RACER X #3 (MAD CAVE STUDIOS)

As the Great Alpine Race is upon us, the Smart Money is putting pressure on Dante Ferno to take out Speed Racer. They recognize that Racer X is protecting Speed, so they want to make sure he’s off the board first. Can Racer X survive their attack and still save/help his brother?

CREDIT: MAD CAVE STUDIOS

Racer X #3

Written By Mark Russell – Art By Nuno Plati

Colors By Giada Marchisio & Nicola Righi – Letters By Buddy Beaudoin

Edited By Chas! Pangburn - Published By Mad Cave Studios

***Minor Spoilers Possible***

Story Overview:

The Smart Money is very concerned that Speed Racer is going to once again win another big race, costing them more money. So, they put even more pressure on Dante Ferno to take care of this problem by taking out not only Speed, but also his protector Racer X. Unfortunately for them Racer X jukes the would-be killers out with a fake Shooting Star that is remote driven. Now at the Great Alpine Race, Speed is all set to try and take the win, with Racer X firmly in his corner. But as Speed is competing and trying to win, Racer X has a little thing on the course with an old fling, Hellkitten. Will Racer X be able to overcome his past, well protecting Speed?

Writing:

This issue ties a lot of what is going on in the Speed Racer universe together. Mark Russell does a fantastic job of showing all of the moving parts in this arc. The plotting of the Smart Money, coupled with the duty of Racer X to protect his brother Speed leads to some suspenseful moments. At the same time showing a new part of Racer X’s past with the reveal of an old flame, which really adds another wrinkle to the character. The tie into the main Speed Racer story also really makes this issue stand out and shows the importance of this side story.

Artwork:

The artwork in this issue maintains the high standard we've come to expect since the Speed Racer Universe began. Nuno Plati captures the series' anime roots and skillfully adapts them to a contemporary comic style. The racing scenes are dynamic, immersing readers right in the heart of the action. Meanwhile, Giada Marchisio excels with her choice of colors, making every panel visually striking.

Final Thoughts

Racer X #3 is another great installment in the Speed Racer universe. The amazing racing action is only outshined by the awesome dramatic story that is playing out. The revealing of more of Racer X’s past, humanizes him more showing us more Rex Racer. This is a must pickup at the shop this week and if this series isn’t on your Pull List add it now.

Overall Grade: 9.3/10

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HARLEY QUINN X ELVIRA #2 (DYNAMITE COMICS)

Now that Elvira is staying with Harley and has agreed to host her Halloween Bash, it’s time for Harley to come up with Elvira’s pay. Unfortunately, Harley doesn’t have the funds currently, but she has a plan to get paid well also entering the weird world of renovations.

credit: Dynamite Comics

  Harley Quinn x Elvira #2

Written By Amanda Conner & Jimmy Palmiotti

Art By Juan Samu & Amanda Conner

Colors By Walter Pereyra & Amanda Conner

Letters By Dave Lanphear - Edited By Joseph Rybandt & Chris Conroy

Published By Dynamite Entertainment/DC Comics

***Minor Spoilers Possible*** 

Story Overview:

Harley and her new roommate Elvira are off to a good start. Elvira is even willing to forgive the fact that her new living conditions aren’t exactly up to par. However, the agreed upon fee has still not been met, and unbeknownst to Elvira, Harley doesn’t have it. But no need to worry as Harley and her gang of Harley’s always have a plan.

This time they will take a job for $300k to bring down the criminal head of the renovation world, Boffa Fungoo. Even Elvira will get brought in for this wacky caper. However, well this is all going down, the past Elvira was coming from is rearing its head again. 

Writing: 

This issue continues the fun of this wacky series, well adding the setup of the story to come. Amanda Conner & Jimmy Palmiotti do an amazing job of building up this fun and crazy crossover story. The fun and lewd jokes hit their mark; well, the greater story that is unfolding makes the reader want more.

The fun action sequences prove that you don’t always have to rely on straight action to get the job down, this is comics you can have fun. 

Artwork: 

The artwork featured in this issue is exceptional, perfectly portraying the characters as well as their respective worlds. Thanks to the art team, the book truly feels like an authentic crossover rather than just a brief guest appearance.

The character designs are accurate, while the backgrounds are notably impressive. With vivid, warm colors, the visuals add an extra layer of enjoyment to the story. 

Final Thoughts 

Harley Quinn x Elvira #2 is fun, fun, and more fun! The whole premise is set up to make sure the reader is having the most fun possible. From the lewd jokes to the action, and even the setup for the longer story ahead, all of it is fun.

If you are looking for an insanely fun book that will also scratch that action comic itch, this may be the book and series for you.

Final Grade: 9.2/10

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DC/MARVEL: BATMAN/DEADPOOL #1 (DC COMICS/MARVEL COMICS)

Earlier this year, the “big two” of comics reunited for an unlikely team-up. “Deadpool/Batman” launched a new wave of crossover stories. This new united front sent fans into a wild frenzy. It teased the idea for more characters and impossible stories. The creative aspect has been one of many wins for Marvel and DC. They recently has a crossover involving Thor/Shazam & The Flash/Fantastic Four on their digital library platforms. This was followed with a push to sign up for the services, getting more people into comics.

Before 2025 wraps up, the publishers are reuniting for another special edition. It’s time for round two between the Dark Knight & the Merc with a Mouth!

DC/MARVEL: BATMAN/DEADPOOL #1 by Grant Morrison, Dan Mora, Alejandro Sánchez, Todd Klein, James Tynion IV, Joshua Williamson, Scott Snyder, Hayden Sherman, Mike Spicer, Frank Cvetkovic, Tom Taylor, Bruno Redondo, Adriano Lucas, Wes Abbott, Mariko Tamaki, Amanda Conner, Tamra Bonvillain, Dave Sharpe, G. Willow Wilson, Denys Cowan, Klaus Janson, Francesco Segala & Steve Wands deliver on another round of mash-up tales.

Let’s break down what is unfolding this go around!

DC/MARVEL: BATMAN/DEADPOOL #1 by Grant Morrison, Dan Mora, Alejandro Sánchez, Todd Klein, James Tynion IV, Joshua Williamson, Scott Snyder, Hayden Sherman, Mike Spicer, Frank Cvetkovic, Tom Taylor, Bruno Redondo, Adriano Lucas, Wes Abbott, Mariko Tamaki, Amanda Conner, Tamra Bonvillain, Dave Sharpe, G. Willow Wilson, Denys Cowan, Klaus Janson, Francesco Segala & Steve Wands (DC COMICS/MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Much like the first crossover, the book is jam-packed with an all-star creative lineup. This results in some show-stealing pairings. None fully steal the spotlight away from the lead pair. A great deal of this revolves around the vivid imagination of Grant Morrison.

Being no stranger to Batman, Morrison throws him into an unstable scenario. This is largely due to his dance partner. While investigating a murder under Amanda Waller, Batman stumbles into Deadpool’s path. The result takes clever shots at Wade’s “origin”. Morrison’s writing keeps its’ zip as the story moves forward. Readers watch as the zany side of their pairing sets a course for a deadly villain's grasp. Knowing Morrison’s history with said character, the mood sets into a comfortable yet dangerous tone.

