BATMAN AND ROBIN: YEAR ONE #11 (DC COMICS)

There’s a new dynamic duo in Gotham City. After taking out General Grimaldi, Clayface & Two-Face have taken over! They have “clay” sleeper agents planted throughout the city. By replacing Gotham’s power players with their own has given them leverage. No one is safe. Not even Bruce Wayne.

Dick Grayson was removed from his custody. Fake evidence has ruled him unfit as a parent. His Manor was taken siege. There’s nowhere safe to run.

That is just the odds Batman likes…

BATMAN AND ROBIN: YEAR ONE #11 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles brings forth its pen-ultimate issue.

Let’s not wait any longer to dive into the chapter!

BATMAN AND ROBIN: YEAR ONE #11 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid crafts a very high-stakes affair right from the start. Seeing Batman forced undercover leads to questions of denial and doubt. The dialogue with Alfred shows how farthings have slipped out of grasp. It doesn’t defer the attempt to stop “Grimaldi”. The action picks up as Batman swings into action. It exposes a fatal flaw in Grimaldi’s plans. The revelations don’t stop here. Another one takes over the book and haunts to the close.

Readers watch as Batman questions his adopting of Dick Grayson. The Dark Knight watches Grayson have some normalcy. It leads to a self exploration of emotions. Grayson’s reaction is surprising in return. Readers don’t dwell on this aspect for long. Batman wastes no time in trying to take down everyone solo. This is met with mixed results. There is an air of carelessness looming with the attack. Once in the final stages, the errors prove costly. It shifts tones towards a dire direction. The last page shows a glimmer of hope as the truth sinks in: There’s a reason Batman needs a Robin.

Samnee and Lopes bring out the dark side of the new regime with the art. Opening with Batman undercover and running sets an early pace. The interactions with Alfred suggest how costly the failure is. Readers see how this carries over to Batman on the offensive. The panels showcase the sleuth moves as the picture comes into focus. It leaves a few noteworthy action images behind as the spotlight shifts.

The art shows the wide range of emotional pulls involved with Grayson’s separation. While brief, every panel is maximized for page time. It elevates the moment to become a motivator. Pacing ramps up as Batman progresses his mission forward. There is plenty of big action to go around here. It leads to more tense moments. The vintage Batman rage is clearly on display. It gives way to a monstrous closing act. This ultimately moves into a grave closing page. Save for the last panel, it shows the Bat in a new light. That panel shows a possible redemption from an unlikely source. The path to the close is perfectly set.

OVERALL GRADE: 9.4

Clayface & Two-Face advance their plans further while forcing Batman to question himself. Waid’s writing takes readers along for Bat’s doomed, valiant effort. Samnee and Lopes shine with fantastic action and deep emotions. The stage is now set for an unforgettable close to drop.

Let me know in the comments below your thoughts on Batman and Robin: Year One #11. Thanks for reading!

NIGHTWING #130 (DC COMICS)

A new era dawns in the city of Bludhaven. After a wild experience with some fifth dimension drama, its back to basics for Dick Grayson. With a city running wild, it’s up to Nightwing to settle the chaos. One might think where to start. That becomes an easy answer.

A young boy has acquired powers that are eerily similar to a Man of Tomorrow. This could be a breakthrough for the fight against crime. It could also lead to taking the city into a darkness unlike anything before.

NIGHTWING #130 by Dan Watters, Dexter Soy, Veronica Gandini & Wes Abbott hits the ground running with its’ latest chapter.

Let’s take a closer look & see how things play out now.

NIGHTWING #130 by Dan Watters, Dexter Soy, Veronica Gandini & Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters opens up with a return to basics. Grayson is overseeing Mayor Bisogni and his illegal moves. It doesn’t take long for Nightwing to send a message. The moment sets a high pace for where the rest of the book goes. Throwing in a mix of Man-Bat serum and Venom can only spell disaster. This ramps up the action even more. The conflict ends on a more puzzling note. It is all due to another player ready to start his own legacy.

Readers watch as Nightwing Prime swoops in. The moment is brief but causes a domino effect. It also brings in some cooler heads to talk some reason to Grayson. The check in dialogue shows how connected all DCU heroes are. It also drives home how respected Grayson is. Their conversation moves to another vested party. Batman’s time is brief but effective in moving events toward the close.

Watters unloads the drama in the final pages. It serves as another reminder of how Grayson has seen the world. He has been a novice teen hero. Now, he’s a seasoned and tested force. The dialogue leans into this for making a tough call. Readers watch as this leaves room for many directions to go. The chapter closes with a haunting last page. No matter where you go in Bludhaven, it’s not an easy trip.

Soy and Gandini open up with an impactful sequence. The near full page jolts the story into the message being sent. Another near full page shot lets everyone know Nightwing is back. It teases just enough before moving conflicts. The art shows the horrors of the chemical mixing. Readers watch as a series of giant panels take center stage. It gives the conflict enough weight before its’ quick ending.

Nightwing Prime makes a dramatic debut. The looming presences connects via full page. This gives way to a few more guest stars making their appearance. Readers watch as the art locks in on their banter. It carries a more calm mood as the points are made. There’s a mid panel of Nightwing and Batman which the art slides in a quiet smile on Bats. It serves as a good transition point to the close. How Nightwing handles the finish delves on an emotional angle. It ends with a mid-size panel changing all courses. The art leaves a few more clues before bowing out. Readers will have much to break down between now and next chapter.

OVERALL GRADE: 8.8

Nightwing gets back to basics with a powerful problem on his hands. Watters showcases the tough choices and ramifications of being a hero. Soy and Gandini bring a high-energy feel to the art. Readers had better get ready for where this series is going!

Let me know in the comments below your thoughts on Nightwing #130. Thanks for reading!

MARVEL/DC: DEADPOOL/BATMAN #1 (MARVEL COMICS/DC COMICS)

What year is it again?! Marvel Comics and DC Comics have released a NEW crossover! It has been over 20 years since the "Big Two" of Comics pulled off a massive event like this. The last took place in 2003 with "JLA/Avengers".

Since then, both have stayed focused on building up their multi-media brands. That doesn't mean the fans never lost hope of the world colliding again (and without a vote deciding who wins).

Marvel/DC: Deadpool/Batman #1 kicks off the next wave of crossovers with two of their heavy hitters!

Let’s take a closer look at how this event fares.

Marvel/DC: Deadpool/Batman #1 - Cover art by Greg Capullo, Tim Townsend, Alex Sinclair. Published by Marvel Comics

*** POSSIBLE SPOILER WARNING ***

Anytime you bring in Deadpool to a story, it can have mixed results. The character has transcended the normal comic realm into something else completely. When paired with the Dark Knight, Wade Wilson shines in the absurdity of his world. The writing takes them into perfect "frienemy" territory. Wells hits on every punchline that mirrors the Ryan Reynolds portrayal. It is no shock to see how heavily influential that performance goes here.

Readers watch as the insanity of Deadpool caters to more elements of the Bat mythos. It results in a fitting response to the conflict at hand. Batman is written in more of a "Batman: animated Series" tone. There's a fair share of brooding while dancing in the more calmer stages. The fallout gives a solid close to their adventure. It leaves readers with a wide open door for where things *might* go in November.

