BENEATH (COMIXOLOGY ORIGINALS)

Welcome to an all-new edition of Parlay Points!

For this entry, Comixology Originals is unleashing a new horror story that is making quite a buzz. Considering the creative team behind it, it’s completely justified. Handling the writing is the showrunner of Netflix’s Daredevil. The co-creator of Jessica Jones is on art duties. Mix their talents together and fans have much to be excited about.

BENEATH by Steven S. DeKnight, Michael Gaydos, Kate Sánchez and Tobin Racicot present a tale of survival through unnatural circumstances.

Let’s take a deeper dive and see what unfolds now.

BENEATH by Steven S. DeKnight, Michael Gaydos, Kate Sánchez and Tobin Racicot (Comixology Originals)

*** POSSIBLE SPOILER WARNING ***

DeKnight blends in elements of grounded conflicts into the supernatural realm to craft an engaging tale. Deputy Sheriff Jess Delgado comes across as unlikely hope trying to pull off the impossible. With the tense relationship between detainees and guards, Delgado is pushed to her breaking point. The writing reflects the struggles as being equally great to the true horror lying beneath the surface.

This comes to the forefront early with her conflict with Pritcher. As they investigate the border attack, Delgado establishes herself as one not to tolerate any nonsense. From here, the pacing shoots forward building the horrors at hand. DeKnight slow rolls the true threat debut. It allows the audience to sink further into the growing fear.

Once the story arrives at its’ midway point, readers get clarity on what the unlikely group is now facing. The tone of the book splits with its’ conflict. the personalities involved are combustible enough. Add in the real threat and there’s much to balance. DeKnight doesn’t struggle with this. He keeps events leveled right through the final act.

At this stage, there is a fair share of classic horror themes along with a question of who is the true terror. It plays out to a satisfying finish. The closing pages end events as it should: leaving the readers wanting more.

This works to perfection with the art of Gaydos and lettering of Racicot. The panels reflect the seedy nature of human conflict. Pritcher’s demeanor stands out as a character you instantly dislike. It plays off Delgado’s stern, even-keel responses. The conflict between the residents at the detention center comes across as uncomfortable as expected. The reactions and body language shown speaks volumes of what the true horror of this issue was.

As for the supernatural side, the art delivers on crafting imposing evil. The deaths showcased are gruesome and unforgiving. Mixed with the coloring and lettering, they signify how brutal the true evil attacks are. It is not one for the squeamish. There is a bold full page splash bringing that reveal to readers. This is complimented by origin pages that switch the coloring and structure. Readers can appreciate the break from the dark, gritty setting of the book in this moment.

Gaydos and Racicot do a fantastic job of creating the frightening surrounds going into the close. It does feel like it’s directly out of the movies. There is loud action and high drama. Readers will be especially invested in the final pages. With simple lettering, it leaves this tale with a solid landing spot as all great horror stories would.

FINAL POINT: 8.8

Combining a supernatural threat with the genuine conflicts of human nature, “Beneath” delivers a story with many layers underneath its surface. DeKnight constructs a chilling environment of lost hope. Gaydos and Racicot orchestrate the haunting images that will keep readers on edge. There’s much for horror fans to enjoy with this saga.

Hit me up on ODPHpod social media and let me know your thoughts on BENEATH. Thanks for reading!

HOUSE OF SLAUGHTER #25 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The Butcher” has ran out of time. Jace Boucher has been a breakout character in the “Slaughterverse” for quite some time. The former lover of Aaron Slaughter has tried finding peace. Unfortunately, his past won’t let him have that.

Now, his one man war against the Houses of Slaughter and Boucher have come to a final showdown. Will his pain be enough to push him to victory?

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) delivers on an explosive finale.

Let’s see how Jace Boucher fares in this confrontation!

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal sets Jace Boucher up for an emotional last stand. Throughout his journey, Jace has been dealing with ghosts from his past. It has been driving his one constant emotion: Anger. The writing reflects this as he goes into his showdown. However, Boucher finds himself in an unthought of position.

The sub plot of the houses comes to light at an unexpected time. With its venomous dialogue, Jace is told where he fits in the grand scheme of power. This drives him into action. It also builds to a stand still moment that long time fans have wondered if/when they will see it. From here, the story concludes very quickly. Loose ends are tied up very firmly.

The conclusion is not without its’ bittersweet moments. It leaves readers in a unique spot to process events. There is a sense of open-endedness that fans will have to ponder what just transpired. It’s a solid note to conclude on as the Butcher War reached its’ ending.

Fuso and Muerto open the issue with a near full image of Jace assessing what happened to Maven. This leads into his violent march into the House of Boucher. Panels are filled with extreme acts as Boucher look to end matters on his terms. His last run truly begins with a strong two page spread. The spread serves as a great pace setter as business begins to pick up steam.

From here, story pacing gets pages flying fast. It mirrors the ever-changing fight brewing. The art team throws in some graphic panels fitting of a bloody war. In its’ epilogue, the art style switches up to reflect flashbacks. It is a great break needed before the finale. The closing pages built towards a bittersweet ending. Readers will sense the gravity of Jace’s last stand with much praise.

FINAL POINT: 8.8

“The Butcher’s War” concludes on a heartfelt and brutal note. Brombal sets an intense pace with strong writing. Fuso and Muerto give fans a violent and unforgiving final confrontation fitting for its’ build. This story will be one that Slaughterverse fans will be talking about for quite some time.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #25. Thanks for reading.

