SOMETHING IS KILLING THE CHILDREN #26 (BOOM STUDIOS)

Welcome to an all new edition of Parlay points, the comic book blog to the ODPH Podcast! For this entry, we’re picking up the pieces of the latest tale of Erica Slaughter in the pages of one of the best comics on the market! Something is Killing the Children #26 by James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design from Boom Studios ushers in a brand new status quo after last issue’s heartbreaking moment. It’s one I’m still not over after reading the issue a few times!

Before we deep dive into this issue, there’s only a few hours left to back James Tynion’s (along with PK Colinet, and Elsa Charretier)’s Kickstarter movie, “Room Service.” This should be a big hit when t’s released so don’t miss out on your chance to get on board now! That said, let’s start the review, shall we?

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s re-emergence hasn’t gone without its fair share of problems. After re-surfacing in Tribulation, New Mexico hunting down a killing monster, Erica has been being hunted by The Order of St. George, who have sent the sadistic Cutter after her. The case hasn’t gone smoothly as the lone witness Gabi, hasn’t been very cooperative and brought Erica into the direct line of the creature. Erica barely escapes but is wounded in the process. All the while, Cutter makes the first big blow to Erica, killing her friend and confident Big Gary. The scene from last issue hit readers in all the emotions and leaves Erica in a broken state.

This issue picks up with Erica recuperating from her injuries in Riqui’s (a bartender and reluctant “guardian” of Gabi) parents place. She’s bruised and not opening up about what she encountered with the monster. While this is happening, Gabi is bonding with Riqui’s brother Johnny. The siblings clearly have issues with each other. Gabi is left by herself and is asked not to see Erica. Gabi doesn’t listen to this advice and sees more than she bargains for. Gabi overhears Erica’s assessment of current events. The future doesn’t sound so good for anyone.

Meanwhile, Sheriff Carter Thomas calls Riqui about the scene Erica and the monster left behind. While this is going on, a certain figure has made their way to Tribulation: Cutter! What she does next will set the tempo for the next round of her hunt of Erica Slaughter. Will Erica survive all the forces surrounding her now? Readers will have much to process with the new playing field set.

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Tynion hits the ground running with building up the story after last issue’s epic goodbye of Big Gary. Erica is broken and latching on to whatever she can. This doesn’t come off as a good plan but Tynion showcases her dealing with grief by going head first into completing the plan. It makes for a natural emotional response to what has happened. The rest of the cast does their part to elude to more things to come but nothing outshines Erica’s dealing what’s transpired. Cutter makes a big entrance and tightening the hold she’s forming on Erica. Cutter comes off as making this job more personable that it has to be and this will work wonders for the eventual pay-off.

Dell’edera paints the picture of Erica’s pain splendidly as this new story takes over. Erica’s tough demeanor covers up the pain she’s feeling. Dell’edera’s stone-faced expressions for Erica drive that element home for readers. Cutter’s tale stands strong on its’ own as well. The encounter with Sheriff Carter made for a unique dynamic to where her story is heading. Cutter’s demeanor reflects how vicious she is about her assignment. The art portrays how much she enjoys what she’s doing and that’s a scary notion to comprehend. The other role players make their marks too but this issue belongs to Erica and the next phase of her life.

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Something is Killing The Children #26 - on sale November 16th

Creative: James Tynion, Werther Dell’edera, Miquel Muerto and Andworld Design

Credit: Boom Studios

Final Point: Erica Slaughter’s road forward starts with a strong issue laying the new groundwork out. Tynion, Dell’edera, and Muerto blaze the new trail with excelling character moments along with convincing art to sell the point that Erica’s journey back is only just beginning. make sure to check this issue out at the local comic shops this week and sign up for the “Room Service” kickstarter before its too late.

Hit me up on Twitter and let me know what you thought of Something is Killing The Children #26.

Thanks for reading.

SPECS #1 (BOOM STUDIOS)

Welcome to an all new edition of Parlay points, the comic book blog to the ODPH podcast. For this entry, we’re checking out a supernatural thriller debuting from Boom Studios. David M. Booher (CANTO), Chris Shehan (HOUSE OF SLAUGHTER), Roman Stevens and Jim Campbell are the creators behind Specs #1 which is hitting comic shops on November 9th. Let’s take a deeper dive into the first issue and see what’s going on here, shall we?

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

The story begins with a frame showcasing a missing person names Bernard Slyman aka Skunk on the back of a milk carton. Skunk has been apparently missing since 1987. The frames shift to a man holding the carton and feeling some remorse. He takes the carton back to a box in the attic entitled “Zach’s Comics.” Inside this box is an old comic advertising “The Phenomenal Gamma Ray”’s magic specs which “grant wishes”.

From here, the story shifts back to 1987 where two teen friends, Kenny and Ted are just trying to talk about some old comics that Kenny’s brother had left behind. The conversation halts when they are bullied by Skunk and some of his friends. A fight breaks out and Ted takes the blame for it when Kenny said he did it. Later, the boys meet up and start talking about the old comics again. The questions became “What would you wish for?” Both boys had different wishes that they would like to see come true. The next morning, a package is left at Kenny’s door: The magic specs from the comic.

Neither Kenny or Ted ordered the glasses but decided to test out if they work. The answer surprises all involved. As the saying goes “With Great Power comes Great responsibility".” For this tale, the boys find out not every wish should be answered. What does this mean in relation to the milk carton? What did the boys wish for? Readers will get some answers but more questions raised with a final image to talk about.

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

Booher sets up an intriguing mystery that fans will not want to miss. Tying the story back into the 1980’s, the writing reflects that time-frame well. The boys are the nerdy outsiders trying to find their way in the social settings. The bullies are what you would expect from that period. Booher showcases how fast things can go off the tracks as the boys start playing around with the specs. Their stories are only just beginning but readers will have a strong sense of how their friendship will be tested as this story unfolds.

Shehan captures the 1980’s vibe throughout this issue. From the Nintendo Entertainment System in Kenny’s room to the “fashion” of the bullies, Shehan nails that time period with an assist from Roman Stevens’ coloring. The book had a distinct retro feel which worked to give readers a true sense of how long the disappearance has been. The opening scenes felt very gritty and dark in comparison. There’s lots to enjoy from the first chapter.

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

SPECS #1 - On Sale November 9th

Creative: David M. Booher, Chris Shehan, Roman Stevens and Jim Campbell

Credit: Boom Studios

Final Point: Specs #1 builds the foundation to a darker mystery that readers won’t be able to escape. Booher, Shehan and the team throw it back to the 1980’s with an engaging opening start to a darker and scarier road ahead for the two teens trying to see the truth of the new glasses. Don’t miss this book at the LCS this week!

Hit me up on Twitter and let me know what you thought of Specs #1 Thanks for reading!

BEHOLD, BEHEMOTH #1 (BOOM STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book blog to the ODPH podcast. For this entry, we’re checking out a brand new series from Boom Studios that is starting to generate a bit of buzz amongst comic fans. BEHOLD, BEHEMOTH #1 is presented by Tate Brombal (of “Something Is Killing The Children” fame), Nick Robles (from “The Dreaming: Waking Hours”), and Andworld Design (nuff said). With this lineup assembled, this is sure to be a book to have on the radar at the comic shops. Let’s take a closer look and see what’s happening here, shall we?

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

*** POSSIBLE SPOILER WARING ***

This issue opens up with a funeral for a fallen officer named Liam. His brother, Grayson, is standing over his grave. During this moment, Grayson has a flashback to when he and his brother were young kids. From hiding out in a tent, the boys talk about a better future. Thier talk is interrupted by someone. Grayson is apologizing but Liam doesn’t seem too phased by what’s to come. As he opens the door to the outside, Readers are shown that things are drastically different than the simple campout. There are creatures and figures of mystery walking about in a whole new world. Grayson is snapped back to reality by Liam’s former partner Kavita.

Their conversation eludes to more going on here (at least from Grayson’s POV). Kavita brushes it off and orders Grayson to get some sleep and get right. Shortly after this, Grayson is back to work as a social worker. While checking in on the Wyatt Family, Grayson meets a young girl by the name of Wren. What should have been a routine check spirals into something more as later that night, the Wyatt Family are all found dead except Wren. What happened to the family? How does this connect (if at all) to Grayson? What is Wren’s secret and what does the final act represent? Readers are left with questions that they will be very invested with finding out the answers to.

