PARLIAMENT OF ROOKS #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, Comixology Originals has a brand new series debuting with a very familiar creator returning to the line. Since 2018, Abigail Jill Harding has been gifting fans with the stunning imagery of the “Ask For Mercy” series with Richard Starkings. With this new series, Harding is making her writing debut with a tremendous amount of buzz behind it.

Parliament of Rooks #1 by Abigail Jill Harding and
Richard Starkings looks to have fans attention with a magnetic story playing out behind its’ concept. Let’s see how this debut fares, shall we?

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

*** POSSIBLE SPOILER WARNING ***

The story begins with birds known as rooks flying around a graveyard. Behind guarding stone angels guarding a room, the sky has a red moon. A monstrous figure walks from the doorway with the angles weeping. As it approaches a gateway, the creature shapeshifts and flies away into the night sky.

The scenery moves to a castle on a hill. Inside lies a woman appearing on her deathbed. As she looks out the window, the creature shifts into a human form. Known as Darius Ravenscar, he kneels at her side. Readers sense there is a strong connection to the pair with the woman asking to relive their past. The stranger obliges and the story kicks into gear.

With imagery of a woman casting a spell into a fire deep in the forest, Ravenscar awakes inside his bed. Franticly running late, he makes his way into the city of Eborvik, towards the castle. Inside, he sees a woman named Princess Seraphina playing her harp.

The noticable admiration fills the scenes but there is one person not happy with what is unfolding. King Sitric, Lord of the Four Vales, orders Ravenscar to leave.

While leaving the castle, events start to unfold that drastically change the path of the story. What happens to Darius when he leaves? How does his life change? Readers see there is more than the King interfering with what Darius cares for. Fate has intervened in an unlikely way. The closing act covers a range of emotions before charging into its’ final moments. Once seen, the ending of the chapter foreshadows a deeper story lurking that has only just begun to come to the surface.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Harding paints a dark and complex story with her writing debut. Ravenscar instantly comes across as a tortured soul when he debuts. The elements of horror and hope dance through the dialogue as both he and Seraphina play into a world they hoped to have found together but never did.

The backstory of the pair dives into the brooding conflict with the King. Emotions run high as his majesty is determined not to allow events to grow further. The direction of the book shifts after the castle into unlikely places. This is where Harding’s writing goes up another level, connecting the doomed couple into fleeting moments of happiness. It’s these events that feel even further away once the closing moments happen. Once the chapter close, there is much left for readers to return and see how things play out.

The art reflects the moods and themes portrayed from the beginning. The full-page introduction image of Darius creates a bold debut locking readers in. This is also matched buy another full page panel of Darius after events have changed his future.

The use of coloring adds another layer to the saga at hand. Being a black and white book, once the red coloring is used, it signifies a change. It also announces the Rooks hovering overhead and where they connect to the shift in moments. The book is detailed with emotion and striking visuals. It has a great deal going on but paced enough where nothing feels out of place. The final panel brings the book to a screeching halt but leaves no doubt for things to come.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

FINAL POINT: 8 OUT OF 10

Powerful imagery bolsters the strong writing debut of Harding for a love story unlike any other. Blending the worlds of horror and hope, the story of Ravenscar and Seraphina takes readers into many directions before leaving a terrifying note as to what the future holds.

Hit me up on ODPH social media and let me know your thoughts on Parliament of Rooks #1. Thanks for reading!

BATMAN AND ROBIN #3 (DC COMICS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re following along a brand new tale involving one of DC Comics’ most notable father-son duos. In the mix of the Batman/Catwoman civil war, this series debut and has been lights out each issue! With the creators involved, it’s not hard to believe. The only questions fans have now is: where are we going after that ending for issue #2. Luckily, that answer comes in form of the latest issue.

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands presents the Dynamic Duo with a brand new challenge along with repairing a strained relationship. Let’s check it out, shall we?

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands (Credit: DC Comics)

*** POSSIBLE SPOILER WARNING ***

With the events of “The Gotham War”, Wayne Manor is no longer at Bruce Wayne’s disposal. Batman sets up shop in a brownstone and continues his never-ending battle against crime. The Dark Knight’s status is heavily strained from most of his closest allies. There is one exception as Damien Wayne aka Robin is with his father.

After investigating a kidnapping case involving Dr. Kafira, the pair struggle to co-exist in their new stat quo. All the while, they need to stop a new threat emerging in Gotham: Shush. As their investigation goes deeper, it now puts them in Shush’s crosshairs while they try to protect the White Rabbit, who may hold a key to breaking the case wide open.

This issue begins with a flashback to a happier time. Damien is talking to Alfred Pennyworth, the longtime butler/ally/confidant to Bruce Wayne. The discussion is over when to stop learning. Damian’s stubbornness pushes until Batman walks in the room. Bruce gives the advice about not becoming too comfortable because that’s when one slips up.

It plays into the present moment. The Rabbit finds a way to escape her fate. The heroes try figuring out what happened until Shush intervenes. Readers get thrown a curve as Shush plans an unexpected surprise which draws the attention way for an escape….or does it?

With an escape comes a bigger chase. Fans are greeted to a high-octane trek through the streets of Gotham. Where it leads is to unexpected territory. Who comes out unscathed? These questions become the match lit for the final act. Once upon arrival, the final page drops another big bombshell on what is going on. Brace yourself for impact from this issue!

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands (Credit: DC Comics - Cover: David Finch)

Williamson hits the gas petal on giving readers a solid mix of drama and action. Right from the beginning, the introduction involving Alfred hits heavy with readers. Considering the current stat quo of the Bat Family, seeing the advice given and received gave a great start to the comic. This became the perfect “on Your Mark” sequence because from here, everything sped up to reflect the heated action.

Events unfolded rapidly enough to invest the readers into the danger. This only took a small break before hitting the closing moments. Williamson pens a Damian that falls back on his brashness that makes him a fan favorite. The conclusion of the chapter is a great closing statement on an already must-read story.

Di Meo brings some incredible action sequences to the pages in the chapter. Once the Rabbit makes her run, a great two-page spread ushers in the excitement of the chase. The mix of character moments like Shush’s “connection” hit a big mark to break the pace up. However, fans will be blown away by the hunt for Rabbit. It legitimately feels like a Hollywood blockbuster film. Just when readers have a break, the art raises the danger up to a high mark. This is all before delivering on a final image that will have readers on the edge of their seats waiting for what’s next. Incredible work.

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands (Credit: DC Comics - Cover: Kael Ngu)

FINAL POINT: 9.5 OUT OF 10

The creative team puts the “Dynamite” in the Dynamic duo with a action-driven chapter. Williamson crafts key character moments in-between Di Meo’s explosive action images to give readers an issue they simply won’t want to end. Check it out on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Batman And Robin #3. Thanks for reading!

OUTSIDERS #1 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we're checking out a debut issue from DC COMICS with quite the buzz behind it. With the “Dawn Of DC” movement, fans have been gifted returns of many of their favorite characters and teams. Making their re-introduction is a brand that ties back to the Dark Knight himself since their debut in 1983!

With an incredible creative team behind this latest incarnation, now is the perfect time for a new era of a group that doesn't fit any mold and stands on a playing field all their own.

OUTSIDERS #1 by Jackson Lanzing, Collin Kelly, Robert Carey, Valentina Taddeo and Tom Napolitano brings readers a fresh take on the classic squad with some new ties to the Bat-Family! Let’s not delay any longer and dive in, shall we?

OUTSIDERS #1 by Jackson Lanzing, Collin Kelly, Robert Carey, Valentina Taddeo and Tom Napolitano (Credit: DC Comics - Cover: Roger Cruz)

*** POSSIBLE SPOILER WARNING ***

The story begins with Kate Kane aka Batwoman walking through the dangerous streets of Vahkar. With a journal entry of Amanda Waller narrating, Kane hears a noise and fires a batarang at a target. Readers see quickly, this is no ordinary target. The man who grabs the weapon in mid-air is none other than Luke Fox aka Batwing!

Fox approaches Kane, stopping her from the current mission at hand. Bringing up why she is miles away from Gotham, Fox gets an angry response from Kane. The conversation quickly shifts into a proposition from Fox. The deal: a new group whose sole intention is handling crisis before they happen. No jurisdiction, No reliance on others, No Batman.

After dealing with her first priorities, Kane accepts. The pair flies to Antarctica. Once they land, another member of the team greets them: The mysterious Drummer! What will this new unit discover?

