THE NICE HOUSE BY THE SEA #4 (DC COMICS/VERTIGO)

Ten people are picked to live in a paradise when the world is collapsing all around them. It is a tempting offer to survive but at what cost? That is the premise behind 2021’s The Nice House By The Lake.

The second chapter arc of the mysterious saga returned in 2024. It is also fitting that this series will now be running under a returning and legendary banner of DC Comics with its’ latest issue.

The Nice House By The Sea #4 by James Tynion IV, Álvaro Martínez Bueno, Jordie Bellaire and Andworld Design debuts the new incarnation of DC VERTIGO (announced at this years’ NYCC event)!

Let’s take a closer look at where things now stand!

The Nice House By The Sea #4 by James Tynion IV, Álvaro Martínez Bueno, Jordie Bellaire

*** POSSIBLE SPOILER WARNING ***

Tynion keeps this issue grounded around Oliver and his struggles. The conflicting personalities of the “second” house begin to wear on the actor. In comparison to the first series, the common bond of friends is lacking with the new set. It is based on their profession status. Being placed on a pedestal leads to a growth in ego. It also leads to a false sense of invulnerability.

Oliver and Walter’s backstory gets strong points of clarity. The tragic heart break unleashes a bold reaction from Walter. Readers watch as this builds into a breaking point in the story. The fallout examines the brooding tactics between strangers knowing their future isn’t guaranteed. Readers watch as a shocking action takes place which might seal one group’s future or fate. The closing page leaves events off with an ominous feel. A parting panel concludes a deep ride into quite the engaging tale.

Bueno and Bellaire lead off events with a powerful two page spread. The initial moment between Walter chasing Oliver sets the tone for the deeper decent into their history. The security footage compliments Walter’s frustration at previous moves. Readers get a fun “road map” full page explaining events in recap.

Once entering the final act, the art shows off the true horror of the story. Bueno and Bellaire leave nothing behind showing one character’s fate for breaking rules. Each image cements the mounting horror. It ultimately leads into a full, wordless page. The imagery spotlights the devious actions taken. In its wake, the following panels conclude an impactful tale with a chilling statement before leaving. Rest assured, the art sells the grave stakes of actions leading into its’ next phase.

FINAL POINT: 9.3

It is fitting that The Nice House By The Sea leads Veritgo’s return. Tynion pens a powerful tale of loss and extreme measures. Bueno and Bellaire lock the audience in with the bold imagery of a paradise crumbling. The story dropped a major bombshell and readers will need to brace for impact as to what lies ahead.

Hit me up on ODPHpod social media and let me know your thoughts on The Nice House By The Sea #4. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #40 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the back stories of Erica Slaughter continue to come to life. Since her encounter with Cutter, Erica has laid low. The series has moved towards telling past tales of Erica’s history. Each have been stand alone and are great jumping on points for new readers. It has been part of her “Year Zero”.

SOMETHING IS KILLING THE CHILDREN #40 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) is the last stop of Year Zero before issue #0.

EDITOR NOTE: Some of the imagery and plot featured in this story is meant for mature readers. Discression is advised when checking this issue out.

If all set from here, let us see what secrets of Erica come to life now.

SOMETHING IS KILLING THE CHILDREN #40 byJames Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) Cover - Jenny Frison

*** POSSIBLE SPOILER WARNING ***

Tynion gives readers a deep cut into Erica’s past with this latest chapter. The emotional toll that she goes through as a hunter is heavy. Seeing how devastating one action can take magnifies that even more. With this chapter, a truly gruesome incident happens that wears heavy on her soul.

Readers watch as Erica opens herself up to Aaron Slaughter of what she’s experienced. The writing is blunt and paints a cold picture. Hunter life is anything but normal. Showcasing the range of emotions Erica bears will hit readers very hard. The fallout from this leads to a somber conversation between Erica and Aaron. How events wrap up feels devoid of feeling. It paints such a painful theme of Erica’s life and how she must process each victory and defeat. It is an intense insight that will have readers talking.

Dell’edera and Muerto depict Erica in a broken state. Her facial expressions tell a story of loss and remorse. This gets a counter balance when Aaron appears in frame. Being someone who’s lived this lifestyle longer, his reactions appear more “normal” than one might think it should be.

Everything does change when Erica begins to flashback on this particular case. The use of purples break up pages to exemplify what’s unfolding. This works very well to shift focus. That said, there is no greater image of this book than a certain full splash of Erica screaming. How the art and lettering work in this instance is incredible about portraying the horrible tragedy without showing anything to the readers. There is no doubt what has just occurred. It carries into the closing moments. With a simple panel and question, the images end with a feeling of remorse before departing.

