GRIM #18 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, comics' coolest book returned in a monster way. With literal Hell on Earth, Jessica Harrow is rallying her forces. The times have made Jessica and her troublesome Aunt Adira uneasy allies.

In between the drama, there has been a showcase of fan-favorite characters. Even with Eddie and the Priest getting their moments, one question remains the focus. Can the heir apparent of Death’s legacy find a way to stop the chaos?

GRIM #18 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) casts the spotlight on another character waiting to break out.

Let’s take a closer look at where things play out now.

GRIM #18 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

This is a tale of two stories. Both carry equal weight. Since its’ return, Grim has been spotlighting members of the supporting cast. Harold (featured on the cover) gets his minutes of Fame. Phillips crafts an ethical question surrounding his existence. It is a strength to his character, This also allows two key figures to have some of their history unveiled. It is a great opening lead mixed in with the rock and roll vibe this series is known for.

The other story jumps to present events. Catching up to where the world has gone to Hell (literally), Phillips bears the importance of Harold in his greater role. Seeing him mix it up with his “boss” made for a well-paced break in the drama. The build to confronting the present day horror gets another layer added. Once the showdown finally commences, the impact on the readers will be huge and worth the wait.

It is literally impossible to read an issue of Grim and not be completely blown away by the art and imagery. Flaviano, Renzi and Napolintano take the flashback moments and dive deep into the unpredictability of that era.

Under the words of Johnny Cash, Harold’s tale pops off the pages. The panels of view through Harold’s eyes are next level creative. This leads into a two-page montage that encompasses Harold’s journey. It’s filled with haunting lyrics, excellent coloring and show-stopping images. This team sets the bar extremely high for others to follow. Once readers arrive at the final panel, the parting image will make a loud statement as to a new chapter in Jessica’s path of destiny.

FINAL POINT: 9.4

When you have a creative team like Phillips, Flaviano, Renzi and Napolintano pushing the creative boundaries each issue, you know to expect great storytelling. This issue has everything readers want. High drama, imaginative panels and a story that doesn’t escape attention. Don’t miss it.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #18. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #38 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. Since her violent showdown with Cutter, Erica has disappeared off the grid. Readers have now been granted access into her early beginnings. Each chapter has been solo adventures early in her career. It has been a perfect jump-on point for new readers.

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) welcomes readers into another point of Erica Slaughter’s past.

Let’s take a deeper dive as the past becomes present!

SOMETHING IS KILLING THE CHILDREN #38 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The issue features a wounded Erica being discovered by a couple of kids in a treehouse. Tynion sets up the discovery with wonder and confusion. Getting the outsider perspective helps to grow the mystique of her missions. How do outsiders comprehend what she does?

This element comes into play when the Order checks in. The conversation breaks up the serious tone with its’ awkwardness. Once Erica interjects, the mood shifts back to a more serious tone. Tynion reveals just enough of the past to keep readers in suspense.

The conclusion ends with a level feel. There is no extra drama needed. It is a conclusion that just says goodbye. In this line of work, there is no heartfelt goodbyes. It’s always strictly business as the final page states.

The art captures the uncertainty of the children who discover erica. Their reactions play into the unknown factor of their discovery. A two page sequence connects this point to readers with ease. Erica’s response to being discovered also carries a presence.

The panels display her showing some moments of normalcy. There is a small sequence of cutting hair that displays the missing portion of a normal life. With a strong parting shot, the story closes its doors as its’ on to the next case.

FINAL POINT: 8.8

The outsider view of Erica Slaughter’s life catches readers with a dialogue driven tale. Tynion spins the contrasting worlds together with the writing. The art brings out many reactions to events at hand. All the while, readers witness sides to Erica rarely seen. All in all, a solid stop into a mysterious past.

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #38. Thanks for reading!

HOUSE OF SLAUGHTER #24 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, Jace Boucher is at the war’s end. His final stand against Jolie and both Houses of hunters united will not be without casualties. With the pain of his past fueling him, can the Butcher win an impossible fight? Even with a strong ally in Maven, it might be all for nothing as an attack on his home awaits.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) unleashes a full scale attack onto readers!

Let’s see how the pen-ultimate chapter stands up.

HOUSE OF SLAUGHTER #24 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) CREDIT: BOOM! STUDIOS

*** POSSIBLE SPOILER WARNING ***

The build in this series has been purposely slow to have readers ready for the conflict. Brombal finally sets off the action in two big battles. One is Maven defending Jace’s “children” from Jolie invading the swamp. The other is René waiting to face off with the Butcher one on one. With the rising body count, the fights have become personal. Let alone the Houses of Boucher and Slaughter watching in the wings.

The writing delves into the manic behavior of Jolie. Risking hunters on her personal vendetta showcases how unhinged she has become. Maven pulls out some huge surprises as their battle commences. As for Jace and René, the writing shifts into making both very similar in actions. Their banter is very driven and strikes a few nerves. This builds towards a strong finish with a few tricks up the sleeve. Seeing how things are left, there is now way to even guess how the war will end.

Fuso and Muerto craft impressive fight scenes throughout the entire issue. Maven revealing her attack is a two page spread that readers will be raving about. Talk about a game-changer! René and Jace’s brawl is violent and emotionally draining. It holds nothing back as each page becomes more intense. Both fights end in ways that no one will see coming. The images rev up the excitement as there is one showdown left! Only one point is certain: there is no guarantee anyone survives.

FINAL POINT: 9.4

The Butcher War level up its intensity and drama with an issue not soon forgotten! Brombal weaves two impressive battles that hit the emotional marks. Tate and Muerto choose violence with the unforgiving images to deliver the hellish fight Jace is in the center of. There’s no way not to be amped up for what’s next after this chapter.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #24. Thanks for reading!