Readers quickly find out there is many secrets below the ice that can have dire consequences. How does the trio fare? Readers get a fair mix of big suspense with heavy character driven points mixed in. The main theme of wonder becomes evident as there’s more to come with the most unknown corners of the DC universe set to be exposed.

There is no doubt of that once the last image is witnessed. It will leave a very notable impression on pat readers while getting new ones excited to see where things land now. Get ready for one hell of a ride as the landscape of the DC Universe is about to change forever!

OUTSIDERS #1 by Jackson Lanzing, Collin Kelly, Robert Carey, Valentina Taddeo and Tom Napolitano (Credit: DC Comics - Cover: John Cassidy)

Leave it to Lanzing and Kelly to hit readers with a deeper mystery at hand on top of an already impressive issue. The conversation and pairing of Kate Kane and Luke Fox steals this issue. Both coming out of the “Bat Family” tree and looking to make their own mark, the Hivemind sets up the duo for driving home the point of “this isn’t another Batman story”. There is just enough clues to see what’s happening but with how Luke speaks, there is more that he knows as things progress forward.

The addition of Drummer to the mix presents a nice wildcard to the “team.” Pacing moves very fast, building each moment up for a deeper blowout in conclusion. The resolution is a unique one but once again re-enforces Fox’s approach of this NOT being a super hero team. The closing moments plant a great easter egg before sending readers off with much to ponder. There are many directions things may lead to now, but rest assured, this will be one story not to miss.

Carey hits readers with some noteworthy reactions to Kane and Fox “negotiations”. The struggle of finding life post-Gotham is an easy message sent to the readers. The emotions pour for a bit before snapping back into Kane’s “normal” work. There’s a great full-page spread to introduce Drummer to readers that hits its’ mark. This is followed up by an impressive two-page image conveying what the trio is looking to explore.

The character moments run deep later in the story with a different way to approach the conflict. This is all capped off with a parting shot that fully sports this won’t be an easy story to classify or be patient to see where the next issue goes.

OUTSIDERS #1 by Jackson Lanzing, Collin Kelly, Robert Carey, Valentina Taddeo and Tom Napolitano (Credit: DC Comics - Cover: Dan Mora)

FINAL POINT: 9 OUT OF 10

KNOW THE UNKNOWN! With sharp writing and exceptional art, the current incarnation of Outsiders make a hug splash in their latest run. Let by an ambitions take courtesy of the Hivemind, Carey and their team, Luke Fox and company look to shatter all you’ve known about this group and carve their own space into the legacy of DC Comics.

Hit me up on ODPH social media and let me know your thoughts on Outsiders #1. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

TRANSFORMERS #2 (IMAGE COMICS VIA SKYBOUND ENTERTAINMENT)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, New Comic Book Day is more than meets the eye as the Energon Universe takes center stage! Ever since its’ debut in the pages of VOID RIVALS from Image Comics and Skybound Entertainment, the new version of the legendary pop culture characters has been the talk of fans. Now ready to drop its’ next chapter, Optimus Prime and company have their work cut out for them with the Decepticons making waves.

TRANSFORMERS #2 by DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN shifts events into high gear with the fate of Earth hanging in the balance! Let’s take a deeper dive and see how things unfold here, shall we?

TRANSFORMERS #2 - DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

The issue kicks off with Optimus Prime talking with Spike Whitwicky. Optimus is admiring the beauty of Earth but accidently steps on a deer. Readers see how the pair spins out of that moment into giving a soft introduction into the other’s past. With the past issue’s events of losing Bumblebee and Jetfire, Optimus needed the moment to regroup and refocus for what is his mission now.

All the while, Starscream is leading the Decepticons into hunting down Energon. They attack a power plant and are preparing to harvest the energy to feast. The surrounding humans are not going down without a fight. They try resisting but are easily disposed of. Reinforcements are informed of the situation. One hero flies his fighter jet right into the crossfire of danger. Waiting in his path is Starscream, ready to end this interference once and for all. Who wins this round?

Readers witness a major player make their debut into the Energon Universe as the action ramps up. Once the encounter ends, an opening shot is taken that will not be the last from a Real American Hero. It appears they might have some back-up coming in this fight. The question lingering when the chapter ends is: will it be enough to save Earth?

TRANSFORMERS #2 - DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment - Cover: Afu Chan)

Johnson wastes no time catching readers up to speed on what Optimus Prime is all about. The heart-felt conversation with Spike leads to a glimpse at the greater picture involving the conflict between Autobots and Decepticons. Readers bare witness to how Prime is adapting to his new home and fighting the good fight. They also see that he’s not alone in protecting the Earth from the unwelcomed.

The debut of the recognizable character feels like the big event longtime fans want it to be. The action is crisp and moves quickly. There is no wasted set-up. The closing moment of the battle will be one to get fans excited about what is coming down the road without question. The closing act brings the energy back to a normal level as more set-up work is done for an already engaging story.

The art is vintage DWJ. BIG action when it happens. Excellent character moments to invest the readers in-between. The opening moments with Optimus and Spike reflects the caring Optimus has while showing the pain he’s dealing with losing members he considers family. This is capped off with a near full panel shot of Cybertron as Optimus descibes it to the readers.

This is offset by the amazing high-flying action battle between Starscream and THAT character. The panels pop off the page with every motion taken by the combatants. Even when Starscream makes a deadly action, it is answered with a striking line of panels, letting the character have a closing moment to fully announce their debut to the EU. Leaving with a subtle reveal, the art closes the door on this chapter, leaving fans wanting more as soon as they can read it.

TRANSFORMERS #2 - DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment - Cover: Orlando Arocena)

FINAL POINT: 8.5 OUT OF 10

The second round of Autobots vs. Decepticons keeps the hype and excitement going with an excellent combo of action and drama. With a high-profile debut stealing the spotlight, Superb writing and imagery raises the stakes for the robots in disguise with an issue you can’t miss!

Hit me up on ODPH social media and let me know your thoughts on Transformers #2. Thanks for reading!

PUNISHER #1 (MARVEL COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are entering a new era with one of Marvel Comics’ most infamous characters. Ever since his debut in Amazing Spider-Man #129 in 1974, Frank Castle has been a walking force of nature against evil. With a vicious disregard for lawbreakers, the walking death machine has left a polarizing trail of moments with readers due to his complex history and views.

That all changed with the events of The Punisher #12 by Jason Aaron, Jesus Saiz and Paul Azaceta. Frank Castle is gone. That doesn’t mean there is no Punisher.

Punisher #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit sends a new character on the path of vengeance and justice. Let’s not wait another second and see what happens now, shall we?

PUNISHER #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit (Credit: Marvel entertainment - cover: Rod Reis)

*** POSSIBLE SPOILER WARNING ***

The story begins at a destroyed house. The name “Garrison” is barely recognized on the weathered mailbox. The police have arrived to investigate the scene. Readers see the detectives at work. The home belonged to Joe Garrision. His wife Stephanie and two kids, Laura and Danny were killed in what is being called a possible gas leak explosion. After more investigating, a bomb is found in the wreckage…

Things shift to The Black Dragon Lagoon. A man is at the bar. Surrounding him is the Inner Demon Gang, known for wearing dragon-esque masks. The dialogue reflects they are protecting the man. The lights go out and a figure stands at the doorway. He asks for Sergei Federov aka The Sokovian. In naming his transgressions, The Sokovian is blamed for the explosion at the Garrisions.

Readers don’t have to wait long before the action begins. In-between the bullets and barbaric behavior, the talk switches back to the crime scene where the explosion is looking to have been a personal attack. Once back at the club, the body count has climbed and one man stands in the chaos: Joe Garrison.

As he flees the scene to an undisclosed location, the ruse of his “suburban identity” becomes exposed. With a SHIELD logo on the wall, the perceived “accountant” is far from ordinary.

As the news blares on the television, Garrison is the person of interest behind the bombing. That isn’t the only news as reports of the Inner Demon Gang massacre leak. The public account keeps hinting at the same question: Is Frank Castle back as the Punisher?

From here, readers see Garrison’s mission come to light. His path of vengeance leads him into another dangerous direction. Can this new “Punisher” survive long enough to find justice? With tension mounting, Garrison’s path leads readers into the battlefield and closes with a lasting impression this story is far from over.

PUNISHER #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit (Credit: Marvel entertainment - cover: SALVADOR LAROCCA)

With Pepose at the writing duties, there was no doubt fans would get their money’s worth. After reading this debut, the writing borrows the “best” of Frank Castle and merges it with Joe Garrison’s duality as SHIELD agent and mournful man. The opening act doesn’t hold back on establishing Garrison as a threat in his own right.