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

Brombal doesn’t delay in throwing in the horror aspect with this story. Right from the funeral, readers start delving into the world of Grayson’s visions. Nothing is tipped off right away so there’s a sense of mystery to what is happening. Is it real or all in Grayson’s head? Brombal scatters clues throughout the issue that will leave readers guessing. The mystery of Wren is another dynamic that stuck out. Her story just started to unfold but there is a connection with Grayson and her. How that will play out is anyone’s guess at this stage. The closing act won’t bring closure but brings more intrigue to an already imaginative tale.

Very impressed by Robles work with this issue. Breaking down the worlds Grayson sees & giving each a different feel played out well. With the use of Red as the color scheme of Grayson’s visions, readers could feel that these were not welcomed places to be in. The facial expressions for Grayson and Wren added weight to the scenes taking place. They were already set up perfectly by Brombal, but with Robles art, they really drew more emotions of the reader to the story at hand. It’s a strong connection to feel what these characters are going thru (and this is only issue #1?!). The ending shot will have fans talking. There’s much to be excited about with this series.

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

BEHOLD, BEHEMOTH #1 - On Sale November 2nd

Creative: Tate Brombal, Nick Robles, and Andworld Design

Credit: Boom Studios

Final Point: Brombal and Robles usher in the horror and mystery with a impressive debut issue. Grayson’s world has only begun to peel back the layers of the story but with the high stakes of the end of the world mixed in with his own sanity, it makes for a compelling tale not to miss! Make sure to check this out at the Local Comic Shops this week!

Hit me up on Twitter and let me know what you thought of Behold, Behemoth #1! Thanks for reading.

DAMN THEM ALL #1 (BOOM STUDIOS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! For this entry, We’re checking out a brand new series by Boom Studios that has a great deal of hype behind it! DAMN THEM ALL #1 by Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell welcomes comic readers to the world of Ellie "Bloody El" Hawthorne. What is all the hype about this issue you ask? Considering Adlard was the longtime artist on a book you might have heard of called “The Walking Dead”, that’s gonna make some noise. Factor in the rest of the creative team & there’s something big happening here. Let’s take a deeper dive into the debut and see, shall we?

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

The book opens up with a moment between Ellie and her uncle Alfie. The scenes (from Ellie’s point of view) shows how she is being taught magic. Obviously, this never comes easy and readers see how her early supernatural struggles play out. It closes on a fun scene as something is conjured up. However, that’s when the good times appear to end.

After a stop in the book, readers are taken into present day as they are now witnessing Alfie’s Funeral. An eclectic group of characters show up to pay their respects. It’s not exactly who you would think would attend but it gives the readers some insight into how respected and powerful Alfie really was. There is an exchange between a mobster (“Frankie Wax”) and a mysterious female during the ceremony. This transfers over to the post gathering. The female in question shifts from Frankie to look for Ellie. When they finally meet, their time is interrupted by thugs looking for Frankie.

At this stage, the situation goes completely off the rails. Readers won’t expect what comes next. The events take Ellie on a crazy path where she will have to fill in for her Uncle and become a problem solver. Can she step up to the task? What was unleashed in the results of her uncle’s passing? There’s a lot happening within these pages and is capped off by a solid final parting shot to raise more questions.

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

Very good first issue.In case anyone isn’t familiar with Spurrier’s work, he’s done Hellblazer in the past. That is a big plus when you have to write involving the supernatural. Ellie Hawthorne hits the ground running being an interesting character to watch. Spurrier writes her as someone finding the way out of her uncle’s shadow and into her own path. There’s many new characters that just scratched the surface of this story. That said, it will take another issue or two to see who plays a serious role in this tale. Nothing bad with that as this issue primarily focused on Ellie, Frankie Wax and a mysterious officer from New Orleans. Pacing was fine and the story covered a lot of ground. Cliffhanger ending will keep many readers engaged for next issue

Adlard brings a unique style to this book. Balancing the supernatural to the normal life can be difficult but with these pages, it works well. There’s no bigger moment of this than the Wake after the burial of Alfie. The events mesh well. The actions scenes jump out and the effects of the “supernatural party crashers” stand out with the difference in coloring (credit to Dodgson and Cui). Even with the book grounded in normacy, Adlard and company present Hawthorne’s daily life with a symmetry all its own.

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

DAMN THEM ALL #1 - On Sale October 26th

Creative: Simon Spurrier, Charlie Adlard, Sofie Dodgson, Shayne Hannah Cui, and Jim Campbell

Credit: Boom Studios

Final Point: Damn Them All #1 welcomes readers into the crossroads of the supernatural and routine life. Ellie Hawthrone brings readers along for her entry into the family business as Spurrier, Adlard and the team set her up for quite the journey moving forward. Don’t miss this book when it drops at the local comic shop this week.

Hit me up on Twitter and let me know what you thought of Damn Them All #1. Thanks for reading.

HOUSE OF SLAUGHTER #10 (BOOM STUDIOS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH Podcast! For this entry, we’re at the conclusion of Edwin Slaughter’s story in the pages of the Something Is Killing The Children spinoff by Boom Studios. House of Slaughter # 10 by James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera has been quite the journey of a scarlet mask and their view of a horrible crime. Coming off the heels of an incredible first story, this latest story arc has gone into a very different direction. Let’s not wait one more minute and see how this captivating story concludes, shall we?

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

The story of Edwin Slaughter has been a fascinating tale to say the least. Edwin isn’t a hunter for the Order of St. George, but he has a unique skill set that he’s been challenged to examine a situation of dead bodies washing up to shore on a camping site in Lake Michigan. After combing the area, Edwin has been perceiving this case with a new way of thinking. His actions have led him to sea with his brush, Hermes. On this quest, the memories of his mother’s passing come back to the forefront. There is much he (along with the readers) have had to process. Unfortunately, time is not on their side as the true reason for the mystery has been revealed.

This issue opens up with some of the boys camp telling “Ghost Stories” when one brings up Edwin’s tale. Their depiction of Edwin is that he was a weird loner that stood out. Edwin’s tale goes to the boat with Hermes now with a new form. The children are recapping the stories they have with Edwin on the boat and now seeing that it’s a DRAGON that has been behind these bodies washing up to shore. How does Edwin handle this situation. The manner is something that isn’t completely out of character. Edwin does things differently than anyone else. The overall resolution will leave readers very satisfied as the story plays into its strengths. Plus , NO ONE is ready for the final image to wrap up this tale.

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

Tynion and Johns close this chapter with a vision that I wasn’t expecting them to go with. telling Edwin’s stories through the eyes of the cap-goers was a great trick to use. Edwin Slaughter has been a complicated character to say the least. The closing chapter doesn’t disappoint with Edwin’s uncanny traits being what solves this mystery. The pacing builds towards the big moments exceptionally well. Tying up all the loose ends worked with leaving some things open for interpretation. The story overall was something and really popped out from just a normal mystery. There’s one scene that I can imagine will be getting questioned for all the right reasons, but the team closed the story out on a high note.

Cadonici closes out this chapter with some fantastic visuals. seeing the monsters brought to life had the big impact needed to blow off the tension built. The kids sitting around the campfire and their mannerisms was a great take. Their interpretation of events came across strong and even took the high drama closing to another level. The third act of this issue concluded things properly. The emotional told taken on all involved was there. The final image will have people talking and ends things as the way it needed to: a different perspective that hasn’t been shown thru anyone else’s eyes quite like Edwin’s.

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter # 10 - On Sale October 26th

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

Final Point: House Of Slaughter’s second story hits the finish line with a satisfying conclusion. Tynion, Johns, Cadonici and the team take some chances with how the issue is set up but pays off big. The creativity shown here caps off a different look and feel to a story that was anything but ordinary. Don’t miss picking up this book from the local comic shop this week!

Hit me up on Twitter and let me know what you thought of House Of Slaughter #10. Thanks for reading.