GRANDMA CHAINSAW #4 (RABBIT IN A HAT)

Welcome to a special edition of Parlay Points!

Since their debut with the world’s worst magician, the team at Rabbit in A Hat have been setting a high benchmark on kickstarter. Their latest campaign smashed goals in mere hours of launch. Heading into its’ final hours, there’s only one thing on fans minds….

It’s Hazel vs EVERYBODY!

In the conclusion of a horror story for the ages, all bets are off. This is the kind of tale you would expect from the masterminds behind “Pocus Hocus” and “HORUS IN HELL”!

GRANDMA CHAINSAW #4 by Allen Dunford, Will Radford, Brian Balondo, Cari Salviejo, & Dave Lentz (and in memory of Jasen Smith) looks to send Hazel and company off in style!

Tome to EAT! SLAY! LOVE! and jump into the finale!

GRANDMA CHAINSAW #4 by Allen Dunford, Will Radford, Brian Balondo, Cari Salviejo, & Dave Lentz (and in memory of Jasen Smith) COVER D Art by Sajad Shah (Rabbit In A Hat/Bad Bug Media)

*** POSSIBLE SPOILER WARNING ***

Dunford and Radford give readers a quick history lesson through the chaotic surroundings. Hazel is a complex character to say the least. The set-up for the final confrontation with Haiden and company is solidly built. The narration walks readers into a sudden shift in gears. This leads to a unique final act.

Tying in multiple lore’s, the writing keeps readers on their toes. However, they won’t be disappointed with the infusions of style. This book still packs the one-liners and insanity that has become a staple of this series. One member of the Dead Squad steals the show on each panel. From the conclusion of the conflict, the epilogue is vintage horror fueled. It is a fitting farewell to a horror story that fits in any time period.

Balondo crafts images that will be lingering with readers long after this series has ended. The full page introduction of Hazel lights the fuse for the explosive action later on. The two page history lesson breaks up the story in a perfect spot. It breaks just long enough to shift speed into a wild showdown.

The imagery here doesn’t shy away from the gore. It embraces it. One character gets a legendary send-off as the conclusion races towards the finish. The closing pages capture the emotional outpouring of what has just transpired. It is only outshined by the closing panel. With a simple recap, the story ends with much of what has made this series a hit: wondering what happens next.

FINAL POINT: 9.2

Since her debut, Hazel has haunted and thrilled readers with her wicked ways. Dunford and Radford sent her off with sharp humor and dramatic writing. The art is gory, blunt and unapologetic. It’s everything you want in a horror story. It’s also a story you can’t afford to miss adding to your collection.

Hit me up on ODPHpod social media and let me know your thoughts on GRANDMA CHAINSAW #4. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #37 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the journey into Erica Slaughter’s past continues. SIKTC has returned with a spotlight on the “slaughterverse” hunter’s history. In the next few issues, the chapters are all stand alone stories. It’s a welcomed take as fans are still reeling from the Cutter showdown.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) features an early Erica Slaughter in action.

Let’s not delay and take a closer look at events here.

SOMETHING IS KILLING THE CHILDREN #37 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Tynion keeps things very simple with this chapter. Erica and a young child head into a Wal-Mart esque store. The clerks appear lost to what is happening. This series of events lean into Erica’s early days. Her banter with the young girl she’s trying to save plays out well. It helps to lighten up some of the darker elements at hand. Erica’s still growing her role.

The talk with Aaron shows her determination and unjaded nature. From here, the dialogue moves to the young girl. Her explaining Erica’s job provided a fine moment while Erica goes to work. The ending brims with anger and the cold demeanor that readers know from other Erica stories. Her journey feels like the long game payoff is coming, which is always a win for fans.

Dell’Edera and Muerto grant Erica a fun entrance into the story. The reactions of the employees range from doubtful to anxious. Erica’s reassurance into stopping the monster jumps off the page. It’s a subtle moment but fits the segment. This follows with a two page spread, leading into a vivid full page image of Erica and a chainsaw.

Pacing drives the fighting in this issue. Seeing Erica take on the monster felt huge. There’s little page time for the creature but using the supporting characters to describe the incident was solid. This works well with the action panels. The fallout comes across as cold and business per usual. Erica has a great walk-off panel that leads directly to where the early days continue onward. It’s fantastic storytelling!

FINAL POINT: 8.7

The latest journey into Slaughter encompasses everything fans love about Erica Slaughter. Tynion’s writing delivers a classic Slaughter hunt. The art shines as the supporting cast steals attention for this chapter. With a strong walk off close, the past is a present issue that SIKTC fans will want to check out!

Hit me up on ODPHpod social media and let me know your thoughts on Something Is Killing the Children #37. Thanks for reading.

GRIM #17 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, the coolest book at the LCS has returned with a vengeance. Hell has been unleashed on Earth. Everyone’s favorite reaper is rallying her allies to try stopping things from getting worse. However, the spotlight for this issue shifts from Jessica Harrow to one of the series most beloved characters.

GRIM #17 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) walks readers into the story of the one and only Eddie!

Let’s not wait any longer and dive into the issue!

GRIM #17 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The year is 1975. A young man is putting on some eye liner before heading to the school bus. As he leaves the house, his father draws his attention. Dad isn’t too keen with the eyeliner and barks orders to remove it. The young man hesitates and gets slapped for being disrespectful. The young man is Eddie.

The story jumps to 1985. Eddie is backstage at a show applying the eyeliner. A reporter is questioning Eddie about his family’s support. Eddie sells the “perfect” story. In the conversation, he slips up and mentions his solo project. Eddie’s drummer Saul hears this and is none too pleased. This causes some friction between the bandmates. Saul announces their friendship is taking a toll on his health. It’s agreed that Saul will play their current show but won’t after that. They head to the stage and begin their sold out show.

