ALAN SCOTT: THE GREEN LANTERN #4 (DC COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, the ghosts of the original Green Lantern drives a personal attack right through his heart in one of the best series currently out. Based around doomed love and discovery of inner strength, the DC Comics mini-series continues to impress each time out. Now heading into the final stretch, fans wait to see how the title character deals with his latest blow.

ALAN SCOTT: THE GREEN LANTERN #4 by Tim Sheridan, Cian Tormey, Jordi Terragona, Raul Fernandez, John Livesay, Matt Herms and Lucas Gattoni brings the antagonist of Alan’s problems into the spotlight. let’s take a closer look and see what unfolds now.

ALAN SCOTT: THE GREEN LANTERN #4 by Tim Sheridan, Cian Tormey, Jordi Terragona, Raul Fernandez, John Livesay, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: David Talaski)

*** POSSIBLE SPOILER WARNING ***

The chapter opens with a flashback towards the apparent death of Vladimir Sokov aka John Ladd. Ladd was Scott’s lover during their time on Project: Crimson. The narration follows as the red energy that pulled him underwater. This leads to the danger now standing as the Red Lantern.

The saga shifts to Bobruisk, Russia in 1923. A young Ladd is leaving his home. His father is yelling in the distance. The narration reflects feelings of resentment and determination. The determination is what drives Ladd to join the Russian army. After a general chooses him for spy training, his first assignment centers around a weapon.

This is no ordinary weapon. Readers find out its the myth of the “Crimson Flame Of Death”. With this in the possession of the U.S. Military, Ladd is assigned to infiltrate and steal the weapon. The unknowing accomplice to this goal: Alan Scott.

The story spirals through the lies weaved by Ladd. Using the affections of Scott as a decoy, readers see what levels Ladd went to for this mission. Its’ fallout is even more intense with the emotional wounds re-opened for Scott.

Get ready for a personal and highly combustible sequence to unfold as the Lanterns have laid out all their cards on the table. Or have they? The closing image proves all is fair in love and war with a shocking conclusion. Brace for impact with this one!

ALAN SCOTT: THE GREEN LANTERN #4 by Tim Sheridan, Cian Tormey, Jordi Terragona, Raul Fernandez, John Livesay, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: Nick Robles)

The peaks and lows that Sheridan puts the title character through with Ladd’s origin hits strong with readers. The complexity of his character actions leads Ladd into a deception that comes close to breaking Scott completely. This pours into a reaction that jumps right of the page.

Following this moment is where readers see Scott start rebounding from Ladd’s tormenting barrage. There are quiet moments that reflect the love once shared between Scott and Ladd before leading back into the heroic play of Scott. Sheridan has kept tis story grounded around emotion and that is a theme the resonates with each panel, right to the last shot. Another great read.

Tormey and the art team guide readers through a focused look at the birth of a spy. The flsback panls break each important moment down for an easy connect with readers. The focus sways from Ladd’s mission to the blind deception played out under Scott’s caring soul.

This builds towards a full page shot of Scott’s rage boiling over. The flowing images dive the action into an intimate moment where Scott appears to get the upper hand. All this leads to a strong final full page panel indicating to where Scott’s heart lies now after the truth is revealed.

ALAN SCOTT: THE GREEN LANTERN #4 by Tim Sheridan, Cian Tormey, Jordi Terragona, Raul Fernandez, John Livesay, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: Skylar Patridge)

FINAL POINT: 9

The heart-break and heroics burn bright with another fantastic issue. Sheridan gives readers a closer look into devious intentions with sharp writing. Tormey and the rest of the creative team deliver the soul-crushing repercussions into vivid imagery. Brace for the final moments and don’t dare miss this series.

Hit me up on ODPHpod social media and let me know your thoughts on Alan Scott: The Green Lantern #4. Thanks for reading.

TITANS: BEAST WORLD #6 (DC COMICS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH podcast!

For this entry, we have arrived at the conclusion of DC Comics’ premier super-hero team’s first leading event. Coming out of the “Dawn Of DC”, the Titans have stepped into the void left with no Justice League. With an alien attack heading to Earth, the team went to intercept and stop. In the process, one of their own became a pawn of something sinister lurking in the shadows.

TITANS: BEAST WORLD #6 by Tom Taylor, Lucas Meyer, Ivan Reis, Eduardo Pansica, Danny Miki, Júlio Ferreira, Brad Anderson, Romulo Fajardo Jr. and Wes Abbott (DC Comics) picks up the pieces from last issue’s shocking ending. Let’s take a deeper dive as to how the heroes might overcome the odds with the world watching.

TITANS: BEAST WORLD #6 by Tom Taylor, Lucas Meyer, Ivan Reis, Eduardo Pansica, Danny Miki, Júlio Ferreira, Brad Anderson, Romulo Fajardo Jr. and Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

The chapter begins with Peacemaker coming to from his encounter with Nightwing. Amanda Waller tells him to stay still as there is a battle in front of them. The combatants? Raven and her evil self, who was the masked Doctor Hate!

Raven teleports Nightwing away before the fight begins. Knowing Waller’s plans, the Titans put forth a plan to save the infected population. The spores from Beast Boy have caused humans to turn into savage beasts. Drawing the spores out is the only way to save people. Knowing that the spores gravitate towards powerful beings, Superman (Jon Kent) is the go-to for the test run. Who is their test subject? An infected Bruce Wayne aka BATMAN!

Readers see how Nightwing’s plan plays out. Batman reverts back to human and reconnects in an emotional moment. From here, the Titans lead the charge in preventing Waller and the Bureau of Sovereignty from taking their plans to action. Will they pull it off?

The answers are provided in a conclusion that lives up to its’ hype. The moments feel huge with consistent pressure mounting on the heroes. Just when readers think all is going to be ok, a few swerves are thrown in that will play into more stories. The time of Beast World might be over but fans will be talking about this conclusion for quite some time.

TITANS: BEAST WORLD #6 by Tom Taylor, Lucas Meyer, Ivan Reis, Eduardo Pansica, Danny Miki, Júlio Ferreira, Brad Anderson, Romulo Fajardo Jr. and Wes Abbott (DC Comics - Cover: Björn Barends)

With Taylor mixing in many surprises, readers have a great deal to look forward to with this finale. Seeing the emergence of Dick Grayson as the leader of the DCU heroes, his biggest challenge is met with patience and flaws. It’s not a perfect run with what he is attempting. Taylor’s writing reflects the heroic nature of what he represents. The moment with Batman sets forth a strong chain of events that pushes the charge forward.

The sheer defiance of Waller is another big element of this book. Knowing she is the mastermind behind the public attack, there is a sense of danger whenever she is on he page. Her conclusion in this story sends shockwaves throughout the DCU. The overall conclusion takes readers on a wild ride of excitement and drama. This leads to the epilogue which guarantees the new movement of evil in the DCU is far from over.

The art teams (three in total) shine in the finale. The fight sequence with Raven and Doctor Hate gave readers a sinister feel as the battle prolonged. The reconnection of Batman and Nightwing gave a brief break of the drama for a more sympathetic element with the Bat-Family.

The panels where Nightwing presents his plan to the government also hit the marks. The showcase of Grayson’s confidence leads into the heroes attempt to thwart Waller’s advances. These lead into some outstanding images of the heroes rising to the occasion. The final image is a fitting one for the conclusion but is upstaged by the epilogue. Knowing this is Reis’s final DC series before heading to Ghost Machine, the parting shot sends readers off in style and shock before its’ next phase.

TITANS: BEAST WORLD #6 by Tom Taylor, Lucas Meyer, Ivan Reis, Eduardo Pansica, Danny Miki, Júlio Ferreira, Brad Anderson, Romulo Fajardo Jr. and Wes Abbott (DC Comics - Cover: Mike Deodato Jr.)

FINAL POINT 8.5

The finale of DC’s latest event pulls no punches with shocking twists and dramatic hits. Taylor pens a thrilling Titans tale with Reis and company delivering strong imagery fitting for a ending and starting a new beginning.

Hit me up on ODPHpod social media and let me know your thoughts on Titans: Beast World #6. Thanks for reading!

GHOST MACHINE #1 (GHOST MACHINE/IMAGE COMICS)

Welcome to a very special edition of Parlay points, the comic book review blog to the ODPH podcast!

The wait is FINALLY over! Ever since New York comic Con, fans have been waiting to see the debut of a media company with top line creators leading the charge. With word of mouth hype carrying a buzz through the past few months, GHOST MACHINE has been the talk in comics. Their message is a simple, but important one. “Characters First”.

Geiger. Junkyard Joe. Redcoat. Names that have already made an impact on NCBD. Names that are opening more doors as a slate of books are ready to be unleashed onto fans looking for something new at the shops to invest in.

GHOST MACHINE #1 by Geoff Johns, Jason Fabok, Gary Frank, Bryan Hitch, Peter J. Tomasi, Francis Manapul, Brad Meltzer, Lamont Magee, Maytal Zchut, Ivan Reis, Peter Snejbjerg, Brad Anderson and Rob Leigh welcomes readers to the start of history in the making. Let's take a closer look and assess their first impressions.

