GONE #1 (DSTLRY MEDIA)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the next installment from an upstart company making big waves in comics. Since it’s announcement in early 2023, DSTLRY captured readers intention with a founders roster of top-level creators and a business model unlike any others.

With a lineup including Scott Snyder, James Tynion IV, Brian Azzarello, Stephanie Phillips , Mirka Andolfo, Joëlle Jones, Tula Lotay, Lee Garbett, Marc Bernardin, Becky Cloonan, Junko Mizuno, Elsa Charretier, Jamie McKelvie, Ram V and Will Dennis, there was no possible way anything this line does that wouldn’t be big news.

Factor in the actual partnerships with financial stakes aspect along with the roster and THIS is why the imprint has the hype surrounding each forthcoming project.

With the release of The Devils Cut this summer, fans have been counting down the days until DSTLRY’s next book. Their wait is finally over as another founder leads the charge into the comic shops this week!

GONE #1 by the one and only JOCK, Lee Loughridge and Andworld Designs looks to make a lasting impression with readers and keep the company’s momentum rolling. Let’s take a closer peak and what’s happening here, shall we?

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

*** POSSIBLE SPOILER WARNING ***

The story begins on the Sun-East settlement of a distant planet. Armed individuals are walking the streets looking for someone. The mood is tense as the residents scramble away. A lone stranger winds up standing in the center of the colony. His eyes are blue like ice with no remorse.

This is a stark contrast to the light reflected face of thirteen year old Ari. As depicted in “The Stowaway” from the Devil’s Cut, Ari steals food for her family off of starships. Readers find out that on this scavenging mission, five started with only two surviving. With empty hands and mounting problems, there is a sense of despair lingering in the air.

Ari is determined to help her family out. With her mother expecting a child, there’s mounting pressure to find ways to help. Ari mentions about a possible bigger score with a new ship but her mother doesn’t want her to go. Ari passes on the warning and joins a group of eager individuals ready to make the heist.

However, once on board, things change dramatically. What transpires while on board you ask? Readers won’t be ready for the change of course that the story takes. Abi’s future as she knows it changes forever. With a new stat quo in place, there’s never a shortage of dangers lurking. The intensity builds right up to the final act. Once the last page hits, there’s no escaping how this story has blazed a trail that readers won’t be able to get enough of.

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

A non-stop thrill ride of unrelenting spirit. Ari is an easy character to root for due to her drive and caring. Jock’s writing sets up the stage for how dangerous her cause is right from the start. Once the search begins, the mood is anxious and bleak. The moments with Ari and her mother brings events into clear focus as the weight of the situation grows.

Ari knows what’s at stake and risks it all to help. It is such a heroic quality that follows the lead in her unexpected adventure. The drama works well with the pacing, allowing readers to pause before things ramps up for another round. The closing act comes off as a change of course, but is extremely well done. The journey has only just begun but what a start!

The art shines as one would expect. The imagery from the initial search paints the picture of danger through each panel. Excellent shot of the man facing the settlement moving to the close-up of eyes. The imagery of the spaceships over the broken colony depicts the evident divide between the people of the planet. The panels with Ari and her mother pour with expressions of doubt and struggle.

It’s a lingering feel through the remainder of the book. Jock mixes in action with the escalating drama where nothing ever feels safe to Ari’s mission. It’s a great attribute that an excellent storyteller like Jock can pull off with ease. The closing image throws a solid swerve into the mix while ending events with much to be excited for in the future.

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

GONE #1 by JOCK, Lee Loughridge and Andworld Designs (Credit: DSTLRY)

FINAL POINT: 9 OUT OF 10

The next phase of DSTLRY kicks off on a high note with a tale readers simply won’t want to abandon ship on. The talents of Jock flood each page with excellent artwork supporting the astounding story being constructed. This is a no-brainer to add to anyone’s comic collection for New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts about Gone #1. Thanks for reading.

LOCAL MAN #6 (IMAGE COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast.

For this entry, we are heading back to Farmington and the next chapter in Jack Xaver’s redemption story. Since its’ debut, LOCAL MAN has been a tale that blends elements of the founding members debut books of the 1990’s with modern storytelling. After the first arc was finished, the question became “where do we go from here”? Fortunately those questions were quickly answered as the next chapter is finally hitting the LCS this week.

LOCAL MAN #6 by Tony Fleecs, Tim Seeley, Brad Simpson and Felipe Sobrerio grows the legend of CROSSJACK even further. Let’s take a closer look and see how things shape up from here, shall we?

LOCAL MAN #6 by Tony Fleecs, Tim Seeley, Brad Simpson and Felipe Sobrerio (credit: Image Comics)

*** POSSIBLE SPOILER WARNING ***

Jack Xaver aka Crossjack is a former member of the super hero Third Gen. After public humiliation with his firing, Jack returns to his hometown with a very unfriendly welcome. His past didn’t take too long to follow him home as a rising body count lead to more skeletons coming out about his past adventures. After the death of Camo Crusader and stopping the serial killer Deliverance, Jack now tries adjusting to life in his new stat quo….again.

This issue kicks off with the residents of Farmington trying to enjoy some delicious goods at Auntie Inga’s baked goods. Much like any small town USA, news travels fast. With Jack’s return, the reaction is mixed. However, everything stops at a drop of a dime as Jack walks in the dinner. Jack meets up with Igna, his only friend who’s not as all that she seems. A private moment is interrupted by Igna’s father but that’s not the most shocking interruption at the dinner.

With a gunshot going off, readers see that the legacy of Camo Crusader isn’t going gently into the quiet night. The mood is tense as Jack needs to face this latest challenge head on. How will public enemy #1 handle the moment and following fallout?