The other stories are great compliments to the crossover appeal. Zdarsky's Cap/Wonder Woman story is a fun and heartfelt read. Kevin Smith returning to Green Arrow and Daredevil is just like riding a bike. His previous runs on both breathed new life into both characters. Seeing this meeting is a fun nod to those era. Everything else are sure to bring some smiles to fans faces due endless possibilities for more.

Bringing back Capullo for Batman is a fun throwback. Deadpool crashes the scene (literally) via full page image. The art highlights his delusional mannerisms . It offsets the stern, brooding face of Bruce Wayne. Readers see how Bruce burns a hole through Deadpool with each look. This carries over to another meeting of Gotham’s finest.

Batman meets Deadpool via a gorgeous full page image. Having Jim Gordon play referee helps to move the story forward. Each pairing keeps up the tense mood as the true culprit comes into light. Seeing Capullo’s Joker back via full page is another gem in this issue. Their face-off during dialogue pays a small homage to the “Death Of The Family” covers. It pays off to starting a frantic switch of events. Readers will enjoy seeing how Deadpool reacts to certain Batman/Joker confrontation.

The fallout sends everyone home happy. Panels encompass the combustible mix of personalities. It also leaves a few doors open to play a return of more to come. Every art team on the other tales give their own spins which shows how all these characters gel together. There's something for everyone with this issue.

OVERALL GRADE: 9.5

If this is any indication of what's to come, fans are in for something special. Wells leans into the pop culture aspects of the lead characters with the writing. Capullo and the art team shine in bringing Deadpool into Batman's' world. Readers will excited to see each panel unfold. Factor in the other side tales & this event lived up to the hype.

Let me know int he comments below your thoughts on Marvel/DC: Deadpool/Batman #1. Thanks for reading!

BATMAN AND ROBIN #25 (DC COMICS)

A new day has dawned in the House of Wayne. Bruce and Damian have had quite the stretch run of cases. With an unlikely night off, the plan is family bonding. There is one small problem with this idea.

This is Gotham City we are talking about.

A stranger has arrived in town and has the Penguin in his sights. That’s not the only new visitor to the world of Batman.

BATMAN AND ROBIN #25 by Phillip Kennedy Johnson, Fico Ossio, Marcelo Maiolo, and Steve Wands welcomes in a brand new art team to the series.

Let’s take a closer look at how this new arc begins!

BATMAN AND ROBIN #25 by Phillip Kennedy Johnson, Fico Ossio, Marcelo Maiolo, and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Johnson takes readers into on a journey of reclamation with this chapter. The opening pages introduce a man with a sense of purpose. He is searching for a hidden box. Inside is belongings of a past life. It teases a return to an old life. The dialogue carries pain with its words. Considering where he is heading, the man knows this feeling all too well.

As for the dynamic duo, their usual business runs stat quo. After taking out Tiger Shark, the mood changes to a more grounded sense. Batman transitions to Bruce Wayne. The writing shows how Bruce wants to give Damian a “normal” life. It is a very big switch from their normal days. Readers watch as Wayne is committed to make this happen. Knowing how they have been strained over the course of the series, it is a big task.

Much can be felt in the “Quiet Man”s moves. Readers watch as he makes a play with grave consequences. Taking a fight right to Gotham’s head crime boss is a gamble. The writing paces out the attack to showcase the desperate attempt. It conveys a feel of redemption. This builds into the closing act. Readers watch as a night off may just have gone up in smoke.

Ossio & Maiolo take over art duties with a mighty debut. The introduction to the “Quiet Man” carries a silent aura. It is a monster contrast from Gotham City. The action is flying off the page with Batman & Robin going to work. A near full page panel welcomes the Dark Knight into the middle of a fire fight. Every scene feels big and loud. THIS is what you want to see when the duo is at work!

Readers also see the Boy Wonder get major page time. Damian’s motorcycle work doesn’t disappoint. It leads to a fantastic full page image ending the fight. The aftermath gives a needed pause after the fast pacing. It shows the father and son having a time of bonding. In comparison to the Quiet Man, their night is a snooze fest. The art builds up every move until the explosive confrontation. It is non stop combat right to the final panel. Once here, the message is loud and clear. It screams “No quiet night in Gotham for the heroes” as the action continues to flow.

OVERALL GRADE: 9.2

No good deeds got unpunished for the Dynamic Duo. Johnson throws many looks into the pair’s relationship via the writing. Ossio & Maiolo deliver in electric action sequences that never let up. Readers better buckle in for the long haul with this new arc.

Let me know your thoughts on Batman and Robin #25 in the comments below. Thanks for reading!

BATMAN: DARK PATTERNS #10 (DC COMICS)

Since its debut, “Dark Patterns” has thrilled fans with its look at Batman’s early years. The cases featured have pushed an inexperienced Dark Knight to his limits. It has helped forged Bruce Wayne in becoming the World’s Greatest Detective.

One more case is left on the docket. Standing to close to Gotham’s flame might be more than Bats can handle.

BATMAN: DARK PATTERNS #10 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic begins the final case: “The Child of Fire”

Let’s see how Batman withstands the heat!

BATMAN: DARK PATTERNS #10 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters takes Batman into a dangerous road for this final case. Over the course of the series, the wear of being Gotham’s protector has been growing. Wayne is recovering from a gunshot wound in the beginning pages. He is helpless to stop a pyrotechnic from gruesomely attacking a couple. The writing indicates how this crime is taking over Jim Gordon’s world. It leaves him with a tough call to make. Luckily, there is more help coming his way.

Readers see that Batman is already processing clues from the past. The insight starts peeling back layers of a deeper crime. This inquiry takes Gordon to the heart of the matter. It provides a faster pace as Gordon becomes lost in the deep scheming. The result gives readers much to cheer as the event takes a heroic turn. This pushes the story into its’ close. Watters has thrown many curves into this series overall. The final page proves he has more left up his sleeve before bowing out.

Sherman and Farrell start events with a haunting recap of where this series has been. Watching the use of a flame as panels is next level creative. It makes the criminal activity pop off the page. This moves into a startling attack. The near full pages leave no doubt on what evil is looming. This is a big contrast to a wounded Bat. Seeing the breakdown shows how human the vigilante is. The two page splash shows what has been building in the shadows. It couldn’t come at a more worse time.

As Gordon picks up the investigation, the art leans into the trap at hand. The near full shot of a burning Bat instantly connects with the audience. Sherman keeps building up the suspense as Gordon starts slipping away. There is a face-off that indicates the madness swirling around. It leads into a dramatic rescue via near full page. The fallout teases what’s next to come. It doesn’t compare to the final page. Secrets are unveiled as readers depart with an image that shakes everything up. It’s another strong display of imagination with page set-ups. Another winning factor to this series.

OVERALL GRADE: 9.4

The final case of “Dark Patterns” begins on a strong note. Watters constructs an intriguing start filled with mystery. Sherman and Farrell continue to find new ways of elevating the visuals. Until further notice, this is THE best Batman book at the shops!’

Let me know your thoughts on Batman: Dark Patterns #10 in the comments below. Thanks for reading!

ABSOLUTE BATMAN #12 (DC COMICS)

BATMAN is breaking. Bruce Wayne’s crusade for justice has brought him to BANE. Their initial encounter ended badly for Gotham’s vigilante. His body and mind have suffered. The scars from this encounter stretch far beyond anyone’s comprehension.

