SOMETHING IS KILLING THE CHILDREN #40 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the back stories of Erica Slaughter continue to come to life. Since her encounter with Cutter, Erica has laid low. The series has moved towards telling past tales of Erica’s history. Each have been stand alone and are great jumping on points for new readers. It has been part of her “Year Zero”.

SOMETHING IS KILLING THE CHILDREN #40 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) is the last stop of Year Zero before issue #0.

EDITOR NOTE: Some of the imagery and plot featured in this story is meant for mature readers. Discression is advised when checking this issue out.

If all set from here, let us see what secrets of Erica come to life now.

SOMETHING IS KILLING THE CHILDREN #40 byJames Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) Cover - Jenny Frison

*** POSSIBLE SPOILER WARNING ***

Tynion gives readers a deep cut into Erica’s past with this latest chapter. The emotional toll that she goes through as a hunter is heavy. Seeing how devastating one action can take magnifies that even more. With this chapter, a truly gruesome incident happens that wears heavy on her soul.

Readers watch as Erica opens herself up to Aaron Slaughter of what she’s experienced. The writing is blunt and paints a cold picture. Hunter life is anything but normal. Showcasing the range of emotions Erica bears will hit readers very hard. The fallout from this leads to a somber conversation between Erica and Aaron. How events wrap up feels devoid of feeling. It paints such a painful theme of Erica’s life and how she must process each victory and defeat. It is an intense insight that will have readers talking.

Dell’edera and Muerto depict Erica in a broken state. Her facial expressions tell a story of loss and remorse. This gets a counter balance when Aaron appears in frame. Being someone who’s lived this lifestyle longer, his reactions appear more “normal” than one might think it should be.

Everything does change when Erica begins to flashback on this particular case. The use of purples break up pages to exemplify what’s unfolding. This works very well to shift focus. That said, there is no greater image of this book than a certain full splash of Erica screaming. How the art and lettering work in this instance is incredible about portraying the horrible tragedy without showing anything to the readers. There is no doubt what has just occurred. It carries into the closing moments. With a simple panel and question, the images end with a feeling of remorse before departing.

FINAL POINT: 10

In this latest chapter of Year Zero, readers see a terrible tragedy through Erica’s eyes. Tynion’s writing floods the story with pain and anquish. The art team tastefully brings this tragedy to the forefront with the imagery. SIKTC continues to set a high bar with their intense storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #40. Thanks for reading!

HOUSE OF SLAUGHTER #25 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The Butcher” has ran out of time. Jace Boucher has been a breakout character in the “Slaughterverse” for quite some time. The former lover of Aaron Slaughter has tried finding peace. Unfortunately, his past won’t let him have that.

Now, his one man war against the Houses of Slaughter and Boucher have come to a final showdown. Will his pain be enough to push him to victory?

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) delivers on an explosive finale.

Let’s see how Jace Boucher fares in this confrontation!

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal sets Jace Boucher up for an emotional last stand. Throughout his journey, Jace has been dealing with ghosts from his past. It has been driving his one constant emotion: Anger. The writing reflects this as he goes into his showdown. However, Boucher finds himself in an unthought of position.

The sub plot of the houses comes to light at an unexpected time. With its venomous dialogue, Jace is told where he fits in the grand scheme of power. This drives him into action. It also builds to a stand still moment that long time fans have wondered if/when they will see it. From here, the story concludes very quickly. Loose ends are tied up very firmly.

The conclusion is not without its’ bittersweet moments. It leaves readers in a unique spot to process events. There is a sense of open-endedness that fans will have to ponder what just transpired. It’s a solid note to conclude on as the Butcher War reached its’ ending.

Fuso and Muerto open the issue with a near full image of Jace assessing what happened to Maven. This leads into his violent march into the House of Boucher. Panels are filled with extreme acts as Boucher look to end matters on his terms. His last run truly begins with a strong two page spread. The spread serves as a great pace setter as business begins to pick up steam.

From here, story pacing gets pages flying fast. It mirrors the ever-changing fight brewing. The art team throws in some graphic panels fitting of a bloody war. In its’ epilogue, the art style switches up to reflect flashbacks. It is a great break needed before the finale. The closing pages built towards a bittersweet ending. Readers will sense the gravity of Jace’s last stand with much praise.

FINAL POINT: 8.8

“The Butcher’s War” concludes on a heartfelt and brutal note. Brombal sets an intense pace with strong writing. Fuso and Muerto give fans a violent and unforgiving final confrontation fitting for its’ build. This story will be one that Slaughterverse fans will be talking about for quite some time.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #25. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #38 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. Since her violent showdown with Cutter, Erica has disappeared off the grid. Readers have now been granted access into her early beginnings. Each chapter has been solo adventures early in her career. It has been a perfect jump-on point for new readers.

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) welcomes readers into another point of Erica Slaughter’s past.

Let’s take a deeper dive as the past becomes present!

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The issue features a wounded Erica being discovered by a couple of kids in a treehouse. Tynion sets up the discovery with wonder and confusion. Getting the outsider perspective helps to grow the mystique of her missions. How do outsiders comprehend what she does?

This element comes into play when the Order checks in. The conversation breaks up the serious tone with its’ awkwardness. Once Erica interjects, the mood shifts back to a more serious tone. Tynion reveals just enough of the past to keep readers in suspense.

