Spider-Man '94 #3 (Marvel Comics)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 3rd issue of Spider-Man '94 from Marvel Comics!

Peter Parker has been fighting battles on both sides of his life, in this return to the classic cartoon show from the 1990s. He's been fighting battles against the mysterious Morlun, while having Kaine following him as well. All the meanwhile he's been dealing with his life as Peter Parker & his usual drama with his family. But what happens when we learn the past of who Morlun is? Let's jump into it!

Credit: Marvel Comics

Spider-Man '94 #3 by J.M. DeMatteis (Writer), Jim Towe (Artist), Jim Campbell (Color Artist) & VC's Joe Caramanga (Letterer) is a great issue  that peels back the mystery on just who exactly is the villain Morlun.

The Story

After getting his beat up pretty badly in the last issue, Peter is in Morlun's clutches with seemingly no hope for escape. This is when we start to learn the backstory of just who Morlun is, and what his end goal is. It's a fascinating backstory that feels like something right out of the cartoon show if it were still on TV today.

Meanwhile, we finally get confirmation on what was teased in the previous issue. That is that Aunt May does indeed know Peter's secret, and that she has known for sometime. It's a twist that isn't exactly new to the mythos of Spider-Man but it is a surprise here. It's a touching moment between MJ & May as they share an intimate moment discussing just how they need to be there for him.

The story involving Kaine is interesting, and should start to pay off in the next couple of issues. However for right now it's moving along a little slowly. Oh by the way, did I mention Kraven is here? So suffice it to say the next couple of issues should be VERY interesting!

The Artwork

Jim Towe & Jim Campbell bring their A game yet again with this issue. The flashback sequence for Morlun is so immaculately drawn that it flows together so seamlessly. Also I cannot praise their work on recreating Peter, Mary Jane & Aunt May so immaculately compared to the animated series. It looks exactly like the show, and it really adds to the feeling of continuing the story.

FINAL POINT: If you're a fan of the animated series, you need to be reading this series. It's so faithful to the original works that it's been such a seamless jump into the series. DeMatteis has been incredible with the story, and the artwork has been perfectly drawn. You cannot go wrong with reading this issue & series.

Overall Grade: 9.0/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

THE AMAZING SPIDER-MAN: TORN #2 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 2nd issue of Amazing Spider-Man: Torn from Marve Comics!

Peter Parker is back in college! No he didn't get his degree revoked, but rather this is a story taking place in the early days of the mythos of Peter in the 616 universe. So just what does it all mean? Let's jump into it!

Credit: Marvel Comics

The Amazing Spider-Man: Torn #2 by J. Michael Straczynski (Writer), Pere Perez (Artist), Guru-eFX (Color Artist) & VC's Joe Caramanga (Letterer) isn't so much a step forward for the serie, but rather a step sideways. It's not bad, but it doesn't continue the great start that the first issue gave us.

The Story

It's a fairly straightforward issue this time round, and there aren't any huge revelations or big plot developments. Peter is on the trail of translating the Proteus Maleficarum, that's the book that was almost stolen in the first issue, but the problem is it's in German.

While he's doing that Evangeline is confronting the man who sent her on the job to steal the book in the first place and turned her into something out of an episode of Gargoyles.

It's not a bad story per se, but there isn't a whole lot going on with it. The story's been started and now the chess pieces are being set up so to speak. I don't want to call it filler, because it's only the 2nd issue, but it's close to it.

The Artwork

Pere Perez & Guru-eFX both do a great job with the art in the issue. As I said before, this series isn't set in the present day time of the 616 universe, but rather an earlier time when Peter & his friends were still in college, As such, Perez & Guru-eFX both do a great job with how Peter & his friends all look and bringing them to look like those early years.

FINAL POINT: The story isn't anything to write home about, but the artwork is definitely worth the read. The series still shows promise, but hopefully they can recover from an early misstep.

Overall Grade: 6.0/10

Thanks for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

SPIDER-MAN: NOIR #2 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 2nd issue of Spider-Man Noir from Marvel Comics!

The scene is 1939, and Peter Parker is a private detective by day, and the masked vigilante Spider-Man by night! He's investigating the murder of none other than George Stacy, the father of Gwen Stacy! So will he crack the case? Let's jump into it!

credit: Marvel Comics

Spider-Man Noir #2 by Erik Larsen (Writer), Andrea Broccardo (Artist), Rachelle Rosenberg (Color Artist) & VC's Joe Sabino (Letterer) is a great issue that is filled with mystery & intrigue that helps it stand out from other Spider-Man comics!

The Story

Erik Larsen does an incredible job with the story throughout this issue, and he isn't afraid to push some boundaries. The story feels like a murder/mystery movie you might find on Turner Classic Movies on a Saturday afternoon and it plays out beautifully. It has some familiar beats to the story, but it does a great job at staying rooted in the 1930's.

We're introduced to the villain Hard Boil in this issue, He's a mountain of a man that's sharply dressed and means business. I will say his name is extremely spot on and it gave me a laugh reading the issue.

Peter does eventually work out just who it was that murdered George Stacy, and it isn't good. I won't spoil it here, but it's safe to say that the relationship between this universe's Peter Parker & Gwen Stacy will not be anything like what we've seen in previous incarnations.

The Artwork

Andrea Broccardo & Rachelle Rosenberg both do an AMAZING job on the artwork from start to finish on the issue. They do such a great job with the look of the characters & the backgrounds of the panels. It genuinely looks like the 1930's, and stays away from some of the recent iterations styles. It works so incredibly well and is just so much fun to look at!

FINAL POINT: Erik Larsen provides a different look at Spider-Man than what we've been used to the last couple of years. Together with stellar artwork from Andrea & Rachelle, this is an issue (and a series) that should be at the top of your lists!