Readers watch as the high price of fame catches up with Eddie. It is an emotional toll that carries a heavy weight. The young boy from New Jersey bears some heavy scars. This builds towards a moment that changes everything. Its’ conclusion leads to a send-off that will hit in all the emotions. There is no way fans will see that final panel and not get a bit choked up before concluding the issue.

Phillips walks readers through the rock star life with an unforgettable issue. Eddie and his relationships with family and friends vary to extreme degrees. His father proves to be a source of pain and manipulation. Eddie shows him compassion through the years of abusive behavior.

It’s a stark contrast to his loyal best friend Saul. Eddie treats him as an after thought through the sacrifices Saul has made for him over the years. This all unfolds into the middle act where fate confronts Eddie head on. Heading into the final pages, Phillips leads readers into one direction but pulls a great swerve. it leads to a heart-wrenching moment that perfectly closes out a great read.

Flaviano, Renzi and Napolitano bring out the best and worst of Eddie’s life with the art in this issue. The brooding disdain of Eddie’s dad pours out on each page. Saul’s reaction to Eddie’s non-caring attitude is one of desperate hope with no luck. Once they hit the stage, this dissolves into a bright two page splash.

Eddie’s demons don’t stay way for long. A post show party is filled with visions of sex, drugs and rock ‘n roll. The lyrics of “Boys Don’t Cry” come to life via Napolitao’s haunting lettering. It fills the air of a stunning full page image. What follows captures the shock and fear involved with rock n’ roll lifestyle. The closing image is an easy connect with readers. It packs an emotional toll that only this creative team can deliver.

FINAL POINT: 10

With “Boys Don’t Cry”, the tragic tale of one of the series most beloved characters comes to the forefront. Phillps weaves in themes of loss, pain and redemption masterfully with the writing. Flaviano, Renzi and Napolitano brings the bright lights and dark times of Rock N’ Roll to the masses with pin-point precision. After reading this issue, there’s no way anyone can dispute why this is comics’ coolest series each issue out.

Hit me up on ODPHpod and let me know your thoughts on GRIM #17. Thanks for reading.

HOUSE OF SLAUGHTER #23 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, time is ticking away on Jace Boucher. “The Butcher” of the “Slaughter-verse” has angered two very dangerous groups. Dealing with the House of Boucher is one thing. Trying to fight off them and their allies in the House of Slaughter spells certain death. How long can he survive for now?

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) heads right into the fallout of last issue’s initial strike.

Let’s take a closer look at how things shape up now!

HOUSE OF SLAUGHTER #23 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) - BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Brombal shows how this conflict is breaking down both sides. Jace is trying to fight his battle but shows his emotions are leaking his weakness. With each wund that has been done, it’s fueling Jace on his mission. The question becomes: will it be enough to win?

On he other hand, being embarrassed by a lowly hunter doesn’t go over well with each house. The alliance seems to start showing its’ fractures after the defeat. The Old Dragon steals the spotlight to show his plans to eliminate Jace are the only options now. This causes big tensions with the opposing house. The writing shows how much more is layered beneath the surface. Even in the final moments, there are secrets to be unlocked. This is all much to fans’ benefits.

Fuso and Muerto lean into Jace’s rage in the opening pages. His talk with Maven leaves no doubt of how personal this all has become. It’s capped off with a strong near full page visualizing why he is fighting this fight.

The breakdown between the Houses also jumps out at readers. The embarrassment of Jace winning drives the Dragon into full panic. His facial reactions speak of the last shot to reclaim his reputation. The fallout demonstrates the power play each parties are attempting on the other. Once the closing pages start, readers will have the inclination that the end is coming faster than expected.

FINAL POINT: 8.1

Jace’s last stand builds towards an unimaginable showdown with the latest chapter. Brombal keeps the paranoia and rage high with the writing. Fuso, Muerto and the team magnify the breaking of spirits amongst the key players as Jace’s time ticks closer away.

Hit me up on ODPHpod social media and let me know your thoughts on House of Slaughter #23. Thanks for reading.

The Principles of Necromancy #2 (MAGMA COMIX)

Hey everyone! This is Matt from Hops Geek News and I’ve got a new comic book review for you to check out:

The Principles of Necromancy #2 by Jackson Lanzing and Collin Kelly (Writers,) Eamon Winkle (Art,) Jay Fotos (Colors,) and Shawn Lee (Letters.) Cover by Eamon Winkle.

The Principles of Necromancy #2 by Jackson Lanzing and Collin Kelly (Writers,) Eamon Winkle (Art,) Jay Fotos (Colors,) and Shawn Lee (Letters.) Cover by Eamon Winkle. - Magma Comix

Eloise is a girl thirsty to learn as her mother lie dying from a mysterious tumor deep within her. Until Doctor Jakob Eyes appears on a house call to mysteriously cure her of all diseases. Eager to learn from the man himself, Eloise follows the haunting doctor to his house. Does Doctor Eyes take apprentices, and is Eloise prepared to view the grotesque lessons that await?

The Art:

Have you ever witnessed something so intriguing yet so vomit-inducing that you are unsure if you are to look away or watch in awe? That is the best way to sum up the pages within the confines of this glorious book of horrors. So many pages leave us looking at every inch of the panels, taking in the brains, skulls, and viles that all present themselves to us and Doctor Eyes. Eamon and Jay have done such a wonderful job creating Jakob, from the mask that he wears to the hollow, dark, void-of-life eyes with which he stares at Eloise.

The panels have a dull and grey back drop yet the characters and everything in the foreground burst with color which speaks to just how fascinating this story really is. The panel looking into the house from above as though it was taken from The Sims is perhaps one of the best in the issue. I cannot get enough.