GHOST MACHINE #1 by Geoff Johns, Jason Fabok, Gary Frank, Bryan Hitch, Peter J. Tomasi, Francis Manapul, Brad Meltzer, Lamont Magee, Maytal Zchut, Ivan Reis, Peter Snejbjerg, Brad Anderson and Rob Leigh (credit: ghost machine /Image Comics)

*** POSSIBLE SPOILER WARNING ***

This issue is staged as an introduction into all the Ghost Machine titles. The opening page is a statement defining what this company is all about. This is perfect for new readers to fully grasp what will make this imprint stand out from others.

From here, the book heads back into the world of GEIGER (by Geoff Johns and Gary Frank). As a family sits around a campfire, a man is telling the story of a man whose contact with a nuclear blast has changed him forever. In this same time period, Tariq Geiger is facing off against a group of strangers. One makes an offer that stops him cold in his tracks. Geiger is toyed with the idea of becoming fully human again.

During the ordeal, others are mentioned as possible adversaries to the radioactive anti-hero. That person is REDCOAT (by Johns and Bryan Hitch). Simon Pure narrates his tale of fighting for the British in the Revolutionary War. After he is shot in the head, his journey begins as an immortal.

The journey ties into the Unknown War taking place inside the shared universe of the Unnamed Universe. Readers are gifted a timeline to follow events as many moving parts comprise an ever-winding tale that is certain to grab readers attention.

GHOST MACHINE #1 by Geoff Johns, Jason Fabok, Gary Frank, Bryan Hitch, Peter J. Tomasi, Francis Manapul, Brad Meltzer, Lamont Magee, Maytal Zchut, Ivan Reis, Peter Snejbjerg, Brad Anderson and Rob Leigh (credit: ghost machine /Image Comics)

The next phase of Ghost Machine is ROOK: EXODUS by Johns and Jason Fabok. Readers witness a fascinating new world where Humans with unique helmets of power affect the animals species they are patterned after. One such human known as Rook has control over certain aviary creatures. His journey has him on the trail of the mysterious Direwolf. How will this tie into the “War Of Wardens”? Readers look to receive that answer in April.

Readers next stop is the all-ages line of FAMILY ODYSSEYS. Peter Tomasi and Francis Manupal are the creative team behind THE ROCKETFELLERS. A family from the future has been sent into witness relocation. Where better to send a family of the future than the past? Their adventures into normalcy look to entertain while their future’s past catches up with them.

Set in the same all-ages line is HORNSBY & HALO (by Tomasi and Peter Snejbjerg). What happens when Angel and Devil families swap children? That’s what readers find out with the stories of Rose Hornsby and Zack Halo. Warwick, New York will never be the same as the young leads explore their lives while outside forces have a vested interest.

Last but not least is HYDE STREET. The horror-led line features the works of Johns and Ivan Reis. In Dallas, Georgia, a man is being unruly towards a young boy. After the encounter, the boy appears to put something mischievous into work. This is presented after a vintage Hyde Street Amusement pages by JOHNS, REIS,• DANNY MIKI & LAMONT MAGEE.

Mixed in the middle is “Devour” (by MAYTAL ZCHUT & Reis). A woman’s dream of transforming her body appears to become a nightmare with an item called “Devour”. Once the final image hits here, readers will have no questions concerning the chilling tales created via Comics’ next big thing.

GHOST MACHINE #1 by Geoff Johns, Jason Fabok, Gary Frank, Bryan Hitch, Peter J. Tomasi, Francis Manapul, Brad Meltzer, Lamont Magee, Maytal Zchut, Ivan Reis, Peter Snejbjerg, Brad Anderson and Rob Leigh (credit: ghost machine /Image Comics)

Right from the start, the one-shot makes every story VERY reader friendly. Keeping stories to the bare minimum presses creators to simplify introductions. This is a great formula as each story has enough to tease where things go after here. Plus, the addition of character bios (ala DC’s “Who’s Who”) is so invaluable to make the connections of “Characters First”.

This really hits its’ mark with the Unnamed Universe characters as Geiger and Redcoat have been featured more than most others. As the prelude for Geiger’s new direction leads, Johns balances Geiger’s panel time while building up Redcoat. It leads to a solid open-ended conclusion for the regular series to start in April.

ROOK: EXODUS, looks to be the wild-card of the current slate of books. Combining sci-fi fantasy with a looming mystery, Fabok’s art depicts a landscape of endless possibilities. This seems like an adventure that isn’t going to be like anything else out on the market.

The FAMILY ODYSSEYS line makes an excellent debut as well. The ROCKETFELLERS has a unique concept behind it with Tomasi’s blending in the traditional family dynamic with catching drama. Manupal’s art shines bringing in great action moments. This is led in with a full page introduction that kicks things off for readers of their new favorite family.

HORNSBY and HALO lures fans in with a deceptive tale. Tomasi’s set up brings a tale wrapped with divine intervention. Paired with Snejbjerg’s art, the story of Rose and Zach has much more than meets the eye going on.

The horror feel of HYDE STREET & its’ related books blend vintage themes with excellent artwork. The classic “amusements” by Johns and Magee along with Devour by Zchut have such a throwback feel that readers can’t help but become invested in these tales.

Reis builds up the presence of Mr. X-Ray by leading the unlucky soul through the town till the final moments. The closing panel fits perfectly in not only introducing the readers to this story and the terror forthcoming.

GHOST MACHINE #1 by Geoff Johns, Jason Fabok, Gary Frank, Bryan Hitch, Peter J. Tomasi, Francis Manapul, Brad Meltzer, Lamont Magee, Maytal Zchut, Ivan Reis, Peter Snejbjerg, Brad Anderson and Rob Leigh (credit: ghost machine /Image Comics)

FINAL POINT: 10

Have you ever wanted to be at the starting point of “the next big thing”? Led by a creative line-up second to none, Ghost Machine ushers in a fan accessible era with glimpses of characters with bigger futures ahead. There is no way after reading this issue that you are not fully invested in a movement defined by “Characters First”.

Hit me up on ODPHpod social media and let me know your thoughts on Ghost Machine #1. Thanks for reading!

AMAZING SPIDER-MAN #42 (MARVEL ENTERTAINMENT)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, the battle for New York City is at a breaking point. With everyone staking their claim, the criminal underworld power play has now spilled into he streets. With innocent lives at risk, Spider-Man leads a charge of NYC’s heroes to stop the bloodshed.

Business is never supposed to be personal but with the families of Tombstone and the Kingpin involved, the battle just went to a whole other level.

AMAZING SPIDER-MAN #42 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna deals with the fallout of Wilson Fisk’s entrance into the war. Let’s see who’s still standing after last issue’s cliffhanger.

AMAZING SPIDER-MAN #42 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel entertainment)

*** POSSIBLE SPOILER WARNING ***

Once Wilson Fisk arrived on the scene, The momentum the unlikely alliance of Spider-Man, She-Hulk & Tombstone had slowly started fading. Fisk’s son, The Rose made a power play against The Beetle, Tombstone’s daughter. During their confrontation, Fisk made it known he had won this round. This alluding to Beetle being taken off the board.

As the confusion mounts, readers see that Fisk’s plan wasn’t to kill the Beetle. It was to remove The Rose from the fight. With his outlook on these kinds of wars, Fisk knows what levels are needed to win and he has no intention of his family to venture further with this current situation.

Kingpin and his forces leave the scene, but no without dropping a key piece of information to Tombstone. He tells him the war isn’t for New York City. Fisk claims it was an attack on the Maggia by Madame Masque. Who says there is no honor amongst thieves?

Claiming victory, the Beetle makes plans to advance further. However, there is another party interested in talking about her moves: Madame Masque. What spirals from this moment puts an action in place that will be a defining moment in the conflict. As the final images are witnessed, the tension can’t get any higher leading into next issue.

AMAZING SPIDER-MAN #42 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel entertainment - Cover: Terry Dodson)

Wells sets up a nice bait and switch with Fisk’s actions in this chapter. Knowing the ramifications of a conflict like this, Fisk isn’t willing to lose his son. The change of heart is one that may catch readers off-guard. It’s also one to watch as Fisk could be waiting in the wings to dismiss whoever is left standing in the end.

The conversation between Masque and Beetle gives a greater insight to both. Their histories have forged their present. Both show an unwillingness to back down. Being so close to victory, readers can sense how desperate both will go to win. The final act brings everything to a fever pitch with a dramatic set-up for the next round. With the war soon ending, expect major fireworks next time.

Romita, Hanna and Menyz balnace out the drama with small dashes of humor in key moments. The subtle talk with Kingpin and Typhoid Mary adds to the new outlook Kingpin has. The reaction of Spider-man is priceless and honest. This leads into Fisk’s parting words impacting Tombstone with great uncertainty. The body language in these panels speak volumes.

The conversation between Beetle and Masque reflects the emotional tolls of their past. The facial expressions leave no doubt in the reader’s eyes of the intensity of their drives to win the fight. This all leads into a stunning two page spread to drop a big exclamation point on events heading into the next chapter.

AMAZING SPIDER-MAN #42 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel entertainment - Cover: Marcos Martín)

FINAL POINT: 8

The drive to emerge from a father’s shadow leads this chapter into a showdown for the ages. Wells takes readers into the battle with an emotionally driven tale. Romita and the creative team bring out the determination and unbreakable will for victory that will push the war into a dangerous direction.

