SOMETHING IS KILLING THE CHILDREN #0 (BOOM! STUDIOS)

Erica Slaughter. The complex monster hunter has always been a magnet for trouble. Even in her early days, Slaughter has had a shroud of mystery haunting her. Before moving on from the battle with Cutter, there has been a focus to look at her past.

With the 5 year anniversary of the “Slaughterverse” at hand, a prequel is very fitting. It allows for a key change in direction to form. A new player entering the deadly game. Who is this imposing figure and what do they want with Erica?

SOMETHING IS KILLING THE CHILDREN #0 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) takes readers back to right before the Archer’s Peak mission.

Let’s not wait any longer & see where things lead now.

SOMETHING IS KILLING THE CHILDREN #0 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Even with a prequel, nobody has mastered the craft of “slow burn drama” like James Tynion IV. A simple case morphs into an introduction for a debuting threat. The conversation between Sarah and Victor brings forth many avenues for drama. Sarah’s recap of events plays into the foundation of Erica’s drive. It is capped off by a subtle panel of Sarah hugging Erica. At this moment, readers watch as Erica lets her guard down just enough to be “normal”. It’s a side rarely seen. Readers watch a break in her armor form but not for too long.

Pacing keeps the emotions running high all chapter. The remainder of the hunt plays into familiar territory. Erica handles her business before getting the call for the next case. Once the attention is back on Sarah and Victor, Tynion finally dishes a cold response to Sarah’s impactful support of Erica. The fallout drops a big reveal as readers find themselves wrapped up in the chaotic landscape of the Order of St. George. With a superb cliffhanger, the sins of the past might find their way into the present timeline. Can Erica hope t survive? Only time will tell.

Dell’edera and Muerto continue to balance the build and create exciting panels for this special issue. The flashback sequences pop right off the page. With Muerto’s excellent coloring, the scenes come across as warm and feature Erica in a new sense. The full page image of Erica hugging Sarah is an easy connect with readers.

It plays off the multi panel pages of Victor and Sarah recapping. The art paints him as a charismatic being looking for details. With each page, readers can feel the tension building around Victor. These moments are briefly overshadowed by a two page conclusion to the flashback. The “feel good” moment is short lived as Victor comes to the end of this questions. His response speaks volumes of his character. With the final two pages, it becomes crystal clear of how imposing he will become in the present. The use of shading in the closing panel sells readers on what lies ahead as year 6 begins for the Boom! Studios franchise.

FINAL POINT: 9.4

The prequel mission before Archer’s Peak hits many emotions as SIKTC delivers another fantastic read. Tynion’s slow burn writing keeps readers locked in wy before the last pages. Dell’edera and Muerto provide the backdrops for an initial hunt which leaves many questions in its’ wake. Brace for the forthcoming impact. SIKTC is back in a big way!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #0. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #40 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the back stories of Erica Slaughter continue to come to life. Since her encounter with Cutter, Erica has laid low. The series has moved towards telling past tales of Erica’s history. Each have been stand alone and are great jumping on points for new readers. It has been part of her “Year Zero”.

SOMETHING IS KILLING THE CHILDREN #40 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) is the last stop of Year Zero before issue #0.

EDITOR NOTE: Some of the imagery and plot featured in this story is meant for mature readers. Discression is advised when checking this issue out.

If all set from here, let us see what secrets of Erica come to life now.

SOMETHING IS KILLING THE CHILDREN #40 byJames Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) Cover - Jenny Frison

*** POSSIBLE SPOILER WARNING ***

Tynion gives readers a deep cut into Erica’s past with this latest chapter. The emotional toll that she goes through as a hunter is heavy. Seeing how devastating one action can take magnifies that even more. With this chapter, a truly gruesome incident happens that wears heavy on her soul.

Readers watch as Erica opens herself up to Aaron Slaughter of what she’s experienced. The writing is blunt and paints a cold picture. Hunter life is anything but normal. Showcasing the range of emotions Erica bears will hit readers very hard. The fallout from this leads to a somber conversation between Erica and Aaron. How events wrap up feels devoid of feeling. It paints such a painful theme of Erica’s life and how she must process each victory and defeat. It is an intense insight that will have readers talking.

Dell’edera and Muerto depict Erica in a broken state. Her facial expressions tell a story of loss and remorse. This gets a counter balance when Aaron appears in frame. Being someone who’s lived this lifestyle longer, his reactions appear more “normal” than one might think it should be.

Everything does change when Erica begins to flashback on this particular case. The use of purples break up pages to exemplify what’s unfolding. This works very well to shift focus. That said, there is no greater image of this book than a certain full splash of Erica screaming. How the art and lettering work in this instance is incredible about portraying the horrible tragedy without showing anything to the readers. There is no doubt what has just occurred. It carries into the closing moments. With a simple panel and question, the images end with a feeling of remorse before departing.

FINAL POINT: 10

In this latest chapter of Year Zero, readers see a terrible tragedy through Erica’s eyes. Tynion’s writing floods the story with pain and anquish. The art team tastefully brings this tragedy to the forefront with the imagery. SIKTC continues to set a high bar with their intense storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #40. Thanks for reading!

