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THE NEW GODS #7 (DC COMICS)

Lightray is dead. New Genesis has fallen to The Nyctari. The survivors are en route to Earth. Waiting there is another factor at hand. Kamal may be the next New God. High-Father put Orion on a mission to dispose of the possible threat. Standing in his way is Mister Miracle and Big Barda.

These actions have drawn the attention of the Justice League. With the DC Universe’s legendary team involved, there’s no telling where events go from here!

The New Gods #7 by Ram V., Evan Cagle, Travis Moore, Francesco Segala & Tom Napolitano continues its’ thought provoking odyssey.

Let’s take a closer look at how things shape up from here.

The New Gods #7 by Ram V., Evan Cagle, Travis Moore, Francesco Segala & Tom Napolitano (DC Comics)

*** POSSIBLE SPOILER WARNING ***

This is arguably the most “Superhero”-esque issue to date. Seeing the League’s involvement plays well to finally give a pay-off for their involvement. V’s writing teases more string-pulling form one notable character. There is some deep diving which helps to truly cement his role here. That said, there are two major elements of this issue that jump out.

The first is the government involvement in this challenge. Readers watch as they difference of opinion strikes a few character wrong. This leads into one taking the full front lead. Who would have thought a human would be the voice of reason above gods? It results in an unlikely set-up for New Genesis refugees.

The second is a grieving portion for Lightray. V weaves the fabric of loss into the eqation perfectly. Readers watch as a guard is let down for huge emotions. There is little time to absorb the moment. The last page teases more problems circulating. How this will all play out is anyone’s guess.

Moore takes over the cameo section here. His art welcomes in the League into the conflict. Cagle steps in and gives a dramatic flare to the Gods arrival on earth. The smoky shadows of the JLU pop off the near full page. There is plenty of reactions at this stage. Seeing the set-up versus the government carries anger and resentment. It is quickly subdued by a hero’s actions. Cagle locks in on the frustration while spinning the positives.

The grieving section previously mentioned hits the mark. Seeing the one character finally break down at the loss is overdue. Each panel here conveys the shock of what has happened. Even as the mood is lowered here, a shot of kindness spins the chapter. The closing page leaves no doubt of more problems on the way. It’s never a dull moment with the art on display.

OVERALL GRADE: 8.8

The New Gods have made their way to Earth, but at what cost? Ram V’s stellar writing fluctuates between a vast cast of characters. Moore and Cagle usher in the JLU’s appearance with strong art. Only time will tell where events lean into with a future uncertain.

Let me know in the comments below your thoughts on The New Gods #7. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #8 (DC COMICS)

The heat is on the Dynamic Duo! General Grimaldi refuses to quit his hunt for Batman’s true identity. After acquiring a Gotham City Police folder, he has names. His associates are working through the list. One name standing out: Bruce Wayne!

BATMAN AND ROBIN: YEAR ONE #8 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles continues its’ look at the first year of Bruce Wayne and Dick Grayson.

Let’s take a closer look at where events play out now.

BATMAN AND ROBIN: YEAR ONE #8 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid displays the early struggles of the pair before the heart of the chapter hits. Their raid on a suspect’s house becomes more challenging than expected. Robin’s youthful inexperience stands out in a key moment. The resolution dances between hero and parent for Batman. It provides a reminder of how Batman sees himself in Grayson. This solidifies where his latest moves take him.

Meeting with Jim Gordon is a tale of two sides. Their partnership gives way to a family perspective. Readers watch as the calm moment succeeds to a larger game at play. Waid elevates the pacing as Grimaldi strikes the Waynes. The conflict mirrors the struggle of being “Bruce Wayne”. For this chapter, another character takes the stage. Grayson is written as a true student to Wayne’s teachings. This results in a thrilling action sequence. It ultimately spirals into a unique landing spot. Knowing how high stakes have become, the closing pages set the stage for an epic confrontation in waiting.

Samnee and Lopes display the suspect raid as a chaotic scene. It gives way to a notable two page splash. Seeing how Batman processes the young Robin’s rational leaves an impression on the audience. This energy moves into the meeting with Gordon. The mannerisms on display become deeper than the surface. A slight smile from Batman as he touts Grayson resonates as the case mounts. This becomes a great transition point before the pace speeds up.

Readers watch as Wayne is attacked. Cowles’ lettering dominates the panels. It translates into the frantic landscape of the fight. Once the story moves to Grayson, the mood grows like a horror scene. This leads into an excellent full page image. It becomes the set-up for a stunning full page entrance for Batman into the conflict. The fallout steers readers into a definite close. Readers know that the end in near and it spells danger across the board.

OVERALL GRADE: 9

The tables are turned on the Dynamic Duo as trouble comes home. Waid’s writing spotlights the deeper bond between the two. Samnee and Lopes amplify the tension as the hunt is on! All roads start their path towards the sensational finale in waiting!

Let me know in the comments below your thoughts on Batman and Robin: Year One #8. Thanks for reading!

THE UMBRELLA ACADEMY: PLAN B #1 (DARK HORSE COMICS)

It has been since 2019 since readers last saw The Umbrella Academy in “Hotel Oblivion”. Ironically, it was the same year of a new beginning for the group. Their hit Netflix series debuted to win over many in pop culture.

The last season of the show aired in 2024, but it’s not the end of the Academy just yet. There’s another story on the way concerning Sir Reginald Hargreeves’s children. This time, the focus is on another group of super-powered individuals who are taking the spotlight by force.

THE UMBRELLA ACADEMY: PLAN B #1 by Gerard Way, Gabriel Bá, Dave Stewart and Nate Piekos ushers in the next chapter of the Academy’s legacy.

Let’s not wait another moment and dive into the story.

THE UMBRELLA ACADEMY: PLAN B #1 by Gerard Way, Gabriel Bá, Dave Stewart and Nate Piekos (Dark Horse Comics)

*** POSSIBLE SPOILER WARNING ***

Way dives deep into the UA mythos to unlock a tragic tale. Readers quickly find out that there were more children “rescued” by Hargreeves. After waiting and training in secret for nine years, the “Sparrows” strike. With a mission to board a doomed flight, the writing pulls a very solid change of gears. While the UA have been the darlings of the ball, it appears their other siblings are far from that.

The writing showcases the vicious streak in the other group. Whether in the past or present, Way never shies away from their true devious nature. Readers don’t have to wait long for some familiar friends to grace the pages. What will catch them off-guard is how they react when they encounter the others. It is everything one could ask for in a first encounter. This never slows as the story moves to close. The writing leaves a few loose ends open for the next chapter. It leaves readers in a more shocked place concerning the final action. This group is definitively not about reproach.