The conclusion ends with a level feel. There is no extra drama needed. It is a conclusion that just says goodbye. In this line of work, there is no heartfelt goodbyes. It’s always strictly business as the final page states.

The art captures the uncertainty of the children who discover erica. Their reactions play into the unknown factor of their discovery. A two page sequence connects this point to readers with ease. Erica’s response to being discovered also carries a presence.

The panels display her showing some moments of normalcy. There is a small sequence of cutting hair that displays the missing portion of a normal life. With a strong parting shot, the story closes its doors as its’ on to the next case.

FINAL POINT: 8.8

The outsider view of Erica Slaughter’s life catches readers with a dialogue driven tale. Tynion spins the contrasting worlds together with the writing. The art brings out many reactions to events at hand. All the while, readers witness sides to Erica rarely seen. All in all, a solid stop into a mysterious past.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #38. Thanks for reading!

HOUSE OF SLAUGHTER #24 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, Jace Boucher is at the war’s end. His final stand against Jolie and both Houses of hunters united will not be without casualties. With the pain of his past fueling him, can the Butcher win an impossible fight? Even with a strong ally in Maven, it might be all for nothing as an attack on his home awaits.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) unleashes a full scale attack onto readers!

Let’s see how the pen-ultimate chapter stands up.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) CREDIT: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

The build in this series has been purposely slow to have readers ready for the conflict. Brombal finally sets off the action in two big battles. One is Maven defending Jace’s “children” from Jolie invading the swamp. The other is René waiting to face off with the Butcher one on one. With the rising body count, the fights have become personal. Let alone the Houses of Boucher and Slaughter watching in the wings.

The writing delves into the manic behavior of Jolie. Risking hunters on her personal vendetta showcases how unhinged she has become. Maven pulls out some huge surprises as their battle commences. As for Jace and René, the writing shifts into making both very similar in actions. Their banter is very driven and strikes a few nerves. This builds towards a strong finish with a few tricks up the sleeve. Seeing how things are left, there is now way to even guess how the war will end.

Fuso and Muerto craft impressive fight scenes throughout the entire issue. Maven revealing her attack is a two page spread that readers will be raving about. Talk about a game-changer! René and Jace’s brawl is violent and emotionally draining. It holds nothing back as each page becomes more intense. Both fights end in ways that no one will see coming. The images rev up the excitement as there is one showdown left! Only one point is certain: there is no guarantee anyone survives.

FINAL POINT: 9.4

The Butcher War level up its intensity and drama with an issue not soon forgotten! Brombal weaves two impressive battles that hit the emotional marks. Tate and Muerto choose violence with the unforgiving images to deliver the hellish fight Jace is in the center of. There’s no way not to be amped up for what’s next after this chapter.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #24. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #37 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. SIKTC has returned with a spotlight on the “slaughterverse” hunter’s history. In the next few issues, the chapters are all stand alone stories. It’s a welcomed take as fans are still reeling from the Cutter showdown.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) features an early Erica Slaughter in action.

Let’s not delay and take a closer look at events here.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion keeps things very simple with this chapter. Erica and a young child head into a Wal-Mart esque store. The clerks appear lost to what is happening. This series of events lean into Erica’s early days. Her banter with the young girl she’s trying to save plays out well. It helps to lighten up some of the darker elements at hand. Erica’s still growing her role.

The talk with Aaron shows her determination and unjaded nature. From here, the dialogue moves to the young girl. Her explaining Erica’s job provided a fine moment while Erica goes to work. The ending brims with anger and the cold demeanor that readers know from other Erica stories. Her journey feels like the long game payoff is coming, which is always a win for fans.

Dell’Edera and Muerto grant Erica a fun entrance into the story. The reactions of the employees range from doubtful to anxious. Erica’s reassurance into stopping the monster jumps off the page. It’s a subtle moment but fits the segment. This follows with a two page spread, leading into a vivid full page image of Erica and a chainsaw.

Pacing drives the fighting in this issue. Seeing Erica take on the monster felt huge. There’s little page time for the creature but using the supporting characters to describe the incident was solid. This works well with the action panels. The fallout comes across as cold and business per usual. Erica has a great walk-off panel that leads directly to where the early days continue onward. It’s fantastic storytelling!

FINAL POINT: 8.7

The latest journey into Slaughter encompasses everything fans love about Erica Slaughter. Tynion’s writing delivers a classic Slaughter hunt. The art shines as the supporting cast steals attention for this chapter. With a strong walk off close, the past is a present issue that SIKTC fans will want to check out!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #37. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #36 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, we are heading back into BOOM! Studios “Slaughterverse”. Last time fans saw Erica Slaughter, she was reeling from her encounter with Cutter. The emotional toll is still being felt by fans to this day. Where do things go from here?

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) heads into the past before showing Erica’s future.

Let’s take a trip back in Slaughterverse history!

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story begins five years prior to the showdown with Cutter. A Young child named Randy is raiding their refrigerator. On the news, the news anchor mentions children being mauled. It is presumed a bear or wolf is responsible. Readers know all too well it is more than that.

Randy sneaks into a barn with the stolen food. A figure is waiting inside for Randy. It is Erica Slaughter. Their talk is broken up by a dog belonging to one of the victims. Erica bonds with the dog as she starts piecing together her hunt.

