STORM #4 (MARVEL COMICS)

DOOM has summoned Ororo Munroe. Marvel’s mightiest mutant is still recovering from her near-death experience. It has cost her the use of her powers for seven days. In that time, Munroe has reconnected with the X-Men but happiness is short lived. Now en route to Latveria, Munroe had better be ready for anything.

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham stages a business meeting for the ages.

Let’s take a closer look at what’s happening now!

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ayodele continues to push Munroe into new heights with this series. Throwing DOOM into the mix provides unique banter. Both characters are royalty in the MCU. Their dynamic is as combustible as one may think. Doom carries a sense of arrogance as he tries discussing plans. Munroe stands her ground and delivers back. This leads to a choice with dire consequences.

The writing ties ack to the dealing of Brother Vooddo. Its’ payoff throws a monster curve into the mix. All the while, Ayodele slides in some heartbreaking moments before the close. The writing with the “flashback” moments are a big win. Nothing will prepare readers for the ending. The final pages shatter any preconceived notions. Events end with a loud exclamation point heading into next issue.

Wenrick and Guimarâes never let reader escape the regal flare on display. Storm arriving for her dinner gets a fantastic full page image. The expressions she and Doom duel with only add more tension as the night progresses. It is offset with DOOM forcing a hand to be played. The result vasty speeds up the pages.

Once the deal is broken, a shocking action is taken. The art depicts the fading life in the panel set-up. It is countered with an incredible afterlife sequence. This completes with a fitting full page image. Once here, the closing pages change everything readers know thus far. Get ready to be WOW’ed by the images here.

FINAL POINT: 9.3

The Mutant world crashes into the regal landscape with a stellar issue. Ayodele’s writing keeps raising the nobility and possibilities in Storm. Wenrick, Guimarâes and Lanham build the impactful surroundings of a meeting fit for Kings and Queens. This series never is short of surprises and drama. What a winning combination.

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RESURGENCE: BLOODSHOT (VALIANT COMICS/ALIEN BOOKS)

With Dr. Silk promising paradise, the Valiant Universe has been torn in half. Some are buying into a life without death. Others are resisting the temptation of the Faustian deal. Each hero has something to gain or lose. One with a vested interest is BLOODSHOT.

The enigmatic killing machine wants to save his family. There is another party more concerned with saving a world gone mad. Something has to give.

RESURGENCE: BLOODSHOT by Fred Van Lente, Rodrigo Rocha, Leo Lujan, Brushu Studio, Ludwig Olimba and Ezequiel Inverni puts the deadly soldier across a foe that knows him all too well: RAI!

Let’s not wait any longer & see who wins this showdown!

RESURGENCE: BLOODSHOT by Fred Van Lente, Rodrigo Rocha, Leo Lujan, Brushu Studio, Ludwig Olimba and Ezequiel Inverni (valiant comics/ Alien Books - cover: Fernando Baldo)

*** POSSIBLE SPOILER WARNING ***

For longtime Valiant readers, there will be much to enjoy with this throwdown. If you are new to Valiant, they always lead off with a great “new readers” page. Instantly, you’re caught up to speed just enough to join the story. For this issue, the back story for Bloodshot is longer. There is a purpose for this. Once the fight gets started, there’s more of a connection to feel what he’s fighting for.

The conflict becomes very violent in a hurry. Knowing both heroes, this delivers on may fronts. Van Lente pens a strategic match in between the broken bones. Literally. Both characters utilize their abilities to their max. Only then do readers start seeing the personalities come out. Bloodshot comes off very brash to the reserved Rai. It’s a reflection of both strengths. As the combat marches on, it eventually hits a breaking point. One plays for keeps and executes a unique move for victory The fallout plays into a solid conclusion for now but not forever.

The art never shies away from the brutality of the fight. It only delays the inevitable with the opening pages. Taking readers into a longer look at Bloodshot’s drive cements why he does as he does. It doesn’t take long to shift gears into the main event.

The fight begins with an artist switch-up. Lujan spares no expense on presenting a vicious showdown. It is one not for the weak of stomach. The panels reflect the desperation for each fighter’s cause. It eventually leads to some unique spots. Seeing Bloodshot react in most scenes covers a wide ground base. It leads to a near half page conclusion image. Events may be over for now but the art deems there will be more to come.

FINAL POINT: 7.8

The billing of “Soldier vs Samurai” lives up to the marquee in this Resurgence spin-off. Van Lente pens a brutal throwdown centered on noble causes. The art holds nothing back as two unstoppable forces unleash Hell on the other. This is a fight that will have readers wanting one more round.

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G.I. JOE #3 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Cobra has drawn first blood. Rock N’ Roll was killed in the line of duty. The terrorist organization unveiled new powerful weapons. Even an elite fighting force might be out of luck here. The world is glad Duke isn’t hearing it. He plans to lead the team back into action. Unfortunately, the team’s newest member might derail that from happening.

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) goes al in on their explosive return!

Let’s take a closer look at what is happening now!

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson delivers a very direct shot of action with this chapter. The team is still reeling from the loss of Rock N’ Roll. Cobra is asserting their dominance with every action. Readers watch as Clutch is behind enemy lines. This leads into a birds eye view of how dangerous they have become. Cobra Commander’s treatment of a spy will clear any doubts of the terror he is bringing.

This is very different from the wounded Joes. Williamson creates a good amount of friction with their latest member. Risk and Duke come to an uneasy interaction. The fallout spins into a new start for the broken team. It leads into a high paced closing act. Fans will be amped up for who crashes the party in the final page. This is as vintage G.I. Joe as it gets!

Reilly and Bellaire start things off with a strong two page spread of Cobra. Seeing how the partnership of Destro and Cobra Commander play out pops off the panel. The art doesn’t shy away from the ruthless nature of the commander. Readers watch the bloody resolution of a spy in their midst. It is a direct shot of fear sent to the readers.

In contrast, The fighting between Duke and Risk is frantic and emotion driven. This is capped off with a perfectly placed arm-bar attempt. With recent events, tensions have been building. Each panel leans into the toll that has been taken. It also moves events along to the next desperate attempt to rebound. The final act is filled with an adrenaline shot of excitement. Each panel feels fast paced. This comes to a crashing halt with the reveal on the parting page. Fans will have a tough time waiting until next round to see what happens next.