There is nothing off limits to Bane’s attack. Not even friends and family…

ABSOLUTE BATMAN #12 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles continues Bane’s attempt to fully break the Bat.

Let’s take a closer look at where events lie now.

ABSOLUTE BATMAN #12 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

If there was ever a question of Bane’s true potential as a villain, this issue answers all. Snyder unleashes the walking powerhouse in his most vicious form. Even as Bruce gets some much needed help, the aftermath of Bane takes hold. The transformation of Waylon Jones is prime example. Their opening sequence slowly peels back the pain caused. Readers see Batman at a low point that only sinks further.

Once Bruce returns to Gotham, he quickly sees more irrevocable damage. The writing holds nothing back. This is all on Bruce’s shoulders to burden. Readers see what Bane has done on a personal level. Snyder pens the uncomfortable moments with a grounded sense of sorrow. The innocence of Bruce’s friends are gone. All that’s left is dreams of another time. This pushes Alfred into the forefront. Their encounter shows some similarities to past encounters. Being in the Absolute Universe, these moments have more sting to them. It leads into another confrontation long in the making. This chapter may define what the Absolute universe is all about.

Dragotta and Martin return for art duties & hit the ground running. Their depiction of Killer Croc is scene stealing. Everything about this sequence tells the painful result of Batman’s actions. Croc’s yelling at Bruce jumps out due to Cowles’ lettering. This eases readers back into the re-emergence in Gotham. His time with Martha Wayne fills panels with emotions. It might be the only “happy” event of this chapter.

As Bruce goes to check on his friends, the mood instantly changes. Readers watch as Ozzie, Harvey & Edward’s meeting with Bane came with serious repercussions. The images show the dark side of super heroics in full force. Adding the flashback panels only amplifies the heavy toll. This pushes Batman into facing his doubts head on. The final pages start with a strong full page shot of Bats and a friend bracing for what’s coming. This results in a parting closing page that’s going to have some tough conversations. A fitting end to a tragic chapter.

OVERALL GRADE: 10

How far can Bane push Batman before he breaks? It is a more dire question that has no easy answer. Snyder constructs a disturbing & heavy issue of innocence lost. Dragotta, Martin & Cowles deliver the terrifying new reality with phenomenal art. This series continues to move boundaries on creativity & style in the Bat Mythos.

Let me know your thoughts on Absolute Batman #12 in the comments below. Thanks for reading!

BATMAN #1 (DC COMICS)

A new day has dawned on Gotham City. Commissioner Vandal Savage continues his dictatorial rule of the police. This has caused many strains. None may be greater than the relationship between the city & its’ Dark Knight.

When a rogue is on the loose, BATMAN looks to do what he does best. His mission vs. Savage’s orders. Something has to give.

BATMAN #1 by Matt Fraction, Jorge Jiménez, Tomeu Morey, and Clayton Cowles kicks off Fraction’s lead of the Caped Crusader’s adventures.

Let’s take a closer look at how events unfold now.

BATMAN #1 by Matt Fraction, Jorge Jiménez, Tomeu Morey, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

One element that is very clear from the start is Fraction’s tone with Batman. Coming off Zdarsky’s long run, the dialogue feels more disconnected. When conversing with Dr. Zeller, Bats comes across as cold and robotic. In some aspects, he’s talking down to her. This mood is picked up by his AI assistant. It’s a clever way to bring back a sorely missed member of the Bat-Family. Seeing this pairing on a case leads into a interesting perspective.

Readers watch as Batman investigates changes in his target. One notable change in this run is the reliance on new tech. “Where does he get those wonderful toys” indeed. Fraction leans into this area heavily while processing changes in the conflict. The dialogue shows how there’s more similarities between Batman and his rogue than thought. It leads into an unorthodox play from the Dark Knight. The move feels very outside the box. Readers see uncharacteristic moves.

It results in a more reflective closing. This peaceful tone is extinguished on the final page. Another familiar face is back and leaves the chapter with a great ending point. Suffice to say, this era of Batman is off to a fresh start at the very minimum.

Jiménez, Morey, and Cowles return for this new start. The opening sequence teases a monster is on the loose. It’s followed up by a full page image of Batman overlooking the city. His expressions look more grizzled and weathered than usual. This leads him into his chase. The two page splash gives a very modern look at Gotham City. It offsets Savage’s orders to the GCPD. Even for a brief page, the images change pace to elude to more danger en route.

Once back on the case, the art depicts the new technology being used. Readers watch as that dances between strong action scenes. This leads into the expected confrontation. A half panel shows Batman with his new electric gauntlets. It’s met with his target’s response via half panel. This leads into the very different method of subduing the situation.

The art shows Batman’s risky move. It leads into a gentler landing than expected. Events seem to calm to close with this aspect. Luckily, a full page image ties everything back to the true threat lurking in shadows. The art team picks up right where it left off with a bit more sleek look at Gotham through the Dark Knight’s eyes.

OVERALL GRADE: 8.8

A new era of the Caped Crusader leaps into action with a sleek new look. Fraction changes the standard stat quo with the writing. Jiménez, Morey, and Cowles present the bold takes with strong art. This chapter indicates to expect the unexpected with Gotham City’s protector. Judging by the last page, the fight on crime has been taken to a new place.

Let me know your thoughts on Batman #1 in the comments below. Thanks for reading!

JUSTICE LEAGUE UNLIMITED #10 (DC COMICS)

In the beginning, it was the perfect concept. With “Absolute Power” looming over the DCU, the need for a Justice League was never stronger. Granting virtually every hero membership lends itself to combat any conflict. In its’ early stages, success has been limited.

Darksied has executed his plans for an Absolute Universe at the JL expense. The Legion of Doom struck at every angle including time travel. Even the pillars of the League are questioning themselves & each other.

It is a scary time when DOOMSDAY aka The Time Trapper is a voice of reason. Even Scarier? The League must save his life after he’s mortally wounded by Darkseid’s Legion.

JUSTICE LEAGUE UNLIMITED #10 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe forces the League into uncomfortable territory with its’ latest chapter.

Let’s take a deeper dive into the evolving conflicts.

JUSTICE LEAGUE UNLIMITED #10 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe (dc comics)

*** POSSIBLE SPOILER WARNING ***

Doomsday at the mercy of the Justice League?! Things I never thought would ever happen. It is a plot that could falter in wrong hands. With Waid’s guidance, this proves to be a fascinating element. Seeing how Darkseid is growing in power, this only makes the attack on Time Traveller even more serious. Leaving him at the feet of the JL sparks a frantic pace. The situation isn’t the only one carrying weight.

Since the new initiative has started, JLU has had major issues surface. This falls on the shoulders of the DC Trinity. The writing explores their errors while balancing their own stances. It isn’t often we see arguments brewing with this much guilt fueling it. This pushes Batman into a corner he’s not usually in: uncertainty. This gets just enough page time before gears shift again. Once the spotlight goes back on Doomsday, events become more complex. Waid throws in more curveballs leading to a pressured finish. It works on all levels to hit its mark in dealing with such a large ensemble cast.

Mora and Bonvillain open with a strong visual of Doomsday flying in the time stream. Panels show the fearful chase and stunning blow dealt. The half page panel reflects the audience in shock. This ultimately gives way to the Trinity argument. The art shows the range of emotions on display. Seeing the three legends at odds sends a clear message of how fast they’re failing. A shocking site to see never the less.