HOUSE OF SLAUGHTER #25 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The Butcher” has ran out of time. Jace Boucher has been a breakout character in the “Slaughterverse” for quite some time. The former lover of Aaron Slaughter has tried finding peace. Unfortunately, his past won’t let him have that.

Now, his one man war against the Houses of Slaughter and Boucher have come to a final showdown. Will his pain be enough to push him to victory?

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) delivers on an explosive finale.

Let’s see how Jace Boucher fares in this confrontation!

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal sets Jace Boucher up for an emotional last stand. Throughout his journey, Jace has been dealing with ghosts from his past. It has been driving his one constant emotion: Anger. The writing reflects this as he goes into his showdown. However, Boucher finds himself in an unthought of position.

The sub plot of the houses comes to light at an unexpected time. With its venomous dialogue, Jace is told where he fits in the grand scheme of power. This drives him into action. It also builds to a stand still moment that long time fans have wondered if/when they will see it. From here, the story concludes very quickly. Loose ends are tied up very firmly.

The conclusion is not without its’ bittersweet moments. It leaves readers in a unique spot to process events. There is a sense of open-endedness that fans will have to ponder what just transpired. It’s a solid note to conclude on as the Butcher War reached its’ ending.

Fuso and Muerto open the issue with a near full image of Jace assessing what happened to Maven. This leads into his violent march into the House of Boucher. Panels are filled with extreme acts as Boucher look to end matters on his terms. His last run truly begins with a strong two page spread. The spread serves as a great pace setter as business begins to pick up steam.

From here, story pacing gets pages flying fast. It mirrors the ever-changing fight brewing. The art team throws in some graphic panels fitting of a bloody war. In its’ epilogue, the art style switches up to reflect flashbacks. It is a great break needed before the finale. The closing pages built towards a bittersweet ending. Readers will sense the gravity of Jace’s last stand with much praise.

FINAL POINT: 8.8

“The Butcher’s War” concludes on a heartfelt and brutal note. Brombal sets an intense pace with strong writing. Fuso and Muerto give fans a violent and unforgiving final confrontation fitting for its’ build. This story will be one that Slaughterverse fans will be talking about for quite some time.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #25. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #38 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. Since her violent showdown with Cutter, Erica has disappeared off the grid. Readers have now been granted access into her early beginnings. Each chapter has been solo adventures early in her career. It has been a perfect jump-on point for new readers.

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) welcomes readers into another point of Erica Slaughter’s past.

Let’s take a deeper dive as the past becomes present!

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The issue features a wounded Erica being discovered by a couple of kids in a treehouse. Tynion sets up the discovery with wonder and confusion. Getting the outsider perspective helps to grow the mystique of her missions. How do outsiders comprehend what she does?

This element comes into play when the Order checks in. The conversation breaks up the serious tone with its’ awkwardness. Once Erica interjects, the mood shifts back to a more serious tone. Tynion reveals just enough of the past to keep readers in suspense.

The conclusion ends with a level feel. There is no extra drama needed. It is a conclusion that just says goodbye. In this line of work, there is no heartfelt goodbyes. It’s always strictly business as the final page states.

The art captures the uncertainty of the children who discover erica. Their reactions play into the unknown factor of their discovery. A two page sequence connects this point to readers with ease. Erica’s response to being discovered also carries a presence.

The panels display her showing some moments of normalcy. There is a small sequence of cutting hair that displays the missing portion of a normal life. With a strong parting shot, the story closes its doors as its’ on to the next case.

FINAL POINT: 8.8

The outsider view of Erica Slaughter’s life catches readers with a dialogue driven tale. Tynion spins the contrasting worlds together with the writing. The art brings out many reactions to events at hand. All the while, readers witness sides to Erica rarely seen. All in all, a solid stop into a mysterious past.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #38. Thanks for reading!

HOUSE OF SLAUGHTER #24 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, Jace Boucher is at the war’s end. His final stand against Jolie and both Houses of hunters united will not be without casualties. With the pain of his past fueling him, can the Butcher win an impossible fight? Even with a strong ally in Maven, it might be all for nothing as an attack on his home awaits.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) unleashes a full scale attack onto readers!

Let’s see how the pen-ultimate chapter stands up.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) CREDIT: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

The build in this series has been purposely slow to have readers ready for the conflict. Brombal finally sets off the action in two big battles. One is Maven defending Jace’s “children” from Jolie invading the swamp. The other is René waiting to face off with the Butcher one on one. With the rising body count, the fights have become personal. Let alone the Houses of Boucher and Slaughter watching in the wings.

The writing delves into the manic behavior of Jolie. Risking hunters on her personal vendetta showcases how unhinged she has become. Maven pulls out some huge surprises as their battle commences. As for Jace and René, the writing shifts into making both very similar in actions. Their banter is very driven and strikes a few nerves. This builds towards a strong finish with a few tricks up the sleeve. Seeing how things are left, there is now way to even guess how the war will end.

