A member of C.O.W.L has fallen. Wildflame is dead. Skylander is the culprit. Using weapons designed by the Superhero union brings Gregory Warner into the public eye. The face of the Chicago Organized Workers League has a past allegation causing problems.
What will this latest challenge bring for The Grey Raven’s plans?
C.O.W.L. 1964 #3 by Kyle Higgins, Alec Siegel, Rod Reis and Buddy Beaudoin (Black market narrative/Image Comics) dives further into intrigue in the Massiveverse saga.
Let’s take a closer look at where events stand now!
C.O.W.L. 1964 #3 by Kyle Higgins, Alec Siegel, Rod Reis and Buddy Beaudoin (Black market narrative/Image Comics)
*** POSSIBLE SPOILER WARNING ***
The writing splits this chapter into dealing with fallen heroes. Taking the story back to 1946 and 1955, Warner’s early scheming is given much room to grow. It gives a strong payoff with dealing with The Dart. As the blueprint is being laid out, there is some pause about buying into Warner’s plans. The result is a tragic turn. Its’ ramifications seem not to phase Warner as he still plots big no matter the cost.
In 1964, Warner is dodging the multi attacks on his overall goal. The writing shows him in his element. One moment, he’s swaying the public. Behind the scenes is another story. As the story shifts to Skylander, the mood is tense as actions start coming into focus. It never escapes the audience as how Warner’s plans have no regard for anyone else. The final act echoes that point with a parting flashback. Events conclude with a definitive statement on where things are going (even if they were in the past).
Reis opens the chapter with a unique vision for the panels. The flashbacks come with a mix of coloring. It opens as a black and white scheme. Once it starts rolling, certain splashes of color pop the art. This compliments the retro feel of the 1946 images. Readers sense the classic sense of superheroes. While temporary, it makes its mark before heading into darker territory.
Once the story shifts back to 1964, Reis goes again to the small color contrast images. It works to connect readers to the main characters involved in the drama. The only time that the book jumps into action is the 1955 Dart portion. At this stage, pacing helps to inject some fierce panels bringing the conflict to a head. From here, the story moves into its’ closing act. The story goes simpler with Warner getting the sole coloring. It balances out the high emotional toll taken before leaving events in a startling spot for the finale.
FINAL POINT: 8.9
The pen-ultimate chapter of C.O.W.L.’s return delivers on a highly emotional chapter of life and loss. Higgins and Siegel show the steep cost of Warner’s schemes with the writing. Reis constructs simple but dynamic images for the various time periods. With one last episode left, the stakes continue to rise around the Grey Raven’s ultimate goals.
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