NICE JEWISH BOYS #1 by Neil Kleid and John Broglia (Comixology Originals) review

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a brand new series hitting Comixology Originals! Comic fans might recognize the creative team from the Dark Horse Comic Savor but this time around, there’s no food fighting going down. Neil Kleid (The Panic) and John Broglia have something more grounded and felonious brewing within these pages.

Nice Jewish Boys #1 by Kleid, Broglia, Ellie Wright and Sarah Litt delivers a tale of bonds broken and dangerous choices. Let’s take a deeper dive into what is unfolding here, shall we?

EDITOR NOTE: The story is a crime drama. Some of the imagery might be graphic in nature for younger readers. Discression is advised before moving forward.

***NICE JEWISH BOYS #1 by Neil Kleid, John Broglia, Ellie Wright and Sarah Litt (credit: Comixology originals)***

*** POSSIBLE SPOILER WARNING ***

The story begins with a narration from Jake Levin. Levin is a a Modern Orthodox Jewish man who is breaking down a stereotype involving money. Readers see a man getting stabbed with money falling from his hands. Once the dialogue stops, Levin is standing with blood on his hands and a dead body at his feet.

Events shift back in time to a bar mitzvah. With everyone celebrating, there is one man sitting and breaking down the cost of the event: Levin. Knowing that his son was having a bar mitzvah fast approaching, Levin feared how much the financial burden would be. Levin’s train of thought is broken when an old friend sits down next to him: Chaim Davidovits.

Davidovits is a very successful businessman. Readers see a flashback of how he, Levin and Lenny Klein have grown up over the years. After the party, Davidovits catches up with Levin and the money issue is brought up. Trying to help his old friend out, Davidovits makes Levin a job offer he can’t refuse writing promotions for his kosher appetizing stores. However, as the saying goes…. if its’ too good to be true, it most likely is.

What happens next throws Levin’s world upside down. An unexpected event transpires that starts a domino effect with Levin. Just when he thinks he’s a step ahead, it quickly turns out to be the farthest from the truth. Even with the downward spiral, no one will see the final image coming throwing more gas on an already raging inferno of drama and emotion.

Kleid makes a strong, pyramided debut with the debut issue. The first arc gives a detailed insight into Levin’s mounting pressures of providing. Readers can empathize with how he is pridefully trying his best but knows he’s failing. The break to establish the friendship with Davidovits builds off the beginning to show where Levin feels his status is in comparison. Once the job offer is made, they story begins its transition. It levels the status of Levin to where things feel stable.

This theme doesn’t last too long as the event takes place to start the third act and sink hope quickly. The pace speeds up showing how fast things are falling apart. Levin’s reactions shows the fear of knowing what has just happened. Klied sprinkles in some great twists before ending on a major one, capping off an impressive opening issue.

Broglia and Wright provide the backdrop of normal suburbia while hiding the true themes at play. The opening sequence makes a loud statement. This is capped off with a blunt full page panel that sets the stage for bigger events to come. Levin’s expressions while at the bar mitzvah grows the sense of overwhelming doubt in his current status.

The interactions with Davidovits mirrors the old friends we grow up with in a timeless moment. Once that event is re-created, it symbolizes the end of childhood hope and the new wave of grown up responsibility. This gets amplified with the events later in the book. The reveals later in the issue hit their marks with Levin’s body language telling a greater story. With all those strong panels, nothing will prepare readers for when the last page hits and the last panel represents. It’s a great way to cap off the strong debut chapter.

FINAL POINT: 9 OUT OF 10

Under the veil of friendship and family, Kleid, Broglia and Wright establish a devious tale that tests pushing a man to his breaking point. Fantastic writing fills the vivid imagery to construct a story that would be criminal to pass on reading. Make sure to check this out on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Nice Jewish Boys #1. Thanks for reading.