GRIM #25 (BOOM! STUDIOS)

“Don’t Fear The Reaper”. That has been a statement that has defined Jessica Harrow’s adventure. From being an unknown reaper to the heir apparent to the afterlife, Harrow has blazed her own unique trail.

Recently, Harrow’s destiny took a unique turn. After confronting The End, Jessica chose Life over Death. She opted to live a life of a human. Now her time has come to say farewell with an old friend by her side.

GRIM #25 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) concludes the mind-blowing series with its’ closing chapter.

Let’s take one final ride to the other side….

GRIM #25 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips pens a beautiful send-off to a life few could ever envision. Passing the attention to Jessica’s daughter Rowan allows for a full circle structure. The writing shows how Rowan is very similar to her mother. Harold’s interactions with her showcase the sharp tongue Jessica displayed. It also allows her to forge her own destiny with an unexpected trip to Las Vegas.

Readers watch as Rowan starts meeting key players from Jessica’s past. Their interactions are met with the same skepticisms. This leads into an ultimate confrontation. The writing shows the vulnerability and buried feelings in trying to hold a family dynamic. Rowan’s reactions to processing this info is priceless. It mirrors much of when Jessica found out her truths. This all results in a bittersweet bonding moment that hits all the marks. You can’t help but have a smile reading the final page and reliving those memories. All of which make life stronger than death, eh?

Flaviano, Renzi and Napolitano open with a final goodbye to Jessica. Renzi’s coloring transitions panels flawlessly. This moves into Rowan meeting with Harold. Their panels come off as awkward as one might expect. This leads into Rowan’s life in NYC. The art is very gritty to translate her tougher times. It is contrasted greatly when Rowan goes to Vegas on her ticket.

Colors pop as she sees the big lights of the city. The full page image of Life playing slots is vintage Grim. This helps to move the story along to its’ big confrontation. A near full page shows the participating characters meeting. It translates into an emotional ride with Rowan trying to comprehend much. This comes across greatly when Rowan’s childhood is explained. It leads into a more grounded close. The full page final is legitimately the only way to end this issue. There’s much to enjoy from this final goodbye.

FINAL GRADE: 10

In 25 issues, what Phillips, Flaviano, Renzi & Napolitano have done is truly special. Blending in themes and elements that shouldn’t work and making it into superb storytelling is an experience. This finale says goodbye with emotional points that nail the landing right to the close. It has been the “coolest book at the LCS” every time for good reason. This issue is another prime example why.

Let me know your thoughts on Grim #25 in the comments below. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #44 (BOOM! STUDIOS)

Jessica Slaughter may not have been the best mentor for a young hunter in training. On a mission in upstate New York, there has been a disconnect between her and Erica Slaughter. This rift isn’t solving a case of murders any faster. It certainly won’t keep both alive much longer.

SOMETHING IS KILLING THE CHILDREN #44 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) continues its’ look into a past mission of Erica Slaughter.

Let’s take a closer look at where events land now.

SOMETHING IS KILLING THE CHILDREN #44 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

As with much of SIKTC, it is the best at slow burn drama. Tynion dives into the aspects of Aaron Slaughter for a good portion of the book. His search for answers leads into a roadblock at the Order of St. George. The writing is sharp as it showcases the quiet conflict. Once there is some ground broken, more is revealed to the audience. Whenever the Order is involved, there is no such thing as open and shut.

Readers see when the story swings back to Erica/Jessica, time is focused on Jessica’s perspective. The dialogue with her and a hotel employee jumps out. As more clues become into light, there seems to be darkness brooding in the background. This pushes towards a very surprising final act. Throwing in a flashback of Jessica’s into the game gives more weight to her erratic behavior here. It provides a few twists before bowing out gracefully. Another case of strong set-up which is never a bad thing.

Dell’edera and Muerto keep events very grounded for this issue. Aaron Slaughter’s morning routine is simple in nature. This is a calm before a larger storm. The eyes tell a story as the inquiry of a case causes tension. It is a very strong delivery while fine detail in presentation.

Erica and a witness to the case have an easier exchange of dialogue. There is much optimism on Erica’s face as she discusses events. This shifts quickly to Jessica’s methods. A suborn approach to hotel rules leads to the most impactful art of the book. The flashback sequence pops off the page. This is largely due to Muerto’s coloring. The light tones add more to the fear growing into the unknown. This builds into the final image. It sets the stage for a larger payoff much in this series winning formula of storytelling.

OVERALL GRADE: 8.8

What really happened on Valmont Mountain? The mystery continues to peel back layers in the latest SIKTC chapter. Tynion’s writing is relentless in building the drama. Dell’edera and Muerto bring out the tension with each panel. This series continues to set a high quality level of storytelling every time out.

Let me know your thoughts on SIKTC #44 in the comments below. Thanks for reading!

THE LAST WITCH: BLOOD AND BETRAYAL #3 (BOOM! STUDIOS)

Anger has turned into a double edged gift to Saoirse. The young witch has used it as fuel on this latest adventure. It has also caused many fractures in relationships. Saoirse banished Hugh away. She’s also scared her brother Brahm off of trusting her. This is a fine line for her to walk.

Can she keep balance long enough to defeat the Cailleach?

The Last Witch: Blood & Betrayal #3 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (Ghost Glyph Studios) continues on its’ epic adventure.

Let’s not delay and see where events are at now.

The Last Witch: Blood & Betrayal #3 by Conor McCreery, V. V. Glass, Natalia Nesterenko& Taylor Esposito (Ghost Glyph Studios) BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

McCreery devotes a good portion of the book onto Hugh. The banished companion refuses to quit helping. His banter with Aisling proves entertaining. It allows him to vent some frustration before resuming his role. This is a very different scene than Saoirse sees herself in. The conversation with Nan leads to a surprise & needed talk. Saoirse’s heartfelt moment with her mother gives a refueled sense of purpose. There are many emotions on display before resuming her mission.

Readers watch as Saoirse arrives at the Cailleach location. The pages create a sense of worry as the young witch advances. It leads into a questionable choice. The ramifications have to wait as the spotlight moves to Nan. Seeing her react to Hugh’s return tips off a greater threat than readers would think. Even with a brief interlude of witches can’t derail this impact. It moves pages into the shocking close. The dialogue dances around true motives. McCreery crafts many misdirections as to who is the real villain here. All is exposed in a heartbreaking final page. That image won’t escape readers minds as a play has been made that changes everything.