Hit me up at ODPHpod social media and let me know your thoughts on Amazing Spider-Man #42. Thanks for reading!

COBRA COMMANDER #1 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the Energon Universe grows again! With its’ debut in 2023’s Void Rivals, Skybound Entertainment and Image Comics have re-ignited the fandoms of both Transformers and G.I. Joe. Each series following has been diving further into the key players of this shared landscape.

With the events of Transformers #2 spiraling into Duke #1, it was only a matter of time until COBRA and their charismatic leader showed their evil heads into the picture.

COBRA COMMANDER #1 by Joshua Williamson, Andrea Milana, Annalisa Leoni and Rus Wooten re-introduce the main antagonist of G.I. Joe with a fresh new take. Let’s take a closer look at the early stages of COBRA’s ascent.

COBRA COMMANDER #1 by Joshua Williamson, Andrea Milana, Annalisa Leoni and Rus Wooten (Credit: Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Under the fall of snow, a man walks into a bar. As the line might sound familiar, this scenario is anything but. At “No Man’s Land” rest stop/bar, a stranger walks in demanding a vehicle. A patron steps up and doesn’t respect the request. After brushing the stranger off, the patron walks outside. He is followed and informed his vehicle will work just fine. An altercation is alluded to with frightening imagery.

The bartender walks out to catch up with the patron. The following moments are filled with terror and shock. All that’s left is the patron’s dead body and a snake shaped emblem in the snow, forged in blood.

The story shifts to an enigmatic city. The people seem to be prospering while reptilian creatures roam free. The peace is quickly dashed as there’s an uprising started.

With “Cobra LALALALALALA” yelled as a battle cry, a mob attacks a building housing scientists. Someone screams about surrendering. He is shot dead by a man with an all too familiar face plate mask. The masked man’s words are defiant as he insists the research be protected at all costs.

As the fight rages on, another scientist doesn’t realize the explosive in their hands. The building explodes and the masked man is severely burnt. This begins a descent into evil and treachery with secrets revealed. Readers better brace for impact because there is a MONSTEROUS one right before the final act sends the masked man onto another course of plans of world conquering. Consider yourself warned now. You don’t want to miss this!

COBRA COMMANDER #1 by Joshua Williamson, Andrea Milana, Annalisa Leoni and Rus Wooten (Credit: Skybound Entertainment/Image Comics - Cover: David Aja)

With a haunting feel dominating these pages, Williamson wastes no time in bringing the legendary villain’s story to life. The opening act keeps readers guessing as Commmander is vague with his words but speaks loud with actions. The ruthlessness shown on a few panels becomes the pace setter for the rest of the chapter.

The backstory gives a different look at Commander’s beginnings. Being a scientist defending his research, Williamson write him almost sympathetically. The key word there is almost. As the explosion fallout reveals more, the use of smoke and mirrors with Commander’s story perfectly sets up readers for BIG reveals later. The chapter’s hold on the audience never lets up and leaves them with an interesting final moment before ending a solid opening salvo.

Milana and Leoni never shy away from the cunning and devious side of Commander. The opening moment where the patron is killed is never shown. The panels paint enough of a picture (along with Wooten’s lettering) to leave readers a lasting impression of how things are going to go moving forward.

The flashback moments never tips their hand until after the explosion. The fallout is filled with unapologetic panels showing the consequences of Commander’s actions. There’s a fair share of big panels (including a face-off with another known Cobra character) but a two page spread will steal the show. Readers will be buzzing about this incredible image as the story here will have BIG ramifications. The closing act teases a few events while never letting readers question Commander’s drive and evil. This is definitively not a story of redemption, but unrelenting drive. Excellent work with the storytelling in this chapter.

COBRA COMMANDER #1 by Joshua Williamson, Andrea Milana, Annalisa Leoni and Rus Wooten (Credit: Skybound Entertainment/Image Comics - Cover: Steve Epting)

FINAL POINT: 9

Evil without a face. Through the superb writing of Williamson readers see the early scheming and debauchery of an iconic villain. The stellar imagery of Milana, Leoni and Wooten add a touch of terror within the unhinged drive of a person with bad intentions. This is going to be a story you simply can’t escape.

Hit me up on ODPHpod social media and let me know your thoughts on Cobra Commander #1. Thanks for reading!

SUPERMAN #10 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the past is the present with a DC Icon. Recovering form his injuries sustained against Sam Stryker aka The Chained, SUPERMAN Wastes no time heading into action. However, during an encounter with Marilynn Moonlight and Mr. Graft, the Man of Steel is sent into the past. Readers see the Man of Steel trying to deal truth, justice and a better tomorrow in the old wild west!

SUPERMAN #10 by Joshua Williamson, Bruno Redondo, Caio Filipe, Adriano Lucas and Ariana Maher dives right into the time-splitting tale. Let’s take a closer look and see how things shape up.

SUPERMAN #10 by Joshua Williamson, Bruno Redondo, Caio Filipe, Adriano Lucas and Ariana Maher (Credit: DC Comics - cover: Jamal Campbell)

*** POSSIBLE SPOILER WARNING ***

The issue begins with with a frantic chase to find out what happened to Superman. In Supercorp, Lois Lane, mercy Graves and Lena Luthor are trying to sort things out. Lex Luthor can hear them and gives his thoughts. Suddenly, an alarm goes off. With danger knocking at the door of the building, Superman might not save the day in this timeline….

Meanwhile in the past, Supes and Marilynn ride their horses across the open plains. Their destination is a shocking one. Readers see the pair arrive on the scene of a slaughter. Travelers are lying dead. Their wagons destroyed. A crime has been committed. This might sound like a standard old West story, but its anything but. The weapons used were lasers.

The culprit is an old Superman foe who’s more than willing to stake his claim as the fastest draw in the West. With how weakened Superman is from his previous fight, there might be a different outcome for this rogue.

Readers see that the Man of Tomorrow is ready to fight for justice in the past. Luckily he has some help with Marilynn. The question becomes: will it be enough? The answer gives more clarity to how timeless the character is. Moonlight does get ample time to connect with readers on her story before the final act shifts gears. Time does run out on the closing pages as a new danger has emerged that poses another question offsetting the current stat quo of the Last Son of Krypton.

SUPERMAN #10 by Joshua Williamson, Bruno Redondo, Caio Filipe, Adriano Lucas and Ariana Maher (Credit: DC Comics - cover: Bruno Redondo)

Even displaced through time, Williamson keeps Superman grounded in the ideals he exemplifies. The investigation into the robbery is halted by a selfless act. This only makes the inevitable confrontation even more impactful. The traditional superhero themes beam across Clark’s actions.

Once the spotlight shifts to Moonlight, it gives the readers a deeper connection to the character as her story has only just begun. The closing act throws a big curveball to where things are heading. This is something this series does frequently and it’s always a win for the readers.

The art leaves a lasting impression on readers throughout this journey. There is a gorgeous two page image of Superman and Monnlight riding through the plains. It lets the moment sink in with readers about how this isn’t just another Superman tale.

The confrontation with the main villain is also a gift to fans with another two page spread conveying the emotions of the challenge. The detailed time on Moonlight connects her story with the audience, leaving more for the next encounter. After an iconic vision of Superman doing what he does best, the closing moments ramp up towards a final image that leaves readers wondering where we go from here.

SUPERMAN #10 by Joshua Williamson, Bruno Redondo, Caio Filipe, Adriano Lucas and Ariana Maher (Credit: DC Comics - cover: Lee Bermejo)

FINAL POINT: 8.5

The Man of Tomorrow searches for truth and justice in the past with a conclusion that simply hits the bullseye. Fantastic writing with amazing visuals bring out the best of DC’s franchise hero as this current series scores another huge win.

Hit me up on ODPH social media and let me know your thoughts on Superman #10. Thanks for reading.

RISE OF THE POWERS OF X #1 (MARVEL ENTERTAINMENT - 2024)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH podcast!

For this edition, the Krakoan Era’s last stand begins via Marvel Entertainment. As the era started with two series (House of X/Powers of X), it concludes with another pair of stories that will redefine the Mutant age. In the present, the Mutants have to deal with the Fall of the House. As for the future, they need to deal with the Rise of Powers.

Rise of the Powers of X #1 by Kieron Gillen, R.B. Silva, David Curiel, Clayton Cowles sets the stage for the X-Men’s final attempt to stop Nimrod once and for all. Let’s dive in and see what’s happening now.

Rise of the Powers of X #1 by Kieron Gillen, R.B. Silva, David Curiel, Clayton Cowles (Credit: marvel Entertainment)

*** POSSIBLE SPOILER WARNING ***

Ten years in the future, Nimrod and Omega sentinel are standing over a fallen diamond Emma Frost with destruction all around them. With Sentinel’s help, one fate has been avoid. Nimrod is ready to crown victory but Sentinel has other thoughts. With little resistance left, Can the X-Men find another way to win?

Meanwhile, Gambit and Mystique are following the plans of Professor X at the Henry Gyrich Memorial Detention Center. Knowing Emma has fallen, the pair play their part. It’s not without a fan moment that is fitting considering their family history. With a noble sacrifice, both Gambit and Mystique are dead but their mission accomplished.

