WE'RE TAKING EVERYONE DOWN WITH US #1 (IMAGE COMICS)

Annalise is a 13yr old who’s just trying to live a normal life. Define normal when your dad is a mad-scientist. Your “friends” are robots. Plus, who’s living in the basement? If this doesn’t sell you enough, the creative team behind Image Comics next big thing will!

We're Taking Everyone Down With Us #1 by Matthew Rosenberg, Stefano Landini, Jason Wordie, Roman Titov and Hassan Otsmane-Elhaou brings “Spy-Fi” to the masses with its’ debut chapter.

Let’s not wait any longer and break this issue down!

*** POSSIBLE SPOILER WARNING ***

Talk about a debut issue! Rosenberg hits the ground running and never looks back. Annalise starts by trying to play Hide And Seek with a robot. As quirky as that sounds, it works to make tempo. The dialogue hits as Annalise just wants time with her dad, Dr. Dante Alderman. Readers watch as the mood shifts to a more grounded level. Disappointment fills Annalise’s voice. Her dad tries spinning out of this. The result is a drastic detour of events.

A simple game reveals more intrigue as Annalise encounters a stranger. The conversation leads to more danger. Readers see as there is MUCH more going on with Annalise’s father. The writing keeps changing styles. This adds more layers on an already engaging tale. Through it all, this is centered around Annalise and her dad. Rosenberg weaves other elements in-between the panels.

Even an agent’s “evening plans” provide some adult humor before catapulting to the close. In mere moments, everything changes again. The chapter closes with an incredible cliffhanger that will have readers locked and loaded. Rosenberg has something special with this one!

Landini (along with Titov and Wordie) make a visually stunning opening chapter. The beginning game shines with the coloring. They create a retro-esque mood as Annalise challenges the robot. It defers to the more cemented backdrop of her father in his lab. There are a few great panels in this mix. One that stands out is Annalise looking at her dad through a chemical glass. Their conversation carries some gravity with it. The use of small panels help move this portion along to its game-changing moment.

The discovery in the basement is given a shocking full page. Its’ resolution mirrors the tense landscape Annalise has just walked into. Readers watch as her dad’s true nature creeps to the forefront. The panels are overflowing with his anger. This gets flipped upside down when Dr. Dante sees Annalise.

Landini and company cover all bases there. After the stop to see Agent Rook, evens race to the end. A two page spread sends everything on its’ axis. If that wasn’t enough, the final page crushes everything. There will be many questions coming form this series. I can’t wait to see what the answers will be.

OVERALL GRADE: 10

Combining elements of Sci-Fi, espionage and family dynamics, Annalise’s journey doesn’t struggle to balance its’ act. Rosenberg’s writing leaps into many themes without losing the audience. Landini and the team keep a distinctive look with superb visuals. Packing so much style and storytelling, readers are absolutely going to be blown away by this!

Let me know in the comments below your thoughts on We're Taking Everyone Down With Us #1. Thanks for reading!

RADIANT BLACK #32 (IMAGE COMICS / MASSIVE-VERSE)

Marshall Ward is Radiant Black. In the past, that might have been well-received. Due to the events of the Catalyst War, Marshall is not a popular person. With his best friend Nathan gone, Ward is the only one to deal with the backlash. It also isn’t helping a dead body and explosives were waiting for him on a case round-up.

RADIANT BLACK #32 by Kyle Higgins, Joe Clark, Eduardo Ferigato, Rod Fernandes and Becca Carey continues the Massive-verse’ return to the LCS!

Let’s take a deeper dive and see where things land now.

*** POSSIBLE SPOILER WARNING ***

Higgins and Clark put a focus on Marshall’s health side for this chapter. After being examined, it is advised he stops whatever is causing his ailments. That will be highly doubtful. The event keeps Marshall grounded long enough to move back to a traditional superhero point. After his doctor appointment, Radiant Black meets up with Kieran’s team. Readers see the shock in Marshall’s reaction to seeing a dead man alive? The problems with alternate timelines. Knowing there is a killer on the loose puts Marshall’s peace at a standstill.

Not everything is all doom and gloom. The writing teases a more light-hearted Marshall adjusting to the dating digital world. It gives just enough of a break until the mysterious killer strikes again. Readers ride along as Radiant Black deals with another threat makes a splash. This leads right into the closing pages. As his new “friend” leaves (after dropping a “Clerks” liner), Marshall’s focus is back to business. Events wrap up on a more upbeat note. This issue lays a solid foundation as Marshall is still finding his way (both mentally & physically) in a new era.

Ferigato and Fernandes construct a solid opening. The conflict of mysterious assailants botched robbery ends with a bang. Marshall’s doctor visit shows the bruises of his other life. The art reflects the wear and tear on him in all aspects. This is short lived due to duty calling. The investigation reveals a new wrinkle at hand. Marshall’s reactions say it all as the shocking news hits. A half page flying shot wraps up some loose ends. The art captures his growing frustration as work/life balance is not becoming a reachable option.

After a full page splash shows Marshall in action, the art team switches up looks. This is very apparent in the dating sequence. The use of tiny panels conveys the challenges for finding someone. One potential suitor gets taken for a ride via a full page image. The mood shifts with another way with a darker half panel. Readers see as the latest victim is found. It is a striking image that shows the grave reality now sinking in. The art team gives the new threat a solid intro image. There is some action but not overwhelming. This all gives way to Marshall talking with Eva in the closing page. The final image will have the fans talking with curiosity. Another solid outing for this creative team.

OVERALL GRADE: 8.8

The life and times of Marshall Ward take a more normal tone this chapter. Higgins and Clark steer into more traditional challenges via the writing. Ferigato, Fernandes and Carey depict the ever simple moments around the unfolding chaos. When you see “Massive-verse” on the cover, readers know where the bar is set. Rest assured this issue hits the mark.

Let me know in the comments below your thoughts on Radiant Black #32! Thanks for reading!

SUPERMAN #24 (DC COMICS)

Doomsday’s latest appearance in Metropolis left very big wounds. Superwoman made a grave error in judgement. The result critically injured Jimmy Olsen. Superman found a way to defeat him. The downside was it invoked Lex Luthor getting his memories back.

SUPERMAN #24 by Joshua Williamson, Eddy Barrows, Eber Ferreira, Alejandro Sánchez and Ariana Maher picks up the pieces after Doomsday!

Let’s take a closer look at what happens now!

*** POSSIBLE SPOILER WARNING ***

The dilemma of being a boy scout. Williamson throws both Clark and Lois a struggle of conscience. As they arrive at Supercorp, the affair of Lex and Mercy Graves takes stage. This has been a moment building for quite some time. It also gives a distraction before events change for the worst. Superman’s logo is being commercialized for weapons. This doesn’t sit well with Superman (obviously). The response causes a domino effect that shatters the stat quo.