This allows some breathing room as the story starts taking a different shape. There are many creative reaches attempted. Most all hit their marks. Readers that know some history will pop for a huge reveal in these moments. It spirals the story into a unique spot. The result is a fast finish to tie up loose ends. Ordinarily, this might misfire. Knowing what Morrison does best, the finish is vintage. It sends readers home on a high note until the next go around. You can’t ask for much more than that.

Mora and Sánchez start off events with a traditional look at Gotham City. the brooding tones are very evident in these pages. It ushers in the investigative portion of Batman’s case. This is the arguably last “normal” moment of the story. From here, everything moves to mirror Deadpool’s aura in the chapter.

The two page spread pays a small homage to a classic DC tale. It doesn’t take long before the 4th wall is shattered completely. Once Batman appears, the panels spotlight the clash in personalities. There is plenty of wacky Deadpool moments here. After the pace slows up, the main antagonist reveals themselves.

Readers are gifted an excellent two page spread for this intro. It opens the door for the story to explore the more head-scratching times of the Dark Knight & Marvel. A full page shot welcomes in this volatile character. Panels get extremely brutal in this fight. It helps to bring everything into the final act.

Once here, a new player enters the game. The shadowy figure will raise some eyebrows and smiles. Their persona shines on the pages. They throw the story off-axis. Readers watch another Bat-version crash the party via full page. Their appearance circles the end of the tale. Events close up with a solid near full page send-off. The bar was set high for art and hit the mark for this special issue.

The sub-stories are a LOADED line-up of creators:

Hellblazer & Dr. Strange (James Tynion IV, Joshua Williamson, Scott Snyder, Hayden Sherman, Mike Spicer, Frank Cvetkovic) brings out the dark magic side both dabble in.

Nightwing & Wolverine (Tom Taylor, Bruno Redondo, Adriano Lucas, Wes Abbott) re-unites the Eisner-winning team behind Dick Grayson’s best adventures for another classic.

Harley Quinn & the Hulk (Mariko Tamaki, Amanda Conner, Tamra Bonvillain, Dave Sharpe) is as over the top as readers would hope.

Closing up shop is Static & Ms. Marvel ( G. Willow Wilson, Denys Cowan, Klaus Janson, Francesco Segala & Steve Wands). The story pairs up to fan-favorites leaving the readers wanting to see more of their adventures.

FINAL GRADE: 9.5

The second go-around between Wayne and Wilson heads into weird territory for a huge win. Morrison runs wild with the writing to fans’ delight. Mora and Sánchez craft amazing images to navigate the complex tale. Add in the other superb side-sagas and this is one that’s sure to please all. Don’t miss out!

Let me know your thoughts on DC/MARVEL: BATMAN/DEADPOOL #1 in the comments below. Thanks for reading!

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Gargoyles x Fantastic Four #1 (DYNAMITE COMICS/MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the crossover issue of Gargoyles x Fantastic Four #1 from Dynamite Comics!

The Manhattan Clan has teamed up with Marvel's first family

Gargoyles x Fantastic Four #1 by Greg Weisman (Writer), George Kambadias (Artist) & Jeff Eckleberry (Letterer) is an action packed adventure that has twist, turns & surprises from start to finish!

The Story

Greg Weisman brings his A game for this story, and it's a blast from start to finish. The story starts with the Human Torch, The Thing, Angela & Broadway all underground taking on none other than the Mole Man and his forces!

Meanwhile you have Reed, Sue, Valeria, Franklin, Goliath, Elisa, Brooklyn, Katana, Nashville & Tachi back at the Baxter Building preparing to help the group underground by preparing an anti-kaiju serum. But of course trouble ensues.

I really liked the pairings that Greg did in this issue, and they all work so well. I also liked the choice of villains in this as well because they all made sense and were well thought out. Admittedly there was a four legged cameo appearance from the Marvel side of things I didn't expect, but worked out so incredibly well.

The story really excels when it comes to the family aspect of things, and it makes for such a fun read. Seeing the kids from both groups come together and cause some chaos was such a blast to read. I'd really enjoy seeing a mini series run with just the kids, it would be so much fun.
The Artwork

George Kambadias does a tremendous job with the art in the issue, and especially with the way he draws the characters. The backgrounds really enhance how great the panels are, plus you've got the stellar coloring in the issue as well.

FINAL POINT: If this is the end of the Fantastic Four/Gargoyles crossover (and I don't think it is), than it's been an amazing two issue run between both issues. Greg's story is just simply spectacular and the artwork is stunning as well. This is an issue you cannot miss whatsoever!

Overall Grade: 10/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

BATMAN #162 (DC COMICS)

It has been a hot minute but H2SH is returning to comic shops. Tommy Elliot has emerged with a vengeance. After defeating the Joker, Elliot looks to make Batman’s life a living hell. The former childhood “friend” has forced Batman to be the savoir to the Clown Prince of Crime.

His actions haven’t set well with the Bat Family. Jason Todd became involved. He was followed by Damian Wayne and BANE?! Also, Nightwing & Batgirl have an allaince with The Riddler?!

There’s a lot to unpack with this story.

BATMAN #162 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair, Tyler Smith and Richard Starkings continues its’ very polarizing tale.

We’ve waited long enough. Where do things go from here?

BATMAN #162 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair, Tyler Smith and Richard Starkings (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Five chapters in and there’s a lot left in question. Loeb’s writing tries establishing Hush’s manipulations on the Bat family. In execution, there are some awkward landing spots. From the initial start here, Batman’s monologue depicts one riddled with extremes. One of which is the brutal method of dealing with his allies. There isn’t a sense that he is the hero in these moments. They come across like a paranoid traveler lost in direction.

The conversation with Catwoman feels more like a brewing fight than a talk between lovers. Readers sense the dialogue won’t flow as easy as it should. There’s never a let-up of Batman’s convictions with self guilt. Even as other Bat-fam arrive, the internal voice never switches off its’ harder takes.

Readers get some relief when Hush is revealed in the shadows. While brief, it chops up the brooding presence of Batman. The Red Hood/Huntress portion feels forced into the mix. Its’ briefness helps get to the close. There’s a few tricks attempted to sway the readers. They never get off the ground as the final page brings Batman into a somewhat full circle moment. There are just too many forced pieces that divert an organic push for Batman’s latest escapades.

Lee and company continue to be the saving grace of this series. Batman’s face-off with his family leads into a solid two page splash. Showing the tragic pasts of Nightwing and Batgirl attempts to make Bat’s moves more sympathetic. This moves events into the Catwoman portion of the book. Their tension is easy to witness. In this capacity, they come across more as bitter enemies than previously star-crossed lovers.

Damian Wayne’s two page splash amps up pacing. While brief, it hits key points before Riddler steals spotlight. Panel set-up puts a good spin on their confrontation. Hush’s attack carries more purpose when unleashed. The half page shot of Huntress deflecting fire ushers in a pause on the brooding. Jason Todd’s party crashing feels very traditional in set-up. Nothing seems too out of place here. Readers watch as the closing gets a few new looks added into play. A bold two page splash kicks in the door for the final page. Bearing witness to the final full page, where things go from here is literally anyone’s guess.