GRIM #18 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, comics' coolest book returned in a monster way. With literal Hell on Earth, Jessica Harrow is rallying her forces. The times have made Jessica and her troublesome Aunt Adira uneasy allies.

In between the drama, there has been a showcase of fan-favorite characters. Even with Eddie and the Priest getting their moments, one question remains the focus. Can the heir apparent of Death’s legacy find a way to stop the chaos?

GRIM #18 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) casts the spotlight on another character waiting to break out.

Let’s take a closer look at where things play out now.

GRIM #18 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

This is a tale of two stories. Both carry equal weight. Since its’ return, Grim has been spotlighting members of the supporting cast. Harold (featured on the cover) gets his minutes of Fame. Phillips crafts an ethical question surrounding his existence. It is a strength to his character, This also allows two key figures to have some of their history unveiled. It is a great opening lead mixed in with the rock and roll vibe this series is known for.

The other story jumps to present events. Catching up to where the world has gone to Hell (literally), Phillips bears the importance of Harold in his greater role. Seeing him mix it up with his “boss” made for a well-paced break in the drama. The build to confronting the present day horror gets another layer added. Once the showdown finally commences, the impact on the readers will be huge and worth the wait.

It is literally impossible to read an issue of Grim and not be completely blown away by the art and imagery. Flaviano, Renzi and Napolintano take the flashback moments and dive deep into the unpredictability of that era.

Under the words of Johnny Cash, Harold’s tale pops off the pages. The panels of view through Harold’s eyes are next level creative. This leads into a two-page montage that encompasses Harold’s journey. It’s filled with haunting lyrics, excellent coloring and show-stopping images. This team sets the bar extremely high for others to follow. Once readers arrive at the final panel, the parting image will make a loud statement as to a new chapter in Jessica’s path of destiny.

FINAL POINT: 9.4

When you have a creative team like Phillips, Flaviano, Renzi and Napolintano pushing the creative boundaries each issue, you know to expect great storytelling. This issue has everything readers want. High drama, imaginative panels and a story that doesn’t escape attention. Don’t miss it.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #18. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #38 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. Since her violent showdown with Cutter, Erica has disappeared off the grid. Readers have now been granted access into her early beginnings. Each chapter has been solo adventures early in her career. It has been a perfect jump-on point for new readers.

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) welcomes readers into another point of Erica Slaughter’s past.

Let’s take a deeper dive as the past becomes present!

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The issue features a wounded Erica being discovered by a couple of kids in a treehouse. Tynion sets up the discovery with wonder and confusion. Getting the outsider perspective helps to grow the mystique of her missions. How do outsiders comprehend what she does?

This element comes into play when the Order checks in. The conversation breaks up the serious tone with its’ awkwardness. Once Erica interjects, the mood shifts back to a more serious tone. Tynion reveals just enough of the past to keep readers in suspense.

The conclusion ends with a level feel. There is no extra drama needed. It is a conclusion that just says goodbye. In this line of work, there is no heartfelt goodbyes. It’s always strictly business as the final page states.

The art captures the uncertainty of the children who discover erica. Their reactions play into the unknown factor of their discovery. A two page sequence connects this point to readers with ease. Erica’s response to being discovered also carries a presence.

The panels display her showing some moments of normalcy. There is a small sequence of cutting hair that displays the missing portion of a normal life. With a strong parting shot, the story closes its doors as its’ on to the next case.

FINAL POINT: 8.8

The outsider view of Erica Slaughter’s life catches readers with a dialogue driven tale. Tynion spins the contrasting worlds together with the writing. The art brings out many reactions to events at hand. All the while, readers witness sides to Erica rarely seen. All in all, a solid stop into a mysterious past.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #38. Thanks for reading!

HOUSE OF SLAUGHTER #24 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, Jace Boucher is at the war’s end. His final stand against Jolie and both Houses of hunters united will not be without casualties. With the pain of his past fueling him, can the Butcher win an impossible fight? Even with a strong ally in Maven, it might be all for nothing as an attack on his home awaits.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) unleashes a full scale attack onto readers!

Let’s see how the pen-ultimate chapter stands up.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) CREDIT: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

The build in this series has been purposely slow to have readers ready for the conflict. Brombal finally sets off the action in two big battles. One is Maven defending Jace’s “children” from Jolie invading the swamp. The other is René waiting to face off with the Butcher one on one. With the rising body count, the fights have become personal. Let alone the Houses of Boucher and Slaughter watching in the wings.

The writing delves into the manic behavior of Jolie. Risking hunters on her personal vendetta showcases how unhinged she has become. Maven pulls out some huge surprises as their battle commences. As for Jace and René, the writing shifts into making both very similar in actions. Their banter is very driven and strikes a few nerves. This builds towards a strong finish with a few tricks up the sleeve. Seeing how things are left, there is now way to even guess how the war will end.

Fuso and Muerto craft impressive fight scenes throughout the entire issue. Maven revealing her attack is a two page spread that readers will be raving about. Talk about a game-changer! René and Jace’s brawl is violent and emotionally draining. It holds nothing back as each page becomes more intense. Both fights end in ways that no one will see coming. The images rev up the excitement as there is one showdown left! Only one point is certain: there is no guarantee anyone survives.