Readers watch as the Super-couple is greatly challenged. The writing shows Lois struggling to focus on a mission due to Jimmy Olsen’s situation. Williamson brings out the guilt before she unearths a larger problem at hand. Clark deals with a choice he has made as well. It spirals into a reveal readers were eventually waiting on. How we got there is a completely different story. The final act unveils a future far from perfect. Since issue one, this has been the build. Who will be left standing.

Barrows and Ferreira step in for Dan Mora for art. They welcome readers to new love with a full page of Lex and Mercy embracing. The mood shifts to a more serious tone quickly. Superman’s reaction to weapons building goes as well as one thinks. Lois is called away for Justice League business. A two page splash welcomes her to the team in flying colors.

Her conversation with The Creeper becomes an unlikely hit. The art mirrors the guilt she carries for Olsen. This leads into some solid action images. It’s a contrast from Superman and Lex. The choice made thrusts everything into the close. His interaction with Mercy is given a great surprise via half panel. As good as that is, it falls short to the final page. The full page image presents a greater threat to Superman that he may not be ready for.

OVERALL GRADE: 9.3

All good deeds don’t go unpunished. Williamson sets the bar high with secrets and reveals. The art team give a growing sense of untrust with their art. Everything this series has set up is about to explode next chapter. Prepare of impact with this chapter.

Let me know in the comments below your thoughts on Superman #24. Thanks for reading!

JUSTICE LEAGUE UNLIMITED #5 (DC COMICS)

Inferno has made quite the impression on the DCU. The Amazon Rainforest was nearly lost. Swamp Thing was an afterthought with their devastating attack. The Justice League managed to find a way to win. Unfortunately for them, it appears their luck is on borrowed time.

JUSTICE LEAGUE UNLIMITED #5 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe (DC COMICS) pushes the League to find unlikely help for this next round.

Let’s take a closer look at what unfolds now!

JUSTICE LEAGUE UNLIMITED #5 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Rarely have we ever seen the League so much on their heels. Waid keeps putting the ensemble into high-stakes adventures. This one centers around a G-20 Summit. When dignitaries disappear, it sets off a countdown to war. The writing keeps the monstrous sense of danger throughout the issue. Seeing bit Mr. Terrific and Superman have doubt speaks very loudly.

Readers watch as the action picks up tenfold. Inferno’s blitz works to perfection. It is a full scale onslaught that never lets up. One unlikely hero cracks the code of events. Waid plucks this hero front and center to reflect the readers watching. The result is purely diabolical. The moment works to perfection, setting up the closing act. Just as things escalate even higher, a dramatic reveal kickstarts an even larger one. The last page raises many questions as reader embark on something very special in their midst.

Mora and Bonvillain bring the action with an incredible near full page splash. The way round panels are used gives an off worldly feel to the event. Seeing the frustration of Mr. Terrific and Superman gives much concern to the dire state. There’s a possible Inferno lead that Mora’s art pops right off the page. It’s a subtle one but not holding back on its’ impact.

The other dimension fight never slows down. It is everything fans want in such a book. An unlikely hero breaks the secret of events with a loud half page image. It rolls into a full page statement. Readers watch as this shoves events into the closing portion. A major reveal is given a full page splash worthy of the praise. It is quickly lost by the closing page. A half page panel raises many thoughts as a curveball has been delivered. It can’t be said enough: Dan Mora is making a claim for best all-time JL artist with this run.

OVERALL GRADE: 9.1

Who is Inferno appears to be answered in a thrilling chapter. Waid’s writing architects the surprise unveiling through intense action. Mora and Bonvillain keeps up the frantic pace with sensational arc. After the last page hits, the wait for next chapter doubles.

Let me know your thoughts in the comments below about JUSTICE LEAGUE UNLIMITED #5. Thanks for reading!

GREEN LANTERN #21 (DC COMICS)

The Green Lantern Corps has their work cut out for them. Sorrow has stolen The Book Of Oa. Kyle Rayner, Conner Kent and Odyssey lead an investigate at the Source Wall. Knowing there’s a power source to fuel a new power battery, the trio take steps to stop it falling into wrong hands. Upon their escape, Starbreaker and Sorrow have arrived. Will they be able to handle this latest challenge?

GREEN LANTERN #21 by Jeremy Adams, Jack Herbert, Romulo Fajardo Jr. and Dave Sharpe continues its’ “Fractured Spectrum” era with an all new chapter.

Let’s take a closer look at what happens now.

GREEN LANTERN #21 by Jeremy Adams, Jack Herbert, Romulo Fajardo Jr. and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Adams juggles a few storylines throughout this chapter. The Starbreaker saga wastes no time in jumping into action. Kyle and Connor keep their “Odd Couple” dialogue steady during this. Even with Hal’s interjection here, pacing never slows down for long. The writing quickly shifts into its next portion. Readers watch as the result circles back to a building point of interest.

Carol Danvers time as Star Sapphire has now elevated her into the JLU ranks. Adams brings up the emotions of finding ones identity during her time. It results in a moment of couples conversation. The time gives a more lighter tone before another surprising return joins. Readers will be surprised to see the long time Jordan rogue reappear in this fashion. It navigates the story into a new path. The issue walks a fine line of couples and superhero conflict. Once the latter wins out, the issue wraps with a larger moment on the horizon. Many moving parts indeed.

Herbert and Fajardo Jr. give Starbreaker a solid action start. It’s upended by Hal Jordan’s debut in this fight. The near half page image teases a larger throwdown coming. Readers watch as the emotional toll is taken on Odyessy. Her state is easily shown as broken due to Sorrow. Once things get back to Earth, the art takes a more grounded approach.

Mind-Bender’s attack serves up a strong start. Using half back panels, it gives the villain a larger presence. Carol and Hal play well off each other as their drama rises. Once the old foe takes the spotlight, Readers will have a reaction. It is a perfect time to interject that character as more transitions start the closing act. All roads lead to a shocking final page. It is one that mixes surprise with a touch of horror. If Hal Jordan thought Strabreaker was enough, someone just reminded him that his problems just started.

OVERALL GRADE: 8.2

The search for power takes a dark turn with an old foe re-emerging. Adams plays many hands with the writing. Herbert, Fajardo Jr. and Sharpe play into the high stakes with their art. Readers new and old will have something for them within these pages.

Let me know in the comments below your thoughts on Green Lantern #21. Thanks for reading!

BLACK CANARY: BEST OF THE BEST #5 (DC COMICS)

To the victorious goes the spoils! That scenario has never been more true for Dinah Lance. With her mother dying, Lance has entered into a fight she isn’t supposed to win. Her opponent is the greatest fighter in the DCU: Lady Shiva.

Even with the odds against her, Lance fights onward. The combat has not just taken a physical toll. It has made a mental one for BLACK CANARY. When the smoke clears, who will be crowned “The Best of The Best”?

BLACK CANARY: BEST OF THE BEST #5 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles drops its pen-ultimate chapter.

