’s gesture to one of the kids is subtle but reflects change. Sometimes, the past should stay in the past.

OVERALL GRADE: 8.8

The modern take on a classic Joe storytelling style hit a direct bullseye in its debut mission. Hester, Hymel and Loughridge craft an exciting tale with heart and action. It’s a creative take that speaks volumes in silence.

Let me know in the comments below your thoughts on G.I. Joe: A Real American Hero – Beach Head #1. Thanks for reading!

WE'RE TAKING EVERYONE DOWN WITH US #1 (IMAGE COMICS)

Annalise is a 13yr old who’s just trying to live a normal life. Define normal when your dad is a mad-scientist. Your “friends” are robots. Plus, who’s living in the basement? If this doesn’t sell you enough, the creative team behind Image Comics next big thing will!

We're Taking Everyone Down With Us #1 by Matthew Rosenberg, Stefano Landini, Jason Wordie, Roman Titov and Hassan Otsmane-Elhaou brings “Spy-Fi” to the masses with its’ debut chapter.

Let’s not wait any longer and break this issue down!

We're Taking Everyone Down With Us #1 by Matthew Rosenberg, Stefano Landini, Jason Wordie, Roman Titov and Hassan Otsmane-Elhaou (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Talk about a debut issue! Rosenberg hits the ground running and never looks back. Annalise starts by trying to play Hide And Seek with a robot. As quirky as that sounds, it works to make tempo. The dialogue hits as Annalise just wants time with her dad, Dr. Dante Alderman. Readers watch as the mood shifts to a more grounded level. Disappointment fills Annalise’s voice. Her dad tries spinning out of this. The result is a drastic detour of events.

A simple game reveals more intrigue as Annalise encounters a stranger. The conversation leads to more danger. Readers see as there is MUCH more going on with Annalise’s father. The writing keeps changing styles. This adds more layers on an already engaging tale. Through it all, this is centered around Annalise and her dad. Rosenberg weaves other elements in-between the panels.

Even an agent’s “evening plans” provide some adult humor before catapulting to the close. In mere moments, everything changes again. The chapter closes with an incredible cliffhanger that will have readers locked and loaded. Rosenberg has something special with this one!

Landini (along with Titov and Wordie) make a visually stunning opening chapter. The beginning game shines with the coloring. They create a retro-esque mood as Annalise challenges the robot. It defers to the more cemented backdrop of her father in his lab. There are a few great panels in this mix. One that stands out is Annalise looking at her dad through a chemical glass. Their conversation carries some gravity with it. The use of small panels help move this portion along to its game-changing moment.

The discovery in the basement is given a shocking full page. Its’ resolution mirrors the tense landscape Annalise has just walked into. Readers watch as her dad’s true nature creeps to the forefront. The panels are overflowing with his anger. This gets flipped upside down when Dr. Dante sees Annalise.

Landini and company cover all bases there. After the stop to see Agent Rook, evens race to the end. A two page spread sends everything on its’ axis. If that wasn’t enough, the final page crushes everything. There will be many questions coming form this series. I can’t wait to see what the answers will be.

OVERALL GRADE: 10

Combining elements of Sci-Fi, espionage and family dynamics, Annalise’s journey doesn’t struggle to balance its’ act. Rosenberg’s writing leaps into many themes without losing the audience. Landini and the team keep a distinctive look with superb visuals. Packing so much style and storytelling, readers are absolutely going to be blown away by this!

Let me know in the comments below your thoughts on We're Taking Everyone Down With Us #1. Thanks for reading!

RADIANT BLACK #32 (IMAGE COMICS / MASSIVE-VERSE)

Marshall Ward is Radiant Black. In the past, that might have been well-received. Due to the events of the Catalyst War, Marshall is not a popular person. With his best friend Nathan gone, Ward is the only one to deal with the backlash. It also isn’t helping a dead body and explosives were waiting for him on a case round-up.

RADIANT BLACK #32 by Kyle Higgins, Joe Clark, Eduardo Ferigato, Rod Fernandes and Becca Carey continues the Massive-verse’ return to the LCS!

Let’s take a deeper dive and see where things land now.

RADIANT BLACK #32 by Kyle Higgins, Joe Clark, Eduardo Ferigato, Rod Fernandes and Becca Carey (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Higgins and Clark put a focus on Marshall’s health side for this chapter. After being examined, it is advised he stops whatever is causing his ailments. That will be highly doubtful. The event keeps Marshall grounded long enough to move back to a traditional superhero point. After his doctor appointment, Radiant Black meets up with Kieran’s team. Readers see the shock in Marshall’s reaction to seeing a dead man alive? The problems with alternate timelines. Knowing there is a killer on the loose puts Marshall’s peace at a standstill.

Not everything is all doom and gloom. The writing teases a more light-hearted Marshall adjusting to the dating digital world. It gives just enough of a break until the mysterious killer strikes again. Readers ride along as Radiant Black deals with another threat makes a splash. This leads right into the closing pages. As his new “friend” leaves (after dropping a “Clerks” liner), Marshall’s focus is back to business. Events wrap up on a more upbeat note. This issue lays a solid foundation as Marshall is still finding his way (both mentally & physically) in a new era.

Ferigato and Fernandes construct a solid opening. The conflict of mysterious assailants botched robbery ends with a bang. Marshall’s doctor visit shows the bruises of his other life. The art reflects the wear and tear on him in all aspects. This is short lived due to duty calling. The investigation reveals a new wrinkle at hand. Marshall’s reactions say it all as the shocking news hits. A half page flying shot wraps up some loose ends. The art captures his growing frustration as work/life balance is not becoming a reachable option.

After a full page splash shows Marshall in action, the art team switches up looks. This is very apparent in the dating sequence. The use of tiny panels conveys the challenges for finding someone. One potential suitor gets taken for a ride via a full page image. The mood shifts with another way with a darker half panel. Readers see as the latest victim is found. It is a striking image that shows the grave reality now sinking in. The art team gives the new threat a solid intro image. There is some action but not overwhelming. This all gives way to Marshall talking with Eva in the closing page. The final image will have the fans talking with curiosity. Another solid outing for this creative team.

