Welcome to an all new edition of Parlay Points, the complementary comic book blog to the ODPH podcast! For this entry, we’re checking out a new series on the great Comixology Originals line by way of Marc Bernardin. Readers might know Marc Bernardin’s name from the Eisner award nominee “Adora and The Distance” along with his work in podcasting (Fatman Beyond w/ Kevin Smith) and TV (Star Trek: Picard). Census #1 by Bernardin, Adam Freeman, Sebastián Piriz, Bernardo Brice and Sarah Litt welcomes readers into the life of Liam Malone and his first day on the job, which is anything but normal. Let’s not waste any more time and jump into this first issue, shall we?
*** POSSIBLE SPOILER WARNING ***
This issue kicks off with with one of the best “You’re probably wondering how I got here” pages in recent memory. Liam is tied up with only his underwear on while 3 demons are standing over him. From here, readers are taken back to the day prior as Liam is going for a job interview. This scenario seems very normal as Liam is talking to a possible employer with a simple job posting: “ Good Pay, Flexible Hours, No Experience Needed”. It sounds too god to be true, especially for someone looking for a win. Liam gets the job with the Census Bureau, which sounds like it will be a simple job. At this stage in life , Liam should know that anything that sounds this perfect is more than likely flawed.
With a tablet in hand, Liam sets out to count the residents of his first assigned address. With should be a routine count in a Brooklyn apartment spins wildly out of control. What starts as a friendly conversation quickly speeds into another moment that our protagonist was not expecting when he signed up for this job. Readers will see how Liam got into the mess in page 1 and if he can find his way out of that crazy scene. The conclusion of this issue will leave readers with a clear sense of where the book is heading and that they need to jump on board now.
Very solid debut issue. Bernardin, (along with Adam Freeman) create a fun beginning on Liam’s journey. The story is great balance with horror and supernatural elements along with well placed shots of comedy mixed in. Those themes rise up more to the reader when referencing the initial first case. Liam’s means to escape is quite the creative one that does cause a laugh out loud moment. No spoilers here, but it’s presented in a way that readers can only see Liam pulling off. The storytelling plays into his awkwardness in dealing with others as a strength. At no point did I feel that the story feel too cliche and it made for an enjoyable welcome into the life and times of Liam Malone.
Piriz’s art brings this story to life with capturing Liam’s ineptness into the new job field he’s entered. The facial expressions being showcased tell much of Liam’s character. Seeing his interactions with one of the residents of his first assignment to his new boss and what’s revealed at the end, Piriz crafts Liam’s conversations with a feel of uncertainty and reluctance. Readers will be able to pick up on this part of his character rather quickly but it’s never something that takes them out of the story. In fact, it’s something that as this series goes forward will become a stronger focus for readers to get behind and root for Liam to win.
Overall, Census #1 provides readers with a great story of self-discovery and unexpected travels through the backdrop of New York City. Bernardin, Freeman, Piriz and the rest of the creative team present readers with the saga of Liam Malone. Where it goes from here is anyone’s guess, but that’s why I feel it will be one that you simply can’t miss reading each month. Make sure to check it out on Comixology this week.
Hit me up on Twitter and let me know what you thought of Census #1. Thanks for reading.