Overall Grade: 10/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

SPIDER-MAN & WOLVERINE #7 (MARVEL COMICS)

Spider-Man and Wolverine get yanked into a Parallel Universe by that universes Reed Richards. They discover in this universe there are no superheroes, but there are super villains. One of these villains is responsible for murdering Reed’s wife, which affects Logan as well.

credit: marvel comics

Spider-Man & Wolverine #7

Written By Marc Guggenheim – Art By Kaare Andrews

Colors By Brian Reber - Letters By Travis Lanham

Edited By Mark Basso - Published By Marvel Comics

***Minor Spoilers Possible***

In Another Universe

It’s a normal evening for Logan and Peter, until it’s not. The two find themselves in a Parallel Universe, 4587 to be exact. They were brought there by Reed Richards, who needed their help getting justice on the super villain team The Revengers, who are led by Arachnix who is only found in this universe. He is also a mix of Spider-Man and Wolverine, and that’s why Reed brought them here. At first Logan had no interest in helping because it’s not their universe. However, once Reed reveals that his wife was killed by Arachnix and in this universe his wife has ties to Logan, that changes his mind. So now they hunt Arachnix, but once they find him, they discover this may be harder than they think, and failure has happened before.

A Shared Love

The twists and turns in this issue keep the reader on the edge of their seat. Marc Guggenheim does an excellent job of revealing the multiple plot twists this issue has. Just when you think you know what’s going on, the script gets flipped and what you think you know gets turned upside down. Guggenheim also does a great job with the lore of the revealed villain Arachnix. The fact that he shares the strongest traits of both of our heroes makes for a hard fight for Spidey & Wolvie. The great setup and reveal leads to a tremendous cliffhanger of an ending that really has the reader fiending for the next issue.

The art in this issue is awesome and captures this world perfectly. Kaare Andrews does a fantastic job of bringing this new universe to life. Andrews also does an amazing job on the character designs, specifically Reed Richards and Arachnix. Pulling from the familiar designs, well twisting them enough to make them feel original. Brian Reber matches the art with his colors seamlessly and makes the art jump off the pages.

Final Thoughts

Spider-Man & Wolverine #7 is an insane ride that keeps the reader uneasy until all the cards are on the table. The twists make sense, well seamlessly bringing the characters from each universe together. The only thing better than the numerous twists is the cliffhanger ending leading into the next issue. This is a must get at the LCS this week, and don’t worry if you haven’t been reading this series as this is a perfect jump on point.

Overall Grade: 10/10

AMAZING SPIDER-MAN #15 (MARVEL COMICS)

Friendly interstellar Spider-Man? That appears to be the new stat quo for Peter Parker. After his encounter with Hellgate, Parker was knocked light-years into space (literally). He was rescued by Dr. Xanto Starblood. Their partnership has been strained due to Starblood’s experimentation on other lifeforms.

After freeing the captured aliens, Parker sets forth on a new path home & round two with Hellgate. That is easier said than done.

AMAZING SPIDER-MAN #15 by Joe Kelly, Emilio Laiso, Marte Gracia, Marcio Menyz, Erick Arciniega & Joe Caramagna sees Parker caught up in some dirty deals done space cheap.

Let’s take a deeper dive into what’s happening now!

AMAZING SPIDER-MAN #15 by Joe Kelly, Emilio Laiso, Marte Gracia, Marcio Menyz, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly puts Parker in a very uncomfortable role. Having him be the defacto leader of the ragtag group of aliens challenges him on many levels. The opening sequence reminds readers the goal is to get home. It does come with a frightening point. This transitions to one of the more surprising pairings in comics. The banter between Rocket Raccoon and Parker never misfires. It’s sharp, witty and a much needed relief from the drama.

Speaking of said drama, Spidey’s latest problems are getting out of Rocket’s debt. This results into entering a contest fitting for a certain X-villain. The result is a very straight-forward Spidey fight. Kelly does mix in a few surprises with the new Spidey suit. Readers watch as the suit reveals some deep truths. It results in a unique resolution to combat. The fallout stirs up more emotions before throwing in another curve. Where the space odyssey leads next is anyone’s true guess.

Laiso steps in for art duties this issue. The dream sequence is caped off with a terrifying full page image. This sense of worry is drowned out by an unlikely source. The dynamic between Rocket and Peter can’t be ignored. Panels present them as a dysfunctional pair. It helps to build up the oncoming problems to a nice plateau.

Readers see Spidey’s opponent in near full page glory. Their initial rounds are vintage Spidey fighting. The art goes for broke on the upkick page. Panel structure helps to push the loud combat. It does get served a break when Spidey’s new suit exposes their story. The two page splash offers readers answers to what is happening here. It results in a very fast moving fallout. Once in the epilogue, the tone is more calm. Panels still work in the emotions before leaving with more questions. It’s a steady finish for a long voyage thus far.

FINAL GRADE: 8.6

The truths of Spidey’s new suit come into light with another solid space chapter. Kelly brings out classic themes while pushing Peter in new directions. Laiso and the art team present an exciting trip with their images. Readers better buckle in for where this story is heading now.

Let me know your thoughts on Amazing Spider-Man #15 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #14 (MARVEL COMICS)

Peter Parker is in space?! Ben Reilly is posing as Parker on Earth?! NORMAN OSBORN IS SPIDER-MAN?! What in the world is happening? Blame Hellgate. After their initial encounter, Parker was taken off the board.

Knowing the world needs a Spider-Man, Osborn has filled in the role. There is a noticeable difference between the two enemies. Let’s not forget there is a Goblin Slayer looking for Norman on top of this!

AMAZING SPIDER-MAN #14 by Joe Kelly, Ed McGuinness, Todd Nauck, Mark Farmer , Wade Von Grawbadger , Marcio Menyz & Joe Caramagna picks up the latest adventures of “Spider-Norman” in its’ latest chapter.

Let’s take a deeper dive into what’s happening now.

AMAZING SPIDER-MAN #14 by Joe Kelly, Ed McGuinness, Todd Nauck, Mark Farmer , Wade Von Grawbadger , Marcio Menyz & Joe Caramagna (Marvel comics)

*** POSSIBLE SPOILER WARNING ***

Kelly opens up with a deep reflection from Osborn. The dialogue shows how the mantle of Spider-Man is too much to hold. Seeing Osborn admit this is a shocking picture. The same can be said for Reilly. His conversation with Hallow’s Eve is sharp and direct. Readers can start seeing the charade slowly fading. This comes into light with Dr. Osmani-Milton.