ASK FOR MERCY: THE CIRCLE OF TIME #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH Podcast! For this entry, we’re checking out the season premiere of the latest installment of Richard Starkings’ dark fantasy series on the Comixology Originals Line. Ask For Mercy: The Circle of Time #1 by Starkings and Abigail Jill Harding is the latest entry of the popular series with a focus on a few fan-favorites that readers will be excited to see. There’s also big news surrounding this series as it has been announced that Ask For Mercy volume one will be hitting print via Dark Horse Comics in March of 2023. The previous seasons are available on Comixology , but let’s not wait any longer and jump into the season four premiere, shall we?

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

*** POSSIBLE SPOILER WARNING ***

In case you are not familiar with this series, The character of Mercy is recruited into a war with monsters, who are monster hunters squaring off against creatures conjured by Nazi evil. This issue (and season) is focusing on Becky (who debuted in season 3) and Ratmir, an ally of Mercy since season 1. The pair is traveling thru Rumania when they encounter a spirit crossing their path. The spirit informs them that they have stumbled upon the Forrest Of Silence, and their end is near. This revelation brings back forgotten memories from Ratmir as readers see a heartbreaking tale from his past. The pair doesn’t have much time to process as they move to leave the forest. Chasing after the spirit, the pair sees a young child and pursue them in finding a way out of the forest. As with all good intentions, this doesn’t go according to plan. The pair is led to a gingerbread house in the middle of seemingly nowhere but a group of children. Once inside the house, the true terror begins.

What transpires next takes the story into many different directions. A new character makes their play on the pair. Overseeing from afar, it appears as this new player might have a trick of two up her sleeve. How does this all tie into Ratmir? While readers will get clarification on that questions, they won’t be ready for the big revelation involving Becky! More answers are revealed while more questions get asked. Rest assured, once the game changing revelation is dropped, nothing will be the same. How this story resolves itself will get readers very excited to see where the pair goes from here with all this information.

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

This was my first introduction into the Ask For Mercy tale and I was very impressed with what I’ve read. Starkings plays off Becky’s innocence with Ratmir’s grizzled past very well. They are an odd pairing in many ways. Seeing how they wind up in their dangerous situation is noteworthy. Becky’s youthful wonderment plays into Ratmir reliving his past enough to be caught off guard. However, no moment hits more that Becky’s secret. Once that reveal unfolds, from here on out, nothing will be the same. It was great storytelling to keep longtime readers off guard. For new ones, it’s solid narration to what’s happening in this world. Th ending comes quick but after the reveal, it’s paced ong enough to let fans assess what just happened and prep for the next issue.

Harding’s art works well in this fantasy world. The fantasy aspects popped form the start. The spirit and its’ surrounding ghosts impact quickly as to what the lead pair will be dealing with. Showing Ratmir’s past went into a different style which meshed very well with the story in the present. Even the sadness of Ratmir’s face in wolf form spoke volumes. Becky’s reactions to the antagonist at hand factored in nicely to where her big reveal felt like a Huge Moment. The ending’s bright coloring sold the image for being a sign of hope for what lies ahead. Excellent work all around.

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

Ask For Mercy: The Circle of Time #1 - On Sale October 25th, 2022

Creative: Richard Starkings and Abigail Jill Harding

Credit: Comixology Originals

Final Point: The fantasy world of Ask For Mercy returned in a strong way. Starkings ad Harding craft a season premiere to watch for. Imaginative storytelling and art welcome new and returning readers to the world of mystery and magic with an issue not to pass on. Swing thru Comixology and check out the season four return this week.

Hit me up on Twitter and let me know what you thought of Ask For Mercy: The Circle Of Time #1.

Thanks for reading!

CANARY #3 (COMIXOLOGY ORIGINALS/BEST JACKETT PRESS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH Podcast! For this entry, we’re checking out the latest chapter of a second wave “Scottober” comic from the team over at Best Jackett Press for Comixology Originals. The line has been such a big success that there was an announcement at New York Comic Con that the deal with Comixology has been extended! This is huge news for comic fans because in the short span of about a year, this line has hit on all marks with fantastic stories like The “Last Ride” Of Marshall Holt in 1891 Utah.

Canary #3 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis continues one of the best horror western stories you’re ever going to read. With the tension built from last issue, let’s not waste another second and jump right into this book, shall we?

Canary #3 - On Sale October 25th

Creative: Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Best Jackett Press/Comixology Originals

Canary #3 - On Sale October 25th

Creative: Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Best Jackett Press/Comixology Originals

*** POSSIBLE SPOILER WARNING ***

Marshall Holt’s last ride has been one to captures fan’s attention from the start and never let go. When a seemingly good boy commits a horrific murder, Holt’s investigation leads him to a haunting familiar place. It also leads him back to one of his most terrifying adversaries in Hyrum Tell. Tell’s actions have chilled Holt to the bone and no matter the time away, that encounter still frightens. This issue kicks off with a reminder of how dangerous and maniacal Tell’s actions were. The bodies of the children Tull has killed have been found. The scene pulls no punches. Holt’s reaction is one that someone with his character should have. Struggling to find the right thing to do has been something Holt has been challenging himself with. The resolution is one that plays a factor later in this story.

From here, Holt joins Edison Edwards (or Ed-Ed), a rock doctor & Mabel Warren, daughter of the founder of Canary to search for the mystery at the cave. For this trip, Edwards has brought a Sonotron with him to decipher the water levels in the mines. Once arriving at the cave’s entrance, our trio finds that they are not alone. When members of the Paiute Tribe approach & try destroying the Sonotron, Holt engages in an intense stand-off with a warning issued to him and his team. The message is loud and clear with an object presented that will catch readers attention for sure. One would think this is the biggest shock in the issue, but no one is ready for what they uncover after leaving the mine. That final image is going to haunt readers with fear and anticipation for the next chapter.

Canary #3 - On Sale October 25th

Creative: Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Best Jackett Press/Comixology Originals

Canary #3 - On Sale October 25th

Creative: Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Best Jackett Press/Comixology Originals

Talk about a game changing moment in the series! Snyder perfectly executes a fantastic exclamation point to this issue with that final shot! Before that moment, the conversation with Mabel explaining her father’s theory of “Forms” stands out. It’s am interesting idea that has lingered around this series since the beginning. Holt’s character evolution on this final case features the various forms he’s gone thru. The banter between Mabel and Holt is executed well as hearing Holt come to terms with how he’ being perceived was a solid add to his character. This issue’s pacing was worked in magnificently. Between the dialogue and getting inside Holt’s mind-frame, the big moments never lost its’ emotional pull. I can’t stress enough: Just WAIT for that final panel shot! Excellent work.

Panosian’s art continues to shine thru the pages of this story. With much dialogue being said between Holt, Mabel and Edwards, the reactions made by those characters will catch the reader’s attention. Going back to the conversation between Mabel and Holt while Edwards is off with his machine, Panosian dives right into Holt’s energy of a Marshall on his last case while Mabel pushing his buttons on what is really going on: He’s at the end of the line. The introduction of the Paiute Tribe to their arrival at the cave gave for another strong point of drama for this chapter. The creative team balances Holt’s world to his legacy without missing a beat.

Canary #3 - On Sale October 25th

Creative: Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Best Jackett Press/Comixology Originals

Canary #3 - On Sale October 25th

Creative: Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Best Jackett Press/Comixology Originals

Final Point: Snyder, Panosian & the creative team ramp up the tension and fear with another incredible issue. The saga of Holt’s last ride transforms with new elements in play that have only scratched the surface of what evil he looks to be facing before riding off into the sunset. This book is always a must-read so make sure you don’t miss it when it debuts on Comixology Originals this week!

Hit me up on Twitter and let me know what you thought of Canary #3. Thanks for reading!

BASILISK #12 (BOOM STUDIOS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH Podcast! For this entry, we are at the end of the line for one of Boom Studios’s most intense reads and no one is ready for what is about to unfold. Basilisk #12 by Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire has been a brutal, unapologetic tale of the Chimera’s violent trail with one person hellbent on revenge to stop them once and for all. The story has built up to a fever pitch so let’s not delay one more moment and see how this story concludes, shall we?