Once Garrison comes across a threat out of his league, Pepose gets creative in how to overcome the odds. This plays into the logo hidden in the lair background. Where Castle’s background and training was when he started is different than Garrison. The skill level is featured in the final act and leads to leaving its own mark on readers that a new era has started.

Pacing slows down just enough to give readers a break in the action before the bullets and blows start flying again. With just one issue, Pepose lets fans know the Joe Garrison era has kicked off with a bang.

Wachter and Brown bring the brutality of the character legacy with a new energy to it. Garrison’s attacks are displayed with more precision and patience than Castle’s. The conclusion of the Inner Demon Gang massacre gives readers a standout full panel page.

Once the main antagonist appears, the art holds nothing back at the savage technique Garrison uses to survive. The panels reflect the viciousness Garrison uses in his attacks. This is also compliments by a series of panels that raise the stakes with the pressure it builds. Once the shot is fired to end the conflict, there is no illusion to who is standing in evils’ way. The parting visual ends events the only way it can: leaving readers waiting for the next issue to drop. Solid job all around.

PUNISHER #1 by David Pepose, Dave Wachter, Dan Brown and Cory Petit (Credit: Marvel entertainment - cover: Skottie Young)

FINAL POINT: 9.5 OUT OF 10

No Frank Castle, No Problem. Pepose blends the classic Punisher themes with a new character with excellent writing. The action flies off the pages via Wachter and Brown’s vision of unrelenting fury. With the action cranked up to a fever pitch, there is no way you want to miss this book when it drops on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Punisher #1. Thanks for reading.

THE DEAD LUCKY #10 (IMAGE COMICS)

Welcome back to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, With being one of the pillars of comics’ most exciting universe: The Massive-Verse, fans are talking about the latest adventure of one Bibiana Lopez-Yang. That’s right, we’re heading to San Francisco and checking on its’ protector via Image Comics and Black Market Narrative.

THE DEAD LUCKY #10 by MELISSA FLORES, FRENCH CARLOMAGNO, MATTIA IACONO AND BECCA CAREY (along with editor Michael Busuttil) continues its’ second story arc with Bibi’s past crashing into her present. Let’s see how things are shaping up now, shall we?

THE DEAD LUCKY #10 by MELISSA FLORES, FRENCH CARLOMAGNO, MATTIA IACONO AND BECCA CAREY (along with editor Michael Busuttil - credit: image comics via black market narrative)

*** POSSIBLE SPOILER WARNING ***

With the new responsibilities working for Morrow, Bibi’s plan of taking down the evil tech company was starting to take off. However, a mission in Jordan has led her into the crosshairs of someone she thought was a memory. Pyre, a member of her armed forces unit, has returned into her life with powers and a new agenda.

After the reunion, Bibi returned home to San Francisco after being gone for three days. She didn’t return alone as Pyre followed her back. Wanting to help her with her mission, Pyre draws attention onto himself in the form of Morrow forces. After an A.I.D. (Artificial intelligence Destruction) Protocol is given, Morrow’s mechs have now been given lethal clearance to end the threat of Pyre and Bibi is caught in the crossfire!

This chapter begins with Korin, a Morrow board member, trying to figure out who authorized the lethal force call. She brings this to the attention of Morrow CEO Jimmi Moss. However, Moss is more concerned about his deteriorating health condition. Moss addresses Korin to handle the problem of the protocol while he goes back to trying to solve his own issues.

Back at the fisherman’s wharf of San Francisco, Bibi and Pyre brace for action as they are now surrounded by mechs ready to fire. Readers see business escalate quickly as the pair fights to survive. Once the smoke clears, there are many questions left in the wake.

Who activated the protocol? What is the public reaction to this battle? How does Morrow respond? Events speed into the spotlight as the attack at the Wharf appears to be the tip off the iceberg. Bibi is now hopping out of the proverbial frying pan into the fire as tensions escalate out of control. Lucky for San Francisco, Bibi isn’t going down without a fight as the final page makes a bold statement before concluding the story for now.

Flores pushes Bibi into uncharted territory with the latest chapter. Seeing the stand-off with the mechs brought high tension as Bibi is trying to keep control before others get hurt. This counters Pyre’s play as he embraces the fight. Their personal history strains the overall mission of stopping Morrow.

Flores spins this into building drama which pays off later in the issue. The mystery behind who initiated the protocol is a nice twist to the overall tale. With a few suspects jumping to mind, readers can make their assumptions while watching the action sequences play out. As always, this series gives readers much to enjoy.

Carlomagno and Iacono features great action throughout the issue. The initial stand-off comes across as fast-paced and unforgiving as a lethal order mission would play out. Bibi and Pyre get moments to show off their abilities ending with a strong panel demonstrating Bibi’s powers to end this round.

The public reactions to recent events carry weight as the anger and frustration bleeds over from the crowd to a board room meeting that plays a big part in connecting with readers. This is a small break until the next round begins. The art team speeds up the frantic pace of the battles without mis-stepping any key moment. This all comes to a head with the closing image which will have fans excited to see what happens next.

FINAL POINT: 8 OUT OF 10

The presence of Pyre brings the fight home to San Francisco with another Massive-verse fantastic issue. Flores mixes in big action while quietly laying a foundation for a bigger payoff later with excellent writing. Carlomagno, Iacono and Carey add the finishing touches for a visual experience that will have fans locked in from the opening page. There’s a reason why The Dead Lucky is a New Comic Book Day staple for fans. Don’t miss out!

Hit me up on ODPH social media and let me know your thoughts on The Dead Lucky #10. Thanks for reading.

NICE JEWISH BOYS #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a brand new series hitting Comixology Originals! Comic fans might recognize the creative team from the Dark Horse Comic Savor but this time around, there’s no food fighting going down. Neil Kleid (The Panic) and John Broglia have something more grounded and felonious brewing within these pages.

Nice Jewish Boys #1 by Kleid, Broglia, Ellie Wright and Sarah Litt delivers a tale of bonds broken and dangerous choices. Let’s take a deeper dive into what is unfolding here, shall we?

EDITOR NOTE: The story is a crime drama. Some of the imagery might be graphic in nature for younger readers. Discression is advised before moving forward.

NICE JEWISH BOYS #1 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (credit: Comixology originals)

*** POSSIBLE SPOILER WARNING ***

The story begins with a narration from Jake Levin. Levin is a a Modern Orthodox Jewish man who is breaking down a stereotype involving money. Readers see a man getting stabbed with money falling from his hands. Once the dialogue stops, Levin is standing with blood on his hands and a dead body at his feet.

Events shift back in time to a bar mitzvah. With everyone celebrating, there is one man sitting and breaking down the cost of the event: Levin. Knowing that his son was having a bar mitzvah fast approaching, Levin feared how much the financial burden would be. Levin’s train of thought is broken when an old friend sits down next to him: Chaim Davidovits.

Davidovits is a very successful businessman. Readers see a flashback of how he, Levin and Lenny Klein have grown up over the years. After the party, Davidovits catches up with Levin and the money issue is brought up. Trying to help his old friend out, Davidovits makes Levin a job offer he can’t refuse writing promotions for his kosher appetizing stores. However, as the saying goes…. if its’ too good to be true, it most likely is.

What happens next throws Levin’s world upside down. An unexpected event transpires that starts a domino effect with Levin. Just when he thinks he’s a step ahead, it quickly turns out to be the farthest from the truth. Even with the downward spiral, no one will see the final image coming throwing more gas on an already raging inferno of drama and emotion.

NICE JEWISH BOYS #1 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (credit: Comixology originals)

NICE JEWISH BOYS #1 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (credit: Comixology originals)

Kleid makes a strong, pyramided debut with the debut issue. The first arc gives a detailed insight into Levin’s mounting pressures of providing. Readers can empathize with how he is pridefully trying his best but knows he’s failing. The break to establish the friendship with Davidovits builds off the beginning to show where Levin feels his status is in comparison. Once the job offer is made, they story begins its transition. It levels the status of Levin to where things feel stable.

This theme doesn’t last too long as the event takes place to start the third act and sink hope quickly. The pace speeds up showing how fast things are falling apart. Levin’s reactions shows the fear of knowing what has just happened. Klied sprinkles in some great twists before ending on a major one, capping off an impressive opening issue.

Broglia and Wright provide the backdrop of normal suburbia while hiding the true themes at play. The opening sequence makes a loud statement. This is capped off with a blunt full page panel that sets the stage for bigger events to come. Levin’s expressions while at the bar mitzvah grows the sense of overwhelming doubt in his current status.