FINAL POINT: 9.4

The Butcher War level up its intensity and drama with an issue not soon forgotten! Brombal weaves two impressive battles that hit the emotional marks. Tate and Muerto choose violence with the unforgiving images to deliver the hellish fight Jace is in the center of. There’s no way not to be amped up for what’s next after this chapter.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #24. Thanks for reading!

GRANDMA CHAINSAW #4 (RABBIT IN A HAT)

Welcome to a special edition of Parlay Points!

Since their debut with the world’s worst magician, the team at Rabbit in A Hat have been setting a high benchmark on kickstarter. Their latest campaign smashed goals in mere hours of launch. Heading into its’ final hours, there’s only one thing on fans minds….

It’s Hazel vs EVERYBODY!

In the conclusion of a horror story for the ages, all bets are off. This is the kind of tale you would expect from the masterminds behind “Pocus Hocus” and “HORUS IN HELL”!

GRANDMA CHAINSAW #4 by Allen Dunford, Will Radford, Brian Balondo, Cari Salviejo, & Dave Lentz (and in memory of Jasen Smith) looks to send Hazel and company off in style!

Tome to EAT! SLAY! LOVE! and jump into the finale!

GRANDMA CHAINSAW #4 by Allen Dunford, Will Radford, Brian Balondo, Cari Salviejo, & Dave Lentz (and in memory of Jasen Smith) COVER D Art by Sajad Shah (Rabbit In A Hat/Bad Bug Media)

*** POSSIBLE SPOILER WARNING ***

Dunford and Radford give readers a quick history lesson through the chaotic surroundings. Hazel is a complex character to say the least. The set-up for the final confrontation with Haiden and company is solidly built. The narration walks readers into a sudden shift in gears. This leads to a unique final act.

Tying in multiple lore’s, the writing keeps readers on their toes. However, they won’t be disappointed with the infusions of style. This book still packs the one-liners and insanity that has become a staple of this series. One member of the Dead Squad steals the show on each panel. From the conclusion of the conflict, the epilogue is vintage horror fueled. It is a fitting farewell to a horror story that fits in any time period.

Balondo crafts images that will be lingering with readers long after this series has ended. The full page introduction of Hazel lights the fuse for the explosive action later on. The two page history lesson breaks up the story in a perfect spot. It breaks just long enough to shift speed into a wild showdown.

The imagery here doesn’t shy away from the gore. It embraces it. One character gets a legendary send-off as the conclusion races towards the finish. The closing pages capture the emotional outpouring of what has just transpired. It is only outshined by the closing panel. With a simple recap, the story ends with much of what has made this series a hit: wondering what happens next.

FINAL POINT: 9.2

Since her debut, Hazel has haunted and thrilled readers with her wicked ways. Dunford and Radford sent her off with sharp humor and dramatic writing. The art is gory, blunt and unapologetic. It’s everything you want in a horror story. It’s also a story you can’t afford to miss adding to your collection.

Hit me up on ODPHpod social media and let me know your thoughts on GRANDMA CHAINSAW #4. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #37 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. SIKTC has returned with a spotlight on the “slaughterverse” hunter’s history. In the next few issues, the chapters are all stand alone stories. It’s a welcomed take as fans are still reeling from the Cutter showdown.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) features an early Erica Slaughter in action.

Let’s not delay and take a closer look at events here.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion keeps things very simple with this chapter. Erica and a young child head into a Wal-Mart esque store. The clerks appear lost to what is happening. This series of events lean into Erica’s early days. Her banter with the young girl she’s trying to save plays out well. It helps to lighten up some of the darker elements at hand. Erica’s still growing her role.

The talk with Aaron shows her determination and unjaded nature. From here, the dialogue moves to the young girl. Her explaining Erica’s job provided a fine moment while Erica goes to work. The ending brims with anger and the cold demeanor that readers know from other Erica stories. Her journey feels like the long game payoff is coming, which is always a win for fans.

Dell’Edera and Muerto grant Erica a fun entrance into the story. The reactions of the employees range from doubtful to anxious. Erica’s reassurance into stopping the monster jumps off the page. It’s a subtle moment but fits the segment. This follows with a two page spread, leading into a vivid full page image of Erica and a chainsaw.

Pacing drives the fighting in this issue. Seeing Erica take on the monster felt huge. There’s little page time for the creature but using the supporting characters to describe the incident was solid. This works well with the action panels. The fallout comes across as cold and business per usual. Erica has a great walk-off panel that leads directly to where the early days continue onward. It’s fantastic storytelling!

FINAL POINT: 8.7

The latest journey into Slaughter encompasses everything fans love about Erica Slaughter. Tynion’s writing delivers a classic Slaughter hunt. The art shines as the supporting cast steals attention for this chapter. With a strong walk off close, the past is a present issue that SIKTC fans will want to check out!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #37. Thanks for reading.

GRIM #17 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the coolest book at the LCS has returned with a vengeance. Hell has been unleashed on Earth. Everyone’s favorite reaper is rallying her allies to try stopping things from getting worse. However, the spotlight for this issue shifts from Jessica Harrow to one of the series most beloved characters.

GRIM #17 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) walks readers into the story of the one and only Eddie!

Let’s not wait any longer and dive into the issue!

GRIM #17 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The year is 1975. A young man is putting on some eye liner before heading to the school bus. As he leaves the house, his father draws his attention. Dad isn’t too keen with the eyeliner and barks orders to remove it. The young man hesitates and gets slapped for being disrespectful. The young man is Eddie.