FINAL POINT: 10

In this latest chapter of Year Zero, readers see a terrible tragedy through Erica’s eyes. Tynion’s writing floods the story with pain and anquish. The art team tastefully brings this tragedy to the forefront with the imagery. SIKTC continues to set a high bar with their intense storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #40. Thanks for reading!

HOUSE OF SLAUGHTER #25 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The Butcher” has ran out of time. Jace Boucher has been a breakout character in the “Slaughterverse” for quite some time. The former lover of Aaron Slaughter has tried finding peace. Unfortunately, his past won’t let him have that.

Now, his one man war against the Houses of Slaughter and Boucher have come to a final showdown. Will his pain be enough to push him to victory?

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) delivers on an explosive finale.

Let’s see how Jace Boucher fares in this confrontation!

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal sets Jace Boucher up for an emotional last stand. Throughout his journey, Jace has been dealing with ghosts from his past. It has been driving his one constant emotion: Anger. The writing reflects this as he goes into his showdown. However, Boucher finds himself in an unthought of position.

The sub plot of the houses comes to light at an unexpected time. With its venomous dialogue, Jace is told where he fits in the grand scheme of power. This drives him into action. It also builds to a stand still moment that long time fans have wondered if/when they will see it. From here, the story concludes very quickly. Loose ends are tied up very firmly.

The conclusion is not without its’ bittersweet moments. It leaves readers in a unique spot to process events. There is a sense of open-endedness that fans will have to ponder what just transpired. It’s a solid note to conclude on as the Butcher War reached its’ ending.

Fuso and Muerto open the issue with a near full image of Jace assessing what happened to Maven. This leads into his violent march into the House of Boucher. Panels are filled with extreme acts as Boucher look to end matters on his terms. His last run truly begins with a strong two page spread. The spread serves as a great pace setter as business begins to pick up steam.

From here, story pacing gets pages flying fast. It mirrors the ever-changing fight brewing. The art team throws in some graphic panels fitting of a bloody war. In its’ epilogue, the art style switches up to reflect flashbacks. It is a great break needed before the finale. The closing pages built towards a bittersweet ending. Readers will sense the gravity of Jace’s last stand with much praise.

FINAL POINT: 8.8

“The Butcher’s War” concludes on a heartfelt and brutal note. Brombal sets an intense pace with strong writing. Fuso and Muerto give fans a violent and unforgiving final confrontation fitting for its’ build. This story will be one that Slaughterverse fans will be talking about for quite some time.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #25. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #38 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. Since her violent showdown with Cutter, Erica has disappeared off the grid. Readers have now been granted access into her early beginnings. Each chapter has been solo adventures early in her career. It has been a perfect jump-on point for new readers.

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) welcomes readers into another point of Erica Slaughter’s past.

Let’s take a deeper dive as the past becomes present!

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The issue features a wounded Erica being discovered by a couple of kids in a treehouse. Tynion sets up the discovery with wonder and confusion. Getting the outsider perspective helps to grow the mystique of her missions. How do outsiders comprehend what she does?

This element comes into play when the Order checks in. The conversation breaks up the serious tone with its’ awkwardness. Once Erica interjects, the mood shifts back to a more serious tone. Tynion reveals just enough of the past to keep readers in suspense.

The conclusion ends with a level feel. There is no extra drama needed. It is a conclusion that just says goodbye. In this line of work, there is no heartfelt goodbyes. It’s always strictly business as the final page states.

The art captures the uncertainty of the children who discover erica. Their reactions play into the unknown factor of their discovery. A two page sequence connects this point to readers with ease. Erica’s response to being discovered also carries a presence.

The panels display her showing some moments of normalcy. There is a small sequence of cutting hair that displays the missing portion of a normal life. With a strong parting shot, the story closes its doors as its’ on to the next case.

FINAL POINT: 8.8

The outsider view of Erica Slaughter’s life catches readers with a dialogue driven tale. Tynion spins the contrasting worlds together with the writing. The art brings out many reactions to events at hand. All the while, readers witness sides to Erica rarely seen. All in all, a solid stop into a mysterious past.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #38. Thanks for reading!

HOUSE OF SLAUGHTER #24 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, Jace Boucher is at the war’s end. His final stand against Jolie and both Houses of hunters united will not be without casualties. With the pain of his past fueling him, can the Butcher win an impossible fight? Even with a strong ally in Maven, it might be all for nothing as an attack on his home awaits.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) unleashes a full scale attack onto readers!

Let’s see how the pen-ultimate chapter stands up.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) CREDIT: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

The build in this series has been purposely slow to have readers ready for the conflict. Brombal finally sets off the action in two big battles. One is Maven defending Jace’s “children” from Jolie invading the swamp. The other is René waiting to face off with the Butcher one on one. With the rising body count, the fights have become personal. Let alone the Houses of Boucher and Slaughter watching in the wings.