The interactions with Davidovits mirrors the old friends we grow up with in a timeless moment. Once that event is re-created, it symbolizes the end of childhood hope and the new wave of grown up responsibility. This gets amplified with the events later in the book. The reveals later in the issue hit their marks with Levin’s body language telling a greater story. With all those strong panels, nothing will prepare readers for when the last page hits and the last panel represents. It’s a great way to cap off the strong debut chapter.

NICE JEWISH BOYS #1 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (credit: Comixology originals)

NICE JEWISH BOYS #1 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (credit: Comixology originals)

FINAL POINT: 9 OUT OF 10

Under the veil of friendship and family, Kleid, Broglia and Wright establish a devious tale that tests pushing a man to his breaking point. Fantastic writing fills the vivid imagery to construct a story that would be criminal to pass on reading. Make sure to check this out on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Nice Jewish Boys #1. Thanks for reading.

BIRDS OF PREY #3 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this edition, we’re following along the return of one of DC Comics’ most legendary teams. With a brand-new lineup and an impossible mission at hand, the Birds Of Prey have their work cut out for them. The question now is: who will stop them first - the mission or each other?

BIRDS OF PREY #3 by Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles takes readers on a collision course with an immovable object. Let’s see how the team fares as they inch closer to conflict.

BIRDS OF PREY #3 by Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics)

*** POSSIBLE SPOILER WARNING ***

Assembled by Black Canary, Zealot, Big Bartha, Batgirl (Cassandra Cain) and Harley Quinn comprise this fromation of the Birds Of Prey. Their mission: Break into the Island of Themyscira and free Sin (Black Canary’s “sister”) from the Amazons before they cause the end of the world. Simple, right?

With the personalities clashing, the team follows a plan by Harley to sneak onto the island. With the help of King Shark, things look to be improving. With the Amazons preparing for what’s next, a possessed voice claims “the vessel is not ready”. Meanwhile the team is outside the island ready to make their entrance.

Sneaking in through the stomach of a Megalodon, the team enters the island. With the team split up, readers see the action unfold. Can they pull this mission off? Things escalate rather quickly as the goal might just be in sight. However, there is one factor still looming to deal with. The latter half of this chapter sets up for a major collision course which will have readers on the edge of their seats from. No spoilers here, but the final image is going to have fans very excited for what’s next.

BIRDS OF PREY #3 by Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics - cover: Chris Bachalo)

Thompson blends in the personality conflicts with a search and rescue tale that doesn’t miss. Anytime Harley Quinn is involved, nobody knows how things will play out. Thompson presents her as both the ultimate wild-card and team player. This makes for mixed results with her teammates but gives this story a new dynamic to deal with. However, the breakout character (thus far) has been Zealot. Thompson keeps a safe distance between her and the team with distinct placement of her actions. it is very noteworthy as the story moves onward.

The latter half of the chapter provides a great deal of action involving two not connected with the team. It re-enforces the importance of the mission and the “final boss” which the team needs to overcome to succeed. The story has been a great read thus far with no signs of slowing down.

Romero and Bellaire provide a high-paced backdrop for what’s unfolding here. The reactions to Harley’s comments make for a subtle break in the tension of the mission. Zealot’s actions also play a role here as the panels set up more of her mystery yet to be told. The action delivers on showing why this team was assembled. The latter half amplifies that even further. The art reflects the “big fight feel” between two of DC’s well known characters. This all leads to a full page visual that brings this issue to a close with a loud exclamation point!

BIRDS OF PREY #3 by Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics - cover: W. Scott Forbes)

FINAL POINT: 8 OUT OF 10

The impossible mission gets more complicated with another strong issue by Thompson, Romero and the team. Solid writing combined with energetic art brings the explosiveness of events to a breaking point within these pages! Make sure you pick this up on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts about Birds Of Prey #3. Thanks for reading.

BATMAN #139 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the smoke has cleared in Gotham City. One is left standing after the war of “The Bat Family”. Now it’s time for DC Comics’ Dark Knight to take center stage with a familiar foe waiting in the wings.

BATMAN #139 by Chip Zdarsky, Jorge Jiménez, Jorge Corona, Tomeu Morey, Ivan Plascencia and Clayton Cowles ushers in a new era for the Caped Crusader with an all new adventure. Let’s take a closer look to see how things shape up post “the Gotham War”, shall we?

BATMAN #139 by Chip Zdarsky, Jorge Jiménez, Jorge Corona, Tomeu Morey, Ivan Plascencia and Clayton Cowles (CREDIT: DC COMICS)

*** POSSIBLE SPOILER WARNING ***

With the fallout of “Knight Terrors”, Batman’s dream of Gotham City has turned into a nightmare. Selina Kyle aka Catwoman has unveiled a new initiative into handling crime. This didn’t sit well with Batman and civil war was declared amongst Gotham’s most notable protectors. The struggle came to a fever pitch when Batman and Catowman squared off with Vandal Savage, who made a play to make Gotham his during the conflict.

During the conflict, Catwoman and Savage are presumed dead. Batman has also become isolated from the bat-family due to his actions. Now left with only his back-up personality of Zur-En-Arrh, Bruce Wayne has never been more alone or more dangerous.

This new phase opens up with a woman talking with police. She describes an encounter with someone who tried robbing her after winning at the Iceberg Lounge. A scream was documented but it wasn’t from the attack. It was from someone who saw who stopped it. The heroic figure was none other than Batman.

The story shifts to a man returning to his apartment. Bruce Wayne is in disguise and recapping the night’s events. However, readers quickly see there is a name on the board that draws the greatest attention: JOKER.

With a murder of a toy company heir, Batman begins to cypher the clues of the Clown Prince of Crime. What scheme does the Joker have in store now? All roads lead to a confrontation pushing Batman to his limits. Can he stop the Joker or will he even get the chance? The closing moments throw a big X factor into the mix which looks to complicate events even further than Batman can possibly imagine.

BATMAN #139 by Chip Zdarsky, Jorge Jiménez, Jorge Corona, Tomeu Morey, Ivan Plascencia and Clayton Cowles (CREDIT: DC COMICS - COVER: Mike Deodato Jr)

Zdarsky sets events in motion for a greatly complex tale. The introduction plays out like a traditional Batman story. It doesn’t take long to switch gears and see how Batman is coping with the Gotham War fallout. Zdarsky paints a picture of fractured and forward thinking. Seeing the influence of Zur-En-Arrh still lingering gives readers a sense of uneasiness when the Bat needs to be his sharpest.

Diving into the crime at hand, the writing reflects a great detective story. Things shift quickly as Batman dives further into the plot. The added layers of Joker’s attack make for the frightening scenario. It is imagery that will stand out with the haunting dialogue. Even with this at play, readers won’t see the closing moments coming, which makes for a great ending sequence of events.

Jiménez and Morey craft excellent imagery throughout this issue. From the introduction, the full page panel credits page pops right off the page. The red coloring heightens the feel as the page makes a bold statement of return for Batman. The red coloring plays a part in building the initial investigation of Joker’s latest case. It plays as a nice assist to the half page visual of the horrific first crime. Another excellent page is Batman walking into the location of the follow-up clue. It gives an ominous feel as the tension builds up.

The Joker’s personal attacks make an impact with the details involved. Readers bare witness to how things are presented and the chills from the visuals grow the story’s strength even further. The closing pages throw a great mix into where things were looking to go. The art team makes a great final image before wrapping this initial chapter up, beginning a long wait for what’s next. There’s much to enjoy here for readers.

BATMAN #139 by Chip Zdarsky, Jorge Jiménez, Jorge Corona, Tomeu Morey, Ivan Plascencia and Clayton Cowles (CREDIT: DC COMICS - COVER: Gabriele Dell'Otto)

FINAL POINT: 9.5 OUT OF 10

Whenever the story involves Batman and The Joker, fan expectations are almost unreachable. That is not the case with this issue. Strong writing and exceptional art builds the foundation for what is sure to be a memorable Batman story for the ages.

Hit me up on ODPH social media and let me know your thoughts on Batman #139. Thanks for reading!

INVINCIBLE SEASON 2 - Part 1 (AMAZON STUDIOS)

Welcome to a special edition of Parlay points, the comic book review blog for the ODPH Podcast.

For this entry, we are checking out the long awaited return of a beloved animated series based off a legendary comic series from Image Comics and Skybound Entertainment.