The story jumps to 1985. Eddie is backstage at a show applying the eyeliner. A reporter is questioning Eddie about his family’s support. Eddie sells the “perfect” story. In the conversation, he slips up and mentions his solo project. Eddie’s drummer Saul hears this and is none too pleased. This causes some friction between the bandmates. Saul announces their friendship is taking a toll on his health. It’s agreed that Saul will play their current show but won’t after that. They head to the stage and begin their sold out show.

Readers watch as the high price of fame catches up with Eddie. It is an emotional toll that carries a heavy weight. The young boy from New Jersey bears some heavy scars. This builds towards a moment that changes everything. Its’ conclusion leads to a send-off that will hit in all the emotions. There is no way fans will see that final panel and not get a bit choked up before concluding the issue.

Phillips walks readers through the rock star life with an unforgettable issue. Eddie and his relationships with family and friends vary to extreme degrees. His father proves to be a source of pain and manipulation. Eddie shows him compassion through the years of abusive behavior.

It’s a stark contrast to his loyal best friend Saul. Eddie treats him as an after thought through the sacrifices Saul has made for him over the years. This all unfolds into the middle act where fate confronts Eddie head on. Heading into the final pages, Phillips leads readers into one direction but pulls a great swerve. it leads to a heart-wrenching moment that perfectly closes out a great read.

Flaviano, Renzi and Napolitano bring out the best and worst of Eddie’s life with the art in this issue. The brooding disdain of Eddie’s dad pours out on each page. Saul’s reaction to Eddie’s non-caring attitude is one of desperate hope with no luck. Once they hit the stage, this dissolves into a bright two page splash.

Eddie’s demons don’t stay way for long. A post show party is filled with visions of sex, drugs and rock ‘n roll. The lyrics of “Boys Don’t Cry” come to life via Napolitao’s haunting lettering. It fills the air of a stunning full page image. What follows captures the shock and fear involved with rock n’ roll lifestyle. The closing image is an easy connect with readers. It packs an emotional toll that only this creative team can deliver.

FINAL POINT: 10

With “Boys Don’t Cry”, the tragic tale of one of the series most beloved characters comes to the forefront. Phillps weaves in themes of loss, pain and redemption masterfully with the writing. Flaviano, Renzi and Napolitano brings the bright lights and dark times of Rock N’ Roll to the masses with pin-point precision. After reading this issue, there’s no way anyone can dispute why this is comics’ coolest series each issue out.

Hit me up on ODPHpod and let me know your thoughts on GRIM #17. Thanks for reading.

HOUSE OF SLAUGHTER #23 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, time is ticking away on Jace Boucher. “The Butcher” of the “Slaughter-verse” has angered two very dangerous groups. Dealing with the House of Boucher is one thing. Trying to fight off them and their allies in the House of Slaughter spells certain death. How long can he survive for now?

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) heads right into the fallout of last issue’s initial strike.

Let’s take a closer look at how things shape up now!

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal shows how this conflict is breaking down both sides. Jace is trying to fight his battle but shows his emotions are leaking his weakness. With each wund that has been done, it’s fueling Jace on his mission. The question becomes: will it be enough to win?

On he other hand, being embarrassed by a lowly hunter doesn’t go over well with each house. The alliance seems to start showing its’ fractures after the defeat. The Old Dragon steals the spotlight to show his plans to eliminate Jace are the only options now. This causes big tensions with the opposing house. The writing shows how much more is layered beneath the surface. Even in the final moments, there are secrets to be unlocked. This is all much to fans’ benefits.

Fuso and Muerto lean into Jace’s rage in the opening pages. His talk with Maven leaves no doubt of how personal this all has become. It’s capped off with a strong near full page visualizing why he is fighting this fight.

The breakdown between the Houses also jumps out at readers. The embarrassment of Jace winning drives the Dragon into full panic. His facial reactions speak of the last shot to reclaim his reputation. The fallout demonstrates the power play each parties are attempting on the other. Once the closing pages start, readers will have the inclination that the end is coming faster than expected.

FINAL POINT: 8.1

Jace’s last stand builds towards an unimaginable showdown with the latest chapter. Brombal keeps the paranoia and rage high with the writing. Fuso, Muerto and the team magnify the breaking of spirits amongst the key players as Jace’s time ticks closer away.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #23. Thanks for reading.

The Principles of Necromancy #2 (MAGMA COMIX)

Hey everyone! This is Matt from Hops Geek News and I’ve got a new comic book review for you to check out:

The Principles of Necromancy #2 by Jackson Lanzing and Collin Kelly (Writers,) Eamon Winkle (Art,) Jay Fotos (Colors,) and Shawn Lee (Letters.) Cover by Eamon Winkle.

The Principles of Necromancy #2 by Jackson Lanzing and Collin Kelly (Writers,) Eamon Winkle (Art,) Jay Fotos (Colors,) and Shawn Lee (Letters.) Cover by Eamon Winkle. - Magma Comix

Eloise is a girl thirsty to learn as her mother lie dying from a mysterious tumor deep within her. Until Doctor Jakob Eyes appears on a house call to mysteriously cure her of all diseases. Eager to learn from the man himself, Eloise follows the haunting doctor to his house. Does Doctor Eyes take apprentices, and is Eloise prepared to view the grotesque lessons that await?