The next phase of the story throws an interesting mystery into Jack’s already complicated life. The town of Farmington has already been rocked by Jack’s past catching up. With the final page, Readers will question what they are seeing as the wait for the next issue begins.

LOCAL MAN #6 by Tony Fleecs, Tim Seeley, Brad Simpson and Felipe Sobrerio (credit: Image Comics cover Marat Mychaels)

Seeley and Fleecs pick up right where they left off with a great return issue. The complexity of Jack Xaver is one of the best aspects of this story. Jack is not a morally sound character but tries being better when the hero side needs to appear. The dynamic between Igna and Jack is a nice addition to the overall tale. This issue shows that Jack might have one more supporter by the time it’s all said and done but can his conscious carry the weight? The threat this issue plays right into the climate and opinion of public disillusion when dealing with the news. It’s a great take that Jack plays off from with ease. The closing chapter leaves many questions but fans will be very happy they picked up this issue and series.

The art encloses the magic of small-town talk right from the start of the book. The panels showing the various residents gives an idea of the varying opinion of Jack. Thus is capped off with his full page appearance for the issue. There’s also solid action panels when Jack has to switch to “Hero Mode”. This plays right into his reactions to being a hero again. Jack’s world is ever-evolving and the art mirrors the constant swings of how he feels. This leads into the closing moments with a final image that no one will see coming. Strong work as always with how this side of heroism is portrayed.

LOCAL MAN #6 by Tony Fleecs, Tim Seeley, Brad Simpson and Felipe Sobrerio (credit: Image Comics)

LOCAL MAN #6 by Tony Fleecs, Tim Seeley, Brad Simpson and Felipe Sobrerio (credit: Image Comics)

FINAL POINT: 8.5 OUT OF 10

Jack Xaver is back whether his hometown wants it or not! Seeley, Fleecs and the team don’t miss a beat as they gives readers great character moments with grand artwork to send Crossjack onto his next adventure. Local Man is always a great puck-up on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Local man #6. Thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

CAPWOLF AND THE HOWLING COMMANDOS #1 (MARVEL COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we’re checking out a debut issue from MARVEL COMICS that is guaranteed to be the talk at the comic shops! Long time Captain America readers know the name “CAPWOLF” from one of the most unique stories in the historic run of the late Mark Gruenwald. Since those issues in 1992 (#402-408 with art by Rik Levins), that version of the Sentinel Of Liberty has left a lasting impression.

Now 31 years later, the character returns but with a brand new story led by a fantastic creative team.

CAPWOLF AND THE HOWLING COMMANDOS #1 by STEPHANIE PHILLIPS (Black Sight, Eight Limbs, GRIM), CARLOS MAGNO (SAVAGE AVENGERS), Espen Grundetjern, AND Travis Lanham sets out to make its’ own legacy for the character with an unforgettable tale. Let’s dive in and see what is happening, shall we?

CAPWOLF AND THE HOWLING COMMANDOS #1 by STEPHANIE PHILLIPS, CARLOS MAGNO , Espen Grundetjern, AND Travis Lanham (credit: Marvel Comics - Cover: Ryan Brown)

*** POSSIBLE SPOILER WARNING ***

The year is 1944. The Location: Paris, France. A familiar face is taking fire from Nazi forces on the attack. Readers instantly recognize Dum Dum Duggan as he ducks for cover. A soldier gets the drop on him and prepares to shoot. Luckily for Duggan, someone else had a quicker draw. Nick Fury makes the save and he didn’t come alone. The legendary Howling Commandos are right behind!

With an enemy tank rolling towards them, Fury and company draw the plan up. Drawing fire, Fury gets pinned down after an explosion. With no chance to move, the tank turns its’ barrel towards him. It fires! However, luck has returned the favor and found him this time. Captain America blocks the blast with his shield!

Handling matters, Cap destroys the tank and gets the Commandos out of harms way. Regrouping at their medical tent, Cap and the team are informed of a plot know as “Wolfsschanze” or “Wolf’s Lair”. Fury is too banged up to lead so the Sentinel of Liberty is given the task to lead the unit on this highly dangerous mission.

What lies at the Wolf’s Lair? Something more sinister than they could comprehend! Cap and the team make their charge into the unknown. Readers quickly see that the good guys might have bitten off more than they can chew with what they find. When the final moments hit, the status quo between everyone is drastically changed. Things are only just starting but get ready for one hell of an adventure!

CAPWOLF AND THE HOWLING COMMANDOS #1 by STEPHANIE PHILLIPS, CARLOS MAGNO , Espen Grundetjern, AND Travis Lanham (credit: Marvel Comics - Cover: Gary Frank)

Just seeing Phillips’ name in the credits, readers knew this was going to be something special. After finishing the last page, there is no doubt about it. The opening act keeps things very grounded and fully captures the World War II period. Phillips also dives into the disconnect between Cap and the Commandos as things weren’t always great between them. Playing off the super-powers angle, the conversations reflect the distrust and anxiousness of the times.

The overall story ties in a touch of horror to the historical action parts. It’s a great twist to see the final act unfold because readers might forget: Superheroes were just debuting in this area. Anything of the supernatural sort is not common. The Commandos reactions play a big part in connecting that to the readers. The final act provides a solid cliffhanger to what is a smash debut issue.

When I mentioned about names in the credits, knowing what Magno can do with an action scene really made excited to see what he could do here. Right from the opening page, the panels mirror the hellish conditions of War. The panels are bold and dynamic. Readers can feel the danger of the battle beaming off the pages.