Readers watch as events go to Markovia. Bonvillain’s coloring and Maher’s lettering steal panels at this point. Seeing the bright flames exploding is an easy connection on their unstable mission. This leads into an intense full page panel that teases plenty. It distracts the Doomsday rescue just enough till the ending. With a simple half page panel, readers leave with a sense of how much pressure the JL is under. They also have to guess how much can they handle before they break.

OVERALL GRADE: 9

The JL is given an impossible task with huge consequences of failure. Waid’s script teeters the complexity of Darkseid’s moves with the conscience of the team’s planning. Mora and the art team craft amazing art to showcase the odds stacked against them. How the heroes will combat this is anyone’s guess.

Let me know your thoughts on Justice League Unlimited #10 in the comments below. Thanks for reading!

IMMORTAL LEGEND BATMAN #1 (DC COMICS)

A Dark Knight. Comics’ most exciting universe. When both collide, it creates a new vision of a legendary character. Using tokusatsu storytelling elements, creators from The Massive-verse have breathed new life into BATMAN. The result is an all new DC Elseworlds story that has generated buzz since C2E2 2025 and never let up.

Centuries in the future, Humanity crosses a line. It tapped into Dark Matter for advancement. The fallout created a tear in the barriers between the Universe and its shadow. Deadly creatures spawned from the chaos. Three stood in their way… This is their story.

IMMORTAL LEGEND BATMAN #1 by Kyle Higgins, Mat Groom, Erica D'Urso, Dan Mora, Tamra Bonvillain and Igor Monti welcomes RADIANT BLACK’S lead voice & the team from “INFERNO GIRL RED” into an alternate Bat-verse all its’ own.

Let’s not wait another second and dive into this event!

IMMORTAL LEGEND BATMAN #1 by Kyle Higgins, Mat Groom, Erica D'Urso, Dan Mora, Tamra Bonvillain and Igor Monti (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Higgins and Groom hit the gas pedal and never look back form the opening page. Readers see an opening chase set a high pave. It concludes with a very shocking line: “Where’s Bruce Wayne!”. The story pivots to a more familiar territory for Batman. A body is discovered and many questions arise. In this circumstance, that is the only time events seem similar to the past.

An unlikely confrontation starts off a frantic action sequence. The writing throws in a few key twists before mixing in another startling reveal. Its’ proceeded by strong dialogue which sets the stage for the explosive encounter. This spirals into high-octane excitement. Readers watch as the fight payoff cashes in. There’s no shortage of delivering a superb conclusion to the clash. It leads into a very solid final act. The writing gives the backstory of events pushing towards a shocking final panel. There’s no way to walk away form this book without immediately wanting more!

D’Urso and Monti helm the majority of art duties for this chapter. The starting pages tease the search for clues to the new world. It is capped off by an impressive full shot of Batman finding his target. The moment is complimented by another near full shot of Bat doing what he does best. This provides a transition to Avoca’s latest victim. The scenario locks in on the gruesome discovery. Readers see how this puzzling discovery is just the tip of a larger iceberg.

With another bold panel, Batman arrives to confront the Sheriff and Mayor of Davistown. The sense of fear rises with each image. This rolls into another fantastic action sequence. D’Urso and Monti spare no expense on delivering a thrilling stand-off. This leads into more dramatic reveals, including a full page villain transformation. Readers will be enthralled with what’s happening here. A spectacular full page finishes the fight in style.

Art duties are handed off to Mora and Bonvillain to wrap things up. Their flashback pages paint the descriptive picture of events. The full page trio shot is one that won’t escape fans’ view. This moves events right to the mic-drop panel. Seeing who’s there at the end will have readers buzzing until the next round starts. There’s much to enjoy with this debut.

OVERALL GRADE: 10

Trying to re-envision the Dark Knight is easier said than done. Higgins and Groom put an incredible spin on the myths with their writing. D’Urso and Monti blaze an electric blend of action and dram with phenomenal art. This has all the makings for a must-read event readers could want.

Let me know your thoughts on Immortal Legend Batman #1 in the comments below! Thanks for reading!

BATMAN AND ROBIN #YEAR ONE #10 (DC COMICS)

Project Gemini has begun! General Grimaldi’s plans for Gotham are rolling out. One big factor has come into play. Grimaldi was taken out by a new deadly duo. Clayface and Harvey Dent are calling the shots now. The only ones standing in their way is Batman and Robin. When the smoke clears, who will take victory?

BATMAN AND ROBIN: YEAR ONE #10 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles continues its excellent first look at the early years of the dynamic duo!

Let’s take a deeper dive into the Duo’s first year.

BATMAN AND ROBIN: YEAR ONE #10 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Waid kicks off the project’s first round in style. The set-up slowly reveals Two-Face’s plan of direction. It sends a clear message of what danger the city lies in. Once events switch to Batman and Robin, the mood lightens up. Readers watch as the playful Grayson makes a quick ‘66 homage before the city takes hold. Events come clear into focus there’s no turning back now.

The writing sets off their confrontation with much suspense. Pacing speeds as the pair must make a noble escape. It plays into much of the familiar Batman tropes. Maybe this was the birth of “Prep Time?” As the pages go, so does the sense of urgency. Readers watch as the conclusion sets the stage for an even stronger final act. Waid’s dialogue hits on the Bat-family nerve superbly. It is a heart-breaking close which brings out the bond being forged. This is no longer a business affair. This issue connects it’s major building block of unlikely father and son. Excellent read.

Samnee and Lopes tease the horror of events in the opening rounds. The panels mirror the diabolical moves being made. Once the replacements see their original targets, it is clear of the power play. It is a contrast of moods when the Dynamaic Duo enter the scene. Watching the young Grayson’s playful suggestions be rejected by an ever-brooding Batman is vintage. Where it leads follows suit. That’s absolutely not a bad problem for this book.

The meeting with Gordon starts innocent enough. A panel with a “new signal” teases optimism. This is quickly dashed as events move. Readers watch as the action takes hold of the pages. Samnee and Lopes throw in some of The Flying Graysons’ playbook for aerial amazement. This rolls into a very chaotic escape from Gotham PD. Once the duo disappear, the mood swings back to a more calm state. Panels focus on their reflection of running.

Once at the closing pages, there is a surge of emotion in the duos’ faces. With what’s unfolding, its’ an instant connection with readers. The final panels show the dire ramifications at hand. It works to lock in your reaction until next chapter’s return. The art never ceases to astound with each issue.

OVERALL GRADE: 9.5

With Project: Gemini in full swing, the Dynamic Duo look for any signs of hope. Waid’s script balances out the action with a strong emotional pull. Samnee and Lopes rev up the engines for an incredible escape from Gotham City. “Year One” pushes the complex history of Grayson and Wayne to new levels each time out.

Let me know your thoughts on Batman and Robin: Year One #10 in the comments below. Thanks for reading!

DETECTIVE COMICS #1100 (DC COMICS)

In an exclusive class all its’ own. Since 1937, “Detective Comics” has been hitting the stores and shop. A major reason for this was a character who debuted two years later. Bob Kane and Bill Finger’s creation of a Dark Knight stole the show in issue #27. It came as no surprise that BATMAN would take over the title shortly after due to his rising popularity.

Eighty Eight years later and this hasn’t changed. Batman is still running strong in the eyes of pop culture. His original home title is still the longest running comic book series of all time. There is no signs of slowing down any time soon. It’s time to celebrate.

