THE LAST WITCH: BLOOD & BETRAYAL #2 (BOOM! STUDIOS)

Where did Brahm go! The boy was taken from Saoirse and her group after an argument. Her enemies think they chose a smart power play. If anyone thinks this is a smart move, think again! They don’t realize they’re dealing with the powers and temper of a Witch!

The Last Witch: Blood & Betrayal #2 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (Ghost Glyph Studios) continues its’ strong return!

Let’s not wait another second and dive into the drama!

The Last Witch: Blood & Betrayal #2 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (Ghost Glyph Studios) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

McCreery doesn’t delay in venting out Saoirse’s impulsiveness to Brahm’s situation. The writing expresses her anger perfectly. This causes a bit of concern from her group. If she’s not fully focused, all could be lost. This leads into the initial conflict. Readers watch as the upper hand is gained. This leads into a heartbreaking scenario of events.

The writing takes readers back to a happier time with Brahm. It is quickly revealed to be a rouse. Readers watch as the events cause Saoirse to lose focus. Her frustration is thwarted by more deception. McCreery never lets this aura escape the issue. Even when Nan and Hugh make their last stand, the emotional heartache shines. This leads into a fierce closing to the conflict. Readers see the after effects pour out of the young witch. It leaves the issue with plenty of thoughts along with a calm aura. There’s no doubt this story hasn’t even scratched the surface of what’s coming. What a huge win for readers.

Glass and Nesterenko open with the search underground. The usage of light and darks is fantastic. It allows for the dark mood to start peeling back. There is a solid vision of the maze revealed. It gives a needed pause before the first attack is made. This is met with some steady action shots as events move to a more personal area.

Brahm’s memories are filled with bright spots until the last panel. Once Saoirse arrives at this point, the same emotional pull can be felt. The deception plays its’ part to set up the final stand. Seeing how manipulative this plays will strike a few chords. It results in a haunting series of events to close. Knowing what Saoirse was put through, her anger expands in these panels. It leads to a more controlled finale. Her anger lingers in the parting shots. A full page image takes one player off the board. This rolls into a stark reflection of what she is becoming. It leaves readers seeing more is on the horizon with an ever struggling soul.

OVERALL GRADE: 9.2

When it’s all about family, they should steer clear of Saoirse’s. McCreery orchestrates a superb rescue mission with the writing. Glass and the art team hone in on the heavy emotions wore in the conflict. This series checks off everything you want from a great comic.

Let me know your thoughts on The Last Witch: Blood & Betrayal #2 in the comments below. Thanks for reading!

GRIM #23 (BOOM! STUDIOS)

When it comes to Jessica Harrow, “ordinary” is never in the equation. Death was destroyed in an encounter with The End. Since that point, no one can die. Being the heir to her father’s throne, Jessica struggles to accept her fate. This has caused many issues. None may be greater than the told taken on her allies.

One makes a tremendous sacrifice to stop Original Sin. This sends Jessica into a confrontation that will either save the day or send it into more peril.

GRIM #23 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) continues its excellent run with a brand new chapter.

Let’s not wait another second and dive into the story!

GRIM #23 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Right from the opening page, one question rings true: “Why does Phillips Hate Eddie?” I’m completely kidding but the opening page hits readers with tremendous force. Sealing a tragic fate opens up the next round in the ultimate face-off. Jessica and The End’s game continues to pose many questions. The writing adds more weight into the multi-layered themes of this series. It also establishes if Jessica can continue to handle the gravity of her destine path.

The End’s challenges make readers deeply think about concepts of the life/death connection. Jessica’s banter with her challenger leads to strong moments. Phillips leaves Jessica very vulnerable to the questions looming. It only endears her more to the audience. Once a choice is made, her path takes a fresh new turn. Many possibilities feel open at this stage. This leaves room for a more surprising epilogue. Judging by who takes center stage, it’s very clear Jessica’s actions have caused a major ripple effect. How this plays out will be exciting to watch.

Flaviano and Renzi deliver on the emotions with Eddie’s fate revealed. Renzi’s coloring takes this to new heights. It quickly transitions to a strong full page of Jessica and The End continuing their game. Seeing Jessica’s pent-up emotions released makes quite the impact. This transitions into the current stat quo problem. The End poses a deep question via full page image. This causes Jessica to react with much pause in her voice.

As the story transitions to a new destination, the questions weight begins to show on both. The art locks in the discovery portion of the answers. This moves the story into a very unique point. Renzi’s light coloring gives away the sense of wonder. The reactions of joy and wonder are written on Jessica’s face. This is a much different place than the epilogue. The final page gives the readers a startling reveal before mic dropping a massive change in Jessica’s world. Time in and time out, this team doesn’t miss.

OVERALL GRADE: 9.3

Jessica & The End take their dangerous game to another level with this latest installment. Phillips poses many threads to the reader with phenomenal writing. Flaviano, Renzi and Napolitano convey the overwhelming emotions of the struggle at hand flawlessly. There truly is nothing like this series at the comic shops.

Let me know in the comments below your thoughts on Grim #23. Thanks for reading!

THE LAST WITCH: BLOOD & BETRAYAL #1 (BOOM! STUDIOS)

The long wait is finally over! It has been since 2021 that fans have visited the world of Saoirse and friends. Readers have been patient as the cliffhanger ending left many in an uncertain state. Their patience has paid off as March 2025, BOOM! Studios announced the fantasy adventure was returning later in the year. Who’s ready for a little magic on NCBD?

The Last Witch: Blood & Betrayal #1 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito ( Ghost Glyph Studios) enters a new era with a brand new story arc.

We’ve all waited long enough. Let’s break it all down.

The Last Witch: Blood & Betrayal #1 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

McCreery doesn’t delay in setting up the next challenge in waiting. Readers see how Saoirse is going to be deeply challenged. It is a strong move that has larger implications later. In the immediate present, the story showcases a happier point for Saoirse, Brahm & Hugh. Considering what they just went through, the moment is a welcomed change of pace.