The writing delves into the manic behavior of Jolie. Risking hunters on her personal vendetta showcases how unhinged she has become. Maven pulls out some huge surprises as their battle commences. As for Jace and René, the writing shifts into making both very similar in actions. Their banter is very driven and strikes a few nerves. This builds towards a strong finish with a few tricks up the sleeve. Seeing how things are left, there is now way to even guess how the war will end.

Fuso and Muerto craft impressive fight scenes throughout the entire issue. Maven revealing her attack is a two page spread that readers will be raving about. Talk about a game-changer! René and Jace’s brawl is violent and emotionally draining. It holds nothing back as each page becomes more intense. Both fights end in ways that no one will see coming. The images rev up the excitement as there is one showdown left! Only one point is certain: there is no guarantee anyone survives.

FINAL POINT: 9.4

The Butcher War level up its intensity and drama with an issue not soon forgotten! Brombal weaves two impressive battles that hit the emotional marks. Tate and Muerto choose violence with the unforgiving images to deliver the hellish fight Jace is in the center of. There’s no way not to be amped up for what’s next after this chapter.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #24. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #37 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. SIKTC has returned with a spotlight on the “slaughterverse” hunter’s history. In the next few issues, the chapters are all stand alone stories. It’s a welcomed take as fans are still reeling from the Cutter showdown.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) features an early Erica Slaughter in action.

Let’s not delay and take a closer look at events here.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion keeps things very simple with this chapter. Erica and a young child head into a Wal-Mart esque store. The clerks appear lost to what is happening. This series of events lean into Erica’s early days. Her banter with the young girl she’s trying to save plays out well. It helps to lighten up some of the darker elements at hand. Erica’s still growing her role.

The talk with Aaron shows her determination and unjaded nature. From here, the dialogue moves to the young girl. Her explaining Erica’s job provided a fine moment while Erica goes to work. The ending brims with anger and the cold demeanor that readers know from other Erica stories. Her journey feels like the long game payoff is coming, which is always a win for fans.

Dell’Edera and Muerto grant Erica a fun entrance into the story. The reactions of the employees range from doubtful to anxious. Erica’s reassurance into stopping the monster jumps off the page. It’s a subtle moment but fits the segment. This follows with a two page spread, leading into a vivid full page image of Erica and a chainsaw.

Pacing drives the fighting in this issue. Seeing Erica take on the monster felt huge. There’s little page time for the creature but using the supporting characters to describe the incident was solid. This works well with the action panels. The fallout comes across as cold and business per usual. Erica has a great walk-off panel that leads directly to where the early days continue onward. It’s fantastic storytelling!

FINAL POINT: 8.7

The latest journey into Slaughter encompasses everything fans love about Erica Slaughter. Tynion’s writing delivers a classic Slaughter hunt. The art shines as the supporting cast steals attention for this chapter. With a strong walk off close, the past is a present issue that SIKTC fans will want to check out!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #37. Thanks for reading.

HOUSE OF SLAUGHTER #23 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, time is ticking away on Jace Boucher. “The Butcher” of the “Slaughter-verse” has angered two very dangerous groups. Dealing with the House of Boucher is one thing. Trying to fight off them and their allies in the House of Slaughter spells certain death. How long can he survive for now?

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) heads right into the fallout of last issue’s initial strike.

Let’s take a closer look at how things shape up now!

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal shows how this conflict is breaking down both sides. Jace is trying to fight his battle but shows his emotions are leaking his weakness. With each wund that has been done, it’s fueling Jace on his mission. The question becomes: will it be enough to win?

On he other hand, being embarrassed by a lowly hunter doesn’t go over well with each house. The alliance seems to start showing its’ fractures after the defeat. The Old Dragon steals the spotlight to show his plans to eliminate Jace are the only options now. This causes big tensions with the opposing house. The writing shows how much more is layered beneath the surface. Even in the final moments, there are secrets to be unlocked. This is all much to fans’ benefits.

Fuso and Muerto lean into Jace’s rage in the opening pages. His talk with Maven leaves no doubt of how personal this all has become. It’s capped off with a strong near full page visualizing why he is fighting this fight.

The breakdown between the Houses also jumps out at readers. The embarrassment of Jace winning drives the Dragon into full panic. His facial reactions speak of the last shot to reclaim his reputation. The fallout demonstrates the power play each parties are attempting on the other. Once the closing pages start, readers will have the inclination that the end is coming faster than expected.