Readers watch as Erica tries solving this mysterious case. What is the monster up to? Why the specific targets? The case heads into a distinct direction. The fallout delves into the composition of Erica. It is a bittersweet closing as the soul behind the hunter starts revealing itself to the audience.

Tynion takes readers into a self contained moment of Erica’s early life to much delight. The case is very straight forward. Erica is written as a evolving hunter, honing her craft. The connection with Randy and the dog make for memorable moments. Readers sense Erica’s growing concerns as she sorts through the hunt. The resolution exposes some elements while re-establishing her distance from others. Few writers can make a simple story so layered but Tynion pulls it off flawlessly.

Dell’edera and Muerto do a wonderful job building a tense feel in the beginning section of the issue. The use of 4-6 panels on each page constructs a slow pace leading to reveals. The art team also catches Erica having some glimpses of happiness with her animal companion. It is rare for her guard to be let down, but works to break up the brooding aura. The parting images leave the case closed with a noteworthy ending panel. There is no question that one case is closed but many more have just been opened.

FINAL POINT: 9.4

The journey into Erica Slaughter’s past is filled with emotion and mystery with this latest chapter. Tynion’s superb writing is setting the stages for a long pay-off. Dell’edera and Muerto provide impressive imagery capturing a side of the legendary hunter rarely seen. It’s phenomenal work that shouldn’t be missed.

Hit me up on ODPHpod social media and let me know your thoughts on Somehting Is Killing The Children #36. Thanks for reading.

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

PUNISHER #1 (MARVEL COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are entering a new era with one of Marvel Comics’ most infamous characters. Ever since his debut in Amazing Spider-Man #129 in 1974, Frank Castle has been a walking force of nature against evil. With a vicious disregard for lawbreakers, the walking death machine has left a polarizing trail of moments with readers due to his complex history and views.

That all changed with the events of The Punisher #12 by Jason Aaron, Jesus Saiz and Paul Azaceta. Frank Castle is gone. That doesn’t mean there is no Punisher.

Punisher #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit sends a new character on the path of vengeance and justice. Let’s not wait another second and see what happens now, shall we?

PUNISHER #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit (Credit: Marvel entertainment - cover: Rod Reis)

*** POSSIBLE SPOILER WARNING ***

The story begins at a destroyed house. The name “Garrison” is barely recognized on the weathered mailbox. The police have arrived to investigate the scene. Readers see the detectives at work. The home belonged to Joe Garrision. His wife Stephanie and two kids, Laura and Danny were killed in what is being called a possible gas leak explosion. After more investigating, a bomb is found in the wreckage…

Things shift to The Black Dragon Lagoon. A man is at the bar. Surrounding him is the Inner Demon Gang, known for wearing dragon-esque masks. The dialogue reflects they are protecting the man. The lights go out and a figure stands at the doorway. He asks for Sergei Federov aka The Sokovian. In naming his transgressions, The Sokovian is blamed for the explosion at the Garrisions.

Readers don’t have to wait long before the action begins. In-between the bullets and barbaric behavior, the talk switches back to the crime scene where the explosion is looking to have been a personal attack. Once back at the club, the body count has climbed and one man stands in the chaos: Joe Garrison.

As he flees the scene to an undisclosed location, the ruse of his “suburban identity” becomes exposed. With a SHIELD logo on the wall, the perceived “accountant” is far from ordinary.

As the news blares on the television, Garrison is the person of interest behind the bombing. That isn’t the only news as reports of the Inner Demon Gang massacre leak. The public account keeps hinting at the same question: Is Frank Castle back as the Punisher?

From here, readers see Garrison’s mission come to light. His path of vengeance leads him into another dangerous direction. Can this new “Punisher” survive long enough to find justice? With tension mounting, Garrison’s path leads readers into the battlefield and closes with a lasting impression this story is far from over.

PUNISHER #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit (Credit: Marvel entertainment - cover: SALVADOR LAROCCA)

With Pepose at the writing duties, there was no doubt fans would get their money’s worth. After reading this debut, the writing borrows the “best” of Frank Castle and merges it with Joe Garrison’s duality as SHIELD agent and mournful man. The opening act doesn’t hold back on establishing Garrison as a threat in his own right.

Once Garrison comes across a threat out of his league, Pepose gets creative in how to overcome the odds. This plays into the logo hidden in the lair background. Where Castle’s background and training was when he started is different than Garrison. The skill level is featured in the final act and leads to leaving its own mark on readers that a new era has started.

Pacing slows down just enough to give readers a break in the action before the bullets and blows start flying again. With just one issue, Pepose lets fans know the Joe Garrison era has kicked off with a bang.

Wachter and Brown bring the brutality of the character legacy with a new energy to it. Garrison’s attacks are displayed with more precision and patience than Castle’s. The conclusion of the Inner Demon Gang massacre gives readers a standout full panel page.

Once the main antagonist appears, the art holds nothing back at the savage technique Garrison uses to survive. The panels reflect the viciousness Garrison uses in his attacks. This is also compliments by a series of panels that raise the stakes with the pressure it builds. Once the shot is fired to end the conflict, there is no illusion to who is standing in evils’ way. The parting visual ends events the only way it can: leaving readers waiting for the next issue to drop. Solid job all around.