Let’s take a closer look at the fight enters its’ championship rounds.

BLACK CANARY: BEST OF THE BEST #5 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

King reinforces the drive of Dinah to please her mother. Finding the next gear to face Shiva is drawing from this. It’s an overwhelming emotional response. The result has delivered on breaking Shiva to a degree. There’s a line dropped that becomes a spark for Canary involving her mother. Readers know to expect it’s game on after this. Outside the ropes, the story drops a heart wrenching narrative.

Lance’s mother is in dire health. Dinah’s visit to the hospital pours with emotion. The set-up appears to make this their last time together. King intertwines an earlier adventure between the two to offset. The writing shows Dinah desperately trying to please her mom. Its’ outcome draws out a reaction from the elder Canary. This leads to a bittersweet trip with the pair. The writing pulls the walls down between both long enough to see their true bond. This shines in the closing pages. Knowing what is unfolding, Dinah’s reaction delivers a knockout heading into the finale.

Sook and Stewart are never short on bringing the pain in all areas. The latest round starts with a fantastic two page splash. Readers watch the battered fighters still trying to one-up the other. Shiva’s cold insult mirrors her body language towards Canary. It’s a sense of asserting confidence. This round is excellently capped off with a subtle verbal exchange. The panels pack the punch before bowing out to the family drama.

The flashback pages start with a unique look. The panels are not conventual. It comes across as a flowing vision. Stewart’s blue coloring makes these pages pop. It adds to the heartfelt moments between mother and daughter. When in present time, this point becomes crystal clear. The hospital scenes drive with Dinah’s attempts to please her mother. Her facial reactions don’t hide the pain she’s feeling. There’s no better example of this than the closing pages. Readers see how Dinah processes the worst news. It concludes with haunting dialogue with the full page image. This is another strong storytelling lesson creators can learn from.

OVERALL GRADE: 9.3

Dinah Lance’s latest round hits readers with some very strong combos. King drives home the power of family with the writing. Sook and Stewart mix up the stunning drama with big action. Readers had better prepare for the bell to ring next chapter. Expectations are at an all time high after this one.

Let me know in the comments below your thoughts about BLACK CANARY: BEST OF THE BEST #5. Thanks for reading!

ABSOLUTE MARTIAN MANHUNTER #1 (DC COMICS)

In the Absolute Universe, forget all that you’ve known prior. Heroes are much different than their DCU counterparts. Fans have gravitated towards this line. It has allowed creators to take characters into uncharted territory. None might be a better example of this newfound creativity chance than Martian Manhunter.

The long-standing member of the Justice League is set for an all new series. Knowing the creative team behind this, buckle in for the wild ride forthcoming.

ABSOLUTE MARTIAN MANHUNTER #1 by Deniz Camp, Javier Rodríguez and Hassan Otsmane-Elhaou presents a whole new vision of J’onn J’onzz.

Let’s not wait another second and see what happens now!

ABSOLUTE MARTIAN MANHUNTER #1 by Deniz Camp, Javier Rodríguez and Hassan Otsmane-Elhaou (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Camp lays the foundation for a very unique take of the classic hero. It leaves readers guessing immediately. From an explosion, John Jones is lucky to be alive. A doctor’s check-up clears Jones of most symptoms. It doesn’t clear the visions he is seeing. His interactions with his wife carry the uneven personality swings further. Even when given time off, Jones becomes increasingly uneasy. This pushes him back to the scene of the explosion. What he finds there starts a path of true self discovery.

The writing takes Jones into a dark place in his mind. Coming to grips with the explosion has become a challenge. Factor in his visions of smoke, Jones walks a fine line of inspiration and insanity. Pacing moves events right along. There is a sense of escalation with each page. Camp presses out the rush to the close with ease. Readers will be locked in as things come into focus. Just when they may have answers, Camp switches up the questions. The final page throws everything in flux. It leaves events in a place where no one will want to leave anytime soon.

Rodríguez opens with an exclamation point event. The full image of Jones’ explosion impact sets a high bar. There is a very retro feel with the art. It brings up some hints of a mod style. This works to reflect the spy sense of Jones’ FBI occupation. Readers see instantly what will be the highlight of the art. The rainbow-esque coloring indicates a hidden factor at play. It is subtle but slow rolls throughout the issue.

As Jones investigates his incident, the art gets darker in certain aspects. Rodríguez mixes up past and present panels to create Jones’ quest for answers. This is broken up with a home detour. Readers watch as his interaction with his son is anything but cliche. This steamrolls into a full page vision of the search for answers. The page foretells the bombers past. Readers watch as it becomes the catalyst for something more. Another monster splash shoves everything into the striking final full pages. Forgot what you think. This mystery is only beginning.

OVERALL GRADE: 10

In the Absolute Universe, nothing is certain. Reconstructing Martian Manhunter is no easy feat. Camp’s writing crafts a mesmerizing start shrouded in question. Rodríguez and Otsmane-Elhaou bring an innovative take on Jones world via the art. Where this leads is anyone’s guess but that’s its true strength.

Let me know in the comments below your thoughts on ABSOLUTE MARTIAN MANHUNTER #1. Thanks for reading!

BATMAN #158 (DC COMICS)

In October of 2002, a new dynamic dup invaded Gotham City. Legendary artist Jim Lee (X-Men, Wild-C.A.T.S.) and Jeph Loeb (Batman: The Long Halloween) were making a special Batman story. The result was “Hush”. A childhood friend of Bruce Wayne’s past becomes a dangerous rogue. The story became an instant smash with readers. Its legacy still holds up 23 years later.

At New York Comic Con 2024, it was unveiled that the pair was reuniting for “Hush 2”. The news set the comic world on its axis. Early orders indicate another huge success on hand for DC Comics. Can the pair deliver to the high bar of their predecessor tale?

BATMAN #158 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair and Richard Starkings looks to answer that question and much more!

Let’s take a closer look at the return of Hush!

*** POSSIBLE SPOILER WARNING ***

Loeb sets up a solid bait and switch for the initial start. Tying events back to the first encounter with Joker is an instant win. Batman’s narration walks readers through his breakdown. The scene seems more complex than it feels. Joker supports the claim even though it feels forced. Readers watch as the result starts bringing in more familiar faces. Knowing dynamics, one seems very unlikely. It works as one person is pulling all the string from the shadows.

Hush debuts with a bold strike. For anyone that might have forgotten his ruthlessness, Loeb reminds readers quickly. The scenes play out as cold and unforgiving. It works well to bolster the tense mood. Batman’s response mirrors the sense of urgency. This pushes events into the closing act. From this point, the pieces start forming in front of Batman. The writing telegraphs a few moments before the final panel. It leaves events in a sturdy point with much room to grow. Welcome back Hush indeed.