Osborn’s interruption nearly causes everything to fall apart. Kelly sneaks in a quiet verbal jab from Reilly that strikes a chord. This leads into a solid fight with the Goblin slayer. Readers watch as Osborn gets some reluctant help in fighting the machine. The moment is surprisingly energizing to Osborn. The writing shows how even he is being seduced into the heroic side of life. This leads into a more shocking close. Osborn has always had enemies but is he ready for who’s shown up on the last page? Only time will tell.

Art duties are split for this issue between McGuiness and Nauck. Norman’s reflection shows the wear of the mantle on his face. It connects with readers on the weight he chose to lift. This was also brought to attention via Nauck’s Reilly/Hallows Eve panels. Both characters know why they chose their paths. Neither seems comfortable walking them.

This moves events into the meeting with Dr. Osmani-Milton. McGuiness sets up for some secrets to be revealed until Norman arrives. Once here, both he and Reilly have many reactions to the verbal jabs. This moves into the fight with the slayer. A two page splash kickstarts the action. This builds up to a very fast pace. It concludes with a strong look at Norman taking victory. This is much to the disdain of Reilly. His scowl jumps off the page. The closing image unveils another party interested in taking Norman down. It results in a sold landing spot for the very fast moving chapter.

OVERALL GRADE: 8.4

The “Spider-Norman” era continues to surprise as his heroic actions meet a road block. Kelly’s writing shows how far Osborn has fallen into Parker’s shadow. McGuiness, Nauck and the art team bring out the best and worst of a Peter Parker-less world. ASM is firing on all cylinders with this latest run. Don’t miss it.

Let me know your thoughts on Amazing Spider-Man #14 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #13 (MARVEL COMICS)

The Spider has been broken. After his encounter with Hellgate, Peter Parker vanished. The encounter left Spidey in a very bad space. This left a hole in New York City. Both Ben Reilly and Norman Osborn have stepped in to fill his void. Neither would believe where Parker is currently residing.

Everyone’s favorite neighborhood wall-crawler is in space!

His displacement has led him to Xanto Starblood. Looking to get stronger for his rematch, Parker forges a deal with the alien. In the process, some truths come to light. Starblood has experimented on sentient life. This doesn’t set well for Parker, who leads a revolt.

AMAZING SPIDER-MAN #13 by Joe Kelly, Pepe Larraz, Marte Gracia, Erick Arciniega & Joe Caramagna sees the web-head leading a new crusade?

Let’s take a closer look at what’s unfolding now.

AMAZING SPIDER-MAN #13 by Joe Kelly, Pepe Larraz, Marte Gracia, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly has really moved Parker out of his comfort zone with this chapter. Having him lead a motely crew of captured aliens makes for a unique dynamic. Seeing Rocket Raccoon’s sharp wit battle with Parker’s logic is a fun read. This moves events enough to circle back to their original dilemma. Starblood is captive to this group. What is his fate? The answer harkens back to the Spider’s DNA.

Readers watch as the debate rages on. The writing pleads a few different looks before deciding. It leads into a present day problem. In dealing with The Black Order, readers see how this “team” is in over their heads. Pacing does jump a bit during these moments. It doesn’t hamper the experience but backs up Parker’s stance. The conclusion teases a more traditional finish. Readers where this story could go. However, Kelly does throw in a sudden change with the final page. Seeing where this choice goes will be enjoyable to follow.

Larraz has quickly mastered how to do Spider-Man action scenes. The opening battle is electrified with a spectacular full page image. Seeing the eclectic group on the attack should be a crowd pleaser. This gives way to the past decision about Starblood. The art shows how certain characters have a strong reaction to his fate. It also provides some comical moments via Rocket. His mannerisms are show stealing.

The action images will be the ones most talked about. Readers will be impressed with Raelith as she fights. A full page shot nails the landing as the fight grows. This momentum carries into the main event portion. Larraz and company welcome in Black Dwarf via near full page. This speeds events up as Spidey takes the fight into his own hands. There’s plenty of fast-paced panels to maneuver through strikes. It leads to a shocking image that ends the conflict. The closing pages tie up loose ends before the end panel shakes things up. A lone image with few words drives home how this story is far from over.

OVERALL GRADE: 8.8

The space escapades of Peter Parker takes a dramatic turn in this latest chapter. Kelly weaves the self-doubt in-between the chaos with the writing. Larraz and the art team shine with their beaming panel pieces. The last panel will shake up the stat quo further as this run continues to impress.

Let me know your thoughts on Amazing Spider-Man #13 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #12 (MARVEL COMICS)

What a tangled web indeed! Spider-Man disappeared after being brutally beaten by Hellgate. Upon his return, something was noticeably different. Spidey was showing a vicious streak in handling his foes. This same sharp mood was seen in Peter Parker.

Once both parties met, much was explained. That’s not a typo. It was revealed that Ben Reilly was posing as Peter. As for Spidey? It was none other than Norman Osborn! What about Peter? Oh yeah, he’s in space.

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna continues its latest adventure into the unknown.

Let’s take a closer look at what is happening now!

AMAZING SPIDER-MAN #12 by Joe Kelly, Ed McGuinness, Cliff Rathburn, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

This chapter has a more grounded approach than last month. Keeping the story based on Reilly and Osborn helps to fuse their place in this tangled equation. This really helps give Osborn’s new role life. The opening monologue shows how he is dealing with being a hero. Hearing acknowledge the challenges presents a sense of self-doubt. It is very un-Norman like but an effective tactic.

This becomes a larger issue in dealing with another rogue. Their encounter shows how far Norman is trying to hold it together. Readers see how the external demons are the least of his worries. This follows a confrontation of interested parties. Pacing picks up as the action hits. It ends on a very strong note. Kelly reaches back to a connecting plot point. The move eases onto the closing. Once here, a new threat is teased that looks to impact Norman more than realized. Text book cliffhanger finish which helps this chapter.

McGuiness steps in for art duties this go-around. A two page splash shows Norman in action. His heroics are far from flawless. It does add to the questioning dialogue. This gives way to show Reilly some time as Peter. The facial reactions show how Reilly’s performance is starting to crack. The same can be said for Norman’s.