Bá and Stewart open events with a full page shot of a bank robbery. This is quickly followed up by a recap of how Hargreeves has manipulated the children he pretends to save. Readers see how the other group were virtually unknowns. This only fuels their young debut via a cursed two page flight image.

Their following half page panel brings their presence to the forefront. Under Hargreeves watchful eyes, they rapidly show how cold they are. Events give way to a present time showdown. There is plenty of action going through this moment. The fallout ushers in a new and dangerous phase. It is not without another familiar face gracing the pages. This sense the current timeline into a new stat quo. Readers get one more look at the past before leaving. The final page brings a brutally honest look at what has been unleashed. Plan B is in full effect.

OVERALL GRADE: 9.5

Welcome to Plan B. Way pens a superb depiction of the broken family with the writing. Bá and Stewart walk the fine line between tense action and elevated drama. A new era of the Academy strikes a chord with a darker path on the horizon.

Let me know your thoughts in the comments below about THE UMBRELLA ACADEMY: PLAN B #1. Thanks for reading!

ABSOLUTE BATMAN #9 (DC COMICS)

The world of Bruce Wayne has never been more different. Old enemies are now childhood friends. Martha Wayne is alive and flourishing in Gotham. These elements are just a few key changes in the Absolute Universe.

Even as those moments have been huge, they may fall in comparison to a new vision of a deadly rogue.

ABSOLUTE BATMAN #9 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles welcomes BANE into Batman’s world.

Let’s take a closer look at how events play out now.

*** POSSIBLE SPOILER WARNING ***

How do you make Bane more terrifying? Remember: this is the man who broke Batman’s back AND killed Alfred! Snyder wastes little time in bringing the giant terror back to his strategic roots. In one move, he ends a peace treaty for more war. The writing brushes it off as an afterthought. How does this version of Batman stand a chance here?

The writing shows how he is handling a close friend’s disappearance. It is a brutal showcase of how Wayne barely holds his rage together. Snyder also quickly reveals a key player in the Bat-Universe. How said person will factor in will be fun to watch. It ‘s not the only new/old face appearing here. Once the mission becomes clear, there is no turning back on direction. The flashback moments solidify the hurt Wayne is feeling. This spirals into more reveals and a terrifying close. The last page is going to evoke a reaction out of readers that won’t be silenced anytime soon.

Dragotta returns after a two issue break and swings for the fences. Bane’s introduction is haunting and ultra brutal. One small panel speaks volumes onto the lengths he is willing to go. It carries a certain aura of fear. This never leaves his panels as events shift to Gotham City. Once here, readers are caught up quickly on the state of Bruce Wayne.

The violent reactions to his friends disappearance refuse to leave readers. It shows how broken he is There’s no comparison to the fragile mental state. The interactions with his friends is case in point. An angry outburst drives home Wayne’s pain. Readers see how this pushes his investigation further. A full page image unveils a hidden secret of the new Absilute world. There’s little time to process it as the closing takes hold. The art is unforgiving in the action. This is drilled home in the final page. A full page image establishes true fear as an absolute statement is made for the future of Gotham.

OVERALL GRADE: 9.5

A classic rogue’s absolute debut checks all the boxes on a magnificent chapter. Snyder unloads the true fear of Bane with the writing. Dragotta unleashes a furious look at the villain’s instant impact. No one in the Absolute Universe may be safe .

Let me know your thoughts on Absolute Batman #9 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #5 (MARVEL COMICS)

The Hobgoblin has returned with a vengeance! After poisoning Queen's Soda, The rhino nearly died of a heart attack. As Spidey investigated, he was also drugged himself. Dealing with as much daily grief as he does, Peter Parker nearly broken while high out of his mind.

Nowhere near healthy to fight, Spidey has to battle through his inner demons to stop Hobgoblin once and for all!

AMAZING SPIDER-MAN #5 by Joe KellyPepe LarrazMarte Gracia, & Joe Caramagna concludes the return arc for everyone's favorite neighborhood wall-crawler.

Let's take a closer look how this first arc wraps up!

AMAZING SPIDER-MAN #5 by Joe KellyPepe LarrazMarte Gracia, & Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Kelly delivers a near-perfect ending for this story. Hobgoblin's return as been filled with intrigue. Seeing the classic rogue orchestrate his plan has been extremely fun to watch. What has been even better is a return to form for ol' web-Head. Outmatched physically and having no chance to win, Spidey still heads into action. The results remind everyone why Spidey connects with all readers on a different level.

The action goes into many directions. It reflects the off-balance nature of a drugged Spider-Man. Readers do get an answer to a supporting character and their loyalties. It plays well into the big conflict ending. The writing is as classic as it gets. THIS is what the benchmark should be in telling modern Spider-Man tales. Kelly also wraps up a hanging loose thread since issue one. In dealing with the flashbacks, there has been some friction between Peter and someone he cares about. Kelly's dialogue leave readers with a massive smile on their face when the dust settles. If this is any indication of where we are heading, all superhero fans need to jump on board now.

In a short amount of time, Larraz has thrown his hat in for best Spidey artist. Even if JRJR is returning for next arc, many fans (including yours truly) will be on watch for Larraz's return. The full image of Hobgoblin menacing Rand Industries sends an early message of what's to come. It's upended by a gorgeous two page splash of Spidey swinging in to make the save. From here on out, it's off to the races with big screen combat.

Pacing is flying as Spidey races against the clock to win. Panel structure compliments this movement. Readers watch as the action is flying furiously off the pages. Hobgoblin's menacing grin takes some moments but Spidey's relentless attack wins out. The unlikely turning point is capped off with a terrifying full page image. Save room for one more full image and the fight comes to a show-stopping end. The fallout leaves time to tie up loose ends. This is especially impactful for the final page. One image will take president over the rest. It will leave the audience with a long wait for the next sage to start.

OVERALL GRADE: 9.7

I have said it once and will say it more: SPIDER-MAN IS BACK, BAY-BAY! Kelly pens a chapter bursting with action and emotion. Larraz and the art time keep raising the bar with each page of art. This run has taken off and shows no signs of slowing down anytime soon.

Let us know in the comments below your thoughts on Amazing Spider-Man #5. Thanks for reading!