FINAL POINT: 8.1

Jace’s last stand builds towards an unimaginable showdown with the latest chapter. Brombal keeps the paranoia and rage high with the writing. Fuso, Muerto and the team magnify the breaking of spirits amongst the key players as Jace’s time ticks closer away.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #23. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #36 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, we are heading back into BOOM! Studios “Slaughterverse”. Last time fans saw Erica Slaughter, she was reeling from her encounter with Cutter. The emotional toll is still being felt by fans to this day. Where do things go from here?

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) heads into the past before showing Erica’s future.

Let’s take a trip back in Slaughterverse history!

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story begins five years prior to the showdown with Cutter. A Young child named Randy is raiding their refrigerator. On the news, the news anchor mentions children being mauled. It is presumed a bear or wolf is responsible. Readers know all too well it is more than that.

Randy sneaks into a barn with the stolen food. A figure is waiting inside for Randy. It is Erica Slaughter. Their talk is broken up by a dog belonging to one of the victims. Erica bonds with the dog as she starts piecing together her hunt.

Readers watch as Erica tries solving this mysterious case. What is the monster up to? Why the specific targets? The case heads into a distinct direction. The fallout delves into the composition of Erica. It is a bittersweet closing as the soul behind the hunter starts revealing itself to the audience.

Tynion takes readers into a self contained moment of Erica’s early life to much delight. The case is very straight forward. Erica is written as a evolving hunter, honing her craft. The connection with Randy and the dog make for memorable moments. Readers sense Erica’s growing concerns as she sorts through the hunt. The resolution exposes some elements while re-establishing her distance from others. Few writers can make a simple story so layered but Tynion pulls it off flawlessly.

Dell’edera and Muerto do a wonderful job building a tense feel in the beginning section of the issue. The use of 4-6 panels on each page constructs a slow pace leading to reveals. The art team also catches Erica having some glimpses of happiness with her animal companion. It is rare for her guard to be let down, but works to break up the brooding aura. The parting images leave the case closed with a noteworthy ending panel. There is no question that one case is closed but many more have just been opened.

FINAL POINT: 9.4

The journey into Erica Slaughter’s past is filled with emotion and mystery with this latest chapter. Tynion’s superb writing is setting the stages for a long pay-off. Dell’edera and Muerto provide impressive imagery capturing a side of the legendary hunter rarely seen. It’s phenomenal work that shouldn’t be missed.

Hit me up on ODPHpod social media and let me know your thoughts on Somehting Is Killing The Children #36. Thanks for reading.

HOUSE OF SLAUGHTER #22 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, we are following the final story involving a fan-favorite “slaughter-verse” character. House of Slaughter has given fans featured stories on certain characters. Few have won over readers such as Jace Boucher. Last we saw “The Boucher”, it appears his luck has run out. Can he make it though this latest ordeal in one piece?

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) looks to give fans some more clues on the Butcher’s last stand.

Let’s take a closer look and see how things shape up.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios COVER: Nimit Malavia

*** POSSIBLE SPOILER WARNING ***

The issue begins in an abandoned amusement park. A young boy stands underneath a carousel. His name is Sunny Boucher. Sunny was under the care of Jace Boucher. That was the case until he was recruited into the House of Boucher by Jolie Boucher. Voices fill the air eluding to Sunny being in trouble.

The story shifts to Sunny being back at the House with Jolie. Jolie mentions how the Order from Chicago is here to take care of Jace. She sets up Sunny to trick Jace into walking into a trap.

Will Jace take the bait? Readers watch as the young boy is influenced to be the decoy to an onslaught. The rival House of Slaughter has some reservations about trusting Sunny. However, it appears that the plan might be falling into place.

Brace for a final act that changes everything. The closing image will have fans on edge knowing the Butcher’s final stand is in full swing.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios

Sunny Boucher’s story shifts dynamics as the driver for this chapter. The writing portrays him as a child looking for direction. The dynamic with Jolie wavers from loyal to uncertain. If not for her blind confidence, Jolie would see Sunny’s swaying opinions. This builds for a strong pay-off later.

The final act will hit longtime readers more than ones who jump in on the new arc. Knowing the back story between Jace and Sunny, it is an emotional moment that leads into a stronger one unfolding. The set-up for the final page works to carry the tension right to the next chapter.

The art doesn’t steer away of the pull on Sunny. The opening image of Sunny standing by the carousel sets an eerie tone. With the word bubbles surrounding him, the fear starts creeping in the young boy. The series of panels with Jolie “recruiting” Sunny leads readers through her delusional methods. This builds towards a solid middle act and striking final page.

FINAL POINT: 8.4

The last stand of Jace Boucher speeds forward with a solid chapter. The writing shows the confliction in a character who’s still finding their way. The art gives readers a sense of the emotional toll being taken. Mix them together and you have an issue worth checking out at the Comic Shops this week.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #22. Thanks for reading.