Fuso and Muerto craft impressive fight scenes throughout the entire issue. Maven revealing her attack is a two page spread that readers will be raving about. Talk about a game-changer! René and Jace’s brawl is violent and emotionally draining. It holds nothing back as each page becomes more intense. Both fights end in ways that no one will see coming. The images rev up the excitement as there is one showdown left! Only one point is certain: there is no guarantee anyone survives.

FINAL POINT: 9.4

The Butcher War level up its intensity and drama with an issue not soon forgotten! Brombal weaves two impressive battles that hit the emotional marks. Tate and Muerto choose violence with the unforgiving images to deliver the hellish fight Jace is in the center of. There’s no way not to be amped up for what’s next after this chapter.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #24. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #37 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. SIKTC has returned with a spotlight on the “slaughterverse” hunter’s history. In the next few issues, the chapters are all stand alone stories. It’s a welcomed take as fans are still reeling from the Cutter showdown.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) features an early Erica Slaughter in action.

Let’s not delay and take a closer look at events here.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion keeps things very simple with this chapter. Erica and a young child head into a Wal-Mart esque store. The clerks appear lost to what is happening. This series of events lean into Erica’s early days. Her banter with the young girl she’s trying to save plays out well. It helps to lighten up some of the darker elements at hand. Erica’s still growing her role.

The talk with Aaron shows her determination and unjaded nature. From here, the dialogue moves to the young girl. Her explaining Erica’s job provided a fine moment while Erica goes to work. The ending brims with anger and the cold demeanor that readers know from other Erica stories. Her journey feels like the long game payoff is coming, which is always a win for fans.

Dell’Edera and Muerto grant Erica a fun entrance into the story. The reactions of the employees range from doubtful to anxious. Erica’s reassurance into stopping the monster jumps off the page. It’s a subtle moment but fits the segment. This follows with a two page spread, leading into a vivid full page image of Erica and a chainsaw.

Pacing drives the fighting in this issue. Seeing Erica take on the monster felt huge. There’s little page time for the creature but using the supporting characters to describe the incident was solid. This works well with the action panels. The fallout comes across as cold and business per usual. Erica has a great walk-off panel that leads directly to where the early days continue onward. It’s fantastic storytelling!

FINAL POINT: 8.7

The latest journey into Slaughter encompasses everything fans love about Erica Slaughter. Tynion’s writing delivers a classic Slaughter hunt. The art shines as the supporting cast steals attention for this chapter. With a strong walk off close, the past is a present issue that SIKTC fans will want to check out!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #37. Thanks for reading.

HOUSE OF SLAUGHTER #23 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, time is ticking away on Jace Boucher. “The Butcher” of the “Slaughter-verse” has angered two very dangerous groups. Dealing with the House of Boucher is one thing. Trying to fight off them and their allies in the House of Slaughter spells certain death. How long can he survive for now?

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) heads right into the fallout of last issue’s initial strike.

Let’s take a closer look at how things shape up now!

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal shows how this conflict is breaking down both sides. Jace is trying to fight his battle but shows his emotions are leaking his weakness. With each wund that has been done, it’s fueling Jace on his mission. The question becomes: will it be enough to win?

On he other hand, being embarrassed by a lowly hunter doesn’t go over well with each house. The alliance seems to start showing its’ fractures after the defeat. The Old Dragon steals the spotlight to show his plans to eliminate Jace are the only options now. This causes big tensions with the opposing house. The writing shows how much more is layered beneath the surface. Even in the final moments, there are secrets to be unlocked. This is all much to fans’ benefits.

Fuso and Muerto lean into Jace’s rage in the opening pages. His talk with Maven leaves no doubt of how personal this all has become. It’s capped off with a strong near full page visualizing why he is fighting this fight.

The breakdown between the Houses also jumps out at readers. The embarrassment of Jace winning drives the Dragon into full panic. His facial reactions speak of the last shot to reclaim his reputation. The fallout demonstrates the power play each parties are attempting on the other. Once the closing pages start, readers will have the inclination that the end is coming faster than expected.

FINAL POINT: 8.1

Jace’s last stand builds towards an unimaginable showdown with the latest chapter. Brombal keeps the paranoia and rage high with the writing. Fuso, Muerto and the team magnify the breaking of spirits amongst the key players as Jace’s time ticks closer away.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #23. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #36 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, we are heading back into BOOM! Studios “Slaughterverse”. Last time fans saw Erica Slaughter, she was reeling from her encounter with Cutter. The emotional toll is still being felt by fans to this day. Where do things go from here?

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) heads into the past before showing Erica’s future.

Let’s take a trip back in Slaughterverse history!

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story begins five years prior to the showdown with Cutter. A Young child named Randy is raiding their refrigerator. On the news, the news anchor mentions children being mauled. It is presumed a bear or wolf is responsible. Readers know all too well it is more than that.

Randy sneaks into a barn with the stolen food. A figure is waiting inside for Randy. It is Erica Slaughter. Their talk is broken up by a dog belonging to one of the victims. Erica bonds with the dog as she starts piecing together her hunt.

Readers watch as Erica tries solving this mysterious case. What is the monster up to? Why the specific targets? The case heads into a distinct direction. The fallout delves into the composition of Erica. It is a bittersweet closing as the soul behind the hunter starts revealing itself to the audience.