SECRET SIX #4 (DC COMICS)

One would think that capturing Amanda Waller would unify some personalities. Someone never told Dreamer, Gossamer, Superman Jon Kent, Deadshot, Black Alice, & Catman. These six individuals are struggling not to kill each other, let alone find Waller.

After a lead takes them into the Club Checkmate, the six run into a “frienemy”. Former Secret Six member Banshee is now involved in Checkmate. She’s not happy to see her old running mates. Nothing bad should happen here, right?

SECRET SIX #4 by Nicole Maines, Cian Tormey, Stephen Segovia, Rain Beredo, and Steve Wands (DC COMICS) continues the search for an escaped Amanda Waller.

Let’s take a closer look at what’s happening now.

SECRET SIX #4 by Nicole Maines, Cian Tormey, Stephen Segovia, Rain Beredo, and Steve Wands (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Maines wastes little time in bringing the action. Banshee has the volatile reunion with her former teammates. It does cause a few fractures in the group. Readers watch as some members are captures. Two in particular are not. this leads into the broken) heart of the chapter.

The long awaited back story between Catman and Deadshot comes to light. It gives a greater insight to the loyalty and love Catman has. Watching Deadshot play it off enhances Maines’ writing. It is clearly evident how well they work together as a team. This also plays into how devasting the turn Deadshot does in favor of Waller. There is no doubt of the hold Waller has on certain people Deadshot is no exception. The result is shocking but fitting. It also leads into a closing with more reveals. Just when you don’t think the situation can become more explosive, the final panel says it all.

Tormey joins Segovia and art duties for this chapter. The fight at the club proves chaotic as the Six are handled. When two escape the ruckus, they’re given a full page shot of their crash landing. It is easy to pick up on Catman’s growing rage. The close-ups of his face brew with anger as he recaps past events.

Segovia heads up the Madagascar portion. Catman’s raid of the compound is violent as needed. A half page image draws this out immediately. It’s complimented by Lawton’s smirking. The page set-up for Lawton’s betrayal is well done. It breaks up moments for building the shocking turn. Readers have little time to soak this all in. The final page has yet another big reveal to drop. A full page image reveals one more dangerous secret that can rip the group even further apart. How is this team ever going to find success at this rate?

OVERALL GRADE: 8.1

The truth behind a broken bond comes into the light with this chapter. Maines’ writing unveils Deadshot’s ultimate loyalty. The art brings a fair balance of action and drama to his issue. How the team responds to the last page reveal is literally anyone’s guess.

Let me know in the comments below your thoughts on Secret Six #4. Thanks for reading!

G.I. JOE: A REAL AMERICAN HERO #316 (IMAGE COMICS/SKYBOUND)

After the silence, it’s time to yell “YO JOE”! With the recent “Silent Missions” run completed, the classic G.I. Joe storyline returns. A family defects from Springfield. Is this the break the Joes need or something more sinister in the waiting?

G.I. JOE: A REAL AMERICAN HERO #316 by Larry Hama, Paul Pelletier, Tony Kordos, Francesco Segala, Sabrina Del Grasso, and Pat Brosseau provides a great jumping on point for the vintage series.

Let’s not wait any longer and dive into the action!

G.I. JOE: A REAL AMERICAN HERO #316 by Larry Hama, Paul Pelletier, Tony Kordos, Francesco Segala, Sabrina Del Grasso, and Pat Brosseau (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Hama starts setting up the next phase of points with much intrigue behind it. The injection of a defecting family offers up some possibilities. Knowing what the stakes are here opens a risky play. Readers know this is more dangerous with a new leader running the show in Destro.

His maneuvering of business makes some friction with the Baroness. Readers watch as his cold demeanor escalates events. There is a great set-up but ultimately events stay on course. Dr. Mindbender’s time teases a few things but falls short of Destro’s portion. The closing teases caps off a swerve of direction as the team braces for a return that fans better get ready for.

Pelletier and the art team open up with the tense arrival of the Cobra family. The tension slowly grows as Duke makes his choice on where to go. Dr. Mindbender’s time moves very steady. A half page panel teases more to come before handing off to Destro.

The dinner meeting showcases the brooding personalities. Destro’s sinister grin spells certain danger. it contradicts the Baroness. Readers watch as her attempt at revenge falls short. Panel structure works to tell her side of events. It also shows Destro’s influence on events as well. The final pages flips some paths into new journeys. The art is very steady and gets events rolling for its’ next run.

OVERALL GRADE: 8

A light at the end of the tunnel may be in sight in this latest classic Joe run. Hama navigates the fallout of the last arc with strong writing. Pelletier delivers on bringing out the best of Destro as his new era begins. It’s always solid storytelling when checking this series out.

Let me know your thoughts on G.I. JOE: A REAL AMERICAN HERO #316 in the comments below. Thanks for reading!

SECRET SIX #3 (DC COMICS)

Amanda Waller is missing. Where could the architect of “Absolute Power” be? That is what Dreamer, Gossamer, Superman Jon Kent, Deadshot, Black Alice, & Catman intend to find out. The real question is: can they do it without killing each other first?

SECRET SIX #3 by Nicole Maines, Stephen Segovia, Rain Beredo, and Steve Wands (DC COMICS) continues on with the hunt for Amanda Waller.

Let’s take a closer look to see where events stand now.

SECRET SIX #3 by Nicole Maines, Stephen Segovia, Rain Beredo, and Steve Wands (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Maines throws a fun curveball in the re-appearance of Checkmate. The long standing DC covert organization gets a fresh cover while moving in shadows. Their manipulation of a senator show business is back but not without cost. Knowing how Waller’s involvement is such a critical factor raises stakes even higher. Mix that with the emotional toll of the “heroes” and it’s a powder keg ready to explode.

Sides are clearly being taken as Deadshot and Dreamer work their angles in the scenes. Lawton has had the most experience with Waller. The dialogue reflects that past with an uncertain future. His interactions with Catman carry the same sense. Dreamer’s confessions concerning Waller only drives a larger wedge between members. This all comes to a head with the closing act. Pacing helps kick events into gear. It also provides a surprise reveal as their game of cat and mouse just got more extreme.

Segovia and Beredo start the party with a full page image of the club. It’s a pace change from the views form Washington. Lurking in the shadows are the Six. Each panel fuels more uneasiness. The art throws a fun curve in as they change into their nightlife wear. It’s a calm moment before the drama ramps up.