Magno and Grundetjern throw in some excellent half-page panels of Cap fighting that make a huge impact. These are somehow topped by a full page shot of Cap and the unit heading into battle. The art team perfectly caps (no pun intended) off the chapter will another great full-page shot that will be n reader’s minds until the next chapter drops.

CAPWOLF AND THE HOWLING COMMANDOS #1 by STEPHANIE PHILLIPS, CARLOS MAGNO , Espen Grundetjern, AND Travis Lanham (credit: Marvel Comics - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

Taking one of the most intriguing versions of Captain America and crafting a fresh historic take around him is no easy task. Combine Phillips’ stellar writing with the electric artwork of Magno and the team and readers get swept up into an incredible story that can’t be denied on New Comic Book Day!

Hit me up on ODPH Social media and let me know your thoughts on CAPWOLF AND THE HOWLING COMMANDOS #1! Thanks for reading!

BY A THREAD #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out one of the most anticipated debuts of the year. Entering into another year, the Best Jackett Press line written by SCOTT SNYDER has been a smash success digitally for Comixology Originals and in print form (via Dark Horse Comics).

With the latest phase kicking off with DUCK AND COVER #1 with Rafael Albuquerque (STOUT CLUB), the next book announced brings forth an additional co-writer making his debut in the world of comics. What better way to start “Scottober 2023” off with another fantastic series written by not one, but two Snyders!

By A Thread #1 by Scott Snyder, his son Jack Snyder (making his comics debut), Valeria Favoccia, Whitney Cogar, and Tom Napolitano, and Emma Price present an engaging tale of adventure and excitement fans won’t be able to escape. Let’s check it out!

By A Thread by Scott Snyder, Jack Snyder, Valeria Favoccia, Whitney Cogar, and Tom Napolitano, and Emma Price (credit: Comixology Originals)

*** POSSIBLE SPOILER WARNING ***

The story begins in La Grange, Kentucky. It seems like a normal day at first. Kids playing in a backyard on a sunny day. Not a care in the world. How little did they know how fast things would change in a blink of an eye.

A mysterious black square appears in the yard. A cardinal flies by it and gets tangled up in its’ expanding tentacles. It is at this moment, readers begin to sense what terror is about to unfold.

Within a week, the black substance (now known as “The Shroud”) has spread rapidly, leaving much death and destruction in its’ wake. The future looks very bleak as it appears that little might be able to stop its’ spreading. Scientists discover that diamonds affect the substance but is it too little too late?

The story jumps 13 years ahead as readers get introduced to Canon and Jo. They are awaiting someone named Pindle to arrive. They scramble to make preparations with the farm animals they have to barter. Once the plan is in place, they peel the curtain back to the new world!

What visions do readers see? As the pages turn, the landscape is filled with characters all trying to find their place in this dangerous landscape. Allies, Enemies and Hope carry Canon and Jo on their business dealing. However one big move is made that changes everything. The fallout sets the stage for a greater mystery at hand and leaves readers with a lasting impression that will only grow as the story goes forward.

By A Thread #1 by Scott Snyder, Jack Snyder, Valeria Favoccia, Whitney Cogar, Tom Napolitano, and Emma Price (credit: Comixology Originals)

By A Thread #1 by Scott Snyder, Jack Snyder, Valeria Favoccia, Whitney Cogar, Tom Napolitano, and Emma Price (credit: Comixology Originals)

Talk about an impressive debut! There are many themes surrounding this story. From the opening, the tempo is set with a fast-paced opening act. The danger is presented loudly with featuring how fast the Shroud has spread. The time jump hits the ground running introducing the two main characters with a great jump-on point for readers. However, it is when the curtain is pulled back (literally) that the story shifts gears into an adventurous course.

The tone reflects an RPG-esque influence as Canon and Jo try to barter for supplies. Once that situation is “resolved”, the story takes a distinct turn in a dangerous course. The father and son duo place some clues for later in the journey to pay off concerning Jo and his connections to some of the supporting cast. The ending portion of the chapter throws in a few more surprises in the mix. There isn’t a point where anything felt overshadowed The story is very well written and detailed that readers will start generating theories right after the last page is read. It’s an entrapping story that you won’t want to put down.

Favoccia (along with Cogar and Napolitano) deliver an amazing post-apocalyptic world within these pages. There is an incredible two-page full shot of the “View from the Needles” that will make readers jaws’ drop. The action sequences pop off the page with the swift pacing of character movements. Favoccia gives the major antagonists dramatic entrances as well, giving readers a sense of the dangers looming ahead.

Introducing so many characters in one issue can be difficult, but Favoccia gives everyone their own unique looks and mannerisms. The interactions Jo leads with them prove to be a solid break from the action. The closing moments mix in flashbacks along with the mystery under Cogar’s coloring. The final panel mirrors what readers will be thinking as this adventure is only just beginning.

By A Thread #1 by Scott Snyder, Jack Snyder, Valeria Favoccia, Whitney Cogar, Tom Napolitano, and Emma Price (credit: Comixology Originals)

By A Thread #1 by Scott Snyder, Jack Snyder, Valeria Favoccia, Whitney Cogar, Tom Napolitano, and Emma Price (credit: Comixology Originals)

FINAL POINT: 10 OUT OF 10

The father and son writing team of Scott and Jack Snyder make a thunderous debut with this tale of adventure and mystery. Backed by the stunning visuals of Favoccia, Cogar and Napolitano, the escapades of Jo and Canon’s survival in this dangerous new world is presented on a grand scale that will only be more impressive with each issue.

Hit me up on ODPH social media and let me know what you thought of By A Thread #1. Thanks for reading!

BIRDS OF PREY #2 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we’re following along the latest mission involving one of DC Comics most legendary teams. After putting together an incredible roster last issue, Black Canary looks to try pulling off an impossible feat with the fate of the world in the balance. Just another day at the office, right?