Tynion takes readers into a self contained moment of Erica’s early life to much delight. The case is very straight forward. Erica is written as a evolving hunter, honing her craft. The connection with Randy and the dog make for memorable moments. Readers sense Erica’s growing concerns as she sorts through the hunt. The resolution exposes some elements while re-establishing her distance from others. Few writers can make a simple story so layered but Tynion pulls it off flawlessly.

Dell’edera and Muerto do a wonderful job building a tense feel in the beginning section of the issue. The use of 4-6 panels on each page constructs a slow pace leading to reveals. The art team also catches Erica having some glimpses of happiness with her animal companion. It is rare for her guard to be let down, but works to break up the brooding aura. The parting images leave the case closed with a noteworthy ending panel. There is no question that one case is closed but many more have just been opened.

FINAL POINT: 9.4

The journey into Erica Slaughter’s past is filled with emotion and mystery with this latest chapter. Tynion’s superb writing is setting the stages for a long pay-off. Dell’edera and Muerto provide impressive imagery capturing a side of the legendary hunter rarely seen. It’s phenomenal work that shouldn’t be missed.

Hit me up on ODPHpod social media and let me know your thoughts on Somehting Is Killing The Children #36. Thanks for reading.

HOUSE OF SLAUGHTER #22 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, we are following the final story involving a fan-favorite “slaughter-verse” character. House of Slaughter has given fans featured stories on certain characters. Few have won over readers such as Jace Boucher. Last we saw “The Boucher”, it appears his luck has run out. Can he make it though this latest ordeal in one piece?

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) looks to give fans some more clues on the Butcher’s last stand.

Let’s take a closer look and see how things shape up.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios COVER: Nimit Malavia

*** POSSIBLE SPOILER WARNING ***

The issue begins in an abandoned amusement park. A young boy stands underneath a carousel. His name is Sunny Boucher. Sunny was under the care of Jace Boucher. That was the case until he was recruited into the House of Boucher by Jolie Boucher. Voices fill the air eluding to Sunny being in trouble.

The story shifts to Sunny being back at the House with Jolie. Jolie mentions how the Order from Chicago is here to take care of Jace. She sets up Sunny to trick Jace into walking into a trap.

Will Jace take the bait? Readers watch as the young boy is influenced to be the decoy to an onslaught. The rival House of Slaughter has some reservations about trusting Sunny. However, it appears that the plan might be falling into place.

Brace for a final act that changes everything. The closing image will have fans on edge knowing the Butcher’s final stand is in full swing.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios

Sunny Boucher’s story shifts dynamics as the driver for this chapter. The writing portrays him as a child looking for direction. The dynamic with Jolie wavers from loyal to uncertain. If not for her blind confidence, Jolie would see Sunny’s swaying opinions. This builds for a strong pay-off later.

The final act will hit longtime readers more than ones who jump in on the new arc. Knowing the back story between Jace and Sunny, it is an emotional moment that leads into a stronger one unfolding. The set-up for the final page works to carry the tension right to the next chapter.

The art doesn’t steer away of the pull on Sunny. The opening image of Sunny standing by the carousel sets an eerie tone. With the word bubbles surrounding him, the fear starts creeping in the young boy. The series of panels with Jolie “recruiting” Sunny leads readers through her delusional methods. This builds towards a solid middle act and striking final page.

FINAL POINT: 8.4

The last stand of Jace Boucher speeds forward with a solid chapter. The writing shows the confliction in a character who’s still finding their way. The art gives readers a sense of the emotional toll being taken. Mix them together and you have an issue worth checking out at the Comic Shops this week.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #22. Thanks for reading.

HOUSE OF SLAUGHTER #21 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points! It’s the comic book review blog to the ODPH Podcast!

For this entry, we’re beginning the final story of Jace Boucher. The Butcher of BOOM! Studios’ “Slaughterverse” has been carving a path in the Something is Killing The Children spin-off for quite some time. After recent events, Boucher appears to be on a deadly collision course. The Order of St. George is not one to forgive and forget. With them in pursuit, Boucher elects to play a deadly game. Can he win?

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell'Edera) kicks off an explosive new story.

Let’s take a deeper dive into the new chapter….

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

In the port of New Orleans, a caravan of black cars drive. The narration tells a timeless story. Suddenly a voice asks to pull over. A man jumps out coughing blood. He sees the silhouette of Boucher in the distance. Reality sets in and the image disappears. The man is the Old Dragon of House Slaughter.

The group representing the Order of St. George has entered the halls of the House Of Boucher. Readers watch as the moment’s tension cuts like a blade. Both houses have different styles all their own. However, both agree on the same thing: End Jace Boucher once and for all. The meeting ends with the Old Dragon still scheming as winning this contest is the only option.

What does this mean for Jace? Readers witness as the life he’s tried hard to build now comes into direct danger. From the previous stories, Jace is far from healed of his demons. The final parting pages leave no question that Jace is determined to slay them along with his enemies. Let the hunting begin!

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

Brombal leans heavy into the uneasiness of the two factions for where this story leads. Dragon’s arrogance to the House Of Boucher is returned to make for a game of one-upmanship. The writing showcases the impact Boucher’s actions have on both houses. It adds more fuel to their causes to eliminate him.