HOUSE OF SLAUGHTER #21 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points! It’s the comic book review blog to the ODPH Podcast!

For this entry, we’re beginning the final story of Jace Boucher. The Butcher of BOOM! Studios’ “Slaughterverse” has been carving a path in the Something is Killing The Children spin-off for quite some time. After recent events, Boucher appears to be on a deadly collision course. The Order of St. George is not one to forgive and forget. With them in pursuit, Boucher elects to play a deadly game. Can he win?

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell'Edera) kicks off an explosive new story.

Let’s take a deeper dive into the new chapter….

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

In the port of New Orleans, a caravan of black cars drive. The narration tells a timeless story. Suddenly a voice asks to pull over. A man jumps out coughing blood. He sees the silhouette of Boucher in the distance. Reality sets in and the image disappears. The man is the Old Dragon of House Slaughter.

The group representing the Order of St. George has entered the halls of the House Of Boucher. Readers watch as the moment’s tension cuts like a blade. Both houses have different styles all their own. However, both agree on the same thing: End Jace Boucher once and for all. The meeting ends with the Old Dragon still scheming as winning this contest is the only option.

What does this mean for Jace? Readers witness as the life he’s tried hard to build now comes into direct danger. From the previous stories, Jace is far from healed of his demons. The final parting pages leave no question that Jace is determined to slay them along with his enemies. Let the hunting begin!

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

Brombal leans heavy into the uneasiness of the two factions for where this story leads. Dragon’s arrogance to the House Of Boucher is returned to make for a game of one-upmanship. The writing showcases the impact Boucher’s actions have on both houses. It adds more fuel to their causes to eliminate him.

Jace’s demons still play a factor into his role with the story. The writing mirrors the damage that has been done previously. It helps to build what is decided in the closing moments. The seeds have been planted for a dangerous chess match.

Fuso and Muerto construct a high level of pressure when the houses meet. The mannerisms shown towards each other indicates the uneasy alliance being made. The panels lead with Dragon getting a feel for the new house before turning the tables into his own favor.

The imagery of Jace shows his confliction with well placed flashbacks. The battle with the monster is fitting of the tow-page spread it gets. The battle is perfectly capped off with a bloodied Jace emerging from battle in a full page shot. The closing images leave readers with no hesitation of Jace leaving everything on the table when it’s all said and done with the Houses.

FINAL POINT: 8

The last stand of the Butcher begins with a slow burn first issue. Brombal crafts the writing to weave the key players towards their eventual collision course. Fuso and Muerto provide the high stakes images to solidify there will be no turning back from where this story is heading. Keep this one on your radar at the comic shops this week.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #21. Thanks for reading.

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

HOUSE OF SLAUGHTER #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the kick-off of a brand new story arc in one of Boom! Studios stand-out series. Spiraling out of the pages of the award winning Something is Killing The Children, House of Slaughter has carving its own spot as must-read stories on New Comic Book Day. The solo stories based in the SIKTC world has been winning over fans with each run. Now with a brand new arc and creative team, the series is ready to feature a certain character ready for the spotlight!

House Of Slaughter #16 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera is hitting the Local Comic Shops this week. Let’s see how the latest tale kicks off, shall we?

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

A monster is reeking havoc. A group of White Masks have arrived on the scene. They are searching for the main point of the monster’s base. One White Mask breaks away from the plan and is caught in the monster’s grasp. Once one of their group goes down, two call a formation and ask for the bait to be brought out.

The story shifts to where a group of young White masks are enjoying some down time at the Order of St. George when Cecilia Slaughter interrupts their time. There’s one big reason for her appearance. She is adding the White Mask known as Bait to the mission in Erie, Pennsylvania. Bait had his arms amputated.

The other masks banter amongst themselves not knowing why Bait gets to be selected. Readers soon find out as he is updated on the mission at hand.

What exactly is happening to cause a rising body count? Why is Bait selected for this? How does the Order of St. George tie in with this case? Readers begin the journey into this latest mystery with a fantastic starting point.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

Johns hits the ground running with setting the foundation of where this new venture is leading. Seeing the reactions after Bait was selected for the mission added to the mystique of his character. Johns also factors in a great comparison of Billiards and Alabaster. Showcasing a piece of the Orders’ history in such a manner is a fun way to peel back a hidden layer of their past. Pacing gave every portion room to let each segment breathe. Much like anything in the SIKTC line, just enough is revealed without exposing the true nature of any plot. The same can be said here with a well-crafted debut chapter.