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

*** POSSIBLE SPOILER WARNING ***

The saga of the Chimera has been quite the horrifying tale. Five individuals with powers based off the five senses road free leaving death and destruction in their wake. In one certain case, Hannah is left behind after the Chimera kills her family on one of their ventures. Fueled by revenge, she embarks on a crash course to stop them by any means, if if she dies in the process. Thru the course of this story Hannah has held her own and been assisted by Regan, one of the Chimera who defects from the group to help Hannah in a form of forgiveness for her actions. With the endgame forming, Vanessa emerges as the lone member left of the Chimera waiting in the wings. Lurking around these characters is Barret and the Faithful, the worshipers of the Chimera who are playing their own game along the way.

Last issue was the calm before the storm. Hannah has now made a deal with Barret to get to Vanessa. Regan has been cut off from Hannah and sits back watching the final stand unfold. Barret leads Hannah to the campsite of the faithful where Vanessa is waiting. After decimating the faithful, Vanessa is primed and ready to go. The battle is everything you would expect it to be, with Regan and Barret watching in the wings waiting for the winner. Readers will get their money’s worth with this fight. All is answered with a conclusion fitting for where this story has gone.

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Bunn finishes this tale with a resounding knockout punch. The pacing of this series has been one of its strong features. With last issue being focused on the build, the finale wastes no time ramping up the tension with the opening battle. Vanessa is back to her most ruthless while Hannah emerges as the vengeful protagonist leaving it all on the field of battle. The other side story carrys weight but feels as a complement to the overall main event. The issue closes with an ending that felt organic and fits into the mold of this series. Nothing came across as over-the-top. It’s an emotional close but one that will leave readers very pleased.

Scharf holds nothing back form the violence the series has been known for. Hannah versus Vanessa IS the fight fans have waited for. Scharf creates a legendary face-off that keeps readers locked and loaded on the story. Even the side tale going on has a “big fight feel” to it. The drama pours off the panels inserted in this comic. There isn’t just “Violence for shock value.” The tough moments mesh with Bunn’s set-up right to the letter. The action will leave fans with huge moments but the final image makes complete sense to how this story should be concluded on. Strong work by all.

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Basilisk #12- On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Basilisk #12 - On Sale October 5th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit Boom Studios

Overall, Bunn, Scharf and the team end the world of the Chimera with an unforgettable issue. The story has been an intense read and the finale lives up to the preceding issue’s bar. The action is blunt and in your face. The story showcases a reluctant lead with nothing else to lose verse an unstoppable foe. Basilisk #12 concludes this tale with a can’t miss issue at the LCS this week. Don’t miss it!

Hit me up on Twitter and let me know what you thought of Basilisk #12. Thanks for reading!

BOOK OF EVIL #1 (COMIXOLOGY ORIGINALS/BEST JACKETT PRESS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! For this entry, The season of “Scottober” has officially arrived! We’re checking out the latest edition to the impressive line of comics from SCOTT SNYDER for Comixology Originals. In the course of a year, fan have been treated to We Have Demons (w/art from Greg Capullo). Clear (w/ Francis Manupal), Night Of The Ghoul (w/ Francesco Francavilla), Barnstormers (w/ Tula Lotay), Canary (w/ Dan Panosian) and Dudley Datson & the Forever Machine (w/ Jamal Igle). Previously all were only available on Comixology but We Have Demons and now Night Of The Ghoul are available via print from Drak Horse Comics. The books speak for themselves in quality and content. Now on the anniversary, Snyder is ready to drop the latest book to an already star-studded line-up.

The ODPHpod talked with Scott a few months back and as soon as this book was mentioned, we’ve had it on our radars. Book Of Evil #1 reunites Snyder with a familiar creator: Jock, who fans know their work on Batman: Black Mirror, to welcome in the next phase from one of the hottest line of books in comics. Let’s not wait any longer and jump into this “Book”, shall we?

Book Of Evil #1 - on sale October 4th

Creative: Scott Snyder, Jock and Emma Price

Credit: Comixology Originals/Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

The world portrayed here is vastly different than what we currently perceive as “normal”. About 92% of the world’s population is now born as psychopaths This isn’t an exaggeration. This isn’t for shock value. This is the new reality that a 12 yr old boy named Homer lives in. Why the world is like this is very unclear at the this point, but the “average day” is made crystal clear to the readers from the opening page!

This issue is told by Homer as a journal entry. Readers can feel his sense of dread and fear as he’s riding a bus with an older woman…who’s foaming at the mouth to attack him should the bus cross the “Yolk Lines.” With each breath, she gets ready to attack Homer with scissors. Trembling with fear, Homer holds out hope to make it through in one piece. The moment never stops escalating until the bus shifts to the right side of the line. Just like that, the woman sits down. What feels like an event to the reader is just an average bus ride home for a 12 yr old in this new humanity.

As Homer continues his journal, he breaks down what has happened. In the 1960’s, children were changing as they hit their adolescence range (14-15 yrs old). This change was anything but average as their behavior had psychopathic tendencies. This was never a phase as it continued to spread throughout most the population, with no clear cut reason why this has happened. The remaining 8% are considered “animals” or less than Human. Homer is one of the 8%. He stays in “The Yolk”, a section designated for the animals to live in. With no parents to watch him, Homer stays there with his friends Blake, Elliot and Milton along with his older brother Poe.

To complicate things even more, Homer’s world is rocked with another obstacle to overcome. What exactly is that you ask? And what about a mysterious cartoon strip have to do with all of this, if anything? Readers will have these answered and also be waiting to see what Homer and his friends have to overcome next with a final image that gives some clarity on where this story is heading next.

Book Of Evil #1 - on sale October 4th

Creative: Scott Snyder, Jock and Emma Price

Credit: Comixology Originals/Best Jackett Press

Book Of Evil #1 - on sale October 4th

Creative: Scott Snyder, Jock and Emma Price

Credit: Comixology Originals/Best Jackett Press

Absolutely impressive first issue. Snyder crafts a world where insanity runs free and normalcy is all but forgotten. The words “New Normal” are often thrown around but with this volatile landscape, defining it as “normal” is anything but. Having the story told through Homer’s eyes via journal entry was a great play of storytelling. Every emotion could be felt within the 12 yr old’s words. It is truly fascinating how at such a young age (with impending doom coming when he matures) Homer is able to face this world and keep some hope. The story itself is a bleak and disturbing tragedy in the making. There’s no other way to say it, but Snyder never loses sight on how Homer braves the challenges and continues to press forward. In a sense, this is his own odyssey to return back to a time he’s only heard about but never lived thru: a normal life. Pacing was excellent and that final page’s words will haunt readers until next issue.

Jock’s art gives greater impact to the story when his imagery appears. Remember, this book is told in a journal entry format so there’s not traditional panels each page. Emma Price, who designed this book, did a phenomenal job with presenting it. The usage of certain colors like red (discarded terms) and yellow (“Animals”/Yolk references) in the dialogue added more layers to the story. When the images hit, Jock really drives home the horror and bleak aspect of this world. From the older woman’s rage on the bus to the almost optimism in the facial expressions of Homer’s friends waiting when he gets to their apartment, Jock’s art pops off the pages to deliver on making these moments connect with the readers. The usage of yellow thru the apartment is a great add-on to the story being told thru Homer’s eyes. There’s much to enjoy within the creative team’s work here.

Book Of Evil #1 - on sale October 4th

Creative: Scott Snyder, Jock and Emma Price

Credit: Comixology Originals/Best Jackett Press

Book Of Evil #1 - on sale October 4th

Creative: Scott Snyder, Jock and Emma Price

Credit: Comixology Originals/Best Jackett Press

Overall, Book Of Evil welcomes readers int a strange, dark world thru the eyes of normalcy’s last figures. Snyder, Jock and Price amp up on the creativity with their presentation while doubling down on the true horror of this world and the story about to be told. You simply can’t miss this book when it drops on Comixology this week. Highly recommended.

Hit me up on Twitter and let me know what you thought of Book Of Evil #1. Thanks for reading.