Jace’s demons still play a factor into his role with the story. The writing mirrors the damage that has been done previously. It helps to build what is decided in the closing moments. The seeds have been planted for a dangerous chess match.

Fuso and Muerto construct a high level of pressure when the houses meet. The mannerisms shown towards each other indicates the uneasy alliance being made. The panels lead with Dragon getting a feel for the new house before turning the tables into his own favor.

The imagery of Jace shows his confliction with well placed flashbacks. The battle with the monster is fitting of the tow-page spread it gets. The battle is perfectly capped off with a bloodied Jace emerging from battle in a full page shot. The closing images leave readers with no hesitation of Jace leaving everything on the table when it’s all said and done with the Houses.

FINAL POINT: 8

The last stand of the Butcher begins with a slow burn first issue. Brombal crafts the writing to weave the key players towards their eventual collision course. Fuso and Muerto provide the high stakes images to solidify there will be no turning back from where this story is heading. Keep this one on your radar at the comic shops this week.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #21. Thanks for reading.

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

HOUSE OF SLAUGHTER #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the kick-off of a brand new story arc in one of Boom! Studios stand-out series. Spiraling out of the pages of the award winning Something is Killing The Children, House of Slaughter has carving its own spot as must-read stories on New Comic Book Day. The solo stories based in the SIKTC world has been winning over fans with each run. Now with a brand new arc and creative team, the series is ready to feature a certain character ready for the spotlight!

House Of Slaughter #16 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera is hitting the Local Comic Shops this week. Let’s see how the latest tale kicks off, shall we?

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

A monster is reeking havoc. A group of White Masks have arrived on the scene. They are searching for the main point of the monster’s base. One White Mask breaks away from the plan and is caught in the monster’s grasp. Once one of their group goes down, two call a formation and ask for the bait to be brought out.

The story shifts to where a group of young White masks are enjoying some down time at the Order of St. George when Cecilia Slaughter interrupts their time. There’s one big reason for her appearance. She is adding the White Mask known as Bait to the mission in Erie, Pennsylvania. Bait had his arms amputated.

The other masks banter amongst themselves not knowing why Bait gets to be selected. Readers soon find out as he is updated on the mission at hand.

What exactly is happening to cause a rising body count? Why is Bait selected for this? How does the Order of St. George tie in with this case? Readers begin the journey into this latest mystery with a fantastic starting point.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

Johns hits the ground running with setting the foundation of where this new venture is leading. Seeing the reactions after Bait was selected for the mission added to the mystique of his character. Johns also factors in a great comparison of Billiards and Alabaster. Showcasing a piece of the Orders’ history in such a manner is a fun way to peel back a hidden layer of their past. Pacing gave every portion room to let each segment breathe. Much like anything in the SIKTC line, just enough is revealed without exposing the true nature of any plot. The same can be said here with a well-crafted debut chapter.

Cadonici and Segala mix in personal reactions with the terrifying theme of the story with the visuals here. Right form the beginning, the altercation with the monster and White Masks make a big statement. Bait’s eyes speak volumes about what is happening around him. This is balanced by the reaction of the young group after his selection. The banter about him leads readers into thinking how important he is to breaking this case open. This plays into the final arc of this issue, where the calm before the storm reigns down on readers closing the beginning of what is sure to be another classic HoS saga.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

FINAL POINT: 8 OUT OF 10

The latest phase of the hit spin-off series from SIKTC doesn’t skip a beat presenting a captivating kickoff. Johns, Cadonici and the team highlight a White Mask’s trek into danger with solid writing and artwork. The story of Bait has only just begun but it is one you won’t want to miss.

Hit me up on ODPH Social media and let me know your thoughts on House Of Slaughter #16. Thanks for reading.

HOUSE OF SLAUGHTER #15 (BOOM! STUDIOS)

Welcome to a brand-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the conclusion of the third arc of the spin-off series based from the award winning series from Boom! Studios: “Something Is Killing The Children.” Since its’ debut, House Of Slaughter has provided fantastic reads in short arcs involving characters based in the Order of St. George universe. The latest tale featured a character who made waves in the inaugural start of the series: “The Butcher” Jace Boucher. Now featured in his own solo story, things have drastically changed since we last saw the Butcher. His current life as guardian over some orphans has been impacted by ghosts from his past returning. When one he’s watching over goes missing, Jace’s worst nightmares appear to becoming real.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) brings a finale to the current story run.

Before we get started, some of the imagery might be too intense for younger readers. Reading discression is advised. That said, Let’s see how the fate of the Butcher plays out, shall we?

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

*** POSSIBLE SPOILER WARNING ***

Before this story began, readers witnessed the tragic love story involving Jace and Aaron Slaughter. In its’ wake, Jace has become protector to a group of orphans waiting for Aaron to come back to him. Unfortunately, that day will not come as Aaron was killed after returning to the Order to protect Jace. Without this knowledge, Jace is trying to start life post St. George and adjusting to losing a hand. During this time, a young orphan named Sunny has taken upon himself to try and follow in Jace’s footsteps.

