Welcome to an all new edition of Parlay Points, the comic book blog to the ODPH podcast. For this entry, we’re checking out a brand new series from Boom Studios that is starting to generate a bit of buzz amongst comic fans. BEHOLD, BEHEMOTH #1 is presented by Tate Brombal (of “Something Is Killing The Children” fame), Nick Robles (from “The Dreaming: Waking Hours”), and Andworld Design (nuff said). With this lineup assembled, this is sure to be a book to have on the radar at the comic shops. Let’s take a closer look and see what’s happening here, shall we?
*** POSSIBLE SPOILER WARING ***
This issue opens up with a funeral for a fallen officer named Liam. His brother, Grayson, is standing over his grave. During this moment, Grayson has a flashback to when he and his brother were young kids. From hiding out in a tent, the boys talk about a better future. Thier talk is interrupted by someone. Grayson is apologizing but Liam doesn’t seem too phased by what’s to come. As he opens the door to the outside, Readers are shown that things are drastically different than the simple campout. There are creatures and figures of mystery walking about in a whole new world. Grayson is snapped back to reality by Liam’s former partner Kavita.
Their conversation eludes to more going on here (at least from Grayson’s POV). Kavita brushes it off and orders Grayson to get some sleep and get right. Shortly after this, Grayson is back to work as a social worker. While checking in on the Wyatt Family, Grayson meets a young girl by the name of Wren. What should have been a routine check spirals into something more as later that night, the Wyatt Family are all found dead except Wren. What happened to the family? How does this connect (if at all) to Grayson? What is Wren’s secret and what does the final act represent? Readers are left with questions that they will be very invested with finding out the answers to.
Brombal doesn’t delay in throwing in the horror aspect with this story. Right from the funeral, readers start delving into the world of Grayson’s visions. Nothing is tipped off right away so there’s a sense of mystery to what is happening. Is it real or all in Grayson’s head? Brombal scatters clues throughout the issue that will leave readers guessing. The mystery of Wren is another dynamic that stuck out. Her story just started to unfold but there is a connection with Grayson and her. How that will play out is anyone’s guess at this stage. The closing act won’t bring closure but brings more intrigue to an already imaginative tale.
Very impressed by Robles work with this issue. Breaking down the worlds Grayson sees & giving each a different feel played out well. With the use of Red as the color scheme of Grayson’s visions, readers could feel that these were not welcomed places to be in. The facial expressions for Grayson and Wren added weight to the scenes taking place. They were already set up perfectly by Brombal, but with Robles art, they really drew more emotions of the reader to the story at hand. It’s a strong connection to feel what these characters are going thru (and this is only issue #1?!). The ending shot will have fans talking. There’s much to be excited about with this series.
Final Point: Brombal and Robles usher in the horror and mystery with a impressive debut issue. Grayson’s world has only begun to peel back the layers of the story but with the high stakes of the end of the world mixed in with his own sanity, it makes for a compelling tale not to miss! Make sure to check this out at the Local Comic Shops this week!
Hit me up on Twitter and let me know what you thought of Behold, Behemoth #1! Thanks for reading.