FINAL POINT: 9

With each mounting set-back, G.I. Joe struggles to get one back against Cobra. Williamson hits readers with a strong balance of action and emotion. Reilly, Bellaire and Wooton never let up on bringing the excitement. This is everything you could want when you think G.I. Joe!

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BATMAN SUPERMAN : WORLDS FINEST #35 (DC COMICS)

The World’s Finest have fought for good in many locations. Alternate dimensions. Different timelines. Wherever they have gone, Batman and Superman make their presence felt. One place out of their element is Atlantis. Under the water, there is one king: Aquaman. When the King calls for help, you had better believe the pair is diving head first into danger!

BATMAN/SUPERMAN: WORLD’S FINEST #35 by Mark Waid, Adrián Gutiérrez, Tamra Bonvillain and Steve Wands (DC Comics) kicks off a brand new underwater adventure!

Let’s take a deeper dive into the latest saga!

BATMAN/SUPERMAN: WORLD’S FINEST #35 by Mark Waid, Adrián Gutiérrez, Tamra Bonvillain and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid takes readers into the depths with this latest installment. Adding Aquaman into the mix provides a fun dynamic. The banter between him and Robin keeps things light-hearted until its’ time to spring into action. Once here, things change drastically. The outbreak of a virus causes havoc. It also pushes various parties to the brink of war.

Lori Lemaris and King Ronal have conflicting views of more heroes involved. Waid plays off the history of Lemaris and Superman very well. It even draws out a smile from Batman. The good feelings don’t last for long. Readers watch as there is more unravelling taking place. Once the play is made, the World’s finest is on their defensive. It also puts Aquaman into a crossfire. The orchestrated attack seems to have a surprising mastermind behind it. Judging by the last page, fans are in for a very wild ride.

Gutiérrez and Bonvillain bring an exciting vision of the seven seas to life. The opening full page shot of Poseidonis and Tritionis gives a small insight to the larger issue later on. Seeing how the virus is infecting connects with readers. It’s a vast contrast form the peaceful moments with Aquaman and the other heroes. The art gives a calmer picture before heading head first into conflict.

Once underwater, the action sequences start to take off. This leads to a reunion of Superman and Lemaris. The reactions of the characters display tells of an underlying issue in wait. Ronal’s disdain for Superman is clearly evident. This plays into their conflict later in the chapter. Aquaman doesn’t escape the anger either. The people of his kingdom unite in a striking group shot (which pops due to Wands lettering). Pacing moves things right along as the conclusion hit. The last page reveals a shocking figure via full page spread. It will definitely catch readers for a loop. Leave it to the creative team to end things on such an exclamation point.

FINAL POINT: 8.8

The World’s Finest plunge into danger with their latest tale. Waid’s writing sets up a multi-layered front. Gutiérrez, Bonvillain and Wands construct a strong vision of conflicts under the sea. This will be one for fans to check out.

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THE QUESTION: ALL ALONG THE WATCHTOWER #3 (DC COMICS)

Renee Montoya’s latest case is a doozie. As the new security on the JL watchtower, Montoya seeks answers. Kenn Kawa is left for dead. The evidence points to Batwoman. With the past personal relationship weighing in, Is Montoya’s judgement clouded? There’s little time to process as the Eradicator has entered the field. This problem might be more than The Question can possibly answer.

THE QUESTION: ALL ALONG THE WATCHTOWER #3 (DC COMICS) by Alex Segura, Cian Tormey, Romulo Fajardo Jr. and Willie Schubert continues to expose the attack on the Justice League’s home turf.

Let’s take a closer look at the latest installment.

THE QUESTION: ALL ALONG THE WATCHTOWER #3 (DC COMICS) by Alex Segura, Cian Tormey, Romulo Fajardo Jr. and Willie Schubert

*** POSSIBLE SPOILER WARNING ***

Segura puts Montoya into a very unforeseen scenario. The case has spiraled into a more complex situation. Kawa being the intended target remains a mystery why. As she goes through her findings, Montoya is forced into some confrontations. The tense reunion with Batwoman proves to create a difficult path for answers. The writing never lets the tension escape until a situation forces a pivot.

With the Eradicator involved, readers watch as Montoya amps up her efforts. The methods she evokes are driven by rage. Pacing has done a great job in slowly building this reaction up. Once Montoya unloads, it makes a statement. This blinds her to what is really going on. In the shadows, moves are being made. This is very familiar in set-up. The responsible party is anything but predictable. Once the mastermind behind all of this is revealed, this moves Montoya’s efforts into a dire corner. Rest assured, the last page will lock in readers for the next chapter.

Tormey and Fajardo Jr. break down recent events nicely within the first few pages. This leads into a full page image of Montoya’s reluctant partner on the case. Coloring works perfectly on the attack of Ted Kord. The use of shadows connects with readers as the mastermind is slowly revealed.

It’s a big contrast to Montoya questioning The Eradicator. The art depicts the emotional release that’s been growing in Montoya. Eradicator’s reactions only prompt more out of the The Question. It is a scene that steals what’s happening in the background. Once the main attack begins, the mood shifts. Montoya’s reactions reflect the shocking turn of events. The panel structure raises the moments before the final page. Once there, a full page image hits as business has picked up for Montoya’s search for truth on the watchtower.

FINAL POINT: 8.8

Lurking in the shadows is an unlikely truth in The Question’s latest case. Segura’s writing delves into the toll taken on Montoya while the mastermind makes their debut. Tormey, Fajardo Jr. and Schubert bring on the bad guys with strong imagery. Brace for the last page’s impact!

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MILESTONE UNIVERSE: THE SHADOW CABINET #3 (MILESTONE MEDIA/DC COMICS)

What has Angela Alva done! The heir apparent to S.Y.S.T.E.M. has taken out the Blood Syndicate and captured Hardware. Rocket looks for a way to fight back. A failed attempt to recruit Static leads her into unchartered waters. All the while, the Shadow Cabinet looks poised to intervene whether asked or not.

MILESTONE UNIVERSE: THE SHADOW CABINET #3 by Joseph Illidge, Denys Cowan, Darryl Banks, Atagun Ilhan, & Chris Sotomayor delivers the pen-ultimate chapter of the latest from Milestone Media!

Let’s not wait any longer and dive in.