The Art:

Have you ever witnessed something so intriguing yet so vomit-inducing that you are unsure if you are to look away or watch in awe? That is the best way to sum up the pages within the confines of this glorious book of horrors. So many pages leave us looking at every inch of the panels, taking in the brains, skulls, and viles that all present themselves to us and Doctor Eyes. Eamon and Jay have done such a wonderful job creating Jakob, from the mask that he wears to the hollow, dark, void-of-life eyes with which he stares at Eloise.

The panels have a dull and grey back drop yet the characters and everything in the foreground burst with color which speaks to just how fascinating this story really is. The panel looking into the house from above as though it was taken from The Sims is perhaps one of the best in the issue. I cannot get enough.

The Principles of Necromancy #2 by Jackson Lanzing and Collin Kelly (Writers,) Eamon Winkle (Art,) Jay Fotos (Colors,) and Shawn Lee (Letters.) Cover by Eamon Winkle. - Magma Comix

The Writing:

The Hivemind continues to weave a mysterious tale. In this issue, Jakob gets some personality and showcases his sharp wit and zero tolerance for foolery. Eloise is one of the readers who have become enthralled by this book as we, too, want to know how he does it. Meanwhile, Shawn Lee stands out in the tone of the lettering. You feel the softness of Eloise and Jakob's voice and the thundering roar when needed.

Overall:

This comic continues to solidify Magma Comix as a serious player in the world of comics. It's a slow-burning, horrifying mystery that plays to all of our senses. When you finish the issue, we are left begging for the next, as we need it immediately.

10/10.

BLOOD HUNT #1 (MARVEL ENTERTAINMENT)

Welcome to an all new edition of Parlay Points!

For this edition, Marvel Entertainment is about to unleash Hell On Earth. Touted as “The Bloodiest Marvel Event EVER”, the crossover event of 2024 has set the benchmark extremely high. It has been teased since last NYCC in October of 2023. What is the dark threat looming in the real MCU? Can it live up to expectations?

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit seeks out to answer all those questions and more in its’ debut chapter.

Let’s get ready to dive in and see if the hype is real.

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit (Credit: Marvel Entertainment)

*** POSSIBLE SPOILER WARNING ***

The saga begins with a few notable Marvel characters infused with the Darkforce. There is a countdown to “Sundeath” ticking away as readers watch the panels unfold. Events get graphic as a reveal is provided. The Sun has been killed. A voice narrates the shocking end. This has been someone’s plan all along….

Meanwhile, time shifts back fifteen minutes earlier to the SunDeath. Scarlet Witch is flying over a crowd. She sees Blackout. The villain has become ingulfed in dark energy. Iron Man informs her that more Darkforce characters are in the same situation. They have now become portals.

Hunter’s Moon and Tigra are assessing the Shroud becoming a portal. The time is now 25 minutes before SunDeath. As the pair starts piecing things together, they come to a quick conclusion. This is no accident. This is an ambush. A herd of Vampires fill the sky and presses forward towards them.

All over the world, Vampires are unleashing Hell on whoever comes across their paths. Neither Doctor Doom or Earth’s Mightiest Heroes can escape the invasion. There might be one person to make sense of it all: BLADE. Will he be enough to turn the tide?

Readers watch as the heroes come across a group ready to give them challenges. The Bloodcoven has arrived. Who will be left standing at the end of their confrontation?

Things get violent and graphic quickly. This leads to some shocking moments. none might be bigger than the closing page. A figure has made a choice. The consequences are deadly. Readers need to brace for impact as the event has already made some statements and it only just started.

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit (Credit: Marvel Entertainment) Cover - Peach Momoko

MacKay keeps fans guessing with the backwards working of the timeline in this chapter. The Sundeath countdown proves to be an effective plot point as the MCU crumbles. Seeing how the Avengers struggle right from the start speaks volumes of the threat.

The Bloodcoven is an eye-catching group. Their fury knows no bounds. Once they arrive, pacing speeds up to give the shocking fallout. MacKay doesn’t hold back on huge moments. The issue has much for fans to discuss. none might be greater than the final page. It is a bold ending to a very capturing story.

Larraz and Garcia unload the violence in the first salvo. The vampires are as ruthless as one would expect. They get a full page reveal as Hunter’s Moon and Tigra watch in fear . The imagery shows how even Doctor Doom needs to pause and adapt to their onslaught.

The brawl between the Avengers and The Bloodcoven leaves little on the cutting room floor. Following the full page reveal, graphic attacks are what fills the pages. It is intense fighting. Readers will have little time to process what they’ve seen as the final act unfolds. The closing full page will send shockwaves as the moment crushes fans before ending events for now.

FINAL POINT: 9

Marvel’s big crossover leaps heavy into violence and mystery with its’ debut chapter. MacKay guess readers on edge with fantastic storytelling. The art by Larraz, Garcia and Petit brings a distinct horror feel to the Marvel Universe. Brace yourself for some big events. This won’t be for the tame of heart as time goes on.

Hit me up on ODPHpod social media and let me know your thoughts on BLOOD HUNT #1. Thanks for reading.

HOUSE OF SLAUGHTER #21 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points! It’s the comic book review blog to the ODPH Podcast!

For this entry, we’re beginning the final story of Jace Boucher. The Butcher of BOOM! Studios’ “Slaughterverse” has been carving a path in the Something is Killing The Children spin-off for quite some time. After recent events, Boucher appears to be on a deadly collision course. The Order of St. George is not one to forgive and forget. With them in pursuit, Boucher elects to play a deadly game. Can he win?