I don’t know if there’s enough adjectives in the dictionary to describe Lee’s art. Readers are witnesses to a return of greatness. The detail on the poisoned fish is unmatched by him and Williams. This moment gets overtaken via a fantastic two page splash. Batman’s full page underwater scene pops due to Sinclair’s coloring. Even a smaller panel showcasing a new character jumps off the page. This is all due to the flawless skills of the returning artist.

The detainment of Joker is terrifying by even Joker standards. Lee’s attention to the dimensions of Joker’s bruised face speaks volumes. It’s toppled by the close-up of Hush’s eyes. They come across as broken and twisted. It is very similar to Batman’s growing paranoia. The action sequences start rolling as events go to the close. A full page image of Batman finding Joker proves to be a turning point. With the shorter panel structure, Lee maximizes the spacing. It constructs its’ reveal with a moderate impact. This shows off the art team’s skills. They take a minor move and give it a major point. Expect more of this style moving forward.

OVERALL GRADE: 8.6

Loeb and Lee return to Gotham City with a superb debut installment. Loeb’s writing constructs a layered chess match. Lee, Williams and Sinclair put on an incredible display of storytelling with their art. It covers up some of the foretelling plots. Readers will have much to discuss with this chapter.

Let me know in the comments below you thoughts on Batman #158. Thanks for reading!

SUPERMAN: THE LAST DAYS OF LEX LUTHOR #2 (DC COMICS)

The wait is finally over! In the summer of 2023, A Superman story under the DC Black Label banner debuted. Expectations were huge considering the creative team attached. It hit the high bar set and then some. Lex Luthor is mysteriously dying. His only hope is his worst enemy. Superman goes to great lengths to try, but is it all in vain?

Superman: The Last Days of Lex Luthor #2 by Mark Waid, Bryan Hitch, Kevin Nowlan, David Baron, Richard Starkings and Tyler Smith (Comcraft) continues its’ complex saga between the iconic pair.

Let’s not wait another second and dive into this tale!

Superman: The Last Days of Lex Luthor #2 by Mark Waid, Bryan Hitch, Kevin Nowlan, David Baron, Richard Starkings and Tyler Smith (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

When dealing with this dynamic, Waid plays heavily off their former friendship. Superman carries a tremendous amount of guilt. Even when the flashbacks show the first “Kryptonite” event, the writing shows how that kickstarts Luthor’s deep hate. Waid keeps Luthor’s ego firmly cemented above anyone he comes across. Seeing where this issue goes, that speaks volumes.

There is a wide range of the DCU covered with this chapter. From the 31st century of the LOSH to the deep depths of the ocean, the travels emphasize the grave stakes. Each visit reflects two aspects. The first is Superman’s unrelenting nobility. Kal-El is fully aware of a doublecross but pays no mind. It’s due to the greater good in everyone he symbolizes. The other is Luthor’s inability to accept he is wrong.

Waid brings this all full circle in the closing pages. The banter between both comes to a thunderous head. It leads one to drop guard and reveal a secret. This unfolds into a spiral of stages. Its’ fallout leaves a change in the stat quo. Readers watch as a surprise weighs in on Luthor’s fate. It is one that escalates the emergency to new heights. The writing nails the landing for this section with much more left in the tank.

Hitch’s are is simply stunning in this chapter. With Nolan and Baron’s assist, the travelling the pair does shines. An incredible two page splash welcomes readers into the 31st Century. Superman smiling and Luthor’s dismay jump in its aftermath. Readers watch as the mood transfers over to the key flashback sequence. Seeing how Kryptonite played into the friendship death speaks volumes. Its’ mood doesn’t linger too long as events shift places.

Themyscira comes to life with a near full page image. Its’ most famous resident is waiting at the gates for the pair. Another full page image shows how welcomed they are. The same can be said for Tritonis. Hitch’s ability to extend the moments is second to none. Each page feels tremendously impactful. The art also captures each emotion pouring out of Luthor. It bleeds over into the closing act. Luthor’s reactions never escape the readers. It continuously adds drama to their struggle for a cure. Events close with another factor crashing the party. This is a moment that throws everything in flux. It also compliments what amazing art has been during this entire series.

OVERALL GRADE: 9.5

The struggle of conscience pushes Clark Kent to his breaking point in another epic chapter. Waid takes Lex Luthor into an emotional rollercoaster with the writing. Hitch’s stunning visuals will absolutely floor fans. If books are at this high level of storytelling, fans won’t mind waiting for another round.

Let me know in the comments below your thoughts on Superman: The Last Days of Lex Luthor #2. Thanks for reading!

BATMAN/SUPERMAN : WORLD'S FINEST #37 (DC COMICS)

The Floronic Man has the Underseas kingdoms on the brink of War. Batman and Robin played their ace card and failed. Swamp Thing struggled to stop the dangerous villain. Aquaman is tied up with King Ronal. Superman has reconnected with Lori Lemuris but what did he just do!

BATMAN/SUPERMAN: WORLD’S FINEST #37 by Mark Waid, Adrián Gutiérrez, Matt Herms and Steve Wands (DC Comics) concludes this classic underseas adventure.

Let’s take a deeper dive as to where things stand now.

BATMAN/SUPERMAN: WORLD’S FINEST #37 by Mark Waid, Adrián Gutiérrez, Matt Herms and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid caps off a thrilling challenge while putting moments in perspective. Lori’s kiss of Superman is an attempt to draw some attention towards her loneliness. The writing makes The Floronic Man a truly dangerous threat. Seeing how he handles Swamp Thing in his element makes an impression. It draws upon a King’s wisdom to straighten out any glimmer of hope.

Aquaman proves to be the star of this issue. His conversation with Ronal helps navigate the losing scenario. The dialogue hits many points before launching into a showdown. Readers watch as the heroes united front brings forth much vintage superhero excitement. The close also gives Ronal and Lori a proper ending. Knowing how the pressures of royalty go, readers see how they handle their issues. It leaves events in a great spot heading into next month’s event.

Gutiérrez and Herms open with an immediate reaction to Lois’s kiss of Superman. Emotions run high in the pages. It’s matched by the Floronic Man volley. A near full page splash brings the fight to the Dynamic Duo. The panels have an energetic feel as their standoff commences. It ends with a half panel of Swamp Thing making a stance. Readers see the small break coming before trekking to the finish.

Aquaman and Ronal’s meeting packs a sense of uncertainty with it. The mannerisms tell the struggle of their crowns. It resolves into the final play to stop Floronic Man. The art sets the stage with a haunting half page image. Panels ramp up with each blow. It comes to a head with a strong full page shot. This leads to an emotionally charged close. Seeing a couple work through their struggles will strike a chord with the readers. Events wrap up with a fun knod to the beginning chapter. This series doesn’t miss.

OVERALL GRADE: 8.7

The Floronic Man’s takeover of the deep seas concludes with a fantastic finish. Waid deals with many egos as the fight for good takes a dive. Gutiérrez and Herms construct phenomenal panels as the story ramps up on the action. Arguably the best superhero book at the LCS right now.