DETECTIVE COMICS #1100 by Tom Taylor, Mikel Janín, Mariko Tamaki, Amancay Nahuelpan, Arif Prianto, Ariana Maher, Greg Rucka, Álvaro Martínez Bueno, Giovanna Niro , Dan Watters, Bill Sienkiewicz and Tom Napolitano gives readers an all-star issue to commemorate the special occasion.

Let’s not wait any longer and dive into the milestone.

DETECTIVE COMICS #1100 by Tom Taylor, Mikel Janín, Mariko Tamaki, Amancay Nahuelpan, Arif Prianto, Ariana Maher, Greg Rucka, Álvaro Martínez Bueno, Giovanna Niro , Dan Watters, Bill Sienkiewicz and Tom Napolitano (DC COMICS

*** POSSIBLE SPOILER WARNING ***

The issue is a compilation of four stories. Due to the amount of stories, the overview of each tale will be shorter than usual reviews. Each carry a unique vision of the Caped Crusader:

Taylor and Janín handle “Lost and Found”. The story centers around a hearing impaired child’s search for his kidnapped dog. There is no dialogue. Taylor structures the story with much emotion behind it. This is equally matched with Janín’s art. Everything builds towards a heart-warming finish. Plus, you can never go wrong with Ace in the story. It is a perfect lead-in for where the rest of the issue heads.

Tamaki, Nahuelpan, Prianto, and Maher take “Your Role In The Community”. For this story, the direction is on the Bruce Wayne persona. Wayne’s checkbook is welcomed for an event celebrating Gotham’s heroes. The dialogue is a fresh change of pace. Readers see how Wayne handles certain media. They also get a more distinct Batman tale via the art. It finishes with a nice twist and great parting line.

Rucka, Bueno, Niro and Napolitano deal “The Knife and Gun Club”. The perspective shown is from doctors on the “graveyard shift” at a Gotham Hospital. Rucka’s writing walk readers through the impact of Batman. The dialogue brings forth new aspects on his relationship with the city. Bueno and Niro lean into the overtones of this viewpoint. It concludes with a solid landing and a new though for readers to leave with concerning Bats.

Watters, Sienkiewicz and Napolitano close out with “The Fall”. The story centers around a killer’s daring standoff with Batman. Watters puts a creative spin on the standard fall and chase. Readers watch as Batman calculates every aspect of his actions. It gives a true sense of the dangers of being wrong. Sienkiewicz is the perfect artist for this tale. The shifting landscape is presented in exciting fashion. It concludes with a very strong finish to close up shop for the anniversary chapter.

OVERALL GRADE: 9.6

The over-sized celebration for Detective Comics delivers a monster win for readers. Each tale delves into different aspects that compose Gotham’s leading protector. It isn’t a straight forward superhero issue, nor should it be. Readers will be very pleased with the visions detailed by every art team. They bring out the strengths of each writers work. The chapter leaves no doubt on why Batman has been a staple for 1100 issue and for many more to come.

Let me know your thoughts on Detective Comics #1100 in the comments below. Thanks for reading!

ABSOLUTE BATMAN #11 (DC COMICS)

Evil has a name in the Absolute Universe. It is called BANE. The walking force of nature has always been dangerous. In this new vision of Gotham, he is even more deadly. Bruce Wayne’s first encounter did not fare well. It left a very dismal picture of what his new future looks like. Hope looks to be Bane’s next victim.

How did the path of violence begin for the man who breaks?

ABSOLUTE BATMAN #11 by Scott Snyder, Clay Mann, Ivan Plascencia, & Clayton Cowles looks to expose the secrets which compose the terror.

Let’s take a closer look at where the journey has led.

ABSOLUTE BATMAN #11 by Scott Snyder, Clay Mann, Ivan Plascencia, & Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

What evil lurks behind a child’s eyes? That is the question Snyder poses to the audience with this chapter. The path begins with an optimistic ambition. From birth, a boy is born into combat. With a revolution taking place, there is no time for peace. The writing creates the dark mood as the fight for freedom takes a detour. It leads into some similarities of the original origin. “Some” is the key word.

There isn’t a long wait for events to switch gears. Once on the cusp of victory, a new player enters the game. Call it a true deal with a devil. Coming from the harsh environment of prison, the oasis of Freedom is very enticing. Readers watch in shock as an action taken moves into a brutal legacy. This builds towards a violent rematch with huge consequences.

Having Alfred narrate the bout adds a grim outlook into each blow. The resolution is quite shocking. It leads into a more mind-blowing final page than expected. Snyder has never shied away from risks. This might be the most jaw-dropping one yet. You won’t see this ending coming.

Mann and Plascencia fill in for art duties this issue. The two page opening splash carries GTA vibes. It helps to build up the player later. Inside the prison walls the views are dark and bleak. Readers watch the revolution start forming. It leads to an escape on a beach. Events turn quickly that paradise doesn’t come without a price.

The close-up of Bane’s eyes tell many signs. Readers can see how rage is fueling him. The mannerisms never sway, even when someone enters the picture. A “Man in White” bears a familiar aura as he moves through panels. Having a brief flashback thrown in before the painful change adds more emotion. The true evolution of Bane appears via half panel. Cowles’ lettering raises the anxiousness of its’ fallout.

Readers watch as the main event showdown barges into view. A full page image meets a two page splash for opposing views. What follows next are panels of unapologetic violence. This fight isn’t for the faint of heart. In its’ wake is a view of uncertainty. A full page image displays a terrifying reveal. It’s matched by the shocking final page. The art locks in on the anxiousness of the fallout to see where things go. Brace for what’s en route.

OVERALL GRADE: 9.5

Bane’s history of pain and promise lead into a new phase of the Dark Knight. Snyder’s writing takes readers into the heart of the beast. Mann and company deliver on the disturbing new reality as Bane takes hold. It is never just a “regular” issue in this Absolute view.

Let me know your thoughts on Absolute Batman #11 in the comments below. Thanks for reading!

BATMAN: DARK PATTERNS #9 (DC COMICS)

An old city and its’ stories. The streets of Gotham City can all tell a tale. One of its’ oldest neighborhoods has quite a tale. It is called the Rookery. When Batman investigates a dead body found in the area, it starts a dark path.

During the journey, Batman is shot. The culprits claim to represent an old evil. It leaves a haunting message: Is The Red Hood Gang back?

BATMAN: DARK PATTERNS #9 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic concludes “Case 03: PAREIDOLIA”.

Let’s take a closer look at how this case wraps up.

BATMAN: DARK PATTERNS #9 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters gifts readers with a very strong closing chapter. Orchestrating the notion of their return, the family’s motives are clear. Batman sees through their play. It reveals a sad truth. The dialogue paints the depressing sense of grasping for more. Seeing how the Grandpa tries recreating the past indicates how far gone things are. Batman works this to his advantage. Stealing the false victory shows a turn in favor.

Readers watch as the facade starts breaking away. Watters implies a slow burn style for the shattering of reality. The Dark Knight makes a final surge with time running out. His words keep landing shots. Readers start seeing the emergence of the Caped Crusader they know in present times. The verbal warfare ends in a devastating finish. Watters gives a tragic spin to the conflict. It hits on a few levels. The event leaves an dismal impression on Batman’s work. This leads into a satisfying parting shot. Even in defeat, sometimes good can emerge.