MILESTONE UNIVERSE: THE SHADOW CABINET #3 by Joseph Illidge, Denys Cowan, Darryl Banks, Atagun Ilhan, & Chris Sotomayor (MILESTONE MEDIA/DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Illidge brings the heroes of the Milestone Universe to the brink. Rocket has been a one-woman crusader through this ordeal. Within the opening pages, she has to process what Angela Alva has started. This leads her into a final stand that will either make or break the universe. The writing is very straight-forward. Readers easily know that the stakes have never been higher. It is complimented by Static’s change of stance. With the deck stacked against them, there is a glimmer of hope left.

This is all due to Angela Alva. After capturing Hardware, Alva unloads her secrets in celebration. The Alva family history is tragic and unapologetic. Readers watch as Angela has been forged through pain and a yearning to belong. Even in victory, the writing also shows how she has lost. Angela’s crowning achievement backfires. This leads into a long overdue return. With the conflict escalating, the final pieces are put in place to face off. Pacing moves events right along to a solid parting spot before its’ conclusion next chapter. Readers should expect a big ending for next issue.

The art showcases how troubling things have become. Rocket’s opening sequence displays her uncertainty as things fall apart. This matches Static’s decision after meeting with his family. The moment jumps off the pages as Virgil Hawkins wears his heart on his sleeve. Readers can sense the “big fight feel” approaching with his closing panel image.

Angela Alva’s story takes up a good portion of the book. The panels primarily use a 9 panel se-up. This hones in on her family history as well as her own journey. Readers watch as the end result leaves a new figure in place via full page image. Pacing picks up pages as events start spinning towards the finish. The initial heavyweight bout is packing action. It is a monumental showdown that is poised to a strong finish. The book closes with back to back full page images. Readers have a strong lead-in towards the epic conclusion.

FINAL POINT: 8.4

The secrets of the Alva family set into the spotlight of the Shadow Cabinet’s pen-ultimate chapter. Illidge delivers Angela’s story with strong writing. The art constructs a multitude of emotions as the final showdown begins. This will be a tough wait for the finale.

Hit me up on ODPHpod social media and let me know your thoughts on Milestone Universe: The Shadow Cabinet #3. Thanks for reading!

THE NEW GODS #2 (DC COMICS)

What is a life worth to a god? High-Father has given Orion a deadly mission. A young child has emerged with powers. The elder of New Genesis has deemed him a threat. Orders are simple. The mission carries a heavy burden on Orion. This leads him to enlisting Mr. Miracle for “help”. How this web has spun….

The New Gods #2 by Ram V., Evan Cagle, Jesse Lonergan, Francesco Segala & Tom Napolitano continues Jack Kirby’s cosmic characters into their latest adventure.

Let’s take a deeper dive into the moral burden at hand.

The New Gods #2 by Ram V., Evan Cagle, Jesse Lonergan, Francesco Segala & Tom Napolitano (DC COMICS) COVER: Nimit Malavia

*** POSSIBLE SPOILER WARNING ***

Even in his absence, Darkseid still IS, Ram V. orchestrates quite the power vacuum with Apokolips in peril. The writing walks readers through the treacherous landscape. High-Father is shaken to his core. Desaad is in denial. On Earth, it is more grounded around the mysterious child. There are many vested parties interested. This includes a familiar face of Jack Kirby’s world joining the fray. Even with the new and old faces, one pair stands head and shoulders above all else for this tale.

Mr. Miracle and Big Barda have been the early breakout characters of this series. Seeing how Scott Free deals with being drawn into this issue provides a unique perspective. The letter he leaves for Barda is jam packed with emotion. Ram V’s writing here floods the pages with the self guilt and frustration of his task. The result leads into a fitting and strong conclusion. It offers a bright spot in comparison to the final act. With a haunting lead, the beginning of the end starts in an unlikely place.

Lonergan starts the chapter with a brief intro for Karok. The imagery reflects the dark overtones this character exudes. Led by a strong two-page splash, readers can connect as to the danger level this new player brings. From here, Cagle takes over for the remainder of the book. The visions of High-Father take on a whole new gravity. Each panel carries the dooming feel of loss. This carries into the Mr. Miracle portion of the chapter.

The struggles in dealing with his issue take center stage. Readers watch the letter come to life as Free tries to prepare. Orion is in contrast as he lets his aggression fly. It breaks the somber feel and leads to a bold near-full page. Backed by Napolitano’s lettering, Big Barda crashes Free’s self doubt. There are many reactions to how the couple plays this. It’s an easy win for readers before the brooding feel covers the remaining characters. The art makes each sub-plot sand out right to the last panels. There is no question events are just getting started on a very high level.

FINAL POINT: 9.1

The race against time becomes center stage for Scott Free in the second installment of Kirby’s Fourth World revival. Ram V. pens a deeply seeded emotional chapter. Cagle, Segala and Napolitano piece together the fear of today with the promise of tomorrow. Many moving points are in motion that only spell win for the readers.

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THE BLOOD BROTHERS MOTHER #3 (DSTLRY)

In old Texas, life is unforgiving. A preacher’s family is destroyed by bandits. The patriarch is dead. His widow is now taken by the remorseless grifters. Only their three young boys are left standing. With nothing left, they embark on a dangerous revenge quest. What they find along the way will make them grow up quick or become a forgotten memory of the wild west.

THE BLOOD BROTHERS MOTHER #3 by Brian Azzarello, Eduardo Risso, and Jared K. Fletcher continues their western thriller.

Let’s see how this finale birngs the house down!

THE BLOOD BROTHERS MOTHER #3 by Brian Azzarello, Eduardo Risso, and Jared K. Fletcher (DSTLRY)

*** POSSIBLE SPOILER WARNING ***

The saga of Daniel, Simon and “Jack Rabbit” Blood has taken many turns since their journey began. Azzarello weaves the boys through the grind with the treacherous landscape tying to swallow them up. This is a well-structured Western. For this issue, the writing takes them into the heart of the drama with great results.

As the boys come across the mysterious Mad Owl, their luck begins to turn. The moments with Owl and Jack gives a sense of connection as both have dealt with loss. This pushes all parties into their search for vengeance. With the boys being very naive, one bad call causes the paths to split. This leads into a new dynamic for the parentless family.