PUNISHER #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit (Credit: Marvel entertainment - cover: Skottie Young)

FINAL POINT: 9.5 OUT OF 10

No Frank Castle, No Problem. Pepose blends the classic Punisher themes with a new character with excellent writing. The action flies off the pages via Wachter and Brown’s vision of unrelenting fury. With the action cranked up to a fever pitch, there is no way you want to miss this book when it drops on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Punisher #1. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

HOUSE OF SLAUGHTER #17 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re returning to the spin-off series stemming from Boom! Studios’ Something is Killing the Children. With House Of Slaughter, the spotlight is shinning on a specific character of the SIKTC. All the previous tales have been excellent reads, following the “slow burn” drama method fans have come to know and admire. With a brand new arc just beginning, the focus is on Bait, the White Mask with no arms.

House Of Slaughter #17 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera continues the tale of “Alabaster”. Let’s take a closer look and see how the story is progressing, shall we?

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Erie, Pennsylvania is the home of the latest mission involving the secret Order of St. George. With at least 14 dead in a small town, Bait has been sent undercover into a foster home to start investigating what is the cause of these killings. The move might be one that other younger members of the order question, but there s much more to this White Mask than anyone realizes.

This issue opens up with Bait waking up in his new surroundings. Making his way down the stairs, the foster house residents are all waiting. The meeting becomes a touch awkward with Bait keeping his emotions in check. Even with a playful welcome is given, Bait is thinking of taking out his “greeter”.

Things shift gears as another member of the house catches Bait’s attention: Nannette. Bait is distracted by her presence but regroups to focus on the mission at hand. Someone in the house is connected to the case. Someone is going to be exposed.

Readers see Bait go into action. What does he encounter in his travels? Why is he so infatuated in Nan? There are many questions laid out as small clues are revealed to the overall picture coming into view.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Werther Dell’Edera)

Johns delves into Bait’s character for quite a few standout moments. The interactions meeting the house residents plays into his mysteriousness. It isn’t until Nan makes her appearance that Bait gives any inkling of emotion. The lone action sequence adds more fuel on that building fire of Bait’s true feelings.

Johns mixes in well-placed breaks to have readers guessing as to what’s a flashback or a dream. The slow pacing gives the character moments time to breathe and build up to a memorable parting page. It’s a great send off and one that looks to be one Bait might not be ready to handle.

Cadonici and Segala mix the moods of the story with perfect use of coloring. The blue shading of Bait’s “greeting” inside the house makes for a solid connection to the readers. Whenever Nan appears, the lighting shifts to an orange-red glow some would think is Bait’s emotions reflecting to the readers.

The action portions play out fast-moving and capped with a great two page flowing spread. The closing images are subtle in comparison but leave nothing behind heading into the story’s next phase.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Raul Allen)

FINAL POINT: 8 OUT OF 10

The latest chapter of “Alabaster” keeps reader’s attention with excellent storytelling. Johns’ writing starts peeling back the layers of Bait’s character while the art team mixes in different coloring to lead the readers into the many levels of the mysterious White Mask. Don’t miss this book on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #17. Thanks for reading.

HOUSE OF SLAUGHTER #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the kick-off of a brand new story arc in one of Boom! Studios stand-out series. Spiraling out of the pages of the award winning Something is Killing The Children, House of Slaughter has carving its own spot as must-read stories on New Comic Book Day. The solo stories based in the SIKTC world has been winning over fans with each run. Now with a brand new arc and creative team, the series is ready to feature a certain character ready for the spotlight!

House Of Slaughter #16 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera is hitting the Local Comic Shops this week. Let’s see how the latest tale kicks off, shall we?

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

A monster is reeking havoc. A group of White Masks have arrived on the scene. They are searching for the main point of the monster’s base. One White Mask breaks away from the plan and is caught in the monster’s grasp. Once one of their group goes down, two call a formation and ask for the bait to be brought out.

The story shifts to where a group of young White masks are enjoying some down time at the Order of St. George when Cecilia Slaughter interrupts their time. There’s one big reason for her appearance. She is adding the White Mask known as Bait to the mission in Erie, Pennsylvania. Bait had his arms amputated.

The other masks banter amongst themselves not knowing why Bait gets to be selected. Readers soon find out as he is updated on the mission at hand.

What exactly is happening to cause a rising body count? Why is Bait selected for this? How does the Order of St. George tie in with this case? Readers begin the journey into this latest mystery with a fantastic starting point.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

Johns hits the ground running with setting the foundation of where this new venture is leading. Seeing the reactions after Bait was selected for the mission added to the mystique of his character. Johns also factors in a great comparison of Billiards and Alabaster. Showcasing a piece of the Orders’ history in such a manner is a fun way to peel back a hidden layer of their past. Pacing gave every portion room to let each segment breathe. Much like anything in the SIKTC line, just enough is revealed without exposing the true nature of any plot. The same can be said here with a well-crafted debut chapter.