The dialogue isn’t scared to address some of the darker moments of last arc. A prime example of this is Brahm missing his eye. Hugh’s off commentary draws the ire of Saoirse It leads into showing the family bond that has been a strength of this series. Even when new characters swing through, that sense never leaves. It actually becomes a catalyst for the close. McCreery mixes in new reveals along with a deep conversation with Nan to appease the curiosity. This boils into a strong ending. Seeing where the group now heads leaves the audience excited for more. What else could readers want?

Glass and Nesterenko delve into the darker side of magic with the opening pages. The art makes a bold decree as events start taking shape. It transitions into a more light-hearted moment. Hugh’s never-ending grin sets the standard for these panels. Even with his bad joke, the scenes never stay too stagnant or weighing the mood down.

This sense moves into the newest character introduction. The half page panel pops as Brahm makes the discovery. It is accompanied by a few action scenes. Readers watch as Saoirse’s growth with powers is crystal clear. Seeing this new character transform is broken down in a great panel sequence. Nan’s conversation with Saoirse is a show stealer. Mixing in flashbacks with the emotional toll, readers won’t help but be wrapped up. This momentum pushes towards the closing page. An ominous panel signifies the dangerous path that Saoirse & co. now walk. Here we go!

OVERALL GRADE: 9

The return to Saoirse’s journey is sure to cast a spell on comic readers. McCreery’s writing covers the varying levels of her complex world. Glass, Nesterenko & Esposito construct the excellent imagery fitting for the mystical landscape. Don’t wait for the trade. Jump on board now & get caught under its’ spell.

Let me know your thoughts on The Last Witch: Blood & Betrayal #1 in the comments below! Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #42 (BOOM! STUDIOS)

The early days of Erica Slaughter were never easy. Her interactions with the Order of St Dumas cast have been very complex. For better or worse, these encounters have molded the monster hunter. One that immediately jumps out as an example is Jessica Slaughter.

SOMETHING IS KILLING THE CHILDREN #42 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) continues its look at a previous time in Erica’s life with Jessica.

Let’s take a closer look at how the drama starts to play out.

SOMETHING IS KILLING THE CHILDREN #42 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Nobody in Comics does slow-burn drama like SIKTC. The beginning of this chapter is innocent enough. Tynion throws in more “normal” moments between two boys at a store. Their banter is playful enough until a sheriff walks in. The small town has a problem with a rising body count of children. Readers know it’s only a formality until Erica Slaughter arrives to investigate.

The dialogue with Jessica and Erica lends itself for a touch of comic relief. Seeing the young Erica having to cover tracks for Jessica proves a possible disconnect. It lends itself to ease back into the building drama. Tynion’s writing constructs a clear picture of what is unfolding. The closing pages re-enforce the dangers looming in the small town’s forest. It ends events on a striking finish while teasing an inevitable confrontation.

Dell’edera and Muerto welcomes readers into the quiet small town scenery. The panels reflect the snowy chill taking hold of the residents. Readers watch as the two clerks provide a pause for the rising drama. The facial reactions with the sheriff deliver on growing the threat lurking in the town. They also amplify when help arrives at their doorstep to help.

The interactions with Rainey, Jessica and Erica put more of a spotlight on Jessica than first thought. The two page spread confirms Jessica’s misdirection. It also leads into exposing Erica’s growing confidence in hunting. The remainder of the chapter steers back towards the threat reveal. Panels are more candid in delving into the problem. The closing pages tie into the full exposure of what’s causing the havoc. A striking full page image puts a definitive stamp on what is brewing. Fans should have no doubt what is on the horizon here.

OVERALL GRADE: 9

Erica’s latest flashback case starts setting the foundation of a can’t miss story here. Tynion plays the slow drama perfectly with the writing. Dell’edera and company lock in on the quiet backdrop to the rising threat in question. Whenever you head into an SIKTC tale, brace for the long haul. The payoffs never miss.

Let me know your thoughts on SIKTC #42 in the comments below. Thanks for reading!

GRIM #22 (BOOM! STUDIOS)

Death is unavoidable. It is one of the few things that is certain. Jessica Harrow knows this all too well. Being the heir to Death’s throne, Harrow has been thrown many obstacles. The current situation involves her aunt unleashing original sin onto the world.

Harrow knows there is a high cost to pay for stopping this evil. Is she ready to pay or fall to its weight?

GRIM #22 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) brings back the coolest book at the LCS with an all new chapter.

Let’s not wait another moment and dive into this issue!

GRIM #22 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips takes Harrow into dangerous waters with her current dilemma. Opening with a chess match versus The End is an undeniable scene. Their banter eludes to an ultimate showdown coming. The aura surrounding Time keeps readers very intrigued. Knowing a possible future, both demonstrate a sense of denial. It provides a set-up for the main drama course.

Adira’s prescence is polarizing to say the least. The catalyst of Jessica’s drama now appears hat in hand. This shift in persona causes much pause amongst Jessica and her allies. It leads into a face-off issues in the making. The payoff doesn’t miss its’ mark. Phillips crafts an unlikely point of possible hope. Before readers can get settled in for it, a massive curve is thrown into the final page. Long time readers better brace for impact. It is a pivotal and game-changing moment. Another reason why Grim gets all the praise it does.

Flaviano and Renzi construct some of the most ingenious images of the series to date. The chess match reveal between Harrow and The End is gifted a full page visual. This moves events into the deep rooted conversations between Time and Jessica. Both are reluctant to accept their future. Their facial expressions show how both are slowly breaking in their denial.

Once Adira enters the picture, panels lean into her deep regret of failure. The art shows the remorse in her actions. Readers watch as this quickly gives way into the previously mentioned showdown. Pacing is heightened as the action heats up. A half panel exposes the damage done. In its’ aftermath, there is a sense of uncertainty in what lies ahead. The art team doesn’t take long to remedy this. The closing page is a jaw-dropping full image. It impacts everything as someone’s destiny is altered forever.