Let me know in the comments below your thoughts on BATMAN/SUPERMAN: WORLD’S FINEST #37. Thanks for reading!

THE NEW GODS #4 (DC COMICS)

On Earth, the powers of a god hide inside a young child. Is this child a savior or harbinger for death? This has drawn attention from HighFather. He sends Orion to deal with this potential threat. Mister Miracle and Big Barda seek to protect this child from the vicious warrior.

With Apokolips in a power void, the Nyctari strike. Their fight now shifts to New Genesis. Is this child a savior or harbinger for death? Suffice to say, there’s many moving parts involving Jack Kirby’s legendary characters.

The New Gods #4 by Ram V., Evan Cagle, Bernard Chang, Francesco Segala & Tom Napolitano prepare for battle with their latest chapter.

Let’s take a closer look at where things stand now.

*** POSSIBLE SPOILER WARNING ***

The plight of the Gods turns to violence for the majority of this chapter. Ram V. goes in on the frustrations of High-Father. The flashback sequence foreshadows the impending attack from the Nyctari. It shows the readers a very different HighFather than we’ve seen in this series. There is no long wait for business to pick up with conflict. One character stands head and shoulders amongst most in this sequence. Shadowfall steals this portion with a breakout moment of this chapter.

Back on Earth, the Frees have their hands full on many fronts. Protecting the child from humans is one thing. Stopping Orion is a whole other issue. There’s plenty to enjoy with this scrap. Its’ conclusion (for now) executes another domino to fall. This runs side-by-side with the battle of New Genesis. Heading into the closing act, Ram V. twists more burdens onto HighFather’s group. Once the final page appears, choices are made that can’t be taken back. The writing reflects the deep thought made for the heavy choice. It’s a strong finish until the battle resumes next chapter.

Chang takes the flashback staple for this issue. The panels burst with optimism. Seeing Highfather in an almost jovial state is a far cry from the present. Once the time jump happens with Cagle and company, war has been declared. Nyctari start with a near full page image. They had met and defeated by Shadowfall’s presence. The art gives her a distinct showcase of skill. It’s capped off by a superb full page image.

Earth’s battle is much smaller in comparison. Big Barda handling human attacks carries a strong sense to it. The difference between her and Mister Miracle’s more playful demeanor is very clear. Readers watch as he attempts to diffuse the tension. This disappears once Orion appears via half page image. Their action scenes pop due to Napolitano’s lettering.

Events shift back to New Genesis for a few epic pages. Cagle’ art truly crafts the brutality of war. It also leaves readers with a firm landing spot. Highfather makes a call that a half page image screams out. This whole issue had excellent art that readers will rave about.

OVERALL GRADE: 9.3

New Genesis is attacked! The New Gods unleash their wrath on the Nyctari but is it enough? Ram V.’s writing sets a fast pace driven by action. The mesmerizing art on display from Cagle and company will floor readers. That chapter will be one fans will be talking about.

Let me know in the comments below your thoughts on The New Gods #4. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #6 (DC COMICS)

A grizzled mentor. An upstart sidekick. In the early days, Bruce Wayne and Dick Grayson working together wasn’t perfect. An impulsive Robin decided to ignore orders to stay home. The result is his capture by General Grimaldi.

With a life hanging in the balance, Batman is about to show the crime world why you don’t cross this line.

BATMAN AND ROBIN: YEAR ONE #6 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles continues to take fans into the past with another chapter.

Let’s not wait any longer & head right into the issue.

BATMAN AND ROBIN: YEAR ONE #6 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Waid takes readers into the creation of the Bat Family. Seeing how Dick Grayson processes his new persona is quite delightful. The writing brings his youthful ignorance to the front. Even when Grimaldi starts pressuring him, Grayson never folds. It borderlines thinking this is a joke. Seeing this attitude unveiled gives more clarity into Batman’s over protective nature.

Knowing Grayson is his responsibility, Batman’s approach comes off with more edge. It’s telling of how aggressive he is when invading Grimaldi’s place. Even with a side distraction, Batman shows no doubt what his goals are. The end result is one that firmly cements a long standing notion of the pair. Both need each other. This leads into the strongest part of the book. A heart-to-heart in the Bat Cave dominates with emotion. Seeing both reactions to the others pleas is an instant smash. There’s no way to read that without a smile. The final pages set up the next round superbly. If ever a question of their dynamic, this series answers it.

Samnee and Lopes begin with a summary of Dick Grayson’s life. The panels capture key moments. They only add to Batman’s dire situation. Grayson’s game face throws Grimaldi for a challenge. The art drives home his doubt of danger. It’s telling of how confident Grayson is during his capture. His mentor doesn’t demonstrate that same opinion.

With a slow build, Batman’s distraction pops off the page. Cowles lettering amplifies this moment. It gives weight to Batman’s search. What he encounters will surprise readers. Even as a side obstacle, the art team depicts this challenge with seriousness. It carries some fun action moments, mirroring Grayson’s attitude. The result is a solid staircase ascent. With gripping dialogue, readers will be locked in. The feeling stays when back at the Batcave. Images give way to a more personal flare. Seeing both sides give in to their feelings is a great touch. It helps bring the chapter to a close. The final page throws a great tease in before departing. Another fantastic chapter to witness.

OVERALL GRADE: 9.4

The bond between the Dynamic Duo grows stronger through danger with this chapter. Waid’s writing brings out two different sides of the same coin. Samnee, Lopes and Cowles construct an excellent visit to the days of yesteryear. This whole series is a must read for any Batman and/or Robin fan.

Let me know in the comments below your thoughts on BATMAN AND ROBIN: YEAR ONE #6. Thanks for reading!

DETECTIVE COMICS #1095 (DC COMICS)

Asema’s grip over Gotham grows stronger. Bruce Wayne has been offered a chance at renewed youth. It appears as wayward teens are being mysteriously killed. All roads point to a dark time in the past. Have the sins of the Father struck down the son of Today?

DETECTIVE COMICS #1095 by Tom Taylor, Mikel Janin, Norm Rapmund, Alex Guimarães and Wes Abbott positions Batman in a collision course with a ghost from the past.

Let’s take a closer look at where things stand now.

*** POSSIBLE SPOILER WARNING ***

Taylor devotes the majority of the issue back to an early story point. The eerie connection between Thomas Wayne and Joe Chill is finally clarified for Batman. Using Leslie Thompkins as a conscience works to help Bruce through the news. The emotional wounds resurface. It puts Batman in a place readers rarely see. For being the one always two steps ahead, he’s far behind. This doesn’t help as he confronts his childhood fear.

There is never a shortage of tension in this meeting. The payoff ties up a loose end for a brief moment. Taylor throws in another curve before closing up this point. Readers get a quick Bat break with a fun Penguin/Vandal Savage moment. The one-upmanship is very evident. Its’ timing provides a perfect segway moment for the final pages. The writing shows Batman swinging big to draw out Asema. Its fallout brings an exciting cliffhanger for the murder/mystery. There’s no shortage of questions coming out from this chapter.