HOUSE OF SLAUGHTER #9 (BOOM STUDIOS)

Welcome to an all new edition of Parlay points, the complementary comic book blog to the ODPH Podcast! For this entry, we’re continuing the adventure of Edwin Slaughter in the pages of the “Something Is Killing The Children” spin-off, House of Slaughter. House of Slaughter #9 by James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera for Boom Studios has been a fascinating thriller as a reluctant choice from the Order of St. George has been tasked to solve a mystery. Edwin’s story has taken some great twists and turns thus far with this issue set to offer some clarity on our lead character. Let’s check out this latest issue and see what’s going on, shall we?

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

Last issue, readers witnessed Edwin start unlocking something hidden in his memory. It has been the latest hurdle in his mission to unlock a series of bodies washing up on a campsite in Lake Michigan. Now stranded at sea with his brush, Hermes, a memory comes into play that will impact Edwin moving forward. This issue kicks off with Edwin talking to a revealed Hermes about what he’s seeing. The memory shifts into the first days where the Order caught wind of a boy who was discovered by his dead mother. The scenes are dark and saddening as Edwin’s life is discussed by the people who find the body.

From here, the memories go further as Edwin starts to recall the monster who killed his mother. How this all unfolds will hit readers very suddenly as many secrets are revealed. By the time this issue is completed, Edwin’s origin story has been unfolded. Will it be one Edwin can handle or one that breaks him completely? Will he have time to handle the reveals before the true threat makes its appearance? The status quo of this story changes forever with this issue.

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

Edwin’s story doesn’t fall short of impressing. The tragic tale connects readers to how Edwin sees the world while explaining why his memories were blocked out for so long. It’s a clever story that Tynion and Johns compose. The dynamic of Hermes and Edwin has been an odd one to say the least but with the reveals here, things come into focus. The pacing never faults as readers take the dive into Edwin’s past. The issue feels as readers are seeing the final goodbyes to its lead character as he prepares for the inevitable encounter with the cause of his mission. It’s excellent storytelling as the fans have come to expect from this book. Expect no let down here.

Cadonici presents Edwin’s story with some stunning visuals. Setting up the flashbacks, Cadonici sets up the flashbacks with great assistance from Segala on coloring, giving each section a different feel. This comes across noticeably well when Edwin is confronted by a monster. The usage of black and red escalate the danger at hand. Another compliment to the story was the 12-cube panels when Edwin processes what Hermes is telling him involving the story. It feels like a big moment and doesn’t let down. Edwin’s tale closes out with a final image that looks to close out this story on a very solid note.

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House of Slaughter #9

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

Overall, The story of Edwin Slaughter continues to be a story you can’t put down. Tynion, Johns and the team deliver on a highly revealing issue that gives major insight to our lead character. It feels as one chapter closes before an even bigger event is about to begin. There’s no let down in the quality of content within these pages. Make sure to check this book out when it drops at the LCS this week.

Hit me up on Twitter and let me know what you thought of House of Slaughter #9. Thanks for reading.

GRIM #5 (BOOM STUDIOS)

Welcome to an all new edition of Parlay points, the complementary comic book blog to the ODPH Podcast! For this entry, we’re checking out the final story chapter of the initial arc of Boom Studios’ smash hit new series! GRIM #5 by by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano for Boom Studios has been nothing but a runaway success. Multiple printings right out the gate and Jessica Harrow is in top contention for best new character of 2022 without question. Let’s not waste any more time and jump into the latest installment, shall we?

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

Jessica Harrow’s (after)life as been nothing short of an adventure. Being a reaper and guiding a stray soul into the ever-after, the soul escapes and Jessica follows suit into the land of the living. Once there, she crosses over where she can be seen as a human. With the mystery of how this happened looming overhead, Jessica has been on the run from Adira, her boss who doesn’t want her searching any more. She’s not he only one invested in Jessica as The End, a force of nature who is looking to restore balance. The journey has led Jessica and her friends to Las Vegas in search of Death, who has been lurking in Sin City for quite some time.

This issue kicks off with Death explaining to Jessica his connection to Adira. Readers will be on the edge of their seats as the twisted history unfolds. However, that’s not the only reveal as Jessica finally finds out the big secret about her: she is Death’s daughter!

With that feel-good moment, it becomes an after thought when The End crashes the party. What happens from here will shock everyone! Does Jessica survive this encounter? What factor does Adira play in this? And are readers ready for that final page?! You simply can’t pass on this issue!

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Phillips continues the excellent work with this story. Just when you think you have everything figured out, Phillps throws everything out the window and hits you with something you weren’t expecting. This issue had many reveals, none arguably bigger than the reveal of Death being Jessica’s father. The fallout from that delivers on all points. This series never misses on perfect timing and placement for huge moments. The final parting points of this issue will have fans clamoring for the next issue. Jessica’s story is far from over and that’s a win for everyone.

Flaviano forges another visually impressive issue. The entire conversation with Death and Jessica easily connects with readers. The full page reveal drives home the importance of the moment. The battle with The End felt epic and it’s resolution couldn’t have been depicted better than what Flaviano presented. Even the subtle song lyrics for “My Father’s House” by Bruce Springsteen (which music has become a staple of this series) capped off a phenomenal read.

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

GRIM #5 - On sale September 28th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Overall, Grim #5 closes one chapter and will have fans begging for more after reading this issue. Phillips, Flaviano and company keep their hot streak rolling with another fantastic issue of one of the best series at the LCS! Highly recommended!

Hit me up on Twitter and let me know what you thought of Grim #5! As Always, thanks for reading!

CENSUS #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! For this entry, we’re checking out a new series on the great Comixology Originals line by way of Marc Bernardin. Readers might know Marc Bernardin’s name from the Eisner award nominee “Adora and The Distance” along with his work in podcasting (Fatman Beyond w/ Kevin Smith) and TV (Star Trek: Picard). Census #1 by Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt welcomes readers into the life of Liam Malone and his first day on the job, which is anything but normal. Let’s not waste any more time and jump into this first issue, shall we?

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

*** POSSIBLE SPOILER WARNING ***

This issue kicks off with with one of the best “You’re probably wondering how I got here” pages in recent memory. Liam is tied up with only his underwear on while 3 demons are standing over him. From here, readers are taken back to the day prior as Liam is going for a job interview. This scenario seems very normal as Liam is talking to a possible employer with a simple job posting: “ Good Pay, Flexible Hours, No Experience Needed”. It sounds too god to be true, especially for someone looking for a win. Liam gets the job with the Census Bureau, which sounds like it will be a simple job. At this stage in life , Liam should know that anything that sounds this perfect is more than likely flawed.

With a tablet in hand, Liam sets out to count the residents of his first assigned address. With should be a routine count in a Brooklyn apartment spins wildly out of control. What starts as a friendly conversation quickly speeds into another moment that our protagonist was not expecting when he signed up for this job. Readers will see how Liam got into the mess in page 1 and if he can find his way out of that crazy scene. The conclusion of this issue will leave readers with a clear sense of where the book is heading and that they need to jump on board now.

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Very solid debut issue. Bernardin, (along with Adam Freeman) create a fun beginning on Liam’s journey. The story is great balance with horror and supernatural elements along with well placed shots of comedy mixed in. Those themes rise up more to the reader when referencing the initial first case. Liam’s means to escape is quite the creative one that does cause a laugh out loud moment. No spoilers here, but it’s presented in a way that readers can only see Liam pulling off. The storytelling plays into his awkwardness in dealing with others as a strength. At no point did I feel that the story feel too cliche and it made for an enjoyable welcome into the life and times of Liam Malone.

Piriz’s art brings this story to life with capturing Liam’s ineptness into the new job field he’s entered. The facial expressions being showcased tell much of Liam’s character. Seeing his interactions with one of the residents of his first assignment to his new boss and what’s revealed at the end, Piriz crafts Liam’s conversations with a feel of uncertainty and reluctance. Readers will be able to pick up on this part of his character rather quickly but it’s never something that takes them out of the story. In fact, it’s something that as this series goes forward will become a stronger focus for readers to get behind and root for Liam to win.

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Census #1 - On Sale September 14th

Creative: Marc Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt

credit: Comixology Originals

Overall, Census #1 provides readers with a great story of self-discovery and unexpected travels through the backdrop of New York City. Bernardin, Freeman, Piriz and the rest of the creative team present readers with the saga of Liam Malone. Where it goes from here is anyone’s guess, but that’s why I feel it will be one that you simply can’t miss reading each month. Make sure to check it out on Comixology this week.