Glass & Nesterenko present Hugh’s point with some entertaining spots. His facial expressions showcase overconfidence into the questions posed. Aisling in squirrel form breaks some of the heavier panels before her true reveal. A full page image caps this portion off on a high note. This aura leaves when Saoirse enters the panels.

Her initial moments spotlight her worry of Brahm takes center stage. Nan’s dialogue doesn’t assist in healing her. Once the dream-esque portion with her mother kicks in opens the door on the emotions. It’s a great segway to putting Saoirse in position for her confrontation. The art displays the treacherous area she travels in. A near full panel shows a door that unlocks more than bargained. Nothing prepares readers for the Hugh return. Once here, the panels keep everyone on edge of what’s going on. It creates a great mystery right to the end. The final panel will hit hard as an event goes down that there’s no turning back from. Ramifications will be huge.

OVERALL GRADE: 8.8

Saoirse’s anger has taken hold and struggles to let go. McCreery weaves in some mystery amongst the emotional pulls. Glass & Nesterenko give readers many views of what is really happening with strong art. Brace for that final page!

Let me know your thoughts on The Last Witch: Blood & Betrayal #3 in the comments below. Thanks for reading!

GRIM #24 (BOOM! STUDIOS)

Death is unavoidable. No matter where you are in life, it is always looming. This is the same for Jessica Harrow. The daughter of Death itself and a human has had quite the journey. From confrontations with her Aunt Adira, The End and original Sin itself, it has all left scars on the enigmatic reaper.

Recently, Jessica has been trying to avoid fate. She doesn’t want to mantle of Death. Another has taken the throne by default. This leaves Jessica in new territory. It is one driven be her own choices.

GRIM #24 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) delivers its’ pen-ultimate issue.

Let’s take a closer look at where events land now.

GRIM #24 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips splits this tale into two separate parts. The first locks in on the new Death. Marcel’s first assignment is bringing in an author. His dialogue with Desmond Pell is filled with compassion and understanding. Pell is very much against accepting his fate. Their interaction mirrors how sometimes one doesn’t get to finish their story. It is very touching as the new approach works to segway into the other side of the morbid coin.

Jessica and Time take center stage here. Under the guise of Jessica “living”, the story walks readers into a future uncertain. Phillips gives the audience a personal look at her new path. It is heart-warming with Marcel’s dialogue lurking in the background. Readers watch as the emotional gamete is covered. Events lead into a perfect ending to where the story needs to go. A final page says very little, while speaking volumes. The chapter adds so much perspective into an already masterful series. It’s another smash success.

As for the art, it’s another huge win as Flaviano and Renzi guide readers into Marcel’s sublime approach. It leads off with an excellent full page image. The conversation feels comfortable knowing the circumstances. The two page splash makes this point hit. Pell is presented as an agitated writer looking for the last line. Marcel shows nothing but compassion as the transition phase commences. This carries into the next section of the book.

Readers watch Jessica’s life play out. It is presented in a series of incredible full page panels. Each showcase Jessica at a new phase of her stat quo. Paired with the dialogue, it is sure to connect on all levels. Even with the brief dash back to Pell’s departure, Jessica’s time steals the show. It leads into the touching closing pages. Knowing how the past brought them to the present, the future will be exciting to see for the finale.

OVERALL GRADE: 10

As the times change, Jessica and her relationship with fate provide an incredible read. Phillips goes into overdrive to deliver an instant classic. The powerful art from Flaviano, Renzi and Napolitano take readers into the deeply emotional journey to the final destination. It is a bittersweet lead into what will be an unforgettable finale.

Let me know your thoughts on Grim #24 in the comments below. Thanks for reading!

Mighty Morphin Power Rangers / Teenage Mutant Ninja Turtles III #1 (BOOM! STUDIOS/IDW)

Heroes in a half-shell….Morphin Power! It has been since May 2023 that two pop culture favorites joined forces. There have been many changes since that time. The TMNT franchise had a new animated movie and series relaunch at IDW. Fans witnessed the Power Rangers endure the Darkest Hour into its’ latest series from Boom! Studios.

Going back for another adventure, there would have to be a terrifying threat. How does the team-up of Lord Zedd and Shredder sound?

Mighty Morphin Power Rangers / Teenage Mutant Ninja Turtles III #1 by Ryan Parrott, Vincenzo Federici, Raúl Angulo and Ed Dukeshire starts an all new saga for the teenage super teams!

Let’s take a closer look at where events land now!

Mighty Morphin Power Rangers / Teenage Mutant Ninja Turtles III #1 by Ryan Parrott, Vincenzo Federici, Raúl Angulo and Ed Dukeshire (BOOM! STUDIOS/IDW PUBLISHING)

*** POSSIBLE SPOILER WARNING ***

Parrott goes for a more cataclysmic feel for the opening act. Seeing Tommy (Green Ranger) and Leonardo fighting a losing battle makes a statement. Readers watch as the weathered pair discuss their mission relays about past failures. It builds towards a shocking end. This proves to be a perfect reset point to the past. What starts as a familiar mission plot rolls into something more deceptive.

Readers watch as the team-up provides excellent interactions. The dialogue hits its marks while moving plot in the shadows (literally). One the action slows down, the writing puts something in clear view. Both squads are on a losing defensive. Readers watch as they attempt to rally but it never carries a sense of truth. The teams feel overwhelmed and finished. A few members break rank to try the impossible. This carries a sense of impending danger with the radical choice. As unwise as the mission was, the result turns extremely grave.

There are some clues provided to the endgame. It sets the stage for one last showdown for the chapter. Through the frantic scene, there is a moment that stops the show. It is perfect for a last page. How readers handle it will be another story. If fans wanted an event, Parrott delivers round one in spades.

Federici teams with Angulo for art duties. They kick off events with a solid fight. The full page image of Tommy and Leo duking it out sets an early pace. This flows easily into its’ abrupt stop. Time jumping back, the fight in Paris packs the punches. Readers watch the mix-match team-ups create some fun panels. It doesn’t hold a candle to the North Dakota brawl.

The two page splash is a certified crowd pleaser. It locks in on the wild scenario playing out on the moving train. Dukeshire’s classic lettering elevates these moments higher. Seeing the reflection of failures start creeping in only makes the last mission more grave. The art team throws in a full page image of the bad guys plan. It kickstarts another go-around of action. Even with a great half-page entrance for some key players, nothing tops the final page. The bold full image is complimented by the painful close-ups. After seeing it, there’s no chance to skip next round.