Cadonici and Segala mix in personal reactions with the terrifying theme of the story with the visuals here. Right form the beginning, the altercation with the monster and White Masks make a big statement. Bait’s eyes speak volumes about what is happening around him. This is balanced by the reaction of the young group after his selection. The banter about him leads readers into thinking how important he is to breaking this case open. This plays into the final arc of this issue, where the calm before the storm reigns down on readers closing the beginning of what is sure to be another classic HoS saga.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

FINAL POINT: 8 OUT OF 10

The latest phase of the hit spin-off series from SIKTC doesn’t skip a beat presenting a captivating kickoff. Johns, Cadonici and the team highlight a White Mask’s trek into danger with solid writing and artwork. The story of Bait has only just begun but it is one you won’t want to miss.

Hit me up on ODPH Social media and let me know your thoughts on House Of Slaughter #16. Thanks for reading.

BRZRKR: POETRY OF MADNESS #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast.

For this entry, we are returning to the BRZRKR universe from BOOM! Studios for an all new adventure. The story of B aka Unute just wrapped up its’ debut run but that was far from the conclusion of the character. With projects tagged to Netflix still in the works (pre SGA strike), there is much for fans to look forward to.

Leading the way is BRZRKR: POETRY OF MADNESS by KEANU REEVES (“John Wick”, “The Matrix”), Steve Skroce, Dave Stewart and Ed Dukeshire. Where do the adventures of Unute take readers this time? Let’s take a closer look and see how this Kickstarter project to LCS staple shapes up!

Editor Note: If you are new to the series, BRZRKR is an ultra-violent series and some panels aren’t suitable for a younger audience. Discretion is advised.

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

The story begins in Atlantis. A narrator explains for the mystique of Atlantis’ riches have brought out some unsavory characters trying to claim the resources for their own. Zubatai (The Narrator) greets the army storming the gates. She gives them a warning if they proceeed. The savages laugh it off. Zubatai responds with unleashing the King’s Guard: the half Man, half Mortal, All Killing force of nature known as Unute, the Berserker!

One man verses thousands doesn’t sound like fair odds. However, it’s not fair odds for the thousands. The violence is unleashed as Unute takes the fight to the invaders in graphic fashion. When the conflict finally ends, it is Unute as the last man standing.

As he is paraded around the city to a hero’s welcome, Unute is greeted by King Azaes, whom they share a pivotal moment with the readers. Lurking in the background is Visane, a priest who Unute sense danger around.

Later in the evening, Unute stumbles upon a robbery of highly important objects. With the preist looks as the prime suspect, unute makes his way to confront him.

Once he arrives, Unute walks into a surprise situation that leads to nothing but trouble. What dangers have been unlocked? Can Unute stop them? What will be the future of the Kingdom now? Readers get set for another does of drama and ultra violence as Unute does what he does best. The conclusion brings a definite close to what should be a pleasing tale for fans from this series.

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

BREAKDOWN: Reeves doesn’t stray too far from the formula of previous issues of the brutal saga. If anything, this story has more moments of light-hearted dialogue than in recent memory. There is a bit of random swearing mixed in that works for some scenes but feels awkward in other stages.

Unute still connects as a troubled force of nature. Reeves scatters in more “human” elements with the flashback sequences of him filling in as a “father-Figure” to King Azaes. This plays heavy into the closing act, which ties up all loose ends before its’ conclusion. Readers who want the big action will not be let down as Reeves delivers on those larger-than-life times for a good majority of this issue. There’s absolutely nothing wrong as any long time reader of the series knows. If you want action, look no further.

Skroce steps in for art duties and spares no expense with the sheer brutality of Unute. The initial onslaught is a graphic two-page spread that readers witness limbs torn and cut off. Normally, this might be a bit much, but this fits Unute’s world to the letter. Skroce focus on the details of Unute’s regeneration as he heals up from the viciousness of battle. The gradual progression gives readers a sense of how things work concerning Unute.

They are gifted a wild scenario for the final battle. Unute’s big opponent gives the box office sense of epic once it enters the story. Even with the noticable difference in structure, the battle brings the same energy as only a BRZRKER story can. Great final one page panel to wrap things up with until we see Unute appear again.

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

FINAL POINT: 8 OUT OF 10

Unute’s return after the debut series conclusion sends the title character into a familiar realm. Reeves pens the story with a sense of action leading its way. Skroce and the team bring the vividly imaginative tale to life with unforgiving fight scenes fitting for the half-man, half god. If you’re a fan of BRZRKR, you won’t be disappointed with this issue.

Hit me up on ODPH social media and let me know your thoughts of BRZRKR: Poetry Of Madness. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #31 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, one of the best series in comics returns from a brief hiatus with a vengeance! SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design kicks off the next phase of Erica Slaughter’s greatest challenge! How does the latest issue from BOOM! Studios bring back the award winning story. Let’s not wait another second and return to the world of monsters and hunters!

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

*** POSSIBLE SPOILER WARNING *** SEE PREVIOUS REVIEW

Ever since her re-emergence in Tribulation, New Mexico, Erica Slaughter’s latest case has been anything but easy. Hunting down a monster known as a Duplicate, Erica has been trying to protect Gabi, the sole witness to the Monster’s attack of her family and Riqui, a local bartender turned guardian of Gabi from the dangerous evil. To complicate matters even more, The Order of St. George has unleashed Cutter, a vicious killer to take care of Erica once and for all!