The information they were sent to get was worth the sacrifices if it means an end to the hell they live in. It has been transferred to Charles Xavier. Professor X is camped out at the broken S.W.O.R.D station in space. Leading a team comprised of Iron Man (An A.I. Version of Tony Stark), ShadowTiger (Kate Pryde), Captain Krokoa (Kamala Khan) and Wolverine, Xavier sends them to Phobos with a simple mission: Find Mr. Sinister who’s being held there.

With a final launch, the heroes make their way to Phobos. Nimrod and company are in pursuit to intervene. What comes next will challenge fate. It’s fallout transcends back to the present. With time running out, choices are made and a big revelation of how things could end. The closing moment will have fans talking as the end is finally near.

Rise of the Powers of X #1 by Kieron Gillen, R.B. Silva, David Curiel, Clayton Cowles (Credit: marvel Entertainment - Cover: Alexander Lozano)

From the initial page, Gillen establishes the grave stakes involved with no hesitation. Nimrod’s blind assumption of victory plays well with Sentinel’s worry of failure.

The fighting spirit of the X-Men shines through each scene they’re in. The personal moment with Gambit and Mystique’s final goodbye is perfect for fans that have questioned her feeling about her son-in-law.

The latter portion of the book dives into Xavier’s last play knowing what failure brings. His team of X-Men are aware of the stakes and the writing mirrors their will to win or die. Wolverine has some great lines before leading into a huge moment in the book.

The fallout of the event plays off well as the story transitions back to present time. The ultimate option is a stunning one but shows at what lengths Xavier is willing to descend to for the betterment of Mutant-Kind.

Silva and Curiel construct a hellish environment fitting of Nimrod’s terror. The opening full page makes a big splash as Nimrod stands in the center of the aftermath of his work. The final moments of Gambit and Mystique work to give readers an emotional hit before diving into their final calls.

The Phobos panels and fallout give the issue a heavy aura as the event is that catastrophic if Nimrod wins. there is a great mix of full or near-full page panels that exemplify to gravity of the situation. It’s fallout in present time shows the wear this all has had on the survivors. Knowing what Xavier’s back-up plan is, the closing image is strongly detailed as there is no turning back from what’s next.

Rise of the Powers of X #1 by Kieron Gillen, R.B. Silva, David Curiel, Clayton Cowles (Credit: marvel Entertainment - Cover: Davi Go)

FINAL POINT: 8.5

The fate of the future lies in the past with a solid start to the end of Mutantkind’s days. With layered writing backed up by spectacular visuals, Xavier leads a desperate attempt to save the world. Will the ends justify the means?

Hit me up on ODPHpod social media and let me know your thoughts on Rise of The Powers of X #1. Thanks for reading!

DEEP CUTS #4 (BLACK MARKET NARRATIVE/IMAGE COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we are finally returning to an ambitious project from Image Comics via Black Market Narrative. Since its’ inception, Jazz has been a vital part of the history of music. As seen through the previous issues, its’ impact has been felt for generations. It’s a powerful entity to say the least.

Readers have seen the effects from New Orleans to Chicago then Kansas City. Now, the history of Jazz stops in New York City in the 1950’s.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou presents a tale of finding oneself through the power of music. Let’s take a closer look and see what’s happening now.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou (Credit: Black Market Narrative / Image Comics)

*** POSSIBLE SPOILER WARNING ***

The setting is New York in 1956. A man stands outside a run-down building. The story shifts to 1947. A narrator brings up conversations from “Dorian Emmaus: A celebration”. The previous run-down building is full of life and song. The crowd gathering outside exudes anticipation. A man in all yellow cuts across the street into the club. He seems focused on his task to play in a jam session. He will need to be.

As the man gets on stage to play, Dorian arises from his chair. The stranger can’t hang with the band on stage. He quickly leaves. Only the best can take the spotlight. Dorian focuses and begins to create. The band takes notice and sing their praises.

This is a far cry from 1953. Dorian is the man outside looking in. With the conversations from the article filling the pages, Dorian’s life has been anything but perfect.

Readers get taken on a journey through the rise and fall of a promising musician. Dorian’s path is plagued with tragedy and distractions. Now at a new phase of his life, can he make a comeback? The answer comes to fruition as the years pass by. Once the final page hits, there is no doubt a legacy has been left as timeless as the music is.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou (Credit: Black Market Narrative / Image Comics)

The writing reflects a grittier story fitting for New York City. Dorian is a multi-layered character. At first glance, his journey starts out with optimism and a love for music. It takes many turns in the course of years since that moment. The testimonials form the article give a fresh perspective as Dorian’s life hits peaks and lows. The closing act gives a bittersweet ending to Dorian’s story. It provides a fitting end to a compelling tale.

Perez constructs an intimidating feel to New York right from the start. The sequence of the jam session sets a loud tempo for where things start in Dorian’s journey. The testimonial panels stand out for their coloring scheme. They are very basic to reflect the blunt honesty of the events. This builds off the emotional range Dorian displays throughout the story. The closing pages conclude events with a parting image that leaves it to the audience to come to their own conclusion of Dorian’s story.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou (Credit: Black Market Narrative / Image Comics)

FINAL POINT: 8

The music leads a tale of triumphs and tragedies as it stops in 1950’s New York City. With emotional writing and superb imagery, the saga of Dorian Emmaus is sure to leave a lasting impression on comic book fans.

Hit me up on ODPH social media and let me know your thoughts on Deep Cuts #4. Thanks for reading!

MASTERPIECE #2 (DARK HORSE COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we are checking back in a young girl who has become involved in the family business …so to speak. Coming from one of comics’ most creative duos, a new crime mystery has overtaken fans with it’s style and charm. Now heading into the second chapter, all bets are off to where things lead now.

MASTERPIECE #2 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed picks up where a billionaire’s vendetta has drawn the attention of a shocking figure. Let’s take a closer look at where things line up now.

MASTERPIECE #2 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed (Credit: Dark Horse Comics)

*** POSSIBLE SPOILER WARNING ***

Emma aka “Masterpiece Lawford” was a normal teenager trying to survive high school. The daily student life took a back seat to the actions of Zero Preston. Preston has an axe to grind against Emma’s parents who stole a hefty sum from him. Unknown to Emma herself, her parents were legendary criminals. Legendary is the only way to describe their legacy of heists.

Emma is now being used by Preston as a pawn in another plan of revenge. However, she might have help in surviving this ordeal with a mysterious stranger crossing her path.

The issue begins with a “retelling” of Emma’s parents story. The version comes from a movie created by Zero Preston. Emma and her friend Lawrence watch the film. Emma has difficulty processing what she’s seen. This is even more complicated with the stranger who saved them last issue.

The young kids were saved by THE PARAGON. Readers find out his connection to Emma’s parents which is more complex than meets the eye. How does this tie into Preston’s plans? And who is “Katie Roots”? An idea spawns direction but not without opposition. The closing images suggest Emma’s world is about to get much bigger, whether she likes it or not.

MASTERPIECE #2 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed (Credit: Dark Horse Comics - cover: Patric Reynolds)

Bendis takes readers on quite the ride within these pages. The introduction of Emma’s Parents works to develop the ideas of how they truly were to the reader. Emma’s contradiction only helps make that theme clear. Seeing her as one who’s quickly trying to figure a mystery out incorporates fear and anxiousness into her character flawlessly.

The Paragon makes an excellent dynamic into the story. Seeing his story play out through Gleason’s eyes elevates the looming reputation he exudes. The moments with Lawrence and The Paragon provide a splash of comic relief into the seriousness of Emma’s search for answers. The closing moments usher in an altered stat quo but not without leaving more questions in its’ wake.

Maleev and Herring develop an aura of intrigue on each page. The opening “movie” sequence has a vintage feel until the closing moments reveal its’ true form. The Paragon’s origin is also presented in a 70’s-esque format. It works on connecting the audience to the imposing legacy he carries.

Another exceptional image is Emma’s breakdown of a “team”. The art positions the cast into a set-up that made me think “Mission: impossible” at first read. Combine this with the anguish and uneasiness of actions and readers will leave knowing that they are in for something extraordinary.

FINAL POINT: 9

Who is Emma Lawford? That question haunts the pages of comics’ next big thing. Bendis orchestrates the ultimate heist of readership with brilliant writing. Paired with Maleev’s electric art and its’ another winning combination fans can’t afford to miss.

Hit me up on ODPH social media and let me know your thoughts on Masterpiece #2. Thanks for reading.

ULTIMATE SPIDER-MAN #1 (MARVEL ENTERTAINMENT 2024)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out one of 2024’s most anticipated series! Since its’ debut in the year 2000, “Ultimate Spider-Man” by Marvel Entertainment had welcomed a new generation of fans to a new version of everyone’s favorite neighborhood wall-crawler. The series also catapulted Miles Morales into super stardom with his debut in 2011.

With its’ refreshing take on modern superheroes, USM became a staple at the comic shops until the end of the line in 2015. Nearly a decade later, the line returns with an all new Peter Parker leading the charge.