OVERALL GRADE: 9.6

“Grim” returns with a truly game-changing issue. Phillips’ writing challenges Jessica’s destiny while forever altering someone else’s fate. Flaviano, Renzi and Napolitano cover the wide ranges of emotions while mic-dropping the final page. There is nothing that comes close to the levels of storytelling displayed in each issue of this phenomenal series.

Let me know in the comments below your thoughts on Grim #22! Thanks for Reading!

SOMEHTING IS KILLING THE CHILDREN #41 (BOOM! STUDIOS)

The long wait is finally over. It has been since November of 2024 since readers delved into the world of Erica Slaughter. Recovering from her encounter with Charlotte Cutter, SIKTC focused on Erica’s early years. This trend continues with another glimpse into a dangerous hunt from her part.

SOMETHING IS KILLING THE CHILDREN #41 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) kickstarts a brand new arc in the award winning series.

We have waited long enough. Let’s dive into the latest chapter.

SOMETHING IS KILLING THE CHILDREN #41 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion plays his best hand early in this chapter. The trademark of this series is the slow burn drama. In the opening, a young Erica attends the services of a fallen victim. It is reflected in the narration a connection to a recent monster hunt. the dialogue with one of the family members depicts the emotional coldness needed for the line of work. Readers see a lengthier example of this with Jessica Slaughter.

The relationship between mentor and student is complex at best. Readers watch as Jessica is wearing down to the grind of the business. It is also noted as to the forming of Erica’s personality in this mix. Her interactions with Aaron Slaughter are prime points of this. Their dialogue ranges from playful to business. Tynion never lets the mood sway too far from the looming danger of the Order. A new assignment draws many reactions. It teases the audience long enough to hook them in. There’s no better example than the last page. Settle in for a new case with deadly overtones.

Dell’edera and Muerto start events off at a funeral. With no dialogue for two pages, they walk readers through the somber times. The mix of flashback panels to present mirror what Erica is thinking. It is a prime set-up before heading back to reality.

The interactions with Jessica and Erica feel organic with their connection. There’s a sense of “business as usual” in each panel. Erica’s acceptance of this “normal” is written on her face. This transcends to a solid two page spread. The brief panels segway to her contact with Aaron. Panel set-up moves their conversation right along to its ending place. The art sets up a tease of more dangers in their new assignment. This plays up to the last page perfectly. Like a true horror movie, the full page image jinxes itself with the dialogue. It’s a great place to pause for now and reload for what’s coming next.

OVERALL GRADE: 9

SIKTC comes back with its’ winning formula inisde of a flashback saga. Tynion puts the major players in place with the writing. Dell’edera and Muerto bring the complex relationships into the spotlight before setting off on their next job. The early days of Erica Slaughter are ones that warrant the attention of fans whenever they drop on NCBD.

Let me know in the comments below your thoughts on SOMETHING IS KILLING THE CHILDREN #41. Thanks for reading!

GRIM #21 (BOOM! STUDIOS)

Few things have been referred to as unavoidable. Death is one of those subjects. It can also be said Destiny is in that mix. Jessica Harrow’s life is a combination of both. Being the heir to Death’s throne, Harrow has tried outrunning this path. How will she fare when Time tracks her down?

GRIM #21 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) continues to be “the Coolest Book at the LCS” with its’ latest chapter!

Let’s take a closer look at where events stand now!

GRIM #21 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Leave it to Phillips and company to throw more surprises into a deeply woven tale. The introduction is very familiar to long-time readers. As it progresses, this changes quickly. Phillips plays off Jessica’s deciphering to bring forth the latest addition to the cast. It also puts Jessica into a unique position. Her avoidance of her destiny has been a main driver for her character. This issue showcases many possibilities (along with great one-liners) as different timelines are shown.

None might be as stronger hitting than the last one. It is a vision that can be unavoidable. The writing vents Jessica’s frustration. As someone who wants her own choices, it seems that might be out of her control. This leads into a very shocking confrontation. Another factor has been thrown into this equation. Phillips places a fantastic twist that will catch readers off-guard. It serves as a perfect cliffhanger for Jessica as she searches for answers but finds more questions waiting. Top level storytelling at its’ finest.

Flaviano, Renzi and Napolitano provide a re-imagining of a classic moment to start events off. If anyone has questions about great lettering, Napolitano instantly reminds everyone why he’s one of the best. This leads into a full page image that is anything but a rewind. From here, the journey for Jessica stops by a new timeline. The “college days” hides the underlying themes while mixing in enjoyable moments.

This is all capped off by a gorgeous two page splash of multiple timelines. There are great easter eggs homages planted in the spread (“Eight Limbs”!). Time and Jessica’s confrontation carries a tension to it that makes the close even stronger. Flaviano and Renzi crafts stellar half page splits of timelines. This builds to the final full page panel. The mic drop moment is guaranteed to lock readers in until the next chapter drops.

OVERALL GRADE: 9.5

Jessica Harrow is confronted with an unavoidable fate in another spectacular chapter of “Grim”. Phillips’ writing blends in a new dynamic while challenging Jessica’s fate. Flaviano, Renzi and Napolitano continue to prove why they’re one of comics best creative art teams with their high caliber work. There’s nothing like this series at the LCS!

Hit me up on ODPHpod social media and let me know your thoughts on Grim #21. Thanks for reading!

BOOK OF CUTTER #1 (BOOM! STUDIOS)

In 2024, the “Slaughterverse” celebrated its’ 5th anniversary. The saga of Erica Slaughter continues to captivate fans with no signs of slowing down. One character who has been moving in the shadows is Maxine Slaughter.

Since taking up the mantle of a Black Mask, Slaughter’s journey has taken a sharper turn. The Order of St. George needs hunters. There is no room for failure. Maxine is being tested like never before. Her latest lesson takes her to Europe. Will she survive in the house of that produced Charlotte Cutter?

BOOK OF CUTTER #1 by James Tynion IV, Werther Dell'Edera, Antonio Fuso, Letizia Cadonici, Miquel Muerto and AndWorld Design takes Maxine into the belly of the House of Cutter!

Let’s not delay any longer and dive into the drama.