Since debuting in comic book from back in 2003, Invincible by Robert Kirkman, Cory Walker and Ryan Ottley made a huge impression with comic readers. The story of Mark Grayson’s coming of age journey into the world of superheroes was an instant smash. Running from 2003 to 2018, the series has left a lasting impression on how modern superhero comics are told.

In March of 2021, the comic transitioned into an animated show on Prime Video. Capturing the essence of the comic with a stellar voice cast led by Steven Yeun in the role of Mark Grayson, the eight episode season has been a huge success with fans, new and old alike.

Season 2 is set to finally premiere on November 3rd on Prime Video. The ODPHpod was granted early screening privileges to Invincible SEASON TWO - PART ONE so here is our SPOILER FREE review!

INVINCIBLE SEASON 2 promo art - season begins Nov. 3rd, 2023 - Credit: Amazon Studios

Season One focused on 18 year old Mark Grayson (Voiced by Steven Yeun) dealing with his developing super powers. Having his father Nolan aka Omni-Man (J.K. Simmons) guide him on his superhero path should have been a easy road to becoming a hero, right? That is until Omni-Man’s true intentions start coming into to light. With how season one ends, there is much still out of sync heading into the new season.

Keeping things SPOILER-FREE, part 1 delves into the growth of Mark and the supporting cast around him. The feeling of transition plays heavy through the episodes. Mark is heavily impacted by the near death experience at the hands of his dad in season one. His behavior harkens back to the classic comic trope: “With Great Power comes Great responsibility”. Seeing how power corrupted him (in his opinion), Mark is left with finding his own path to walk and is it the right path in the end?

Even with his strong moments, the true breakout character of these four episodes is Debbie Grayson (voiced by Sandra Oh). The estranged wife of Nolan is dealt picking up the pieces of her life while dealing with a son transitioning into adulthood. Without question, Debbie’s story steals the spotlight away from the super heroics every time she is on screen. Oh captures the pain and disbelief in her character’s voice flawlessly. It is fantastic acting that deserves a great deal of praise when the episodes hit.

Other familiar faces will have noteworthy moments in this initial start. Atom Eve (voiced by Gillian Jacobs) and Robot (Zachary Quinto) both have developing tales that will grab viewer’s attention. This provides a solid balance to the superhero action and bloody fighting which is a trademark for the comic. Trust me, there are plenty of those moments mixed in. Pacing helps to get the story moving in that direction with a superb parting conclusion. Get ready for a fun ride leading Mark and company into new territory.

FINAL POINT: 9.5 OUT OF 10

The return of Mark Grayson doesn’t miss a beat returning to Prime Video with an excellent start to Season Two. Strong writing mixed with phenomenal voice acting from Yeun, Oh and Jacobs leading an all-star cast makes this season a thrill-ride of emotions that’s just getting started!

Hit me up on ODPH social media and let me know your thoughts after you catch the return of Invincible Season Two Part One on November 3rd.

Thank you again to Amazon Studios and Prime Video for early screener access and thank you for reading!

NO/ONE #6 (IMAGE COMICS VIA BLACK MARKET NARRATIVE)

Welcome to an all new edition of Parlay Point, the comic book review bog to the ODPH Podcast!

For this entry, we are diving back into the murder mystery looming over the Massive-Verse! Since its’ debut, the Image Comics/Black Market Narrative series has captured fans attention and left them asking “Who is No One”. With a companion podcast to build on the story, it has made this series more than just a comic. It is a mass media experience.

With the city of Pittsburgh on edge, all bets are off as the legacy of “the Accountability Killer” lives on. Everyone is a suspect. How long before the city explodes into chaos or has it already happened?

NO/ONE #6 by Kyle Higgins, Brian Buccellato, Geraldo Borges, Mark Englert & Hassan Otsmane-Elhaou descends the story further into mystery. Let’s take a closer look and piece some clues together, shall we?

NO/ONE #6 by Kyle Higgins, Brian Buccellato, Geraldo Borges, Mark Englert & Hassan Otsmane-Elhaou (Credit: IMAGE COMICS VIA BLACK MARKET NARRATIVE)

*** POSSIBLE SPOILER WARNING ***

After last issue’s events, Aaron Kern is a free man. The person long associated with being the Accountability Killer is released from jail due to an illegal confession. This has sent shockwaves thorough the city. Ben Kern, the former assistant Chief, has been doing his own investigation and his reaction speaks volumes to his son being released.

This issue begins with Ben meeting with Lt. Mark McGarrity about what, if anything, they can do about Aaron’s release. Fearing what his son will do, Ben asks for surveillance but it can’t be granted. Ben storms out and meets with Detectives Singh and Harper, who have been assigned the case. Tensions run high with recent events but its’ quickly overshadowed by a shooting involving one of Pittsburgh police’s own.

The officer involved was Vince Harmon. Harmon was just referenced in the Pittsburgh ledger’s “Who Is No One” podcast of possible “No/One” suspects . With Harmon’s fate currently unknown, there are a few other names mentioned that have become unknowing targets.

Who else is next? Readers see tensions escalate as it’s a race against time to get whoever is behind the killings first before they strike again. How does this factor in with Prop. 87 and Senator Noah Kemp? Can No/One stop the killer before another victim is claimed. Once events kick off the final act of this issue, there is no doubt more questions arise as Pittsburgh braces for a new wave of terror.

NO/ONE #6 by Kyle Higgins, Brian Buccellato, Geraldo Borges, Mark Englert & Hassan Otsmane-Elhaou (Credit: IMAGE COMICS VIA BLACK MARKET NARRATIVE)

Higgins and Buccellato ramp up the tension and uneasiness of the Accountability Killer’s grip with this latest chapter. Ben Kern’s worst nightmare has come true. The writing reflects his overwhelming guilt of his son’s actions. It also shows how determined he is to fix this problem. With the mounting attacks and deaths, the sense of danger and paranoia linger throughout. This plays into a few key players side story of Prop. 87 which is just developing.

The latter have of the book plays into the fallout of Kern’s release as readers see the protagonist enter the fray. The pacing takes readers on a great incline, building events to a breaking point very well. The conflict goes into a new direction which will have readers guessing. The final moments bring readers down easy but leaves more questions to carry to next issue. It’s another example of the high level of writing being brought to the series.

As great as the writing has been, it’s equally matched with Borges’ amazing visuals. The mood and feelings of Pittsburgh’s residents after Kern’s release speak volumes through their expressions. Readers get a fantastic two-page spread showing the shocking first victim of this chapter. It’s an easy win with fans as the stakes are clearly high with what transpired. The use of six panel pages to craft the Prop 87/Senator Kemp related portion gives readers a break in the story to focus in before the action kicks off.

Speaking of the action, Borges and Englert shine a bright spotlight on the big showdown this issue. Mixing in a supporting cast member’s reaction gave the high energy scenes more weight to the situation at hand. This has been a trademark of Borges’s pages through this entire run and it’s such a win for readers. The closing moments ground the chapter into an uncertain spot but leave with a lasting visual until next time.

FINAL GRADE: 9.5 OUT OF 10

The threat of the Accountability Killer tightens their hold on the city of Pittsburgh with another must-have issue. Superb writing and phenomenal art brings the drama and action to a boiling point. The series (and companion podcast) are must-haves on NCBD. No exceptions. If you’re not reading No/One, you are missing out on something special!

Hit me up on ODPH social media and let me know your thoughts on No/One #6. Thanks for reading!

BATMAN/CATWOMAN: THE GOTHAM WAR - SCORCHED EARTH #1 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog for the ODPH Podcast!

For this entry, we have arrived at the conclusion of an explosive crossover from DC Comics. Anything Gothan City is the battlefield, readers know Batman will fight anyone to the end to defend it and his vision of justice. However for this fight, it’s his “Bat Family” providing the opposition. Lading the charge is his lover/enemy Selina Kyle aka Catwoman.

The battle has morphed out of a simple question of ethics into a no-holds-barred fight leaving nothing but shattered ties and a city prime to be conquered in its wake.

BATMAN/CATWOMAN: THE GOTHAM WAR - SCORCHED EARTH #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Wade Von Grawbadger, Mark Morales, Romulo Fajardo Jr. and Clayton Cowles brings the curtain down on the war for Gotham City’s soul. Let’s see who’s left standing in the end, shall we?

BATMAN/CATWOMAN: THE GOTHAM WAR - SCORCHED EARTH #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Wade Von Grawbadger, Mark Morales, Nikola Cizmesija, Arif Prianto and Clayton Cowles - credit: DC Comics - cover: Jorge Jiménez

*** POSSIBLE SPOILER WARNING ***

Due to the fallout from “Knight Terrors”, Bruce Wayne aka Batman was asleep for quite some time. When he finally wakes up, Gotham City’s crime rate has drastically been reduced. A new initiative has been started amongst the criminals of Gotham. The mastermind behind it? None other than Selina Kyle aka Catwoman!