FINAL GRADE: 6

Had it not be for Lee’s art, this story might be all but lost. The writing pushes a tense combative nature between Batman and allies. Lee lifts this chapter higher with excellent visuals. It’s still anyone’s guess where Batman’s latest landing spot takes him.

Let me know your thoughts on Batman #162 in the comments below. Thanks for reading!

MASTERS OF THE UNIVERSE: ANDRA #1 (DARK HORSE COMICS)

In 1982, a franchise made its powerful debut on pop culture. “He-Man and The Masters Of The Universe” made its way into toy stores via Mattel. The saga of Eternia spawned into a hit animated show in 1983. Since that point, fans have flocked to this line ever since. The brand has crossed over into live action (1987) and comics. Even as times have changed, the animated show is a huge part of many people’s fandom.

Recently, He-Man has made the return to the small screen via Netflix. Masters of the Universe: Revelation ignited a new spark in the franchise. Its’ sequel MOTU: Revolution carried that new momentum forward.

This movement is thriving at the comic shops as well. Joining their ranks of stories is one written by someone with a little bit of knowledge on Eternia. Who is more suited to write the new Man-At-Arms: Andra than the voice actress from the show?

Masters Of The Universe: Andra #1 by Tiffany Smith (Voice of Andra), Adriana Melo, Giuliano Peratelli & AndWorld Design brings forth a new MOTU story that can’t be missed.

Let’s take a closer look at what’s happening here.

Masters Of The Universe: Andra #1 by Tiffany Smith, Adriana Melo, Giuliano Peratelli & ANDWORLD DESIGN (DARK HORSE COMICS)

*** POSSIBLE SPOILER WARNING ***

Smith welcomes readers into a detailed side of Andra with this one-shot. The opening pages spotlights her struggle to accept her new role. There’s never a sense of doubt but more of anxiousness. It’s perfectly understandable being in this position. This moves into her first day of training cadets. The writing shows her nervous nature. There’s a few comical moments placed in to break up the overwhelming nerves. It provides a great segway to the true test of this adventure.

Orkas Island sends a distress call & Andra takes charge. Once on the island, readers are hit with many different plot points. There’s a heart-warming moment paired against the threat who’s been looming in her past & dreams. It allows Andra to be vulnerable during her new role. Smith opens her emotions up just enough to capture the pressure of this threat. Readers will be locked in on how she’s handling this along with the emotional connection of family.

It leads into a showdown of top billing. This isn’t your standard fight. Smith showcases Andra’s strategy along with her tech. The results is a fantastic last stand. Readers watch as Andra maneuvers through the battle of tech vs. Magic. It leans into many superhero themes while forging its’ own feel. This moves events into the closing portion. It is a great closing to a very entertaining read.

Melo & Peratelli craft great images to take Andra on this journey. The opening sparring session is light hearted. It also conveys the growing worry of Andra’s new role. The self confidence shines in a full page mirror shot. This moves into the main story easily. Working with the cadets leads to a few comical scenes. Even as serious as her doubt gets, the art never lets Andra slip to far. This helps when the main conflict arrives.

The dream sequence is solid as it teases more coming later. While brief, it makes the mark. This allows the story to transition to Orkas Island. The art mixes in the key emotional panels before letting the main villain take hold. A full page image gives a grand entrance. this is matched equally by one of Andra armored and ready. The first round is a great build for later. Readers watch as the lessons learned here carry over to the eventual next round.

Panels reflect what the supporting cast is processing. There are many various looks given here. This helps to build up the rally of hope for later. The two page spread locks in on the action when time. Readers watch as Andra’s planning comes to fruition. It is capped off with some great panels to usher in the final act. A strong two page splash gives some much needed validation to the lead hero. It moves events to the final pages where everything is wrapped up perfectly. A final full page shot outshines the last page as this chapter closes on a high note.

OVERALL GRADE: 9

Can Andra carry the weight of being the new Man-At-Arms? That is the question posed in the latest MOTU spin-off. Smith guides readers through the journey of self belief with the writing. Melo & Peratelli balance the action with well-timed drama. By the power of Greyskull, fans will want to give this a read on NCBD!

Let me know your thoughts on Masters Of The Universe: Andra #1 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #12 (MARVEL COMICS)

What a tangled web indeed! Spider-Man disappeared after being brutally beaten by Hellgate. Upon his return, something was noticeably different. Spidey was showing a vicious streak in handling his foes. This same sharp mood was seen in Peter Parker.

Once both parties met, much was explained. That’s not a typo. It was revealed that Ben Reilly was posing as Peter. As for Spidey? It was none other than Norman Osborn! What about Peter? Oh yeah, he’s in space.

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna continues its latest adventure into the unknown.

Let’s take a closer look at what is happening now!

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

This chapter has a more grounded approach than last month. Keeping the story based on Reilly and Osborn helps to fuse their place in this tangled equation. This really helps give Osborn’s new role life. The opening monologue shows how he is dealing with being a hero. Hearing acknowledge the challenges presents a sense of self-doubt. It is very un-Norman like but an effective tactic.

This becomes a larger issue in dealing with another rogue. Their encounter shows how far Norman is trying to hold it together. Readers see how the external demons are the least of his worries. This follows a confrontation of interested parties. Pacing picks up as the action hits. It ends on a very strong note. Kelly reaches back to a connecting plot point. The move eases onto the closing. Once here, a new threat is teased that looks to impact Norman more than realized. Text book cliffhanger finish which helps this chapter.

McGuiness steps in for art duties this go-around. A two page splash shows Norman in action. His heroics are far from flawless. It does add to the questioning dialogue. This gives way to show Reilly some time as Peter. The facial reactions show how Reilly’s performance is starting to crack. The same can be said for Norman’s.

The spider-family crash the scene via half page shot. It leads to a tense conversation. This subsequently rolls into a fight. The two page splash shows Norman holding his own. Even as he battles, the sublime flashbacks are impacting his reactions. None more greater than one in particular. The full page panel stops everything at the drop of a dime. Readers see how far Norman has fallen during the following panels. It leaves events at a standstill before the end. A glimpse into the future leaves the audience with much to ponder when this portion picks back up.

OVERALL GRADE: 8.7

The “Spider-Norman” era experiences some growing pains as past scars resurface. Kelly conducts a look inside a struggling character trying to be good. McGuiness and the team keep things moving with a balance of action and insight. It’s a new day for Spider-Man and fans had better settle in for the ride!

Let me know your thoughts on Amazing Spider-Man #12 in the comments below. Thanks for reading!

G.I. JOE #11 (IMAGE COMICS/SKYBOUND)

Bad Blood never goes cold! The Baroness takes a leave of G.I Joe to clear her head. Her break leads her to Paris. Waiting in the shadows is someone who wants an eye for an eye. His name is Major Bludd.

Bludd uses her parents as bait for a trap. After kidnapping her and Cover Girl, he pits them against each other. Using trickery, the Baroness turns the tables. It leaves her one on one against her twisted foe.

Winner. Take. All.