The spider-family crash the scene via half page shot. It leads to a tense conversation. This subsequently rolls into a fight. The two page splash shows Norman holding his own. Even as he battles, the sublime flashbacks are impacting his reactions. None more greater than one in particular. The full page panel stops everything at the drop of a dime. Readers see how far Norman has fallen during the following panels. It leaves events at a standstill before the end. A glimpse into the future leaves the audience with much to ponder when this portion picks back up.

OVERALL GRADE: 8.7

The “Spider-Norman” era experiences some growing pains as past scars resurface. Kelly conducts a look inside a struggling character trying to be good. McGuiness and the team keep things moving with a balance of action and insight. It’s a new day for Spider-Man and fans had better settle in for the ride!

Let me know your thoughts on Amazing Spider-Man #12 in the comments below. Thanks for reading!

SPIDER-VERSE VS. VENOMVERSE #5 (MARVEL COMICS)

It all comes down to this! The Web-Heart & Hive-Mind feel they can’t co-exist. They have selected champions of Spider and Symbiote. Only one can win. Both sides have pushed the other to the breaking point. There’s been betrayals, unlikely partnerships & Mechas all involved (and that’s just for starters).

Now the unified fronts of Spider-Man and Venom must face off with countless reinforcements.

SPIDER-VERSE vs. VENOMVERSE #5 by Mat Groom, Kyle Higgins, Jim Towe, Rachelle Rosenberg and Travis Lanham bring forth the final chapter in this all-time face-off!

Let’s see how this all shapes up for the close!

SPIDER-VERSE vs. VENOMVERSE #5 by Mat Groom, Kyle Higgins, Jim Towe, Rachelle Rosenberg and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

One notable aspect of this series is the creative freedom the writing is having. Higgins & Groom keep finding new ways to present both Spidey and Venom. Merging the two via Blood transfusion opens up some doors. This leads into an interesting sequence before the final fight. Readers watch as the pairings take on the competition head on. It’s a throwdown worthy of finale status.

During the wild melee, one character stands out. The writing allows Eddie Brock to become something he’s struggled with: being a hero. Against his greatest “frenemy”, the conversation gives Brock validation on what he is doing. It is a moment that shifts everything. This pushes towards a very questionable conversation. The dialogue presents its case with little pushback. It serves as a solid landing spot for the conflict and overall plot. The fallout leaves many doors (and in one case aspirin) open to explore. It is a great ending to what has been a very fun read to experience.

Towe & Rosenberg open up with a welcome to an unlikely lead. The image of Spider-Venom is an amalgam of both which tips off the direction of the story. This jumpstarts the action as the final battle commences. There’s plenty of action to go around. Readers will enjoy all the mix and matches of combatants. Seeing Spider-Venom hyper uppercut Spider-Hulk is a prime example of this brawl for all.

Once Brock’s side is slipping, a huge back-up crashes the scene. The full page image is impressive and wild in the same breath. This allows for Brock to connect with a weakened Peter Parker. Watching the acceptance of his role, Brock’s confidence starts picking up. The images lock in on the painful history between both. Its’ fallout starts the closing off on a good note. The move throws a proposal into conversation. This results on impacting the parting images. The final page teases where this all may go form here. At worst case, it sends readers home on a pleased note.

OVERALL GRADE: 8.8

The final face-off between Spider & Symbiote delivers on the action! Higgins & Groom takes readers along for an unlikely redemption story. Towe & Rosenberg present the huge conflict with exciting displays. The Spider-Man/Venom mythos takes a fun turn fans don’t want to miss!

Let me know your thoughts on SPIDER-VERSE vs. VENOMVERSE #5 in the comments below! Thanks for reading!

AMAZING SPIDER-MAN #11 (MARVEL COMICS)

Will the real Spider-Man please set up? After Hellgate decimated the wall-crawler, things have changed. New York witnessed a vicious hero emerge after defeat. This new attitude has ventured into the world of Peter Parker. There is something very different with the beloved hero.

Matters do not get easier when Spidey confronts Peter. No, that isn’t a typo.

AMAZING SPIDER-MAN #11 (LEGACY #975) by Jason Loo, Lee Gatlin, Joe Kelly, Saladin Ahmed, Pepe Larraz, Pere Pérez, Morry Hollowell, John Romita Jr. &Joe Caramagna (Marvel Comics) takes readers into a celebration chapter!

Let’s not wait any longer and join the party at hand!

AMAZING SPIDER-MAN #11 (LEGACY #975) by Jason Loo, Lee Gatlin, Joe Kelly, Saladin Ahmed, Pepe Larraz, Pere Pérez, Morry Hollowell, John Romita Jr. &Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Editor’s Note: The two main stories are penned by Kelly. These are the short tales to celebrate the milestone occasion.

“Rapid Return” by Ahmed, Pérez & Hollowell dives into a hero trying to fill Spidey’s void. The writing locks in on a reluctant soul trying to do good. Readers have some great panels of action. Seeing the face-off with Boomerang gives way to a heavy burden lifted. Readers see how the art walks them through Rapid’s thoughts. It’s a nice compliment to the Web-Head’s Legacy.

Gatlin steps in for “Spider Mayonnaise”. It’s a fun story about the struggles of the perfect sandwich. The tale plays into the quirkiness Spidey is known for. Short, sweet and to the point.

“In the City..” is a fun nod to Spider-Man and NYC. Loo brings to life a normal swing through the City. It is a solid piece to end events after 975 issues.

As for “Broken Mirror”, Kelly throws some wild curves into the puzzling case. The flashback moment with Pete as “Young Cap” is a heartwarming one. It is much different than the current state of affairs. “Peter” and “Spider-Man” continue their face-off from last issue. After some punches thrown, the ruse begins to fall apart.

Readers see the reveal slowly unveil itself. It is a surprise that makes ironic sense. This spills into the abrupt end of their fight. Kelly brings in Felicia Hardy as another voice in the matter provides some breaks in the drama. Their experience is one that leads into the other major reveal. The monologue flowing the pages belongs to an unlikely source. How this ultimately plays out is going to be a can’t miss moment.

Romita Jr. & company kick events off with a classic throwback. It’s a strong contrast from where the present events start. The art doesn’t wait long to throw hands with the parties involved. A two page split rings the bell for the combustible fight. Pacing picks up until its time for the first reveal.