BIRDS OF PREY #2 by Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles wastes no time giving readers much to discuss with this initial arc. Let’s take a closer look and see what unfolds now, shall we?

Birds Of Prey #2 - Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics)

*** POSSIBLE SPOILER WARNING ***

The story begins in Bhutan years ago. Dinah Lance aka Black Canary,is having a private moment with her “sister” Sin over campfire. The chatter is calm as the pair is bonding, while facing the complicated situation that they are in. It closes peacefully with some fin moments before the reality sinks in.

That reality leads to Gotham City. Dinah has assembled a new Birds of Prey team comprised of Zealot, Big Bartha, Batgirl and Harley Quinn. Their mission is not an easy one. Sin is on the Island of Themyscira. Dinah tries explaining how this is just a simple recon mission but others have doubts. One of which is Zealot, who leaves the room after misreading the vibe in the room. Cooler heads prevail and the explanation of the plan is at hand. Sin is part of a deadly scheme of evil forces which if the new team fails, the body counts will rise for the Amazons.

With the current state of world affairs, going to Themyscira will not be easy. Leave it to the wild card of the team to have an idea how to sneak In and out of the island. Can this team do it? Readers come along for the ride as a few surprise guests jump on-board on the quest to save Sin. Leave it to the closing moments to ensure the latest Birds Of Prey team might have more on their hands that they bargained for.

Birds Of Prey #2 - Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics - Cover: David Nakayama)

Birds Of Prey #2 - Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics - Cover: David Nakayama)

Thompson gives readers a solid balance of drama and light-hearted moments with the team’s dangerous mission looming in the background. The personalities on this team may not scream teamwork just yet, but there have been flashes of why they have been put together. Thompson writes Zealot as the possible breakout star of this book. Zealot is stand-offish and very serious about her thoughts.

The conversations with both Dinah and Harley in this issue reflect that. There is much behind her actions that readers will have a vested interest with. Seeing Dinah bring in extra help steadily adds more layers to the story at hand. Once the team gets rolling, there are some great moments that readers will enjoy as they come along for the adventure.

Romero and Bellaire showcase the personal toll that this mission is taking on Dinah. The opening flashback sequence is easy-going and mirrors the bond between Dinah and Sin for all readers. Once the story swings back to the present, the panels feature the stress compounding about what is being asked of them. The reactions vary but none more so than Dinah.

These visuals are perfectly countered by Harley’s assessment of what needs to be done. This leads the team into the beginnings of their mission. There are some great action panels but none will jump out more than an excellent two page spread of the squad in action. The closing moments end this chapter on an excellent note with much to be excited to see moving forward.

Birds Of Prey #2 - Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowles (Credit: DC Comics - Cover: Chris Bachalo)

FINAL POINT: 8.5 OUT OF 10

With stakes being this high, readers know there is no easy route from Point A to Point B. Thompson, Romero and the team bring excellent writing and art to the newly formed team within this chapter. There’s much to enjoy as events are building for a huge event. Jump on board now and don’t miss this on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Birds Of Prey #2. Thanks for reading!

SAVAGE STRENGTH OF STARSTORM #5 (IMAGE COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we’re continuing to follow along the saga of Grant Garrison in the pages of Image Comics’ most superhero focused comic. The story is very grounded in many of the familiar classic themes fans have grown up with. If you’re looking for a throwback to the Kirby-esque era, THIS is your book.

The Savage Strength Of Starstorm #5 by Drew Craig and Jason Finestone jumps back in with many questions surrounding last issue’s end. Let’s see where the story is taking readers now, shall we?

The Savage Strength Of Starstorm #5 by Drew Craig and Jason Finestone (Credit: Image Comics - Cover: Wes Craig)

*** POSSIBLE SPOILER WARNING ***

Since a meteor crashed into his high school, Grant Garrison’s daily life has been “complicated” to say the least. Grant has now acquired powers from an object known as the Sharsrum. Along with his classmates Jen and Eli, the trio have become reluctant super powered beings trying to sort through what is their “new world” now.

There have been allies and enemies making their way across Grant’s path. In their latest escapade, the trio crosses into another dimension where they ran into future versions of themselves. With sound advice and a new weapon at his disposal, Grant leads the group back. However the world they know is no more.

The issue opens up with the city decimated and destroyed. Before the group can process what has happened, they are greeted by the Omega Squadron. The group has been looking for anyone who’s survived and our trio has many questions. With little other options, Grant and company board their plane.

On board, readers witness that there’s vested interest from a few parties that have been watching Grant for some time. Moves are made building towards a confrontation fans have been waiting for. Its’ outcome is surprising as the final page leaves more questions to where things are heading now. There is no doubt, this portion of Grant’s life has only just begun.

The Savage Strength Of Starstorm #5 by Drew Craig and Jason Finestone (Credit: Image Comics - Cover: Wes Craig)

The Savage Strength Of Starstorm #5 by Drew Craig and Jason Finestone (Credit: Image Comics - Cover: Wes Craig)

One thing that continues to impress with this series is Craig’s continuous growing amount of characters. It is a bit of a juggling act to get everyone panel time, yet the major players have all been given ample to have readers invested in. The downside to this is sometimes, its awkward with introductions (ie: Eli knowing the Omega Squadron without giving a sense of how previously).

The story moves very fast and delivers a great deal of action. Plot points that have lingered for a bit are addressed which gives a great payoff. The ending is great for where things are heading with this arc. It will curious to see what becomes the next phase of Grant’s latest chapter, with such events swirling around him.