The Principles of Necromancy #2 by Jackson Lanzing and Collin Kelly (Writers,) Eamon Winkle (Art,) Jay Fotos (Colors,) and Shawn Lee (Letters.) Cover by Eamon Winkle. - Magma Comix

The Writing:

The Hivemind continues to weave a mysterious tale. In this issue, Jakob gets some personality and showcases his sharp wit and zero tolerance for foolery. Eloise is one of the readers who have become enthralled by this book as we, too, want to know how he does it. Meanwhile, Shawn Lee stands out in the tone of the lettering. You feel the softness of Eloise and Jakob's voice and the thundering roar when needed.

Overall:

This comic continues to solidify Magma Comix as a serious player in the world of comics. It's a slow-burning, horrifying mystery that plays to all of our senses. When you finish the issue, we are left begging for the next, as we need it immediately.

10/10.

BLOOD HUNT #1 (MARVEL ENTERTAINMENT)

Welcome to an all new edition of Parlay Points!

For this edition, Marvel Entertainment is about to unleash Hell On Earth. Touted as “The Bloodiest Marvel Event EVER”, the crossover event of 2024 has set the benchmark extremely high. It has been teased since last NYCC in October of 2023. What is the dark threat looming in the real MCU? Can it live up to expectations?

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit seeks out to answer all those questions and more in its’ debut chapter.

Let’s get ready to dive in and see if the hype is real.

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit (Credit: Marvel Entertainment)

*** POSSIBLE SPOILER WARNING ***

The saga begins with a few notable Marvel characters infused with the Darkforce. There is a countdown to “Sundeath” ticking away as readers watch the panels unfold. Events get graphic as a reveal is provided. The Sun has been killed. A voice narrates the shocking end. This has been someone’s plan all along….

Meanwhile, time shifts back fifteen minutes earlier to the SunDeath. Scarlet Witch is flying over a crowd. She sees Blackout. The villain has become ingulfed in dark energy. Iron Man informs her that more Darkforce characters are in the same situation. They have now become portals.

Hunter’s Moon and Tigra are assessing the Shroud becoming a portal. The time is now 25 minutes before SunDeath. As the pair starts piecing things together, they come to a quick conclusion. This is no accident. This is an ambush. A herd of Vampires fill the sky and presses forward towards them.

All over the world, Vampires are unleashing Hell on whoever comes across their paths. Neither Doctor Doom or Earth’s Mightiest Heroes can escape the invasion. There might be one person to make sense of it all: BLADE. Will he be enough to turn the tide?

Readers watch as the heroes come across a group ready to give them challenges. The Bloodcoven has arrived. Who will be left standing at the end of their confrontation?

Things get violent and graphic quickly. This leads to some shocking moments. none might be bigger than the closing page. A figure has made a choice. The consequences are deadly. Readers need to brace for impact as the event has already made some statements and it only just started.

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit (Credit: Marvel Entertainment) Cover - Peach Momoko

MacKay keeps fans guessing with the backwards working of the timeline in this chapter. The Sundeath countdown proves to be an effective plot point as the MCU crumbles. Seeing how the Avengers struggle right from the start speaks volumes of the threat.

The Bloodcoven is an eye-catching group. Their fury knows no bounds. Once they arrive, pacing speeds up to give the shocking fallout. MacKay doesn’t hold back on huge moments. The issue has much for fans to discuss. none might be greater than the final page. It is a bold ending to a very capturing story.

Larraz and Garcia unload the violence in the first salvo. The vampires are as ruthless as one would expect. They get a full page reveal as Hunter’s Moon and Tigra watch in fear . The imagery shows how even Doctor Doom needs to pause and adapt to their onslaught.

The brawl between the Avengers and The Bloodcoven leaves little on the cutting room floor. Following the full page reveal, graphic attacks are what fills the pages. It is intense fighting. Readers will have little time to process what they’ve seen as the final act unfolds. The closing full page will send shockwaves as the moment crushes fans before ending events for now.

FINAL POINT: 9

Marvel’s big crossover leaps heavy into violence and mystery with its’ debut chapter. MacKay guess readers on edge with fantastic storytelling. The art by Larraz, Garcia and Petit brings a distinct horror feel to the Marvel Universe. Brace yourself for some big events. This won’t be for the tame of heart as time goes on.

Hit me up on ODPHpod social media and let me know your thoughts on BLOOD HUNT #1. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #36 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, we are heading back into BOOM! Studios “Slaughterverse”. Last time fans saw Erica Slaughter, she was reeling from her encounter with Cutter. The emotional toll is still being felt by fans to this day. Where do things go from here?

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) heads into the past before showing Erica’s future.

Let’s take a trip back in Slaughterverse history!

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story begins five years prior to the showdown with Cutter. A Young child named Randy is raiding their refrigerator. On the news, the news anchor mentions children being mauled. It is presumed a bear or wolf is responsible. Readers know all too well it is more than that.

Randy sneaks into a barn with the stolen food. A figure is waiting inside for Randy. It is Erica Slaughter. Their talk is broken up by a dog belonging to one of the victims. Erica bonds with the dog as she starts piecing together her hunt.

Readers watch as Erica tries solving this mysterious case. What is the monster up to? Why the specific targets? The case heads into a distinct direction. The fallout delves into the composition of Erica. It is a bittersweet closing as the soul behind the hunter starts revealing itself to the audience.

Tynion takes readers into a self contained moment of Erica’s early life to much delight. The case is very straight forward. Erica is written as a evolving hunter, honing her craft. The connection with Randy and the dog make for memorable moments. Readers sense Erica’s growing concerns as she sorts through the hunt. The resolution exposes some elements while re-establishing her distance from others. Few writers can make a simple story so layered but Tynion pulls it off flawlessly.