G.I. JOE #11 by Joshua Williamson, Andrea Milana, Lee Loughridge and Rus Wooton (Skybound Entertainment/Image Comics) delivers the high stakes showdown of Bludd vs. The Baroness!

Let’s take a closer look at where events land now.

G.I. JOE #11 by Joshua Williamson, Andrea Milana, Lee Loughridge and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson opens up handling a sub-plot that’s been brewing for a while. The Hound/Clutch “odd couple” serves as a solid build for the Energon Universe. Seeing Transformers interacting more with the Joe side only opens doors for more possibilities. Risk and Mercer’s reactions hit as they both have to process what this all means. It concludes to a great transition to the main event.

Readers watch as the Baroness and Bludd slug it all out. The tone plays into the insanity of Bludd. This is very comfortable villainy. Bludd’s psychotic state leaves room for the Baroness to fight back. The dialogue is sharp. It resonates the brooding mood to a great climax. At this stage, the fight ends with a brutal twist. It serves as a reminder that the Joes are not always angels. Another element at hand is if the Baroness has truly bought in. The writing teases a few notions before moving to close. Readers see the final page changes events before bowing out. It steadies the ship as a certain war is brewing in the shadows. Another fantastic read.

Milana and Loughridge conclude their Joe time with a few strong takes. The Hound/Clutch story is gifted an exciting two page splash. It instantly sets off the combat as the unlikely trio of heroes step up. The pages carry the high-octane tempo into its’ next phase. This provides readers a easier entry into the books’ major lead story.

The fight between Baroness and Bludd doesn’t disappoint. There are plenty of fast-paced strikes. this compliments Bludd’s insane reactions to his mischief. Even as Raptor and Cover Girl get page time, nothing overtakes the Bludd feud. This ultimately comes to a graphic close. The full page image leaves no wonder as to who won. Even as the story tries showing Destro & Cobra Commander, readers will be buzzing about the ending blow. This works in the closing’s favor. The final page teases more events working in the shadows. Judging by the combat, these moments weren’t going to overtake the emotional fight of revenge. Its’ aftermath will be looming around the Energon Universe as it readies itself for the next phase of stories.

OVERALL GRADE: 9.1

The final round of Baroness vs. Bludd leaves its’ mark as the Energon Universe continues to expand its’ vision. Williamson’s writing leans heavy into action as more builds. Milana and Loughridge grow a fast pace with their strong art. With more on the horizon, the EU is firing on all cylinders. Don’t miss it.

Let me know your thoughts on G.I. Joe #11 in the comments below. Thanks for reading!

RADIANT BLACK #37 (MASSIVE-VERSE/IMAGE COMICS)

Chicago is not the same “Windy City” of old. In the wake of the Catalyst War, it is still recovering into its’ new stat quo. Another person trying to find his way is Marshall Ward. His life was forever changed in the Massive-verse event. After defeating Jaeger, Radiant Black wants to get back to a sense of normalcy. It seems that chances of that are all a dream.

RADIANT BLACK #37 by Kyle Higgins, Joe Clark, Marcelo Costa, Rod Fernandes and Becca Carey begins its’ latest arc.

Let’s take a closer look at how events play out now.

RADIANT BLACK #37 by Kyle Higgins, Joe Clark, Marcelo Costa, Rod Fernandes and Becca Carey (Massive-verse/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Anytime you have Shift and Radiant Red in a book, it’s definitely got my attention. Making them a couple? This has some great storyline possibilities. It temporarily breaks away from the dictator-esque state of Chicago. Readers see how the city is under lockdown. Jack Marlow & The Franklin Group have enforced their grip on the people. The moments unfortunately mirror current events. It doesn’t escape the dialogue. Marshall’s voice becomes one of reason in a dire time.

Readers see more clues come into focus about Marlow’s moves. Watching a resistance group plan addresses the “Second earthers” dilemma. They are quickly thwarted by a certain pair of lovebirds. Adding them into the overall picture complicates certain areas. It also as previously eluded to makes for endless possibilities. Their interaction with Marshall sets forth new boundaries. Shift’s decree overshadows Date night with Mari. The writing shows Marshall’s attempt for a normal break. This becomes upstaged by the close. Marlow’s plans come into focus in a huge way. It is a clear message to readers how the stakes have been raised. Excellent chapter to read.

Costa returns to art duties for this chapter. The foreshadowing of Red and Shift works for the payoff later. Lakeview on lockdown sends a disheartening message to kick events off. The two page splash expands on that uneasiness. Marlow’s new “enforcers” make an impression as being reckless. This doesn’t go unnoticed as Radiant Black hits the scene. Another solid two page splash addresses the trouble brewing. From here, there is no looking back.

Shift and Red bring the action to a resistance group. They come barging in via full page panel. Readers will love seeing a Fastball special done in the melee. The art hits the fast paced points while Shift banters. It leads to an awkward meeting with Radiant Black. The expressions on display speak volumes. This gives a transition to date night. These panels tease some happiness in Marshall’s life. It is fleeting as the ending reminds readers of the new landscape. The closing page will cause many questions as more trouble is on the horizon. The art hits the bullseye with this chapter.

OVERALL GRADE: 9

Dark times loom in Chicago as Jack Marlow’s plans start taking form. Higgins and Clark bring this era in with string writing. Costa and Fernandes’ art deliver on action and tense situations. Readers are really going to see what kind of hero Marshall Ward is very soon.

Let me know your thoughts on Radiant Black #37 in the comments below. Thanks for reading!

BATMAN #1 (DC COMICS)

A new day has dawned on Gotham City. Commissioner Vandal Savage continues his dictatorial rule of the police. This has caused many strains. None may be greater than the relationship between the city & its’ Dark Knight.

When a rogue is on the loose, BATMAN looks to do what he does best. His mission vs. Savage’s orders. Something has to give.

BATMAN #1 by Matt Fraction, Jorge Jiménez, Tomeu Morey, and Clayton Cowles kicks off Fraction’s lead of the Caped Crusader’s adventures.

Let’s take a closer look at how events unfold now.

BATMAN #1 by Matt Fraction, Jorge Jiménez, Tomeu Morey, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

One element that is very clear from the start is Fraction’s tone with Batman. Coming off Zdarsky’s long run, the dialogue feels more disconnected. When conversing with Dr. Zeller, Bats comes across as cold and robotic. In some aspects, he’s talking down to her. This mood is picked up by his AI assistant. It’s a clever way to bring back a sorely missed member of the Bat-Family. Seeing this pairing on a case leads into a interesting perspective.

Readers watch as Batman investigates changes in his target. One notable change in this run is the reliance on new tech. “Where does he get those wonderful toys” indeed. Fraction leans into this area heavily while processing changes in the conflict. The dialogue shows how there’s more similarities between Batman and his rogue than thought. It leads into an unorthodox play from the Dark Knight. The move feels very outside the box. Readers see uncharacteristic moves.

It results in a more reflective closing. This peaceful tone is extinguished on the final page. Another familiar face is back and leaves the chapter with a great ending point. Suffice to say, this era of Batman is off to a fresh start at the very minimum.