Hit me up on Twitter and let me know what you thought of Census #1. Thanks for reading.

BASILISK #11 (BOOM STUDIOS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH Podcast! For this entry, We’re nearing the conclusion of Boom Studios’ violent horror saga of the fearsome supernatural five. Basilisk #11 by Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire sets up the major players for the apocalyptic conclusion forthcoming. Let’s jump into this issue and see how this story prepares for its’ final confrontation, shall we?

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

The story has dwindled down to a few major players as readers head to the finish line:

Hannah, who is the lone survivor of a Chimera attack, as made a deal with devil after barely surviving her last run-in with the sinister group.

Vanessa, who has become the last true member of the Chimera but hasn’t been able to stop Hannah yet.

Regan, who defected from the Chimera to help Hannah, but fell out of her graces and is lost in direction at the moment.

This issue opens up with a flashback sequence of Vanessa’s upbringing and more reveals of how this incarnation of the Chimera came to be. Vanessa is talking with Regan in the present. The conversation feels like the final goodbye as they go over her sorted history. All the while Hannah has now partnered with Barret, a disciple of the Chimera, who wants to see Vanessa eliminated once and for all and will sacrifice Hannah to do it.

The rest of the story plays out with the hidden tale of how the Chimera came into contact with the cult that has found Vanessa. It is some frightening imagery but readers will get some long awaited answers to how the violent reign began. They also see how one of the last characters left is preparing for whats to come. As always, no punches are pulled here. The build is done well as it now appears that the final confrontation is ready to be told.

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Bunn sets the pace for is sure to be a memorable final farewell to this horrific tale. The road of Vanessa has been a very interesting story to follow as she has gone thru some dramatic changes sine the early days of this book. With this issue, it appears that she is fully aware of what is coming with the conversation she has with Regan. The majority of the issue is centered here as new information about the Chimera is brought to light. Hannah’s big moment form last issue feels almost as an after thought but when put into context, her story is just about told so no need to add more to close. Regan will be one to watch as she seems to be the odd one out in the shuffle. Solid build towards what’s coming.

Even with the conclusion forthcoming, Scharf doesn’t slow down with the disturbing imagery. Vanessa’s flashback tale shows of how brutal her story truly is. This book doesn’t break away from what it’s known for. It is not one for the weak at heart. The art delivers on setting the mood for what’s about to go down. The final sequences with Vanessa are prime examples with the big “exclamation points” put on with the final full page shot.

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Basilisk #11 - On Sale September 7th

Creative: Cullen Bunn, Jonas Scharf, Alex Guimaraes & Ed Dukeshire

Credit: Boom Studios

Overall, Basilisk #11 felt like the last hurrah between two characters going into the last confrontation. Bunn, Scharf and company tie up some loose ends while creating the landscape for one hell of a finale. Don’t miss this book when it drops at the LCS this week.

Hit me up on Twitter and let me know what you thought of Basilisk #11. Thanks for reading.

ONCE AND FUTURE #29 (BOOM STUDIOS)

Welcome to an all new edition of Parlay points, the complementary comic book blog to the ODPH podcast! For this entry, we’re checking out the penultimate issue of one of Boom Studios’s most creative titles ever. Once and Future #29 by Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire begins to wrap up its epic fantasy saga of magic and mayhem. After last issue, let’s not waste another moment and jump right in to see where Bridgette, Duncan and Rose stand now, shall we?

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

Bridgette McGuire, her grandson Duncan & his friend Rose have been thru some dire situations in 28 past issues, but nothing like what is coming now. They have suffered a time slip that has caused an issue with their plan to stop the battle with an evil “King Arthur.” Meanwhile, Bridgette’s daughter Mary lost her son Galahad recently and has started to work with her estranged mother to end this madness. Throw in the fact that Rose was apparently killed last issue by the Green Knight.

This issue opens up with a remembrance at Galahad’s grave. Mary is nowhere to be found, but Rose’s mother is attending the grave. It has an eerie backdrop as Rose lays dead at the blade of the Green Knight. From this moment, The Knight challenges The evil King and is killed instantly. However all is not what it seems. Rose survives as she is in possession of the King’s Scabbard. At this moment, there is a HUGE GAME CHANGER MOMENT that I won’t spoil but WOW! The rest of the issue literally throws a brick on the gas petal and never looks back. The final moments are set up for Bridgette, Duncan, Mary and Rose! If you’ve ever read this series before, these final issues are must haves!

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Gillen wastes no time in delivering some epic moments with this issue. None will be bigger than Rose’s survival from the Green Knight. Readers will have much to process here. The pacing works and even when the book feels faster in storytelling, nothing feels forced or lost. The major reveal has a lasting impact and sets forth a domino effect for the other characters. Everyone is getting their screen time to finish out their journeys . All the cards are on the table here. Absolutely a must read (Grade 10/10).

There is no better artist in comics at this moment than Dan Mora. Superstar work being done with the highly imaginative tale being presented here. There is an epic battle within these pages and Mora delivers on a “big fight feel” with so much emotion, you can’t help but feel it as a reader. The visuals never cease to impress. One of the biggest downers of seeing this comic conclude is not seeing Mora push the creative limits with this vastly changing retelling of characters. Phenomenal work 10/10

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Once and Future #29 - On sale September 7th

Creative: Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire (Cover: Dan Mora)

Credit: Boom Studios

Overall, Once and Future #29 is a comic that simply put: can NOT be missed this week! Gillen, Mora and company set the stage for what should be an intense closing of one of comics’ best books. Make this a priority to pick up this week at the LCS!

Hit me up on Twitter and let me know what you thought of Once and Future #29. Thanks for reading!

HOUSE OF SLAUGHTER #8 (BOOM STUDIOS)

Welcome to an all new edition of Parlay points, the complementary comic book blog to the ODPH Podcast! For this entry, we’re continuing to follow the spin-off stories from the world of Something Is Killing The Children. House of Slaughter #8 by James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera for Boom Studios has been building up the suspense following Edwin Slaughter. This second story’s journey has been very good as Edwin has been using his skills to cypher what is going on. What is really happening with this case? Let’s check out what the latest issue and see what is uncovered now, shall we?

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera (Cover: Rafael Albuquerque)

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

Edwin Slaughter has been sent to investigate a series of bodies washing up to a camp site in Lake Michigan. Edwin has been sent by the Order of St. George due to his unique perspective for looking at things. So far, his journey hasn’t yielded too many wins thus far, but he appears to have a plan to finally figure out what is going on here. Now stuck adrift at sea with Hermes, his brush companion, Edwin plots his next move in searching out the mystery at the campsite.

This issue kicks off with Edwin and Hermes still lost at sea. They’re talking next possible moves. Edwin feels that the House isn’t looking to rescue them but banking on that they will send someone in to solve the case and clean things up without a trace. However, during this monologue, Edwin starts to break down what is happening here. Readers see a great insight to what he’s envisioning. It’s quite the theory but it’s right on the money for what’s happening.

From this stage, Edwin makes a play to finally solve this once and for all. The move is a bit riskier than we’ve seen thus far. However, that’s not the biggest shock readers will see in this issue. Using his artwork as a guide, Edwin begins to unlock something that might have been buried fr a reason. What is the big secret that might becoming unlocked? Will the pair survive at sea? Readers will need to get this issue quickly to get those answers.

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

Edwin’s story really takes some surprise twists with this issue. His journey into solving this mystery has been something very intriguing to watch unfold. The writing has been showcasing how he perceives the world around him as a focal point and it still feels fresh and new reading. Once Edwin figures out what he thinks is behind all this, readers get a very catching explanation. However, what will get the most buzz from this issue is the final chapter of Edwin cyphering what is happening. The flashback trip explains much that has been building over the course of this arc. This book never ceases to bring readers new perspectives and it’s been a win thus far with no signs of slowing down.

The art stands out for another strong performance. Seeing the world thru Edwin’s eyes continues to complement the story being told. The use of how Edwin looks at his artwork to having the flashback moments really added some gravity to what has been his assignment all along. Even the subtle look of Edwin’s purple eyes adds to how he looks at the world differently. This book hits all the major points to building towards the climax of what Edwin is looking for. Impressive work as ever.