Sherman and Farrell work their magic yet again for this issue. A simple full image of a bucket of Bleach welcomes readers in. Once the story starts moving, its’ true meaning comes to life. The near full image of the family towering over Bats makes a loud statement. Seeing Grandpa stand and speak his peace ushers in a great flashback montage. Panel set-up continues to impress with this series. It almost feels like puzzle pieces trying to mesh for a picture. This method works wonders as the case progresses along.

The picture of Batman’s “torture” reveals the dark thoughts going through the family’s head. This leads into a spectacular two page splash. Everything from the colors to the literal face-off will wow readers. It moves the events into a mortifying air. The visuals of a tragedy scream the shock and pain happening. It’s followed up by an equally impressive full page image. Once in its fallout, the art locks in on Batmans’ frustration and failure. Readers loop back in for the final page. It’s a bittersweet full page image leaving some notion of hope for the future.

OVERALL GRADE: 9.7

“PAREIDOLIA” wraps up with a somber and stunning final bow. Watters navigates through the mental chess game with excellent writing. Sherman and Farrell continue to elevate each visual to amazing new heights with the art. There is no debate: This is THE best Batman series at the shops.

Let me know in the comments below your thoughts on Batman: Dark Patterns #9. Thanks for reading!

SUPERMAN: THE KRYPTONITE SPECTRUM #1 (DC COMICS)

Finding a new avenue to present Superman stories can be difficult. In over 80 years of stories, the Man of Steel has virtually done it all. With the emergence of “DC Black Label” a few years back, it has granted creators a new lane to tell more mature stories involving DC Superhero Characters.

Clark Kent has been no stranger to the brand. “The Last Days Of Lex Luthor” is a recent example of this partnership. Now, a creative team known for “Ice Cream Man” is about to embark on an ambitious new saga for Krypton’s Last Son.

SUPERMAN: THE KRYPTONITE SPECTRUM #1 by W. Maxwell Prince, Martin Morazzo, Chris O'Halloran, and Good Old Neon presents a new challenge involving Supes and his planet’s parting gift: Kryptonite!

Let’s see what the well-known horror team has in store for the iconic hero!

SUPERMAN: THE KRYPTONITE SPECTRUM #1 by W. Maxwell Prince, Martin Morazzo, Chris O'Halloran, and Good Old Neon (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Prince plays into the quirkiness of Superman lore with the set-up. With a mysterious asteroid heading to Earth, Supes investigates. In his findings are four new Kryptonites. This news doesn’t escape Lex Luthor. His dialogue oozes of the classic Gene Hackman portrayal. This element would be enough to balance out Clark’s wonder. Luckily for readers, another player enters the game.

Batman’s introduction is perfect. Prince leans into their old friendship. The result is more two friends helping each other than superhero Hijinx. Their banter is priceless. It shows readers how well they know each other, for better or worse. This all changes when Clark experiments with Purple Kryptonite.

The new element causes quite the commotion. Prince walks the line with the action and internal breakdown. It challenges the reader along with Clark of what’s true perception. There are many solid moments mixed in before heading to close. Once here, the dialogue brings events full circle before setting a huge new course. Readers should have no fear of where the direction takes them into next chapter. There’s much to enjoy here.

Morazzo and O’Hollaran tap into the classic aura of Superman for this story. The half panel breaking down his powers is a fun nod to the past. Seeing Luthor and Superman appear to be looking at the other on pages works to create more wonder of the discoveries. Both give way for Batman’s entrance. The art takes a simple crime fight and amplifies it to a personal call between friends.

Watching the back and forth between heroes keeps readers guessing. It is a sharp set-up as the new discovery is very unknown. The full page image of Superman self experimenting shows the lengths he goes to. It gives way to the fallout. Using purple panels to exemplify the changes, Superman’s breakdown jumps off page. Panel structure is key to this sequence.

Even with a full page shot thrown in, the disassembling takes hold. It plays well with the emotional images popping up. All seems calm to the final page. Readers get a full page parting shot for the ages as the door shuts here. The moment encompasses everything rolling in these pages. This is sure to be a fun ride moving forward.

OVERALL GRADE: 9.3

When a new twist to a classic substance, Superman’s world is turned inside out. Prince’s writing walks a fine line handling this new challenge. Morazzo and O’Hollaran deliver on crafting a vintage aura. This is going to be something Superman fans won’t forget anytime soon!

Let me know in the comments below your thoughts on SUPERMAN: THE KRYPTONITE SPECTRUM #1. Thanks for reading!

JUSTICE LEAGUE: DARK TOMORROW SPECIAL #1 (DC COMICS)

The domino effect from “Absolute Power” continues! Amanda Waller’s dangerous power play caused the rebirth of the Justice League. With an expanded lineup, the JL’s new threat was Inferno. It didn’t take long before they revealed themselves as a time displaced Legion of Doom!

Led by Gorilla Grodd, the Legion picked apart the Justice League. His deranged quest for power led to their downfall. Heroes from across the timelines crashed the party and helped defeat the Legion. Their mere existence have started “time quakes” which threaten everything!

Through this chaos, a Quantum Quorum has emerged. Knowing the high stakes involved, the JL has sent a select group of heroes to stop whatever is attacking time-travelers!

Like I said, the domino effect keeps happening here!

JUSTICE LEAGUE: DARK TOMORROW SPECIAL #1 by Mark Waid, Marc Guggenheim, Cian Tormey, Romulo Fajardo Jr., and Dave Sharpe ushers in the latest phase of the “We Are Yesterday” aftermath.

Let’s take a closer look at how things play out now!

JUSTICE LEAGUE: DARK TOMORROW SPECIAL #1 by Mark Waid, Marc Guggenheim, Cian Tormey, Romulo Fajardo Jr., and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

There are many moving parts happing in this issues. Seeing the demise of Waverider begins a run on taking out time-travelers. A mysterious figure is narrating the deadly attacks. Readers sense this stranger might be unlocked an even greater evil. They all bear a certain marking on their face. It is synonymous with the lord of Absolute. Knowing he has been pulling strings with time and universes, it is clear the JLU need to be involved.

The team is still reeling from “We Are Yesterday” fallout. Readers watch a fun interaction between Gold Beetle and Wonder Woman before everything changes. Once “Legend” hits the scene, the story shifts gears. Readers see a strike team composed of many versatile personalities. Once in action, the tone moves to a more traditional spot. There’s plenty of action to go around. Readers see a familiar but new face as the cause of the trouble. This brings forth an unsettling revelation. Once heading to the close, another curve is thrown in place. One underlying factor can’t be denied here. This group screams “Legends Of Tomorrow” vibes! Whether they overcome this finale is another story in general.

Tormey is no stranger to League drama. He was the artist behind the latest Question series. The two page demise of Waverider sends shockwaves early. Readers see how the dark forces are decimating the time travelers. It creates more intrigue when one escapes. The art establishes how vital the mission is. It also takes a small break to show the characters in quieter moments. One character shining in this time is Air Wave.

Knowing his part in “Yesterday”, the art locks in on his self doubt. “Legend”’s time moves events into forming a team. A full page image shows who’s been put together. “Rag Tag” is the perfect way to describe the group. Even a stowaway makes a fun debut. This leads into their rescue mission. The art delivers on high action. This leads into a very solid closing. One hero really finds himself courage in this melee. Readers see a team thrown a roadblock. Air Wave’s expressions says it all. The team isn’t backing down. They’ve just started.