Jiménez, Morey, and Cowles return for this new start. The opening sequence teases a monster is on the loose. It’s followed up by a full page image of Batman overlooking the city. His expressions look more grizzled and weathered than usual. This leads him into his chase. The two page splash gives a very modern look at Gotham City. It offsets Savage’s orders to the GCPD. Even for a brief page, the images change pace to elude to more danger en route.

Once back on the case, the art depicts the new technology being used. Readers watch as that dances between strong action scenes. This leads into the expected confrontation. A half panel shows Batman with his new electric gauntlets. It’s met with his target’s response via half panel. This leads into the very different method of subduing the situation.

The art shows Batman’s risky move. It leads into a gentler landing than expected. Events seem to calm to close with this aspect. Luckily, a full page image ties everything back to the true threat lurking in shadows. The art team picks up right where it left off with a bit more sleek look at Gotham through the Dark Knight’s eyes.

OVERALL GRADE: 8.8

A new era of the Caped Crusader leaps into action with a sleek new look. Fraction changes the standard stat quo with the writing. Jiménez, Morey, and Cowles present the bold takes with strong art. This chapter indicates to expect the unexpected with Gotham City’s protector. Judging by the last page, the fight on crime has been taken to a new place.

Let me know your thoughts on Batman #1 in the comments below. Thanks for reading!

TITANS #26 (DC COMICS)

Sometimes, you just gotta get away if you’re a hero. The Titans’ most deadliest rogue came back with a vengeance. DEATHSTROKE and his crime syndicate took a large toll on the heroes. This would be a great time to reset and recharge.

It’s a great thought but this is the Titans we’re talking about. Trouble usually finds them soon, or in this case…Doom!

TITANS #26 by John Layman, Max Raynor, Matt Herms and Wes Abbott take a trip to the wild side with its’ latest chapter.

Let’s take a closer look at what is happening now!

TITANS #26 by John Layman, Max Raynor, Matt Herms and Wes Abbott (dc comics)

*** POSSIBLE SPOILER WARNING ***

Layman throws a nice switch in dynamic for this chapter. Considering what the Titans have been through, a fun break from the norm is right up their alley. Readers see the toll taken on Cyborg. The dialogue between him and Vanadia mirrors the loss of emotions both can claim. It fits the usual Deathstroke M.O. of fallout. This spirals back onto the rest of the team. One member is trying break away from the deep wounds. Longtime Titan readers know this story all too well.

Beast Boy’s connection with Terra & Slade has never been healthy. Trying to clean his head is sound advice. Readers watch as he takes Cyborg with him. Their destination is an unlikely one. Layman dives back into Gar’s past with a visit to the Doom Patrol! The writing plays to their strengths. Their banter is very welcoming. Having an unusual mission for them is very standard. Seeing the team appear in a violate location, the pace speeds events up. They close on a solid cliffhanger. You can never go wrong with wild creatures, fun team-ups and Robotman one-liners.

Raynor kicks events off with a frantic scene. Both teams fighting monsters? Sold! The full page open is a clear indication this won’t be a normal hero tale. Cyborg’s talk with Vanadia locks in on the weight of the past altercation. Readers see the tension finally break as she disappears. The full page image of Gar leaving is a nice break from Slade’s attack as well. This allows Donna Troy and Wonder Woman to have a needed conversation. It shows a passing of a torch feel before moving onto the reunion in wait.

Readers see the instant excitement from the Patrol when Gar shows up. The panel is a great introduction to where this portion of story goes. Seeing the group break down what has occurred shows the differences in both Titans and Patrol. This leads into a great two page splash when the monsters return. A full page image locks in on the mannerisms while running away. It’s a light hearted moment that is sure to please. This leads into more interactions as another party watches from a distance. The final page reveals a new threat, but one familiar if you know the history of Beast Boy. Diving into DCU history is always a fun ride.

OVERALL GRADE: 8.6

Post Slade Wilson, everyone deserves some R&R. For Gar Logan, it means a welcome reunion of good and bad acquaintances. Layman’s script transitions into an enjoyable team-up in the making. Raynor and the art team craft the excitement seeing these two fan favorites embark on a new path. Sit back and enjoy the trip.

Let me know your thoughts in the comments below about Titans #26. Thanks for reading!

SUPERMAN UNLIMITED #4 (DC COMICS)

It’s a brand new world for the Man Of Steel. Since his encounter with an asteroid of Kryptonite, Superman has had to adapt. The deadly material is very easy to acquire. In the wrong hands, it spells disaster. His world is not the only thing that has changed.

The Daily Planet is expanding its reach. A new office is set up in Gotham City. Jimmy Olsen is sent to the new branch. When picking up Tee-nah, an I.T expert from Gorilla City, Olsen’s day at the office gets a bit more….batty.

SUPERMAN UNLIMITED #4 by Dan Slott, Lucas Meyer, Rafael Albuquerque, Marcelo Maiolo, Matt Herms and Dave Sharpe continues its “Summer of Superman” movement.

Let’s see how Supes’ best friend does in Gotham City!

SUPERMAN UNLIMITED #4 by Dan Slott, Lucas Meyer, Rafael Albuquerque, Marcelo Maiolo, Matt Herms and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

One thing very noticeable is how much fun Slott is having with this series. The pairing of Olsen and Tee-nah is gold for this issue. It offsets the dramatic appearance of a Gotham rogue. Worlds collide to kickstart the chapter in motion. Readers watch as the trouble doesn’t just stay in Gotham. Even a routine rescue for Superman is difficult due to easy Kryptonite access. It doesn’t take long to bring Superman to Gotham. What he finds is a whole different story.

The writing teams up an unlikely mix of characters. One of which is Damian Wayne. His dialogue is as sharp and snarky as ever. This helps as the situation goes worse quickly. Readers watch as the weakened Superman as a new problem to deal with. This provides a chance for the newest cast member to stand out. Tee-nah should be winning over readers from his dialogue here. Action picks up and never stops rising. It comes to a fitting end with more possibilities about the current stat quo. Slott gifts readers with a perfect parting panel before bowing out. A fantastic and entertaining issue.

The art starts out with a familiar Gotham feel. Our antagonist comes in along brooding panels. Readers see the mood swing quickly when the Planet Pair drive in. Superman’s rescue does have some flare with the panels. Robin’s debut in story has a fun panel while surveying the scene. The less serious tones give way for a more dramatic time. Once Superman crashes via half panel, everything changes.

Readers watch as the action picks up. The full page of Robin fighting is a crowd pleaser. It also disguises where a turning point begins. That comes into full focus via another full page shot. The conflict is escalating quickly as more guests enter the frame. A two page splash brings the fight to the center of attention. It leads to a fantastic end panel for the conflict. Take nothing away from the final page. The last panel will leave a smile on readers’ faces as the chapter wraps up. There’s much to enjoy here.

OVERALL GRADE: 9.3

Superman’s latest trip to Gotham City goes completely off track in the best possible way. Slott’s script is a action packed tale with great one-liners. The art gives readers a super team-up that they didn’t see coming. It’s Superman at its’ finest.

Let me know your thoughts on Superman Unlimited #4 in the comments below. Thanks for reading!