BOOK OF CUTTER #1 by James Tynion IV, Werther Dell'Edera, Antonio Fuso, Letizia Cadonici, Miquel Muerto and AndWorld Design (BOOM! Studios) Cover: Dan Mora

*** POSSIBLE SPOILER WARNING ***

If you are new to the “Book Of…” SIKTC series, they are set up differently than normal issues. The story delves into the history of the house in mention. As one would predict, the Cutter house is one of chaos and staying one step ahead. It mirrors Maxine’s learnings on her journey. They are vital reading for SIKTC fans and new readers. Each gives many details that reflect the current drama unraveling.

When the story focuses on Maxine, we find her questioning her surroundings. The banter between her and George Cutter proves challenging. Maxine strives for answers but is given questions. It gives the unforgiving nature of the order a spotlight. Readers watch as a new player enters the mix: Victor Saint-Georges.

Where the story takes flight is the business dealings Victor has with another major House player. The proposal is quite intriguing. There is one part that may halter the deal. If the order is to move forward, all loose ties must be dealt with. This spins into the closing act. Maxine and George have a discussion that leaves quite the impact. It brings a close to a darker chapter of Order history while launching a new path Maxine may not be ready for.

With Three SIKTC artists on the book, the art changes in phases. Dell'Edera takes the opening moments. The tension with Maxine and George doesn’t take long to boil. Maxine’s trepidation is very noticeable as George tests her.

Fuso steps in for a more subtle time. The mingling at the house takes on a whole new feel. Maxine questioning George in front of Albie Cutter stands out. Their conversation volleys. The art locks in on key points. Albie’s smile versus Maxine’s stare downs. It ultimately drives to a haunting picture on the wall. The eyes of Charlotte Cutter never escape the house. It only steps aside for a new guest.

The meeting between Victor and a certain boss plays off their on-upmanship. Both think they have the upper hand. Dell'Edera leans heavily into smaller panels here. Readers can sense the tension with close up of he reactions.

Cadonici handles the side breaks with the House history. It is set up in a clear read. The smaller designs mixed in jump out as the past is being revisited. The chapter ultimately circles back to Dell'Edera taking George and Maxine on the final lesson. The panels carry much weight. It finishes with a subtle image which speaks very loudly towards the future.

OVERALL GRADE: 8.8

Maxine Slaughter’s evolution takes her into House Cutter’s uncharted territory. The writing takes readers into the deep politics of the hunting Houses. Dramatic imagery is broken up with a detailed look at where the most dangerous house rose up. This is a must-read for all SIKTC as the long build of Maxine blazes another path.

Hit me up on ODPHpod social media and let me know your thoughts on Book Of Cutter #1. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #0 (BOOM! STUDIOS)

Erica Slaughter. The complex monster hunter has always been a magnet for trouble. Even in her early days, Slaughter has had a shroud of mystery haunting her. Before moving on from the battle with Cutter, there has been a focus to look at her past.

With the 5 year anniversary of the “Slaughterverse” at hand, a prequel is very fitting. It allows for a key change in direction to form. A new player entering the deadly game. Who is this imposing figure and what do they want with Erica?

SOMETHING IS KILLING THE CHILDREN #0 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) takes readers back to right before the Archer’s Peak mission.

Let’s not wait any longer & see where things lead now.

SOMETHING IS KILLING THE CHILDREN #0 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Even with a prequel, nobody has mastered the craft of “slow burn drama” like James Tynion IV. A simple case morphs into an introduction for a debuting threat. The conversation between Sarah and Victor brings forth many avenues for drama. Sarah’s recap of events plays into the foundation of Erica’s drive. It is capped off by a subtle panel of Sarah hugging Erica. At this moment, readers watch as Erica lets her guard down just enough to be “normal”. It’s a side rarely seen. Readers watch a break in her armor form but not for too long.

Pacing keeps the emotions running high all chapter. The remainder of the hunt plays into familiar territory. Erica handles her business before getting the call for the next case. Once the attention is back on Sarah and Victor, Tynion finally dishes a cold response to Sarah’s impactful support of Erica. The fallout drops a big reveal as readers find themselves wrapped up in the chaotic landscape of the Order of St. George. With a superb cliffhanger, the sins of the past might find their way into the present timeline. Can Erica hope t survive? Only time will tell.

Dell’edera and Muerto continue to balance the build and create exciting panels for this special issue. The flashback sequences pop right off the page. With Muerto’s excellent coloring, the scenes come across as warm and feature Erica in a new sense. The full page image of Erica hugging Sarah is an easy connect with readers.

It plays off the multi panel pages of Victor and Sarah recapping. The art paints him as a charismatic being looking for details. With each page, readers can feel the tension building around Victor. These moments are briefly overshadowed by a two page conclusion to the flashback. The “feel good” moment is short lived as Victor comes to the end of this questions. His response speaks volumes of his character. With the final two pages, it becomes crystal clear of how imposing he will become in the present. The use of shading in the closing panel sells readers on what lies ahead as year 6 begins for the Boom! Studios franchise.

FINAL POINT: 9.4

The prequel mission before Archer’s Peak hits many emotions as SIKTC delivers another fantastic read. Tynion’s slow burn writing keeps readers locked in wy before the last pages. Dell’edera and Muerto provide the backdrops for an initial hunt which leaves many questions in its’ wake. Brace for the forthcoming impact. SIKTC is back in a big way!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #0. Thanks for reading!

GRIM #20 (BOOM! STUDIOS)

Jessica Harrow’s (after)life has always been complex. Being the daughter of Death comes with many strings attached. As the heir apparent, Jessica has inherited some enemies. The manipulations of her aunt have now led to Hell On Earth. Is there any hope left?

GRIM #20 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) sets forth a new direction for the coolest book at the LCS!

Let’s take a deeper dive on what’s unfolding now!

GRIM #20 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Since its’ return from a brief hiatus, the direction of Grim has been spotlighting featured characters. Delving into their backstories has provided many new layers to each involved. This issue focuses on a relationship many have been waiting to find out about: Death and Lilah. Phillips orchestrates this with many twists and turns before hitting readers with an emotional punch.