Ultimate Spider-Man #1 by Jonathan Hickman, Marco Checchetto, Matt Wilson, and Cory Petit looks to forge another legacy run at the comic shops. Let’s take a closer look to see how this debut fares.

Ultimate Spider-Man #1 by Jonathan Hickman, Marco Checchetto, Matt Wilson, and Cory Petit (Credit: Marvel entertainment)

*** POSSIBLE SPOILER WARNING ***

Due to the actions of the Maker in Ultimate Invasion, there was no Spider-Man. Twenty years prior, Parker was never bitten by the radioactive spider. This older version of Peter Parker is just that….. Peter Parker.

The story kicks off with an older Peter Parker getting ready for the day. He passes by his kids, Richard and May at the breakfast table. Serving up some much needed coffee is the one and only Mary Jane! Today is a special day that wears heavy on Peter. With no time to talk, he makes his way to the Daily Bugle.

As he’s walking in, J. Johan Jameson is yelling for “PARKER!” This is nothing new for long-time Spider-Man readers. However, the Parker in question isn’t Peter. It’s managing editor BEN PARKER!

This is just the tip of the iceberg as Peter moves about the Bugle. With Ben Parker and Jameson “old friends”, the younger Parker gets some assistance in preparation for a public remembrance from the attack of the Maker and his council (which was framed on Tony Stark).

Readers see Peter and Ben are personally affected from the Maker’s actions on this day. Other notable MCU characters make their presence known. Post remembrance, the story ramps up the drama as the world of Peter Parker gets more shake-ups.

However, Peter’s fate might not be as sealed as he once thought. The closing moments show a familiar face setting him on a path that is set to change the course of this universe forever. The final page speaks volumes as one door has closed and one is about to be blown off the hinges.

Ultimate Spider-Man #1 by Jonathan Hickman, Marco Checchetto, Matt Wilson, and Cory Petit (Credit: Marvel entertainment - Cover: David Marquez)

Hickman sets up an interesting run of events to start off this new chapter. Peter is happily married to MJ. Ben Parker is alive and that’s just the start of more new ventures for fans to follow. Seeing Peter uneasy for most of this issue might seem off but fits perfectly with the ending.

Living the civilian life of normalcy has never been in his cards. Hickman creates that feeling of wanting more as a ploy leading into the closing act. The closing moments are ones that readers can rally behind as it appears a new day is dawning that won’t be omitted any time soon.

Checchetto and Wilson hone in on the normalcy of Peter’s life. The reactions he has come across as simple but covering up a yearning for more. The reveal of Ben Parker hits huge with a half page panel. The comradery between Ben and Jonah is portrayed as old buddies in a new world. Their actions are bold and make a great Segway from Peter’s story when needed.

The final act plays into the superhero aspect, giving readers a question of Power and destiny. The parting shot is a full page image that gives readers a small indication of bigger things over the horizon.

Ultimate Spider-Man #1 by Jonathan Hickman, Marco Checchetto, Matt Wilson, and Cory Petit (Credit: Marvel entertainment - Cover: J. Scott Campbell)

FINAL POINT: 9.5

The latest incarnation of Peter Parker is filled with classic drama and a question of unfulfilled destiny. Hickman sets the stage with magnificent writing while Checchetto and the team offer up some bold imagery while handling the emotional impact of destiny in a can’t miss debut.

Hit me up on ODPHpod social media and let me know your thoughts on Ultimate Spider-Man #1. Thanks for reading!

BATMAN AND ROBIN #5 (DC COMICS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, Gotham City’s most famous father and son duo continue their fight against crime as their latest case takes an unexpected turn. With the reveal of who was behind the attacks on Batman, the pair looks to close the case sooner than later. However as all good plans goes, they never go off easy.

BATMAN AND ROBIN #5 by Joshua Williamson, Nikola Čižmešija, Rex Lokus and Steve Wands takes readers into the next phase of their current case. Let’s tag along and see how things play out.

BATMAN AND ROBIN #5 by Joshua Williamson, Nikola Čižmešija, Rex Lokus and Steve Wands (CREDIT: DC COMICS - COVER: Simone Di Meo)

*** POSSIBLE SPOILER WARNING ***

With the disconnect from the rest of the family from “The Gotham War”, Bruce Wayne adjusts to a new stat quo. No longer at Wayne Manor, Bruce resides in a brownstone. Luckily for him, he’s not alone in this venture. His son Damian aka Robin stays with him. Both hope to repair a very strained relationship.

Part of this process has been working on an attempted case. Dr. Kafira was the intended target. Their investigation brought them face-to-face with an old foe: Kirk Langstrom aka MAN-BAT! Working with him on this caper is the mysterious Shush. After surviving the encounter, Robin believes he knows who Shush is and how it connects to his “day job” as a High School student.

This chapter begins at Gotham City High School. Raising money for school sports is nothing new. However, a special guest is heling with the pancake fundraiser. Readers see Bruce Wayne is serving hotcakes. This doesn’t go over well with Damian and his plans.

Readers see a flashback to the night before. The dynamic duo is in pursuit of Orca. They apprehend their rogue but not any concrete info. With Man-Bat more dangerous than ever, Batman makes the call to “assist” Damian’s lead on Shush.

How does this play out? Readers see a new side to Damian emerge as his life as an “ordinary” high school student leads into an unlikely place. As the investigation ramps up, the pair starts fitting more pieces of the puzzle…or so they thought. The final image will be the talk of the comic shops this week and looks to open a door no one saw coming.

BATMAN AND ROBIN #5 by Joshua Williamson, Nikola Čižmešija, Rex Lokus and Steve Wands (CREDIT: DC COMICS - COVER: Jorge Molina)

Williamson constructs the family bonding through rime fighting to make this series stand out like no other. The high school antics provide a light-hearted pause from the hunt for Man-Bat. Damian’s “ploy” to go under cover hides the secret Williamson eludes with his character.

The product of the League Of Assassins appears more open to “normal” high school life than it seems. The writing also reflects the proud father moment in Bruce Wayne. Those panels peak where Bruce is trying to make small talk with his son. This distracts readers long enough set up the final page. It is a crazy surprise that looks to have a deeper tie to the overall story. It’s also another reason this book stands out from the other Bat family for its directions as well.

Čižmešija and Lokus step in for art duties for Simone Di Meo this issue and present a fresh look at Gotham High. The mannerisms of “Happy” Bruce clash with “Brooding” Damian to give readers solid drama while watching Damain’s plans unfold.

That said, The superhero life doesn’t escape this story. There’s a fun two-page spread that kicks off the Orca sequence. The final act captures the investigation tension with images reflecting Damian’s struggle of how events at school have changed. This leads directly into a full page final image that is guaranteed to have Batman fans talking and counting down until the next issue drops.

BATMAN AND ROBIN #5 by Joshua Williamson, Nikola Čižmešija, Rex Lokus and Steve Wands (CREDIT: DC COMICS - COVER: Kael Ngu)

FINAL POINT: 8

Fast times at Gotham High reign supreme for the Dynamic Duo as their latest case takes a unique twist. Williamson leads readers in a different side of Damian while balancing the father-son dynamic flawlessly. Čižmešija and Lokus craft excellent imagery to ride shotgun until the final page stops everything with an unforgettable moment.

Hit me up on ODPH social media and let me know your thoughts on Batman and Robin #5. Thanks for reading.

NICE JEWISH BOYS #3 (COMIXOLOGY ORIGINALS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast.

For this entry, we’re following the decent into crime by Jake Levin via his long-time friend Chaim Davidovits. Since its’ debut from Comixology Originals, the story of the down and out writer’s new “job” has gone through many twists and turns. With the personal betrayal by his best friend, Jake has been reeling. Now, he’s getting pulled into another direction with no easy way out.

Nice Jewish Boys #3 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt sinks Jake further into danger with another close friend now brought into the mix. Let’s take a closer look and see how things fare now.

Nice Jewish Boys #3 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (Credit: Comixology Originals)

*** POSSIBLE SPOILER WARNING ***

The issue begins with Jake narrating the history of Lenny Klein. Klein is another high school friend with a sorted story. In its’ current state, Klein is working with the FBI to take down Davidovits’ illegal crime business (which Jake was unfortunately brought into).

Jake walks readers through the early stages of Lenny’s adult life. Things seem perfect until the unfortunate events of September 11th, 2001. From that moment, Lenny’s lie took on some financial hardships which led to crime. The tough times kept pilling up until Lenny was disconnected from his two high school friends. Lenny became a ghost…..until recently.

With the activates of Davidovits drawing legal attention, Jake came across the radar of Agent Hamlin. Two weeks ago, the mood is tense as Hamlin applies pressure on Jake. A surprise reveal is given to readers which makes Jake’s current situation even more complex.

This carries the present as Davidovits & the Avodah have plans for a town parade. With the event being a highly emotional one, Jake struggles to follow the plans of his friend and business. What will he do?

Readers see the internal struggle Jake deals with. The pressure keeps mounting until a shocking climax. The final act reminds Jake that the business he currently is in is not for the weak of heart. The final panels leave no doubt Jake is caught in the middle of a conflict that has no possible winner.

