Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! For this entry, The season of “Scottober” has officially arrived! We’re checking out the latest edition to the impressive line of comics from SCOTT SNYDER for Comixology Originals. In the course of a year, fan have been treated to We Have Demons (w/art from Greg Capullo). Clear (w/ Francis Manupal), Night Of The Ghoul (w/ Francesco Francavilla), Barnstormers (w/ Tula Lotay), Canary (w/ Dan Panosian) and Dudley Datson & the Forever Machine (w/ Jamal Igle). Previously all were only available on Comixology but We Have Demons and now Night Of The Ghoul are available via print from Drak Horse Comics. The books speak for themselves in quality and content. Now on the anniversary, Snyder is ready to drop the latest book to an already star-studded line-up.

The ODPHpod talked with Scott a few months back and as soon as this book was mentioned, we’ve had it on our radars. Book Of Evil #1 reunites Snyder with a familiar creator: Jock, who fans know their work on Batman: Black Mirror, to welcome in the next phase from one of the hottest line of books in comics. Let’s not wait any longer and jump into this “Book”, shall we?

Book Of Evil #1 - on sale October 4th
Creative: Scott Snyder, Jock and Emma Price
Credit: Comixology Originals/Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

The world portrayed here is vastly different than what we currently perceive as “normal”. About 92% of the world’s population is now born as psychopaths This isn’t an exaggeration. This isn’t for shock value. This is the new reality that a 12 yr old boy named Homer lives in. Why the world is like this is very unclear at the this point, but the “average day” is made crystal clear to the readers from the opening page!

This issue is told by Homer as a journal entry. Readers can feel his sense of dread and fear as he’s riding a bus with an older woman…who’s foaming at the mouth to attack him should the bus cross the “Yolk Lines.” With each breath, she gets ready to attack Homer with scissors. Trembling with fear, Homer holds out hope to make it through in one piece. The moment never stops escalating until the bus shifts to the right side of the line. Just like that, the woman sits down. What feels like an event to the reader is just an average bus ride home for a 12 yr old in this new humanity.

As Homer continues his journal, he breaks down what has happened. In the 1960’s, children were changing as they hit their adolescence range (14-15 yrs old). This change was anything but average as their behavior had psychopathic tendencies. This was never a phase as it continued to spread throughout most the population, with no clear cut reason why this has happened. The remaining 8% are considered “animals” or less than Human. Homer is one of the 8%. He stays in “The Yolk”, a section designated for the animals to live in. With no parents to watch him, Homer stays there with his friends Blake, Elliot and Milton along with his older brother Poe.

To complicate things even more, Homer’s world is rocked with another obstacle to overcome. What exactly is that you ask? And what about a mysterious cartoon strip have to do with all of this, if anything? Readers will have these answered and also be waiting to see what Homer and his friends have to overcome next with a final image that gives some clarity on where this story is heading next.

Absolutely impressive first issue. Snyder crafts a world where insanity runs free and normalcy is all but forgotten. The words “New Normal” are often thrown around but with this volatile landscape, defining it as “normal” is anything but. Having the story told through Homer’s eyes via journal entry was a great play of storytelling. Every emotion could be felt within the 12 yr old’s words. It is truly fascinating how at such a young age (with impending doom coming when he matures) Homer is able to face this world and keep some hope. The story itself is a bleak and disturbing tragedy in the making. There’s no other way to say it, but Snyder never loses sight on how Homer braves the challenges and continues to press forward. In a sense, this is his own odyssey to return back to a time he’s only heard about but never lived thru: a normal life. Pacing was excellent and that final page’s words will haunt readers until next issue.

Jock’s art gives greater impact to the story when his imagery appears. Remember, this book is told in a journal entry format so there’s not traditional panels each page. Emma Price, who designed this book, did a phenomenal job with presenting it. The usage of certain colors like red (discarded terms) and yellow (“Animals”/Yolk references) in the dialogue added more layers to the story. When the images hit, Jock really drives home the horror and bleak aspect of this world. From the older woman’s rage on the bus to the almost optimism in the facial expressions of Homer’s friends waiting when he gets to their apartment, Jock’s art pops off the pages to deliver on making these moments connect with the readers. The usage of yellow thru the apartment is a great add-on to the story being told thru Homer’s eyes. There’s much to enjoy within the creative team’s work here.

Overall, Book Of Evil welcomes readers int a strange, dark world thru the eyes of normalcy’s last figures. Snyder, Jock and Price amp up on the creativity with their presentation while doubling down on the true horror of this world and the story about to be told. You simply can’t miss this book when it drops on Comixology this week. Highly recommended.

Hit me up on Twitter and let me know what you thought of Book Of Evil #1. Thanks for reading.

BOOK OF EVIL #1 (COMIXOLOGY ORIGINALS/BEST JACKETT PRESS)

Ken M