The panels focus on the interactions between the teams. There is much tension between Deadshot and Catman. It falls short in comparison to the groups major issues. Jay and Nia’s distrust shines again in this chapter. Even with a quick pause, it doesn’t take long to force the action. Events start revealing the true nature in the club. It all boils down to a shocking full final page. The chapter closes with a great cliffhanger to lead into a more exciting path next go around.

OVERALL GRADE: 8

The Six take it to the club in their hunt for Amanda Waller. Maines’ writing keeps this group walking a tightrope. Segovia and Beredo play into the emotional damage with their art. Judging by the last page, time may be up for the group before they even start.

Let me know in the comments below your thoughts on Secret Six #3. Thanks for reading!

BLACK CANARY: BEST OF THE BEST #6 (DC COMICS)

To the winner goes the spoils. Dinah Lance has dug deep to try winning a fight. Normally, this would be enough to secure victory. This is anything but a normal fight. Lady Shiva is her opponent. The prize is being crowned “The Best of The Best”. Dinah struggles to focus on the bout when her mother’s life hangs in the balance. What will weigh out when the bell ring in the final round?

BLACK CANARY: BEST OF THE BEST #6 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles doesn’t leave t in the hands of the judges for the finale.

Let’s take a deeper dive & see who claims victory!

BLACK CANARY: BEST OF THE BEST #6 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

The fight lives up to its’ top billing on the marquee. Through King’s writing, readers witness a heavy combo of emotions connect. The story has never truly been Dinah vs Shiva. It has been overtaken by Dinah wrestling with her mother’s legacy. As she is dying, the weight finally breaks with Canary. Being thrown a Faustian deal by Vandal Savage keeps readers wondering what will be the ultimate outcome.

A decision like this doesn’t come easy. King gives Dinah a powerful moment “talking with her mother” about options. The vulnerability on display is an instant knockout. It gives such an insight into Dinah’s mind as she forces herself to make a choice. This becomes a driving force in the ultimate round. There is no way readers can’t get wrapped up into the pinnacle moments. Once her choice is made, there is no turning back. It leads into a bittersweet close. There’s a certain sense of peace with the call made which sends readers home on solid ground. Excellent work with this story.

Sook and Stewart immediately give this moment the “big fight feel” it deserves. Seeing the range of characters locked in adds to the drama. Events shift back to the hospital before the bell rings. The full page image of Dinah crying screams the painful experience unfolding. Vandal Savage’s injection into this sequence brings out a subtle break with jarring humor. It leaves the hospital in a fitting transition before the next round commences.

The full page corner mirroring image starts off the round perfectly. There is a certain level of respect built between both. The nine panel page gives off enough of this mood. It ultimately gives way to Dinah’s “talk”. How Dinah is processing everything is pouring with changes. Initially calm to boiling with rage, the art covers it all. It all ties back to the fight and two strong full page images. Sook has delivered on the action and amped it up for the finale.

As powerful of those pieces are, a half page one steals the show. This pushes events to its’ closing. Readers watch as the commentary team sends them off with style and a smile.

OVERALL GRADE: 9.5

What lies inside a fighter’s heart? Tom King and Ryan Sook answer that question with an epic final. King’s writing brings out the deep struggles inside of Black Canary. The art delivers on big action and even larger drama. It’s a perfect blend that doesn’t need a judge’s decision to claim victory.

Let me know in the comments below your thoughts on BLACK CANARY: BEST OF THE BEST #6. Thanks for reading!

ABSOLUTE SUPERMAN #7 (DC COMICS)

With a darker tone consuming it, the Absolute Universe strikes readers with new takes of classic characters. The symbol of Hope in the DCU is a wayward soul trying to find peace. Kal-El from Krypton has any curious parties interested in his secrets. None might be deadlier than an old enemy completely re-imagined.

ABSOLUTE SUPERMAN #7 by Jason Aaron, Carmine Di Giandomenico, Ulises Arreola and Becca Carey welcomes ABSOLUTE BRAINIAC to Kal-El’s world!

Let’s take a closer look at how this introduction fares.

ABSOLUTE SUPERMAN #7 by Jason Aaron, Carmine Di Giandomenico, Ulises Arreola and Becca Carey (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Aaron ushers in a frightening terror onto the new landscape. The opening sequence wastes little time in showing a glimpse of the horror awaiting. Readers watch as the precision attack decimates the Omega Men’s surge. Once in full frame, Brainiac is easily different than his predecessor. The writing plays into the unhinged personality as the backstory begins.

It is a take that plays a game with the mental stability of the cold genius. Aaron gives a tragic spin while slow rolling the drama. Brainiac’s evolution is not without consequence. As truths surface, the damage done is immense. The fallout leaves the audience with a clear picture of madness. Aaron moves Brainiac’s awakening to a disturbing conclusion. Knowing what he’s done in little time, the overwhelming sense of danger grows. The issue ends on a solid point with a familiar destination locked in its sights. How Krypton’s last son handles this will be something to watch.

Di Giandomenico returns for art duties for this chapter. The initial attack by the Omega Men reflects a horror movie. There is no shying away from the brutality on display. Even where one soldier sees his own bones, the art holds nothing back. this leads into a full page image of Brainiac in his psychotic glory. The design is very unique in presentation. It teases a backstory that paints quite a picture.

The flashback portions show a young artificial life with optimism. Panels foreshadow how that hope dimmers with each page. Readers watch as the slow slip of reality takes shape. The art teams shows how weathered Brainiac has become before a truth sinks in. Once at this stage, events have left him with a new sense of beginning. A close-up of a smile speaks volumes. This leads into the final pages. After ascending his role, the issue brings the villain full circle. A full page panel shows the broken villain in his glory. The art ends with a solid closing panel. The close-up and chilling words send readers into an unknown future as a new evil has formed.

OVERALL GRADE: 9

The Absolute Universe welcomes a disturbed version of Brainiac into Superman’s world. Arron’s haunting story gives a shocking take on the emotionless villain. Di Giandomenico and the art team takes readers into the maddening visuals head-on. Forget any preconceived notions. This is a much more unstable threat than Superman has ever faced. Fans will want to be here for it!

Let me know in the comments below your thoughts on Absolute Superman #7. Thanks for reading!

WE'RE TAKING EVERYONE DOWN WITH US #2 (IMAGE COMICS)

Dr. Dante Alderman had been off the grid with his daughter Annalise. It hasn’t been without some secrets. The “good” Doctor has been focused on his work. This has left his daughter to her own devices (along with a robot guardian). One random encounter with a stranger proves to be a starting point of trouble.