His endeavors brought him into contact with someone who Jace never thought he would see again: Jolie Boucher. Jolie has welcomed Sunny into the lifestyle and her family with open arms. Once Jace becomes aware of who is influencing Sunny, he makes a desperate attempt to save the boy from the fate he knows comes with this lifestyle. This leads to a confrontation between Jace and Jolie, who have some unsettled business from when they last saw each other. The conversation starts friendly but true motives are shown as Jolie winds up capturing Jace, settling some payback for “leaving her” to die in a fire many years prior. All the while, Sunny faced his first monster to become a member of Jolie’s hunting family, losing his eye in the process.

This issue opens up with a flashback to where Jace first found Sunny. Readers remember this school bus as it was the setting shown at the beginning of this arc. Readers have nothing held back as the emotional impact is felt from the scene. It leads to present day where Jace is tied up in a meat locker. Vionette and Cassius Boucher are watching over and taunting Jace. It is during this moment that Jace finds out news that the readers have been dreading he would. It is upon this revelation that Jace has a vision that proves to be the park for something else entirely. Jolie’s actions have woken up …. The Butcher.

Will Jace save Sunny in time? And what of the other orphans who make an attempt to help? Readers get this answers along with seeing first hand what Jace is capable of. It leads to a final confrontation that no one is expecting things to play out as they do. It is a fitting end to a story that has pushed its’ protagonists to their threshold before they can’t hold back who they truly are.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

BREAKDOWN: Brombal sends the Butcher out with a very solid conclusion. The entire arc has been about redefining who he is post-hunting. Jace’s life seems to be at peace until Sunny tries taking his “hero worship” too far. Brombal sets up Jace to be a complex character, wrestling with the demons of his past. The back-story with Jolie fits perfectly as someone who mirrors what Sunny is doing now in their young age. The showdown doesn’t falter as readers see first hand what Jace can do when fully unleashed. Seeing the face-of with Jolie plays right into the boiling point of this story. Once it commences, it delivers on what fans are expecting…until the conclusion. Brombal shifts gears and throws in some twists that some may not be ready for. It caps off what readers should expect from this universe and know it brings the drama and tension every time.

Fuso and Muerto paint a vivid picture of how dangerous Jace can be. Seeing him angry and unhinged is an intense visual for the reader. These panels do not shy away from what he can do and leaves readers knowing exactly why he has the nickname that he does. They set it up nicely with Jace taking cover in a tree, ready to strike at a given notice. The art really elevates the final stand-off between Jace and Jolie to another level. Readers can sense the feeling involved with this confrontation. Fuso and Muerto also present the shocking moments near the final act with well-timed reactions to the events transpiring. It all ties together with the final visuals bringing a close to this chapter and having fans discuss what happens now with what they have just witnessed.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

FINAL POINT: 8 OUT OF 10

The conclusion of “The Butcher’s return” is a complete send-off for Jace Boucher and his life post Aaron Slaughter. Brombal, Fuso, Muerto and the team create a finale filled with solid writing and strong art that leave no question to the readers about why Jace has the nickname of “The Butcher.” You’ll want to keep an eye out for this issue and series at the local comic book shop this week.

Hit me up on ODPHpod social media and let me know what you thought of House of Slaughter #15. Thanks for reading.

HOUSE OF SLAUGHTER #14 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we’re following along the slow burn build centering round a popular character in the Something Is Killing The Children universe from Boom! Studios. HOUSE OF SLAUGHTER #14 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) features Jace Boucher aka The Butcher as he struggles dealing with his past catching up to him while waiting for a love to return that never will. Considering how things went last issue, Jace is in a race against time to save someone before it’s too late. Let’s take a deeper dive on what’ happening here, shall we?

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Jace Boucher has been trying to start life over after having a “falling out” with the Order of St. George. The result costed him his hand and his lover Aaron Slaughter was killed but Jace has no knowledge of this. All he has been doing is being a guardian to orphans waiting for Aaron to come back.

During this time, an orphan named Sunny has become persistent in following in Jace’s hunting footsteps. This resulted him in coming into contact with Jolie Boucher and her family, who have taken him in trying to induct him into their order. Jolie and Jace have a noted history with things not ending well years ago. Jace knows the danger surrounding Sunny and makes a return back to New Orleans in an attempt to save him from the danger Jolie is welcoming him into to. The prime example o this is Sunny is locked in a room with a monster to see if he can become a hunter or not.

This issue opens up with Jace entering the Messiah Bar, in hopes of finding Jolie. The place is packed with party-goers and at the end of the bar is Jolie. Jace approaches her and the reunion is surprisingly very happy. Over a few drinks, they start a conversation which leads to Jace asking about Sunny. Jolie counters with bringing up when they first met. It leads to talk of Aaron Slaughter which Jolie realizes Jace doesn’t know the truth.

The pair gets moved to a private room where readers get the truth about what went down between Jolie and Jace. It gives some much needed clarity to why Jolie has such an axe to grind with Jace. The tension builds to a breaking point as Jolie keeps dodging the questions about Sunny until a moment happens that changes everything. Can Jace handle what transpires? What about the fate of Sunny? Readers see how things are not what they seem as Jace’s noble plans has a new challenge thrown in his direction steering the story into a new avenue.