The art works off the brooding of Bruce Wayne to set pace. Seeing him working out and unshaven indicates the envelopes info hit its mark. Leslie Thompkins concerned nature shines in these panels. This all leads to a long awaited confrontation. Batman’s reactions to seeing Joe Chill remind readers that some scars never heal. It’s followed up by a near full page answer to the fear.

Each panel never lets up on the weight of the matter. Chill’s tense expressions are met with Batman’s cold demeanor. It leaves readers with a firm close to this moment. The story also pushes a surprise onto the pages with an excellent twist. Presentation-wise, it leaves readers guessing if that really happened. Penguin’s standoff with Savage constructs a unique duel. It’s shott lived but works. Janin escalates events quickly with the closing pages. The final page is a full shot indicating an unlikely ending to foil Batman’s big strike. This is a very solid issue with its’ art.

OVERALL GRADE: 9

Secrets of the past come to light in Batman’s latest case. Taylor delivers on a long awaited confrontation with the writing. Janin, Rapmund and Guimarães craft a steady dose of drama with each page. Judging by the close, the case or Batman is about to crack. Get ready for a big payoff from this chapter.

Let me know in the comments below your thoughts on Detective Comics #1095. Thanks for reading!

G.I. JOE #5 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Time has run out for G.I. Joe. On their heels from Cobra, Duke and the remaining squad are in the belly of the beast. They’re behind enemy lines. Destro is ready to handle business. Rock N’ Roll was the first Joe to fall. Are more of the team doomed the same fate?

G.I. JOE #5 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) kicks into high gear action with its latest chapter.

Let’s not delay and head right into the throwdown!

*** POSSIBLE SPOILER WARNING ***

Williamson cracks everything to 11 with this chapter. Seeing the Joes at their lowest should seal their fate. Duke comes across as defiant to the overwhelming odds. His actions reflect that of either pure bravery or insanity. Readers may actually question this at one point. One action proves to quiet that inquiry long enough to throw everything into high-gear.

The only moment where things slow down is with Cobra Commander. The evil leader is solely focused on obtaining power. Williamson writes him as cold and ruthless as he should be. Commander makes a chilling move. It gets lost in the action but circles back to the close. Readers won’t mind as the action is what they came for. There’s no shortage of that here. As eluded to, events circle back to the Commander. His goals hit a snag in the form of a monster cliffhanger. The only thing wrong with this is we have to wait for next issue. This series just doesn’t miss.

Reilly and Bellaire light the fuse for the combustible face-off in style. A two page spread brings Duke face to face with an “old friend.” Seeing the punches connect gives readers a sense of what to expect. Its aftermath is set up nicely. Even in a beaten state can Duke still appear to win. Readers see the power of “Vroom” come into the spotlight.

Destro’s standoff accelerates the wild action to another gear. It also gives readers a much anticipated moment. I’m genuinely surprised this wasn’t a larger panel. It still delivered on the intended goal. Reilly goes for smaller panels. The compact images don’t take it easy. Pacing is really flying at this stage. Only Cobra Commander’s smaller role slows things down. Save the drastic action, it assist in providing a simple break point. This all leads to a monster final page. The full image sets up a can’t miss event that readers will be jazzed to finally see. Strong work per usual.

OVERALL GRADE: 9.2

Can Duke rally his defeated team for one more round? That is the question posed in this latest chapter. Williamson takes readers for a daring confrontation with the writing. Reilly, Bellaire and Wooton raise the stakes with the non-stop action. This series sets the blueprint for what dramatic action should strive for.

Let me know your thoughts in the comments below about G.I. JOE #5. Thanks for reading!

THE QUESTION: ALL ALONG THE WATCHTOWER #5 (DC COMICS)

Cyborg Superman is on the verge of total victory. The attack on the JL Watchtower has been devastating. Heroes have been corrupted. Hope is fading fast. Only one person is the last line of defense against Hank Henshaw. The Question makes a final play to stop him once and for all. Will it be enough?

THE QUESTION: ALL ALONG THE WATCHTOWER #5 (DC COMICS) by Alex Segura, Cian Tormey, Raul Fernandez, Romulo Fajardo Jr. and Willie Schubert delivers its pen-ultimate chapter.

Let’s not delay and check out where events stand now!

THE QUESTION: ALL ALONG THE WATCHTOWER #5 (DC COMICS) by Alex Segura, Cian Tormey, Raul Fernandez, Romulo Fajardo Jr. and Willie Schubert

*** POSSIBLE SPOILER WARNING ***

This is arguably the best issue of the series thus far. Segura opens up with a subtle recap of events. Even this late in the series, it is a nice touch. Montoya’s last stand carries a heavy intensity. Each fight against her allies escalates events nicely. Even when time shifts to Henshaw’s gloating, the edge never leaves. Readers watch the eventual breakdown occur between him and Eradicator. It gives enough pause before reupping to the finish.

Batwoman’s face-off delivers on the drama. The writing plays off their past to show a possible future. Even with the injection of “Crispus”, the mood never sways too far. It pushes the story into its’ final charge. Once here, events unfold setting up the finale. It is expected but doesn’t feel telegraphed. The final pages leave readers on their seats edge as it’s now or never for Montoya and company.

The art team starts with a full page image of the Question in action. Her allies twisted looks surrounding her adds to the uncertainty. There’s plenty of great action panels spotlighting Montoya’s frantic fight. Readers watch as only Henshaw’s insanity can break up the action. The panels show the inevitable dissolvement of his group. It gives enough space to segway back to Montoya’s flight.

The full page decent of Batwoman onto the scene sparks the next round of action. Montoya’s eyes read the situation perfectly. They reflect the sadness of events. It becomes a catalyst for a moment most have been waiting for. This leads into the closing act. Readers watch as a few full images escort them to the shocking ending. With a parting full page, Montoya’s last stand has commenced whether she’s ready or not.

OVERALL GRADE: 9.1

All roads have led to Renee Montoya’s final round with Cyborg Superman. Segura captures the drama while escalating events. The art team goes big when needed to add more weight to an already loaded chapter. This should be one hell of a finish.

Let me know in the comments below your thoughts on THE QUESTION: ALL ALONG THE WATCHTOWER #5. Thanks for reading!

ABSOLUTE BATMAN #6 (DC COMICS)

The road to Hell is paved with good intentions. Bruce Wayne has adopted a persona in wake of his father’s murder. As he sets out to save Gotham City, Wayne turned down his lucrative offer of service from Black mask. The criminal responded viciously. He’s unleashed chaos for a price. One way was putting bounties on the heads of prominent figures. Deputy Mayor Martha Wayne is one of the top prizes in the sick game.