An explosion rocks their home. Annalise wakes up to the sound of her father’s voice. When she looks, it’s not her dad that she sees. It’s her robot protector!

We’re Taking Everyone Down With Us #2 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou continues its “spy-fi” adventure.

Let’s take a closer look at what’s unfolding now.

*** POSSIBLE SPOILER WARNING ***

Rosenberg continues to orchestrate a very multi-layered saga. Opening with a flashback sequence connects a high stakes feel with readers. The new cast of characters elude to the deeper levels becoming exposed. A few get a fair amount of page time to start their journeys. As more comes to light about Dr. Alderman, the world of Annalise becomes thrown into a chaotic state. This leads into a thrilling part of the book.

Seeing Annalise and her robot navigate through intruders provides glimpses of a dark future. There are no punches pulled. Rosenberg sprinkles in some fun moments to keep things leveled out. It cushions the blow of Annalise’s dire discovery. This throws everything into a frantic state. Readers watch as there is more heart aching moments adding up on the young 13 year old. When the smoke clears, the closing pages lead into another unstable path. A new threat stands before readers to welcome them to the next phase of this ever-engaging tale.

Landini and Wordie open up with a jarring full page image. The aftermath of the initial attack makes an immediate impact on readers. This is followed up with a special grid panel set-up for new characters. It brings out the best of their conversation, pushing Dante’s fallout higher. Their close ups tease the many personalities now involved. It is brief but provides a steady gap to regroup on Annalise and company.

The brutality of the situation never is held back. Readers watch as the robot handles would be assailants with no remorse. Annalise’s reactions vary in the midst of searching for her father. A close up of her crying eyes speaks louder than any dialogue when the time hits. The escape from the island is capped off with a half page image. This jumpstarts events into the closing pages. The ending shot ushers in a new direction and antagonist for Annalise to deal with. Artwork continues to be a strong base for this story to grow from.

OVERALL GRADE: 9.5

The end of Dr. Dante Alderman lands a devastating blow onto his daughter’s survival in this latest chapter. Rosenberg keeps working the winning combination of drama and danger via the writing. Landini and company give this story show-stealing visuals at every turn. This series carves its’ own niche at the comic shops that simply cannot be ignored.

Let me know your thoughts on We’re Taking Everyone Down With Us #2 in the comments below. Thanks for reading!

THE QUESTION: ALL ALONG THE WATCHTOWER #6 (DC COMICS)

Has Cyborg Superman done the unthinkable? The twisted version of Kal-El has taken down the Justice League from within. The only person standing in his way is Renee Montoya aka The Question. With hope fading fast, Montoya tries to rally. Hank Henshaw is ready for his forthcoming triumph. Only one walks away with victory.

THE QUESTION: ALL ALONG THE WATCHTOWER #6 (DC COMICS) by Alex Segura, Cian Tormey, Romulo Fajardo Jr. and Willie Schubert concludes Montoya’s first assignment as part of the Justice League Unlimited!

Let’s take a closer look at where this concludes.

THE QUESTION: ALL ALONG THE WATCHTOWER #6 (DC COMICS) by Alex Segura, Cian Tormey, Romulo Fajardo Jr. and Willie Schubert (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Segura brings a solid conclusion to Montoya’s final stand. Her latest challenge has not been just against Henshaw. It has been her facing her demons and finding herself along the way. After being discarded by Henshaw, the writing takes Montoya on one final confrontation with her past. It poses a unique perspective pushing the hero towards the final battle.

On the other end, Henshaw’s blind confidence oozes like a true villain. The writing cats him in many traditional villain roles. It’s reflected in the dialogue with Eradicator. Readers watch as their paths come together with a mixed result closing. Their final moments of face-off conclude very quickly. It concedes to the real main event. The dialogue shows Montoya’s acceptance and growth. This spirals into the parting moments which leave many possibilities.

Tormey and Fajardo jr. open the chapter with a stunning full page panel. Montoya falling through space indicates the dire situation she’s in. The flashback panels strengthen her inner turmoil heading into a desperate attack. In comparison, Henshaw’s reactions mirror the dastardly villains of yesteryear. As much as those panels build up the tension, this all comes down to Montoya’s coming to terms with herself.

A unique full page unveils Montoya’s last attempts to find her motivation. This becomes the catalyst to close. Henshaw’s plans come into focus via another full page image. Readers can easily see how the pieces are set to win or go home. The action sequence at this stage are brief. They complete this portion of events before giving way to the fallout. Once here, the emotions start pouring out of Montoya. It leaves readers with a possible vision of the future which is nothing but win.

OVERALL GRADE: 8.5

The last stand of Renee Montoya concludes on steady ground in its closing chapter. Segura’s writing leans into the personal pressures of the Question. Tormey and Fajardo jr. give a very traditional superhero throwdown its’ due with the art. After this conclusion, there will be no question on where Montoya ranks amongst the DC’s finest.

Let me know in the comments below your thoughts on THE QUESTION: ALL ALONG THE WATCHTOWER #6. Thanks for reading!

THE NEW GODS #5 (DC COMICS)

War has come to New Genesis’ front door! The Nyctari are making their impression felt in the void of Darkseid. Complicating matters more is a New God has appeared on Earth, Is Kamal a savior or destroyer? High-Father isn’t taking any chances.

He has dispatched Orion to dispose of the child. Mister Miracle and Big Barda are the only ones standing in Orion’s path. With two conflicts happening at once, there is plenty of drama to go around for Jack Kirby’s Fourth World characters.

The New Gods #5 by Ram V., Evan Cagle, Andrew MacLean, Francesco Segala & Tom Napolitano ramps up the danger with an all new chapter.

Let’s see how the latest installment plays out.

*** POSSIBLE SPOILER WARNING ***

Ram V. takes this chapter into a dire direction. The opening follows Lightray as he poses a question about mortality. His inquiry covers many different answers. One theme is very clear. Even the most powerful do not understand Death. The writing plays this into a driving factor of the chapter. It is fitting with one God dying, a new one appears to take its place.

Once the story jump back into present time, it starts finding its path. The battle of New Genesis has a regal feel. Seeing Izaya take his attack to the Nyctari kickstarts a desperate effort. The result is one that shakes the foundation of the New Gods to its core. It upstages the fight between Orion and the Frees, which is very brief. Their faceoff teases more to come next issue with guests.