All the while, more is revealed involving their “mother” Anna. The connection with Carter Cain becomes more cloudy as her situation starts to spill over. Once Ed Percy comes into play, the whole dynamic shifts. The writing hones in on the overwhelming stakes at hand. It never escapes readers with the tension rising each page. Once the resolution becomes clear, pacing slows down to focus on a bittersweet close. It hits readers with a strong gut punch as a choice is made that changes everything. The ending is fitting as it ties up some ends while leaving the audience with much to ponder.

Risso presents the dangers of the west with phenomenal visuals. The sequence with Mad Owl caps off with a strong two page image. It sets a haunting impression as the brothers push forward. The watercolors add so much to this scene and book. Risso plays into changing direction with how the pallet changes.

A prime example of this is when Carter meets with his uncle. The darker panels not only reflect the night but the brooding tone he carries. It is also seen when the brothers travel in daylight. Purple is the coloring over them as the bright fields shine around them. Risso makes the characters pop out of the panels when needed. Flecther’s lettering rises to the occasion as the gunfire takes off.

The art covers the range of emotions in this book. Readers never lose sight of the uneasiness of the West. This plays into the closing pages. As a choice is made, the panels capture the sadness around the narration. It leaves the chapter with a heartbreaking pause until we see these characters again.

FINAL POINT: 9.4

In this installment of the gritty western drama, choices become deadly. Azzarello’s writing never lets readers escape the harsh reality of revenge. Risso’s art is a magnificent compliment to the tough road ahead for the family shattered. Excellent storytelling.

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JSA #3 (DC COMICS)

Hawkman is in Hell. After being impaled last issue, the fierce warrior is not in good shape. He joins the rest of the Justice Society Of America. After getting attacked by the Injustice Society, the team is on the ropes. The younger generation of the long standing DCU team is faced with another issue: adapt or fall.

JSA #3 by Jeff Lemire, Diego Olortegui, Luis Guerrero and Steve Wands (DC Comics) seeks to answer if the team is “All in” or All out of Luck.

Let’s take a closer look at where things stand now.

JSA #3 by Jeff Lemire, Diego Olortegui, Luis Guerrero and Steve Wands (DC Comics) Cover: Cully Hammer

*** POSSIBLE SPOILER WARNING ***

Lemire plays into the strengths of Hawkman for this chapter. The brash anger never escapes readers as his deals with his set-backs. Pacing keeps events moving right along. This helps with such an ensemble cast. Even as his story takes off, the other side plots get a fair share of time.

The Infinity Inc. portion gets a well timed pay-off set in issue #1. At their current state of question, the “traitor” is revealed. The bad guys plan is all going according to plan. Once a young hero finds some confidence, tides turns. This is as vintage JSA as it gets. This is also what makes it a great win as well. The close throws in an unlikely surprise. How this plays out is up in the air, but readers will enjoy the path there.

Olortegui and Guerrero dive into the emotions of the heroes for this chapter. Hawkman’s rage as he’s captured pours on each panel. Jade dealing with her team’s losses showcases a different side. The traitor reveal is brief but hits its mark.

Once the main battle starts, the issue picks up in action. A near full page image turns the course of direction. Its fallout sends the heroes into a new place. This eventually launches into the closing pages. Readers watch as an unlikely ally appears in Hawkman’s darkest hour. The art provides a fun backdrop into the classic tropes on display.

FINAL POINT: 8

Hawkman’s darkest hour arrives but not without possible help. Lemire’s writing brings out the best of the classic team. Olortegui, Guerrero and Wands dive into the pure emotion of conflict for an entertaining tale. How can you not be a fan of what is happening here!

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JUSTICE LEAGUE: THE ATOM PROJECT #1 (DC COMICS)

Even in defeat, Amanda Waller claims a small victory. Super powers were stolen. Some didn’t return to their proper hosts after “Absolute Power”. The Justice League has reformed. Two members have an idea to possibly resolve this issue. Ray Palmer and Ryan Choi aka The Atom (respectively) might have solved this dilemma. However, some are not so inclined to be on board with this initiative.

JUSTICE LEAGUE: THE ATOM PROJECT #1 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas and Wes Abbott (DC COMICS) takes readers along for the ride to right Waller’s wrongs.

Let’s take a closer look at what unfolds here.

JUSTICE LEAGUE: THE ATOM PROJECT #1 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

This story has a very interesting concept at its’ core. Knowing what Waller’s actions have done, there are still lingering effects to be had on the DCU. Pitting Palmer and Choi as the main protagonists is a big win. Their partnership provides many scientific aspects with the occasional one-liners mixed it. It provides a solid counter to Nathaniel Adam aka Captain Atom.

Adam’s stance leads into a few directions. The time jump leaves many questions as to what’s happened. Being the first issue, there is plenty of groundwork to be set. Readers get a hefty fill of build-up on the project. Knowing the writers previous work, its safe to say there will be a solid pay-off. Judging by the final page, the fireworks look to be lit and ready to pop. There is a great deal of promise to be had here.

Perkins and Lucas start events off with a manhunt. It’s capped off with a great one page image of Palmer crashing the scene. From here, the time jump back is built via a two page spread. The Atoms at work showcases their skills to new readers. Once back at the watchtower, Palmer and Choi’s reactions to their research creep out.

This is countered by Adam’s reluctant compliance to assist. The panels indicate he’s not fully on-board. A full page image of him being worked on Justifies his body language. Readers watch as the wear builds to the closing act. There’s little action scattered into the close. It provides a good lead into the final page. A full image of a hero on the run sends this tale forward into the unknown. Without question, there is much left to witness unfold in this story.

FINAL POINT: 7.5

In wake of “Absolute Power”, two heroes challenge the events fallout. The writing focuses on a detailed build without revealing too much. Perkins, Lucas, and Abbott construct the tension along with the search for answers. There’s enough here to bring readers into the chase for powers.

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BATMAN #156 (DC COMICS)

James Gordon is framed for murder. The Riddler is about to acquire Wayne Industries. Lurking in the shadows is the Court Of Owls. Gotham City is living on the edge of chaos. Can Batman weather the storm to save the day?

BATMAN #156 by Chip Zdarsky, Tony S. Daniel, Tomeu Morey, and Clayton Cowles (DC COMICS) brings a whirlwind of excitement with its latest installment!

Let’s not wait another second and dive into the drama!