Dell’edera and Muerto do a wonderful job building a tense feel in the beginning section of the issue. The use of 4-6 panels on each page constructs a slow pace leading to reveals. The art team also catches Erica having some glimpses of happiness with her animal companion. It is rare for her guard to be let down, but works to break up the brooding aura. The parting images leave the case closed with a noteworthy ending panel. There is no question that one case is closed but many more have just been opened.

FINAL POINT: 9.4

The journey into Erica Slaughter’s past is filled with emotion and mystery with this latest chapter. Tynion’s superb writing is setting the stages for a long pay-off. Dell’edera and Muerto provide impressive imagery capturing a side of the legendary hunter rarely seen. It’s phenomenal work that shouldn’t be missed.

Hit me up on ODPHpod social media and let me know your thoughts on Somehting Is Killing The Children #36. Thanks for reading.

HOUSE OF SLAUGHTER #22 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, we are following the final story involving a fan-favorite “slaughter-verse” character. House of Slaughter has given fans featured stories on certain characters. Few have won over readers such as Jace Boucher. Last we saw “The Boucher”, it appears his luck has run out. Can he make it though this latest ordeal in one piece?

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) looks to give fans some more clues on the Butcher’s last stand.

Let’s take a closer look and see how things shape up.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios COVER: Nimit Malavia

*** POSSIBLE SPOILER WARNING ***

The issue begins in an abandoned amusement park. A young boy stands underneath a carousel. His name is Sunny Boucher. Sunny was under the care of Jace Boucher. That was the case until he was recruited into the House of Boucher by Jolie Boucher. Voices fill the air eluding to Sunny being in trouble.

The story shifts to Sunny being back at the House with Jolie. Jolie mentions how the Order from Chicago is here to take care of Jace. She sets up Sunny to trick Jace into walking into a trap.

Will Jace take the bait? Readers watch as the young boy is influenced to be the decoy to an onslaught. The rival House of Slaughter has some reservations about trusting Sunny. However, it appears that the plan might be falling into place.

Brace for a final act that changes everything. The closing image will have fans on edge knowing the Butcher’s final stand is in full swing.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios

Sunny Boucher’s story shifts dynamics as the driver for this chapter. The writing portrays him as a child looking for direction. The dynamic with Jolie wavers from loyal to uncertain. If not for her blind confidence, Jolie would see Sunny’s swaying opinions. This builds for a strong pay-off later.

The final act will hit longtime readers more than ones who jump in on the new arc. Knowing the back story between Jace and Sunny, it is an emotional moment that leads into a stronger one unfolding. The set-up for the final page works to carry the tension right to the next chapter.

The art doesn’t steer away of the pull on Sunny. The opening image of Sunny standing by the carousel sets an eerie tone. With the word bubbles surrounding him, the fear starts creeping in the young boy. The series of panels with Jolie “recruiting” Sunny leads readers through her delusional methods. This builds towards a solid middle act and striking final page.

FINAL POINT: 8.4

The last stand of Jace Boucher speeds forward with a solid chapter. The writing shows the confliction in a character who’s still finding their way. The art gives readers a sense of the emotional toll being taken. Mix them together and you have an issue worth checking out at the Comic Shops this week.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #22. Thanks for reading.

GRIM #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points! It’s the comic book review blog to the ODPH Podcast!

For this entry, the coolest book at the LCS returns! With a style and appeal that is all its own, the (after) life and times of Jessica Harrow has been a monster hit. Combining multiple elements of storytelling, comics’ favorite reaper has pushed the limits of creativity. Now entering a new arc, the series continues to set a high bar for others to follow.

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano dives back into Jessica’s latest challenge: Annabel unleashing pure Hell on an unsuspecting Earth! Even with allies around her, will it be enough to stop the rogue Reaper?

Let’s not delay another second & check this issue out!

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

After being betrayed by her aunt Adira, Jessica and her friends Eddie and Marcel have been tested to extreme measures. The tables turned quickly as Annabel used Adira’s bribe for a returned soul to unleash pure Sin! Now, Jessica and her remaining allies have bunkered down inside a diner as Annabel runs wild.

This chapter begins with a flashback sequence in 2003 Afghanistan. A young soldier is inside a building with another wounded known as Monroe aka “Roe.” The narration walks readers through the mindset of the lead soldier. As he helps up his wounded partner, a head shot kills Roe instantly.

The soldier processes what has just happened. Taking heavy fire, the narration shifts to the soldier fearing the end is near. Suddenly another voice jumps in and asks an awkward question. The time snaps back to present. Eddie is the guilty party for interrupting the narrator.

The mystery voice behind the flashback is none other than the Priest, whos’ story takes center stage. With Jessica gearing up to lead a fight, the Priest’s story of life and loss ignites a deeply moving tale. Readers will become locked in as events play out. Once the final pages unfold, the conclusion hits heavy with the inevitable about ready to commence.

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! Studios) Cover: Riley Rossmo

Phillips pens an intense chapter filled with deeply emotional moments. The Priest’s story is filled with the deadly side of war. The phrase “War Is Hell” is never an understatement. Phillips weaves readers through the many phases of the Priest’s time in combat.

It carries a heavy weight as the moments build towards a crushing conclusion. The impact it has on Jessica is very evident. Knowing what lies ahead, even someone who’s been surrounded by death can still be affected by the life of a living being. This chapter gives a moving start to an already layers saga.