For this round, it belongs to a valiant sacrifice in vain. Readers watch as all roads start coming together with a philosophical question leading the way. Where this all leads is up in the air. In the meantime, the forthcoming reunion will be one not to miss.

MacLean opens the chapter with a distinct look at Lightray’s questioning. The reactions of each God is very telling. This ultimately leads into a conversation with someone who has the answer. A near half page image gives some clues. It also serves up a solid homage to Kirby’s vision before heading back to the present.

Once here, Cagle takes over. Izaya’s entrance is given an epic image. Napolitano’s lettering sells the scene as even greater than expected. This leads to a stoic reaction of Izaya striking one of his attackers. The powerful blow starts up a series of conflicts. The two page splash of Orion’s fight gives a solid break from the war on New Genesis. It is fleeting as attention goes back to Izaya.

The potential fatal blow is diverted in a strong half page image. Readers watch as the noble sacrifice proves to be a much needed wake-up call. It leads Izaya’s path back to Earth. Judging by who shows up the last page, the full image tips off there may not be a warm welcome. Great work as always.

OVERALL GRADE: 9.2

A simple question spawns a tragic loss for New Genesis. Ram V. puts deeper elements into the wartime battle with the writing. MacLean’s throwback pages add more momentum for Cagle and companies present day images. With all signs leading to Earth, the New Gods shouldn’t expect a warm welcome anytime soon.

Let me know in the comments below your thoughts on The New Gods #5. Thanks for reading!

POP KILL #2 (MAD CAVE STUDIOS)

All’s fair in the quest for soda supremacy. Goro and Kaito are former Siamese twins have become bitter rivals. Each run their own soda company. Their rivalry has become so intense that nothing is off limits. Jon Pyle has been hired by Goro to secure the services of Dina Deluxe. Deluxe may have the key to ensure victory. Can Pyle keep her alive long enough to see?

POP KILL #2 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot continues its wild adventure!

Lets take a closer look at where things play out now.

POP KILL #2 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot (Mad Cave Studios)

*** POSSIBLE SPOILER WARNING ***

There’s no shortage of action going down in this series. The writing team sets events up over a dinner date between Plye and Deluxe. It doesn’t take long for the spy life to catch up with the pair. There is a fantastic sequence as they try escaping the dangers at the front door. Pyle comes across as a suave but crass agent. His dialogue with Dina will bring a laugh along with the traditional spy themes. Only when the action pauses does the readers get some character depth.

Readers see a small glimpse into Pyle’s past. It gives some dimension to his business character. The moment allows for the pause to finish before heading to close. Deluxe takes action which doesn’t sit well. The fallout pushes for a timely finish. Readers get one more big laugh before concluding with a solid landing. Like any great spy story, the team leaves the audience wanting more.

Santacruz and Reber go for a calm start with Pyle’s dinner date. The moment plays off the hidden angle Pyle is pitching. It doesn’t take long for the bullets to start flying. A nine page escape from Dina’s place kicks off with a bang. Readers watch as Konot’s lettering takes stage with all the gunfire filling the pages. Events climax when Bahram shows up. The fight is a masterful run of knives and punches. It’s a fun ride while it lasts.

In its wake is more peaceful images. A full page shot of Pyle’s safehouse leads into a darker period. The flashback sequence of Goro’s torture of Pyle leaves quite the impression. The chilling method in which Pyle watches his lover die exemplifies his line of work. This pushes events into its closing pages. The art team mix in a great use of sticky notes before the final shot. It is a small panel that conveys this tale is only just beginning.

OVERALL GRADE: 8.2

The world of Jon Pyle doesn’t stop spinning into danger with its’ latest chapter. Palmiotti & Johnson throw readers into deep cola with big action. Santacruz, Reber and Konot orchestrate a chaotic scene while building an exciting pace. This series is a healthy dose to your comic diet.

Let me know your thoughts on Pop Kill #2 in the comments below. Thanks for reading!

WE'RE TAKING EVERYONE DOWN WITH US #1 (IMAGE COMICS)

Annalise is a 13yr old who’s just trying to live a normal life. Define normal when your dad is a mad-scientist. Your “friends” are robots. Plus, who’s living in the basement? If this doesn’t sell you enough, the creative team behind Image Comics next big thing will!

We're Taking Everyone Down With Us #1 by Matthew Rosenberg, Stefano Landini, Jason Wordie, Roman Titov and Hassan Otsmane-Elhaou brings “Spy-Fi” to the masses with its’ debut chapter.

Let’s not wait any longer and break this issue down!

*** POSSIBLE SPOILER WARNING ***

Talk about a debut issue! Rosenberg hits the ground running and never looks back. Annalise starts by trying to play Hide And Seek with a robot. As quirky as that sounds, it works to make tempo. The dialogue hits as Annalise just wants time with her dad, Dr. Dante Alderman. Readers watch as the mood shifts to a more grounded level. Disappointment fills Annalise’s voice. Her dad tries spinning out of this. The result is a drastic detour of events.

A simple game reveals more intrigue as Annalise encounters a stranger. The conversation leads to more danger. Readers see as there is MUCH more going on with Annalise’s father. The writing keeps changing styles. This adds more layers on an already engaging tale. Through it all, this is centered around Annalise and her dad. Rosenberg weaves other elements in-between the panels.

Even an agent’s “evening plans” provide some adult humor before catapulting to the close. In mere moments, everything changes again. The chapter closes with an incredible cliffhanger that will have readers locked and loaded. Rosenberg has something special with this one!

Landini (along with Titov and Wordie) make a visually stunning opening chapter. The beginning game shines with the coloring. They create a retro-esque mood as Annalise challenges the robot. It defers to the more cemented backdrop of her father in his lab. There are a few great panels in this mix. One that stands out is Annalise looking at her dad through a chemical glass. Their conversation carries some gravity with it. The use of small panels help move this portion along to its game-changing moment.

The discovery in the basement is given a shocking full page. Its’ resolution mirrors the tense landscape Annalise has just walked into. Readers watch as her dad’s true nature creeps to the forefront. The panels are overflowing with his anger. This gets flipped upside down when Dr. Dante sees Annalise.

Landini and company cover all bases there. After the stop to see Agent Rook, evens race to the end. A two page spread sends everything on its’ axis. If that wasn’t enough, the final page crushes everything. There will be many questions coming form this series. I can’t wait to see what the answers will be.