Cadonici and Segala mix in personal reactions with the terrifying theme of the story with the visuals here. Right form the beginning, the altercation with the monster and White Masks make a big statement. Bait’s eyes speak volumes about what is happening around him. This is balanced by the reaction of the young group after his selection. The banter about him leads readers into thinking how important he is to breaking this case open. This plays into the final arc of this issue, where the calm before the storm reigns down on readers closing the beginning of what is sure to be another classic HoS saga.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

FINAL POINT: 8 OUT OF 10

The latest phase of the hit spin-off series from SIKTC doesn’t skip a beat presenting a captivating kickoff. Johns, Cadonici and the team highlight a White Mask’s trek into danger with solid writing and artwork. The story of Bait has only just begun but it is one you won’t want to miss.

Hit me up on ODPH Social media and let me know your thoughts on House Of Slaughter #16. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #31 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, one of the best series in comics returns from a brief hiatus with a vengeance! SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design kicks off the next phase of Erica Slaughter’s greatest challenge! How does the latest issue from BOOM! Studios bring back the award winning story. Let’s not wait another second and return to the world of monsters and hunters!

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

*** POSSIBLE SPOILER WARNING *** SEE PREVIOUS REVIEW

Ever since her re-emergence in Tribulation, New Mexico, Erica Slaughter’s latest case has been anything but easy. Hunting down a monster known as a Duplicate, Erica has been trying to protect Gabi, the sole witness to the Monster’s attack of her family and Riqui, a local bartender turned guardian of Gabi from the dangerous evil. To complicate matters even more, The Order of St. George has unleashed Cutter, a vicious killer to take care of Erica once and for all!

Last issue saw Cutter frame Erica for the multiple killings of the Tribulation Police dept. Making matters worse, the duplicate has assumed Erica’s likeness in its’ attacks. Wounded and on the run, it appears time is running out for Erica to stop these forces once and for all.

This issue picks up with a survivor form the Duplicate’s latest attack. In their description to the Sheriff, Readers get a frightening picture of the events that took place. The fear in Owen’s voice recapping the attack leaves nothing held back. With the information given, Erica is clearly described as the attacker.

This should please Cutter, whose plan looks like its’ on the verge of success. However, Erica took something from her last issue that has the ruthless killer on edge: her Dolly. With noticeable outbursts, Cutter tries recomposing herself, but to no avail. Cutter is now pushed to the brink of insanity. This doesn’t bode well for Erica as she and her companions lay low in preparation for their next move.

With the dangers mounting, can Erica survive? What of the people under her protection? What of Cutter and the duplicate? Readers get an insight to Erica’s handling of the situation before a new player enters the deadly game. Get ready for an interesting change of events as the closing moments bring more than even the great Erica Slaughter could bargin for.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

BREAKDOWN: Nobody currently does slow burn drama quite like James Tynion. Kicking off the new arc. the pacing allows for steady builds in all the major storylines. Seeing Cutter even more unhinged is a strong point to readers as her character appears ready to obtain victory. The initial outbursts leave no doubt as to how far gone she truly is. Meanwhile, Erica tries to regroup over recent events.

With her confidence rattled, Erica comes across determined to get back on track. This is overshadowed by moments between Gabi and Riqui. Seeing the pair bond over this ordeal breaks the tension up just enough before shifts back gears. Tynion throws in an excellent new development before tying off events in this return chapter. It’s issues like this readers fully understand why this series gets so much credit and praise.

Dell’edera and Muerto drive home how unglued Cutter has become. Seeing the visuals of the breakdown all leads to a full page panel that fans won’t soon forget. The art team also delivers on the latest Duplicate victim’s emotional state. Watching them relive a nightmare with their testimony to the sheriff set an early feel that never escaped the issue.

It balanced out with Gabi and Riqui’s more “normal” moments as they follow Erica’s lead. The break gives readers a chance to soak in the story before the shocking close-out panels. With the latest development, there is no way to pass on becoming hooked into the latest arc.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

FINAL POINT: 9.5 OUT OF 10

The latest story arc of SIKTC kicks off with a superb return issue that fans can’t afford to miss. Excellent writing combined with haunting imagery sets the stage for a combustible series of future events. After reading the first few pages, the creative team defines what incredible storytelling is all about. Don’t miss this issue on New Comic Book day!

Hit me up on ODPH social media and let me know your thoughts on SIKTC #31. Thanks for reading!

HOUSE OF SLAUGHTER #15 (BOOM! STUDIOS)

Welcome to a brand-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the conclusion of the third arc of the spin-off series based from the award winning series from Boom! Studios: “Something Is Killing The Children.” Since its’ debut, House Of Slaughter has provided fantastic reads in short arcs involving characters based in the Order of St. George universe. The latest tale featured a character who made waves in the inaugural start of the series: “The Butcher” Jace Boucher. Now featured in his own solo story, things have drastically changed since we last saw the Butcher. His current life as guardian over some orphans has been impacted by ghosts from his past returning. When one he’s watching over goes missing, Jace’s worst nightmares appear to becoming real.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) brings a finale to the current story run.