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell'Edera) kicks off an explosive new story.

Let’s take a deeper dive into the new chapter….

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

In the port of New Orleans, a caravan of black cars drive. The narration tells a timeless story. Suddenly a voice asks to pull over. A man jumps out coughing blood. He sees the silhouette of Boucher in the distance. Reality sets in and the image disappears. The man is the Old Dragon of House Slaughter.

The group representing the Order of St. George has entered the halls of the House Of Boucher. Readers watch as the moment’s tension cuts like a blade. Both houses have different styles all their own. However, both agree on the same thing: End Jace Boucher once and for all. The meeting ends with the Old Dragon still scheming as winning this contest is the only option.

What does this mean for Jace? Readers witness as the life he’s tried hard to build now comes into direct danger. From the previous stories, Jace is far from healed of his demons. The final parting pages leave no question that Jace is determined to slay them along with his enemies. Let the hunting begin!

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

Brombal leans heavy into the uneasiness of the two factions for where this story leads. Dragon’s arrogance to the House Of Boucher is returned to make for a game of one-upmanship. The writing showcases the impact Boucher’s actions have on both houses. It adds more fuel to their causes to eliminate him.

Jace’s demons still play a factor into his role with the story. The writing mirrors the damage that has been done previously. It helps to build what is decided in the closing moments. The seeds have been planted for a dangerous chess match.

Fuso and Muerto construct a high level of pressure when the houses meet. The mannerisms shown towards each other indicates the uneasy alliance being made. The panels lead with Dragon getting a feel for the new house before turning the tables into his own favor.

The imagery of Jace shows his confliction with well placed flashbacks. The battle with the monster is fitting of the tow-page spread it gets. The battle is perfectly capped off with a bloodied Jace emerging from battle in a full page shot. The closing images leave readers with no hesitation of Jace leaving everything on the table when it’s all said and done with the Houses.

FINAL POINT: 8

The last stand of the Butcher begins with a slow burn first issue. Brombal crafts the writing to weave the key players towards their eventual collision course. Fuso and Muerto provide the high stakes images to solidify there will be no turning back from where this story is heading. Keep this one on your radar at the comic shops this week.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #21. Thanks for reading.

BLASFAMOUS #1 (DSTLRY)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, fans prepare for another new series from one of comics’ fastest rising companies. Since its’ debut in 2023, DSTLRY has made waves with its loaded roster of creators and imaginative storytelling. Stemming from The Devil’s Cut to Somna, the brand has pushed the creative boundaries with each venture.

BLASFAMOUS #1 by MIRKA ANDOLFO (Punchline), Gianluca Papi and Fabio Amelia looks to continue that streak with its’ debut chapter.

Let’s take a closer look and see what’s happening here.

BLASFAMOUS #1 by MIRKA ANDOLFO, Gianluca Papi, and Fabio Amelia (DSTLRY)

*** POSSIBLE SPOILER WARNING ***

The story begins in an Italian church a long time ago. The crucifix hanging above the alter is possessed by a devil. It begins to speak to a woman holding someone burned and deceased at the feet of the sacred ground. The pitch is made: a soul for a life fulfilled with wonder. The woman accepts it. Her name is Clelia.

Fast forward 600 years later. The world is enamored with a mysterious church. It is known as The Order of The New Church of the Triple Crucifix. Their message is going worldwide. It preaches of unity and closeness. However, readers see quickly that there’s a certain figure the masses are more invested in: Clelia.

A mixture of evangelist and pop star, Clelia performs her new single “Kiss of Light.” As she addresses the crowd, she sees a young boy in a wheelchair. With energy shooting out of her eyes, she “heals” the boy and he walks.

After the performance, Clelia sits down for an interview. With the world watching, she gives a standard “perfect” interview. However, in the conversation, it appears her past finally catches her. An image of the burnt woman appears in her mind. Clelica collapses to the floor!

What transpires next is the start of revelations of the angelic pop star’s life. What is she truly? Has the deal she made been worth it?

Readers walk along the highs and lows of fame as Clelia deals with her past in some questionable manners. Will she find her true self or others like Dorothy and Father Lev sway the path. Judging by the final image, Clelia’s problems look to have only scratched the surface.

BLASFAMOUS #1 by MIRKA ANDOLFO, Gianluca Papi and Fabio Amelia (DSTLRY) COVER: Stanley 'Artgerm' Lau

Andolfo creates a very unique story with Clelia. Seeing the evolution of her character gives readers a deeper sense of the deal she made. Clelia is a person who buys her own hype, but loses herself in the process. The power of fame tests her mental strengths to breaking points.

The dynamic between her and Father Lev is one that leans into many different paths. At points, it seems as one of caring. In others, the controlling presence leaches her spirit to dangerous levels. It fits perfectly with the idea of angels and devils. Once the collapse occurs, Clelia spirals for quite some time. I never seems she regains her footing. Considering the closing pages, Clelia looks to be challenged even further to ascend or fall from grace.

The art encompasses the diversity of the story. The full page image of Cleila agreeing to the deal sends thoughts of danger and blind naivety. Once the pop career beings, it comes across as divine and larger than life. It matches the energy of the lead character superbly.

This is followed by the darkest moment in the book. Once readers see “Bang” and the two page spread involved, it leaves no question about the switch in direction. With the light-hearted coloring driving, the story shifts gears into a surprise final act. It’s a solid blend of emotions mixed in a very complex character.