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

BREAKDOWN: The dynamic between Jolie and Jace has always been one centered in mystery but Brombal centers this issue around that plot point. Readers get many details on their history and clarity on why Jolie has used Sunny as a means to attack Jace. The conversation comes across as one between old friends before turning into an emotional standoff, bringing back many buried feelings between them both. Even with only two characters involved for the majority of the issue, Brombal keeps things moving without stalling the pace to hang on o stay in neutral gear. The ending is a solid surprise which sets up the major players involved for a collision course that readers can expect a big payoff for.

Fuso creates a unique setting for the conversation this issue. The conversation reflects a casual talk between two old friends. Jolie’s mannerisms doesn’t tip off too much to worry Jace. She comes across excited for her friend and even concerned when she realizes Jace doesn’t know the truth about Aaron. The panels featuring Sunny stands out with the coloring used for these panels. It helps connect with readers what danger he’s going thru while Jolie is calm and relaxed with all of this. The big change in the story is easily felt with the full page shot of the surprise. It all ties together to feature Jace’s struggle to save Sunny even though it appears it’s more and more a losing battle.

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

FINAL POINT: Readers see the history of Jolie and Jace unfold right before their eyes within the pages of House of Slaughter #14. Brombal, Fuso and the team present the personal talk between the two leads with an ever-changing conversation that sets things up for a huge closing looming in the wings. Keep an eye out for this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know what you thought of House of Slaughter #14. Thanks for reading.

HOUSE OF SLAUGHTER #13 (BOOM! STUDIOS)

Welcome to a brand new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, we’re continuing to follow the latest installment of the spin-off series from BOOM! Studios’ hugely successful comic: Something is Killing The Children. HOUSE OF SLAUGHTER #13 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) continues onward the story of Jace Boucher aka The Butcher. With more eyes swinging over to the SIKTC franchise due to the Netflix adaptation announcement, this series is heating up at the right time. Let’s take a deeper dive about the latest chapter, shall we?

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

House of Slaughter is an anthology series, having self-contained stories involving characters set in the SIKTC Universe. In this recent arc, Jace Boucher’s life post monster hunting hasn’t gone exactly the way he envisioned. As seen in the first HoS arc, Jace’s doomed love with Aaron Slaughter still weighs heavy on him (even without knowing Aaron’s fate). Jace has assumed the role of protector for orphans and is laying low off the radar, hoping to escape his past. This proves to be a lost cause Sunny, one of the orphans, wants to follow in the hunter footsteps of Jace. When he’s told not to, Sunny becomes rebellious and leaves the camp set up for Jace and the orphans. When a monster comes across Sunny, he is rescues by a person with history with Jace: Jolie Boucher.

During the rescue, Jolie is trying to sell Sunny the dream of being a hunter. Jolie mentions that the monster they encountered has more baby creatures lying around and she takes Sunny under her wing and brings him along for a hunt with her house. Sunny becomes mesmerized by what he sees and is invited for dinner at her mansion home, “The Butcher Shop”. All the while, Jace is tying to track Sunny down while dealing with some unsettling visions and dreams. Once he sees Sunny leave with Jolie, Jace realizes the stakes have become even higher.

This issue kicks off with a flashback sequence as Jace prepares to return to New Orleans in search of Jolie and Sunny. The moment switches to when Sunny walks into the mansion (due to Jolie manipulating the young boy). Once inside, Sunny sees some of the house residents such as Rene and Vionette Boucher. SIKTC readers will recognize a certain hunter roaming the halls as well Maxine Slaughter! The last time readers had seen Maxine, she was making a big move in the pages of the “Book Of Slaughter” one-shot, which is a great reference point for new readers to the SIKTC world. With Sunny invested in meeting the people of the house, Jolie convinces him that she will take him back to Jace’s camp in the morning.

Meanwhile, Jace is making his way through New Orleans when he has a flashback to a childhood moment with Jolie. This has been an ongoing plot point since the story arc began. This recent memory is interrupted by a raven, which Jace recognizes and quickly runs toward. The bird leads him to a mysterious character named Maven, who warns Jace of what’s ahead. Will the warning be enough? Is Jace ready for what he is about to encounter? Readers will get some clarity with those questions but will have to brace for what is in store for Sunny living in a house full of hunters with a strong final act in this issue to conclude this issue on.

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

BREAKDOWN: Brombal keeps readers guessing as to what Jolie’s overall plan is for Sunny. Considering their history, it makes perfect sense to hurt Jace by stealing away one of his children and having them join the life he has been so desperate to escape. The influence of giving the young boy his dream is easy for Jolie to use to her advantage. Jace knows this and risks everything to try stopping it. Seeing Maven and their conversation adds more drama to the upcoming moves. It’s low-key but readers can sense the doubt in Jace’s voice heading into the inevitable confrontation. Pacing worked well in giving enough time to set up the stage for the final act. The flashback/dream sequences were used less than the previous issues but this method helped keeping things moving without taking away from Jolie and Sunny’s spotlight. The final moments will be interesting to see the fallout next issue, but left a satisfying conclusion for this chapter.