DETECTIVE COMICS #1100 (DC COMICS)

In an exclusive class all its’ own. Since 1937, “Detective Comics” has been hitting the stores and shop. A major reason for this was a character who debuted two years later. Bob Kane and Bill Finger’s creation of a Dark Knight stole the show in issue #27. It came as no surprise that BATMAN would take over the title shortly after due to his rising popularity.

Eighty Eight years later and this hasn’t changed. Batman is still running strong in the eyes of pop culture. His original home title is still the longest running comic book series of all time. There is no signs of slowing down any time soon. It’s time to celebrate.

DETECTIVE COMICS #1100 by Tom Taylor, Mikel Janín, Mariko Tamaki, Amancay Nahuelpan, Arif Prianto, Ariana Maher, Greg Rucka, Álvaro Martínez Bueno, Giovanna Niro , Dan Watters, Bill Sienkiewicz and Tom Napolitano gives readers an all-star issue to commemorate the special occasion.

Let’s not wait any longer and dive into the milestone.

DETECTIVE COMICS #1100 by Tom Taylor, Mikel Janín, Mariko Tamaki, Amancay Nahuelpan, Arif Prianto, Ariana Maher, Greg Rucka, Álvaro Martínez Bueno, Giovanna Niro , Dan Watters, Bill Sienkiewicz and Tom Napolitano (DC COMICS

*** POSSIBLE SPOILER WARNING ***

The issue is a compilation of four stories. Due to the amount of stories, the overview of each tale will be shorter than usual reviews. Each carry a unique vision of the Caped Crusader:

Taylor and Janín handle “Lost and Found”. The story centers around a hearing impaired child’s search for his kidnapped dog. There is no dialogue. Taylor structures the story with much emotion behind it. This is equally matched with Janín’s art. Everything builds towards a heart-warming finish. Plus, you can never go wrong with Ace in the story. It is a perfect lead-in for where the rest of the issue heads.

Tamaki, Nahuelpan, Prianto, and Maher take “Your Role In The Community”. For this story, the direction is on the Bruce Wayne persona. Wayne’s checkbook is welcomed for an event celebrating Gotham’s heroes. The dialogue is a fresh change of pace. Readers see how Wayne handles certain media. They also get a more distinct Batman tale via the art. It finishes with a nice twist and great parting line.

Rucka, Bueno, Niro and Napolitano deal “The Knife and Gun Club”. The perspective shown is from doctors on the “graveyard shift” at a Gotham Hospital. Rucka’s writing walk readers through the impact of Batman. The dialogue brings forth new aspects on his relationship with the city. Bueno and Niro lean into the overtones of this viewpoint. It concludes with a solid landing and a new though for readers to leave with concerning Bats.

Watters, Sienkiewicz and Napolitano close out with “The Fall”. The story centers around a killer’s daring standoff with Batman. Watters puts a creative spin on the standard fall and chase. Readers watch as Batman calculates every aspect of his actions. It gives a true sense of the dangers of being wrong. Sienkiewicz is the perfect artist for this tale. The shifting landscape is presented in exciting fashion. It concludes with a very strong finish to close up shop for the anniversary chapter.

OVERALL GRADE: 9.6

The over-sized celebration for Detective Comics delivers a monster win for readers. Each tale delves into different aspects that compose Gotham’s leading protector. It isn’t a straight forward superhero issue, nor should it be. Readers will be very pleased with the visions detailed by every art team. They bring out the strengths of each writers work. The chapter leaves no doubt on why Batman has been a staple for 1100 issue and for many more to come.

Let me know your thoughts on Detective Comics #1100 in the comments below. Thanks for reading!

X-MEN #20 (MARVEL COMICS)

What has Scott Summers done now? That is a normal question these days. Since the Fall of Krakoa, Cyclops has been a polarizing figure to many. The residents of Merle, Alaska have their opinions. One in particular has had one since the X-Men set up shop.

Agent Lundqvist wants to have a meeting in wake of the events of the Hellfire Vigil. Something tells me this won’t be very diplomatic.

X-MEN #20 by Jed MacKay, Netho Diaz, Sean Parsons, Fernando Sifuentes and Clayton Cowles showcase a meeting of two very opinionated minds.

Let’s take a closer look at where the drama leads now.

X-MEN #20 by Jed MacKay, Netho Diaz, Sean Parsons, Fernando Sifuentes and Clayton Cowles (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

MacKay puts Summers in a very comfortable scenario. Lundqvist comes at Cyclops with a furious aggression. Readers can see the argument why. With the actions Summers were involved in, all good trust has faded (if it ever existed). The action doesn’t take too long to hit. Luckily it does. The remainder of the chapter teases a few sub plots without building to more.

Readers see how the Vigil’s events have left a solid trail of fallout. Beast, Kwannon and Temper all have notable page time. It serves as a good break from the fighting at hand. The Magik/Juggernaut dynamic has been the biggest surprise of the series. Readers have a healthy dose before heading back to the fight. Cyclops’ commitment (for better or worse) takes hold. It leads to omissions that have been brewing for a while. Once the fight is stopped, things speed to close.

The dialogue gives a few more verbal jabs in for the combatants. Readers can sense what Lundqvist truly thinks. It is met with a cold demeanor Summers has been known for. There is a very noticeable shift in the X-Man’s persona. In this moment, it is what fuels him. It also feels as Scott NEEDS to be angry to keep going. The final page leaves him and readers with a nice mystery to solve. It was better than a post fight press conference for sure.

Diaz and the art team lock in on the building rage of both personas. The initial blow is followed up by a direct view of Lundqvist ready to swing more. It helps to fully illustrate Cyclops dirty secrets and their ramifications. The close-up of the eyes tell a tale. This one is not going to end well for someone. The near full page of Lundqvist squaring up is prime example.

The other members have more emotional images to display. Their relationship woes take center stage. As mentioned, they give a break between rounds. As soon as the fight resumes, they all take a back seat. The six-panel page delivers on a great back and forth. It is followed up by a solid full page panel. This energy slows down in the closing pages. The art winds down events with subtle verbal punches. Both opponents have cold reactions until one hits a nerve. It helps to wrap things up with much to consider next time.

OVERALL GRADE: 8.5

The sins of Scott Summers are answered with a knock-down, drag out fight! MacKay unloads on the frustration of events with his writing. Diaz and the art give fans a fight for the ages. The Children of the Atom never cease to get readers talking!

Let me know your thoughts on X-Men #20 in the comments below. Thanks for reading!

ROGUE SUN #27 (IMAGE COMICS/MASSIVE-VERSE)

Dylan Siegel has gone from student to teacher. His half-sister Aurie Bell has acquired a Sun Stone. With an inexperienced hero flying into danger, Dylan has to shift gears. Timing couldn’t be worse. Mourningstar is making moves and Noxious is ready to strike!

ROGUE SUN #27 by Ryan Parrott, Nick Cotton, Abel, Bruno Frenda, Natalia Marques and Becca Carey takes readers back into the supernatural with its’ latest chapter.

Let’s take a deeper dive into what is happening now.