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

House Of Slaughter #8 - On Sale August 31st

Creative: James Tynion, Sam Johns, Letizia Cadonici, Francesco Segala, Andworld Design and Werther Dell’edera

Credit: Boom Studios

Overall, House of Slaughter #8 continues to build a new world thru Edwin Slaughter’s eyes. Strong storytelling and art progress the story into a new direction. This book has a vibe all its’ own and is one to be on the radar when you hit the local comic shop this week!

Hit me up on Twitter and let me know what you thought of House Of Slaughter #8. Thanks for reading.

BLOOD OATH #1 (COMIXOLOGY ORIGINALS/NEW WAVE COMICS)

Welcome to an all new edition of Parlay points, the complementary comic book blog to the ODPH podcast! For this entry, we’re chcking out a new book under the Comixology Originals line via New Wave Comics. If New Wave comics and Comixology together sound familiar, it’s because you might know The Black Ghost, which is another great book out on this line and it’s season 2 starts this week as well. Blood Oath #1 by Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos has a very cool concept: vampires in the prohibition times. Let’s take a longer look at this debut issue and see what’s going on here, shall we?

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

*** POSSIBLE SPOILER WARNING ***

The story centers around Hazel Crenshaw and the farm that she runs with her younger sister Geraldine in Staten Island of the 1920’s. What appears to be “small town” energy turns out to have a secret from most going on. Hazel is shipping alcohol out of the farm, which is against the law during this time. Prohibition (sale of alcohol is illegal) is running wild during this time. Surviving by selling in this era is crucial to keeping the lights on at the farm. However, when dealing with the dangers of prohibition, protection is needed. Hazel is confronted by Frankie about more muscle and product but they have an unexpected visitor crash their conversation.

Walt, Geraldine’s boyfriend returns to the farm bloodied and beaten. Walt tells the tale of the ill fated walk the pair was doing when they were attacked by some supernatural individuals that have a vested interest in the product on the farm. Supernatural might be an understatement as readers see a vampire gang attack the pair. How will this factor into Hazel’s plans moving forward? Is she ready for the fight when it's brought to her front door? Readers will get some answers and more raised by the time the issue is completed.

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Solid debut issue. Hart and Segura are blending in a lot of elements with the concept here, which isn’t a bad thing. The issue’s strengths are seeing how Hazel reacts to the new threat at her doorstep. Considering the threats at hand, Hazel never falters and remains very calm (as one could be) with everything going on. The Vampire gang will be ones to watch. For making a more brief appearance, they hit the ground running to establish why they’re going to be cause for concern moving forward. Pacing moved things along quickly that never felt super rushed. There’s a lot more questions to be answered moving forward, but this series made a concrete base to work from.

The art captured the time period it was in very well. Eisma presented the horror with the action sequences to give the story a solid look. Never did it feel like things were toned down as a few vampire kills were gory enough to illustrate how dangerous they were. None drove a bigger point home than one last kill in this issue. Hazel’s conversations were also memorable in seeing how she is adjusting to the element of business she’s now apart of. It balanced out the overall story going on and set a nice tempo for where things are heading.

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Blood Oath #1 - On Sale August 30th

Creative: Rob Hart, Alex Segura, Joe Eisma, Hilary Jenkins, Jim Campbell, and Heather Antos

Credit: Comixology Originals via New Wave Comics

Overall, Blood Oath #1 hits the ground running with a great first issue. Mixing in the supernatural with modern history times is a fresh concept that should lock readers in for the series run. The creative team presents a very fascinating story that will only get more wild as it progresses (and that’s not a bad thing either). Make sure to check this book out on Comixology this week!

Hit me up on Twitter and let me know what you thought of Blood Oath #1. thanks for reading.

THE ALL-NIGHTER #9 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! For this entry, we’re looking at the penultimate issue of one of the most creative books on the Comixology Originals line. The All-Nighter #9 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Aditya Bidikar shapes up the story for one amazing conclusion. If or whatever reason haven’t checked the story out yet, the first chapter is available in print form via Dark Horse Comics. Let’s take a closer look at how the second chapter is heading everyone’s favorite diner team into its finale, shall we?

The All-Nighter #9- On Sale August 30th

Creative: Chip Zdarsky, Jason Loo, Paris Alleyne, and Aditya Bidikar

Credit: Comixology Originals

*** POSSIBLE SPOILER WARNING ***

Last we saw our vampire group from the Diner, things were looking very bleak. Cynthia has been leading the family since Ian’s disappearance & it has not been an easy road. Joy, the “youngest” of the family took off to reconnect with her real family. That move didn’t go over as good as Joy had hoped. Alex, the “teenage hero” has been trying his best to continue being a super hero, but that has strained much including his relationship with Andrea, a former police officer. Lastly, Ian, who was the leader of this group was imprisoned by Lazaruk, who seeks to take over by posing as “The Justice Angels”, to sneak attack the public on their way to conquer.

This issue picks up with Cynthia working with “Francis” (aka Frankenstein) to free Ian from Lazaruk’s hold. It’s an interesting dynamic but with the stakes this high, alliances are formed to hopefully save the day. Will this duo save Iam beofre it’s too late? Meanwhile, Lazaruk has confronted Joy about joining his regime With the offer of not hiding in shadows as a prize, Joy listens. She is shown Lazaruk’ operation and has many questions. All the while, Alex is investigating Lazaruk as well. Unfortunatly as Alex tries helping someone, Lazaruk and the Justice Angels find him. What will happen now? Can the diner team stop Lazaruk? Will someone not make it until the end? Readers will need to read this issue and find out!

Zdarsky has everything moving very fast heading to the final issue. Lazaruk unveiling his plan and seemingly ready for the opposition was a fun read. From this entire second run, he has been a character making moves but with the end near, Lazaruk has taken his actions up a few notches. The dynamic between Cynthia and Francis was another great element of the story. There is a great moment where the mythos is flipped a bit to show a different side to the character. Every major player had their page-time without feeling rushed or forced. With a finale looming, this should be something special to watch.

Loo continues to design big moments for this final arc. Seeing Francis unleashed as what happened when he tried freeing Ian was out of normal character but illustrated to the reader how high the stakes are for this mission. Seeing the encounter between Lazaruk and Alex was a great introduction to what is coming next issue. Seeing Lazaruk’s plan start to roll will add much more impact for the big closing.

Overall, The All-Nighter #9 sets up the chessboard for a resounding exclamation point for this story. Zdarsky, Loo and company position all the major players for a final confrontation that readers should be counting down the days to read. Make sure to check this out at Comixology this week.

Hit me up on Twitter and let me know what you thought of the All-Nighter #9. Thanks for reading.

GRIM #4 (BOOM STUDIOS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! One of the best new series of 2022 continues its epic debut story arc with another must-read issue! Grim #4 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano for Boom Studios has been an absolute smash since it debuted in the local comic shops. Last issue left readers with a final page that raised many questions. How does this latest issue fare? Let’s take a deeper dive and see, shall we?

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

*** POSSIBLE SPOILER WARNING ***

The saga of Jessica Harrow continues to take some very exciting turns. After a routine job of guiding a dead soul into the afterlife as a reaper goes sideways, her (after)life has been turned upside down. After somehow crossing over into the land of the living, Jessica starts searching for answers. None of which her boss Adira is happy with. With Adira trying to stop her search for the truth, Jessica and her friends make an escape from The End, who is trying to silence this situation once and for all.

This issue jumps in (literally) with Jessica’s team making a leap from a tower to escape The End. During their free fall, The Scythe she wields opens up a portal. Where that portal leads: Las Vegas! Meanwhile, Adira assesses the situation and determines Jessica has Death’s Scythe! She sends The End to find her in Vegas. While in Vegas, Jessica somehow saves a drunken party-goer from being killed. However, that interaction turns out to be more than it seems. What happens that changes the course for Jessica? It’s a surprise that will have fans talking along with a final chapter of the issue that sets events in motion.