Nice Jewish Boys #3 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (Credit: Comixology Originals)

Kleid gives readers a deep dive into the wear and tear events have taken on his soul. The recap of Lenny works to connect readers into an understanding of his character. It amplifies Agent Hamlin’s role in the tale. The writing never lets the tense atmosphere slip as the pages move forward.

The parade portion is filled with high emotions and takes events into a personal light. Jake’s conflicting view leads to a place where he never dreamed of. The life that has chosen him never lets him escape with the notion of personal peace. This draws into the closing moments which leave readers with a solid picture of how dire things have truly become.

Broglia and Wright show varing levels of feelings as the story progresses. The opening full page panel shows a happier side to Lenny before the remaining images show the slow breakdown of his happiness. This is met equally with Jake’s struggle about the parade plans. The art depicts his prehension and the following ramifications.

The closing panels bring a more grounded perspective to where things stand. The viewpoint of the character involved makes the moments a close connection to the readers. Once their work is done, the stunning image of the aftermath carries into a small panel that speaks volumes. Without question, the art leaves Jake’s stat quo in serious doubt before leaving for the next chapter.

Nice Jewish Boys #3 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (Credit: Comixology Originals)

FINAL POINT: 8

The struggle within Jake Levin continues to lure in readers with another solid chapter. Kleid dives into the emotional tug of war on Jake’s soul with exceptional writing. Broglia and Wright bring the personal wounds to life with imagery that leaves no question of how deep Jake is sinking. With so many parties involved, one has to wonder if and how he will possibly survive.

Hit me up on ODPH social media and let me know your thoughts on Nice Jewish Boys #3. Thanks for reading.

AMAZING SPIDER-MAN #41 (MARVEL ENTERTAINMENT)

Welcome to an all-new edition of Parlay points, the official comic book review blog to the ODPH podcast!

For this entry, the streets of New York City continue to be the battleground for Marvel’s criminal underworld. With the “fall” of Tombstone, a power vacuum opened and everyone is trying to claim the territory. In the crossfire: the citizens of NYC. The only defense: Spider-Man and a few of his “amazing” friends. However, the last time readers saw him, a new player entered the game: KINGPIN!

AMAZING SPIDER-MAN #41 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna picks up where Wilson Fisk’s influence begins to take over. Let’s take a closer look and see how things fare now.

AMAZING SPIDER-MAN #41 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel entertainment)

*** POSSIBLE SPOILER WARNING ***

Last issue, Wilson Fisk, Typhoid Mary and an army of Hellfire soldiers confronted the unlikely trio of Spider-Man, She-Hulk and Tombstone. Considering Kingpin’s sphere of influence, this could be the make or break point of the Gang War.

The mood is tense as Tombstone and Kingpin begin to discuss business. With their children (Kingpin’s son - The Rose and Tombstone’s daughter - The Beetle) on a collision course, there is more than money at stake. Fisk wants to sway action for his son. Tombstone isn’t willing to budge. All the while, Typhoid Mary becomes infatuated with the heroes standing in the background.

The eventual explosion of action commences. Tombstone vs. Kingpin! Typhoid Mary vs She-Hulk! Spidey vs The Hellfire troops! Readers want action, they got it!

Meanwhile, The Rose and Beetle’s forces come to a head as well. The power play for territory is on! With the fate of the city hanging in the balance, the final moments elude that a victor might have been declared in the latest round.

AMAZING SPIDER-MAN #41 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel entertainment - Cover: Simone Bianchi)

Wells dives heavy into the action for this issue. That’s not a bad thing considering Kingpin’s prescence. The legacy he brings to the war speaks volumes. The conversations with Tombstones line up with the saying “Only Kings can speak with Kings”. Their demeanors reflect their positions in the criminal underworld.

The ending might feel abrupt when reading but it falls back on this theme. The “Honor amongst thieves” weighs heavy until the conflict resolutions hit the readers. There’s much to process between the battles which is only amping up more drama. Nothing but a win for readers.

Romita and company slowly build up the battle with the emotions of Tombstone and Kingpin. The family aspect rings true through the panels. Knowing their children are involved, the anger of the upcoming conflict is a clear connect. The action kicks off with an excellent split two-page spread spotlighting the boss fight.

The shorter panels featuring the conflict between Tombstone and Kingpin later in the book gives a sense of how both are all too familiar with this fight. From Kingpin smiling to Tombstone’s rage building, the art sets a high pace with the moving parts involved. This leads to a subtle conclusion with a 9 panel page capturing the fallout for all parties involved. It drives home the point that the war may have just had a huge turning point for readers to process.

AMAZING SPIDER-MAN #41 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel entertainment - Cover: Ryan Stegman)

FINAL POINT: 8.5

Wilson Fisk makes impacts the battle for New York City instantly with an action-packed issue. Wells lights the match for the combustible parties involved while Romita and company grant readers with excellent fight sequences and a mic drop moment to leave on!

Hit me up on ODPH social media and let me know your thoughts on Amazing Spider-Man #41. Thanks for reading!

BATMAN #141 (DC COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the conclusion of a captivating Batman story from DC Comics. From the fallout of “Knight Terrors”, Bruce Wayne has not been himself. With his back-up personality kicked in, the damage done has been immeasurable. Without the Bat family, he’s on his own. Throw in his most dangerous rogue and one questions how things can be worse? “Mind Bomb” proves readers have only begun to find out.

BATMAN #141 by Chip Zdarsky, Jorge Jiménez, Tomeu Morey, and Clayton Cowles (along with Dustin Nguyen and John Kalisz) brings “Mind Bomb” to a show stopping finale. Let’s see who’s left standing from this encounter.

BATMAN #141 by Chip Zdarsky, Jorge Jiménez, Tomeu Morey, and Clayton Cowles (along with Dustin Nguyen and John Kalisz) Credit - DC Comics

*** POSSIBLE SPOILER WARNING ***

The Dark Knight has not been himself for quite some time. Zur-En-Arrh, the back-up personality of Bruce Wayne has emerged from the results of “Knight Terrors”. Zur-En-Arrh helps cause the divide with Bruce Wayne and the Bat Family with “the Gotham War”. Now along on his war versus crime, the caped crusader has never been more unhinged and violent.

During this time, Joker has reappeared. What starts as a murder to a toy company heir leads into a deeply personal battle, both mentally and physically. The results have now Joker violently disposed and Batman facing his own worst nightmare: Zur-En-Arrh in his own unstoppable robotic body!

The issue begins with a flashback of Zur-En-Arrh overriding Batman’s Failsafe body programming with his own personality. The transfer is all the more frightening in the present. A battered and bruised Batman now stands off against a version of himself that is his imperfect vision of the future.

Even with the offer of letting this version of Batman take over and give Bruce the freedom he would love to have, Batman knows what he must do. The action kicks in as it’s man vs. machine. The pace never slows down as the grueling battle never slows down until the crushing final blow. Readers will need to prepare for impact as the final moments will send the next phase of Batman into uncharted territory.

BATMAN #141 by Chip Zdarsky, Jorge Jiménez, Tomeu Morey, and Clayton Cowles (along with Dustin Nguyen and John Kalisz) Credit - DC Comics: Cover - David Finch

Zdarsky directs a Hollywood summer action blockbuster within this chapter. There are very few slow moments to allow readers to catch their breathes, but they make the most of their time. Bruce’s initial reaction to Zur-En-Arrh and its’ offer gives the following action even more weight. Knowing what is sacrificed makes the action more tragic. The closing moments bring a grounded moment of clarity to what has just transpired. it’s a fitting finale to a story that pushes Batman past his limits in his Never-ending quest for justice.

Jiménez and Morey give fans a fight not soon forgotten. Right from the front leap into danger, the art reflects the rapid pace. Each panel flows seamlessly into the next matching blow for blow. There is an excellent car chase sequence filled with self-doubt and building emotion.

The “championship rounds” are unrelenting in how the strategic chess match has become. Another half-panel image gives readers a sense of Batman’s rage going into what he feels will conclude the fight. The next pages keep raising the stakes until the few panels bring the battle to a chilling end. The epilogue sets forth an interesting scenario with uneasiness to wrap up things for now, but not for long.

BATMAN #141 by Chip Zdarsky, Jorge Jiménez, Tomeu Morey, and Clayton Cowles (along with Dustin Nguyen and John Kalisz) Credit - DC Comics: Cover - Dustin Nguyen

FINAL POINT: 9.5 OUT OF 10

Bruce Wayne comes face to face with an unsettling challenge to bring “Mind Bomb” to an explosive end. Zdarsky pens a tragic, yet exhilarating close with Jiménez, Morey and Cowles providing the beautifully brutal backdrops to an intense last stand for the cowl.

Hit me up on ODPH social media and let me know your thoughts on Batman #141. Thanks for reading!

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

NO/ONE #7 (BLACK MARKET NARRATIVE/IMAGE COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, the mystery of the Massive-verse marches on! Since its’ debut in 2023, the saga of the “Accountability Killer” has branched out from just being a comic story. It is a pop culture event. Not just any comic has a companion podcast featuring Patton Oswalt and Rachael Leigh Cook. The Black Market Narrative/Image Comic now starts heading into its’ final stretch with readers still buzzing about the question: “Who Is No One?”