Craig also takes full advantage of the canvas with vert detailed two page spreads throughout the issue. The introduction visual of the Omega Squadron makes a huge splash. This is followed up by a great two-page panel of the groups meeting for the first time. Craig also gives the villains their due with a solid shot of one with the other heroes in the background.

The visuals fans will be most talking about will be a massive fight scene what two pages are used to their stretch limits. It adds a sense of danger to what is unfolding. The art never misses for conveying the best of this super hero saga.

The Savage Strength Of Starstorm #5 by Drew Craig and Jason Finestone (Credit: Image Comics - Cover: Wes Craig)

The Savage Strength Of Starstorm #5 by Drew Craig and Jason Finestone (Credit: Image Comics - Cover: Wes Craig)

FINAL POINT: 8 OUT OF 10

The life and times of Grant Garrison head into the unknown as the action swings for the fences with its’ latest chapter. Craig and Finestone bring out the best of the vintage superhero blueprint with solid writing and strong visuals. If you haven’t checked out this series yet, make a point on this upcoming New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on The Savage Strength of Starstorm #5. Thanks for reading.

THE PENGUIN #2 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are returning to Gotham City to follow-up on the latest from Oswald Cobblepot via DC Comics. Last we saw him, the former crime lord was enjoying life away in a new stat quo, but nothing lasts forever. The king of the Gotham Underworld has now returned home under the “advisement” of the U.S. Government. After last issue’s explosive introduction, the road to reclamation has become a must read!

THE PENGUIN 2 by Tom King, Rafael De Latorre, Marcelo Maiolo and Clayton Cowles welcomes readers into the next phase of his return. Let’s tag along and see how things unfold from here, shall we?

THE PENGUIN 2 by Tom King, Rafael De Latorre, Marcelo Maiolo and Clayton Cowles (Credit: DC Comics - Cover: David Marquez & Brad Anderson)

*** POSSIBLE SPOILER WARNING ***

The issue opens up with a car pulling up to a mansion in Gotham. Coming out of the car is Oswald Cobblepot aka The Penguin. The narration reads as someone has found some sort of calm after years of service. That voice belong to The Help, who readers met during Batman: Killing Time.

The message is sent that The Penguin has arrived. The Help accommodates the meeting and hears the sales pitch. While over dinner. The Help explains he is dis-interested in what The Penguin is planning. Once he laughs at the notion, Oswalt’s demeanor changes ever so slightly. The offer is pressed more but The Help walks away. It is the battle of wills as one refuses to bend for the other.

Readers see that Oswalt leaves an ominous message to one of the butlers in the house that plays into the message he is giving all of Gotham: The King has returned!

What will the Penguin do from here? The story switches gears as the “honor amongst Thieves” motto is heavily strained between the two figures. An event starts a domino effect that can’t be stopped. Once the third act hits, there is little question of the resolution. The parting page puts a big exclamation point on a strong second issue.

THE PENGUIN 2 by Tom King, Rafael De Latorre, Marcelo Maiolo and Clayton Cowles (Credit: DC Comics - Cover: Darick Robertson)

King doesn’t delay in driving the point home that the Penguin is back. King sets up the meeting of “colleagues” with a tense overture. The dialogue reflects how far The Penguin’s legacy is being upheld. However, a key moment sends everything into another level.

Playing of Oswalt’s esteem issues, once The Help laughs at the offer, the mood changes and becomes a deadly game. The latter half is well crafted so once readers arrive at its’ peak moment, the payoff is huge. If here was any question of how dangerous the Penguin can be, this issue should put any other notions to rest.

De Latorre and Maiolo keep a brooding tone throughout the panels of the book. The initial meeting featured a wide variety of facial expressions ranging from The Help’s arrogance to Oswalt’s anger and cunning to the laughing moment.

Once the middle act begins, there is a strong full page visual to show one side of Oswalt, only to be debunked later with a gorgeous two-page full spread that screams “checkmate” to the game the leads are playing. The closing pages shadow that image bringing the book to a noteworthy conclusion.

THE PENGUIN 2 by Tom King, Rafael De Latorre, Marcelo Maiolo and Clayton Cowles (Credit: DC Comics - Cover: Otto Schmidt)

FINAL POINT: 9 OUT OF 10

King, De Latorre and the team don’t miss a beat with another fantastic issue of the return of Gotham’s Crime King. Superb writing orchestrates a plot that deceptively keeps readers guessing with exceptional art. The series has come out of the gate swinging and you don’t want to miss your chance picking it up.

Hit me up on ODPH social media and let me know your thoughts on The Penguin #2. Thanks for reading.

NOCTERRA #16 (IMAGE COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, readers have come to the end of the road (for now?) for one of Image Comics’ most exciting series. Since its’ debut issue, the story of Valentina “Val” Riggs aka Sundog and the battle against eternal darkness has won fans over with fast paced action and high drama. Now with its’ latest arc ready to close, the creative team throws caution against the wind with an unforgettable conclusion to what has been a highly entertaining story arc.

NOCTERRA #16 by Scott Snyder, Tony Daniel, Marcelo Miaolo and Andworld Design brings a definitive finale to the “No Brakes” storyline. Let’s not wait and deep dive into where Val and the Sundog Convey head now, shall we?

NOCTERRA #16 by Scott Snyder, Tony Daniel, Marcelo Miaolo and Andworld Design (Credit: Image Comics)

*** POSSIBLE SPOILER WARNING ***

With the world in eternal darkness, there is very little hope to be had. However, for the members of the SunDog Convoy, that is all they have. After picking up Augustus McCray (Gus) and his grand-daughter Bailey, also known as Piper on a ferryman run, Val (along with her adopted brother Emory) embark on a journey to find a save haven through the endless night.