OVERALL GRADE: 8.4

With “We Are Yesterday” causing a ripple effect in the DCU timelines, there were going to be problems. What it opened up has put an unlikely squad in the crossfire. Guggenhiem and Waid set the stage for the “new Legends” with their writing. Tormey and the team go heavy on the action as the true danger emerges from the shadows. A solid set-up that hopefully leads to a larger payoff down the road.

Let me know your thoughts on JUSTICE LEAGUE: DARK TOMORROW SPECIAL #1 in the comments below. Thanks for reading!

JUSTICE LEAGUE UNLIMITED #9 (DC COMICS)

“We Are Yesterday” may have concluded, but the aftershocks live on! The JLU have defeated Gorilla Grodd’s Legion of Doom. This came with a dangerous cost. Grodd’s plans involved time travel. This also affected the DCU’s finest. Many time-displaced heroes are now stuck in the present. Their mere existence is causing monumental disruptions that threaten all. How does the League respond with no answers in sight?

JUSTICE LEAGUE UNLIMITED #9 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe pick up the pieces in thier latest chapter.

Let’s take a closer look at where things stand now.

JUSTICE LEAGUE UNLIMITED #9 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Waid breaks this issue down into two separate stories. The first being the issue with the time-displaced heroes. Seeing the conversations provide a light break from the looming danger ahead. The dialogue quicky turns when Time Trapper and Alpheus arrive. Their assessment of the “time quakes” elevates the pressure. It leads into a drastic proposition. Waid spins this into an exciting action sequence. It ultimately resolves in a very unlikely manner. Desperate times call for extreme measures.

The other arc dives into Mr. Terrific’s attempts to save Air Wave. Waid’s writing shows an unusual side of Terrific which is rarely seen. Ironically, Blue Beetle calls it out during their time. Readers watch as the newly defined focus pushes towards a positive attempt. The outcome gives readers a semblance of hope. It is much different than the closing pages. With all the moving parts, the groundwork is being laid for another monstrous event. It still provides an enjoyable experience with DC’s finest heroes.

Mora and Bonvillain open up with the original Harley Quinn swinging her mallet via full page. This launches in to a mix of past, present and future versions of the heroes. The nostalgia gives way to the pair of time controllers crashing the party. Their near full page entrance adds extra gravity into the tense situation brewing. Seeing their breakdown of events puts the dangerous call into question. The art shifts into high gear as the fighting escalates. Readers will be impressed with the action going down. It ends on a more calm note but not without impact.

The same can be said for the Terrific saga. Seeing the calm genius shaken up makes quite the statement. Mora hones in on the frustration extremely well. Panels key in on this factor until Beetle’s deciphering. Once here, the art shows the desperate attempt to salvage their fallen friend. Sharpe’s lettering drills home the risky moves. It serves as a strong complement to the frantic art. Panel set-ups also tell the story. It guides readers to its fantastic conclusion. The final page reveals more trouble on the horizon. Would readers have it any other way? With art like this, no one will complain.

OVERALL GRADE: 8.8

Any moment a timeline is tampered with, it’s not an easy reset. Waid steers the ship into its’ new path with strong writing. Mora and Bonvillain’s magnificent art balances the ever-challenging landscape. There’s no time to look back, just forward where this series is heading.

Let me know your thoughts on Justice League Unlimited #9 in the comments below. Thanks for reading!

BATMAN #161 (DC COMICS)

What a long, strange trip it has been thus far. Thomas Elliot is back. He targeted the Joker to get at his old friend, Batman. This resulted in the Dark Knight having to save his enemy. These actions didn’t set well with Jason Todd.

After getting knocked out by Red Hood, Batman wakes to time running out. His journey takes him to a direct path with Elliot and his augmented squad. Luckily, Damian Wayne called for backup in the form of BANE?!

What a long, strange trip indeed…

BATMAN #161 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair and Richard Starkings continues “H2SH”.

Let’s see if the latest issue changes course or sinks.

BATMAN #161 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair and Richard Starkings (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

The majority of this issue switches focus from Batman to Barbara Gordon. It is an upgrade in some aspects. Loeb has put in a few confusing points of character that just haven’t clicked yet. The Bane injection is arguably the most puzzling right now. Considering what he’s done to the Bat Family, seeing Damian call in a favor for him just doesn’t gel. The resolution is very quick in removing him form the equation. After this clunky beginning, the attention is diverted to another member of the Bat family.

Batgirl’s conversation with her wounded father is a positive area. Her dialogue comes across more as a concerned daughter than vigilante. It tries creating extra guilt on Bat’s conscience. Readers can debate how effective this ploy was. The move does launch into an unexpected confrontation. Seeing Barbara’s perspective teases either a dream sequence or more overbearing weight added to the drama. The former would be an easier explanation for the past issues. This does lead to a more awkward closing. Seeing the group formed to confront Batman raises a few eyebrows. While a slight improvement, the plot still has more questions than answers.

Lee’s art continues to be the story’s saving grace. Damian’s two page escape from Hush brings the tension to a head. It leads into some great action panes. The Bane situation is resolved with a near full page image. It helps to take one person off the board. Readers watch as one falls, there are plenty in wait. One notable target is Jim Gordon.

The conversation between father and daughter carries a certain gravity to the panels. This is interrupted by Batman eavesdropping via near full page. Once actions are taken, a strong two page splash moves players into position. Readers watch as a fight erupts that brings plenty of strong panels. The images convey the frustration mounting. It all comes to a defining close with the last page. The parting full image shows more have become involved. Whether this is a good or bad plan is debatable. With some characters on page, there raises a question of how all fit. Lee’s art ushers them into the story in style. That’s all that can be asked at this stage.

OVERALL GRADE: 6.5

The spotlight shines bright when Batgirl takes the lead. Outside of the emotional impact added there, the story still struggles with certain character involvement. Lee’s art is as steady as ever. Unless there’s a great deal of dream sequences to explain, H2SH has many unanswered questions at hand that hamper the sequel’s foundation.

Let me know in the comments below your thoughts on Batman #161. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #9 (DC COMICS)

General Grimaldi’s actions haven’t won him over many friends. His obsession with the Dark Knight has led to a division in the crime families of Gotham. This isn’t good for business. One person who knows this all too well is Two-Face. After cutting a deal with Grimaldi’s top enforcer, Clayface, the scales have tipped.

It’s up to the Dynamic Duo to save the city. Are they up to the task so early in their partnership?

BATMAN AND ROBIN: YEAR ONE #9 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles delivers its pen-ultimate issue.

Let’s take a deeper dive into the duo’s rocky start.

BATMAN AND ROBIN: YEAR ONE #9 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

With his actions wearing thin, Gotham is ready to remove Grimaldi from the board. The crime families discussing their plans sets the tone early. It is one that moves swiftly. The writing shows the General is one step ahead. When the raid fails, the duo is there to pick up the pieces. It leads into a dramatic end to the conflict. The writing also tees up another factor looming in the series.