ABSOLUTE BATMAN #6 by Scott Snyder, Nick Dragotta, Frank Martin, Clayton Cowles closes up the Dark Knight’s first arc in the Absolute Universe.

Lets take a closer look at how things end up.

Note: There are some graphic images in this issue.

*** POSSIBLE SPOILER WARNING ***

Snyder wraps up the first arc with an ambitious and volatile close. Black Mask’s deadly game works to establish an uneasy backdrop. Feeding the insecurities of Gotham pushes the city to the edge. The writing doesn’t shy away from the anarchy the move makes. A train scene details the lawlessness. It gives more impact to Batman’s need to fight back. This move also brings his friends into the mix with different results.

Seeing this new “Bat Family” at work provides some strong character moments. It plays well off the flashback sequences guided by Martha Wayne. Readers watch as she shows her defiance to back down like her son. Her calming message brings out Bruce’s inner strength when needed most. The showdown with Black Mask is brutally poetic. The writing leans into Wayne’s love of being Batman. Wayne’s ego proves to pull a drastic but needed move to end the conflict. The fallout is perfect for where the story goes. Is there ever such a thing as a happy ending in Gotham or is it just calm? Readers will be locked in by the epilogue page. This is not the Batman we know and it’s bringing out the best of Snyder’s writing along the way.

Dragotta and Martin never shy away of the violent nature of the Absolute Universe. The only moments of joy comes via a splash photo of young Bruce and friends. Even as innocent as this starts, the nightmare scenario pushes the flashbacks into a poignant course. Martha’s honest care assembles as Bruce’s guide in the darkness. This serves as a great counter balance as Gotham falls apart.

From the full page crashing of Black mask’s yacht, the pace speeds up. There’s no shortage of violence in these pages. Dragotta even sneaks in an “Anchorman” homage at one point, cause “it’s How (Bruce) rolls”. Readers watch in baited breath as the savage fight begins. There is no punches pulled as both Batman and Black Mask cross lines. A full page image will haunt readers as it ends the conflict. It mirrors the tense atmosphere Martha and Jim Gordon navigate through. In the aftermath lies a strong half page image for the future. It is quickly upended by a terrifying epilogue page. The imagery here puts the proverbial cherry on the frightening future of Gotham City’s protector.

OVERALL GRADE: 9.7

Absolute Batman concludes its first arc on a fiery and violent fueled note. Snyder’s writing shoots Bruce Wayne into the savage close flawlessly. Dragotta and Martin push the envelope on the line of heroic and horror with their art. Forget any preconceived notions. This vision of the Dark Knight stands out on its own pedestal for good reason.

Let me know in the comments below your thoughts on Absolute Batman #6. Thanks for reading!

ABSOLUTE FLASH #1 (DC COMICS)

The Absolute Universe has taken comics by storm! Darkseid has left the DCU. In his wake, a darker version of the universe is left. Readers have seen the trinity of DC make their debuts. Versions of Superman, Batman and Wonder Woman are nothing like fans have seen. Their adventures have been selling big numbers at the LCS.

Now the second wave of heroes make their debuts. Leading the pack is the fastest man alive. Don’t blink.

ABSOLUTE FLASH #1 by Jeff Lemire, Nick Robles, Adriano Lucas and Tom Napolitano presents an all new saga of speed and superheroics.

Let’s not wait another second & dive into the chapter.

ABSOLUTE FLASH #1 by Jeff Lemire, Nick Robles, Adriano Lucas and Tom Napolitano (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Lemire dives into the relationship between Wally West and Barry Allen to reset their narrative. Keeping Wally's situation at arms length adds to the ever evolving drama. The writing portrays him as a loner searching for something. It's far from the happier version of West we've seen in the comics.

For doing an alternate version, this mystique works. The same can be said for Barry Allen. Allen comes off as a surrogate father in moments. Even though he works with Wally's dad, Allen genuinely shows concern for the wayward teen. Can the same be said for Wally's dad? He pushes more of a "tough love" which misses the mark.

The issue does its' fair share of time jumping. It is always a difficult challenge to pull this off without losing something. Lemire blends the pacing extremely well that this issue flows through segments.

Even in the present, a certain group gets a proper reset. It adds more to the combustible element of Wally and his dad. This pushes everything into the close. Lemire puts some tricks out to throw everything in flux. The result is a solid mystery that has many miles left to run.

Robles and Lucas kick events off with a vibrant two page splash. It's loud, bold and unapologetically Flash. Events start slowing down to unveil the worry of West. Being alone in his mind, the images depict his search for belonging. Project Olympus gets a two page reveal. Things have come a long way since lightning in the crime lab twice.

At this stage, Napolitano's lettering maneuvers readers through the time jumps. This also gives way for Wally's freedom to be put to the test. A full page image brings those familiar faces mentioned previously in style. The art team gives proper time to focus on the West family dynamic before speeding to the end.

It takes two pages to truly bring out the impact of West' ill-fated choice. This thrusts his life into a full page shocking close. Readers are complimented with a fun two page epilogue before running to next issue. It leaves much for fans to ponder before revving up the engines next time.

OVERALL GRADE: 9

Is speed absolute? Judging by the latest addition to the DC new universe, the answer is yes. Lemire's writing brings out a conflicted lead to take the baton and run. Robles, Lucas and Napolitano keep the energy high with the electric art images. This series is firing on all gears with much left in the tank.

Let us know what you thought of Absolute Flash #1 in the comments below. Thanks for reading!

OUT OF ALCATRAZ #1 (ONI PRESS)

Alcatraz. Arguably the most famous prison in the world. An inescapable fortress. In June 1962, Frank Morris and Clarence Anglin escaped. Modesto is their current location but it can’t be for long. Fugitives from Alcatraz is something law enforcement doesn’t want to have out in public. The hunt is on the pair. Freedom seems to be in their grasp. What gives first?

OUT OF ALCATRAZ #1 by Christopher Cantwell and Tyler Crook ushers in one of 2025’s most highly anticipated series.

Let’s not wait any longer and dive into the story.

*** POSSIBLE SPOILER WARNING ***

Cantwell pieces together an thrilling intro in mere moments. Morris and Anglin are not good men. Their escape on rough waters is met with much intensity. When Anglin’s brother becomes lost at sea, their dynamic instantly changes. The uneasy partnership makes its way into Modesto. Escaping seems like the easy part at this stage. Once on land, both struggle to handle the consequences of the escape.

Their deal with a mysterious contact crafts a ticking timebomb. Every conversation with the driven Morris and grieving Anglin bursts with anger and guilt. This spills over as they try staying out of sight. A simple visit into town draws rage from Morris. Knowing what is at stake, he’s not willing to let Anglin ruin his “freedom”. This spirals into uncomfortable moments with the towns people.