Death is portrayed as a lovestruck soul questioning all he knows. On the other hand, Lilah is very comfortable in her sexual preferences as his “partner”. It is a unique dynamic that stretches through this chapter. Even with the assist of the world’s best in psychoanalysis, Death struggles to sort his feelings. The resolution is a tremendous punch. It’s paired perfectly to Depeche Mode’s “Strangelove”. Relationships are complex enough. Factor in their circumstances and the story is unapologetic in handling the fallout.

It sets a stage for a present day reveal which harkens on the uncomfortable sins of the past. Readers watch as a reunion unfolds which has mixed results. There isn’t much time to process this event as the story heads into its’ close. Once here, Phillips leaves readers with another reveal that is sure to raise more eyebrows as Jessica continues to journey into mystery.

Flaviano and Renzi bring the intimacy and strain of Death and Lilah to the pages flawlessly. The panels take readers on a journey into their doomed union. Using a offset color range for the therapy session works to make each panel pop. From here, the art heads back into displaying the range of feeling between the lost lovers. It builds towards a strong image of Death with the song lyrics swirling around him. Nobody does this better than Tom Napolitano. This carries to the full page closing image. The art team drops one more reveal before parting with this very impactful chapter.

FINAL POINT: 9.4

Delving into the secret past of Jessica’s parents take readers on quite the journey. Phillips crafts a mature and frank look at their union with excellent writing. Flaviano, Renzi and Napolitano deliver on huge moments and heartbreaking images. After reading this, there is no doubt on why this book stands out from the rest.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #20. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #40 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the back stories of Erica Slaughter continue to come to life. Since her encounter with Cutter, Erica has laid low. The series has moved towards telling past tales of Erica’s history. Each have been stand alone and are great jumping on points for new readers. It has been part of her “Year Zero”.

SOMETHING IS KILLING THE CHILDREN #40 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) is the last stop of Year Zero before issue #0.

EDITOR NOTE: Some of the imagery and plot featured in this story is meant for mature readers. Discression is advised when checking this issue out.

If all set from here, let us see what secrets of Erica come to life now.

SOMETHING IS KILLING THE CHILDREN #40 byJames Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) Cover - Jenny Frison

*** POSSIBLE SPOILER WARNING ***

Tynion gives readers a deep cut into Erica’s past with this latest chapter. The emotional toll that she goes through as a hunter is heavy. Seeing how devastating one action can take magnifies that even more. With this chapter, a truly gruesome incident happens that wears heavy on her soul.

Readers watch as Erica opens herself up to Aaron Slaughter of what she’s experienced. The writing is blunt and paints a cold picture. Hunter life is anything but normal. Showcasing the range of emotions Erica bears will hit readers very hard. The fallout from this leads to a somber conversation between Erica and Aaron. How events wrap up feels devoid of feeling. It paints such a painful theme of Erica’s life and how she must process each victory and defeat. It is an intense insight that will have readers talking.

Dell’edera and Muerto depict Erica in a broken state. Her facial expressions tell a story of loss and remorse. This gets a counter balance when Aaron appears in frame. Being someone who’s lived this lifestyle longer, his reactions appear more “normal” than one might think it should be.

Everything does change when Erica begins to flashback on this particular case. The use of purples break up pages to exemplify what’s unfolding. This works very well to shift focus. That said, there is no greater image of this book than a certain full splash of Erica screaming. How the art and lettering work in this instance is incredible about portraying the horrible tragedy without showing anything to the readers. There is no doubt what has just occurred. It carries into the closing moments. With a simple panel and question, the images end with a feeling of remorse before departing.

FINAL POINT: 10

In this latest chapter of Year Zero, readers see a terrible tragedy through Erica’s eyes. Tynion’s writing floods the story with pain and anquish. The art team tastefully brings this tragedy to the forefront with the imagery. SIKTC continues to set a high bar with their intense storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #40. Thanks for reading!

BRZRKR: LOST BOOK OF B #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the saga of a half man, half god, all killing machine has returned. Spawning into a live action & anime series, the adventures of B (aka Unute) continue to draw attention on a greater scale.

Heading back into the comic shops is a brand new story. It is even more special due to the fact that the original creative team have returned for this project. This is the first time since the conclusion of the original series in March of 2023.

BRZRKR: The Lost Book of B #1 by Keanu Reeves, Matt Kindt, Ron Garney, Bill Crabtree and Clem Robins (BOOM! Studios) focuses on a lost chapter in B's legacy.

Let’s take a deeper look at how this chapter fares.

BRZRKR: The Lost Book of B #1 by Keanu Reeves, Matt Kindt, Ron Garney, Bill Crabtree and Clem Robins (BOOM! Studios)

***POSSIBLE SPOILER WARNING ***

Kindt and Reeves blend the historic aspects of Genghis Khan into the unruly violence that follows B wherever he goes. Seeing the strategy used to recruit B plays well into the lore of the conquering dictator.

Readers watch as the offer of power is great for some but what is it ultimately to a half god? It's a question that applies some ethics in-between the many stages of brutality displayed.

There are some very creative devices planted firmly into this chapter. One that comes to mind involves a catapult. It ushers in a defining moment for B while mixing up the familiar formula of attack, destroy, repeat. Once events shift gears, pacing does move very rapidly.

In a sense, the shift fully showcases how even power isn't the most valuable asset to someone. The fallout from the closing act is as expected. It leaves things as mysterious as the lead character is. There is no doubt there are more chapters to be written on an already impactful legacy in the making.

Garney and Crabtree return with the intense imagery this series is known for. The story doesn't wait long to unleash B's fury. A near half panel announces an angry Unute into action. Panels becomes consumed with the violence on hand. It is not one for the weak of heart. The views effect the savagery of barbaric times. This feels like a familiar realm for B with his untamed association with violence.

The "calmer" times let readers in on Khan's over-confidence. The expressions being made show a man who thinks he's in full control. As events unfold further, the blind confidence becomes oblivious to what's on its way. Once the closing act kicks in, the art team goes bold to usher in the closing.