FINAL POINT: The high price of fame may be too much to bear for Clelia in DSTLRY’s next launch. A darker story hides behind eye-catching art, luring readers into its’ spell. There are many directions where this goes from here, but it will be one fans are sure to be talking about at the LCS.

Hit me up on ODPHpod social media and let me know your thoughts on BLASFAMOUS #1. Thanks for reading!

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

CANARY #6 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have finally arrived at the conclusion of the last ride of Marshall Holt via Comixology Originals & Best Jackett Press. Since its’ debut in the second wave of Scott Snyder’s line of BJP comics, the horror-western tale has grabbed readers’ imagination and never loosened its’ grip. Now, all best are off for the final showdown of good and evil in the wild, wild west.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis brings down the curtain on the mystery of the terrors of a small town. Let’s take a closer look and see how things play out.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

Marshall Holt is on the verge of retirement. He’s recruited to investigate a murder in 1891. The case leads him to the town of Canary. Holt knows this town all too well. It is the location of his most disturbing case: Hyrum Tell.

While searching the case, Holt is joined by Edison Edwards (or Ed-Ed), & Mabel Warren, daughter of Canary founder Chester Warren. The trio’s journey leads them from an abandoned cave to “The Global Geological & Divination Society 1081” or House 1081. The “Canary Evolution” theory looms heavy as they can’t escape the danger. All the while, Holt is trying to hold it together with the memories of his past begin to creep into the present.

After a monstrous figure reveals itself from the grave surroundings below, Holt leads the charge to head to the bottom of the cave and address whatever evil lies there once and for all.

The issue begins with Holt returning to his family’s home. The mood is dark and looming with an evil hiss. As Holt walks in the house, he finds his wife and baby dead as canary eggs lie on the floor.

Suddenly, Holt is back with Mabel as they prepare to descend to the bottom of the cave. Knowing time is not on their side, the pair lowers the elevator. Once they begin to head downward, Mabel notices that things are not normal.

The road to Hell is paved with dark intentions as Holt and Mabel finally land at the deep bottom. Once they walk out of the elevator, readers see the insanity they set into. Answers are revealed and more burden is put on Holt’s soul as he now finds himself in a place he never expected.

The closing act floods the pages with excitement and rising uncertainty. Can Holt save the day one last time? Readers will walk away with a few parting images before a surprising one to conclude this epic tale with.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

Snyder sends Holt off into the sunset with an unforgettable issue. The challenges he has faced have not been an ordinary case. Tull’s impact on his life never strays too far from this story. Holt battles the ghosts of his past to find a possible future. Snyder focuses in on this element during the key points of this finale.

Once the big revelation appears, Snyder presents our lead with the challenge of being vigilant for the greater good, no matter the cost. The conflict is one that will not easily escape reader’s minds as they read the tale. It pushes Holt to his breaking point. Knowing what lies ahead, his actions re-assure any doubt of his nobility in the face of overwhelming odds.

The final moments move briskly to end this saga on a very strong note. The parting images will have readers talking as the “Canary Evolution” theory leaves a lasting impression for an immediate re-read for years to come.

Panosian delivers on looming horror and crushing drama art to conclude the last ride. The heart-wrenching images of Holt struggling to deal with his family’s state instantly sets a devious overtone to the story. Once the decent inside the cave begins, readers brace for the impact of Holt’s valiant efforts.

The cave is filled with brooding images of terror and anxiety. There are a run of two-page spreads that scream volumes of the breaking of Holt’s spirit right before the evil’s reveal. Panosian welcomes that element to the main story with a devilish hello via its’ body language. Showing Holt’s reaction to all of this further cements the cost he must decide to pay to end things. The conflict concludes with another fantastic double page action shot before bringing the curtain down. The mastery of horror and western styles is truly remarkable with the artistry.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

FINAL POINT: 9.5 OUT OF 10

When the dust settles and smoke clears, Snyder and Panosian conclude Marshall Holt’s last case with a spectacular conclusion! Superb writing lays the foundation for mind-blowing visuals to guide readers into a gritty showdown of good verses evil.

Hit me up on ODPH Social media and let me know your thoughts on Canary #6. Thanks for reading.

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

SOMNA #1 (DSTLRY)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out a brand new series debuting from DSTLRY! Over the summer of 2023, “The Devil’s Cut” gave readers an insight of what to expect from the upstart line. With some of the best creators in the business involved, it was a huge win with fans.

Since that point, the anticipation for more content from this line has been building. Recently, Gone #1 by Jock was released. Now, another entry from this imprint is hitting the shops with a great buzz behind it. Considering its’ creative team, there’s no doubt why fans are excited to check this series out.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni brings an erotic horror element to the local comic shops with this series. Let’s take a closer look and see how this debut fares.

Editor note: This is a MATUTRE READERS book. Viewing discression is advised.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY)

*** POSSIBLE SPOILER WARNING ***

A woman named Ingrid is walking through a forest landscape. The narration leads readers to believe it is a dream. She is wakes up after being enamored to a cold reality. However, it appears that the dream might not be done as a figure lurks trying to connect with her on a physical and sexual manner.

Suddenly, Ingrid wakes up to her husband Roland, a bailiff, who’s trying to have her accompany him to a trial. Ingrid doesn’t want to go and this causes Roland to storm off. In response, Ingrid heads into the forest and looks overhead at her village with a roaring fire. It is no ordinary fire. It appears to be where witches were burnt at the stake.