OVERALL GRADE: 8.8

The life and times of Marshall Ward take a more normal tone this chapter. Higgins and Clark steer into more traditional challenges via the writing. Ferigato, Fernandes and Carey depict the ever simple moments around the unfolding chaos. When you see “Massive-verse” on the cover, readers know where the bar is set. Rest assured this issue hits the mark.

Let me know in the comments below your thoughts on Radiant Black #32! Thanks for reading!

G.I. JOE #5 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Time has run out for G.I. Joe. On their heels from Cobra, Duke and the remaining squad are in the belly of the beast. They’re behind enemy lines. Destro is ready to handle business. Rock N’ Roll was the first Joe to fall. Are more of the team doomed the same fate?

G.I. JOE #5 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) kicks into high gear action with its latest chapter.

Let’s not delay and head right into the throwdown!

G.I. JOE #5 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson cracks everything to 11 with this chapter. Seeing the Joes at their lowest should seal their fate. Duke comes across as defiant to the overwhelming odds. His actions reflect that of either pure bravery or insanity. Readers may actually question this at one point. One action proves to quiet that inquiry long enough to throw everything into high-gear.

The only moment where things slow down is with Cobra Commander. The evil leader is solely focused on obtaining power. Williamson writes him as cold and ruthless as he should be. Commander makes a chilling move. It gets lost in the action but circles back to the close. Readers won’t mind as the action is what they came for. There’s no shortage of that here. As eluded to, events circle back to the Commander. His goals hit a snag in the form of a monster cliffhanger. The only thing wrong with this is we have to wait for next issue. This series just doesn’t miss.

Reilly and Bellaire light the fuse for the combustible face-off in style. A two page spread brings Duke face to face with an “old friend.” Seeing the punches connect gives readers a sense of what to expect. Its aftermath is set up nicely. Even in a beaten state can Duke still appear to win. Readers see the power of “Vroom” come into the spotlight.

Destro’s standoff accelerates the wild action to another gear. It also gives readers a much anticipated moment. I’m genuinely surprised this wasn’t a larger panel. It still delivered on the intended goal. Reilly goes for smaller panels. The compact images don’t take it easy. Pacing is really flying at this stage. Only Cobra Commander’s smaller role slows things down. Save the drastic action, it assist in providing a simple break point. This all leads to a monster final page. The full image sets up a can’t miss event that readers will be jazzed to finally see. Strong work per usual.

OVERALL GRADE: 9.2

Can Duke rally his defeated team for one more round? That is the question posed in this latest chapter. Williamson takes readers for a daring confrontation with the writing. Reilly, Bellaire and Wooton raise the stakes with the non-stop action. This series sets the blueprint for what dramatic action should strive for.

Let me know your thoughts in the comments below about G.I. JOE #5. Thanks for reading!

TRANSFORMERS #18 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Seattle is barely hanging on. It has become the epicenter for the Decepticon Civil War. Starscream and his forces are taking the battle to Soundwave’s crew. Caught in the middle are innocent humans. Optimus Prime is doing all he can to help. The odds are truly stacked against him. Can he find some way to survive the crossfire?

TRANSFORMERS #18 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) brings a close to the latest arc.

Let’s take a closer look at where events play out now.

TRANSFORMERS #18 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson brings the house down with this latest chapter. The Cybertron portion debuts the latest Autobot in grand fashion. Shredhead’s injection lifts up the scenario. The panels are all big action. It establishes him as a true threat to the Decepticons. The writing gives them a sorely needed win in comparison to the rest of the chapter.

Ultra Magnus’s portion reflects more on the deep emotional wounds he has suffered. The bonding with Carly helps to start healing. Johnson gives these little fleeting spots before throwing more weight on the constant battle.

All of these plots take a back seat to the main event. The Battle of Seattle devlivers on all accounts. Readers watch as the best shots are taken from all sides. Optimus is helplessly watching this brawl take place. No one is ready for the new combatant to enter the field. It is a long awaited return that sends shivers up the audience spines. The fallout launches a new era into effect for the Energon Universe. All bets are off on who will be standing in its wake.

Corona and Spicer put a Hollywood monster fight for the latetr half of this issue. Before that arrives, they give Shredhead a large statement. The action panels leave little doubt about his impact. Case in point is the half page image where someone is shredded. The Ultra Magnus portion is a wide range of fractured responses through healing. Both will connect with readers. They both are shown up by the Seattle brawl.

The art team make this whole sequence feel like a Godzilla-King Kong showdown. Each sides’ Combiner makes a claim for a throne. One stands tall through A TWO PAGE SPLASH CUTTER! The wrestling fan in me marked out seeing this! Starscream and Soundwave’s fight is as vicious as it needs to be. It stops on a dime when a certain return happens via a haunting two page spread. This leads to a striking final image. The darkest hour appears to be setting on the Autobots. Brace for impact.

OVERALL GRADE: 9.8

The war between Soundwave and Starscream ends with a thunderous conclusion. Johnson adds in much emotion with the intense fighting. Corona, Spicer and Wooten construct a devasting melee that shows no mercy. There’s never a doubt at the high level of quality with this series.

Hit me up on ODPHpod social media and let me know your thoughts on Transformers #18. Thanks for reading!

ROGUE SUN #25 (IMAGE COMICS/MASSIVE-VERSE)

The attack on the Aviary has been stopped. Dylan Siegal is more focused to stop Mourningstar than ever. A father and son appear to have hit some common ground. It seems all is trending upward for the Massive-verse’s supernatural defender. If that was only the case…

ROGUE SUN #25 by Ryan Parrott, Nick Cotton, Abel, Natalia Marques and Becca Carey kickstarts a brand new story arc!

Let’s take a deeper dive into the latest chapter!