From a close-up on B's eyes to the pain he soon after inflicts, nothing escapes the reader as his pain is dished out on the masses. The closing pages set a more tame tone as this chapter closes. It's a fitting end with a bird flying with a message. Readers will have much to divulge and enjoy with this return to form.

FINAL POINT: 8.5

The latest trip into Unute's trail of violence is flooded with familiar themes of redemption through pain. Kindt and Reeves construct a layered insight into the man behind the constant mayhem. Garney's fierce visuals expose Unute at his purest nature. It's a strong read that is a welcomed addition into the ever-growing legacy of a conflicted half man and half god.

Hit me up on ODPHpod social media and let me know your thoughts on BRZRKR: The Lost Book Of B #1. Thanks for reading!

HOUSE OF SLAUGHTER #25 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The Butcher” has ran out of time. Jace Boucher has been a breakout character in the “Slaughterverse” for quite some time. The former lover of Aaron Slaughter has tried finding peace. Unfortunately, his past won’t let him have that.

Now, his one man war against the Houses of Slaughter and Boucher have come to a final showdown. Will his pain be enough to push him to victory?

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) delivers on an explosive finale.

Let’s see how Jace Boucher fares in this confrontation!

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal sets Jace Boucher up for an emotional last stand. Throughout his journey, Jace has been dealing with ghosts from his past. It has been driving his one constant emotion: Anger. The writing reflects this as he goes into his showdown. However, Boucher finds himself in an unthought of position.

The sub plot of the houses comes to light at an unexpected time. With its venomous dialogue, Jace is told where he fits in the grand scheme of power. This drives him into action. It also builds to a stand still moment that long time fans have wondered if/when they will see it. From here, the story concludes very quickly. Loose ends are tied up very firmly.

The conclusion is not without its’ bittersweet moments. It leaves readers in a unique spot to process events. There is a sense of open-endedness that fans will have to ponder what just transpired. It’s a solid note to conclude on as the Butcher War reached its’ ending.

Fuso and Muerto open the issue with a near full image of Jace assessing what happened to Maven. This leads into his violent march into the House of Boucher. Panels are filled with extreme acts as Boucher look to end matters on his terms. His last run truly begins with a strong two page spread. The spread serves as a great pace setter as business begins to pick up steam.

From here, story pacing gets pages flying fast. It mirrors the ever-changing fight brewing. The art team throws in some graphic panels fitting of a bloody war. In its’ epilogue, the art style switches up to reflect flashbacks. It is a great break needed before the finale. The closing pages built towards a bittersweet ending. Readers will sense the gravity of Jace’s last stand with much praise.

FINAL POINT: 8.8

“The Butcher’s War” concludes on a heartfelt and brutal note. Brombal sets an intense pace with strong writing. Fuso and Muerto give fans a violent and unforgiving final confrontation fitting for its’ build. This story will be one that Slaughterverse fans will be talking about for quite some time.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #25. Thanks for reading.

GRIM #18 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, comics' coolest book returned in a monster way. With literal Hell on Earth, Jessica Harrow is rallying her forces. The times have made Jessica and her troublesome Aunt Adira uneasy allies.

In between the drama, there has been a showcase of fan-favorite characters. Even with Eddie and the Priest getting their moments, one question remains the focus. Can the heir apparent of Death’s legacy find a way to stop the chaos?

GRIM #18 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) casts the spotlight on another character waiting to break out.

Let’s take a closer look at where things play out now.

GRIM #18 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

This is a tale of two stories. Both carry equal weight. Since its’ return, Grim has been spotlighting members of the supporting cast. Harold (featured on the cover) gets his minutes of Fame. Phillips crafts an ethical question surrounding his existence. It is a strength to his character, This also allows two key figures to have some of their history unveiled. It is a great opening lead mixed in with the rock and roll vibe this series is known for.

The other story jumps to present events. Catching up to where the world has gone to Hell (literally), Phillips bears the importance of Harold in his greater role. Seeing him mix it up with his “boss” made for a well-paced break in the drama. The build to confronting the present day horror gets another layer added. Once the showdown finally commences, the impact on the readers will be huge and worth the wait.

It is literally impossible to read an issue of Grim and not be completely blown away by the art and imagery. Flaviano, Renzi and Napolintano take the flashback moments and dive deep into the unpredictability of that era.

Under the words of Johnny Cash, Harold’s tale pops off the pages. The panels of view through Harold’s eyes are next level creative. This leads into a two-page montage that encompasses Harold’s journey. It’s filled with haunting lyrics, excellent coloring and show-stopping images. This team sets the bar extremely high for others to follow. Once readers arrive at the final panel, the parting image will make a loud statement as to a new chapter in Jessica’s path of destiny.

FINAL POINT: 9.4

When you have a creative team like Phillips, Flaviano, Renzi and Napolintano pushing the creative boundaries each issue, you know to expect great storytelling. This issue has everything readers want. High drama, imaginative panels and a story that doesn’t escape attention. Don’t miss it.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #18. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #38 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. Since her violent showdown with Cutter, Erica has disappeared off the grid. Readers have now been granted access into her early beginnings. Each chapter has been solo adventures early in her career. It has been a perfect jump-on point for new readers.

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) welcomes readers into another point of Erica Slaughter’s past.

Let’s take a deeper dive as the past becomes present!

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The issue features a wounded Erica being discovered by a couple of kids in a treehouse. Tynion sets up the discovery with wonder and confusion. Getting the outsider perspective helps to grow the mystique of her missions. How do outsiders comprehend what she does?

This element comes into play when the Order checks in. The conversation breaks up the serious tone with its’ awkwardness. Once Erica interjects, the mood shifts back to a more serious tone. Tynion reveals just enough of the past to keep readers in suspense.

The conclusion ends with a level feel. There is no extra drama needed. It is a conclusion that just says goodbye. In this line of work, there is no heartfelt goodbyes. It’s always strictly business as the final page states.

The art captures the uncertainty of the children who discover erica. Their reactions play into the unknown factor of their discovery. A two page sequence connects this point to readers with ease. Erica’s response to being discovered also carries a presence.