The fire snaps her back into the dream-like world. Ingrid sees herself as the one in the fire. She’s snapped back to the present by Maja and her son. The conversation shifts to who was being punished.

Later that evening, Ingrid sits by a fire as Roland returns. As she tries to initiate passion, he scoffs it away. As they sleep, the mysterious stranger reappears in her dreams, connecting with her on a level Roland cannot. When she wakes, Roland is not as understanding to what she is describing.

How does Ingrid process her dreams? After the recent trial and reactions from the village, her thoughts wander. As her dreams intensify, Ingrid becomes entrapped between two worlds. As the closing act approaches, readers see where Ingrid leads to as an event occurs that sets her on an unforeseen path. The journey now begins that will have readers locked in until the next chapter drops.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Becky Cloonan)

The writing breaks down Ingrid into multiple stories. The first is the gruff relationship with Roland. The mood is tense and cold as their interactions lead to mounting tension with little middle ground. Ingrid comes across as a character yearning for more, which drives her to lean into her dreamscape.

Her path leads to the question of “Is perception really reality” as Ingrid walks a fine line throughout this issue. Knowing there’s a hint of danger in her dreams, the writing reflects her wanting more than she has and how scary that could be. As the story rolls into its’ closing portion, readers see how Ingrid inches closer to the edge. After the event transpires, there is a sense of looming fear of that should transpire next which leaves a lasting impression.

The art duties are split into two distinct areas. Cloonan handles the present time, featuring the interactions with the village. The mood is that of trepidation as the burning trial lingers on Ingrid’s mind. The body language of Ingrid and Roland shows disfunction and frustration on all parities.

This only adds to the significance of the dreamscape. Lotay paints a vivid landscape of wonder and anxiousness as Ingrid’s interactions with the figure intensify with each page. The art captures the raw emotions of the encounters bringing readers along to sense what Ingrid wants and sense her fear in the consequences. It all ties together with a striking final vision leading to more thrilling drama yet to be seen.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Tula Lotay)

FINAL POINT: 8.5 OUT OF 10

Cloonan and Lotay welcome readers into the complex world of Ingrid with a visually impressive debut. Ingrid’s haunting dreams battle the harsh reality of her world with excellent art and writing. The layers of this mystery are just being peeled back so readers won’t want to miss jumping on-board now to see where things lead from here.

Hit me up on ODPH social media and let me know your thoughts on Somna #1. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

BLACK SIGHT #2 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we’re diving further into the mystery surrounding a fantastic new series on Comixology Originals! Last we saw Alex Greer, the line between reality and fantasy was severely blurred. Now posed with a murder charge, Alex needs to survive long enough to uncover a dark truth. Is she ready for what happens next?

BLACK SIGHT #2 by STEPHANIE PHILLIPS, Conor Boyle and Tom Napolitano poses that question as the mystery behind her situation begins to peel back some layers. Let’s take a closer look at how things shape up now.

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

*** POSSIBLE SPOILER WARNING ***

Alex Greer is an American exploring Amsterdam in 1964. After leaving a club with a stranger, the next morning Alex finds herself waking up to a dead woman. Being taken away by the authorities , communication issues are halting her from proving her innocence. This is much to the liking of someone with a vested interest.

This issue begins with a man in a cell. He says his name is “John”. The orderlies attending to him are telling him his name is “Gary”. After a struggle, “John” is subdued. He is forced to endure electro-shock treatment until he says his name is “Gary”.

Meanwhile, Alex is being examined before being processed in a mental institution. Readers witness the new surroundings for Alex as a bleak place of hope. A fellow resident leaves her with haunting words of advice before the final act begins. Once that starts, the spiral into madness takes a great hold. The last image of this story will leave readers with no doubt Alex’s nightmare is only just beginning.

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

Phillips dives into the terrifying truth of what Alex is about to endure. The “John” portion of the issue exposes the inhumane way of breaking down the patients in the mental hospital. It is a cold, hard truth to the greater mystery Alex is now involved with. Phillips sets this up with no punches pulled, making a strong statement right off the bat.

Once Alex enters the story here, the pace is slowed down to let the mood encompass the reader. Each action Alex takes is given enough time to slowly build for a greater moment later. This gives a contrast to the remainder of “John”’s story, which speeds up enough to set the final act in motion. Once the story swings back to Alex, it doesn’t slow down until the story’s conclusion. The stage is set for both Alex and “John”s key players to cross paths soon which will make for quite the memorable encounter down the road.

Boyle’s vision of events mirror the hellish landscape of Alex’s tortuous saga. The cruel treatment of “John” connects with readers about how unforgiving the plans for him and Alex are. The anxiousness and uncertainty of Alex pops off the pages with Boyle leaving nothing held back.

The interactions with fellow residents vary but unite under the sense of small hope things will be alright. That feeling carries through until the final act. Boyle’s art constructs the big surprise heading into an lasting final image to close this chapter out with.

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

FINAL GRADE: 8.5 OUT OF 10

The world of Alex Greer descends further into chaos with an impactful chapter. Fear and deception loom overhead with Phillips’ superb writing being complimented by Boyle and Napolitano’s moving visuals and lettering. Readers will be locked in from the opening page and won’t want the story to end.

Black Sight is a series that needs to be in your collection every time it drops!

Hit me up on ODPH social media and let me know your thoughts on Black Sight #2. Thanks for reading!