ROGUE SUN #25 by Ryan Parrott, Nick Cotton, Abel, Natalia Marques and Becca Carey (Cover: Stefano Simeone - Image Comics)

*** POSSIBLE SPOILER WARNING ***

The writing brings a question of ethics to the father-son dynamic. Dylan lets a robber go because he knows him. Marcus (his dad/ghost mentor) has issues with this. The dialogue showcases their friction of topic. It leans into Dylan’s brash arrogance to the hero blueprint. Conventional methods are not too appealing. He wants to forge his own legacy. When a financial offer comes his way to accomplish this, it throws everything in flux.

This allows his step-sister Aurie to (finally!) get her chance to become Rogue Sun. Watching the faustian-esque partnership develop will be a treat for readers. Even when the latest villain crashes the scene, each dynamic takes center stage. Pacing slows things down just enough to sense Dylan’s shock. Knowing who’s helping Aurie spells certain disaster. Even with the new “Sun” on the block, one staple stays true. The closing page turns everything on its axis. Readers won’t see this ending coming! Expect this to be a long wait until next issue.

Abel and Marques set a high bar with the action. Seeing Dylan fighting “normal” bad guys is a new look. It leads to a more tense face off between the pair. Readers can sense the tension is ever building. Each panel carries a unique vibe as all parties argue about what should be done with the role. The drama flows into the Bell household. With each reaction, Dylan’s decision appears to be made for him. That was something quickly opposed as events progressed.

The latest villain gets introduced with a full page image. It leads to some great action shots. Events get upstaged when “Aurie Sun” hits the scene. The half page panel lets her make an immediate impact with readers. From here, the pacing revs up. In the conflict aftermath is a few shocked faces. Once Caleb has been announced as back, the mood changes. It stirs up the drama with Dylan and Marcus again. This leads into the closing moments. All build towards a mic drop moment. The closing image gets a full page to convey its message. It is one that is sure to leave a huge impression as Dylan’s path becomes clear.

OVERALL GRADE: 9

Sins of the past strike a nerve as a new hero makes their debut. Parrott and Cotton’s writing delve into the rebuilding bond of family. Abel and the team keep pages balanced with quick action and deeper drama. The final page is sure to have Massiveverse fans talking about the future.

Hit me up on ODPHpod social media and let me know your thoughts on Rogue Sun #25. Thanks for reading!

THE HIVE #2 (IMAGE COMICS)

The line between biology and crimeology blur with Image Comics’ latest hit series. Mason Shaw is drawn into a world he’s not ready for. Queen Shay demands complete control. When there’s a mutiny forming, the repercussions will be deadly.

THE HIVE #2 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu dives further into the crime drama with a new gritty chapter.

Let’s take a closer look at where things stand now.

THE HIVE #2 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Lieberman does the slow play to dig into Shay’s hold over the hive. The writing never escapes its gritty demeanor. This all stems off the robbery and murder of security guards. The attack creates a ripple effect that’s bad for business. Shay’s focus move back to retaining control when doubts start creeping in. Readers watch as the payoff becomes a diversion to take the heat off the organization. It appears the plan might backfire in this stage as the last page dictates.

As for Shaw, his role in this equation becomes a touch more clearer. The writing starts unveiling the biological methods used. This comes to light when Shaw finally meets the Queen. Readers get some key info before events shift back to Shay’s long game. At times, it moves very quick to fully nail its’ mark. There’s still enough intrigue that isn’t lost in the shuffling.

Henderson drops another gem with the art. The opening pages in the dark swamp sets a brooding tempo. It matches the same mood of Ash and Benji’s story portion. There’s a sense of relief with the Beekeeper’s diagnosis. It appears short lived when an examiner starts diving into Quinn. Knowing how the tampering plays out, it draws more heat on a growing fire.

Shaw’s encounter with the Queen carries a sense of uneasiness. The art reflects the power play being enforced by the Queen. It also unveils a surprising factor into their dynamic. Readers can get the understanding of Shay’s set-up. It connects enough before the story jumps to a show of force at a business meeting. A solid action sequence puts Shay’s plans in motion. This all rolls over into the final page. A near full page image indicates the business is drawing more attention than meets the eye.

OVERALL GRADE: 8.4

The sophomore chapter of the bio-crime noir saga builds up some key character moments. Lieberman’s writing dabbles into the long build of Shay’s moves. Henderson and Azpiazu capture the dark nature of dirty business with the art. Sit back and buckle in. This is a long build with a huge payoff coming.

Hit me up on ODPHpod social media and let me know your thoughts on The Hive #2. Thanks for reading.

ASSORTED CRISIS EVENTS #1 (IMAGE COMICS)

Time is broken. Alternate realities. Multiple eras merging at one point. Time paradoxes. Forget everything you know. It is a new day or is it? That is the question posed in Image Comics’ next BIG series. Knowing the creative team involved, the hype is very real.

ASSORTED CRISIS EVENTS #1 by Deniz Camp, Eric Zawadzki, Jordie Bellaire and Hassan Otsmane-Elhaou ushers in a new thought provoking anthology series.

Let’s take a deeper dive into this brand new series!

ASSORTED CRISIS EVENTS #1 by Deniz Camp, Eric Zawadzki, Jordie Bellaire and Hassan Otsmane-Elhaou (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Camp presents many elements for this debut chapter Ashley is a reluctant lead in this new world. Her “normal” day is compromised by an ever changing environment. From day to day, there is no certainty of what to expect. Ice Ages to deadly viruses are common day occurrences. Hollywood filmmakers are cashing in on the damaged surroundings. All the while, Ashley is trying to live a normal life. The results are far from that.

Events take more of a personal turn as she moves onward. Readers see the toll taken as time displaces everything. The writing isn’t afraid to take events into dark places. Ultimately, this story is Ashley’s. Readers can sympathize with her fading hope. It centers to an antique clock with sentimental value. Even when there is some sense of compliance, moods turns quickly back into wanting normalcy. The close throws everything into the air as events change again. Its’ fallout leaves many questions in its wake. If this is any indication of what to expect, readers will be happily surprised at what they witness.