Their journey has taken many twists and turns. It has also brought them into the path of Blacktop Bill, a dangerous follower of NOX. With the remaining members of the group arriving at Eos, a place of sunlight, plans do not go as planned. Blacktop Bill shows up and brings a fight with him. Emory decides to make a tough call and tries drawing out NOX in a trap. One of the components is to mentally connect with Bill. Once Emery does this, he quickly finds out that he is vastly outmatched. Bill sees thru Emory’s plan and NOX is now poised to enter the fight.

The story shifts to Thirteen years prior with Emory going to school. Emory addresses the audience about theories. It also is used as the backdrop to his complicated relationship with his birth mother. This quickly becomes a prequel for an event fans of this series has been waiting for. This is the moment the Sun “was killed”.

Fast forwarding to present time, Val and Emory are surrounded by Bill’s forces. When inside Emory’s mind, Bill figured out what the plan was and struck first. With the dark forces surrounding them, all hope looks lost. That is until an unlikely save is made.

Who has entered the standoff against Bill? What of Eos and the fate of the light? With Nox fast approaching, can the convoy make it to another day? Readers brace for impact as the battle is taken up another notch with Humanity’s fate hanging in the balance. There is no stopping to catch a breath.

Once the final act hits, readers are gifted a stunning resolution to what had happened. Letting the final moments sink in with stunning final images caps off a strong farewell for now, not forever.

NOCTERRA #16 by Scott Snyder, Tony Daniel, Marcelo Miaolo and Andworld Design (Credit: Image Comics)

NOCTERRA #16 by Scott Snyder, Tony Daniel, Marcelo Miaolo and Andworld Design (Credit: Image Comics)

Snyder leaves little behind as the final showdown between the Convoy and Nox lives up to the hype. Using Emory’s painful memories as a backdrop, the story reflects the hopelessness of the world they live in. With every advance Val and company make, readers sense it’s only temporary. Snyder never lets that stop the convoy members from trying to win.

Blacktop Bill steals this issue with his unrelenting attacks. The showdown with Emory is a satisfying conclusion to a build constructed heavily over the past few issues (and “Nemesis” special). The conclusion sets a fitting tone for where things will lead next time the convoy rolls on.

Daniel and Miaolo deliver on spectacular visuals throughout the issue. Opening with Emory’s past reflections, the emotional details laid out are an easy connect with readers. This carries to the current timeframe of the story. A smashing two-page full panel image of Val’s “back-up” sets the pace for the rest of the issue.

The menacing nature of Blacktop Bill shines through these pages as well. The evil grin never lets up as he takes on all challengers of the Convoy. The showdown with Emory will leave its’ mark with readers. Its’ resolution brings the fast-moving action to a screeching halt. The terror of Nox is split between two page half panels, making for quite the impression. The closing visuals bring a superb close to an action ride that shows no sign of slowing down, even after the last full page panel.

NOCTERRA #16 by Scott Snyder, Tony Daniel, Marcelo Miaolo and Andworld Design (Credit: Image Comics)

FINAL POINT: 9 OUT OF 10

The Convoy’s last stand versus Blacktop Bill and Nox finishes with an epic conclusion that shouldn’t be missed. Snyder’s flawless writing matched with the amazing visuals of Daniel concludes the hopeless fight against darkness for now, until it’s time to hit the road again on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Nocterra #16. Thanks for reading.

SUPERMAN #6 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we are checking out one of the standout series of the “Superman” line over at DC Comics! Since it's kickoff in the “Dawn Of DC” era, the Man of Steel’s books have had a renewed focus, winning over fans with each issue. Case in point has been the latest “Superman” title by Joshua Williamson and Jamal Campbell.

After a brief hiatus with “Knight Terrors” and a strong Annual issue, the series returns to shops with Gleb Melnikov board for art along with Williamson, Alejandro Sánchez and Ariana Maher. Let's take a closer look at Superman #6, shall we?

SUPERMAN #6 - Joshua Williamson, Gleb Melnikov, Alejandro Sánchez and Ariana Maher (Credit: DC Comics - Cover Jamal Campbell)

*** POSSIBLE SPOILER WARNING ***

Superman and Lex Luthor have always had a unique connection to say the least. In this current series, Lex is behind bars but has left Superman a massive gift in his absence. Superman is now in charge of the newly renamed “Supercorp”. With resources like that at his disposal, Supes should find crime-fighting easier. Sadly, that hasn’t been the case.

Surprise to no one, Lex has made some enemies. Dr. Pharm and Mr. Graft are two that have made some noise as of late that can’t be ignored. While using a Kyrptonite Klaw, they have amplified some of Superman’s rogues to new heights. This has all be a plan to keep him at bay while Lex is attacked and nearly killed in prison!

This issue opens up with the frantic attempt to save Lex’s life. The imagery holds nothing back at how grim the situation has become. The story jumps two weeks later is to see Superman is back in action, yet not quite himself. Not being there for Lex is weighing heavy on his mind.

Meanwhile at the Daily Planet, it is business as usual with Lois Lane handling duties as serving Editor-In-Chief. Lois and Clark have a brief chat which leads to Clark heading to his “corporation” for help with solving the riddle of “Project: Chained”.

Readers find out there is a specialized prison underneath Stryker’s Island. Someone is there, but no one knows the reason why. What kind of power needs that kind of containment? As Superman looks to diver further into the mystery, the answers he finds will be shocking.

Can he even handle what has been discovered? If the last page is any indication, bracing for impact is required with a parting image that jumps off the page leading to the monster Superman #850!