BATMAN #156 by Chip Zdarsky, Tony S. Daniel, Tomeu Morey, and Clayton Cowles (DC COMICS) - Cover: Jorge Jimenez

*** POSSIBLE SPOILER WARNING ***

With two issues left, Zdarksy is leaving it all on the table with this story. Juggling multiple heavyweight rogues is a task. The writing pulls it off with ease and excitement. Riddler comes across as the psychotic genius that he is best as. The battle of wits between him and Batman is as classic as it gets. Its’ resolution provides a very unique twist to an already heavily layered issue.

Zdarsky also gives Jim Gordon’s tale a fitting end as well. Making him a very grey character in his arc worked immensely. Readers have seen a very different side of the last good cop in Gotham. His arc ends with a heroic stand, even if he hasn’t been 100% noble. This all circles back to Batman in the end. As more clues come into focus, Zdarsky drops one more bombshell before ending his long run with a sure-fire bang!

Daniel steps in for Jimenez on art duties. Events escalate quickly as Commander Star stands tall via a mid page panel. Batman and Gordon fight their way through the police to stop Riddler. The electric panels pop with action. Daniel flips the tempo with Riddler and Kull. Readers watch as Riddler’s ego fuels his insanity. There are vintage deathtraps pitting Batman’s knowledge against the odds. None greater than the realization of who is pulls the strings.

Gordon’s resolution comes with a heavy burden. The art reflects the pain his actions cause. This becomes the fuel for his assault on Riddler. After being in a morally neutral spot, Gordon demonstrates the hero aspects many associate him with. One moment will jump at fans before the close kicks off. With events ramped up, the final image delivers a shocking reveal before leading into the finale.

FINAL POINT: 9.6

Zdarsky heads into the finale of his run with an incredible set-up. The writing keeps readers locked in with action and surprises. Daniel, Morey and Cowles ramp up the intensity with each panel. Expect nothing but fireworks with this story’s conclusion!

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CABLE: LOVE & CHROME #1 (MARVEL COMICS)

Nathan Dayspring (Askani’son) Summers. One of the most fierce and dangerous mutants of all time. No matter where, CABLE is a force to be reckoned with. His personal battle with the Techno-Organic Virus has forged the time-travelling solider.

What happens now when he finds someone dealing with that same personal struggle?

CABLE: LOVE & CHROME #1 by David Pepose, Mike Henderson, Arif Prianto, and Joe Sabino (MARVEL COMICS) presents a future saga set for fans of any timeline!

Let’s take a closer look at the X-Man’s latest tale!

CABLE: LOVE & CHROME #1 by David Pepose, Mike Henderson, Arif Prianto, and Joe Sabino (MARVEL COMICS) Cover - Ian Churchill

*** POSSIBLE SPOILER WARNING ***

Within mere moments, Pepose makes it seem that he’s written Cable for years. The writing displays Summers’ gritty drive to win at all costs. It never escapes readers that Summers is there for a mission. The encounter with Cicada keeps skyrocketing the danger to a solid finish. It’s a great segway to hitting the major plot to the futuristic tale.

Salvation Bay provides an edgy background as Cable finds a unique ally. Avery deals with the same deadly virus. The dialogue lowers Cable’s guard long enough to show a different side. Seeing someone else going through his trials provides an unlikely connection. The writing slowly peels back the tough exterior. What is left is a more “normal” reaction rarely shown. This evolves into Cable inheriting Avery’s fight. It doesn’t take long for the action to ramp back up.

Once the smoke clears, the closing moments hit. Pepose sets the stage for a future uncertain for all the right reasons.

Henderson and Prianto hit readers early with the post-apocalyptic energy. The vehicle which Cable is pinned to sets the tone for the issue. It’s a creative near full image that fires off the action in style. The scene is matched by another strong full page image of Cable taking control. This pace carries through the pages of the initial conflict.

Once Avery makes her debut, the one shifts down to a more grounded level. The art reflects two soldiers easing their guard over common ground. Readers watch as Cable leaves his gruff guard to become open to another virus victim. This becomes short lived due to an attack. The new pairing (literally) jump into action via a full page shot. Cable’s reactions during the battle show a rare sight: smiling. This energy leads into the finish. The final pages show the major players put into position for a devasting conflict in the making.

FINAL POINT: 8.8

The X-Men’s time-travelling titan crashes into comic shops with a thrilling debut. Pepose balances the fast paced fighting with the building drama with a phenomenal set-up. Henderson, Prianto, and Sabino bring the pain with extreme action while teasing the danger yet to come. This is one you won’t want to timeslip and miss!

Hit me up on ODPHpod social media and let me know your thoughts on Cable: Love & Chrome #1. Thanks for reading!

X-MEN #9 (MARVEL COMICS)

Graymalkin Manor used to be home to the X-Men. It now serves as a mutant prison. Corina Ellis captured Jubilee, Calico and Beast. This has prompted the Cyclops led X-Men and Rogue’s “Louisiana X-Men” teams to raid. Both groups have not been on the same page since Krokoa. Can they pull it together long enough to free their teammates?

X-MEN #9 by Jed MacKay, Ryan Stegman, Federico Vicentini, J. P. Mayer. Marte Gracia, Fer Sifuentes-Sujo and Clayton Cowles presents the pen-ultimate issue of the “Raid on Graymalkin” story. '

Let’s not wait any longer and dive into the action!

X-MEN #9 by Jed MacKay, Ryan Stegman, Federico Vicentini, J. P. Mayer. Marte Gracia and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

MacKay keeps the teams separated long enough to deliver on big action. The opening of the book delves into Ellis’ mutant prisoners attacking both groups. Knowing the personal connection they bare, it reflects in the drama. The writing plays into a lot of “one upmanship” again as both groups vie to be the top one. Readers watch as the showdown boils down to the leaders.

Rogue and Cyclops have varying thoughts of how this mission should go. Rogue aligns more with the original dream. Cyclops sways to a more “Magneto” approach. This throws more conflict into an already built story. The result is decided by a familiar face. One name in mutantkind is extremely polarizing these days. The writing takes into count the legacy said character has left. In its result, the choice is made on how to move forward. It may not be a popular call but could be the one to save all.

Art duties are split between Stegman and Vincentini. The latter leads off the book with a strong two page action splash. Pacing moves swiftly through both teams. Everyone gets a fair share of page time before the conclusion. It wraps up with a full page image of the teams ready for their next moves.