ROGUE SUN #27 by Ryan Parrott, Nick Cotton, Abel, Bruno Frenda, Natalia Marques and Becca Carey (Image Comics/Massive-Verse)

*** POSSIBLE SPOILER WARNING ***

Dylan’s struggles of being the “teacher” provide some unlikely scenarios. His methods of teaching come across as “tough love”. Knowing how he has gone through 2 mentors now, the writing showcases their influence. Aurie is adapting to her dream role. Seeing their banter grounds events while transitioning to “normal” life. It is a calm before a fast-rising storm.

Aurie’s quest for Noxious reflects her inexperience. It is presented as her growing pains. Caleb’s influence over her actions grows with every move. Readers watch as the next target isn’t exactly a good person. It provides the difficult choices heroes have to make. This pushes events into an inevitable showdown. Readers watch as the action kicks up certain flaws in the young heroes. The writing leans into this for the close. Events are left with a strong cliffhanger and overwhelming guilt on more than one party. How fast things can change in a Massive-verse minute…

The art opens up Aurie’s tough trianing. A full page image spotlight’s Dylan’s methods. It is a bit deceptive but helps to transition pacing to a steady speed. Both young heroes get time to highlight their social moments. Seeing their similarities and contrasts start constructing a wider scope of roles. This helps mold the current conflict at hand.

Noxious crashes the issue via near full page. The confrontation leads into a great display of his powers. It also casts doubt on his target’s character. Once our heroes arrive, pacing speeds up many areas. The panels also show how too many heroes in one room can’t lead to victory. With Marcus and Caleb in their ears, readers watch the challenge of getting a plan together for Noxious. The result is a near full page image that will leave readers asking many questions pending next issue.

OVERALL GRADE: 8.3

Dylan and Aurie get pushed to an edge in their lates conflict. The writing highlights the complications of the family business. Fans get treated to a solid display of action and drama with the art. Buckle in for the last page. Things aren’t any easier for the young heroes from here.

Let me know in the comments below your thoughts on Rogue Sun #27. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #7 (DC COMICS)

General Grimaldi is fully focused on finding out Batman’s identity. The Dark Knight has been a thorn in his side. Once he kidnapped Batman’s young sidekick, the General learned a lesson. Knowing how much he’s hurting business, The General wastes little time in pushing plans into motion. A hit list is in place. How soon does it find Bruce Wayne?

BATMAN AND ROBIN: YEAR ONE #7 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles continues its’ epic look at the early days of the Dynamic Duo.

Let’s not wait another moment & see what happens now.

BATMAN AND ROBIN: YEAR ONE #7 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid brings out the General’s frustrations early in this chapter. His meeting with Clayface is gruff and unapologetic. Readers can see tensions boiling over. Clayface’s reactions are telling as he smirks his way out. This aggressive attitude pushes the General into drastic times. The writing sets the stage for a very tough road for the growing pair.

Seeing how they’re being worn down from all their crime fighting, readers sense something bad is on the way. This push leans into a deadly scenario. The writing gives a small insight to Batman’s counter moves. Seeing Batman go up against an intellectual challenge drives events into fresh territory. Another aspect is Dick Grayson finding balance between both his lives. It’s a small break before the close. Once here, pacing speeds events up until the last page. Readers watch a gruesome act end events for now with a dark road ahead.

Samnee and Lopes open up with a close-up of Clayface being scolded. Grimaldi’s lecture isn’t well received. The art depicts Clayface brushing him off. This spirals into more frustration. It kickstarts a new plan of attack. The art panels show how the demand of crime-fighting starts taking a toll. This leads into a surprising twist of events.

The frantic pacing shows Batman’s unrelenting will. It moves rival mobsters into a new stat quo with the Caped Crusader. The moment is capped off with a gorgeous full page image of the pair. From here, the school days of Dick Grayson come into light. The panels break up the tense mood before returning to form. It leads into a more dramatic close. Nothing strikes a louder chord than the final image. A horrific crime is committed via near full page. A subtle panel speaks imminent danger as events wind down. This series never misses on its’ art with good reason.

OVERALL GRADE: 9

General Grimaldi brutal push puts the Dynamic Duo in the line of fire. Waid crafts another fantastic issue with the writing. Samnee and Lopes deliver on bold images while capturing a vintage era. This series continues to be one of the best every time an issue drops.

Let me know in the comments below your thoughts on Batman and Robin: Year One #7. Thanks for reading.

AMAZING SPIDER-MAN #3 (MARVEL COMICS)

Rhino rocked by a heart attack. An unknown assailant orchestrating an attack on everyone’s favorite Web Head. The Wall-Crawler is drugged out of his mind. Peter Parker’s only ally is Norman Osborn?! Now he has to deal with the return of Itsy Bitsy?! SPIDER-MAN IS BACK BAY-BAY!!!!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna continues its’ impressive return to basics!

Let’s take a deeper dive & see what unfolds now!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Is it even Spider-Man without personal turmoil? Kelly has dug into a buried memory of Peter and childhood “firend” Brian Nehring to fuel the drama. The opening sequence is intense as young Peter crosses Aunt May. Kelly calms fears that this is real with a simple “Oh Right..I’m drugged out of my skull”. Throw in the unstable Bitsy and Spidey has his hands full.

Their conflict is as classic of a Spidey fight you’ll see. Note: there is NOTHING wrong with that. It’s a refreshing take. The resolution even fits better than expected. Readers watch as Peter must come to grips with perception vs. reality. Even as he furthers his investigation, the sight of him working with Norman Osborn is wild. The writing shows how eerily well they work together. It’s a brief pause before the close. Once here, the mood shifts to all business. Readers watch as the long awaited showdown building since issue #1 is here. The only shame is it’s the last page. Kelly just knows how to bring out the best of Parker’s ever chaotic world.

As for the art, Larraz and Marte continue to shine. The two page spread with Bitsy vs Spidey is pure excitement. Readers watch as the pacing is ramped up to match the electric conflict. The only point it slows down is the resolution. Bitsy’s panels come across as unstable as she is. It’s fitting before the story switches gears.

Larraz mixes in some near full page images of Spidey swinging through his stops. The flashbacks with Uncle Ben and Aunt May strike a chord in reference to Nehring. It may tip off more coming but never hurts the overall picture. Once at the final moments, the full page image takes readers into the main event. A gorgeous final image reveals the true mastermind as their fight is about to finally start. I can’t compliment the art enough in these issues.

OVERALL GRADE: 9.2

Spidey’s throwdown with Itsy Bitsy is filled with hallucinations and heroics. Kelly’s writing is hitting every mark fans could want. Larraz and Garcia crank up the volume on the action with the art. It warrants saying one more time: SPIDER-MAN IS BACK BAY-BAY!!!!

Let me know in the comments below your thoughts on Amazing Spider-Man #3. Thanks for reading!

POP KILL #2 (MAD CAVE STUDIOS)

All’s fair in the quest for soda supremacy. Goro and Kaito are former Siamese twins have become bitter rivals. Each run their own soda company. Their rivalry has become so intense that nothing is off limits. Jon Pyle has been hired by Goro to secure the services of Dina Deluxe. Deluxe may have the key to ensure victory. Can Pyle keep her alive long enough to see?

POP KILL #2 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot continues its wild adventure!

Lets take a closer look at where things play out now.