OVERALL GRADE: 9

The third installment of MMPR x TMNT swings for the knockout in the opening round. Parrott’s writing takes both teams into new avenues. Federici and the art team deliver on action and surprises with each page. The final page leaves readers in somber territory. Prepare for a wild adventure in waiting.

Let me know in the comments below your thoughts on Mighty Morphin Power Rangers / Teenage Mutant Ninja Turtles III #1. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #43 (BOOM! STUDIOS)

Erica Slaughter is a complex individual. Growing up in the Order of St. George is anything but normal. The same can be said for one of her mentors, Jessica. On a case, the two struggle to find common ground. This doesn’t help with a rising body count.

SOMETHING IS KILLING THE CHILDREN #43 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) continues on a look at Erica’s early days.

Let’s take a closer look at what unfolds now.

SOMETHING IS KILLING THE CHILDREN #43 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion plays up to his strengths for this chapter. Using his “slow burn” methods, the uneasiness between Erica and Jessica is brewing. Jessica’s simple flirting with a bartender pushes Erica to move on her own. This results in a confrontation with the monster’s victim. The dialogue shows Erica’s frantic search for answers. Being her early days, she is much more hopeful and warm to conversation. This is a very big contrast of who she becomes.

The story shifts to the town’s discovery of another attack. Jessica’s coldness to Erica is very clear. Readers can easily pick up on the tension. The writing does tip off some possible clues about Jessica’s reasoning. It doesn’t wait to shift attention. Once on Erica, pacing speeds up a few events. Tynion provides a few different looks to the pair heading to close. The more intriguing story is now Jessica. Her actions in the final page elude to more mistrust. How this pair looks to function as a unit is anyone’s guess at this stage. I have no doubt Tynion is cooking something up for a monster finish for this tale.

Dell’edera and Muerto construct a deep look into the fractures in Jessica and Erica. The simple flirting plays off Erica’s budding doubt. This provides some awkward interactions. The conversation with Aaron feels very wholesome (as far as monster hunting goes). This quickly disappears when Erica sees a victim. The mannerisms on display raise the horror level as Erica strives to get help for the girl.

This moves events to a flashback sequence for Jessica. Muerto’s coloring gives a perfect dream state to his moment. It doesn’t hide the terror. Even as readers get a steady look at the fallen friend, Jessica’s sadness never breaks. This plays into more friction in the present. The art locks in on the clashing of hunters. Both get solid time to build their tales. Jessica’s proves to be the stronger of the two. The closing pages indicate her self-doubts as the case seems to be slipping further away. This is classic SIKTC. Another stellar job with constructing the case.

OVERALL GRADE: 9

The peek in Erica’s early time shows off the growing fractures of mentor and student. Tynon draws out the brooding clashes with the writing. Dell’edera and Muerto delve into the old wounds to draw out Jessica’s current dilemma. SITKC never falters on delivering its dramatic points through emotional landscapes.

Let me know your thoughts on SIKTC #43 in the comments below. Thanks for reading!

THE LAST WITCH: BLOOD & BETRAYAL #2 (BOOM! STUDIOS)

Where did Brahm go! The boy was taken from Saoirse and her group after an argument. Her enemies think they chose a smart power play. If anyone thinks this is a smart move, think again! They don’t realize they’re dealing with the powers and temper of a Witch!

The Last Witch: Blood & Betrayal #2 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (Ghost Glyph Studios) continues its’ strong return!

Let’s not wait another second and dive into the drama!

The Last Witch: Blood & Betrayal #2 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (Ghost Glyph Studios) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

McCreery doesn’t delay in venting out Saoirse’s impulsiveness to Brahm’s situation. The writing expresses her anger perfectly. This causes a bit of concern from her group. If she’s not fully focused, all could be lost. This leads into the initial conflict. Readers watch as the upper hand is gained. This leads into a heartbreaking scenario of events.

The writing takes readers back to a happier time with Brahm. It is quickly revealed to be a rouse. Readers watch as the events cause Saoirse to lose focus. Her frustration is thwarted by more deception. McCreery never lets this aura escape the issue. Even when Nan and Hugh make their last stand, the emotional heartache shines. This leads into a fierce closing to the conflict. Readers see the after effects pour out of the young witch. It leaves the issue with plenty of thoughts along with a calm aura. There’s no doubt this story hasn’t even scratched the surface of what’s coming. What a huge win for readers.

Glass and Nesterenko open with the search underground. The usage of light and darks is fantastic. It allows for the dark mood to start peeling back. There is a solid vision of the maze revealed. It gives a needed pause before the first attack is made. This is met with some steady action shots as events move to a more personal area.

Brahm’s memories are filled with bright spots until the last panel. Once Saoirse arrives at this point, the same emotional pull can be felt. The deception plays its’ part to set up the final stand. Seeing how manipulative this plays will strike a few chords. It results in a haunting series of events to close. Knowing what Saoirse was put through, her anger expands in these panels. It leads to a more controlled finale. Her anger lingers in the parting shots. A full page image takes one player off the board. This rolls into a stark reflection of what she is becoming. It leaves readers seeing more is on the horizon with an ever struggling soul.

OVERALL GRADE: 9.2

When it’s all about family, they should steer clear of Saoirse’s. McCreery orchestrates a superb rescue mission with the writing. Glass and the art team hone in on the heavy emotions wore in the conflict. This series checks off everything you want from a great comic.

Let me know your thoughts on The Last Witch: Blood & Betrayal #2 in the comments below. Thanks for reading!

GRIM #23 (BOOM! STUDIOS)

When it comes to Jessica Harrow, “ordinary” is never in the equation. Death was destroyed in an encounter with The End. Since that point, no one can die. Being the heir to her father’s throne, Jessica struggles to accept her fate. This has caused many issues. None may be greater than the told taken on her allies.

One makes a tremendous sacrifice to stop Original Sin. This sends Jessica into a confrontation that will either save the day or send it into more peril.

GRIM #23 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) continues its excellent run with a brand new chapter.

Let’s not wait another second and dive into the story!

GRIM #23 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Right from the opening page, one question rings true: “Why does Phillips Hate Eddie?” I’m completely kidding but the opening page hits readers with tremendous force. Sealing a tragic fate opens up the next round in the ultimate face-off. Jessica and The End’s game continues to pose many questions. The writing adds more weight into the multi-layered themes of this series. It also establishes if Jessica can continue to handle the gravity of her destine path.