NO/ONE #7 by Kyle Higgins, Brian Buccellato, Antonio Fuso, Mark Englert & Hassan Otsmane-Elhaou looks to provide some big clues surrounding some key elements. Let’s take a closer look and see how things shape up!

NO/ONE #7 by Kyle Higgins, Brian Buccellato, Antonio Fuso, Mark Englert & Hassan Otsmane-Elhaou (Credit: Black Market Narrative/Image Comics - Cover: Geraldo Borges)

*** POSSIBLE SPOILER WARNING ***

The story beings at Ritter’s Diner in September of 2023. Former assistant Chief Ben Kern is talking with an old friend about his son Aaron Kern. Aaron is publicly known as the “Accountability Killer”. Aaron is currently out of jail via his confession being deemed illegal. Readers find out what Ben is planning and the burden on his soul will be immense.

Meanwhile, Alejandro Rios returns to work after an encounter with the latest “Accountability Killer” and No/One. His return is cut short when Rios gets a message on his phone. Walking into a car, readers find No/One behind the wheel. The conversation goes from a simple “Thank You” to an interview attempt. Suffice to say, it falls on deaf ears.

Both Ben Kern and No/One’s paths cross later in a confrontation which will have readers on edge. The fallout leads a surprise person of interest to Ben Kern’s door: Julia Paige.

Through the escalating tense climate led by Senator Noah Kemp, time is not on their side. What does this partnership uncover? The final act reveals a truth behind one character that readers won’t see coming. The last image sets the tone for the end game to start on the Massive-verse’s greatest mystery. Get ready!

NO/ONE #7 by Kyle Higgins, Brian Buccellato, Antonio Fuso, Mark Englert & Hassan Otsmane-Elhaou (Credit: Black Market Narrative/Image Comics - Cover: Stefano Simeone)

Higgins and Buccellato center this issue around the actions of Ben Kern. Kern has been the one most personally affected by his son’s recent actions. The writing reflects his guilt and anger. The choice he makes is a bold one. The contrast with No/One stands out as they both want justice but see differing ways of accomplishing it.

The stand-out moment of this issue is the partnership with Julia and Ben. Knowing both no longer have ties to their organizations, the writing reflects their focus on ending this case once and for all. The final act puts their work to the test. Readers see how the set-up provides a thrilling moment leading to a blockbuster break. With only a few issues left, the pacing picks up to take readers to the finish line after this trek.

Fuso steps in for Geraldo Borges for this issue and gives readers a more grounded look for the series. The page keep a steady format of multiple panel pages. The imagery points out the emotional reaction to events. Kern’s facial expressions range from pained to frustrated.

The art also builds a sense of danger when Kern and Non One cross paths. With Kern’s choice on attack, the fallout grants a hostile setting, planting the seeds for a future meeting. The closing act moves events right along showcasing Julia and Ben’s work in action. Fuso ends this chapter on a strong note with a panel that kicks off the beginning of the end of the mystery.

NO/ONE #7 by Kyle Higgins, Brian Buccellato, Antonio Fuso, Mark Englert & Hassan Otsmane-Elhaou (Credit: Black Market Narrative/Image Comics - Cover: Stefano Simeone)

FINAL POINT: 9 OUT OF 10

With a major break in the “Accountability Killer” case, the Massive-verse’s greatest mystery starts its trek to the finale. With exceptional writing from Higgins and Buccellato, Fuso’s illustrations bring the drama to a stage where the saga is about to explode.

Hit me up on ODPH social media and let me know your thoughts on No/One #7. Thanks for reading!

CANARY #6 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have finally arrived at the conclusion of the last ride of Marshall Holt via Comixology Originals & Best Jackett Press. Since its’ debut in the second wave of Scott Snyder’s line of BJP comics, the horror-western tale has grabbed readers’ imagination and never loosened its’ grip. Now, all best are off for the final showdown of good and evil in the wild, wild west.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis brings down the curtain on the mystery of the terrors of a small town. Let’s take a closer look and see how things play out.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

Marshall Holt is on the verge of retirement. He’s recruited to investigate a murder in 1891. The case leads him to the town of Canary. Holt knows this town all too well. It is the location of his most disturbing case: Hyrum Tell.

While searching the case, Holt is joined by Edison Edwards (or Ed-Ed), & Mabel Warren, daughter of Canary founder Chester Warren. The trio’s journey leads them from an abandoned cave to “The Global Geological & Divination Society 1081” or House 1081. The “Canary Evolution” theory looms heavy as they can’t escape the danger. All the while, Holt is trying to hold it together with the memories of his past begin to creep into the present.

After a monstrous figure reveals itself from the grave surroundings below, Holt leads the charge to head to the bottom of the cave and address whatever evil lies there once and for all.

The issue begins with Holt returning to his family’s home. The mood is dark and looming with an evil hiss. As Holt walks in the house, he finds his wife and baby dead as canary eggs lie on the floor.

Suddenly, Holt is back with Mabel as they prepare to descend to the bottom of the cave. Knowing time is not on their side, the pair lowers the elevator. Once they begin to head downward, Mabel notices that things are not normal.

The road to Hell is paved with dark intentions as Holt and Mabel finally land at the deep bottom. Once they walk out of the elevator, readers see the insanity they set into. Answers are revealed and more burden is put on Holt’s soul as he now finds himself in a place he never expected.

The closing act floods the pages with excitement and rising uncertainty. Can Holt save the day one last time? Readers will walk away with a few parting images before a surprising one to conclude this epic tale with.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

Snyder sends Holt off into the sunset with an unforgettable issue. The challenges he has faced have not been an ordinary case. Tull’s impact on his life never strays too far from this story. Holt battles the ghosts of his past to find a possible future. Snyder focuses in on this element during the key points of this finale.

Once the big revelation appears, Snyder presents our lead with the challenge of being vigilant for the greater good, no matter the cost. The conflict is one that will not easily escape reader’s minds as they read the tale. It pushes Holt to his breaking point. Knowing what lies ahead, his actions re-assure any doubt of his nobility in the face of overwhelming odds.

The final moments move briskly to end this saga on a very strong note. The parting images will have readers talking as the “Canary Evolution” theory leaves a lasting impression for an immediate re-read for years to come.

Panosian delivers on looming horror and crushing drama art to conclude the last ride. The heart-wrenching images of Holt struggling to deal with his family’s state instantly sets a devious overtone to the story. Once the decent inside the cave begins, readers brace for the impact of Holt’s valiant efforts.

The cave is filled with brooding images of terror and anxiety. There are a run of two-page spreads that scream volumes of the breaking of Holt’s spirit right before the evil’s reveal. Panosian welcomes that element to the main story with a devilish hello via its’ body language. Showing Holt’s reaction to all of this further cements the cost he must decide to pay to end things. The conflict concludes with another fantastic double page action shot before bringing the curtain down. The mastery of horror and western styles is truly remarkable with the artistry.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

FINAL POINT: 9.5 OUT OF 10

When the dust settles and smoke clears, Snyder and Panosian conclude Marshall Holt’s last case with a spectacular conclusion! Superb writing lays the foundation for mind-blowing visuals to guide readers into a gritty showdown of good verses evil.

Hit me up on ODPH Social media and let me know your thoughts on Canary #6. Thanks for reading.

ALAN SCOTT: THE GREEN LANTERN #3 (DC COMICS)

Welcome to an all-new edition of Parlay points, the comic book review log to the ODPH Podcast!

For this entry, we are diving back into on of DC Comics’ finest stories at the LCS! Emerging from the pages of the Justice Society of America, the original Green Lantern has been taking readers on a journey of love, loss and courage. With a mysterious attacker making things personal, the Emerald Crusader looks to stop his adversary before it’ too late.

ALAN SCOTT: THE GREEN LANTERN #3 by Tim Sheridan, Cian Tormey, Chris Sotomayer, Matt Herms and Lucas Gattoni sees Scott get some help in his quest for justice! Let’s take a closer look and see what’s unfolding now.

ALAN SCOTT: THE GREEN LANTERN #3 by Tim Sheridan, Cian Tormey, Chris Sotomayer, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: David Talaski)

*** POSSILE SPOILER WARNING ***

The latest chapter begins with Charles "Derby" Dickles taking a passenger around in his taxi. The conversation is very one-sided as Dickles’ guest isn’t one for small talk. On route, Dickles sees Scott walking. The passenger says to keep driving. Dickles obliges.

Meanwhile, Scott is meeting with Mikey, who might have some information on his situation and the dead bodies Scott is being framed for. Mikey is very nervous due to the Police amping up their “protection”. He mentions to Scott that Tommy, an old flame is dead along with more men missing. The theory is Tommy drowned. Knowing society and the police classifies someone like Tommy as a “Criminal Deviant”, Scott wants to personally further investigate. Before Mikey can answer, the Police start “protecting” men on the pier. Scott disappears away.

Scott appears at the city morgue to investigate Tommy’s death. He’s joined by Jay Garrick aka The Flash (fellow JSA teammate). Scott notices Tommy has the same marks as Johnny Ladd, his lover from his time in the US Army & Project: Crimson.