Readers watch the subtle acts leading into this stage. The close-up on the changing face leads to a more clear resolution of the fight. Its’ complimented by the Tombstone cameo. The cold expressions never stray too far away. This is very unlikely the erratic “Peter.” The art spotlights the true intentions of this character. Twisted is an understatement. Readers get their other reveal in a more calm way. Panel structure eases into the twist flawlessly. This helps to transition where the book goes next.

Kelly does answer the question of “Who is Peter Parker” in the second story. Having him FAR away from NYC is an understatement. Space odysseys are tricky involving the Web Head. In this circumstance, the writing allows him to be rebuilt with mixed results.

Winding up on a spaceship is one thing. Working with Xanto proves to be more deceptive in nature. It gives a touch of Hollywood Horror movies. At any given moment, the shoe will drop. Kelly starts this off with a shocking moment. Xanto’s push for scientific growth turns in a dastardly manner. This leads into a predictable but still exciting fight. Once a winner is declared, the final panel leaves way more questions than answers. This gets a huge assist from the art.

“Broken Man” lets Larraz tear loose on the images. Seeing a broken Peter on a near full shot makes a big statement. The use of smaller panels illustrates how much time has wore Parker down. This changes after a space rescue. A near full shot displays Parker in much better shape. This moves into his new surroundings which are anything but normal.

Readers get a near full shot of Xanto’s secrets. The eventual turn pivots into an excellent fight. It leads to some excellent action shots. Larraz completely understands how to maximize every strike thrown. It doesn’t matter of panel size. There is no wasted motion. The real “return” of Spider-Man is given a full page panel. This results in more great action shots before the startling close. Readers see more than bargained for on the final panel. It sends the issue into its’ bonus tales with much intrigue. Can’t ask for much more than that.

OVERALL GRADE: 9

After 975 issues, the world of Spider-Man still remains Amazing in its’ adventures. Kelly shakes up the status quo with his stories. Romita Jr., Larraz and their teams take readers on quite the journey. Factor in the great side tales & you have the formula for a winning anniversary issue.

Let me know your thoughts on Amazing Spider-Man #11 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #10 (MARVEL COMICS)

What happened to Spider-Man? That is the question looking around the Marvel Universe. After encountering HELLGATE, Peter Parker was left as a broken shell. In the weeks of his absence, criminals are taking advantage. The Shocker and Tombstone have cashed in on the void. Everything was looking great until a familiar sound returned.

“Thwip”

The web slinger returned with an all new attitude. There’s nothing very friendly about this wall-crawler.

AMAZING SPIDER-MAN #10 by Joe Kelly, Michael Dowling, Marte Gracia, Erick Arciniega & Joe Caramagna bring forth an all brutal web-head to the masses.

Let’ take a closer look at where thing go from here.

AMAZING SPIDER-MAN #10 by Joe Kelly, Michael Dowling, Marte Gracia, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly poses a very puzzling picture to the readers with this chapter. Seeing a more vicious side of Spidey emerge causes a polarizing reaction. This is very clear in the fight with Shocker’s team. Readers watch as Spidey unloads a brutal message. This carries through to his alter ego. No more Mr. Nice Guy. Welcome to a cold Peter Parker.

This new persona become clear when dealing with Tombstone. The dialogue indicates a rash change in Parker. How he carries himself doesn’t seem to fit the norm. Kelly’s writing weaves this attitude in his normal interactions as well. It eaves many questions for readers to decipher.

Was there more to Hellgate than we think? In the immediate moment, Spidey serves up another message. This pushes towards a very startling end. It is a final page that will have fans very confused but invested on where this will all lead.

Dowling steps in for art duties for this chapter. Spidey jumps into action with a great full page image. What starts out like a standard Spidey fight quickly amps up a few notches. Once the brutality comes out, it changes the mood of the book. This is very evident when dealing with Tombstone.

Peter’s body language never flinches. Even in the past, there has been instances where he sells the fear. Walking away smugly sets a tone. This aura pushes through the book. Once Shocker comes back for another round, he walks in with a solid near full image. readers may think events are back to normal. This is quickly thwarted.

Spidey does a very violent act. Watching a guest look in his eyes after is a strong panel. It tells the readers that someone isn’t underneath the mask. This jumps into the startling final page. The images there throw many ideas out to complete closing. It’s a great moment to leave fans wanting more on. The fallout looks to be very bright.

OVERALL GRADE: 9

Spider-Man is gone. Long live the Spider. Kelly’s writing keeps throwing curves to the readers on its’ direction. Dowling and the art team hone in on the new attitude of Peter Parker and its’ uncharted future. It’s a broken record at this stage but: Spider-Man is back Bay-Bay!

Let me know your thoughts on Amazing Spider-Man #10 in the comments below. Thanks for reading!

SPIDER-VERSE VS. VENOMVERSE#3 (MARVEL COMICS)

The stakes are high! Cosmic entities known as the Web-Heart & Hive-Mind have pitted champions against each other. Spiders and Symbiotes battle for survival. With all these personalities involved, it was only a matter of time before something went wrong.

Last readers watched, Spider-Ham took Weapon VIII off the board. Who's next to fall in the dangerous game?

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham looks to keep the excitement level rising with its latest chapter.

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Higgins and Groom come out the gate swinging with Team Spidey's rescue attempt of Miles. The one-liners come fast as Spidey is navigating through the combat. His banter offsets the uneasy tension building. Readers watch as the good times quickly disappear to the nature of the game.

Recluse and Miles (Spider-Prowler) both carry big scars on their sleeves. The writing showcases a more aggressive edge in their bouts. It does contrast the morals of Spider-Man himself. Luckily, he gets a more calm team member added. Having Takuya Yamashiro join the squad is a perfect addition. Readers see there's at least someone he can trust. Most of the other members have other plans in motion. This all gives way to a strong ending. The close builds up a hell of a main event for readers to pull up for next go around.

Towe and Rosenberg drop in a nice two page splash of the Miles rescue to set pace. Panels move fast as the action heats up. The symbiotes give a few different looks to team Spidey's attack. One of which tries playing off emotions. Readers can sense the trouble brooding behind the scenes. it's only a matter of time before it implodes.