Flaviano, Renzi and Napolitano depict the hellish landscape of war with very bold imagery. The full page image of Roe’s death holds nothing back. The Priest’s reactions to events wear heavy with his facial responses. The ending of the flashback moments will hit readers very hard in their feelings. Even in the present, the art team closes events with a solid parting image, bracing for what lies ahead. Each creative member wastes no time in giving fans a return they won’t soon forget.

FINAL POINT: 9.8

Comics’ coolest book crashes New Comic Book Day with a powerful venture. Phillips’ strong writing lays the groundwork for a powerful chapter. The extreme landscape comes to life with the talents of Flaviano, Renzi and Napolitano crafting the dark imagery of the Priest’s past. This chapter is prime example of why Grim gets so much praise in its’ storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #16. Thanks for reading!

HOUSE OF SLAUGHTER #21 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points! It’s the comic book review blog to the ODPH Podcast!

For this entry, we’re beginning the final story of Jace Boucher. The Butcher of BOOM! Studios’ “Slaughterverse” has been carving a path in the Something is Killing The Children spin-off for quite some time. After recent events, Boucher appears to be on a deadly collision course. The Order of St. George is not one to forgive and forget. With them in pursuit, Boucher elects to play a deadly game. Can he win?

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell'Edera) kicks off an explosive new story.

Let’s take a deeper dive into the new chapter….

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

In the port of New Orleans, a caravan of black cars drive. The narration tells a timeless story. Suddenly a voice asks to pull over. A man jumps out coughing blood. He sees the silhouette of Boucher in the distance. Reality sets in and the image disappears. The man is the Old Dragon of House Slaughter.

The group representing the Order of St. George has entered the halls of the House Of Boucher. Readers watch as the moment’s tension cuts like a blade. Both houses have different styles all their own. However, both agree on the same thing: End Jace Boucher once and for all. The meeting ends with the Old Dragon still scheming as winning this contest is the only option.

What does this mean for Jace? Readers witness as the life he’s tried hard to build now comes into direct danger. From the previous stories, Jace is far from healed of his demons. The final parting pages leave no question that Jace is determined to slay them along with his enemies. Let the hunting begin!

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

Brombal leans heavy into the uneasiness of the two factions for where this story leads. Dragon’s arrogance to the House Of Boucher is returned to make for a game of one-upmanship. The writing showcases the impact Boucher’s actions have on both houses. It adds more fuel to their causes to eliminate him.

Jace’s demons still play a factor into his role with the story. The writing mirrors the damage that has been done previously. It helps to build what is decided in the closing moments. The seeds have been planted for a dangerous chess match.

Fuso and Muerto construct a high level of pressure when the houses meet. The mannerisms shown towards each other indicates the uneasy alliance being made. The panels lead with Dragon getting a feel for the new house before turning the tables into his own favor.

The imagery of Jace shows his confliction with well placed flashbacks. The battle with the monster is fitting of the tow-page spread it gets. The battle is perfectly capped off with a bloodied Jace emerging from battle in a full page shot. The closing images leave readers with no hesitation of Jace leaving everything on the table when it’s all said and done with the Houses.

FINAL POINT: 8

The last stand of the Butcher begins with a slow burn first issue. Brombal crafts the writing to weave the key players towards their eventual collision course. Fuso and Muerto provide the high stakes images to solidify there will be no turning back from where this story is heading. Keep this one on your radar at the comic shops this week.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #21. Thanks for reading.

THE DEVIL THAT WEARS MY FACE #5 (MAD CAVE STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re diving back into an intense story that combines elements of horror, action, and drama. The one-upsmanship style chase between Father Vieri and Legion has taken some insane turns. Where the story braces to go now will surely keep fans on the edge of their seats.

THE DEVIL THAT WEARS MY FACE #5 by David Pepose, Alex Cormack, Justin Birch (Mad Cave Studios) looks to turn things up a few notches with this latest chapter.

Let’s take a closer look and see where we go from here.

The Devil That Wears My Face #4 by David Pepose, Alex Cormack, and Justin Birch. (Credit Mad Cave Studios. Cover By Alex Cormack.)

*** POSSIBLE SPOILER WARNING ***

On a burning ship, the spirit of Father Vieri is trapped inside its’ current vessel. Mortally wounded, time is not on the side of the Father. As Vieri makes his call, a name is mentioned that is answered. The name is Santiago Izan.

A spirit emerges. It claims to be the real Santiago Izan. Before there’s time to react, they’re taken down to Hell via demons.

Meanwhile, Legion (in Vieri’s body) stands over the fallen Brother Gabriel. Legion plans to explain the gapping hole in Gabriel’s body. His plans are interrupted by Cardinal Pentecost. Pentecost calls him out for his bizarre behavior. The conversation heats up. It’s interrupted by Maria, who knows that Legion is inside Vieri’s body.

Suffice to say, there are a LOT of moving parts with this story. The descent into the darkness challenges Vieri. Readers see his story take a few twists in finding the truth. The question becomes will he solve it in time?

As for Legion, can he thwart off the Cardinal and Maria? The challengers arise but a power play is made. Readers see a dramatic moment sends things heavily into Legion’s favor. This all boils over into the final pages where the ultimate showdown looks to be heading for an explosive finale.

The Devil That Wears My Face #4 by David Pepose, Alex Cormack, and Justin Birch. (Credit Mad Cave Studios. Cover By Alex Cormack.)

Pepose excells in juggling the vast character stories with this chapter. Both Vieri and Legion’s paths take intense shifts within these pages. Vieri’s path lets his true character shine as he tries saving a soul. The same can be said for Legion. He is pure evil and the writing gives him devious charisma while executing his plans. It’s a classic tale of good vs evil.

The build towards the close comes off steady and to the point. The shocking moments just flow and never feel forced. It gives both leads a final sell to the readers of the magnitude of the final confrontation.