SUPERMAN #6 - Joshua Williamson, Gleb Melnikov, Alejandro Sánchez and Ariana Maher (Credit: DC Comics - Cover Lee Bermejo)

Williamson does an amazing job at tying in classic superhero plots with modern times. The relationship between Clark and Lex has always been rocky at its’ best case. Seeing Clark’s conscious weigh heavy for failing brings the near-perfect hero down to a grounded level.

It is Clark’s unwavering sense of truth, justice and a better tomorrow that leads him to utilizing “Supercorp” when even he has reservations. The mystery plays out well with Williamson leaving many questions unanswered for now. The final pages really drive home the point of how high the stakes are heading into the anniversary issue.

Melnikov steps in for art duties and brings a unique vision of Superman’s world to readers. There is an excellent two page spread of Superman flying over cars in Metropolois that feels like a vintage superhero image (which is fantastic). The scenes with Lois and Clark reflect the frustration both are dealing with respectively.

The action panels flow very easy and readers will sense the threat level with a great two-page spread of Superman addressing what he finds in his search. The final images leave no doubt that the story is only beginning and question if Superman can really save the day next time readers see him.

SUPERMAN #6 - Joshua Williamson, Gleb Melnikov, Alejandro Sánchez and Ariana Maher (Credit: DC Comics - Cover ROSE BESCH)

FINAL POINT: 8.5 OUT OF 10

The new arc of Joshua Williamson’s “Superman” doesn’t delay in bringing action and excitement to readers. Sharp writing and excellent visuals by Melnikov and Sánchez give readers a fun story to jump along for the ride heading to the monumental Superman #850!

Hit me up on ODPH social media and let me know what you think of Superman #6. Thanks for reading!

BATMAN/SUPERMAN: WORLD'S FINEST #19 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we are checking out the conclusion of a two part story from arguably the best superhero book currently in comics.

Since it's debut Batman/Superman: Worlds finest by DC COMICS has been a runaway hit. It's no wonder why considering the creative team of Mark Waid and Dan Mora. In the current story, Travis Moore is filling in for Mora, but the series hasn't skipped a beat.

BATMAN/SUPERMAN: WORLD'S FINEST #19 by Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands concludes the legendary first meeting of 2/3 of DC’S heroic trinity. Let's take a closer look and see how that initial encounter plays out.

BATMAN/SUPERMAN: WORLD'S FINEST #19 by Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands (Credit: DC Comics - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING***

When a mysterious riddle is left at a crime scene in Gotham City, the first one to take notice would be the caped crusader himself, Batman. However, when a clue is written in is Kryptonian, that catches the eye of the Man of Steel.

As they meet in Gotham, there is still a sense of question each has about the other. Batman uses his Bruce Wayne Influence to meet with Clark Kent of the Daily Planet to ease some tension and answer more questions. Once the pair gets rolling they find out Jax-Ur, a long time foe of Superman has taken control of the Riddler! When confronting the villain, Batman gets pulled into the Phantom Zone, the long fabled limbo which is used as a prison!

This issue opens up with Superman fighting Jax-Ur over the skies of Gotham. Meanwhile, Batman is communicating telepathically with Alfred. In the conversation, readers are told of how the Zone walls had been weakening to breaches and absorbing Goth residents in the process. It is revealed Jax-Ur knew where a breach was presumed to occur and used the Riddler to lure Superman there and swap places. During the encounter, it was Batman who was pulled in instead.

With the battle taking place, Batman forces his thoughts thru the warped Phantom Zone to connect with Superman. It is in this moment that not only is a plan put in place, but common ground is met between the two that bonds them for years to come.

What does Batman think of now? Can the pair find a way to make this work and save the day? readers sit back and enjoy watching the fight get taken to Jax-Ur. The resolution plays perfectly into what makes these two legends. The parting image is a bit of a surprise as an epilogue showcases this story is not as over as readers might think.

BATMAN/SUPERMAN: WORLD'S FINEST #19 by Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands (Credit: DC Comics - Cover: Dan Mora)

Waid sets up the story in such a manner that readers can’t help but smile reading it. Even behind the Phantom Zone walls, Batman finds a way to decipher the problem and pairs it up with Superman’s strengths of unending hope to make it work. The pair’s ethics have always been different but when together, it pops off the page.

The final act doesn’t falter giving readers the iconic moments that they have become accustomed to when seeing the pair work together. The final panel for their story portion perfectly closes the beginnings of a lasting friendship.

Moore delivers on big action for the majority of this story. The fight between Superman and Jax-Ur over the Gotham Skyline is an easy win for readers. Even when Batman and Superman take the fight to very familiar spot, Moore never takes the foot off the gas for the battle.

There’s a great full page shot showing the devastation around them. Later in the book, there’s a few panels that cement the pair’s future with a legendary feel. The closing panel captures the moment and leaves fans grinning from ear-to-ear seeing the birth of the World’s Finest.

BATMAN/SUPERMAN: WORLD'S FINEST #19 by Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands (Credit: DC Comics - Cover: Tony S. Daniel)

FINAL POINT: 9 OUT OF 10

The first meeting between two of DC Comics and pop culture’s most beloved heroes concludes with an unforgettable issue. Waid’s excellent writing is brought to life with Moore and Bonvillian’s art to present the catching throwback tale for the modern audience. This is Superhero comics at its’ finest….world’s finest.

Hit me up on ODPH social media and let me know your thoughts on Batman/Superman: World’s Finest #19. Thanks for reading!

NIGHTWING #106 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out the return of the 2023 Eisner-award winner for regular series via DC Comics! Ever since taking over the writing reigns, Tom Taylor has made the life and times of Dick Grayson into must-read adventures every time out. Now set to start a new epic tale, it’s a perfect time for new readers to jump on board and see what all the hype is about!