OVERALL GRADE: 10

Combining elements of Sci-Fi, espionage and family dynamics, Annalise’s journey doesn’t struggle to balance its’ act. Rosenberg’s writing leaps into many themes without losing the audience. Landini and the team keep a distinctive look with superb visuals. Packing so much style and storytelling, readers are absolutely going to be blown away by this!

Let me know in the comments below your thoughts on We're Taking Everyone Down With Us #1. Thanks for reading!

THE NEW GODS #4 (DC COMICS)

On Earth, the powers of a god hide inside a young child. Is this child a savior or harbinger for death? This has drawn attention from HighFather. He sends Orion to deal with this potential threat. Mister Miracle and Big Barda seek to protect this child from the vicious warrior.

With Apokolips in a power void, the Nyctari strike. Their fight now shifts to New Genesis. Is this child a savior or harbinger for death? Suffice to say, there’s many moving parts involving Jack Kirby’s legendary characters.

The New Gods #4 by Ram V., Evan Cagle, Bernard Chang, Francesco Segala & Tom Napolitano prepare for battle with their latest chapter.

Let’s take a closer look at where things stand now.

*** POSSIBLE SPOILER WARNING ***

The plight of the Gods turns to violence for the majority of this chapter. Ram V. goes in on the frustrations of High-Father. The flashback sequence foreshadows the impending attack from the Nyctari. It shows the readers a very different HighFather than we’ve seen in this series. There is no long wait for business to pick up with conflict. One character stands head and shoulders amongst most in this sequence. Shadowfall steals this portion with a breakout moment of this chapter.

Back on Earth, the Frees have their hands full on many fronts. Protecting the child from humans is one thing. Stopping Orion is a whole other issue. There’s plenty to enjoy with this scrap. Its’ conclusion (for now) executes another domino to fall. This runs side-by-side with the battle of New Genesis. Heading into the closing act, Ram V. twists more burdens onto HighFather’s group. Once the final page appears, choices are made that can’t be taken back. The writing reflects the deep thought made for the heavy choice. It’s a strong finish until the battle resumes next chapter.

Chang takes the flashback staple for this issue. The panels burst with optimism. Seeing Highfather in an almost jovial state is a far cry from the present. Once the time jump happens with Cagle and company, war has been declared. Nyctari start with a near full page image. They had met and defeated by Shadowfall’s presence. The art gives her a distinct showcase of skill. It’s capped off by a superb full page image.

Earth’s battle is much smaller in comparison. Big Barda handling human attacks carries a strong sense to it. The difference between her and Mister Miracle’s more playful demeanor is very clear. Readers watch as he attempts to diffuse the tension. This disappears once Orion appears via half page image. Their action scenes pop due to Napolitano’s lettering.

Events shift back to New Genesis for a few epic pages. Cagle’ art truly crafts the brutality of war. It also leaves readers with a firm landing spot. Highfather makes a call that a half page image screams out. This whole issue had excellent art that readers will rave about.

OVERALL GRADE: 9.3

New Genesis is attacked! The New Gods unleash their wrath on the Nyctari but is it enough? Ram V.’s writing sets a fast pace driven by action. The mesmerizing art on display from Cagle and company will floor readers. That chapter will be one fans will be talking about.

Let me know in the comments below your thoughts on The New Gods #4. Thanks for reading!

ABSOLUTE FLASH #1 (DC COMICS)

The Absolute Universe has taken comics by storm! Darkseid has left the DCU. In his wake, a darker version of the universe is left. Readers have seen the trinity of DC make their debuts. Versions of Superman, Batman and Wonder Woman are nothing like fans have seen. Their adventures have been selling big numbers at the LCS.

Now the second wave of heroes make their debuts. Leading the pack is the fastest man alive. Don’t blink.

ABSOLUTE FLASH #1 by Jeff Lemire, Nick Robles, Adriano Lucas and Tom Napolitano presents an all new saga of speed and superheroics.

Let’s not wait another second & dive into the chapter.

ABSOLUTE FLASH #1 by Jeff Lemire, Nick Robles, Adriano Lucas and Tom Napolitano (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Lemire dives into the relationship between Wally West and Barry Allen to reset their narrative. Keeping Wally's situation at arms length adds to the ever evolving drama. The writing portrays him as a loner searching for something. It's far from the happier version of West we've seen in the comics.

For doing an alternate version, this mystique works. The same can be said for Barry Allen. Allen comes off as a surrogate father in moments. Even though he works with Wally's dad, Allen genuinely shows concern for the wayward teen. Can the same be said for Wally's dad? He pushes more of a "tough love" which misses the mark.

The issue does its' fair share of time jumping. It is always a difficult challenge to pull this off without losing something. Lemire blends the pacing extremely well that this issue flows through segments.

Even in the present, a certain group gets a proper reset. It adds more to the combustible element of Wally and his dad. This pushes everything into the close. Lemire puts some tricks out to throw everything in flux. The result is a solid mystery that has many miles left to run.

Robles and Lucas kick events off with a vibrant two page splash. It's loud, bold and unapologetically Flash. Events start slowing down to unveil the worry of West. Being alone in his mind, the images depict his search for belonging. Project Olympus gets a two page reveal. Things have come a long way since lightning in the crime lab twice.

At this stage, Napolitano's lettering maneuvers readers through the time jumps. This also gives way for Wally's freedom to be put to the test. A full page image brings those familiar faces mentioned previously in style. The art team gives proper time to focus on the West family dynamic before speeding to the end.

It takes two pages to truly bring out the impact of West' ill-fated choice. This thrusts his life into a full page shocking close. Readers are complimented with a fun two page epilogue before running to next issue. It leaves much for fans to ponder before revving up the engines next time.

OVERALL GRADE: 9

Is speed absolute? Judging by the latest addition to the DC new universe, the answer is yes. Lemire's writing brings out a conflicted lead to take the baton and run. Robles, Lucas and Napolitano keep the energy high with the electric art images. This series is firing on all gears with much left in the tank.

Let us know what you thought of Absolute Flash #1 in the comments below. Thanks for reading!

THE HIVE #2 (IMAGE COMICS)

The line between biology and crimeology blur with Image Comics’ latest hit series. Mason Shaw is drawn into a world he’s not ready for. Queen Shay demands complete control. When there’s a mutiny forming, the repercussions will be deadly.

THE HIVE #2 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu dives further into the crime drama with a new gritty chapter.

Let’s take a closer look at where things stand now.