Dick Grayson’s persona is reflective of his age and inexperience. When he is distracted in the field, Batman doesn’t know how to exactly handle it. Readers watch as the true foundation of the Bat Family has to step in. Alfred’s dialogue serves as the bridge to connecting with Grayson. It is a heart warming moment that defines how important Mr. Pennyworth is to this group. This gives way to a shocking closing act. Seeing how far Grimaldi has come, Waid throws in a monster serve. Timing is perfect as it hides a reveal that would have ruined Batman. It also sets the stage for a showdown of epic levels. Incredible writing has never been an issue with this series.

Samnee and Lopes craft the mood early with the panel set-up. The longbox build gives a scrolling sense as the families make their moves. A near full page shows Grimaldi’s back-up plan at work. The action is flying fast and loose. Lopes’ coloring is superb in dealing with the smoke and mirrors ploy of Batman. Once the smoke clears, another mid page panel showcases the aggressive duo. It takes a sidestep to an explosion, which wounds leave a deeper scar.

One of this series strongest elements is the father-son foundation forming. After Batman scolds Robin for being careless, his face changes. He’s not the brooding knight. Batman shows how human he is with a touch of sadness. The art locks in on Grayson’s brave face until he finally unloads on Alfred. Their bonding moment is pure emotion that can’t be denied. It’s a great segway to the closing act. Grimaldi is poised to celebrate his big win. A half page panel steers everything into another direction. The timing couldn’t be more perfect. It sets up the finale with a strong lead-in page. Fans will have much to rave about here.

OVERALL GRADE: 9.4

With Gotham’s most powerful gangsters ready to take on Grimaldi, the Dynamic Duo have to stay sharp to survive. Waid’s writing serves up heavy emotions through the superb build. Samnee and Lopes impress with the stunning artwork. The endgame is here & fans can’t afford to miss what’s happening.

Let me know in the comments below your thoughts on Batman and Robin: Year One #9. Thanks for reading!

DETECTIVE COMICS #1099 (DC COMICS)

A trio than no saw forming. In Asema’s downfall, Batman’s attention has turned towards Elixir. The age-defying organization wants to make sure they stay out of the spotlight. Their actions have also crossed the paths of two unlikely parties. Harvey Bullock and the Penguin have vested interest in the group. Curiosity might not kill the Bat, but a bullet might find someone else.

DETECTIVE COMICS #1099 by Tom Taylor, Lee Garbett, Lee Loughridge, and Wes Abbott sees the Bat try finding a way to stop an immortal threat.

Let’s take a closer look at where events play out now.

DETECTIVE COMICS #1099 by Tom Taylor, Lee Garbett, Lee Loughridge, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Who would have thought these three characters could function as a group? Taylor defies logic and brings forth a sound but unstable challenge. Bullock’s wounds cause another wrench to be added into play. The result showcases Batman’s calm reactions to offset Penguin’s selfish goals. The contrast adds a nice touch into a very straight-forward story.

There are some elevated action scenes. One in particular is Batman evading missile strikes in the Bat Plane. It feels a bit off-center from the more grounded case at hand. Once that fades away, the book finds its’ strength. Seeing Bullock and Penguin interrogate is a fun sequence. It moves events along to a few key reveals in the case. Once the closing hits, it feels a touch telegraphed. For being a major player, the true threat is dealt very conveniently. The ending delivers a soft close. It wasn’t the strongest of landings but hit its’ key points before bowing out. The epilogue provides a steady compliment as the door closes on this chapter. Onward to the milestone issue.

Garbett and Loughridge conclude their run bringing the action. The opening page is a frantic scene. With bullets flying everywhere, the art shows Batman’s rising anger as Penguin cowers back. The contrast spills into a dramatic save for a wounded Bullock. This moves into a tense warning via Batman to elixir. The half page panel throws a jab before the hooks come in.

The air fight is great for what it is. Readers see the missile evasion in full view. The near full page showcases Batman’s aerial maneuvers while deceptively rolling into his partners’ actions. Penguin’s back and forth with Batman and Bullock is every bit as good as advertised. The coloring of the yellow shows off the sense of a fearful revelation. This transitions into the closing portion. A deadly execution is brought to life via a full page image. Readers find out quickly who is behind it. Another full page image answers a long looming question. Much like Bullock and Penguin’s reaction, it feels underwhelming. The art team gives one last full page image to conclude events on before a solid epilogue wraps it up. It works to clear the plate before issue #1100 is ready to drop on readers.

OVERALL GRADE: 8.3

The “Elixir” saga concludes on a steady but underwhelming note. Taylor’s writing brings out the best of his unlikely trio. Garbett and Loughridge take readers through the action into a dramatic finish. Once here, time finally runs out on Elixir’s powerful hold on the audience. Considering where it was, the ending felt too compact for where it was going.

Let me know in the comments below your thoughts on Detective Comics #1100. Thanks for reading!

ABSOLUTE BATMAN #10 (DC COMICS)

Someone is ready to break the Bat again. Waylon Jones went missing. This has prompted Gotham’s violent protector on a seek and rescue mission. His journey has led him into the dark underground of ARK M. It has also brought him into the path of a dangerous foe. BANE defeated BATMAN easily. What is the current fate of the Dark Knight now?

ABSOLUTE BATMAN #10 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles drags Bruce Wayne further into darkness!

Let’s take a deeper dive of the latest chapter.

ABSOLUTE BATMAN #10 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Snyder takes a disturbing look at the Arkham mythos with this chapter. Establishing Wayne has been gone for months creates a sense of panic. It starts a cold road to freedom as Batman becomes a test subject. The writing teases enough to give false hope. There are plenty of easter eggs to the rogues gallery throughout. In the end, it all circles back to the purest form of rage.

Bane’s demeanor is chilling. This is much in the vein of his “Knightfall” run. His motives are more calculated in slowly breaking Wayne’s mind. Even as Batman takes extreme measures, there is little hope shown. Readers watch as the Dark Knight digs deep into his memories for strength. The flashback sequences add to the drive for escaping. This spins into a striking closing sequence. As a “final” test is pushed, Snyder offers a sliver of chance. It results in a rollercoaster of reactions. None may be more chilling than the final panel. Rest assured, the Absolute vision continues to push boundaries into new territory.

Dragotta and Martin take readers into the morbid world of Ark M in the art. The initial escape wastes little time in presenting its’ horror. Bane’s presence is overshadowed by events until the last moment. Presenting him in this manner only adds to his fearful persona. Other than the flashback panels, the mood of despair is a permanent fixture for this issue. There is no better example than the “second” escape attempt.

The art hones in on the drastic measures Wayne takes to escape. This includes a close-up on his “knuckles” to using stomach acid as a corrosive weapon. The images hold nothing back. Readers watch as the terrifying landscape continues to spiral. This fuels the art in the closing act. The full page return to form kickstarts a painful journey. Readers watch as the art brings out the dire feel while pouring Bane’s aggression into the mix. All sides give way to an incredible two page splash. The image serves as a surprising rally cry to the book. As impactful as that goes, the final page steals back some thunder. It leaves readers with more doubt as potential hope may not be in the cards for Gotham’s favorite son.

OVERALL GRADE: 9.3

How far can a Bat be broken? That is the question posed in this latest chapter. Snyder pens a disturbing look at the true horror of Gotham. Dragotta, Martin and Cowles construct the brutal and dire world which Batman now finds himself in. The Absolute Universe has never been a hopeful world. This chapter shows there are many levels to descend before hitting absolute despair.

Let me know in the comments below your thoughts on Absolute Batman #10. Thanks for reading!