As Stegman and Mayer take over, the story centers around the leaders. Each reaction radiates more anger. The past of Krokoa has never left either team. This mission re-opened old wounds. The art builds up the rage nicely until the closing moves. There’s another surprise on deck which debuts via two page image. It leads into a conclusion most fans were awaiting. Now the questions lead to: what happens next?

FINAL POINT: 8.9

The pen-ultimate chapter of the “Raid On Greymalkin” delivers on various levels. MacKay’s writing re-opens emotional scars never healed. The art teams pack the pages with big action and even great emotion. With one issue left, the endgame might have arrived for both teams and their futures.

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BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4 (DC COMICS)

Batman is dying! The Caped Crusader was shot by Mario Falcone during a confrontation. Now with time of the essence, someone needs to save the Dark Knight. That responsibility is now in a young Dick Grayson’s hands. Can Robin save Batman’s life?

BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4 by Jeph Loeb, Cliff Chiang, Dave Stewart and Richard Starkings continues the legacy of Loeb and the late Tim Sale’s suspenseful story.

Let’s not wait any longer and dive right in!

BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4 by Jeph Loeb, Cliff Chiang, Dave Stewart and Richard Starkings (DC Comics) COVER: TIM SALE

*** POSSIBLE SPOILER WARNING ***

Loeb puts the Boy Wonder front and center for this issue. Batman is wounded and barely escapes the Falcone mansion. Crashing (literally) into the Batcave, Alfred must attempt surgery. The scenario is all too familiar to Grayson. Seeing his parents die in front of him bares an eerie resemblance here. Loeb plays into the connection with the narration. This sparks Robin to pick up the case, whether he’s ready or not.

The journey takes him to a very recognizable place. Inside the Arkham walls, Grayson attempts to fill the shoes of Batman, Readers watch as he struggles but remains vigilant. This overshadows the brutality of Solomon Grundy’s story portion. The larger investment is with Grayson grasping for straws to help. His desperation leads him to one person for help. It is only fitting of who it is. The resolution is perfect Batman storytelling. Once concluded, the final pages set the stage for an inevitable showdown. There is much to enjoy with the writing here.

Chiang (Paper Girls, Human Target) steps in for art duties. The two page splash of Batman crashing into the Cave sends a loud message. It starts this chapter off with a sense of danger. Mixing in the Graysons’ accident via panels adds fuel to that fire. Moving to a nine-panel page illustrates how Grayson is reacting. It works to carry him to his next portion of the story.

Once at Arkham, the half page with the Calendar Man shows his determination for answers. It leads to a confrontation that is very fitting. The result is a “family portrait” for the ages. Chiang and Stewart also craft a heartfelt Alfred moment to conclude this section. It is in difference to Grundy’s rage as he pursues a suspect in the Gotham PD. Those panels add more intrigue before the close. Once there, a full page image of a popular Rogue seals this chapter up for its next round.

FINAL POINT: 9.3

The latest “Halloween” chapter casts the spotlight on a near death in the family. Loeb’s writing shows Dick Grayson treading through the chaotic Gotham landscape. Chiang (along with Stewart and Starkings) builds up the emotional ware of a dying Batman on his most loyal supporters. This series continues to set a high bar for storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4. Thanks for reading!

BATMAN: GARGOYLE OF GOTHAM #3 (DC COMICS)

Bruce Wayne No More? The Dark Knight has made the choice to fully embrace being Batman. It is a costly decision. Wayne’s aggression starts becoming more intense. Alfred sees Wayne slip further into darkness. That might be the least of his problems.

A serial killer case has unlocked more secrets. How does Batman focus with his identity being lost all around him?

BATMAN: GARGOYLE OF GOTHAM #3 by Rafael Grampá, Mat Lopes and John Workman dives deeper into the Black Label brand mystery tale.

Let’s not delay any longer and see what unravels now.

BATMAN: GARGOYLE BY GOTHAM #3 by Rafael Grampá, Mat Lopes and John Workman (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Grampá goes all in for this pen-ultimate chapter. Dr. Geist is a very disturbing villain. The writing shows his manipulations playing out to his delight. Batman’s struggles with the truth hit as he is disposed off. Their initial confrontation ends with a surprise. It works to establishes Wayne’s journey in the latter half of the book. For thinking he is in complete control, Grampá’s script takes that out of Batman’s hands.

The supporting cast also has key moments to shine as well. Gordon’s pairing proves to be more than he can handle. Readers watch as multiple secrets come to light. It is interesting to guess if this “partner” is revealed to be a Bat ally. Considering how other Bat-verse characters have appeared, it is’ out of the realm of thought. None may be creepier than The Joker. Hos introduction is terrifying. Seeing the connection with Crytoon only spells more chaos in Gotham. Factor in the closing pages and Batman won’t be enough. The final page sets the stage for a deadly finale.

Grampá’s art paired with Lopes coloring is simply stunning. Dr. Geist’s confrontation carries a heavy intensity. The action is unforgiving. Readers watch as the detailed panels move events right along to another big debut. Joker’s half panel introduction sends shivers down readers spines. Seeing Crytoon and him go on their killing spree is vicious. It’s fitting the done for a darker Gotham in which this Bat seeks to fly in.

The dual page spread of Gordon’s “enlightenment” is gorgeous to watch. It is so well detailed and structured. Secrets are exposed with the tone of fear in Gordon’s voice. This is a big moment in an issue that never slows down. Heading into the final act, Wounder’s full page attack leaves nothing back. It pops off the page in a brutal way. This perfectly sets up the panels to close out. Knowing what darkness is unleashed, expect all Hell to break loose in the finale.

FINAL POINT: 9.4

Bruce Wayne’s journey into darkness takes another disturbing leap with this chapter. Grampá presents an innovated look at the classic rogues with the writing. Seeing Batman embracing his inner rage proves to be a scary but needed weapon in his fight for justice. The artwork is stunning with its ferociousness and detail. This is a very intense read that lights a very explosive march to its’ finale.

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ROGUE SUN #24 (BLACK MARKET NARRATIVE/IMAGE COMICS)

The Ravyn Queen is in danger. An Assassin lurks. The Aviary on the verge of falling? Not if Dylan Siegel can stop it! The Massive-verse’s supernatural protector has one chance to stop the Philistine. Will Rogue Sun capture the moment or let it slip?