Selina has been teaching the lower level of criminals a “Robin Hood” style of activity. The movement has lowered crimes in Gotham to astronomical records. This doesn’t sit well with Batman, as he sees all crime as universally bad. It also doesn’t help that Zur-En-Arrh, his emergency back-up personality is active due to the Knight Terrors ramifications. The cold-hearted mindset decrees that Selina’s operation must be stopped after a life is lost during a heist.

Sides have been taken amongst the Bat family. Drastic actions have been taken by Batman with no remorse. Of all the victims, no one was hurt more deeper than Jason Todd aka The Red Hood with the actions of the possessed Dark Knight. All the while during the Bat family civil war, Vandal Savage, the immortal nemesis of the DCU, has swooped in making a play to conquer Gotham. Now with the battle at the breaking point, who walks away the winner of Gotham City?

This issue begins with Scandal Savage, daughter of Vandal and formerly aligned with Catwoman, organizing Selina’s former pupils. They have been given their orders to get the meteor fragments which will give Vandal strength of unknown levels. Meanwhile, Tim Drake (Robin) is heading to investigate an explosion. When he arrives, he and readers aren’t ready for what’s next.

Led by Two-Face, a group of Batman’s rogues make their way down the street, nearly killing a few civilians. Overwhelmed, Tim is taken hostage.

All the while, Batman, Catwoman and Jason are meeting where it appears the real Bruce has come back to the fold. Readers witness a tremendous speech and plea to the family to come together to stop Vandal’s attack. The question now is: Can the broken family refrom and save Gotham?

The answer is aimed to please, but with overwhelming odds, t might not be enough. The ending gives this story fitting epic moments with one especially outshining them all. Its’ fall-out looks to set up a new stat quo but one can’t help but wonder if the bonds have been broken beyond repair?

BATMAN/CATWOMAN: THE GOTHAM WAR - SCORCHED EARTH #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Wade Von Grawbadger, Mark Morales, Nikola Cizmesija, Arif Prianto and Clayton Cowles - credit: DC Comics - cover: Salvador Larroca

The writing team bring a great deal of noteworthy events to the finale. Seeing the “old” Batman re-emerge to inspire the family was a solid way to shift gears towards the common enemy of the Savages. At the end of it all, Justice is what both warring sides of the Bat-family want, with Selina being the voice of reason. There are excellent moments with the various family members teaming up but none bigger than “The Cat and The Bat”.

Throughout their history, there’s few like the pairing of Bruce and Selina. Seeing them pair up in the later issues gives readers a reminder of why this conflict has been so personal. The writers carry this mood into the final battle. There’s a fair mix of action and drama that is sure to please.

The epilogue is one that might throw some off. It feels like a reset until something re-surfaces which leaves some questions heading into the future of Bruce Wayne. Overall, it has the “big fight feel” that you ant to see in a finale. How long it lasts will be the thought moving forward.

The art captures the intensity of the ending at hand. the introduction of two-Face and the rogues makes a big splash at how far Gotham has crumbled due to the war. It’s followed up by some great action panels with more of the family involved. The meeting between Bruce, Selina and Jason carries a bug emotional burden of Bruce’s actions.

This reflects later in the issue when Bruce and Selina pair up. There is subtle facial expressions indicating the extreme highs and lows reflecting the conflict and its surrounding factors. Readers will have a lasting impression of what transpired and an idea of where things lead now.

BATMAN/CATWOMAN: THE GOTHAM WAR - SCORCHED EARTH #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Wade Von Grawbadger, Mark Morales, Nikola Cizmesija, Arif Prianto and Clayton Cowles - credit: DC Comics - cover: Simone Bianchi

FINAL GRADE: 8 OUT OF 10

When the smoke clears, the fate of Gotham City is made evident to readers with a fitting conclusion to the Bat family civil war. With themes reminding readers about the bond of family through the writing and art, This crossover conclusion is sure to have fans talking on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on BATMAN/CATWOMAN: THE GOTHAM WAR - SCORCHED EARTH #1. Thanks for reading!

BLACK SIGHT #2 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we’re diving further into the mystery surrounding a fantastic new series on Comixology Originals! Last we saw Alex Greer, the line between reality and fantasy was severely blurred. Now posed with a murder charge, Alex needs to survive long enough to uncover a dark truth. Is she ready for what happens next?

BLACK SIGHT #2 by STEPHANIE PHILLIPS, Conor Boyle and Tom Napolitano poses that question as the mystery behind her situation begins to peel back some layers. Let’s take a closer look at how things shape up now.

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

*** POSSIBLE SPOILER WARNING ***

Alex Greer is an American exploring Amsterdam in 1964. After leaving a club with a stranger, the next morning Alex finds herself waking up to a dead woman. Being taken away by the authorities , communication issues are halting her from proving her innocence. This is much to the liking of someone with a vested interest.

This issue begins with a man in a cell. He says his name is “John”. The orderlies attending to him are telling him his name is “Gary”. After a struggle, “John” is subdued. He is forced to endure electro-shock treatment until he says his name is “Gary”.

Meanwhile, Alex is being examined before being processed in a mental institution. Readers witness the new surroundings for Alex as a bleak place of hope. A fellow resident leaves her with haunting words of advice before the final act begins. Once that starts, the spiral into madness takes a great hold. The last image of this story will leave readers with no doubt Alex’s nightmare is only just beginning.

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

Phillips dives into the terrifying truth of what Alex is about to endure. The “John” portion of the issue exposes the inhumane way of breaking down the patients in the mental hospital. It is a cold, hard truth to the greater mystery Alex is now involved with. Phillips sets this up with no punches pulled, making a strong statement right off the bat.

Once Alex enters the story here, the pace is slowed down to let the mood encompass the reader. Each action Alex takes is given enough time to slowly build for a greater moment later. This gives a contrast to the remainder of “John”’s story, which speeds up enough to set the final act in motion. Once the story swings back to Alex, it doesn’t slow down until the story’s conclusion. The stage is set for both Alex and “John”s key players to cross paths soon which will make for quite the memorable encounter down the road.

Boyle’s vision of events mirror the hellish landscape of Alex’s tortuous saga. The cruel treatment of “John” connects with readers about how unforgiving the plans for him and Alex are. The anxiousness and uncertainty of Alex pops off the pages with Boyle leaving nothing held back.

The interactions with fellow residents vary but unite under the sense of small hope things will be alright. That feeling carries through until the final act. Boyle’s art constructs the big surprise heading into an lasting final image to close this chapter out with.

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #2 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

FINAL GRADE: 8.5 OUT OF 10

The world of Alex Greer descends further into chaos with an impactful chapter. Fear and deception loom overhead with Phillips’ superb writing being complimented by Boyle and Napolitano’s moving visuals and lettering. Readers will be locked in from the opening page and won’t want the story to end.

Black Sight is a series that needs to be in your collection every time it drops!

Hit me up on ODPH social media and let me know your thoughts on Black Sight #2. Thanks for reading!

THE ALL-NIGHTER #11 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are returning to a supernatural tale from Comixology Originals that simply can’t be missed. Since its’ debut, the story of Ian, Cynthia, Joy and Alex, a group running an all-night diner which has more to it than a daily special, has been a major hit with comic readers. The final image of where tings were left immediately created a buzz for when the series would be back.

At the Comixology Originals panel at New York Comic Con 2023, the final arc was announced. Since then, fans have been catching up in digital (and print via Dark Horse Comics) form. It is an amazing read filled with imaginative takes, pushing the creative limits. Heading into the close, the creative team is not ending their shift on a sour note.

The All-Nighter #11 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic returns with an issue you can’t miss! Let’s take a closer look and see how the road to the end begins.

The All-Nighter #11 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)

*** POSSIBLE SPOILER WARNING ***

After surviving their encounter with Lazaruk and the “Justice Angels”, The remaining members of the vampire group look to figure their future out. With Alex lost during an encounter with the Takers (the governing body of the supernatural), Ian and Joy looked to take the fight directly to their doorstep to get their family member back. As Ian put it, “After all….we’re super heroes” which Alex’s fascination with begin their wild adventures. Others haven’t played their cards just yet as the world they know has been turned upside down.

This issue picks up where Joy is continuing the vigilante ways patrolling the streets. Ian looks on from outside the closed Diner. Readers can tell he appears troubled with what’s unfolding.