Last issue saw Cutter frame Erica for the multiple killings of the Tribulation Police dept. Making matters worse, the duplicate has assumed Erica’s likeness in its’ attacks. Wounded and on the run, it appears time is running out for Erica to stop these forces once and for all.

This issue picks up with a survivor form the Duplicate’s latest attack. In their description to the Sheriff, Readers get a frightening picture of the events that took place. The fear in Owen’s voice recapping the attack leaves nothing held back. With the information given, Erica is clearly described as the attacker.

This should please Cutter, whose plan looks like its’ on the verge of success. However, Erica took something from her last issue that has the ruthless killer on edge: her Dolly. With noticeable outbursts, Cutter tries recomposing herself, but to no avail. Cutter is now pushed to the brink of insanity. This doesn’t bode well for Erica as she and her companions lay low in preparation for their next move.

With the dangers mounting, can Erica survive? What of the people under her protection? What of Cutter and the duplicate? Readers get an insight to Erica’s handling of the situation before a new player enters the deadly game. Get ready for an interesting change of events as the closing moments bring more than even the great Erica Slaughter could bargin for.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

BREAKDOWN: Nobody currently does slow burn drama quite like James Tynion. Kicking off the new arc. the pacing allows for steady builds in all the major storylines. Seeing Cutter even more unhinged is a strong point to readers as her character appears ready to obtain victory. The initial outbursts leave no doubt as to how far gone she truly is. Meanwhile, Erica tries to regroup over recent events.

With her confidence rattled, Erica comes across determined to get back on track. This is overshadowed by moments between Gabi and Riqui. Seeing the pair bond over this ordeal breaks the tension up just enough before shifts back gears. Tynion throws in an excellent new development before tying off events in this return chapter. It’s issues like this readers fully understand why this series gets so much credit and praise.

Dell’edera and Muerto drive home how unglued Cutter has become. Seeing the visuals of the breakdown all leads to a full page panel that fans won’t soon forget. The art team also delivers on the latest Duplicate victim’s emotional state. Watching them relive a nightmare with their testimony to the sheriff set an early feel that never escaped the issue.

It balanced out with Gabi and Riqui’s more “normal” moments as they follow Erica’s lead. The break gives readers a chance to soak in the story before the shocking close-out panels. With the latest development, there is no way to pass on becoming hooked into the latest arc.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

FINAL POINT: 9.5 OUT OF 10

The latest story arc of SIKTC kicks off with a superb return issue that fans can’t afford to miss. Excellent writing combined with haunting imagery sets the stage for a combustible series of future events. After reading the first few pages, the creative team defines what incredible storytelling is all about. Don’t miss this issue on New Comic Book day!

Hit me up on ODPH social media and let me know your thoughts on SIKTC #31. Thanks for reading!

TEENAGE MUTANT NINJA TURTLES/STRANGER THINGS #1 (IDW PUBLISHING/DARK HORSE COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, the Heroes In A Half Shells enter into a new crossover with one of pop culture’s biggest fandoms for an all-new series! The Teenage Mutant Ninja Turtles are no strangers to huge crossovers. Earlier this year, they were featured in a sequel series with the Mighty Morphin Power Rangers. For this adventure, Turple Power alone might not be enough to handle the threats from the Upside Down.

TEENAGE MUTANT NINJA TURTLES/STRANGER THINGS #1 by Cameron Chittock, Fero Pe, Sofie Dodgson and Rus Wooton (Credit: IDW Publishing and Dark Horse Comics) pairs the heroes with Eleven and the gang from Hawkins, Indiana for a monumental event! Let’s take a closer look and see how things unfold, shall we?

TEENAGE MUTANT NINJA TURTLES/STRANGER THINGS #1 (IDW PUBLISHING/DARK HORSE COMICS) - Creative: Cameron Chittock, Fero Pe, Sofie Dodgson and Rus Wooton (Credit: IDW publishing/Netflix/Nickelodeon/Dark Horse Comics)

The story begins in New York City circa 1985. Some passengers on the subway line notice a “Rat” moving along the car. Little do they know, this is no ordinary rat. One passenger puts it best: “The Whole City Is Going to Hell”. This becomes very evident with a noticeable marking underneath the seats.

Above ground, tourists flood the streets of the Big Apple. One such group is definitely far from home. Readers see the familiar faces of Mike Wheeler, Will Byers, Lucas Sinclair, Max Mayfield and Dustin Henderson sight-seeing with a class trip. When Eleven meets up with them, they find themselves seperated from their group.

Heading into the subway to catch up, the group hears a frightening but familiar sound. Miles away, it appears the supernatural followed them from Hawkins. Looking to investigate, the kids head deeper into the subway. What they find is more than they bargained for. Luckily, they get some much needed back-up from the Teenage Mutant Ninja Turtles!

What could be the common cause for these two groups to cross paths? Readers find out quickly that this is no random occurrence. Events are in motion that start peeling back the layers to the suspicion. The final moments build for a surprise that will have readers locked in for next issue and the rest of the series! Get ready for an unforgettable adventure!

BREAKDOWN: Chittock balances the supernatural and super-heroics with a fine balance in this opening issue. The banter of the kids from Hawkins fits right in line with what won over millions from the hit Netflix show. Even with the big change of scenery, nothing felt out of place. Even when the kids meet up with the ‘Turtles, the reaction of the kids is priceless. The moment plays into both fandoms extremely well. Even when the final act starts ramping up, readers can easily get caught up in the story. Solid surprise ending to lock readers in for the long haul.