Cormack and Birch spare no expense with the horror elements. The full page panel where Vieri gets pulled to Hell jumps off the page. The facial expressions of Legion convey the manic nature of the demon. Even when confronted, the eyes give away his demonic attitude. This plays into the final act. Seeing one last moment of action, Legion’s ultimate endgame comes to light with a full page panel screaming “The End Is Near”.

FINAL POINT: 9

The pen-ultimate chapter of Father Vieri’s & Legions deadly dance doesn’t disappoint. Pepose constructs the path to the final confrontation balancing horror and heroics. Cormack and Birch bring the hellish playing field to life with haunting imagery. Buckle in for a final showdown for the ages.

Hit me up on ODPH social media and let me know your thoughts on The Devil that Wears My Face #5. Thanks for reading.

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

CANARY #6 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have finally arrived at the conclusion of the last ride of Marshall Holt via Comixology Originals & Best Jackett Press. Since its’ debut in the second wave of Scott Snyder’s line of BJP comics, the horror-western tale has grabbed readers’ imagination and never loosened its’ grip. Now, all best are off for the final showdown of good and evil in the wild, wild west.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis brings down the curtain on the mystery of the terrors of a small town. Let’s take a closer look and see how things play out.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

Marshall Holt is on the verge of retirement. He’s recruited to investigate a murder in 1891. The case leads him to the town of Canary. Holt knows this town all too well. It is the location of his most disturbing case: Hyrum Tell.

While searching the case, Holt is joined by Edison Edwards (or Ed-Ed), & Mabel Warren, daughter of Canary founder Chester Warren. The trio’s journey leads them from an abandoned cave to “The Global Geological & Divination Society 1081” or House 1081. The “Canary Evolution” theory looms heavy as they can’t escape the danger. All the while, Holt is trying to hold it together with the memories of his past begin to creep into the present.

After a monstrous figure reveals itself from the grave surroundings below, Holt leads the charge to head to the bottom of the cave and address whatever evil lies there once and for all.

The issue begins with Holt returning to his family’s home. The mood is dark and looming with an evil hiss. As Holt walks in the house, he finds his wife and baby dead as canary eggs lie on the floor.

Suddenly, Holt is back with Mabel as they prepare to descend to the bottom of the cave. Knowing time is not on their side, the pair lowers the elevator. Once they begin to head downward, Mabel notices that things are not normal.

The road to Hell is paved with dark intentions as Holt and Mabel finally land at the deep bottom. Once they walk out of the elevator, readers see the insanity they set into. Answers are revealed and more burden is put on Holt’s soul as he now finds himself in a place he never expected.

The closing act floods the pages with excitement and rising uncertainty. Can Holt save the day one last time? Readers will walk away with a few parting images before a surprising one to conclude this epic tale with.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

Snyder sends Holt off into the sunset with an unforgettable issue. The challenges he has faced have not been an ordinary case. Tull’s impact on his life never strays too far from this story. Holt battles the ghosts of his past to find a possible future. Snyder focuses in on this element during the key points of this finale.

Once the big revelation appears, Snyder presents our lead with the challenge of being vigilant for the greater good, no matter the cost. The conflict is one that will not easily escape reader’s minds as they read the tale. It pushes Holt to his breaking point. Knowing what lies ahead, his actions re-assure any doubt of his nobility in the face of overwhelming odds.

The final moments move briskly to end this saga on a very strong note. The parting images will have readers talking as the “Canary Evolution” theory leaves a lasting impression for an immediate re-read for years to come.

Panosian delivers on looming horror and crushing drama art to conclude the last ride. The heart-wrenching images of Holt struggling to deal with his family’s state instantly sets a devious overtone to the story. Once the decent inside the cave begins, readers brace for the impact of Holt’s valiant efforts.

The cave is filled with brooding images of terror and anxiety. There are a run of two-page spreads that scream volumes of the breaking of Holt’s spirit right before the evil’s reveal. Panosian welcomes that element to the main story with a devilish hello via its’ body language. Showing Holt’s reaction to all of this further cements the cost he must decide to pay to end things. The conflict concludes with another fantastic double page action shot before bringing the curtain down. The mastery of horror and western styles is truly remarkable with the artistry.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

FINAL POINT: 9.5 OUT OF 10

When the dust settles and smoke clears, Snyder and Panosian conclude Marshall Holt’s last case with a spectacular conclusion! Superb writing lays the foundation for mind-blowing visuals to guide readers into a gritty showdown of good verses evil.

Hit me up on ODPH Social media and let me know your thoughts on Canary #6. Thanks for reading.

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

BLACK SIGHT #3 (COMIXOLOGY ORIGINALS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we’re diving further into the madness and mystery of Alex Greer. Since its’ debut on Comixology Originals, the psychological thriller set in the 1960’s has kept readers on the edge of their seats. Now approaching the midway point, all bets are off on what levels of danger awaits the lost American in Amsterdam.

BLACK SIGHT #3 by STEPHANIE PHILLIPS, Conor Boyle and Tom Napolitano continues to peel back the layers of the haunting story. Let’s take a closer look to see where things head now, shall we?

Editor Note: This is a MATURE READERS story. Some of the images might be difficult for younger readers. Discression is advised.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

*** POSSIBLE SPOILER WARNING ***

Alex Greer has been through quite the ordeal. After waking up next to a dead woman, Alex has been placed under psychiatric watch. With a vested party watching her every move, Alex tries to find a way out. This is easier said then done. After seeing the alleged victim working as a nurse, Alex is convinced more is going on. Will she get the chance to prove her innocence?

This chapter opens up with Alex waking up in the middle of a residential street. With kids poking her with a stick, Alex comes to and knows something is wrong. When she looks at a house, readers find out that Greer is “home”.