Zawadzki and Bellaire set up pages with unconventional panels. The technique mirrors the unstable periods crashing this world. Ashley’s “normal” start is sprinkled in with some of the time variables. A two page splash indicates she is part of a larger production…or vice versa. Bellaire’s coloring brings out the most of these displaced moments. It gives a very distinct uncertainty of what to expect.

The moments with Clock shops jump out from most scenes. From the lettering to the colors, everything about these pages pop. Ashley’s more regular moments are filled with steady emotional reactions. Trying to process what’s unfolding is not easy. The art team demonstrate the ever-changing expressions with ease. This leads right into the strong close. Using new coloring, the event feels different. Paired with the faster tempo and it leaves readers questioning much. This is exactly what you want for a debut.

OVERALL GRADE: 10

The concept of time displacement is always a gamble for comics. Within these pages, a new perspective is given. Camp crafts a story of pain and loss through a consistently evolving lead. Zawadzki and company take fresh approaches to display the combustible surroundings. The Hype is real! This is absolutely going to blow people away!

Hot me up on ODPHpod social media and let me know your thoughts on Assorted Crisis Events #1. Thanks for reading!

RADIANT BLACK #31 (BLACK MARKET NARRATIVE/IMAGE COMICS)

In the Catalyst War's wake, only one Radiant Black stands tall. Marshall Ward took sole ownership from Nathan Burnett. The innovative manner in how their story was told one that locked in readers. Ward also won the fan vote of the Massiveverse's franchise character.

Comic's most exciting Universe is poised to blaze a new course in an uncertain world. How will Ward fare in his new era with the Power Radiant?

RADIANT BLACK #31 by Kyle Higgins, Joe Clark, Eduardo Ferigato, Rod Fernandes and Becca Carey usher in the next phase for the Black Market Narrative and Image Comics franchise.

RADIANT BLACK #31 by Kyle Higgins, Joe Clark, Eduardo Ferigato, Rod Fernandes and Becca Carey (Image Comics/Black Market Narrative)

*** POSSIBLE SPOILER WARNING ***

Higgins welcomes readers in to a very different Chicago from last we saw. Five months have passed. Marshall in the mantle is adjusting to his new life. With no Nathan by his side, Marshall tries finding balance. Readers watch as he tries finding some normalcy. This comes in the form a date. Escaping his alter ego becomes difficult. Once that stop concludes, a growing mood becomes clear. Perception is Reality. Not everyone loves Radiant Black.

This leads into the next phase of the book. Chicago is reeling from the Catalyst War fallout. Higgins throws in many twists as a new rogue debuts. Readers watch with Marshall as the public’s feeling boil over. It is a point that shows the downside of being a hero. Whether it’s drowning out the noise or dealing with fallout, the writing puts Marshall directly in front of it. This leads to a question of doubt before the final page. Once here, Marshall’s rebuilding may crash before it even begins to rise.

Ferigato and Fernandes pace out panels very well right from the start. The build to Marshall taking flight is good. It gives readers an insight to where things are now. A two page splash alludes to a return to normalcy. As the issue progresses, it is far from that. The images of downtown Chicago drive home the painful fallout of the war. Even as Marshall has a date, the sense of doubt lingers through him.

The podcast playlist image leads belief of Marshall dealing with public opinion. His mannerisms as he listens speaks of someone who’s still coping. There isn’t much time for him to fully grasp this. A case he shows up for proves to be much more dangerous than he thought. The art team presents a dire picture. It is one that sticks to Marshall as he ventures to the web. An excellent full image shows off the online comments looming over our hero. Readers watch as the fallout here leads into a dire reflection. There’s no rest for heroes concerning the last page. One final full image leaves no doubt that fans better prepare for what’s coming. Here we go!

OVERALL GRADE: 9.4

Welcome back to the Massiveverse! Higgins balances through Catalyst fallout masterfully. The writing gives Marshall an all out challenge while redefining the stat quo. Ferigato, Fernandes and Carey delve into the fractured soul of a hero with superb visuals. Jump on board now and don’t miss the next saga in waiting!

Hit me up on ODPHpod social media and let me know your thoughts on Radiant Black #31. Thanks for reading!

G.I.JOE #4 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Freedom has double vision! The Crimson Twins have taken the fight to G.I. Joe. Their kidnapped attempt of Dr. Monev is another step forward in Cobra’s onslaught. Duke and company have their backs up against a wall. Too bad for Cobra, that’s where the elite fighting unit shines!

G.I. JOE #4 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) delivers on another loaded issue of action and danger!

Let’s take a closer look at where things stand now!

G.I. JOE #4 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

If you want action, you’ve come to the right place! Williamson loads this issue up with some high-octane moments. The Crimson Twins make an immediate impact. Their chase of Duke and co. leads to a dangerous call. Readers watch as even the best laid plans sometimes fail. It is a polarizing call to make. Knowing what else could transpire, the decision exemplifies what the Joes are all about.

On the flip side, the evil of Cobra slowly slithers to the page. The deadly press on Stalker shows how far they’re willing to go. It leads to a calculated strategy before secrets are revealed. Readers witness the endgame in this beginning encounter. The closing act throws another curve ball into play. Just when you think you know the answers, the writing changes the questions completely.

Reilly and Bellaire waste no time escalating the pace. A two page spread shows the Twins in full pursuit. Duke’s expressions say more than words. There is a sense of worry creeping in. This spills over into the fight’s next phase. No punches are pulled as the confines of the road get displaced. In its wake is a more domestic scene where the violence can’t stand. It causes a tough choice before moving events along.

The bloody onslaught didn’t stop there. Chameleon and Ripper shine through the chaotic panels. It leads to a shocking call made by Cobra. A two page spread shows the Commander in all his glory. Victory is in reach. The Commander’s body language reads like he has won. All roads lead to the full panel final image. Just as it looks a certain way, one sentence changes everything. There’s no slowing down what is being built in this series.

OVERALL GRADE: 8.5

It’s a heavy dose of big action within the Energon Universe’s premier team. Willaimson pens an intense chapter with the writing. Reilly, Bellaire and Wooton hit a bullseye with explosive panels. Judging by the last page, the story hasn’t even begun to cap off.