The End’s challenges make readers deeply think about concepts of the life/death connection. Jessica’s banter with her challenger leads to strong moments. Phillips leaves Jessica very vulnerable to the questions looming. It only endears her more to the audience. Once a choice is made, her path takes a fresh new turn. Many possibilities feel open at this stage. This leaves room for a more surprising epilogue. Judging by who takes center stage, it’s very clear Jessica’s actions have caused a major ripple effect. How this plays out will be exciting to watch.

Flaviano and Renzi deliver on the emotions with Eddie’s fate revealed. Renzi’s coloring takes this to new heights. It quickly transitions to a strong full page of Jessica and The End continuing their game. Seeing Jessica’s pent-up emotions released makes quite the impact. This transitions into the current stat quo problem. The End poses a deep question via full page image. This causes Jessica to react with much pause in her voice.

As the story transitions to a new destination, the questions weight begins to show on both. The art locks in the discovery portion of the answers. This moves the story into a very unique point. Renzi’s light coloring gives away the sense of wonder. The reactions of joy and wonder are written on Jessica’s face. This is a much different place than the epilogue. The final page gives the readers a startling reveal before mic dropping a massive change in Jessica’s world. Time in and time out, this team doesn’t miss.

OVERALL GRADE: 9.3

Jessica & The End take their dangerous game to another level with this latest installment. Phillips poses many threads to the reader with phenomenal writing. Flaviano, Renzi and Napolitano convey the overwhelming emotions of the struggle at hand flawlessly. There truly is nothing like this series at the comic shops.

Let me know in the comments below your thoughts on Grim #23. Thanks for reading!

THE LAST WITCH: BLOOD & BETRAYAL #1 (BOOM! STUDIOS)

The long wait is finally over! It has been since 2021 that fans have visited the world of Saoirse and friends. Readers have been patient as the cliffhanger ending left many in an uncertain state. Their patience has paid off as March 2025, BOOM! Studios announced the fantasy adventure was returning later in the year. Who’s ready for a little magic on NCBD?

The Last Witch: Blood & Betrayal #1 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito ( Ghost Glyph Studios) enters a new era with a brand new story arc.

We’ve all waited long enough. Let’s break it all down.

The Last Witch: Blood & Betrayal #1 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

McCreery doesn’t delay in setting up the next challenge in waiting. Readers see how Saoirse is going to be deeply challenged. It is a strong move that has larger implications later. In the immediate present, the story showcases a happier point for Saoirse, Brahm & Hugh. Considering what they just went through, the moment is a welcomed change of pace.

The dialogue isn’t scared to address some of the darker moments of last arc. A prime example of this is Brahm missing his eye. Hugh’s off commentary draws the ire of Saoirse It leads into showing the family bond that has been a strength of this series. Even when new characters swing through, that sense never leaves. It actually becomes a catalyst for the close. McCreery mixes in new reveals along with a deep conversation with Nan to appease the curiosity. This boils into a strong ending. Seeing where the group now heads leaves the audience excited for more. What else could readers want?

Glass and Nesterenko delve into the darker side of magic with the opening pages. The art makes a bold decree as events start taking shape. It transitions into a more light-hearted moment. Hugh’s never-ending grin sets the standard for these panels. Even with his bad joke, the scenes never stay too stagnant or weighing the mood down.

This sense moves into the newest character introduction. The half page panel pops as Brahm makes the discovery. It is accompanied by a few action scenes. Readers watch as Saoirse’s growth with powers is crystal clear. Seeing this new character transform is broken down in a great panel sequence. Nan’s conversation with Saoirse is a show stealer. Mixing in flashbacks with the emotional toll, readers won’t help but be wrapped up. This momentum pushes towards the closing page. An ominous panel signifies the dangerous path that Saoirse & co. now walk. Here we go!

OVERALL GRADE: 9

The return to Saoirse’s journey is sure to cast a spell on comic readers. McCreery’s writing covers the varying levels of her complex world. Glass, Nesterenko & Esposito construct the excellent imagery fitting for the mystical landscape. Don’t wait for the trade. Jump on board now & get caught under its’ spell.

Let me know your thoughts on The Last Witch: Blood & Betrayal #1 in the comments below! Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #42 (BOOM! STUDIOS)

The early days of Erica Slaughter were never easy. Her interactions with the Order of St Dumas cast have been very complex. For better or worse, these encounters have molded the monster hunter. One that immediately jumps out as an example is Jessica Slaughter.

SOMETHING IS KILLING THE CHILDREN #42 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) continues its look at a previous time in Erica’s life with Jessica.

Let’s take a closer look at how the drama starts to play out.

SOMETHING IS KILLING THE CHILDREN #42 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Nobody in Comics does slow-burn drama like SIKTC. The beginning of this chapter is innocent enough. Tynion throws in more “normal” moments between two boys at a store. Their banter is playful enough until a sheriff walks in. The small town has a problem with a rising body count of children. Readers know it’s only a formality until Erica Slaughter arrives to investigate.

The dialogue with Jessica and Erica lends itself for a touch of comic relief. Seeing the young Erica having to cover tracks for Jessica proves a possible disconnect. It lends itself to ease back into the building drama. Tynion’s writing constructs a clear picture of what is unfolding. The closing pages re-enforce the dangers looming in the small town’s forest. It ends events on a striking finish while teasing an inevitable confrontation.

Dell’edera and Muerto welcomes readers into the quiet small town scenery. The panels reflect the snowy chill taking hold of the residents. Readers watch as the two clerks provide a pause for the rising drama. The facial reactions with the sheriff deliver on growing the threat lurking in the town. They also amplify when help arrives at their doorstep to help.

The interactions with Rainey, Jessica and Erica put more of a spotlight on Jessica than first thought. The two page spread confirms Jessica’s misdirection. It also leads into exposing Erica’s growing confidence in hunting. The remainder of the chapter steers back towards the threat reveal. Panels are more candid in delving into the problem. The closing pages tie into the full exposure of what’s causing the havoc. A striking full page image puts a definitive stamp on what is brewing. Fans should have no doubt what is on the horizon here.