As she walks in, Greer sees her mother riving in pain. Readers see the relationship between the two is fragile at best (if at all). As the moments progress, it ends with a chilling message of blaming Alex.

Once it ends, Alex is back at the hospital. Restrained and confused, Dr. Kincaid is standing over her. The drama intensifies as Alex and the doctor have a conversation that doesn’t bode well for his patient. What over evils are lurking? Can Alex survive another night? More questions arise as Dr. Kinciad is just starting to impose his plan with Alex. Once the final image is revealed, any hope of survival sees further and further out of reach.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

Phillips kicks this chapter off pushing Alex’s psyche into an uncomfortable state. Dealing with her relationship with her mother, Alex experiences a truly terrifying experience. Once it concludes, the reality of the situation might be worse than the dream itself.

The verbal chess match between Kincaid and Alex is a strong point to this issue. With everything falling around her, readers see Alex is sill holding onto hope that she will be free soon. Phillips takes this moment of hope and throws readers a curveball with the parting panels. Just when readers think they have an idea, Phillips changes the questions.

Boyle and Napolitano being with a nightmare that will shake readers to their core. The imagery of Alex’s mother reflects their broken state. The lettering only amplifies the fear being felt by Alex. For anyone who’s seen Napolitano’s work, this is no surprise as he is one of the best in the field. Its a connection easy for the readers to make.

This leads into another strong use of Yellow to establish where the story leads now. It’s complimented by a four panel page exemplifying the terror. As Alex descends further into the dangerous world of Kincaid, the art mirrors the hellish landscape. This builds towards the closing act with captures a facial expression that perfectly closes out another excellent chapter.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

FINAL POINT: 9 OUT OF 10

The slow-burn breakdown of Alex Greer sinks into a dangerous low with another thrilling chapter. Phillps’ strong writing tears away another layer of Alex’s psyche with Boyle and Napolitano delivering magnificent imagery to ensnare readers throughout the pages. You don’t want to miss this one on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Black Sight #3. Thanks for reading.

SOMNA #1 (DSTLRY)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out a brand new series debuting from DSTLRY! Over the summer of 2023, “The Devil’s Cut” gave readers an insight of what to expect from the upstart line. With some of the best creators in the business involved, it was a huge win with fans.

Since that point, the anticipation for more content from this line has been building. Recently, Gone #1 by Jock was released. Now, another entry from this imprint is hitting the shops with a great buzz behind it. Considering its’ creative team, there’s no doubt why fans are excited to check this series out.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni brings an erotic horror element to the local comic shops with this series. Let’s take a closer look and see how this debut fares.

Editor note: This is a MATUTRE READERS book. Viewing discression is advised.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY)

*** POSSIBLE SPOILER WARNING ***

A woman named Ingrid is walking through a forest landscape. The narration leads readers to believe it is a dream. She is wakes up after being enamored to a cold reality. However, it appears that the dream might not be done as a figure lurks trying to connect with her on a physical and sexual manner.

Suddenly, Ingrid wakes up to her husband Roland, a bailiff, who’s trying to have her accompany him to a trial. Ingrid doesn’t want to go and this causes Roland to storm off. In response, Ingrid heads into the forest and looks overhead at her village with a roaring fire. It is no ordinary fire. It appears to be where witches were burnt at the stake.

The fire snaps her back into the dream-like world. Ingrid sees herself as the one in the fire. She’s snapped back to the present by Maja and her son. The conversation shifts to who was being punished.

Later that evening, Ingrid sits by a fire as Roland returns. As she tries to initiate passion, he scoffs it away. As they sleep, the mysterious stranger reappears in her dreams, connecting with her on a level Roland cannot. When she wakes, Roland is not as understanding to what she is describing.

How does Ingrid process her dreams? After the recent trial and reactions from the village, her thoughts wander. As her dreams intensify, Ingrid becomes entrapped between two worlds. As the closing act approaches, readers see where Ingrid leads to as an event occurs that sets her on an unforeseen path. The journey now begins that will have readers locked in until the next chapter drops.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Becky Cloonan)

The writing breaks down Ingrid into multiple stories. The first is the gruff relationship with Roland. The mood is tense and cold as their interactions lead to mounting tension with little middle ground. Ingrid comes across as a character yearning for more, which drives her to lean into her dreamscape.

Her path leads to the question of “Is perception really reality” as Ingrid walks a fine line throughout this issue. Knowing there’s a hint of danger in her dreams, the writing reflects her wanting more than she has and how scary that could be. As the story rolls into its’ closing portion, readers see how Ingrid inches closer to the edge. After the event transpires, there is a sense of looming fear of that should transpire next which leaves a lasting impression.

The art duties are split into two distinct areas. Cloonan handles the present time, featuring the interactions with the village. The mood is that of trepidation as the burning trial lingers on Ingrid’s mind. The body language of Ingrid and Roland shows disfunction and frustration on all parities.

This only adds to the significance of the dreamscape. Lotay paints a vivid landscape of wonder and anxiousness as Ingrid’s interactions with the figure intensify with each page. The art captures the raw emotions of the encounters bringing readers along to sense what Ingrid wants and sense her fear in the consequences. It all ties together with a striking final vision leading to more thrilling drama yet to be seen.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Tula Lotay)

FINAL POINT: 8.5 OUT OF 10

Cloonan and Lotay welcome readers into the complex world of Ingrid with a visually impressive debut. Ingrid’s haunting dreams battle the harsh reality of her world with excellent art and writing. The layers of this mystery are just being peeled back so readers won’t want to miss jumping on-board now to see where things lead from here.

Hit me up on ODPH social media and let me know your thoughts on Somna #1. Thanks for reading!