The panels display her showing some moments of normalcy. There is a small sequence of cutting hair that displays the missing portion of a normal life. With a strong parting shot, the story closes its doors as its’ on to the next case.

FINAL POINT: 8.8

The outsider view of Erica Slaughter’s life catches readers with a dialogue driven tale. Tynion spins the contrasting worlds together with the writing. The art brings out many reactions to events at hand. All the while, readers witness sides to Erica rarely seen. All in all, a solid stop into a mysterious past.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #38. Thanks for reading!

HOUSE OF SLAUGHTER #24 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, Jace Boucher is at the war’s end. His final stand against Jolie and both Houses of hunters united will not be without casualties. With the pain of his past fueling him, can the Butcher win an impossible fight? Even with a strong ally in Maven, it might be all for nothing as an attack on his home awaits.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) unleashes a full scale attack onto readers!

Let’s see how the pen-ultimate chapter stands up.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) CREDIT: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

The build in this series has been purposely slow to have readers ready for the conflict. Brombal finally sets off the action in two big battles. One is Maven defending Jace’s “children” from Jolie invading the swamp. The other is René waiting to face off with the Butcher one on one. With the rising body count, the fights have become personal. Let alone the Houses of Boucher and Slaughter watching in the wings.

The writing delves into the manic behavior of Jolie. Risking hunters on her personal vendetta showcases how unhinged she has become. Maven pulls out some huge surprises as their battle commences. As for Jace and René, the writing shifts into making both very similar in actions. Their banter is very driven and strikes a few nerves. This builds towards a strong finish with a few tricks up the sleeve. Seeing how things are left, there is now way to even guess how the war will end.

Fuso and Muerto craft impressive fight scenes throughout the entire issue. Maven revealing her attack is a two page spread that readers will be raving about. Talk about a game-changer! René and Jace’s brawl is violent and emotionally draining. It holds nothing back as each page becomes more intense. Both fights end in ways that no one will see coming. The images rev up the excitement as there is one showdown left! Only one point is certain: there is no guarantee anyone survives.

FINAL POINT: 9.4

The Butcher War level up its intensity and drama with an issue not soon forgotten! Brombal weaves two impressive battles that hit the emotional marks. Tate and Muerto choose violence with the unforgiving images to deliver the hellish fight Jace is in the center of. There’s no way not to be amped up for what’s next after this chapter.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #24. Thanks for reading!

PINE AND MERRIMAC #5 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, we have arrived at the conclusion of a great mystery story. Linnea and Parker Kent’s quiet life as Private Investigators has been anything but. After taking on a missing person’s case, the pair has uncovered much more than they bargined for. Last issue took a shocking turn. How does the finale conclude events on?

PINE AND MERRIMAC #5 by Kyle Starks, Fran Galán and Pat Brosseau (BOOM! Studios) looks to deliver an unforgettable finish.

Let’s see how the finale closes events out!

PINE AND MERRIMAC #5 by Kyle Starks, Fran Galán and Pat Brosseau (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

The mysterious cult responsible for some unforgivable actions has ties deep into the town of Jamesport. Parker Kent found out the hard way. Parker was killed by an officer with sinister connections to the cult. This now leaves Linnea on her own to stop them once and for all.

The issue begins with the leaders of the cult addressing Parker’s impact on their sacrifice ritual. They think all is saved but there’s an X factor to their plans. Linnea was in the crowd disguised. She escapes and starts to process losing the love of her life.

What unfolds next is a soul searching moment for Linnea. Dealing with grief, she goes through many emotions. One resident makes an ill-timed confrontation. This leads to Linnea making some drastic choices. The fallout sets her on a path where there is no turning back.

Readers watch as Linnea sees only one way to conclude the cult’s sacrifices. It builds towards a shocking conclusion that has been a staple of this series. Just when readers think they know the ending, the final act proves otherwise. Prepare for a final series of pages that will have fans talking and recapping what they just read.

Starks pens a touching and exciting finale with Linnea alone in the spotlight. The first act focuses on her processing what she has just seen. It’s presented in a strong way with the readers clearly feeing her pain. The range of emotions builds towards a direction shifting moment.

The fallout spirals into an excellent close. Starks paces the actions out to maximize a game changing action. What follows next is a creative venture that gives fans much to ponder. Linnea’s journey has been one about finding strength when tragedy strikes. The conclusion doesn’t disappoint but also leaves a lasting thought on the way out.

Galán delves into Linnea’s grief with a unique panel set-up. Using 2-3 per page with no words, readers can truly feel her emptiness. A quick flashback sequence breaks up the dark tones at a needed point. The images show Linnea at a place of comfort and calm before snapping back to reality.

The game-changer moment is granted a near full page. It presents the action on a grand stage. This ushers in the final moments. Galán does a great job setting the final image up. Readers won’t be ready for the full page panel concluding what has been a solid read from start to finish.

FINAL POINT: 9.7

Through tragedy comes a final attempt to right some wrongs in this series spectacular finale. Starks leans heavy into the themes of grief and loss to fuel Linnea’s last chance at justice. Galán’s art brings out the best of Linnea’s character right to a show stopping final page! The series has been nothing short of fantastic since the start and doesn’t miss nailing the close.

Hit me up on ODPHpod social media and let me know your thoughts on Pine and Merrimac #5. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #37 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. SIKTC has returned with a spotlight on the “slaughterverse” hunter’s history. In the next few issues, the chapters are all stand alone stories. It’s a welcomed take as fans are still reeling from the Cutter showdown.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) features an early Erica Slaughter in action.

Let’s not delay and take a closer look at events here.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion keeps things very simple with this chapter. Erica and a young child head into a Wal-Mart esque store. The clerks appear lost to what is happening. This series of events lean into Erica’s early days. Her banter with the young girl she’s trying to save plays out well. It helps to lighten up some of the darker elements at hand. Erica’s still growing her role.