OVERALL GRADE: 9

Erica’s latest flashback case starts setting the foundation of a can’t miss story here. Tynion plays the slow drama perfectly with the writing. Dell’edera and company lock in on the quiet backdrop to the rising threat in question. Whenever you head into an SIKTC tale, brace for the long haul. The payoffs never miss.

Let me know your thoughts on SIKTC #42 in the comments below. Thanks for reading!

GRIM #22 (BOOM! STUDIOS)

Death is unavoidable. It is one of the few things that is certain. Jessica Harrow knows this all too well. Being the heir to Death’s throne, Harrow has been thrown many obstacles. The current situation involves her aunt unleashing original sin onto the world.

Harrow knows there is a high cost to pay for stopping this evil. Is she ready to pay or fall to its weight?

GRIM #22 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) brings back the coolest book at the LCS with an all new chapter.

Let’s not wait another moment and dive into this issue!

GRIM #22 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips takes Harrow into dangerous waters with her current dilemma. Opening with a chess match versus The End is an undeniable scene. Their banter eludes to an ultimate showdown coming. The aura surrounding Time keeps readers very intrigued. Knowing a possible future, both demonstrate a sense of denial. It provides a set-up for the main drama course.

Adira’s prescence is polarizing to say the least. The catalyst of Jessica’s drama now appears hat in hand. This shift in persona causes much pause amongst Jessica and her allies. It leads into a face-off issues in the making. The payoff doesn’t miss its’ mark. Phillips crafts an unlikely point of possible hope. Before readers can get settled in for it, a massive curve is thrown into the final page. Long time readers better brace for impact. It is a pivotal and game-changing moment. Another reason why Grim gets all the praise it does.

Flaviano and Renzi construct some of the most ingenious images of the series to date. The chess match reveal between Harrow and The End is gifted a full page visual. This moves events into the deep rooted conversations between Time and Jessica. Both are reluctant to accept their future. Their facial expressions show how both are slowly breaking in their denial.

Once Adira enters the picture, panels lean into her deep regret of failure. The art shows the remorse in her actions. Readers watch as this quickly gives way into the previously mentioned showdown. Pacing is heightened as the action heats up. A half panel exposes the damage done. In its’ aftermath, there is a sense of uncertainty in what lies ahead. The art team doesn’t take long to remedy this. The closing page is a jaw-dropping full image. It impacts everything as someone’s destiny is altered forever.

OVERALL GRADE: 9.6

“Grim” returns with a truly game-changing issue. Phillips’ writing challenges Jessica’s destiny while forever altering someone else’s fate. Flaviano, Renzi and Napolitano cover the wide ranges of emotions while mic-dropping the final page. There is nothing that comes close to the levels of storytelling displayed in each issue of this phenomenal series.

Let me know in the comments below your thoughts on Grim #22! Thanks for Reading!

SOMEHTING IS KILLING THE CHILDREN #41 (BOOM! STUDIOS)

The long wait is finally over. It has been since November of 2024 since readers delved into the world of Erica Slaughter. Recovering from her encounter with Charlotte Cutter, SIKTC focused on Erica’s early years. This trend continues with another glimpse into a dangerous hunt from her part.

SOMETHING IS KILLING THE CHILDREN #41 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) kickstarts a brand new arc in the award winning series.

We have waited long enough. Let’s dive into the latest chapter.

SOMETHING IS KILLING THE CHILDREN #41 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion plays his best hand early in this chapter. The trademark of this series is the slow burn drama. In the opening, a young Erica attends the services of a fallen victim. It is reflected in the narration a connection to a recent monster hunt. the dialogue with one of the family members depicts the emotional coldness needed for the line of work. Readers see a lengthier example of this with Jessica Slaughter.

The relationship between mentor and student is complex at best. Readers watch as Jessica is wearing down to the grind of the business. It is also noted as to the forming of Erica’s personality in this mix. Her interactions with Aaron Slaughter are prime points of this. Their dialogue ranges from playful to business. Tynion never lets the mood sway too far from the looming danger of the Order. A new assignment draws many reactions. It teases the audience long enough to hook them in. There’s no better example than the last page. Settle in for a new case with deadly overtones.

Dell’edera and Muerto start events off at a funeral. With no dialogue for two pages, they walk readers through the somber times. The mix of flashback panels to present mirror what Erica is thinking. It is a prime set-up before heading back to reality.

The interactions with Jessica and Erica feel organic with their connection. There’s a sense of “business as usual” in each panel. Erica’s acceptance of this “normal” is written on her face. This transcends to a solid two page spread. The brief panels segway to her contact with Aaron. Panel set-up moves their conversation right along to its ending place. The art sets up a tease of more dangers in their new assignment. This plays up to the last page perfectly. Like a true horror movie, the full page image jinxes itself with the dialogue. It’s a great place to pause for now and reload for what’s coming next.

OVERALL GRADE: 9

SIKTC comes back with its’ winning formula inisde of a flashback saga. Tynion puts the major players in place with the writing. Dell’edera and Muerto bring the complex relationships into the spotlight before setting off on their next job. The early days of Erica Slaughter are ones that warrant the attention of fans whenever they drop on NCBD.

Let me know in the comments below your thoughts on SOMETHING IS KILLING THE CHILDREN #41. Thanks for reading!

GRIM #21 (BOOM! STUDIOS)

Few things have been referred to as unavoidable. Death is one of those subjects. It can also be said Destiny is in that mix. Jessica Harrow’s life is a combination of both. Being the heir to Death’s throne, Harrow has tried outrunning this path. How will she fare when Time tracks her down?

GRIM #21 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) continues to be “the Coolest Book at the LCS” with its’ latest chapter!

Let’s take a closer look at where events stand now!

GRIM #21 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Leave it to Phillips and company to throw more surprises into a deeply woven tale. The introduction is very familiar to long-time readers. As it progresses, this changes quickly. Phillips plays off Jessica’s deciphering to bring forth the latest addition to the cast. It also puts Jessica into a unique position. Her avoidance of her destiny has been a main driver for her character. This issue showcases many possibilities (along with great one-liners) as different timelines are shown.

None might be as stronger hitting than the last one. It is a vision that can be unavoidable. The writing vents Jessica’s frustration. As someone who wants her own choices, it seems that might be out of her control. This leads into a very shocking confrontation. Another factor has been thrown into this equation. Phillips places a fantastic twist that will catch readers off-guard. It serves as a perfect cliffhanger for Jessica as she searches for answers but finds more questions waiting. Top level storytelling at its’ finest.