THE HIVE #2 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Lieberman does the slow play to dig into Shay’s hold over the hive. The writing never escapes its gritty demeanor. This all stems off the robbery and murder of security guards. The attack creates a ripple effect that’s bad for business. Shay’s focus move back to retaining control when doubts start creeping in. Readers watch as the payoff becomes a diversion to take the heat off the organization. It appears the plan might backfire in this stage as the last page dictates.

As for Shaw, his role in this equation becomes a touch more clearer. The writing starts unveiling the biological methods used. This comes to light when Shaw finally meets the Queen. Readers get some key info before events shift back to Shay’s long game. At times, it moves very quick to fully nail its’ mark. There’s still enough intrigue that isn’t lost in the shuffling.

Henderson drops another gem with the art. The opening pages in the dark swamp sets a brooding tempo. It matches the same mood of Ash and Benji’s story portion. There’s a sense of relief with the Beekeeper’s diagnosis. It appears short lived when an examiner starts diving into Quinn. Knowing how the tampering plays out, it draws more heat on a growing fire.

Shaw’s encounter with the Queen carries a sense of uneasiness. The art reflects the power play being enforced by the Queen. It also unveils a surprising factor into their dynamic. Readers can get the understanding of Shay’s set-up. It connects enough before the story jumps to a show of force at a business meeting. A solid action sequence puts Shay’s plans in motion. This all rolls over into the final page. A near full page image indicates the business is drawing more attention than meets the eye.

OVERALL GRADE: 8.4

The sophomore chapter of the bio-crime noir saga builds up some key character moments. Lieberman’s writing dabbles into the long build of Shay’s moves. Henderson and Azpiazu capture the dark nature of dirty business with the art. Sit back and buckle in. This is a long build with a huge payoff coming.

Hit me up on ODPHpod social media and let me know your thoughts on The Hive #2. Thanks for reading.

JUSTICE LEAGUE: THE ATOM PROJECT #3 (DC COMICS)

With great power comes greater measures. In the wake of Amanda Waller’s attack on the DCU superpowered community, there have been complications. Some has their powers transferred away. Ryan Choi and Ray Palmer have attempted to solve this problem. The only question following them is: was the cost too much?

JUSTICE LEAGUE: THE ATOM PROJECT #3 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas, and Wes Abbott continues the ambitious project looming over the DCU heroes.

Let’s take a closer look at what happens now.

JUSTICE LEAGUE: THE ATOM PROJECT #3 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

In its’ strongest moments, readers are getting the set-up for the tragic fall of Captain Atom. When the moments gel, there is something that cements the story’s importance. This isn’t fluid to do the structure of past vs. present. It proves more difficult to put the pieces together due to its time hopping. There is one moment that really stands out throughout the jumping.

After Choi and Palmer have proved another test worked, a disturbance erupts on the tower. Readers watch as a noble Captain deals with it head on. The rescue might have tipped the writers hand as how the present takes shape. Once in the close, the ending plays off this set-up well. It also throws Palmer into a polarizing light. His actions through this series have had some suspicion. This really comes to fruition here. The issue bows out with a great cliffhanger that proves the project becomes even more complicated.

Perkins and Lucas show a happier side of the troubled Captain with a full page image. This goes against his present state. The facial expressions tell the struggle and pain Atom is dealing with. Readers watch as the burden of Power becomes too heavy.

The rescue pages begin with the painful ordeal of power switching. As the Atoms celebrate, Atom Smasher is screaming. This is an indicator of how their project isn’t exactly safe. there’s no time to rest when the Tower is rocked in its’ Triage Unit. A two-page spread shows the mad state unfolding. Palmer’s fearful look spells certain disaster. Captain Atom makes an effort to save the day with a half page image. The results (imo) can be seen in the closing pages. Before readers get the payoff, a familar face crashes. The final full page shot leaves a hint of excitement as things wrap up.

OVERALL GRADE: 7.9

Three issues in and the structure style hampers what should be a pay-off in waiting. The writing hones in on the painful saga of Captain Atom. Each panel mirrors the deadly grind to solve this overbearing dilemma. Once the closing page hits, readers are left with a showdown that will either make or break the project. The choice is theirs.

Hit me up on ODPHpod social media and let me know your thoughts on JUSTICE LEAGUE: THE ATOM PROJECT #3. Thanks for reading

POP KILL #1 (MAD CAVE STUDIOS)

Who knew how deadly the world of Cola can be! Two former Siamese twins have become bitter rivals. The lengths they go to destroy the other are huge! Assassins? Sabotage? Nothing is off limits. In the end, only one will be sipping the cold taste of victory.

POP KILL #1 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot takes readers on one hell of a ride.

Let’s take a deeper dive into the dangerous game at hand.

*** POSSIBLE SPOILER WARNING ***

Palmiotti & Johnson are flipping the espionage stat quo on its’ ear. Goro and Kaito run their companies with no mercy. The opening sequence feels right out of a spy movie. Jon Pyle loudly crashes the opening pages. Readers watch as he ruthlessly attacks. It becomes a pacesetter for the remainder of the chapter. When Popso takes the first hit, the fallout is brutal. The message becomes crystal clear. Losing is not an option.

This drives Pyle back into service. Goro hires him on a very discreet mission. Events play out in a very violent fashion. One person of interest changes the game on everything. Readers watch as the long play begins to acquire game-changing information. It moves very fast while mixing in various spy themes. This works to keep the audience guessing. Once at the close, events end more intrigue. There’s never a dull moment with this issue.

Santacruz and Reber opens with a full page image of Pyle at work. The break-in to Popso turns into a wild scene. There’s no shortage of the violence at hand. Both brands office scenes carry this same energy. Readers get an up close look at how failure is tolerated. It’s equally matched by the maniacal behaviors of the twins. Each close-up shows heir twisted drive to reign supreme.

Pyle’s mission takes him on a bloody adventure. Konot’s lettering stands out in these panels. The pursuit of Dina Deluxe comes across as charmingly evil as the spy game gets. Deluxe’s reactions indicate she’s buying into Pyle’s lies. This leads readers into the closing pages. A simple dinner turns out to be anything but simple. The art team mixes in a few wrinkles to ff set the mood. It’s a fitting end to a very rambunctious opening.

OVERALL GRADE: 8.6

A dangerous web of lies and deception forms under the guide of cola companies in this unique tale. Palmiotti & Johnson take readers on a very different spy story. Santacruz, Reber and Konot head into the chaos and charm with the art. What side will take victory is really anyone’s guess.

Hit me up on ODPHpod social media and let me know your thoughts on Pop Kill #1. Thanks for reading.