The writing doesn’t back down from the immense pressure rising. Bothe escapees Readers watch as an ill-fated curve is thrown into the mix. Cantwell brings out the ugliness of society which is decided by the lesser of two evils. There’s never a moment that lets up the weight of what unfolds. Readers won’t have time to process after they see the final page. Talk about a showstopping moment. If this is the opening chapter, there is no telling what to expect from here!

Crook doesn’t delay in constructing the bold escape. The panels are loaded with the challenges of the escape. There is many expressions displayed in these panels. It ultimately wraps up with a two page spread of the survivors. As Morris and Anglin maneuver off the radar, readers see the frustrations boil over. The back and forth images of Alcatraz to their freedom get a huge boost from the lettering. Readers witness the frantic reactions to find out what happened. This leads to a semblance of normalcy that is short lived.

The art doesn’t back away from the repulsiveness of society themes in this era. Readers watch as this comes into play multiple times in the issue. There never is a sense of these are “good” people to cheer for. The art shows how deeply flawed and damaged they are. This is seen in almost every interaction Morris comes across. Panels capture his broken soul as his anger responds to issues. Heading into the latter half of the book, this becomes clear.

One instance becomes a complicated problem for the pair. Switching up the coloring, a red half page image crashes down one conflict. This becomes quickly doused by the final page’s impact. The final panel puts everything in flux. Crook leaves it all in this issue which fans will be raving about.

OVERALL GRADE: 10

An escape from Alcatraz becomes a highway to Hell in this opening salvo. Cantwell takes the two leads into deep levels with the writing. Crook’s art sets the stage with the painful repercussions of their actions. This story is one readers won’t want to escape from anytime soon.

Let me know in the comments below your thoughts on OUT OF ALCATRAZ #1. Thanks for reading!

TRANSFORMERS #18 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Seattle is barely hanging on. It has become the epicenter for the Decepticon Civil War. Starscream and his forces are taking the battle to Soundwave’s crew. Caught in the middle are innocent humans. Optimus Prime is doing all he can to help. The odds are truly stacked against him. Can he find some way to survive the crossfire?

TRANSFORMERS #18 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) brings a close to the latest arc.

Let’s take a closer look at where events play out now.

TRANSFORMERS #18 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson brings the house down with this latest chapter. The Cybertron portion debuts the latest Autobot in grand fashion. Shredhead’s injection lifts up the scenario. The panels are all big action. It establishes him as a true threat to the Decepticons. The writing gives them a sorely needed win in comparison to the rest of the chapter.

Ultra Magnus’s portion reflects more on the deep emotional wounds he has suffered. The bonding with Carly helps to start healing. Johnson gives these little fleeting spots before throwing more weight on the constant battle.

All of these plots take a back seat to the main event. The Battle of Seattle devlivers on all accounts. Readers watch as the best shots are taken from all sides. Optimus is helplessly watching this brawl take place. No one is ready for the new combatant to enter the field. It is a long awaited return that sends shivers up the audience spines. The fallout launches a new era into effect for the Energon Universe. All bets are off on who will be standing in its wake.

Corona and Spicer put a Hollywood monster fight for the latetr half of this issue. Before that arrives, they give Shredhead a large statement. The action panels leave little doubt about his impact. Case in point is the half page image where someone is shredded. The Ultra Magnus portion is a wide range of fractured responses through healing. Both will connect with readers. They both are shown up by the Seattle brawl.

The art team make this whole sequence feel like a Godzilla-King Kong showdown. Each sides’ Combiner makes a claim for a throne. One stands tall through A TWO PAGE SPLASH CUTTER! The wrestling fan in me marked out seeing this! Starscream and Soundwave’s fight is as vicious as it needs to be. It stops on a dime when a certain return happens via a haunting two page spread. This leads to a striking final image. The darkest hour appears to be setting on the Autobots. Brace for impact.

OVERALL GRADE: 9.8

The war between Soundwave and Starscream ends with a thunderous conclusion. Johnson adds in much emotion with the intense fighting. Corona, Spicer and Wooten construct a devasting melee that shows no mercy. There’s never a doubt at the high level of quality with this series.

Hit me up on ODPHpod social media and let me know your thoughts on Transformers #18. Thanks for reading!

ROGUE SUN #25 (IMAGE COMICS/MASSIVE-VERSE)

The attack on the Aviary has been stopped. Dylan Siegal is more focused to stop Mourningstar than ever. A father and son appear to have hit some common ground. It seems all is trending upward for the Massive-verse’s supernatural defender. If that was only the case…

ROGUE SUN #25 by Ryan Parrott, Nick Cotton, Abel, Natalia Marques and Becca Carey kickstarts a brand new story arc!

Let’s take a deeper dive into the latest chapter!

ROGUE SUN #25 by Ryan Parrott, Nick Cotton, Abel, Natalia Marques and Becca Carey (Cover: Stefano Simeone - Image Comics)

*** POSSIBLE SPOILER WARNING ***

The writing brings a question of ethics to the father-son dynamic. Dylan lets a robber go because he knows him. Marcus (his dad/ghost mentor) has issues with this. The dialogue showcases their friction of topic. It leans into Dylan’s brash arrogance to the hero blueprint. Conventional methods are not too appealing. He wants to forge his own legacy. When a financial offer comes his way to accomplish this, it throws everything in flux.

This allows his step-sister Aurie to (finally!) get her chance to become Rogue Sun. Watching the faustian-esque partnership develop will be a treat for readers. Even when the latest villain crashes the scene, each dynamic takes center stage. Pacing slows things down just enough to sense Dylan’s shock. Knowing who’s helping Aurie spells certain disaster. Even with the new “Sun” on the block, one staple stays true. The closing page turns everything on its axis. Readers won’t see this ending coming! Expect this to be a long wait until next issue.

Abel and Marques set a high bar with the action. Seeing Dylan fighting “normal” bad guys is a new look. It leads to a more tense face off between the pair. Readers can sense the tension is ever building. Each panel carries a unique vibe as all parties argue about what should be done with the role. The drama flows into the Bell household. With each reaction, Dylan’s decision appears to be made for him. That was something quickly opposed as events progressed.

The latest villain gets introduced with a full page image. It leads to some great action shots. Events get upstaged when “Aurie Sun” hits the scene. The half page panel lets her make an immediate impact with readers. From here, the pacing revs up. In the conflict aftermath is a few shocked faces. Once Caleb has been announced as back, the mood changes. It stirs up the drama with Dylan and Marcus again. This leads into the closing moments. All build towards a mic drop moment. The closing image gets a full page to convey its message. It is one that is sure to leave a huge impression as Dylan’s path becomes clear.

OVERALL GRADE: 9

Sins of the past strike a nerve as a new hero makes their debut. Parrott and Cotton’s writing delve into the rebuilding bond of family. Abel and the team keep pages balanced with quick action and deeper drama. The final page is sure to have Massiveverse fans talking about the future.

Hit me up on ODPHpod social media and let me know your thoughts on Rogue Sun #25. Thanks for reading!