Meanwhile back in the Forrest colony, Cynthia and Frank are discussing the fallout of events. They break away for a quiet moment of normalcy. It’s a change of pace that both are enjoying considering what has transpired.

The story shifts to Joy on patrol. She jumps into a fight over a woman between two men. Joy’s interference isn’t welcomed and a scuffle breaks out. Joy handles events but some of the women watching events play out are also not happy with Joy.

Readers quickly see a surprise as they are not whom they seem to be. Luckily, Andrea, the former human ally of Alex and the group appears. What transpires next catch some off guard as more clarity about what is the groups’ next step comes into focus. That said, once the closing pages begin, everything readers thought they knew changes course as the last panel solidifies what everyone knew going in: The story here is far from over.

The All-Nighter #11 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)

The All-Nighter #11 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)

Zdarsky brings readers back with a well-paced return for Ian and company. Having Cynthia act as a narrator of sorts reflects the mood of everyone since the last issue concluded. The tone is one of being worn down and wondering what’s next. The moments with Frank give this story a “normal” break before diving back into the supernatural. The ramifications of losing Alex weigh heavy on the rest of the group.

Seeing how everyone is dealing with that loss demonstrates a wide range of emotions. Seeing where Ian is leaning towards solving their problem is something readers can sense the consequences of those actions. It all ties together with the final panels, setting events in motion for a memorable farewell.

Loo and Alleyne bring the human emotions out of Cynthia and Frank right from the beginning. Their panels are a nice transition in comparison to what follows after. The fight between Joy and her combatants lead readers into a bigger payout later when Andrea joins the party. The art mirrors the mood of coping with loss as the issue progresses.

Ian’s frustrations stand out as he lets readers in onto where his thinking is leading to. The concluding pages give a great surprise to what has been an excellent return for the team of the All-Nighter Diner.

The All-Nighter #11 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)

The All-Nighter #11 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)

FINAL GRADE: 9 OUT OF 10

The supernatural heroes helmed by Zdarsky and Loo return for a fantastic start to the final arc. The loss of Alex haunts the team with with sharp writing and excellent visuals to set the stages for an unforgettable finale. Don’t miss the beginning of the end this week for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on The All-Nighter #11. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

EDENWOOD #1 (IMAGE COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out a brand new series that is sure to be talked about by fans. With such hits as Nocterra, Deathstroke, the Tenth and Batman on his resume, the art of Tony Daniel has been winning fans over for quite some time now. However for this series, Daniel is pulling double duty with writing a tale of mystery and supernatural elements.

EDENWOOD #1 from Daniel, Jay David Ramos, and Nathan Kempf for Image Comics brings the action as an unlikely hero is thrusted into the midst of a dangerous conflict. Let’s take a closer look at what’s happening here, shall we?

EDENWOOD #1 from Tony Daniel, Jay David Ramos, and Nathan Kempf for Image Comics

*** POSSIBLE SPOILER WARNING ***

The story begins in Wiliam’s Bay, Wisconsin . A group of young teens are walking around a lake area. The conversation seems centered around word of the Edenwood, an area that is the last line between NECRONEMA and the United States. Adelai, one of the young teens breaks away from the group looking for someone in the woods.

Once she enters the shrouded area, a mysterious stranger appears. His name is RION. Apparently, Rion is looking for Pip (a missing dog). The couple shares an embrace but their happiness appears to be short-lived. Loud noises fill the sky. The group left behind appears to be rattled, while the happy couple seems oblivious to the event.

It is only when Adelai sees Pip running, the course of events changes. Adelai chases after Pip but disappears. Rion follows and finds Pip’s skeleton. With no sign of anyone in sight, an explosion knocks Rion off his feet. When he stands back up, he is in a completely new environment.

Where has Rion landed? A wounded soldier pleads to Rion for help. As the young man approaches, a trap is revealed. How does he survive? Readers buckle in for a story that escalades quickly with its drama and conflict. Once the final act begins, there are more questions to be had heading into the next chapter. The biggest one is posed with the final image capping off one heck of a debut.

EDENWOOD #1 from Tony Daniel, Jay David Ramos, and Nathan Kempf for Image Comics (cover: Mahmud Asrar)

Daniel gives readers a solid introduction into a world filled with excitement and secrets. Rion takes the lead being the unlikely lead for the ever-evolving tale. Daniel doesn’t give him time to process events as he’s literally thrown into conflict in the second act. Readers pick up quickly how the overall danger is building.

With well paced action, the story moves very swiftly. Once the final act begins, the time jump doesn’t hamper where events lead to. The stage is set for more to come and there’s a great deal to process. This chapter is an absolutely engaging starting point to jump on board with.

The art shines on each page. The subtle beginnings of the innocence of youth kicks the issue off. The group of kids don’t seem too phased by events via their mannerisms. However, this changes quickly when the conflict comes right before them. Rion demonstrates a wide range of emotions but the middle point is where he grows. With the traps’ fallout, readers are treated to a stunning near-full page spread of action.

This page moves Rion into a new stat quo which never loses sight of the overall themes. There are quite a few full page panels near the end of the book to elevate the tension, but none bigger than the final image. It’s a great ending spot for this chapter but there is much more building with this series to be excited about.

EDENWOOD #1 from Tony Daniel, Jay David Ramos, and Nathan Kempf for Image Comics (cover: Ryan Stegman)

FINAL GRADE: 9 OUT OF 10

Tony Daniel welcomes readers into a fantastic new world overflowing with fantasy and intrigue. Solid writing and electric artwork brings out the best of a young upstart hero with the best yet to come. This will be one to watch for on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Edenwood #1. Thanks for reading!

GONE #1 (DSTLRY MEDIA)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the next installment from an upstart company making big waves in comics. Since it’s announcement in early 2023, DSTLRY captured readers intention with a founders roster of top-level creators and a business model unlike any others.

With a lineup including Scott Snyder, James Tynion IV, Brian Azzarello, Stephanie Phillips , Mirka Andolfo, Joëlle Jones, Tula Lotay, Lee Garbett, Marc Bernardin, Becky Cloonan, Junko Mizuno, Elsa Charretier, Jamie McKelvie, Ram V and Will Dennis, there was no possible way anything this line does that wouldn’t be big news.

Factor in the actual partnerships with financial stakes aspect along with the roster and THIS is why the imprint has the hype surrounding each forthcoming project.

With the release of The Devils Cut this summer, fans have been counting down the days until DSTLRY’s next book. Their wait is finally over as another founder leads the charge into the comic shops this week!

GONE #1 by the one and only JOCK, Lee Loughridge and Andworld Designs looks to make a lasting impression with readers and keep the company’s momentum rolling. Let’s take a closer peak and what’s happening here, shall we?

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

*** POSSIBLE SPOILER WARNING ***

The story begins on the Sun-East settlement of a distant planet. Armed individuals are walking the streets looking for someone. The mood is tense as the residents scramble away. A lone stranger winds up standing in the center of the colony. His eyes are blue like ice with no remorse.

This is a stark contrast to the light reflected face of thirteen year old Ari. As depicted in “The Stowaway” from the Devil’s Cut, Ari steals food for her family off of starships. Readers find out that on this scavenging mission, five started with only two surviving. With empty hands and mounting problems, there is a sense of despair lingering in the air.

Ari is determined to help her family out. With her mother expecting a child, there’s mounting pressure to find ways to help. Ari mentions about a possible bigger score with a new ship but her mother doesn’t want her to go. Ari passes on the warning and joins a group of eager individuals ready to make the heist.

However, once on board, things change dramatically. What transpires while on board you ask? Readers won’t be ready for the change of course that the story takes. Abi’s future as she knows it changes forever. With a new stat quo in place, there’s never a shortage of dangers lurking. The intensity builds right up to the final act. Once the last page hits, there’s no escaping how this story has blazed a trail that readers won’t be able to get enough of.

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

A non-stop thrill ride of unrelenting spirit. Ari is an easy character to root for due to her drive and caring. Jock’s writing sets up the stage for how dangerous her cause is right from the start. Once the search begins, the mood is anxious and bleak. The moments with Ari and her mother brings events into clear focus as the weight of the situation grows.

Ari knows what’s at stake and risks it all to help. It is such a heroic quality that follows the lead in her unexpected adventure. The drama works well with the pacing, allowing readers to pause before things ramps up for another round. The closing act comes off as a change of course, but is extremely well done. The journey has only just begun but what a start!