Pe and Dodgson bring out the best of NYC with the panels of sight-seeing. Incredible shot of the Empire State Building with the kids’ reactions in the surrounding panels. Once the action begins, the art team sets the pace early with a huge visual of what was in the subway. As great as that was, it’s topped by a two full page spread of the Turtles entering the fray. The kids’ reactions reflect the same type of moments on the show. This plays into connecting with readers about the mystery looming ahead. There’s also a great display page of Eleven using her powers that fans will be excited to see. Solid final visual to send readers into the next phase of a very entertaining saga.

FINAL POINT: 9 OUT OF 10

Chittock, Pe, Dodgson and the team unite the heroes of Hawkins with the legendary TMNT squad for an impressive debut issue. Fans of both franchises will discover quickly how well this pairing gels with the stellar writing and attention-grabbing visuals. The story is just beginning and you won’t want to miss this!

Hit me up on ODPH Social Media and let me know your thoughts about TMNT/Stranger Things #1. Thanks for reading.

MIGHTY MORPHIN' POWER RANGERS #107 (BOOM! STUDIOS)

Welcome to a brand-new edition of Parlay Points, the comic book review blog to the ODPH podcast.

For this entry, the brand new Power Rangers creative team helming the longstanding BOOM! Studios series has been on fire since their debut at issue #101. Melissa Flores and Simona Di Gianfelice (along with Raul Angulo and Ed Dukeshire) wasted no time sending shockwaves thru the Mighty Morphin Power Rangers fandom with the re-introduction of Rita Repulsa now known as Mistress Vile. Vile’s attacks on the Power Rangers have only been a small part of her master plans. Mighty Morphin Power Rangers #107 picks up right in the heart of Vile’s moves as she advances forward, but not without some other big moments mixed in.

Let’s jump right into this issue, shall we?

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

As previously stated, the Power Rangers have their hands full with a more deadly version of their old nemesis Rita Repusla. With their first introduction, Vile left Lord Zedd (YES, THAT LORD ZEDD) lying near death at her feet. Vile also captured Matt, the Green Ranger and sent Alpha-1 out to cause some mayhem on the Omega Rangers. Suffice to say, that was only the start of the Rangers issues.

Lord Zedd was brought to Prometha Headquarters to heal but how safe is that place with Zedd residing in it? There’s little time to process as Vile and her mysterious enforcer crash the part in an attempt for find a morphin navigator which can lead access to the Morphin Grid. It is scary to think what an evil mind could do with that power. Readers see a small taste as Zedd himself has found a Morpher of his own! Now, the major players are primed for an epic throwdown!

This issue opens up Zedd revealing he’s had a morpher for quite some time, dating back to Power Rangers #16. With it primed and charged, Zedd reacts towards Grace Sterling and gives readers a small idea of what he can do. Meanwhile the Omega and Power Rangers are dealing with a broken Aplha-1, attempting to get more clues.

Back on Earth, Tommy catches up with an old friend (former Red Ranger Jason) but their talk is broken up by a now-possessed Matt leading Vile’s army into Angel Grove! There is no shortage of action here as the face-offs that have been building are now set to explode! Vile and her mysterious enforcer versus a Morphin-powered Lord Zedd! Tommy vs a possessed Matt! Things move fast to keep up with the action but is it too late? Readers get big payoffs for the building battles and even some extra reveals along the way. Even with all that, the final moments of the book introduce two more players into the game and longtime Power Ranger fans are not gonna be ready for what’s coming after this issue!

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona c, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

BREAKDOWN: This run continues to impress and set such a high bar! Flores has been setting up the face-offs unfolding here. Since Matt was captured, readers have been waiting to see what Vile’s work had done to him. Flores presents this version of Matt perfectly as his insecurities and fears with the team are fueling his drive here thanks to Vile. The one-liners he is saying are excellent verbal jabs to compliment the action. The same can be said for Zedd looking for revenge against Vile. Zedd being embarrassed by how he lost the first time has driven him to the point of being blinded by rage during the fight with Vile’s enforcer (which was accurately predicted on the MMPR #101 review). Pacing gives every battle proper time and the drama in-between has enough time to connect with the audience. If this wasn’t enough, just wait till the last pages and who is now getting involved. The hype you hear about with this series is well deserved of all its’ praise.

Di Gianfelice and Angulo bring the action throughout this issue. From the moment Matt walks towards Tommy, readers can instantly feel the emotions behind what’s going to happen. The depiction of the possessed Matt was done well and instantly signaled this will not be a friendly experience. Seeing Zedd unleashed was a standout moment as well. Seeing him not handle the bruise to his ego from the initial defeat has been a different look. This is reflected in his fighting style, even to one instance of being distracted just enough to take a strike. With all the action going on, the art team does sneak in some noteworthy panels involving Kimberly and Yale along with Zach and Trini. The art is very leveled on giving ample time to each story taking place. Nothing feels rushed to try cramming too much into the story. With all that going on, the final pages of the issue will be a buzzworthy topic about who appears. There is much to enjoy from the events of this issue.