ROGUE SUN #24 by RYAN PARROTT, NICK COTTON, ABEL, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) concludes its’ latest arc as only the creative team can!

Let’s not delay any longer & dive right into the story.

ROGUE SUN #24 by RYAN PARROTT, NICK COTTON, ABEL, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) COVER - Stefano Simeone

*** POSSIBLE SPOILER WARNING ***

The one thing about Rogue Sun is that readers can always expect a great finish to their arcs. This issue is no exception. As Parrott and Cotton kick things off, the focus is on a young Divinity and Dottie. The tension is high as Dottie makes a deal that forever alters her young niece. It carries an uneasy weight that returns in present time. Knowing there is heavy consequences, Divinity’s actions look to carry over throughout the world Dottie is now reluctantly connected with.

As for the aviary, the writing sets events off with a bang. A traitor waited in the wings. Aviness unleashes the Philistine. Readers watch in shock as the attack commences. Dylan crashes the party for the save. In this moment, we find out that he might be ready for the next step. ‘

Pacing mounts the action with each strike. Dylan is out-classed in his initial round. Even with his estranged dad Marcus in his ear, Dylan is challenged to survive. With a passing action, the comeback starts. It will thrill fans as Dylan grows in his role right before our eyes. The conclusion is a very strong one. Events are tied up plus a new path is given to Dylan.

Normally this would be enough, but as previously stated: Rogue Sun arcs don’t just “end.” The closing act provides a superb twist that will shake up the foundation yet again for the world of Dylan Siegel. Another excellent performance with the writing.

Abel and Marques bring out the fear and complexity of the Aviary’s coup. The set-up with Aviness and the Philistine slides into the scene gracefully. It instantly hits readers directly. The moment compliments the debut of Rogue Sun into the final battle. Fans watch as the full page image sparks the explosive confrontation.

There’s no shortage of action taking place. The battle is brutal. The stakes rise when Dylan debuts a new item to help him win. Panels are never short of emotion either. From Divinity and Dotty’s portion to the fallout of the coup, each page hits their marks. Even when closing this portion, a full page concludes events for the parties involved. The art team leave the conclusion for the shocking surprise. A final image floods the page and spells certain doom for Dylan. It will be a long wait for #25.

FINAL POINT: 9.1

The latest challenges in Dylan Siegel’s life nail the landing in this arc finale. Parrott and Cotton continue to lock readers in with their superb script. Abel, Marques and Carey craft the dramatic final rounds with great art. Rogue Sun is about as consistent as it gets for quality storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Rogue Sun #24. Thanks for reading!

SABRETOOTH: THE DEAD DON'T TALK #1 (MARVEL COMICS)

Victor Creed. A force of nature. The deadly mutant has been a thorn in the side for decades. As Wolverine sits in a pub, he sees a picture from the 1900s on the wall. Logan knows the figure all too well, or does he? The mystery of “Mad Dog Murphy” is about to be unraveled.

SABRETOOTH: THE DEAD DON’T TALK #1 by Frank Tieri, Michael Sta. Maria, Dono Sanchez-Almara, Javi Laparra and Joe Sabino spotlights a secret history of Victor Creed.

Let’s take a deeper dive and start this journey!

SABRETOOTH: THE DEAD DON’T TALK #1 by Frank Tieri, Michael Sta. Maria, Dono Sanchez-Almara, Javi Laparra and Joe Sabino (Marvel Comics) Cover: Adam Kubert

*** POSSIBLE SPOILER WARNING ***

Tieri lays the groundwork for a fast rising tale of power and brutality. Walking readers through the deceptive start, Sabretooth’s tale hides in the shadows. Working for “Dr. Essex” at Ravencroft, Creed lurks. The writing shows how a failed encounter unleashes his fury. Essex’s cold banter doesn’t help his cause. Creed can’t handle failure. This stems into modern times. Being embarrassed breaks him. Readers watch as his next steps opens up new doors.

The encounter with Fyskov (Fisk) is brash and delves into giving Creed a purpose. What follows next is Vintage Sabretooth. Dead bodies and sheer violence is the trail left behind. This leads into an evil finish. Readers literally watch the birth of a evil reign in New York begin right before their eyes. Brace for impact.

Sta. Maria and the team bring this throwback tale to life. The pub beginning opens with a great segment with Wolvie just trying to have a beer. The near full page image finishes the light hearted mood. Once the events shift to Ravencroft 1909, the books starts finding its groove.The throwback fight with Wolverine keeps up its violent reputation. A full page shot encompasses the hatred between them.

In a series of panels, readers watch how Wolverine “broke” Creed. This leads into an unwelcomed encounter with Essex. The body language tells how little Creed is thought of. Fyskov sees through this and manipulates the situation. Creed leaves his “resignation” in a bloody full page. The rage continues to an underground fight. Creed leaves the reader with a parting image knowing that he has arrived with hell to pay.

FINAL POINT: 8.7

A hidden time of the X-Men’s most deadly foe comes to light. Tieri pens a ferocious look into a deadly past. The art leaves no doubt of the pure evil manifesting itself. Get ready for what is sure to be a wild ride.

Hit me up on ODPHpod social media and let me know your thoughts on SABRETOOTH: THE DEAD DON’T TALK #1. Thanks for reading!

BLACK CANARY: BEST OF THE BEST #2 (DC COMICS)

Dinah Lance. Legendary heroine whose reputation speaks volumes. Lady Shiva. The most dangerous fighter in all the DCU. The pair is now pitted against each other in a championship bout for the ages. Who will be crowned “the Best Of The Best”?

BLACK CANARY: BEST OF THE BEST #2 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles gives fans an impactful second round.

Let’s take a closer look at what is happening now.

BLACK CANARY: BEST OF THE BEST #2 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

King throws two conflicts at readers for this series. Lance has the current bout with Shiva along with the relationship with her mother. The first has provided a hard hitting affair. Readers watch as Lance endures much punishment from someone outclassing her. One thing Lance utilizes is her drive not to quit. The writing allows this to grow and is reinforced by the addition conflict.

Lance’s relationship with her mother comes into the forefront. Taking a trip back in time, the elder Canary leads her young daughter on a new path. King never shies away from the dangers of being a vigilante. Seeing young Dinah watch her mother deal with a gunshot wound is impactful. When the child puts on her mother’s wig, Readers know that the “tough love” has created a heroine in training. This is reflected in the current time.