Before we get started, some of the imagery might be too intense for younger readers. Reading discression is advised. That said, Let’s see how the fate of the Butcher plays out, shall we?

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

*** POSSIBLE SPOILER WARNING ***

Before this story began, readers witnessed the tragic love story involving Jace and Aaron Slaughter. In its’ wake, Jace has become protector to a group of orphans waiting for Aaron to come back to him. Unfortunately, that day will not come as Aaron was killed after returning to the Order to protect Jace. Without this knowledge, Jace is trying to start life post St. George and adjusting to losing a hand. During this time, a young orphan named Sunny has taken upon himself to try and follow in Jace’s footsteps.

His endeavors brought him into contact with someone who Jace never thought he would see again: Jolie Boucher. Jolie has welcomed Sunny into the lifestyle and her family with open arms. Once Jace becomes aware of who is influencing Sunny, he makes a desperate attempt to save the boy from the fate he knows comes with this lifestyle. This leads to a confrontation between Jace and Jolie, who have some unsettled business from when they last saw each other. The conversation starts friendly but true motives are shown as Jolie winds up capturing Jace, settling some payback for “leaving her” to die in a fire many years prior. All the while, Sunny faced his first monster to become a member of Jolie’s hunting family, losing his eye in the process.

This issue opens up with a flashback to where Jace first found Sunny. Readers remember this school bus as it was the setting shown at the beginning of this arc. Readers have nothing held back as the emotional impact is felt from the scene. It leads to present day where Jace is tied up in a meat locker. Vionette and Cassius Boucher are watching over and taunting Jace. It is during this moment that Jace finds out news that the readers have been dreading he would. It is upon this revelation that Jace has a vision that proves to be the park for something else entirely. Jolie’s actions have woken up …. The Butcher.

Will Jace save Sunny in time? And what of the other orphans who make an attempt to help? Readers get this answers along with seeing first hand what Jace is capable of. It leads to a final confrontation that no one is expecting things to play out as they do. It is a fitting end to a story that has pushed its’ protagonists to their threshold before they can’t hold back who they truly are.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

BREAKDOWN: Brombal sends the Butcher out with a very solid conclusion. The entire arc has been about redefining who he is post-hunting. Jace’s life seems to be at peace until Sunny tries taking his “hero worship” too far. Brombal sets up Jace to be a complex character, wrestling with the demons of his past. The back-story with Jolie fits perfectly as someone who mirrors what Sunny is doing now in their young age. The showdown doesn’t falter as readers see first hand what Jace can do when fully unleashed. Seeing the face-of with Jolie plays right into the boiling point of this story. Once it commences, it delivers on what fans are expecting…until the conclusion. Brombal shifts gears and throws in some twists that some may not be ready for. It caps off what readers should expect from this universe and know it brings the drama and tension every time.

Fuso and Muerto paint a vivid picture of how dangerous Jace can be. Seeing him angry and unhinged is an intense visual for the reader. These panels do not shy away from what he can do and leaves readers knowing exactly why he has the nickname that he does. They set it up nicely with Jace taking cover in a tree, ready to strike at a given notice. The art really elevates the final stand-off between Jace and Jolie to another level. Readers can sense the feeling involved with this confrontation. Fuso and Muerto also present the shocking moments near the final act with well-timed reactions to the events transpiring. It all ties together with the final visuals bringing a close to this chapter and having fans discuss what happens now with what they have just witnessed.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

FINAL POINT: 8 OUT OF 10

The conclusion of “The Butcher’s return” is a complete send-off for Jace Boucher and his life post Aaron Slaughter. Brombal, Fuso, Muerto and the team create a finale filled with solid writing and strong art that leave no question to the readers about why Jace has the nickname of “The Butcher.” You’ll want to keep an eye out for this issue and series at the local comic book shop this week.

Hit me up on ODPHpod social media and let me know what you thought of House of Slaughter #15. Thanks for reading.

W0RLDTR33 #1 (IMAGE COMICS)

Welcome to a brand new edition of Parlay Points, the comic book review blog to the ODPH podcast.

For this entry, we’re checking out the latest new series from the mastermind behind the mega hit series “Something Is Killing The Children.” Considering who else is along for the horror tale being told, it completely justifies the hype surrounding this book. W0RLDTR33 #1 by JAMES TYNION IV, FERNANDO BLANCO, JORDIE BELLAIRE and ADITYA BIDIKAR from Image Comics embarks a journey into the darkest portion of the internet known as the Undernet and the results are terrifying.