Fuso focused on displaying “The Butcher Shop” as a warm and friendly place while hiding most of its secrets. This plays well int Jolie’s schemes as her subtle smirks conceal what she has in store for Sunny. Seeing the interactions with the other residents especially with the cameo from Maxine helps break up some tension before shifting back to Jolie and Jace. Jace’s flashbacks and ultimate interruption set things up nicely for his portion of the issue. Excellent full page panel to cap off the Maven sequence. The final act moved fast with Sunny but illustrated the situation he’s in and what lies ahead. It concluded the scheming of Jolie, giving fans much to be excited to see where the story goes next issue.

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

HOUSE OF SLAUGHTER #13
Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini
Credit: BOOM! Studios

FINAL POINT: House Of Slaughter #13 sets Jolie’s plans into full motion while keeping the Butcher on the defense with time slipping away. Brombal, Fuso and the team progress the slow burn drama with solid art and writing to please fans waiting to see how this story moves onward.

Hit me up on ODPH social media and let me know what you thought of House of Slaughter #13. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #29 (BOOM! STUDIOS)

Welcome to a brand new edition of Parlay Points, the comic book review blog to the ODPH podcast.

For this entry, There is no escape from the danger engulfing Erica Slaughter in the hit series from BOOM! STUDIOS. Something is Killing the Children by James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design is one on of the most consistent quality reads on New Comic Book Day. The latest story has pushed Erica into dangerous territory with a true rival hellbent on taking her down. What started as a simple case has spiraled out of control. After last issue, the anticipation has been HUGE for this chapter.

Before we dive into this issue, some of the imagery for this blog may not be suitable for younger readers. Viewer discretion is advised. If all good after that, shall we get started?

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

An evil creature known as “the Duplicate” is on the loose in Tribulation, New Mexico. Gabi is a teenager who watched her family be slaughtered by this monster. Riqui, a local bartender who is her “guardian” now is trying to keep her safe. Erica Slaughter has come to town after staying off the grid to help. However, the Order of St. George isn’t ready to let Erica be a loose end running away from them. They have acquired the services of Cutter to take her out. In a blink of an eye, Cutter has repeatedly attacked Erica on various levels, to the point of killing her longtime ally, Big Gary Slaughter. Cutter has also just arrived to Tribulation and immediately framed Erica for the murder of Tribulation police officers while assisting the Duplicate into turning into a clone of Erica! Now a wounded target inside the police station, Erica’s world is about to become more dangerous.

This issue opens up with am officer making a coffee run before walking into a horrific scene of dead fellow officers. Erica emerges and disarms the officer, telling him Cutter is behind this and she is leaving. Erica frees Gabi and Riqui from their barricaded room. Before they leave, Erica takes an object left behind by Cutter that might hold some information about stopping her. From here, the story switches gears to the Order of St. George where there is a funeral and burial service for Big Gary. Many notable characters from the SIKTC lore stand and pay respect. One troubled by the actions of Cutter’s killing of Gary is Cecilia, who talks with the Dragon, the head of the order, about Cutter’s services. What transpires with their talk gives a unique insight to the dragon’s methods. What exactly is his endgame involving Cutter and Erica? What depths is he willing to go in the name of the Order? Readers don’t wait too long to see the fallout of this chat might be bigger than most realize to close this issue out.

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

BREAKDOWN: One of the biggest elements of SIKTC is Tynion’s ability to play the long game (aka Slow Burn) better than anyone. Erica’s time in the book is very brief but does enough to move her story along. Readers also see Erica trying to regain her calm after being on the defensive side of Cutter’s attack. It was a noteworthy nod to feature Gary since he was killed four issues previously to show how its’ impacting the characters of the Order. The conversation between the Dragon and Cecilia illustrates how dangerous Cutter is without showing her at all during this issue. To see the reaction of someone as high up in the Order as Cecilia questioning if bringing Cutter in was a right choice is very telling. The fallout of this talk seems like this could be the match to light a bigger fire for the story moving forward after this arc.

Dell’edera holds nothing back from readers in showing Cutter’s trail of bodies from the police station. The imagery speaks volumes and seeing “Officer Bill” walk in to the carnage was frightening. Like previously stated, the issue gave a majority spotlight to the talk between the Dragon and Cecilia and Dell’edera explained this talk by using the character’s eyes and demeanor to tip readers off on the feelings of doubt and anger involving Cutter. Even without his signature mask on, The Dragon conveyed a great deal through his body language. This reflected his reference of emotion in the talk. The final scene will rise some questions in how the talk fallout will play a role but it made a solid statement to close on.

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

Something is Killing the Children #29

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: BOOM! STUDIOS

FINAL POINT: Tynion, Dell’edera and the team take a pause from the latest challenge of Erica Slaughter to pay respect to a fallen member of the Order of St. George. The slow burn method of solid writing and art wins again for an issue you won’t want to miss on New Comic Book Day this week.

Hit me up on ODPH social media and let me know what you thought of SIKTC #29. Thanks for reading.