POP KILL #2 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot (Mad Cave Studios)

*** POSSIBLE SPOILER WARNING ***

There’s no shortage of action going down in this series. The writing team sets events up over a dinner date between Plye and Deluxe. It doesn’t take long for the spy life to catch up with the pair. There is a fantastic sequence as they try escaping the dangers at the front door. Pyle comes across as a suave but crass agent. His dialogue with Dina will bring a laugh along with the traditional spy themes. Only when the action pauses does the readers get some character depth.

Readers see a small glimpse into Pyle’s past. It gives some dimension to his business character. The moment allows for the pause to finish before heading to close. Deluxe takes action which doesn’t sit well. The fallout pushes for a timely finish. Readers get one more big laugh before concluding with a solid landing. Like any great spy story, the team leaves the audience wanting more.

Santacruz and Reber go for a calm start with Pyle’s dinner date. The moment plays off the hidden angle Pyle is pitching. It doesn’t take long for the bullets to start flying. A nine page escape from Dina’s place kicks off with a bang. Readers watch as Konot’s lettering takes stage with all the gunfire filling the pages. Events climax when Bahram shows up. The fight is a masterful run of knives and punches. It’s a fun ride while it lasts.

In its wake is more peaceful images. A full page shot of Pyle’s safehouse leads into a darker period. The flashback sequence of Goro’s torture of Pyle leaves quite the impression. The chilling method in which Pyle watches his lover die exemplifies his line of work. This pushes events into its closing pages. The art team mix in a great use of sticky notes before the final shot. It is a small panel that conveys this tale is only just beginning.

OVERALL GRADE: 8.2

The world of Jon Pyle doesn’t stop spinning into danger with its’ latest chapter. Palmiotti & Johnson throw readers into deep cola with big action. Santacruz, Reber and Konot orchestrate a chaotic scene while building an exciting pace. This series is a healthy dose to your comic diet.

Let me know your thoughts on Pop Kill #2 in the comments below. Thanks for reading!

ASSORTED CRISIS EVENTS #1 (IMAGE COMICS)

Time is broken. Alternate realities. Multiple eras merging at one point. Time paradoxes. Forget everything you know. It is a new day or is it? That is the question posed in Image Comics’ next BIG series. Knowing the creative team involved, the hype is very real.

ASSORTED CRISIS EVENTS #1 by Deniz Camp, Eric Zawadzki, Jordie Bellaire and Hassan Otsmane-Elhaou ushers in a new thought provoking anthology series.

Let’s take a deeper dive into this brand new series!

ASSORTED CRISIS EVENTS #1 by Deniz Camp, Eric Zawadzki, Jordie Bellaire and Hassan Otsmane-Elhaou (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Camp presents many elements for this debut chapter Ashley is a reluctant lead in this new world. Her “normal” day is compromised by an ever changing environment. From day to day, there is no certainty of what to expect. Ice Ages to deadly viruses are common day occurrences. Hollywood filmmakers are cashing in on the damaged surroundings. All the while, Ashley is trying to live a normal life. The results are far from that.

Events take more of a personal turn as she moves onward. Readers see the toll taken as time displaces everything. The writing isn’t afraid to take events into dark places. Ultimately, this story is Ashley’s. Readers can sympathize with her fading hope. It centers to an antique clock with sentimental value. Even when there is some sense of compliance, moods turns quickly back into wanting normalcy. The close throws everything into the air as events change again. Its’ fallout leaves many questions in its wake. If this is any indication of what to expect, readers will be happily surprised at what they witness.

Zawadzki and Bellaire set up pages with unconventional panels. The technique mirrors the unstable periods crashing this world. Ashley’s “normal” start is sprinkled in with some of the time variables. A two page splash indicates she is part of a larger production…or vice versa. Bellaire’s coloring brings out the most of these displaced moments. It gives a very distinct uncertainty of what to expect.

The moments with Clock shops jump out from most scenes. From the lettering to the colors, everything about these pages pop. Ashley’s more regular moments are filled with steady emotional reactions. Trying to process what’s unfolding is not easy. The art team demonstrate the ever-changing expressions with ease. This leads right into the strong close. Using new coloring, the event feels different. Paired with the faster tempo and it leaves readers questioning much. This is exactly what you want for a debut.

OVERALL GRADE: 10

The concept of time displacement is always a gamble for comics. Within these pages, a new perspective is given. Camp crafts a story of pain and loss through a consistently evolving lead. Zawadzki and company take fresh approaches to display the combustible surroundings. The Hype is real! This is absolutely going to blow people away!

Hot me up on ODPHpod social media and let me know your thoughts on Assorted Crisis Events #1. Thanks for reading!

ARCBOUND #4 (DARK HORSE COMICS)

Kai’s mission finds an unlikely ally. Barnes was hired by Xander to eliminate the disgraced solider. In dealing with double crosses, few are on Xander’s level. Unfortunately for him, he over-estimated. The deal went off the tracks. Zynitec’s hold over Kronium now has a larger problem on its’ hands.

ARCBOUND #4 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman, Frank William and Buddy Beaudoin (Dark Horse Comics) shows Kai’s rebellion take a huge leap.

Let’s dive into the latest chapter of the sci-fi epic!

ARCBOUND #4 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman, Frank William and Buddy Beaudoin (Dark Horse Comics)

*** POSSIBLE SPOILER WARNING ***

The writing pushes Kai and company into a direct line of danger. Readers witness the Queen of Zynitec take an assessment of events. There are many emotions at play during this. The Queen shows little reaction as she processes what she’s told. General Shrush and Xander attempt to cover the misleading with some success. It all leads to a reunion with Kai and his new friends.

Their plans of raiding a vault don’t go according to plan. Events shift gears into a electric fight for survival. The writing escalates the battle extremely well. It’s a gradual build until the big move taken to secure victory. Readers watch as the gamble works and doesn’t. The outcome casts Kai onto an all too familiar landscape. Readers watch as their location carries its’ own unique story. The closing pages leave things on a solid foundation. There’s nowhere to go but up from this conclusion.

Smallman and William give the Queen a regal welcome to the chapter. The near full page image of her addressing her people elevates impressions. Shrush and Xander’s debriefing packs a sense of fraud when the details are presses. The images depict more is not being shared by all parties. In contrast, it appears Kai and his group are on the same thought concerning their task.

Their location is compromised in a bold full page spread. It’s non stop action from this point. readers ride along as the group scrambles to survive the Zynitec attack. Just when they think they’ve escaped, another full page image shows how futile their attempt was. Many tricks are pulled out to escape this conflict. The result is a new planet with unstable energy it gives off. Another full page shot oversees this new landscape. This leads to the closing images. They will strike a chord with how human they make Kai. It’s a moment of peace in a very conflict driven chapter. Readers will be wondering what’s next from this challenging series.

OVERALL GRADE: 8.6

The latest chapter of an Arc’s rebellion pushes events right along. Solid writing brings out Kai’s frantic quest to fight back. Stallman and the team build an exciting stand-off which only leads to more trouble. Readers had better settle in for another wild ride of intrigue and intensity.

Let me know in the comments what you thought of Arcbound #4. Thanks for reaidng!