Hit me up on ODPHpod social media and let me know your thoughts on G.I. Joe #4. Thanks for reading!

TRANSFORMERS #17 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

It’s Decepticon civil war! Starscream has returned with forces. In his path is Soundwave and his army. The Autobots are trying to save the humans. There’s also a question of what’s wrong with Optimus Prime. There may not be a future Energon Universe after this battle!

TRANSFORMERS #17 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) takes readers to the edge with this latest chapter.

Let’s take a closer look at what is unfolding now!

TRANSFORMERS #17 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson keeps finding ways to break the Autobots. With Optimus loosing his grasp of reality, they are scrambling. Readers watch as Prime doesn’t have time to worry. He has to act fast in comparison to others. Beachcomber’s stance of conflict continues to stand apart. The writing shows a true neutral voice to the anarchy around him. It is fitting for the constant battles raging out of control.

This carries through to the Cybertron portion. The Autobots there make a play to gather help. It is full speed ahead as the action rages on. Elita steals the spotlight while handling her business. Considering how damaged Ultra Magnus has been, any signs of life here push the story along. Once the resistance breaks away, they give fans a monstrous moment. Hope may have arrived. The final page looks to be a true catalyst for change. A solid ending to the wild fighting at hand.

Corona and Spicer add more depth to Beachcomber’s mind frame. The images back up his claims of seeing a larger picture. It’s a big contrast to the state of Ultra Magnus. The near full page image shows the broken Autobot in a new state. Their images for Optimus Prime are small but effective. Knowing he may have lost control only sink their ship further.

The Cybertron portion is filled with emotion and action. It carries a Hollywood aura as the final resistance stand takes hold. Elita’s fighting is given a strong half page to convey her message. This goes toe-to-toe with Prime’s daring rescue attempts for the humans. With Bruticus and Devastator laying waste to Seattle, Prime switches gears to the defense. A half panel shows the fruits of his labor. It is quickly overshadowed by the final page. The full image welcomes a big surprise into the never ending conflict. This is just another day in the office for the high skilled creative team here.

OVERALL GRADE: 9.1

The never ending battle continues to stake its destruction of Earth in this new issue. Johnson’s writing takes the heroes into their breaking points. Corona, Spicer and Wooton head full steam ahead into the chaotic landscape with the art. The last paage could be a game changer or the final nail in the coffin. Where do you think it will land?

Hit me up on ODPhpod social media and let me know your thoughts on Transformers #17. Thanks for reading!

THE LUCKY DEVILS #2 (IMAGE COMICS)

Professor Stane and Nurse Starr. Coller and Rake. Two humans. Two Devils. Their paths have crossed. A hellish plan to corrupt good souls is in full swing. The unlucky pair have no idea what’s in store for them. Next stop is the second level of Hell. Will they all be able to resist the tempting pull of Lust?

The Lucky Devils #2 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank takes readers along for another wild chapter!

Let’s take a deeper dive and see what unfolds now.

The Lucky Devils #2 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Let the corruption begin! Soule pens a devious tale centered around the dangerous sin. The introduction of Onion Screw throws a dark humor injection to the latest issue. Screw’s sleezy charm works on the readers as he breaks down the pull of sin. Even his own plans look to rival Coller’s. Their inevitable encounter should be one for the ages.

Stane and Starr demonstrate the slow burn effect both devils are taking. Starr is being string against temptation. The writing shows the drastic measure taken to ensure Starr falls. There should be no surprises as to what lows are taken to hit goals. Fallouts keep moving the humans into new areas. Soule keeps a fair dose of laughs blended in to assist in pacing. The closing pages wrap up events on a strong point before descending next chapter.

The artistic visions of Browne are second to none. In the opening pages, Hell’s cruise liner is everything and more. Screw’s rise to power is detailed and crafted. The flashbacks hit their key points showing what evil he possesses. It’s overshadowed by his own proposal. Seeing his presentation come to life only spells more troubles to come for humans.

Starr and Stane’s reaction to their devils is deceptive in effect. The split page panels indicate the slow breakdown. There’s nothing over the top on their methods. This is saved for Rake. Browne’s art shows what levels she’s will to go to get what she wants. The results are an awkward panel when Starr achieves a goal. It is that kind of state of mind that gives this series its edge. The parting pages reveal a more celebratory feel. Considering what just happened, it is a solid place to leave before opening up another sin.

OVERALL GRADE: 9.2

It’s sinful to have a series this good. Soule and Browne bring out the bad in their favorite devils with this chapter. Strong writing keeps the dark themes concealed with sharp humor. Browne and the art team construct phenomenal imagery as the Devils continue their evil ways. There’s no shortage of win on this series.

Hit me up on ODPHpod social media and let me know your thoughts on The Lucky Devils #2. Thanks for reading!

THE HIVE #1 (IMAGE COMICS)

Crime can carry a vicious sting to it. Mason Shaw is learning this the hard way. The Queen Bee wants to retain control of her hive by any means. Nothing is off limits on what she will do for this. Defiance will not be tolerated. When Shaw links up with some defectors, his life will never be the same again!

THE HIVE #1 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu welcomes readers into the world of sex, buzz and rock ‘n roll!

Let’s take a deeper dive into what all the buzz is about.

THE HIVE #1 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Lieberman presents a very gritty aura to the fascinating concept of control. The opening foreshadows the Queens wrath. It gives the readers just enough to work off of as the story rewinds. Readers watch as the mature themes shine before heading into the criminal aspects. Once here, the tale begins to cement its’ foundation.

The Queen’s concept of biological control is very ingenious. Her demeanor is cold and calculating as she sets the stage. Readers get to witness this concept in action. A highway robbery display the power of control. It is intense and unapologetic. Much can be said for Shaw’s involvement. His introduction to this world has many layers behind it. Where events ultimately end up prove to be the start of an unforgettable journey.