The Team Spider swinging panel is eye catching. Seeing all the different spiders on page is a nice treat for readers. This quickly takes a back seat to Takuya Yamashiro's debut. The mid page shot is subtle but slips in enough story. It is a huge difference in comparison to Spidey interrogating another member. All events push towards the closing pages form here. The art delivers on setting the stage for something larger at hand. Considering what we find on the final page, readers will have to prepare for the wild action forthcoming.

OVERALL GRADE: 9.2

The latest installment shows desperate times call forth extreme measures. Groom and Higgins present the mounting tension with an excellent script. Towe and Rosenberg construct a high pace conflict with many moving parts. This series has been a blast to read and shows no signs of slowing down now.

Let me know your thoughts on Spider-Verse vs. Venomverse #3 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #6 (MARVEL COMICS)

Is there ever a down moment for Peter Parker? With the Hobgoblin taken care of, things seem on the up. He has a new job at Rand Enterprises. It looks as an old flame is talking with him again. Can it be that Spidey has something in his favor? Not if HELLGATE has anything to say about it!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna kicks off a brand new story arc.

Let’s not delay and see what transpires now!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Coming off a huge return, this chapter is more grounded towards Peter’s life. The opening monologue is back to basics. It is a soft intro before Spidey’s night begins. After saving a Senator, business moves to his new job. The writing makes Rand Enterprises seem too good to be true. It allows for a few side plots to start forming. One of which carries a real threat behind it.

Readers see the return of Tombstone into Peter’s life. Knowing what has gone down in recent past issues, this felt like a sudden move. It buys time before another familiar face returns. Kelly’s writing allows Black Cat to steal some scenes along with detouring Peter’s time with Shay. The move carries through to the closing portion. Once here, Peter finds out there’s someone new in his way and any peace might have just faded away.

Romita Jr is back on art duties for this story. The action sequence with the Senator sets a good pace to roll with. It results in a classic full page of a Victorious Spider-Man swinging. The story moves events to Rand’s work. The art reflects the seriousness of the time along with some humor. Any “The Last Of Us” fans will appreciate the knod. Even with Tombstone’s cameo, the mood feels very upbeat. It’s a notable difference from last arc.

The fallout from Hobgoblin continues to be solid. Aunt May and Shay’s portions mirror those events and the distance it has caused. Readers will enjoy seeing Felica crash the scene. Her expressions shine in her devious grin. It works a classic Spidey feel into these pages. Once their time moves to investigating, the mood instantly tenses up. With everything seeming to be simple, the end throws that out the window. A two page introduction piece spells disaster for the Wall-Crawler. So much for down time indeed.

OVERALL GRADE: 8.5

The latest ASM arc starts with a reflection of a “Happier” time for Mr. Parker. Kelly switches gears with a more grounded look via the writing. Romita Jr & the art team mix in a traditional vibe with a new villain ready to make some noise. Peter is back to basics & that’s a win for everyone.

Let me know your thoughts on Amazing Spider-Man #6 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #5 (MARVEL COMICS)

The Hobgoblin has returned with a vengeance! After poisoning Queen's Soda, The rhino nearly died of a heart attack. As Spidey investigated, he was also drugged himself. Dealing with as much daily grief as he does, Peter Parker nearly broken while high out of his mind.

Nowhere near healthy to fight, Spidey has to battle through his inner demons to stop Hobgoblin once and for all!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna concludes the return arc for everyone's favorite neighborhood wall-crawler.

Let's take a closer look how this first arc wraps up!

AMAZING SPIDER-MAN #5 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (MARVEL COMICS)

*** POSSIBLE SPOILER WARNING ***

Kelly delivers a near-perfect ending for this story. Hobgoblin's return as been filled with intrigue. Seeing the classic rogue orchestrate his plan has been extremely fun to watch. What has been even better is a return to form for ol' web-Head. Outmatched physically and having no chance to win, Spidey still heads into action. The results remind everyone why Spidey connects with all readers on a different level.

The action goes into many directions. It reflects the off-balance nature of a drugged Spider-Man. Readers do get an answer to a supporting character and their loyalties. It plays well into the big conflict ending. The writing is as classic as it gets. THIS is what the benchmark should be in telling modern Spider-Man tales. Kelly also wraps up a hanging loose thread since issue one. In dealing with the flashbacks, there has been some friction between Peter and someone he cares about. Kelly's dialogue leave readers with a massive smile on their face when the dust settles. If this is any indication of where we are heading, all superhero fans need to jump on board now.

In a short amount of time, Larraz has thrown his hat in for best Spidey artist. Even if JRJR is returning for next arc, many fans (including yours truly) will be on watch for Larraz's return. The full image of Hobgoblin menacing Rand Industries sends an early message of what's to come. It's upended by a gorgeous two page splash of Spidey swinging in to make the save. From here on out, it's off to the races with big screen combat.

Pacing is flying as Spidey races against the clock to win. Panel structure compliments this movement. Readers watch as the action is flying furiously off the pages. Hobgoblin's menacing grin takes some moments but Spidey's relentless attack wins out. The unlikely turning point is capped off with a terrifying full page image. Save room for one more full image and the fight comes to a show-stopping end. The fallout leaves time to tie up loose ends. This is especially impactful for the final page. One image will take president over the rest. It will leave the audience with a long wait for the next sage to start.

OVERALL GRADE: 9.7

I have said it once and will say it more: SPIDER-MAN IS BACK, BAY-BAY! Kelly pens a chapter bursting with action and emotion. Larraz and the art time keep raising the bar with each page of art. This run has taken off and shows no signs of slowing down anytime soon.

Let us know in the comments below your thoughts on Amazing Spider-Man #5. Thanks for reading!

AMAZING SPIDER-MAN #4 (MARVEL COMICS)

At long last, the villain behind Spider-Man’s latest woes has emerged! After investigating The Rhino having a heart attack, Spidey found himself drugged. Peter Parker has been seeing the worst nightmares possible. How he’s still standing is anyone’s guess.

It hasn’t stopped him from searching for answers. His quest has led him to The Hobgoblin! The long-time rogue looks to finish Spidey once and for all. This time, he may actually get the job done!

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna delivers on its’ heavyweight bout!

Let’s not wait any longer and dove into this chapter.