Readers see the frustration in Scott’s demeanor with the lack of respect to handle Tommy’s murder properly. Garrick assures him if the police don’t look into the murders, the JSA has already started. Scott and readers both find out that Jim Corrigan aka THE SPECTRE is looking into the matter!

How does the pairing of Scott and Corrigan play out. Readers see the clash in styles but it is overshadowed by the actions of the Ghostly Guardian. what does Corrigan do to shift momentum in this case? The final moments give some clarity as the big reveal is shown, kicking this story into high-gear for its’ next chapter.

ALAN SCOTT: THE GREEN LANTERN #3 by Tim Sheridan, Cian Tormey, Chris Sotomayer, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: Amy Reeder)

Sheridan pens another phenomenal issue driven by emotion and defying society labels. Scott’s drive for justice is personal, but Sheridan uses his anger as fuel to solve the mystery. The theme has been building for the past few issues, but once the other members of the JSA get involved, this shines through. Scott has rarely let his guard down but they are moments that will lock readers in.

The first is at the morgue with Jay Garrick. Coming right off the heels of the Mikey encounter, Scott is mad and stand-offish. Garrick doesn’t get phased by this and makes an easy connection to the reader of how Scott is handling the situation. The stronger moments come with the Spectre. The writing mirrors the frustration and wear Scott carries. One simple panel and Spectre’s words change everything making such a powerful scene. This speeds things into the closing act which gives readers much to ponder after the final page is witnessed. Sheridan crafts it for a parting scene to close off events for now, but not long.

Tormey, Sotomayer, Herms and Gattoni layer this issue with some incredible panels. The banter and mannerisms between Garrick and Scott meshes well to create the uneasiness and genuine conversation between the two teammates. The art welcomes in the Spectre with an excellent full page panel with Scott working together. There are multiple rooftop panels between the two but none pack as much punch as a simple hug.

The scene is one readers will feel the rush of weight off Scott’s shoulders as the dialogue gives it more gravity. This rushes events into the final act. With a full page panel to end things with a major reveal, the art sets a high bar of balancing the action and emotion of a legendary hero.

ALAN SCOTT: THE GREEN LANTERN #3 by Tim Sheridan, Cian Tormey, Chris Sotomayer, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: Jerry Ordway)

FINAL POINT: 9.5 OUT OF 10

Sheridan’s powerful writing peels back more layers of Alan Scott as he faces an emotional attack on multiple fronts. Tormey, Sotomayer, Herms and Gattoni’s stellar artwork & lettering welcome in a surprise guest as the quest for justice takes a deeper toll.

Hit me up on ODPH social media and let me know your thoughts on Alan Scott: The Green Lantern #3. Thanks for reading!

AMAZING SPIDER-MAN #40 (MARVEL ENTERTAINMENT)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we’re heading back into the dangerous landscape of New York City via Marvel Entertainment. One event has kickstarted an all-out free-for-all with control of the NYC Underworld up for grabs. Caught in the middle is the Amazing Spider-Man! Can Peter Parker and friends stop this before it’s too late?

AMAZING SPIDER-MAN #40 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna shows desperate times call for desperate measures as an unlikely group fights to save the city! Let’s jump into the latest chapter!

AMAZING SPIDER-MAN #40 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel Entertainment)

*** POSSIBLE SPOILER WARNING ***

In the West Village, A mysterious figure is preparing himself in the shadows. He is talking with an associate about plans since he is now out of jail. The figure alludes to jumping right into the Gang War. The sights are set on Tombstone and Beetle. Readers see when he steps into the light, he is The Rose! With his forces ready, the journey to the Beetle is made.

Meanwhile in the Meatpacking District, the Track Suit Mafia and Inner Demons are set to face off in a warehouse. Before the suits make a move, an imposing figure makes his way into the crowd. Tombstone is there and he didn’t come alone. Spider-Man and She-Hulk are along for the ride. The uneasy trio defeat the mafia while the demons took off.

lurking in the shadows of downtown is Madame Masque. Considering her actions started the war, readers witness her next play. How does this move affect the war? What is the Beetle up to during all of this? How long can the uneasy trio work together?

All questions are revealed as the war rages on in the heart of the Big Apple. Statements are made. Actions have consequences. However, no bigger move is made than the final image. Readers will need to brace for impact as a major player has enter the deadly game. Suffice to say, the final image is going to have fans talking.

AMAZING SPIDER-MAN #40 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel Entertainment - Cover: Joey Vasquez)

Wells juggles many character with this latest issue, but keeps the theme centered around one especially. Tombstone’s play keeps readers engaged whenever he is on page. The uneasy alliance with the heroes pours with tension and mistrust. yet, Wells’s grouping makes for some strong dynamics with conversation. Tombstone’s view of events speaks volumes to the overall gravity of the situation. With his presences and the debuting player, the storyline looks to be re-igniting a new flame for readers.

Romita, Hanna and Menyz give slow builds for each main player throughout the issue. The Rose makes the dramatic debut with a full page panel. The same goes for the Beetle as her storyline takes flight with a strong full page image as well. “The Uneasy Alliance” kicks events off with great action panels. Seeing the “Fastball Special” used should get old-school fans excited!

The art builds up the tension with the parallel characters heading into the final act. Readers will be shocked who finally makes their appearance in the final pages. An incredible two-page full spread brings a close to this round, but lights the match for an eventual combustible confrontation later on. Readers should have much to say about this latest chapter.

AMAZING SPIDER-MAN #40 by Zeb Wells, John Romita Jr, Scott Hanna, Marcio Menyz and Joe Caramagna (Credit: Marvel Entertainment - Cover: J. Scott Campbell)

FINAL POINT: 8.5 OUT OF 10

The lastest chapter of “Gang War” brings forth a game-changing character to an already explosive saga. Wells paces the multiple storylines with solid writing. Romita and the art team craft some excellent visuals in the backdrops to show readers things have only just begun. You’ll want to keep your eye out for this issue on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Amazing Spider-Man #40. Thanks for reading!

MASTERPIECE #1 (DARK HORSE COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a brand new series from a legendary creative team. When fans see the names “Bendis” and “Maleev” in the same creators listing, most instantly think of their run on Marvel’s Daredevil. Others may think Scarlet. This time, they’re reuniting for a brand new crime mystery series for Dark Horse Comics.

MASTERPIECE #1 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed welcomes readers to the mystery of Emma and the debt of her family’s sins. Let’s take a closer look and see how this story begins.

MASTERPIECE #1 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed (Credit: Dark Horse Comics)

*** POSSIBLE SPOILER WARNING ***

A teacher introduces Emma to fellow students in her new classroom. The moment is awkward as Emma’s speech doesn’t exactly connect. Making things even worse is the FBI crashing the welcome party. They’re looking for a “Masterpiece Lawford”. Emma is very confused as to what is happening. Emma is led away into a car with her next stop an unknown location.

After having her mask removed, Emma is in the presence of Zero Preston. Preston is a billionaire who surprises not only Emma but readers with his knowledge. Preston knows Emma is not her real name. Preston also explains how her parents stole money from him and disappeared without a trace. The grudge has grown over time leading to this moment.

Readers witness the master plan Preston has for Emma. It is a risky gamble, but with all the anger fueling him, Preston is locked in. Emma starts to try figuring out what is happening as she now faces a real problem. The fallout from this leads into a new direction.

The closing moments add danger and anxiety to the young 16 year old’s path of discovery. Rest assured by the final page, Emma’s world as she knew it becomes forever changed. Get ready for a story that fits its’ title billing.

MASTERPIECE #1 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed (Credit: Dark Horse Comics - Cover: Tula Lotay)

Bendis crafts a new vision in what we define “criminal” as. Emma is presented as an outsider to a world she knew nothing about. The dialogue with Preston is filled with themes of intrigue and wonder. His drive of “villainy” is an easy play for readers to see. The story behind her parents is a great surprise.

The latter half of the book dives further into the revelations bestowed onto Emma. The dynamic in seeing how she is processing all of this is keeps the audience locked in. Pacing never allows for this to get lost in the shuffle. Emma’s closing arc throws more mystery into the plot which peels more layers away to her new stat quo. It leaves much for readers to think about as they process what is sure to be the start of something truly special.

Maleev, Herring and Reed kick things ff with a frantic scene of Emma and the classroom. Once the FBI makes their appearance, the art team captures the fast moving moments with excellent usage of the word bubbles to match her reactions of doubt.

Readers are gifted a fantastic two-page image with a further dive into Emma’s parents history. It has a vintage feel like the Jim Steranko covers of Nick Fury to hook readers into their history. The “Unicorn Pow” images provide a solid break to the tone of the book. However, the closing moment ramps up some action and mystique before bowing out the story (for now).

MASTERPIECE #1 by Brian Michael Bendis, Alex Maleev, Ian Herring and Josh Reed (Credit: Dark Horse Comics - Cover: Peach Momoko)

FINAL POINT: 10 OUT OF 10

The team of Bendis and Maleev strike another huge score with their latest mystery crime tale. Through fantastic writing and impressive imagery, the saga of Emma Lawford lives up to its’ apply titled name. The sins of the family come to light with an issue you can’t afford to miss at the local comic shop!

Hit me u on ODPH social media a let me know your thoughts on Masterpiece #1. Thanks for reading!