Flaviano, Renzi and Napolitano provide a re-imagining of a classic moment to start events off. If anyone has questions about great lettering, Napolitano instantly reminds everyone why he’s one of the best. This leads into a full page image that is anything but a rewind. From here, the journey for Jessica stops by a new timeline. The “college days” hides the underlying themes while mixing in enjoyable moments.

This is all capped off by a gorgeous two page splash of multiple timelines. There are great easter eggs homages planted in the spread (“Eight Limbs”!). Time and Jessica’s confrontation carries a tension to it that makes the close even stronger. Flaviano and Renzi crafts stellar half page splits of timelines. This builds to the final full page panel. The mic drop moment is guaranteed to lock readers in until the next chapter drops.

OVERALL GRADE: 9.5

Jessica Harrow is confronted with an unavoidable fate in another spectacular chapter of “Grim”. Phillips’ writing blends in a new dynamic while challenging Jessica’s fate. Flaviano, Renzi and Napolitano continue to prove why they’re one of comics best creative art teams with their high caliber work. There’s nothing like this series at the LCS!

Hit me up on ODPHpod social media and let me know your thoughts on Grim #21. Thanks for reading!

BOOK OF CUTTER #1 (BOOM! STUDIOS)

In 2024, the “Slaughterverse” celebrated its’ 5th anniversary. The saga of Erica Slaughter continues to captivate fans with no signs of slowing down. One character who has been moving in the shadows is Maxine Slaughter.

Since taking up the mantle of a Black Mask, Slaughter’s journey has taken a sharper turn. The Order of St. George needs hunters. There is no room for failure. Maxine is being tested like never before. Her latest lesson takes her to Europe. Will she survive in the house of that produced Charlotte Cutter?

BOOK OF CUTTER #1 by James Tynion IV, Werther Dell'Edera, Antonio Fuso, Letizia Cadonici, Miquel Muerto and AndWorld Design takes Maxine into the belly of the House of Cutter!

Let’s not delay any longer and dive into the drama.

BOOK OF CUTTER #1 by James Tynion IV, Werther Dell'Edera, Antonio Fuso, Letizia Cadonici, Miquel Muerto and AndWorld Design (BOOM! Studios) Cover: Dan Mora

*** POSSIBLE SPOILER WARNING ***

If you are new to the “Book Of…” SIKTC series, they are set up differently than normal issues. The story delves into the history of the house in mention. As one would predict, the Cutter house is one of chaos and staying one step ahead. It mirrors Maxine’s learnings on her journey. They are vital reading for SIKTC fans and new readers. Each gives many details that reflect the current drama unraveling.

When the story focuses on Maxine, we find her questioning her surroundings. The banter between her and George Cutter proves challenging. Maxine strives for answers but is given questions. It gives the unforgiving nature of the order a spotlight. Readers watch as a new player enters the mix: Victor Saint-Georges.

Where the story takes flight is the business dealings Victor has with another major House player. The proposal is quite intriguing. There is one part that may halter the deal. If the order is to move forward, all loose ties must be dealt with. This spins into the closing act. Maxine and George have a discussion that leaves quite the impact. It brings a close to a darker chapter of Order history while launching a new path Maxine may not be ready for.

With Three SIKTC artists on the book, the art changes in phases. Dell'Edera takes the opening moments. The tension with Maxine and George doesn’t take long to boil. Maxine’s trepidation is very noticeable as George tests her.

Fuso steps in for a more subtle time. The mingling at the house takes on a whole new feel. Maxine questioning George in front of Albie Cutter stands out. Their conversation volleys. The art locks in on key points. Albie’s smile versus Maxine’s stare downs. It ultimately drives to a haunting picture on the wall. The eyes of Charlotte Cutter never escape the house. It only steps aside for a new guest.

The meeting between Victor and a certain boss plays off their on-upmanship. Both think they have the upper hand. Dell'Edera leans heavily into smaller panels here. Readers can sense the tension with close up of he reactions.

Cadonici handles the side breaks with the House history. It is set up in a clear read. The smaller designs mixed in jump out as the past is being revisited. The chapter ultimately circles back to Dell'Edera taking George and Maxine on the final lesson. The panels carry much weight. It finishes with a subtle image which speaks very loudly towards the future.

OVERALL GRADE: 8.8

Maxine Slaughter’s evolution takes her into House Cutter’s uncharted territory. The writing takes readers into the deep politics of the hunting Houses. Dramatic imagery is broken up with a detailed look at where the most dangerous house rose up. This is a must-read for all SIKTC as the long build of Maxine blazes another path.

Hit me up on ODPHpod social media and let me know your thoughts on Book Of Cutter #1. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #0 (BOOM! STUDIOS)

Erica Slaughter. The complex monster hunter has always been a magnet for trouble. Even in her early days, Slaughter has had a shroud of mystery haunting her. Before moving on from the battle with Cutter, there has been a focus to look at her past.

With the 5 year anniversary of the “Slaughterverse” at hand, a prequel is very fitting. It allows for a key change in direction to form. A new player entering the deadly game. Who is this imposing figure and what do they want with Erica?

SOMETHING IS KILLING THE CHILDREN #0 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) takes readers back to right before the Archer’s Peak mission.

Let’s not wait any longer & see where things lead now.

SOMETHING IS KILLING THE CHILDREN #0 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Even with a prequel, nobody has mastered the craft of “slow burn drama” like James Tynion IV. A simple case morphs into an introduction for a debuting threat. The conversation between Sarah and Victor brings forth many avenues for drama. Sarah’s recap of events plays into the foundation of Erica’s drive. It is capped off by a subtle panel of Sarah hugging Erica. At this moment, readers watch as Erica lets her guard down just enough to be “normal”. It’s a side rarely seen. Readers watch a break in her armor form but not for too long.

Pacing keeps the emotions running high all chapter. The remainder of the hunt plays into familiar territory. Erica handles her business before getting the call for the next case. Once the attention is back on Sarah and Victor, Tynion finally dishes a cold response to Sarah’s impactful support of Erica. The fallout drops a big reveal as readers find themselves wrapped up in the chaotic landscape of the Order of St. George. With a superb cliffhanger, the sins of the past might find their way into the present timeline. Can Erica hope t survive? Only time will tell.

Dell’edera and Muerto continue to balance the build and create exciting panels for this special issue. The flashback sequences pop right off the page. With Muerto’s excellent coloring, the scenes come across as warm and feature Erica in a new sense. The full page image of Erica hugging Sarah is an easy connect with readers.