Henderson’s art encompasses the dirty underworld Shaw resides in. The opening sequence is tense and harsh. The two page splash perfectly sets the tone for the remainder of the books. Once events rewind, the Queens vision starts taking shape. There are many mature images that are on full display. It adds to the seedy world which the Queen rules upon.

The heist provides a high paced display of power. Henderson and Azpiazu mix in blurred panels to display the bio hold. It leads to big action with a few shocks in the mix. None more surprising than how the robbery ends. Nothing is held back. This pushes towards the closing act. Shaw’s stat quo is flooded with a sense of anxiousness. His reactions never seem to break as secrets come to life. This leads to the full page ending. At this stage, readers are fully ready to delve deeper into a crime story unlike anything else.

OVERALL GRADE: 9.1

Biology and Crime may sound like a unique pairing. The life and times of Mason Shaw being to show readers how engaging this concept can be. Lieberman’s writing constructs the grimy and unforgiving world of the Queen. Henderson and Azpiazu present intense imagery which catapults this imaginative tale to new heights. The buzz is definitely real behind this one.

Hit me up on ODPHpod social media and let me know your thoughts on The Hive #1. Thanks for reading!

BLACK CLOAK #11 (IMAGE COMICS)

Phaedra Essex has always been a polarizing figure in Kiros. The former Black Cloak was the catalyst of city breaking event. Five years later, Kiros is still picking up the pieces of the great fire.

With a serial killer on the loose, Essex is brought back into the fray by Pax and Alden. Dancing the public line is difficult enough. Searching for answers might finally end the last city of the known world!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey brings forth a show-stopping conclusion to its second arc!

Let’s not wait any longer & jump into the arc finale!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Thompson gives a big pay-off for long time readers with this issue. The slow burn method works to exemplify Essex’s importance to Kiros. Dagmar’s “interrogation” is prime example of this. Seeing how Essex and her team push unlocks secrets to readers’ delight. The writing hones in on the personal blow dealt with Dagmar’s revelations. It sets a course to an intense final act.

Once the group descends into the darkness of truth, the pacing picks up. Readers are hit with great payoffs. This pushes Essex and her partners into uncomfortable waters. Desperate times call for action. The story takes flight as a move is made with dire intentions. Thompson throws more twists into this segment. Its’ fallout perfectly caps off the dangers. The epilogue ties up loose ends while leaving much to reflect on. There is no better way to say goodbye for now, but hopefully not for too long.

McClaren opens the chapter up with simple panels. The color usages takes them up a few levels. Jumping deep into the chapter, Dagmar’s questioning hits with a unique panel drawing out memories. It is a sequence that connects with readers, allowing big payoffs.

The world of Kiros is a visual win in its own right. McClaren makes each vision of the city stand out. This rings true when dealing with The Heights. The near full page image pops as it launches a final standoff. This mood carries into the drastic move made by the guilty party. All the expressions by Essex and her team cover many emotions. It elevates the scene to new levels as readers watch. The fallout out teases a gory situation but structure leaves it in the minds’ eye. Readers can sense the emotional height slowly lifting. A full circle moment caps off the chapter with a defiant message narrating it. Nothing but a huge win for fans of this series.

OVERALL GRADE: 9.6

The latest saga of Phaedra Essex comes to a thunderous close with its’ strong arc ending chapter. Thompson’s slow burn writing brings readers an impactful ending. McClaren and Carey pull out all the stops, sending readers into the next phase of Kiros history. One of the best series at the shelves when it drops for a reason!

Hit me up on ODPHpod social media and let me know your thoughts on Black Cloak #11. Thanks for reading!

G.I. JOE #3 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Cobra has drawn first blood. Rock N’ Roll was killed in the line of duty. The terrorist organization unveiled new powerful weapons. Even an elite fighting force might be out of luck here. The world is glad Duke isn’t hearing it. He plans to lead the team back into action. Unfortunately, the team’s newest member might derail that from happening.

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) goes al in on their explosive return!

Let’s take a closer look at what is happening now!

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson delivers a very direct shot of action with this chapter. The team is still reeling from the loss of Rock N’ Roll. Cobra is asserting their dominance with every action. Readers watch as Clutch is behind enemy lines. This leads into a birds eye view of how dangerous they have become. Cobra Commander’s treatment of a spy will clear any doubts of the terror he is bringing.

This is very different from the wounded Joes. Williamson creates a good amount of friction with their latest member. Risk and Duke come to an uneasy interaction. The fallout spins into a new start for the broken team. It leads into a high paced closing act. Fans will be amped up for who crashes the party in the final page. This is as vintage G.I. Joe as it gets!

Reilly and Bellaire start things off with a strong two page spread of Cobra. Seeing how the partnership of Destro and Cobra Commander play out pops off the panel. The art doesn’t shy away from the ruthless nature of the commander. Readers watch the bloody resolution of a spy in their midst. It is a direct shot of fear sent to the readers.

In contrast, The fighting between Duke and Risk is frantic and emotion driven. This is capped off with a perfectly placed arm-bar attempt. With recent events, tensions have been building. Each panel leans into the toll that has been taken. It also moves events along to the next desperate attempt to rebound. The final act is filled with an adrenaline shot of excitement. Each panel feels fast paced. This comes to a crashing halt with the reveal on the parting page. Fans will have a tough time waiting until next round to see what happens next.

FINAL POINT: 9

With each mounting set-back, G.I. Joe struggles to get one back against Cobra. Williamson hits readers with a strong balance of action and emotion. Reilly, Bellaire and Wooton never let up on bringing the excitement. This is everything you could want when you think G.I. Joe!

Hit me up on ODPHpod social media and let me know your thoughts on G.I. Joe #3. Thanks for reading!

THE LUCKY DEVILS #1 (IMAGE COMICS)

“You say you want a revolution”? That becomes the mantra for Coller and Rake. Two devils that want to unleash Hell on Hell…literally. Their plan is ingenious and impossible. How will they pull it off?

Considering this is done by the creative team behind “Eight Billion Genies”, anything is literally possible!

THE LUCKY DEVILS #1 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank gives readers a devilish good time in this opening chapter.