The art shines as one would expect. The imagery from the initial search paints the picture of danger through each panel. Excellent shot of the man facing the settlement moving to the close-up of eyes. The imagery of the spaceships over the broken colony depicts the evident divide between the people of the planet. The panels with Ari and her mother pour with expressions of doubt and struggle.

It’s a lingering feel through the remainder of the book. Jock mixes in action with the escalating drama where nothing ever feels safe to Ari’s mission. It’s a great attribute that an excellent storyteller like Jock can pull off with ease. The closing image throws a solid swerve into the mix while ending events with much to be excited for in the future.

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

FINAL POINT: 9 OUT OF 10

The next phase of DSTLRY kicks off on a high note with a tale readers simply won’t want to abandon ship on. The talents of Jock flood each page with excellent artwork supporting the astounding story being constructed. This is a no-brainer to add to anyone’s comic collection for New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts about Gone #1. Thanks for reading.

VOID RIVALS #5 (IMAGE COMICS VIA SKYBOUND ENTERTAINMENT)

Welcome to an all new edition of Parlay points, the comic book review blog for the ODPH Podcast!

For this entry, we are diving back into the Energon Universe with arguably the breakout title of 2023. Since it’s debut, the story of Darak and Solila has been a huge hit with fans. Nearing the completion of its’ first arc, there are many questions to where the unlikely duo heads next. With the addition of Transformers and the upcoming G.I. Joe related books, there is no doubt that the story is just getting started.

VOID RIVALS #5 by Robert Kirkman, Lorenzo De Felici, Patricio Delpeche and Rus Wooton raises the stakes as a homecoming might not be so welcome. Let’s take a closer look and see what’s happening now, shall we?

VOID RIVALS #5 by Robert Kirkman, Lorenzo De Felici, Patricio Delpeche and Rus Wooton (Credit: Skybound Entertainment and Image Comics)

*** POSSIBLE SPOILER WARNING ***

The issue begins with both Darak and Solila being detained on Zertonia. When Solila thought she was making a deal returning to her home, it turns out there was more double-crossing to be had. Darak is assessing the danger they’re in while Solila is processing what’s next. Readers see the pair try reasoning the situation before Darak is led away for interrogation.

Meanwhile, Solila is visited by a surprise figure: Mistress Vill. Readers quickly find out there is a connection between the two as Solila is reffered to as a “Keeper Of The Light”. This does bother her as she pleads she has no ties to anyone. The conversation concludes with a new possible direction for Solila in light of recent actions.

As for Darak, his imprisonment continues and hope looks bleak. He keeps a good front but the torture wears on him. Darak’s luck might have changed as some help appears in an unlikely place.

How do the pair survive what’s next? Readers see more players enter the game of control as the story progresses. With mounting stakes, the unlikely pair have their destinies in their own hands. What path will they choose? If the final pages are any indications, the secrets of the Sacred Ring are about to explode!

VOID RIVALS #5 by Robert Kirkman, Lorenzo De Felici, Patricio Delpeche and Rus Wooton (Credit: Skybound Entertainment and Image Comics - Cover: Jae Lee)

Just when readers think they know the answers, Kirkman switches up the questions. The mystery surrounding Solila drives the main focus of this issue. Returning home, there is a sense of danger and grave consequences after her initial arrival. With the introduction of Mistress Vill, Kirkman constructs an engaging situation for the book’s most enigmatic character.

Equal billing is also shown to Darak’s new direction. The reveals of where he is heading now is an exciting change to the story. With the addition of many new players, the direction of the book can shift gears easily. Both roads look to lead back to a confrontation and this is nothing but win for the readers.

De Felici and Delpeche present the tensious mood between the leading pair with very noteworthy visuals. The opening scene in detainment is a strong moment with the body language reflecting the trouble they are in. The conversation plays out well with the mannerisms being showcased through their masks.

There are some great Transformers influenced pages to break up the story which long time fans of the “Robots In Disguise” will be excited to see. Darak’s story escalades quickly and the art team gives the readers a climbing theme of anxiousness to see where he heads now. The closing moments tie both characters’ new directions together, ending the issue with much to break down.

VOID RIVALS #5 by Robert Kirkman, Lorenzo De Felici, Patricio Delpeche and Rus Wooton (Credit: Skybound Entertainment and Image Comics - Cover: Conor Hughes)

FINAL POINT: 9 OUT OF 10

The universe of Void Rivals grows with more combustible elements thrown in the mix. Kirkman, De Felici and the team present new consequences for Solila’s actions with fantastic writing and art. The series heads into unknown territory and this issue is one you simply can’t afford to miss on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Void Rivals #5. Thanks for reading!

ALAN SCOTT: THE GREEN LATERN #1 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a tale starring one of DC Comics’ first superheroes! When fans hear the name “Green Lantern”, most might think of Hal Jordan or John Stewart amongst the legendary Green Lantern Corps. However, the first hero associated with the emerald power ring debuted in 1940. His name is Alan Scott.

ALAN SCOTT: THE GREEN LANTERN #1 by Tim Sheridan, Cian Tormey, Matt Herms and Lucas Gattoni features one of the JSA’s founders in a story you simply can’t pass on at the LCS this week. Let’s take a closer look at the opening chapter, shall we?

ALAN SCOTT: THE GREEN LANTERN #1 by Tim Sheridan, Cian Tormey, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: David Talaski)

*** POSSIBLE SPOILER WARNING ***

The story beings with a 1941 front page newspaper story touting “THE GREEN LANTERN DOES IT AGAIN!”. Readers see the Bulletin lead report breaking down an encounter versus Solomon Grundy. A voice speaks up and claims the paper didn’t catch everything.

The voice belongs to J. Edgar Hoover. He’s in the CIA Headquarters talking withe the hero in the spotlight himself, Alan Scott aka The Green Lantern. Hoover is grilling Scott over the encounter and why the beloved Justice Society Of America (JSA) weren’t featured. Scott states how his association with the team is very loose in his opinion. Hoover disagrees and applies pressure for a stronger bond. The pressure is in the form of a file pertaining to “Project Crimson”.

Readers also witness Hoover having a file with intimate photos of Scott and fellow US Army solider John Ladd.

The story shifts to 1936 California and happier times between Scott and Ladd. Scott seems to question his relationship’s rection to the general public of the 1936. The pair set course for an army project that could mean a future for the lovers. That project is called “Project Crimson”.

However, the story jumps back to 1941 and Green Lantern is needed. Readers bare witness that the call to action is no ordinary mission. The stage is set for Alan Scott to be tested with his future while processing an area of his past that stays with him to this day. If readers thought that was enough, there is no possible way to prepare for the final page! Get ready for a story that won’t let the light burn out for all who bear witness.

ALAN SCOTT: THE GREEN LANTERN #1 by Tim Sheridan, Cian Tormey, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: John K. Snyder III)

Sheridan gives readers a story driven with love and emotion. Alan Scott is portrayed as someone conflicted as to what he wants versus society’s expectations during that time period. The love story between Scott and Ladd is an easy connection with readers. How it progresses adds another dimension to the superhero aspect of “Project Crimson”.

Knowing how vital their work is, Sheridan never lets that overshadow the power of the couple’s love. Tying it back to the future in 1941 establishes a greater impact on Scott, who is still coming to terms with his superhero career. Bringing this all together with a final page that is certain to have fans talking is a great compliment to the spectacular direction of this engaging tale.

Tormey and Herms provide strong visuals to balance the writing out with. The opening full page newspaper panel sets events in course with a direct statement. The following panels showcase the chess match between Hoover’s demands and Scott’s feelings of carving his own path. The panels featuring Scott and Ladd’s talk of their relationship are bursting with emotional reactions.

From Scott’s hesitation to Ladd’s undying support, these make for the biggest wins from the art team on connecting with the audience. The final act heightens the looming threat at hand while bringing events full circle. This is perfectly closed out with a superb final page that readers will be shocked to see and can’t wait to see more of this team’s work.

ALAN SCOTT: THE GREEN LANTERN #1 by Tim Sheridan, Cian Tormey, Matt Herms and Lucas Gattoni (Credit: DC Comics - Cover: Nick Robles)

FINAL POINT: 9.5 OUT OF 10

Love is the most powerful energy in the universe. The latest saga involving the JSA standout character leaves no doubt in readers minds of this with an unforgettable first issue. Sheridan’s emotionally driven writing blends with Tormey and Herms’ vibrant art to offer readers a story that transcends the average superhero themes. This is one on New Comic Book Day you absolutely have to have before leaving the shop.

Hit me up on ODPH Social media and let me know your thoughts on Alan Scott: The Green Lantern #1. Thanks for reading.