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

The story of Jessica Harrow keeps taking such great twists, all thanks to the incredible writing of Phillips. Jessica’s world is one that never feels predictable and always keeps things exciting. The mystery of who she is has been great to follow. This issue shines when she makes the save on the party-goer. Jessica shows why there’s something more to her with her heroic actions. This issue focused more on the journey’s of both Jessica and Adira, which is no a bad thing. It gave Jessica moments to dive into her own mystery. On the flip-side, Adira, while not featured heavily, made the most of the time on page. The pace kept things moving and will invest readers from the opening page to close. Excellent job.

This book has such a unique feel to it, all thanks to Flaviano & the rest of the art team. It always has panels that pop right off the page. None bigger this issue then when Jessica makes the save. This vision of Las Vegas also sands out thanks to the coloring work of Renzi. When there, it stands out with its use of pink/purple as a backdrop to the strip. Readers can’t help but be locked into its surroundings. As someone who’s visited Vegas many times, this felt like the energy you see when you’re in Sin City. The final panels put a solid exclamation point on this issue!

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Grim #4- On Sale August 24th

Creative: Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano

Credit: Boom Studios

Overall, Grim #4 proves why this book is an absolute can’t miss. Phillips, Flaviano and company continue to make one of the coolest books on the market with the work being put in here. The story of Jessica Harrow keeps getting better and better so make sure you stop down to your LCS this week and get this book!

Hit me up on Twitter and let me know what you thought of Grim #4. Thanks for reading!

BOOK OF SHADOWS #2 (VALIANT ENTERTAINMENT)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast. For this entry, we’re checking out the next chapter in one of the most anticipated books coming out from Valiant Entertainment. Obviously, there has been a lot of speculation of what Valiant’s future holds after reports of rumored trouble and uncertainty emerged. Valiant has issued a public statement which gives an idea of what to expect over the next few months.

That said, Book Of Shadows #2 by CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE is slated to hit the local comic shops this week before returning in January. Let’s waste no more time and see where things are heading in this latest installment, shall we?

BOOK OF SHADOWS #2
creative: CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE
(Cover A by RAFAEL ALBUQUERQUE)

Credit: Valiant Entertainment

*** POSSIBLE SPOILER WARNING ***

Shadowman, Persephone, Dr. Mirage, PUNK MAMBO, and the Eternal Warrior have been brought together to try stopping Exarch Fane on his deadly and destructive attack on Earth, dubbed “The Dark Feast”. Fane is carrying the Book Of Shadows, a dark and mysterious weapon, with him and our team is finally ready to make a play to stop him once and for all.

The team opens up with an all out attack on Fane. Much to their disappointment, Fane is taking their best shots and brushing them off. His big equalizer is the Book Of Shadows itself. From the powerful item, Fane summons an army of creatures to defend him. Left with no other choice, the team of heroes makes a hasty retreat, leaving Fane to attack others.

During their retreat, The Eternal Warrior divulges more into the history of Exarch Fane. What secrets are revealed here? What is a big reveal surrounding he Book? The team makes a call with all the information that sends them into a few directions with no easy roads to victory. Even with the long wait, the final panel will leave readers something to remember until we revisit this story in 2023 (hopefully sooner).

BOOK OF SHADOWS #2
creative: CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE
(Cover A by RAFAEL ALBUQUERQUE)

Credit: Valiant Entertainment

BOOK OF SHADOWS #2
creative: CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE
(Cover A by RAFAEL ALBUQUERQUE)

Credit: Valiant Entertainment

Bunn delivers on a very action packed issue while slowly revealing why Exarch Fane might be the impossible foe to stop. It’s a great balance of storytelling. The dynamic between the “team” is what jumps out most from this issue. The personalities involved here are not ones built for teamwork. From his run on Shadowman, Bunn established Jack Boniface struggles with working with others. With the stakes even higher, this point is brought to the forefront. Punk Mambo steals some panels with great one-liners. Once the team “decides” on a plan, it sets up for what should be a very enjoyable third issue.

Cifuentes continues ti impress with this series. The action sequences pop off the pages with a great attention to detail. This is something I look for when dealing with team books. There is also a great 2 page spread explaining Exarch Fane’s history with the Eternal Warrior. How the pages are made up gave it a very unique look to separate form the actual story. Even with the more quieter explanation moments with the characters, the art generates the severity of Fane’s action during this points in the story. There’s much to enjoy with this issue.

BOOK OF SHADOWS #2
creative: CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE
(Cover A by RAFAEL ALBUQUERQUE)

Credit: Valiant Entertainment

BOOK OF SHADOWS #2
creative: CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE
(Cover A by RAFAEL ALBUQUERQUE)

Credit: Valiant Entertainment

BOOK OF SHADOWS #2
creative: CULLEN BUNN, VICENTE CIFUENTES, NICK FILARDI, and DAVE SHARPE
(Cover A by RAFAEL ALBUQUERQUE)

Credit: Valiant Entertainment

Overall, Book of Shadows #2 continues to make some noise with the story being told within these pages. Bunn and Cifuentes are presenting Valiant’s most reluctant team with solid storytelling and fantastic art. If this is truly the end till 2023, the book heads into hiatus on a high note. Make sure to check this out at the LCS this week.

Hit me up on Twitter and let me know what you thought of Book Of Shadows #2. Thanks for reading.

COLD IRON #4 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast. We have arrived at the conclusion issue for one of the most intriguing tales on the Comixology Originals line. Cold Iron #4 by Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller has been an engaging tale of a young woman named Kay and her fateful night crossing paths with a lost child named Mona. The story has gone in some fun directions but all roads have now lead us here. Let’s check out the final issue and see how this story ends, shall we?

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

*** POSSIBLE SPOILER WARNING ***

From supernatural creatures to shady humans with ulterior motives, Kay’s life has been anything but normal since Mona crashed into her life. From saving the child, becoming her protector, dealing with shady characters trying to kidnap Mona and now leading her rescue mission as she (and Kay’s grandmother) were apparently dragged back into the Outworld, Kay’s evolved as an unlikely heroine trying to save the day. Last we saw her, she was making her way to the Drinking Dragon, the opening to the Otherworld. After going under water, she was pulled (by a mysterious hand) thru to the other side.

As she makes her way thru this landscape, Kay encounters more creatures rummaging thru her belongings that were pulled thru when her grandmother’s cottage collapsed thru the ground. Furthering her search, Kay finds more creatures with more items. It’s also alluded to that her grandmother saved her as well. With her lucky horse shoe of Cold Iron and guitar in hand, Kay makes her way to find Mona.

Along the way, Kay encounters a familiar face that reveals some information followed with a confrontation that’s been building. Where does the story go from here? Will Kay be able to Save Mona? What other problems arise in this new world. Readers will get those answers and more with a conclusion that will leave some questions to be asked.

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

Diggle writes a solid conclusion to this winding tale of magic and discovery. Kay emerges in this last issue as someone who isn’t backing down from destiny. Over the issues, she has become a surprise hero but with this finale, this stands out in the final standoff. This is all done while utilizing one of her strongest abilities that readers hadn’t seen in a while: Playing Music. The resolution of the overall story is a pleasant but fast-moving surprise. This shouldn’t be taken as a negative, but it’s something that stood out. After what seems like the main antagonist is dealt with, the story wraps up with some questions to ponder with the final panel.

Brokenshire lets loose on some fantastic imagery with this conclusion. Readers witness many new supernatural characters now added to the mix once Kay crosses into the Other World. Readers also see how Kay has grown thru the course of this story. Kay looks ready to fight and handle all challenges that await her in this new world. The confrontations hit with great emotional impacts as Kay does her best to fins and save Mona. Brokenshire also does a great portraying Kay using music to give her an advantage when needed in this issue. The final panel shot is a perfect way to cap off this portion of the story.

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

Cold Iron #4 - On Sale August 9th

Creative: Andy Diggle, Nick Brokenshire, Triona Farrell, Simon Bowland & Tom Muller

Credit: Comixology Originals

Overall, Cold Iron #4 gives a satisfying ending to a very imaginative story. Diggle and Brokenshire close out this chapter of Kay’s journey with some memorable moments and gives readers some questions to ponder if/when we will see these characters again. Make sure to check it out on Comixology for NCBD.

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