Let’s not wait any longer and dive in!

THE LUCKY DEVILS #1 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Soule pens a deceptive start to this struggle of good and evil. Taking two of the purest souls and attempting to corrupt can be tricky. The writing connects easily with the audience. Both Cam and Starr come from ordinary lives. The pair strives for more but seem to fall flat. Enter in the “devils on the shoulders” and the story begins to speed forward.

Coller and Rake push their vision onto readers. Soule plays into the human emotions while crafting the set-up. The writing is relatable to secure the theme just enough. It sparks an emotional reaction. Can power corrupt good people? The result lays a swerving foundation. Leave it to Soule to make a compelling case for the Devils. The closing act puts the cards onto the table. Just when you think you know the set-up, Soule pulls one more surprise before catapulting forward. How lucky are we to read it!

Browne and Knipstein walk readers through Cam and Starr’s mundane lives. The art shows how the good ones can’t catch a break. From Cam’s botched date to Starr’s “shortcomings”, readers watch as they are put through Life’s grind. Browne’s attention to detail is second to none. There are many fun moments until the Devils crash the party.

Both are introduced with full page images. The split style of pages and panels work to tell each story. Each character and devil get equal time to build their case. There is no confusion on the offer being dangled to both. This all merges with a striking full split image. The formula is continued right to the close. Once here, readers watch the endgame come to life. A knockout two page splash wraps up events for now but readers will be clamoring for more soon.

FINAL POINT: 9.6

“The Road through Hell is paved with good intentions”. This becomes the ultimate test of good vs. evil in this new series. Soule’s writing plays both sides to make a captivating tale. Browne, Knipstein and Crank bring the intensity and insanity of a devilish vision to life. Get ready for a wild ride!

Hit me up on ODPHpod social media and let me know your thoughts on The Lucky Devils #1. Thanks for reading!

ROGUE SUN #24 (BLACK MARKET NARRATIVE/IMAGE COMICS)

The Ravyn Queen is in danger. An Assassin lurks. The Aviary on the verge of falling? Not if Dylan Siegel can stop it! The Massive-verse’s supernatural protector has one chance to stop the Philistine. Will Rogue Sun capture the moment or let it slip?

ROGUE SUN #24 by RYAN PARROTT, NICK COTTON, ABEL, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) concludes its’ latest arc as only the creative team can!

Let’s not delay any longer & dive right into the story.

ROGUE SUN #24 by RYAN PARROTT, NICK COTTON, ABEL, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) COVER - Stefano Simeone

*** POSSIBLE SPOILER WARNING ***

The one thing about Rogue Sun is that readers can always expect a great finish to their arcs. This issue is no exception. As Parrott and Cotton kick things off, the focus is on a young Divinity and Dottie. The tension is high as Dottie makes a deal that forever alters her young niece. It carries an uneasy weight that returns in present time. Knowing there is heavy consequences, Divinity’s actions look to carry over throughout the world Dottie is now reluctantly connected with.

As for the aviary, the writing sets events off with a bang. A traitor waited in the wings. Aviness unleashes the Philistine. Readers watch in shock as the attack commences. Dylan crashes the party for the save. In this moment, we find out that he might be ready for the next step. ‘

Pacing mounts the action with each strike. Dylan is out-classed in his initial round. Even with his estranged dad Marcus in his ear, Dylan is challenged to survive. With a passing action, the comeback starts. It will thrill fans as Dylan grows in his role right before our eyes. The conclusion is a very strong one. Events are tied up plus a new path is given to Dylan.

Normally this would be enough, but as previously stated: Rogue Sun arcs don’t just “end.” The closing act provides a superb twist that will shake up the foundation yet again for the world of Dylan Siegel. Another excellent performance with the writing.

Abel and Marques bring out the fear and complexity of the Aviary’s coup. The set-up with Aviness and the Philistine slides into the scene gracefully. It instantly hits readers directly. The moment compliments the debut of Rogue Sun into the final battle. Fans watch as the full page image sparks the explosive confrontation.

There’s no shortage of action taking place. The battle is brutal. The stakes rise when Dylan debuts a new item to help him win. Panels are never short of emotion either. From Divinity and Dotty’s portion to the fallout of the coup, each page hits their marks. Even when closing this portion, a full page concludes events for the parties involved. The art team leave the conclusion for the shocking surprise. A final image floods the page and spells certain doom for Dylan. It will be a long wait for #25.

FINAL POINT: 9.1

The latest challenges in Dylan Siegel’s life nail the landing in this arc finale. Parrott and Cotton continue to lock readers in with their superb script. Abel, Marques and Carey craft the dramatic final rounds with great art. Rogue Sun is about as consistent as it gets for quality storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Rogue Sun #24. Thanks for reading!

G.I. JOE #2 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Rock N’ Roll is dead. Literally. The valiant member of the elite fighting team known as G.I. JOE fell in combat. He was no match for COBRA’s Energon powered weapons. The terrorist group has struck a deadly first blow. Can Duke and his team find a way to survive or will more victims be claimed?

G.I. JOE #2 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) continues the explosive first arc!

Let’s take a deeper look at the initial first round!

G.I. JOE #2 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson never lets the foot off the gas with this issue. It’s non stop intensity (even in quieter moments). Seeing one of their own killed covers a range of emotions. This leads into a furious entrance by a Joe fueled on rage: Duke. It leads into a frantic resolution. Readers watch along with Cobra as their mission is audibled at the last second.

Once the dust settles, the writing throws a wild card into the mix. Risk’s first impressions do not go over well with the team. Losing a beloved member for a brash upstart is instant fireworks. The writing brings out the best of characters at the worst possible time. Once the final pages start, it presents a tense feel. This carries to the incredible cliffhanger ending. Readers can’t help but to be locked and loaded for where things head to next.

Reilly and Bellaire amp up the visual impact throughout the story. A full page image fires Duke into the closing stand. Readers watch as the franchise Joe throws himself right into the fight. The no-quit attitude shines on each panel. This grows until the show-stopping fight ending. From a full page escape to Duke’s deep stare, there’s much to ponder.