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

Mighty Morphin Power Rangers #106 - On sale April 19th

Creative: Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire (Cover: Taurin Clarke)

Credit: BOOM! Studios

FINAL POINT: Flores, Di Gianfelice, Angulo and Dukeshire unleash Mistress Vile’s plans in full swing with an action-packed issue that fans can’t afford to miss! With every issue, the bar keeps getting raised on the meteoric rise to legendary status from this creative team. Mighty Morphin Power Rangers #107 delivers on a big pay-off to building plots while dropping a show-stealing ending that has to be in your collection on New Comic Book Day!'

Hit me up on ODPH social media and let me know what you thought of Mighty Morphin Power Rangers #107. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #30 (BOOM! STUDIOS)

Welcome to a brand new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the finale issue of the latest chapter involving the next big comic property now making its’ way to Netflix in the very near future. Something is Killing the Children by James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design is a series known for its’ fantastic storytelling and its’ current storyline has been building up the latest threat to Erica Slaughter to a dangerous level. Issue #30 brings an end to the current arc and all bets are off of how Erica Slaughter gets out of this situation alive.

Before we dive into this issue, some of the imagery for this blog may not be suitable for younger readers. Viewer discretion is advised. If all good after that, shall we get started?

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has become the center of mystery and endangerment with the emergence of a monster known as “the Duplicate” running around. In one attack, the monster murdered an entire family leaving behind Gabi as a sole witness. Riqui, a local bartender, has now become the protector of Gabi but clearly isn’t ready to deal with such a threat. Luckily (pending how you look at it), Erica Slaughter has re-emerged from hiding to take down the creature. Erica’s presence hadn’t gone unnoticed as the Order Of St. George has sent the vicious Cutter to Tribulation to end Erica once and for all. Along the way, Cutter has left a bloody trail behind with her murder of Erica’s longtime ally Big Gary Slaughter as her sick crowning achievement.

Cutter continues to put the pressure on Erica as she’s now framed Erica for the murders of Tribulation police officers inside their own station (that Cutter killed personally), and is assisting The Duplicate by making it a clone of Erica! With the walls closing in (along with another surprise from the Order en route to Tribulation), Erica escapes the police station with Gabi and Riqui wounded but ready to fight back.

This issue opens up with the aftermath of Cutter’s rampage at the police station. Cutter returns to the scene of the crime, with only one officer knowing Erica’s side of events. Cutter tries playing off the sheriff’s doubts about Erica until she realizes Erica has made a bold move: taking Cutter’s precious doll from her bag! This sends Cutter into a rage in front of the officers. Meanwhile Erica, Riqui and Gabi head to Riqui’s bar “The Luck Of The Irish” to get some assets for the upcoming fight. Riqui catches wind of Erica’s plan to use Gabi as bait to draw out the monster and there is a tense exchange of words. Erica is unfazed by Riqui’s reaction and pushes the group forward.

The trio sets up camp at a ranch Riqui’s uncle watches over. During this time, Erica unveils the plan to stop the monster and unloads the story behind her and the Order. The fallout from this is impactful not only to Gabi and Riqui but to the reader as well. Are the pair ready to embrace the world of Erica Slaughter head on? Can they actually stop the monster and Cutter? Before there is time for answers, the final act kicks into gear throwing one definitive statement to the reader in closing: the one enemy they cannot defeat is time.

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

BREAKDOWN: Wrapping up this arc, Tynion delivers a strong understanding of where things are heading to. The book is essentially broken down into three portions. Cutter’s story kicks things off with showing readers how she reacts to being on the defensive with the theft of her doll. Seeing the emotional breakdown finally gave Erica a much needed win. That play into the second section with Erica’s story with Gabi and Riqui. Since her arrival in Tribulation, Erica has played much close to the vest. Seeing that she is not ready for what she’s up against, the breakdown of plans is crucial in Erica re-building her confidence along with preparing her allies for the frightening places they look to be heading to next. The third portion re-affirms how things are progressing and challenges how/if Erica is ready for the challenges. Pacing works to cap off the current arc along with setting up the violent showdown forthcoming.

Dell’edera and Muerto ramp up the drama within these pages. Right from the start, they present Cutter as being in control until the doll is taken. The full page panel crafts how truly unhinged she is as Cutter looses control in front of the remaining officers about her doll. The trio’s story is presented with various emotional moments. From Riqui’s warning to Erica only to be countered by Erica’s stone faced numbness, the trio varies as the events begin taking their toll on them. The Ranch sequence of panels gives readers a look at how Erica is handling the events at hand. Her reaction to telling the pair about what they’re involved in evokes a solid reaction as to the weight of the situations at hand. The final act caps off how time is of the essence and is something not in Ercia’s favor. Solid final full page panel to close this issue & arc out with.

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing the Children #30

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

FINAL POINT: The latest chapter of Erica Slaughter’s adventure concludes with the looming sense of fear and doubt in the air. With a daunting task lying ahead, Erica is testes unlike she has ever been before. Tynion, Dell’edera, & Muerto bring forth the drama with exceptional art and writing, taking Erica into uncharted water with a sliver of hope to survive. Don’t miss this chapter on New Comic Book Day.

Hit me up on ODPH social media and let me know what you thought of Something is Killing The Children #30. Thanks for reading!