AMAZING SPIDER-MAN #4 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly wastes little time before getting the action going. Readers watch as the action comes fast and furious. Spider-Man on his heels gives Hobby a more impactful return. The flashback sequences start revealing more of a darker time. It casts a certain sense around Brian Nehring. The writing keeps the audience at bay with their true opinion of him. Once Hobgoblin takes off to confront him, the story works to have Peter confront troubling memories.

Through this period, the writing has shown a moment that proves to be greater than expected. The flashback to Peter’s rebelling comes to a heartfelt close. It proves to be a deeper meaning as this conflict spirals. Readers watch as reality snaps back to a firm landing. The fallout brings forth vibrant action as pacing revs back up. Its’ conclusion sets the stage for a big finale next issue. Fans had better get ready.

Larraz keeps raising the bar with his work on this run. The fight with Hobgoblin kicks off with an intense near full page splash. How the art sets up the fast movements are a real treat for readers. This is classic Spider-Man 101. There’s only a few breaks to catch a breath as the story switches gears.

The flashback moments start off with two monster full page images. It brings out Peter’s darkest hurt as his internal struggle unfolds. This is complimented by a two page splash unveiling Peter’s rebel years. Nothing hits quite as hard as these pages. The resolution with Aunt May is powerful. Its’ half page panel starts off the closing events. Larraz and Gracia gift readers with big ction as the conclusion sets in. The final panels are structured greatly as the last round looms in the distance.

OVERALL GRADE: 9.2

The Hobgoblin makes his evil presence felt with another superb issue. Kelly unloads on the emotional baggage with his writing. Larraz and Gracia construct stunning images covering a wide spectrum. This creative team & story simply does not miss!

Let me know in the comments below your thoughts on Amazing Spider-Man #4. Thanks for reading!

AMAZING SPIDER-MAN #3 (MARVEL COMICS)

Rhino rocked by a heart attack. An unknown assailant orchestrating an attack on everyone’s favorite Web Head. The Wall-Crawler is drugged out of his mind. Peter Parker’s only ally is Norman Osborn?! Now he has to deal with the return of Itsy Bitsy?! SPIDER-MAN IS BACK BAY-BAY!!!!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna continues its’ impressive return to basics!

Let’s take a deeper dive & see what unfolds now!

AMAZING SPIDER-MAN #3 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Is it even Spider-Man without personal turmoil? Kelly has dug into a buried memory of Peter and childhood “firend” Brian Nehring to fuel the drama. The opening sequence is intense as young Peter crosses Aunt May. Kelly calms fears that this is real with a simple “Oh Right..I’m drugged out of my skull”. Throw in the unstable Bitsy and Spidey has his hands full.

Their conflict is as classic of a Spidey fight you’ll see. Note: there is NOTHING wrong with that. It’s a refreshing take. The resolution even fits better than expected. Readers watch as Peter must come to grips with perception vs. reality. Even as he furthers his investigation, the sight of him working with Norman Osborn is wild. The writing shows how eerily well they work together. It’s a brief pause before the close. Once here, the mood shifts to all business. Readers watch as the long awaited showdown building since issue #1 is here. The only shame is it’s the last page. Kelly just knows how to bring out the best of Parker’s ever chaotic world.

As for the art, Larraz and Marte continue to shine. The two page spread with Bitsy vs Spidey is pure excitement. Readers watch as the pacing is ramped up to match the electric conflict. The only point it slows down is the resolution. Bitsy’s panels come across as unstable as she is. It’s fitting before the story switches gears.

Larraz mixes in some near full page images of Spidey swinging through his stops. The flashbacks with Uncle Ben and Aunt May strike a chord in reference to Nehring. It may tip off more coming but never hurts the overall picture. Once at the final moments, the full page image takes readers into the main event. A gorgeous final image reveals the true mastermind as their fight is about to finally start. I can’t compliment the art enough in these issues.

OVERALL GRADE: 9.2

Spidey’s throwdown with Itsy Bitsy is filled with hallucinations and heroics. Kelly’s writing is hitting every mark fans could want. Larraz and Garcia crank up the volume on the action with the art. It warrants saying one more time: SPIDER-MAN IS BACK BAY-BAY!!!!

Let me know in the comments below your thoughts on Amazing Spider-Man #3. Thanks for reading!

AMAZING SPIDER-MAN #2 (MARVEL COMICS)

Is anything ever easy for Peter Parker? After starting a new job at Rand Industries, Parker’s superhero life strikes. The Rhino suffers a heart attack during their latest altercation. Something about this doesn’t seem right.

An investigation leads to a swarm of familiar faces ready to greet our favorite neighborhood wall-crawler in his new era. What has SPIDER-MAN gotten involved with now?

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna swings into action with its latest chapter.

Let’s take a closer look at what is unfolding now.

AMAZING SPIDER-MAN #2 by Joe Kelly, Pepe Larraz, Marte Gracia, & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly keeps readers at bay with what is happening to Spidey in the beginning. Readers watch as his rogues gallery shows up in full force. This leads to nothing but mayhem on the streets of NYC. Once events progress, the ruse is up. Spidey isn’t fighting his enemies. He’s literally attacking parked cars and vehicles. The hallucinations don’t stop here.

At his new job, Peter Parker’s mind is fading in and out. This isn’t sitting well with his new boss. Brian Nehring is an old childhood friend who can’t save him now. The writing is tipping off more to his generous nature than is true. Even stranger is his “partnership” with Norman Osborn. Deducting he’s been poisoned, Spidey swings back to his lone lead. Once here, the story shifts gears. Pacing moves things along to a screeching halt. Judging by the last page, an old friend has crashed the scene. This isn’t going to sit well with an already weakened wall-crawler. The story is pure Spidey 101 which is a welcomed return. Readers should have much to enjoy with this.

The success of this book is Larraz’s amazing art. There is not time wasted in starting the drama. A full page image of Spidey crashing through a wall kickstarts this adventure. The scenes fill with classic rogues. It spills into the true reality. The two page spread shows what Spidey’s been fighting and it’s not a great look. This gives way to another dream moment. A full page image depicts Green Goblin flying in for a fight.