Before we get started with the review, this book has some extreme violent imagery and themes throughout that might be upsetting to some. Reader discretion is strongly advised before jumping into this issue.

That said, if you’re still in for the review, let’s see what all the hype is about, shall we?

W0RLDTR33 #1 

Creative by JAMES TYNION IV, FERNANDO BLANCO, JORDIE BELLAIRE and ADITYA BIDIKAR 

Credit: Image Comics

*** POSSBILE SPOILER WARNING ***

An ominous quote welcomes readers to this series: “ Let me Tell You How Much I’ve Come To Hate You Since I Began To Live” - Harlen Ellison “I Have No Mouth and I need To scream (2024).”

A naked woman opens her laptop after committing a murder in what appears to be a hotel room. Signing in with the username of “PH34R” , She accesses the Undernet. With images of violent acts appear all across the screen, she focuses in on one with almost 30,000 views! Readers watch in horror as a young man knocks on a random house and flashes his cell phone in front of an unsuspecting victim, making them disoriented before slitting the gentleman’s throat. The killer is talking to the watching audience and going through his process of murder. The killer does the same thing to the woman in the kitchen of the house before going into the bathroom. The killer is a fifteen year old named Gibson Lane with a camera strapped to his head. On his stream, he brags about killing forty people, much to the delight of “PH34R” watching.

From here, the story shifts to a man named Ellison and his girlfriends Fausta driving by a mountain side en route to Pittsburgh. Ellison is talking about how he found his brother talking about what he saw on the dark web and it was some truly disturbing images. Fausta tries calming his nerves but with little success. While driving, she searches his brother’s social media to calm his nerves more but sees something that chills her to the bone instead. They pull the car over and see that Ellison’s fears were correct that something was terribly wrong.

The story shifts to a man named Gabriel watching on the news about Gibson’s killing spree (now at sixty plus). He stares into a picture on the wall, which triggers a flashback. During this moment, readers see a young Gabriel along with other teenagers trying to stop something from leaving the computer servers they are on. The stakes feel huge for, as one person points out, “we’re just kids”.

The story shifts back to the present as Gabriel calls Liam (presumed to be the boy with the “kids” quote from the flashback. The conversation is uncomfortable, but the message is clear: the undernet has to be stopped from spreading. Gabriel mentions a possible solution is back active: a message board known as W0rldtr33. Gabriel summons Liam and the others from the flashback to meet in Pittsburgh to take this challenge head on.

At this stage, Ellison arrives at the police station to see his brother. However, he’s not alone in arriving at the station. Who else appears wanting to see Gibson? Readers see a final act that no one can predict which way it goes. The final image caps off a brutal and violently horrific saga that has just only begun.

BREAKDOWN: Tynion wastes no time in setting things in motions with this story. Each major player (thus far) gets their fair share of panel time to start their stories but all pale in comparison to the heinous actions of Gibson. Tynion writes him as a delusional psychopath throughout his murder spree. Ellison comes across as a caring brother, lost at what to do with the situation at hand (and rightfully so). “PH34R” and Gabriel have only begun to make an impact but, at first read, they have a destined collision course waiting in the wings. The story itself is extremely upsetting as the Undernet has only shown a fraction of what its capable of. It is pure horror at a terrifying high level. As with most of his writing, no one is better at the slow burn build than Tynion. With only one issue down, readers sense the terror behind what is about to come and will be locked in for the long haul to see where this story is heading.

Blanco and Bellaire spare no expense in visualizing the insanity unfolding within these pages. The murder spree is horrific and unapologetic. The set-up of 12 or 9 panel pages gave those disturbing moments a more direct impact when reading. Gibson looking in the bathroom mirror after killing the couple was a blunt depiction into his madness. His mannerisms will be unsettling to some readers. It’s matched on impacting the readers with Fausta’s reaction to finding his social media videos. Once her tears start, readers will connect with her reaction to what she just saw. “PH34R” stands out (not because she is nude the majority of time) from her slight grin seeing the lunacy transpire. The final act caps off the brutal tale perfectly with a final parting image showing the fallout response to what has just unraveled before he audience.

FINAL POINT: The darkest secret of the internet steps into the spotlight in the pages of Image Comic’s latest series. Tynion, Blanco and the team present an absolutely frightening tale of horror in disturbing fashion. Solid storytelling equaled out with alarming imagery gives this story a distinct feel as it progresses to the next chapter. Makes sure to keep an eye out for this on New Comic Book Day.

Hit me up on ODPH social media and let me know what you think of W0rldTr33 #1. Thanks for reading.