The talk with Aaron shows her determination and unjaded nature. From here, the dialogue moves to the young girl. Her explaining Erica’s job provided a fine moment while Erica goes to work. The ending brims with anger and the cold demeanor that readers know from other Erica stories. Her journey feels like the long game payoff is coming, which is always a win for fans.

Dell’Edera and Muerto grant Erica a fun entrance into the story. The reactions of the employees range from doubtful to anxious. Erica’s reassurance into stopping the monster jumps off the page. It’s a subtle moment but fits the segment. This follows with a two page spread, leading into a vivid full page image of Erica and a chainsaw.

Pacing drives the fighting in this issue. Seeing Erica take on the monster felt huge. There’s little page time for the creature but using the supporting characters to describe the incident was solid. This works well with the action panels. The fallout comes across as cold and business per usual. Erica has a great walk-off panel that leads directly to where the early days continue onward. It’s fantastic storytelling!

FINAL POINT: 8.7

The latest journey into Slaughter encompasses everything fans love about Erica Slaughter. Tynion’s writing delivers a classic Slaughter hunt. The art shines as the supporting cast steals attention for this chapter. With a strong walk off close, the past is a present issue that SIKTC fans will want to check out!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #37. Thanks for reading.

GRIM #17 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the coolest book at the LCS has returned with a vengeance. Hell has been unleashed on Earth. Everyone’s favorite reaper is rallying her allies to try stopping things from getting worse. However, the spotlight for this issue shifts from Jessica Harrow to one of the series most beloved characters.

GRIM #17 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) walks readers into the story of the one and only Eddie!

Let’s not wait any longer and dive into the issue!

GRIM #17 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The year is 1975. A young man is putting on some eye liner before heading to the school bus. As he leaves the house, his father draws his attention. Dad isn’t too keen with the eyeliner and barks orders to remove it. The young man hesitates and gets slapped for being disrespectful. The young man is Eddie.

The story jumps to 1985. Eddie is backstage at a show applying the eyeliner. A reporter is questioning Eddie about his family’s support. Eddie sells the “perfect” story. In the conversation, he slips up and mentions his solo project. Eddie’s drummer Saul hears this and is none too pleased. This causes some friction between the bandmates. Saul announces their friendship is taking a toll on his health. It’s agreed that Saul will play their current show but won’t after that. They head to the stage and begin their sold out show.

Readers watch as the high price of fame catches up with Eddie. It is an emotional toll that carries a heavy weight. The young boy from New Jersey bears some heavy scars. This builds towards a moment that changes everything. Its’ conclusion leads to a send-off that will hit in all the emotions. There is no way fans will see that final panel and not get a bit choked up before concluding the issue.

Phillips walks readers through the rock star life with an unforgettable issue. Eddie and his relationships with family and friends vary to extreme degrees. His father proves to be a source of pain and manipulation. Eddie shows him compassion through the years of abusive behavior.

It’s a stark contrast to his loyal best friend Saul. Eddie treats him as an after thought through the sacrifices Saul has made for him over the years. This all unfolds into the middle act where fate confronts Eddie head on. Heading into the final pages, Phillips leads readers into one direction but pulls a great swerve. it leads to a heart-wrenching moment that perfectly closes out a great read.

Flaviano, Renzi and Napolitano bring out the best and worst of Eddie’s life with the art in this issue. The brooding disdain of Eddie’s dad pours out on each page. Saul’s reaction to Eddie’s non-caring attitude is one of desperate hope with no luck. Once they hit the stage, this dissolves into a bright two page splash.

Eddie’s demons don’t stay way for long. A post show party is filled with visions of sex, drugs and rock ‘n roll. The lyrics of “Boys Don’t Cry” come to life via Napolitao’s haunting lettering. It fills the air of a stunning full page image. What follows captures the shock and fear involved with rock n’ roll lifestyle. The closing image is an easy connect with readers. It packs an emotional toll that only this creative team can deliver.

FINAL POINT: 10

With “Boys Don’t Cry”, the tragic tale of one of the series most beloved characters comes to the forefront. Phillps weaves in themes of loss, pain and redemption masterfully with the writing. Flaviano, Renzi and Napolitano brings the bright lights and dark times of Rock N’ Roll to the masses with pin-point precision. After reading this issue, there’s no way anyone can dispute why this is comics’ coolest series each issue out.

Hit me up on ODPHpod and let me know your thoughts on GRIM #17. Thanks for reading.

HOUSE OF SLAUGHTER #23 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, time is ticking away on Jace Boucher. “The Butcher” of the “Slaughter-verse” has angered two very dangerous groups. Dealing with the House of Boucher is one thing. Trying to fight off them and their allies in the House of Slaughter spells certain death. How long can he survive for now?

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) heads right into the fallout of last issue’s initial strike.

Let’s take a closer look at how things shape up now!

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal shows how this conflict is breaking down both sides. Jace is trying to fight his battle but shows his emotions are leaking his weakness. With each wund that has been done, it’s fueling Jace on his mission. The question becomes: will it be enough to win?

On he other hand, being embarrassed by a lowly hunter doesn’t go over well with each house. The alliance seems to start showing its’ fractures after the defeat. The Old Dragon steals the spotlight to show his plans to eliminate Jace are the only options now. This causes big tensions with the opposing house. The writing shows how much more is layered beneath the surface. Even in the final moments, there are secrets to be unlocked. This is all much to fans’ benefits.

Fuso and Muerto lean into Jace’s rage in the opening pages. His talk with Maven leaves no doubt of how personal this all has become. It’s capped off with a strong near full page visualizing why he is fighting this fight.

The breakdown between the Houses also jumps out at readers. The embarrassment of Jace winning drives the Dragon into full panic. His facial reactions speak of the last shot to reclaim his reputation. The fallout demonstrates the power play each parties are attempting on the other. Once the closing pages start, readers will have the inclination that the end is coming faster than expected.

FINAL POINT: 8.1

Jace’s last stand builds towards an unimaginable showdown with the latest chapter. Brombal keeps the paranoia and rage high with the writing. Fuso, Muerto and the team magnify the breaking of spirits amongst the key players as Jace’s time ticks closer away.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #23. Thanks for reading.