The art team continues its dive on the emotional reflection. Duke’s instant anger towards Risk pops off pages. it’s matched by the egotistical charisma of the latest team member. Just as tempers flare, the art detours to the current victors. As the foreshadowing of what next starts, the closing page delivers big. It’s a superb way to leave things for now, but definitely not for long.

FINAL POINT: 9.4

COBRA strikes first blood, but Duke refuses to back down quietly. Williamson’s writing runs the gamut of excitement. Reilly, Bellaire and Wooton brings the action and drama perfectly fitting this new era. What a time to be a fan of this fandom! Don’t miss this!

Hit me up on ODPHpod social media and let me know your thoughts on G.I. Joe #2. Thanks for reading!

TRANSFORMERS #15 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

The Decepticons are poised to finally win their longstanding war. Optimus Prime and his allies are reeling. Hope is slipping further out of the Autobots grasp. Earth has been caught in the struggle for power. Will it be ready for another factor to enter this deadly game of survival?

TRANSFORMERS #15 by DANIEL WARREN JOHNSON, JORGE CORONA, SARAH STERN AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) forges a new path for the robots in disguise.

Let’s take a look at what’s unfolding now.

TRANSFORMERS #15 by DANIEL WARREN JOHNSON, JORGE CORONA, SARAH STERN AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson spares no details in showcasing the devastation of the Decepticons’ attacks. Soundwave comes across as the cold, remorseless leader he needs to be. Even when other Decepticons don’t buy in, he remains unfazed. It’s a complete contrast from Prime. As he struggles to hang on, Prime winds up grasping for anything. His conversation with Beachcomber is prime example. It is a new look to the noble leader. This comes into full focus when he sees the devastation caused in fighting.

The Autobots new neighbors are none too happy to see them. There is a sense of fear and anger filling the pages in this sequence. Readers watch Optimus have a small breakdown. This is nothing but a delight to Soundwave. It is short-lived as another major character makes his return (with his new look). Even with the Cybertron side-plot, nothing outshines the return of a former Decepticon. The closing page proves that He didn’t come alone. Readers watch as a heavy hitter is introduced which spells certain doom for Optimus and Earth’s inhabitants.

Corona is back in art duties after a two issue break. The destruction in Tacoma is brutal and intense. It builds the tempo for the remainder of the issue. Soundwave appears menacing while standing in the chaos. This carries through the brief Cybertron stop. Cliffjumper watching his fellow Autobots cross a line strikes a nerve with the audience.

It is overshadowed by the dramatic return of the disgraced Decepticon. Corona and Stern present the new player’s entrance in a near full page. It speaks volumes as the conflict picks up. This leads into a fantastic two page spread. The Decepticon civil war is in full swing! Just when readers think they’ve seen it all, the last page drops. A BIG x-factor emerges, spelling certain doom. Its a great way to close out events for now, but certainly not for long.

FINAL POINT: 8.8

With Soundwave inching closer to complete control, a new player enters the game. Johnson fills the writing with emotion and action. Corona returns with Stern and Wooten to provide the impactful images that are always more than meets the eye. This series continues to set a high bar that few other books can continuously reach.

Hit me up on ODPHpod social media and let me know your thoughts on Transformers #15. Thanks for reading!

C.O.W.L. 1964 #3 (Black Market Narrative/Image Comics)

A member of C.O.W.L has fallen. Wildflame is dead. Skylander is the culprit. Using weapons designed by the Superhero union brings Gregory Warner into the public eye. The face of the Chicago Organized Workers League has a past allegation causing problems.

What will this latest challenge bring for The Grey Raven’s plans?

C.O.W.L. 1964 #3 by Kyle Higgins, Alec Siegel, Rod Reis and Buddy Beaudoin (Black market narrative/Image Comics) dives further into intrigue in the Massiveverse saga.

Let’s take a closer look at where events stand now!

C.O.W.L. 1964 #3 by Kyle Higgins, Alec Siegel, Rod Reis and Buddy Beaudoin (Black market narrative/Image Comics)

*** POSSIBLE SPOILER WARNING ***

The writing splits this chapter into dealing with fallen heroes. Taking the story back to 1946 and 1955, Warner’s early scheming is given much room to grow. It gives a strong payoff with dealing with The Dart. As the blueprint is being laid out, there is some pause about buying into Warner’s plans. The result is a tragic turn. Its’ ramifications seem not to phase Warner as he still plots big no matter the cost.

In 1964, Warner is dodging the multi attacks on his overall goal. The writing shows him in his element. One moment, he’s swaying the public. Behind the scenes is another story. As the story shifts to Skylander, the mood is tense as actions start coming into focus. It never escapes the audience as how Warner’s plans have no regard for anyone else. The final act echoes that point with a parting flashback. Events conclude with a definitive statement on where things are going (even if they were in the past).

Reis opens the chapter with a unique vision for the panels. The flashbacks come with a mix of coloring. It opens as a black and white scheme. Once it starts rolling, certain splashes of color pop the art. This compliments the retro feel of the 1946 images. Readers sense the classic sense of superheroes. While temporary, it makes its mark before heading into darker territory.

Once the story shifts back to 1964, Reis goes again to the small color contrast images. It works to connect readers to the main characters involved in the drama. The only time that the book jumps into action is the 1955 Dart portion. At this stage, pacing helps to inject some fierce panels bringing the conflict to a head. From here, the story moves into its’ closing act. The story goes simpler with Warner getting the sole coloring. It balances out the high emotional toll taken before leaving events in a startling spot for the finale.

FINAL POINT: 8.9

The pen-ultimate chapter of C.O.W.L.’s return delivers on a highly emotional chapter of life and loss. Higgins and Siegel show the steep cost of Warner’s schemes with the writing. Reis constructs simple but dynamic images for the various time periods. With one last episode left, the stakes continue to rise around the Grey Raven’s ultimate goals.

Hit me up on ODPHpod social media and let me know your thoughts on C.O.W.L. 1964 #3. Thanks for reading!