It plays off the multi panel pages of Victor and Sarah recapping. The art paints him as a charismatic being looking for details. With each page, readers can feel the tension building around Victor. These moments are briefly overshadowed by a two page conclusion to the flashback. The “feel good” moment is short lived as Victor comes to the end of this questions. His response speaks volumes of his character. With the final two pages, it becomes crystal clear of how imposing he will become in the present. The use of shading in the closing panel sells readers on what lies ahead as year 6 begins for the Boom! Studios franchise.

FINAL POINT: 9.4

The prequel mission before Archer’s Peak hits many emotions as SIKTC delivers another fantastic read. Tynion’s slow burn writing keeps readers locked in wy before the last pages. Dell’edera and Muerto provide the backdrops for an initial hunt which leaves many questions in its’ wake. Brace for the forthcoming impact. SIKTC is back in a big way!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #0. Thanks for reading!

GRIM #20 (BOOM! STUDIOS)

Jessica Harrow’s (after)life has always been complex. Being the daughter of Death comes with many strings attached. As the heir apparent, Jessica has inherited some enemies. The manipulations of her aunt have now led to Hell On Earth. Is there any hope left?

GRIM #20 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) sets forth a new direction for the coolest book at the LCS!

Let’s take a deeper dive on what’s unfolding now!

GRIM #20 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Since its’ return from a brief hiatus, the direction of Grim has been spotlighting featured characters. Delving into their backstories has provided many new layers to each involved. This issue focuses on a relationship many have been waiting to find out about: Death and Lilah. Phillips orchestrates this with many twists and turns before hitting readers with an emotional punch.

Death is portrayed as a lovestruck soul questioning all he knows. On the other hand, Lilah is very comfortable in her sexual preferences as his “partner”. It is a unique dynamic that stretches through this chapter. Even with the assist of the world’s best in psychoanalysis, Death struggles to sort his feelings. The resolution is a tremendous punch. It’s paired perfectly to Depeche Mode’s “Strangelove”. Relationships are complex enough. Factor in their circumstances and the story is unapologetic in handling the fallout.

It sets a stage for a present day reveal which harkens on the uncomfortable sins of the past. Readers watch as a reunion unfolds which has mixed results. There isn’t much time to process this event as the story heads into its’ close. Once here, Phillips leaves readers with another reveal that is sure to raise more eyebrows as Jessica continues to journey into mystery.

Flaviano and Renzi bring the intimacy and strain of Death and Lilah to the pages flawlessly. The panels take readers on a journey into their doomed union. Using a offset color range for the therapy session works to make each panel pop. From here, the art heads back into displaying the range of feeling between the lost lovers. It builds towards a strong image of Death with the song lyrics swirling around him. Nobody does this better than Tom Napolitano. This carries to the full page closing image. The art team drops one more reveal before parting with this very impactful chapter.

FINAL POINT: 9.4

Delving into the secret past of Jessica’s parents take readers on quite the journey. Phillips crafts a mature and frank look at their union with excellent writing. Flaviano, Renzi and Napolitano deliver on huge moments and heartbreaking images. After reading this, there is no doubt on why this book stands out from the rest.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #20. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #40 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the back stories of Erica Slaughter continue to come to life. Since her encounter with Cutter, Erica has laid low. The series has moved towards telling past tales of Erica’s history. Each have been stand alone and are great jumping on points for new readers. It has been part of her “Year Zero”.

SOMETHING IS KILLING THE CHILDREN #40 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) is the last stop of Year Zero before issue #0.

EDITOR NOTE: Some of the imagery and plot featured in this story is meant for mature readers. Discression is advised when checking this issue out.

If all set from here, let us see what secrets of Erica come to life now.

SOMETHING IS KILLING THE CHILDREN #40 byJames Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) Cover - Jenny Frison

*** POSSIBLE SPOILER WARNING ***

Tynion gives readers a deep cut into Erica’s past with this latest chapter. The emotional toll that she goes through as a hunter is heavy. Seeing how devastating one action can take magnifies that even more. With this chapter, a truly gruesome incident happens that wears heavy on her soul.

Readers watch as Erica opens herself up to Aaron Slaughter of what she’s experienced. The writing is blunt and paints a cold picture. Hunter life is anything but normal. Showcasing the range of emotions Erica bears will hit readers very hard. The fallout from this leads to a somber conversation between Erica and Aaron. How events wrap up feels devoid of feeling. It paints such a painful theme of Erica’s life and how she must process each victory and defeat. It is an intense insight that will have readers talking.

Dell’edera and Muerto depict Erica in a broken state. Her facial expressions tell a story of loss and remorse. This gets a counter balance when Aaron appears in frame. Being someone who’s lived this lifestyle longer, his reactions appear more “normal” than one might think it should be.

Everything does change when Erica begins to flashback on this particular case. The use of purples break up pages to exemplify what’s unfolding. This works very well to shift focus. That said, there is no greater image of this book than a certain full splash of Erica screaming. How the art and lettering work in this instance is incredible about portraying the horrible tragedy without showing anything to the readers. There is no doubt what has just occurred. It carries into the closing moments. With a simple panel and question, the images end with a feeling of remorse before departing.

FINAL POINT: 10

In this latest chapter of Year Zero, readers see a terrible tragedy through Erica’s eyes. Tynion’s writing floods the story with pain and anquish. The art team tastefully brings this tragedy to the forefront with the imagery. SIKTC continues to set a high bar with their intense storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing The Children #40. Thanks for reading!

BRZRKR: LOST BOOK OF B #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the saga of a half man, half god, all killing machine has returned. Spawning into a live action & anime series, the adventures of B (aka Unute) continue to draw attention on a greater scale.

Heading back into the comic shops is a brand new story. It is even more special due to the fact that the original creative team have returned for this project. This is the first time since the conclusion of the original series in March of 2023.

BRZRKR: The Lost Book of B #1 by Keanu Reeves, Matt Kindt, Ron Garney, Bill Crabtree and Clem Robins (BOOM! Studios) focuses on a lost chapter in B's legacy.

Let’s take a deeper look at how this chapter fares.