The hallucinations give way to a foreshadowing of the true villains. Each panel slowly tips off their true motives. It leaves to an explosive end to the side plot. Once things swing back to Spidey, The visit to Ravencroft is gifted a half page panel. It’s mixed in with solid flashbacks using grey coloring. Events come crashing down with the final page. A full panel reveals trouble has arrived and Spidey isn’t ready for what’s next. Larraz has got Spidey storytelling very mastered at this stage.

OVERALL GRADE: 8.6

The mystery behind the Rhino’s fall pushes Spidey to his mind’s end. Kelly weaves in a solid build with some curves thrown in plot. Larraz’s art is next level for where the dreams truly are nightmares. This is a great jumping on point for readers looking for that classic Spider-Man feel.

Let me know in the comments below your thoughts on Amazing Spider-Man #2. Thanks for reading!

AMAZING SPIDER-MAN #1 (MARVEL COMICS)

Out of 8 Deaths comes a rebirth. Following a very polarizing run of everyone’s favorite wall-crawler comes a fresh start. Peter Parker is jobless. Norman Osborn is goblin-free. A new villain has arrived. The latest chapter of the life and times of your friendly neighborhood Spider-Man starts NOW!

AMAZING SPIDER-MAN #1 Joe Kelly, Pepe Larraz, John Romita Jr., Scott Hanna, Marte Gracia, Marcio Menyz & Joe Caramagna takes center stage with a fresh new beginning.

Let’s not wait any longer and dive into the new era.

AMAZING SPIDER-MAN #1 by Joe Kelly, Pepe Larraz, John Romita Jr., Scott Hanna, Marte Gracia, Marcio Menyz & Joe Caramagna (marvel comics)

*** POSSIBLE SPOILER WARNING ***

Coming from the previous run, expectations are put in an awkward spot. Knowing Kelly’s writing style, they’re amped up more than usual. The first chapter centers around a “normal” day in Peter Parker’s world. It nails the traditional “lovable loser” themes Spidey is known for. Once the story goes into a familiar showdown does it find its’ footing.

Kelly throws a twist into a classic rogue. Readers watch as it becomes the start of a larger scheme. The writing also slides in a dastardly return. This eventually leads into quite the shocking turn of events. The final pages here carry a deafening take before passing the baton to Norman Osborn.

His story reflects the new stat quo without the Goblin. It plays well to translate Normans attempt at forgiveness. Events switch gears to a more appeasing approach. How long this will last is anyone’s guess. The issue caps off with a new villain making an entrance. All in all, Kelly adds enough fuel to get a fire burning inside Spidey’s latest adventures.

Art duties are split between Larraz (Main Story) and Romita jr. (Normon and Hellgate). The panel set-up by Larraz works well to run with the dueling Peter/Spidey moments. It gives readers a great segway before his latest job begins. There isn’t much time to pause here. A two page splash of Rhino takes center stage.

Events move fast as the curve is thrown into play. This sends events towards a classic Spidey villain. A half panel indicates what’s to come next with him. Readers watch as the closing pages begin here. This story is capped off with an incredible two page splash. It’s a perfect landing spot to pass art duties to JRJR on.

His portions start with Osborn addressing reporters. It doesn’t take long for things to escalate. A would be attacker is given a half page debut. The eventual fight is classic JRJR. It sets up a solid mic drop moment before the easier close. Once here, the art showcases Spidey’s latest threat with a full page image. As previously eluded to, this chapter is juggling many hats.

OVERALL GRADE: 8.6

Welcome back Pete! Kelly’s writing brings back sorely missed themes for Spider-Man. Larraz, Romita Jr. and their respective art teams flourish in the new stat quo with solid images. It’s a welcomed return that can only push forward from here.

Let me know your comments below about AMAZING SPIDER-MAN #1. Thanks for reading!

ALL NEW VENOM #5 (MARVEL COMICS)

At long last, a mystery solved. There is a new host for one of Marvel’s most polarizing characters. Dylan Brock has made it a mission to find out who. Suspects have ranged from Luke Cage to Madame Masque. Masque has drawn out the Lethal Protector. M.O.D.O.K. is on the scene as well. With innocents in the crossfire, will this be a short career for the all new VENOM?

ALL NEW VENOM #5 by Al Ewing, Carlos Gómez, Frank D'Armata, and Clayton Cowles exposes the identity of its’ latest host.

Let’s not delay any longer and find out who it is.

ALL NEW VENOM #5 by Al Ewing, Carlos Gómez, Frank D'Armata, and Clayton Cowles (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ewing draws out the reveal through Robbie Robertson. He is investigating Dylan Brock’s search. It brings him to the doorstep of Paul Rabin and Mary Jane Watson. The conversation is frank as Robbie has pieced together the identity. Paul plays shocked in response to questions. The writing alludes to his blindness of truth. As his probing becomes harder, Paul slips further into a panic denial. All the while, Venom has its hands full.

The majority of the chapter hones in on Venom and Sleeper versus M.O.D.O.K. There is plenty of action to go around. Venom itself carries a new energy to it during the melee. Readers can instantly sense there’s a heroic vibe to the symbiote. The conflict concludes on a very unorthodox move. It proves challenging as far as heroics go. There’s little time to process as Venom retreats to a familiar spot. Once here, all points circle back to a common ground. The last page says it all with many more thoughts behind it. Readers will have to let this era of Venom play out before judgement is made.

Gómez and D'Armata bring the action with this chapter. They open the fight with a near full page shot of M.O.D.O.K. unloading on Sleeper. It’s a great example of how powerful the villain is. Venom’s response is almost comical in presentation. Granted, its’ fighting a monster head but the move is a but too “Looney Tunes”. It causes a drastic response via near full page image.

The art team spotlights the symbiote pairing saving others. It creates a thrilling feel as the fight heads to its’ end. Once here, the attack goes BIG to stop the villain once and for all. The fallout eases fans back into a normal state. This catches up with Robbie’s questioning and Paul’s frantic reactions. This all builds towards the revealing final page. The full page image leaves no doubts on who the host is. Where we go from here is anyone’s guess.

OVERALL GRADE: 8

Venom’s new host is introduced behind an action packed chapter. Ewing sets events in motion with solid writing. Gómez and D'Armata give fans an energetic brawl before dropping the big news. A new era of the Lethal Protector definitely begins now.

Let me know in the comments below your thoughts on All New Venom #5. Thanks for reading!