King’s writing strength has always been (imo) the way he tackles personal relationships. The training regime Dinah is put through is unforgiving. It also mirrors the role reversals of the pair. Dinah has relied on her for training. She now must be the catalyst for her mother’s health. This ultimately comes full circle in the final page. Both are damaged from what’s happening but both are ready to fight. There’s no way after the last panel readers can’t get behind that notion.

Sook and Stewart open up the issue with excellent staged panels of Dinah getting corner advice. This mirrors what her mother pushed on her for training. It prepares readers for the intense in-ring combat. Shiva’s opening attack is a half panel brutal shot which launches the issue forward. There’s a great full page image of a temporary victory that compliments the great action as well.

The bout does step aside for the flashback moments. Seeing Dinah Drake in a full page costume image will be a big hit. Lance’s reaction travels from happy to sad as things progress. It is capitalized by the young child eating a TV dinner and watching the news. The full page shot (with great detail) takes readers on a rollercoaster of emotions. Lance watching her mother deal with the gunshot sparks an unexpected response. The full page image of Dinah with the wig speaks loudly. It takes a new direction in the present. The closing panel hits like an overhand right, sending events into the 3rd round.

FINAL POINT: 9.1

The fight of Dinah Lance’s life takes another turn as the rounds add up. King’s writing digs into Dinah’s soul with a deep dive into her past. Sook, Stewart and Cowles don’t leave it in the judges’ hands with the excellent art. The series continues to impress with no signs of tapping out soon.

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DETECTIVE COMICS #1092 (DC COMICS)

The price of Immortality? An experimental procedure is offered to Bruce Wayne. With talk of how to fend off Father Time a little longer, who wouldn’t say yes? This can help the Dark Knight as he searches for a killer. The victims: wayward teens. Can Batman solve the case before another dead body appears?

DETECTIVE COMICS #1092 by Tom Taylor, Mikel Janin, and Wes Abbott sends Batman on a dark path in search for answers.

Let’s diver further into Gotham’s latest crime case!

DETECTIVE COMICS #1092 by Tom Taylor, Mikel Janin, and Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Taylor puts Batman through the moral complexity surrounding this case. Another another victim is found. This strikes a chord with Damian Wayne. Robin put the victim in hiding. Once on the scene, the case becomes more complex. With a possible clue found, readers think there’s a break. It gets pushed onto the back burner with another matter at hand.

Scarlett’s connection with Bruce takes center stage. Taylor writes her character with much mystery. It keeps the audience guessing to what she is really about. As Batman furthers his investigation, it leads him into a blurred path. Taylor find a way to bring some emotion out of the stoic knight. The results lead into a desperate search for truth. Knowing their connection, readers watch as the final pages throw a new wrinkle into play. It leaves Batman in a state rarely seen. How this goes now is anyone’s guess.

Janin unleashes the dynamic duo onto the case with style. The full page image flies them into the uneasy scene. Their moods swing to anger when their search is interrupted. Readers watch as the facial reactions grow darker before the fists fly. The fight concludes with an equally impressive half panel.

From here, Bruce Wayne takes center stage. Following his fascination with Scarlett’s offer, he’s taken the plunge. The questioning that follows throws Scarlett off. It can be easily seen that she is covering something up. The post restaurant sequences prove more that meets the eye. Janin throws in a surprise fight scene. This leads to Bruce losing himself to the moment. Rarely do readers see Batman act “human”. This steamrolls into the close. With a strong final panel, the case is turned upside down. Where everything falls is sure to keep fans guessing till next issue.

FINAL POINT: 9.2

The high price of extending youth takes another toll on Bruce Wayne. Taylor’s writing pushes the Dark Knight into a question of fact vs. heart. Janin’s impressive art continues to steal scenes as the case heats up. It’s one that pushes Wayne into new areas that prove there might be a Man behind the Bat after all.

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SUPERMAN #21 (DC COMICS)

Doomsday crashed back into the Kents lives in a new fashion. The longtime Superman foe has evolved. He proposed an offer to the Man of Steel. One more death will make him an Ultimate God. Failure to comply means certain doom for Clark Kent. Luckily he has backup in the form of Superwoman aka Lois Lane. With this dynamic duo be enough to stop Doomsday’s ascent?

SUPERMAN #21 by Joshua Williamson, Dan Mora, Alejandro Sánchez and Ariana Maher shifts gears for a new look at Metropolis’ first couple.

Let’s take a deeper dive into what’s unfolding now!

SUPERMAN #21 by Joshua Williamson, Dan Mora, Alejandro Sánchez and Ariana Maher (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Through the chaos of being heroes, Clark and Lois strive to find time for each other. Williamson sets the stage with an intimate view of the couple’s relationship. The dialogue captures the pair letting go of their heroic duties. It comes across as loving and enjoyable. This provides a much welcomed break from current events. Even the one page interludes hit their marks. Only until Doomsday comes up in conversation does the mood greatly change.

Clark’s struggles with Doomsday’s ultimatum. Knowing what the stakes are, readers watch his worry. It’s countered by Lois’ confidence. The only negative about this is that its’ short lived. The story throws in a fun side plot before the last act. From a Happy ending, the pair is brought into more trouble. Knowing where the parting image leads, this may require some “super” luck to survive what just arrived.

Mora and Sanchez kick off “date night” with an amazing two page splash. Seeing the couple radiate their happiness is a welcomed sight. This leads into a trip around the DCU. The injection of the one-page interludes make for easy transitions. Once things come back to the fear of Doomsday, this issue takes off.

The art team locks in on Superman’s worry. Seeing the reaction of weighing the stakes leans into the audience. Lois’ reaction reinforces the danger. After a brief detour, the parting stop happens in Smallville. Capturing the small town in Winter, readers watch the joy brewing for the happy ending. It’s quickly thwarted in the closing pages. A bold two page image ushers in a new threat. As the final panel hits, it leaves no question the happy moments are fleeting with an uncertain future.

FINAL POINT: 9.2

Lois and Clark break away for some time alone but their superhero day jobs can’t leave them. Williamson pens an enjoyable tale of a future imperfect. Mora, Sanchez and Maher spotlight the highs and lows of the Super-couple with Doomsday’s offer looming overhead. This series is always soaring to new heights.

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