BRZRKR: The Lost Book of B #1 by Keanu Reeves, Matt Kindt, Ron Garney, Bill Crabtree and Clem Robins (BOOM! Studios)

***POSSIBLE SPOILER WARNING ***

Kindt and Reeves blend the historic aspects of Genghis Khan into the unruly violence that follows B wherever he goes. Seeing the strategy used to recruit B plays well into the lore of the conquering dictator.

Readers watch as the offer of power is great for some but what is it ultimately to a half god? It's a question that applies some ethics in-between the many stages of brutality displayed.

There are some very creative devices planted firmly into this chapter. One that comes to mind involves a catapult. It ushers in a defining moment for B while mixing up the familiar formula of attack, destroy, repeat. Once events shift gears, pacing does move very rapidly.

In a sense, the shift fully showcases how even power isn't the most valuable asset to someone. The fallout from the closing act is as expected. It leaves things as mysterious as the lead character is. There is no doubt there are more chapters to be written on an already impactful legacy in the making.

Garney and Crabtree return with the intense imagery this series is known for. The story doesn't wait long to unleash B's fury. A near half panel announces an angry Unute into action. Panels becomes consumed with the violence on hand. It is not one for the weak of heart. The views effect the savagery of barbaric times. This feels like a familiar realm for B with his untamed association with violence.

The "calmer" times let readers in on Khan's over-confidence. The expressions being made show a man who thinks he's in full control. As events unfold further, the blind confidence becomes oblivious to what's on its way. Once the closing act kicks in, the art team goes bold to usher in the closing.

From a close-up on B's eyes to the pain he soon after inflicts, nothing escapes the reader as his pain is dished out on the masses. The closing pages set a more tame tone as this chapter closes. It's a fitting end with a bird flying with a message. Readers will have much to divulge and enjoy with this return to form.

FINAL POINT: 8.5

The latest trip into Unute's trail of violence is flooded with familiar themes of redemption through pain. Kindt and Reeves construct a layered insight into the man behind the constant mayhem. Garney's fierce visuals expose Unute at his purest nature. It's a strong read that is a welcomed addition into the ever-growing legacy of a conflicted half man and half god.

Hit me up on ODPHpod social media and let me know your thoughts on BRZRKR: The Lost Book Of B #1. Thanks for reading!

GRIM #19 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The coolest book at the LCS” continues its’ spotlight run for Boom! Studios. Combing themes of religion, mythology and music, GRIM stands out from the pack. With Hell (literally) on Earth, Jessica Harrow braces for a showdown of epic proportions. The road to her fate has taken a creative twist.

Each issue has been spotlighting certain characters backstories. Recently, it’s been on Jessica’s allies. Now it’s time to show her oppositions’ story.

GRIM #19 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) brings the story of Annabel front and center.

Let’s see how her current challenger came to be!

GRIM #19 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story of Annabel is a tragic tale of love and loss. Phillips weaves in elements of the 1960’s incredibly. Everything from the location to the music creates a vibrant backdrop to Annabel’s grasp for affection. Her relationship with Tilly is classic Hollywood. Readers can’t help but be caught up in its nostalgia. It is a stark contrast to where her persona is.

The banter between her and Adira brings forth how far she has fallen. Annabel is cold and remorseless as she grows in power. Phillips keeps readers guessing on where Adira truly lies. However, there is no denying her shock at how far Annabel has gone over the edge. This fear caps off a strong closing to where the next phase of plans lead.

It may sound like a broken record at this point but Flaviano, Renzi and Napolitano continue to impress delivering such high quality images. The drive-in diner pops with flare and innocence. Napolitano’s lettering for “Leader Of The Pack” is a perfect compliment to the moment. The panels capture the building love and devastating end for readers to be cemented with.

Once back in present time, the depiction of Annabel comes off as intimidating and shocking. Adira’s reactions amplify the tense panels. The imagery mirror the unhinged behavior of evil incarnate. This all builds for a solid landing spot with Annabel ready to take her swing to end Jessica once and for all.

FINAL POINT: 9

With its’ mix of horror and hopeful optimism, the latest chapter of Comics coolest series strikes another big win. Phillips unveils a vintage romance behind terror with incredible writing. Flaviano, Renzi and Napolitano blend the visuals of a classic time with the dire present via their fantastic images. There’s never a question that this series is a lock to hit each time out.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #19. Thanks for reading.

HOUSE OF SLAUGHTER #25 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, “The Butcher” has ran out of time. Jace Boucher has been a breakout character in the “Slaughterverse” for quite some time. The former lover of Aaron Slaughter has tried finding peace. Unfortunately, his past won’t let him have that.

Now, his one man war against the Houses of Slaughter and Boucher have come to a final showdown. Will his pain be enough to push him to victory?

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) delivers on an explosive finale.

Let’s see how Jace Boucher fares in this confrontation!

HOUSE OF SLAUGHTER #25 by Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal sets Jace Boucher up for an emotional last stand. Throughout his journey, Jace has been dealing with ghosts from his past. It has been driving his one constant emotion: Anger. The writing reflects this as he goes into his showdown. However, Boucher finds himself in an unthought of position.

The sub plot of the houses comes to light at an unexpected time. With its venomous dialogue, Jace is told where he fits in the grand scheme of power. This drives him into action. It also builds to a stand still moment that long time fans have wondered if/when they will see it. From here, the story concludes very quickly. Loose ends are tied up very firmly.

The conclusion is not without its’ bittersweet moments. It leaves readers in a unique spot to process events. There is a sense of open-endedness that fans will have to ponder what just transpired. It’s a solid note to conclude on as the Butcher War reached its’ ending.

Fuso and Muerto open the issue with a near full image of Jace assessing what happened to Maven. This leads into his violent march into the House of Boucher. Panels are filled with extreme acts as Boucher look to end matters on his terms. His last run truly begins with a strong two page spread. The spread serves as a great pace setter as business begins to pick up steam.

From here, story pacing gets pages flying fast. It mirrors the ever-changing fight brewing. The art team throws in some graphic panels fitting of a bloody war. In its’ epilogue, the art style switches up to reflect flashbacks. It is a great break needed before the finale. The closing pages built towards a bittersweet ending. Readers will sense the gravity of Jace’s last stand with much praise.

FINAL POINT: 8.8

“The Butcher’s War” concludes on a heartfelt and brutal note. Brombal sets an intense pace with strong writing. Fuso and Muerto give fans a violent and unforgiving final confrontation fitting for its’ build. This story will be one that Slaughterverse fans will be talking about for quite some time.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #25. Thanks for reading.