Nightwing #106 by Tom Taylor, Michael Conrad (Breakfast for Dinner), Steven Byrne, Serg Acuña (Breakfast for Dinner), Adriano Lucas and Wes Abbott puts Bludhaven’s protector on a path of danger and mystery. Let’s dive in and see where this new arc leads readers now, shall we?

Nightwing #106 by Tom Taylor, Michael Conrad, Steven Byrne, Serg Acuña, Adriano Lucas and Wes Abbott (Credit: DC COMICS - Cover: Bruno Redondo)

*** POSSIBLE SPOILER WARNING ***

The story begins in Bludhaven two years prior. A man is being followed walking down the street. When his trailer catches up with him, the assumption is the man in question is Dick Grayson. However in this case, he is not. This is RIC Grayson. In case anyone isn’t familiar, Ric is the amnesic persona that emerged when Dick was shot in the head by the KGBeast during Tom King’s run on Batman.

Ric is being followed by a man who claims he was in the circus with Grayson when he was a kid. He hands Ric an envelope. At the Prodigal Bar, Ric starts up conversation with Bea, the bartender/owner about places to hide the envelope. The story jumps two days later where a man known as the Quartermaster offers a place to stash the mysterious object: the Hold. Ric writes a name down on the ledger for someone to claim it: Nightwing.

Now jumping to present time, Dick Grayson focuses his attention back on a clue told to him by a sailor a wile back. Why is his name written on a box in the Hold? As Dick begins his investigation, a few familiar “friends” have already made their way to the Hold. The pair of Heartless and Tony Zucco have forced their way inside the cave. However when they arrive, what they see isn’t expected.

What is found when they go inside? Nightwing arrives on the scene but what happens next, readers won’t see coming. Behind the action comes a swift ending that is sure to please fans as a welcoming return to Mr. Grayson’s world hits the marks.

There’s also a small back-up story called “Breakfast For Dinner” which teams up Nightwing, Cassandra Cain and Stephanie Brown up facing a looming foe.

Nightwing #106 by Tom Taylor, Michael Conrad, Steven Byrne, Serg Acuña, Adriano Lucas and Wes Abbott (Credit: DC COMICS - Cover: Dan Mora)

Taylor jumps right back in with a solid introduction chapter. The character of Ric Grayson is extremely polarizing amongst DC Comics fans. However, Taylor’s usage of the character for this story works very well. Seeing Dick retrace a past he doesn’t remember is a great twist to open this chapter with. The character of Heartless provides a great foil to Dick. Some feel the cat/mouse game they’re playing has gone on too long but I disagree. Keeping Dick on the chase builds up the credibility of this deadly villain.

Heading into the latter half of the issue, Taylor gives fans a well-timed action sequence to break the dialogue up. It is vintage Grayson which fans will be excited to see. The final leads to a strong cliffhanger ending which plays into why this book gets so much praise. Just when you think you know the answers, the questions get reshuffled. That’s always a win for readers.

Byrne steps in for Bruno Redondo for this issue and readers will see the standout introduction of Heartless to this story. The panels move briskly as the villain wastes no time making an immediate impact. This all builds toward a hall-full page panel showing where he and Zucco got with their plans. Meanwhile, Byrne gives readers a steady dose of action sequences featuring Nightwing, building off a solid full page motorcycle panel. The final moments swing things back to the story with mounting tension. The parting image closes with a noteworthy full page panel to say goodbye for now, but not for long.

Nightwing #106 by Tom Taylor, Michael Conrad, Steven Byrne, Serg Acuña, Adriano Lucas and Wes Abbott (Credit: DC COMICS - Cover: Jamal Campbell)

FINAL POINT: 8 OUT OF 10

The next chapter in one of Comics’ best series starts off with an excellent starting point. Taylor, Byrne and the team mix in superb writing and fine artwork to give readers a welcome to what is sure to be another hit arc on this fantastic series. Don’t miss this on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Nightwing #106. Thanks for reading!

WONDER WOMAN #1 (DC COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out the return of one of DC Comics’ Trinity Characters. In their illustrious history, there has been many heroes of legend but three have stood above the rest: Superman, Batman and Princess Diana of Themyscira otherwise known as Wonder Woman!

Since debuting in ALL-STAR COMICS #8 in 1941, the adventures of Diana Prince have become that of legend amongst comic readers. Now poised to start a new chapter under the “Dawn Of DC” banner, there is a ton of buzz surrounding her latest saga due to the talented creative team behind it.

WONDER WOMAN #1 by Tom King (Mr. Miracle), Daniel Sampere (ACTION COMICS), Tomeu Morey and Clayton Cowles kicks off a brand new story that is sure to be one fans will be talking about at the LCS this week. Let’s take a closer look at what’s going on, shall we?

WONDER WOMAN #1 by Tom King (Mr. Miracle), Daniel Sampere (ACTION COMICS), Tomeu Morey and Clayton Cowles (Credit: DC Comics)

*** POSSIBLE SPOILER WARNING ***

The issue begins in West Billings, Montana with a simple game of Pool at a bar. The narration leads readers to think that an event has already happened. In the moment, there is some unwelcomed banter amongst patrons. The end result is an Amazonian is smashing a disrespectful male head-first thru the table.

As more male patrons of the bar interject themselves into the conflict, the end result leaves them no reward. When the smoke has cleared, nineteen males are dead inside the bar.

The news media is reflecting the public’s shock about this attack. Some are putting a spin on the events. Suddenly, a man’s phone gets a message that interrupts his meeting with two other individuals. When leaving the meeting, the mysterious figure kills the two businessmen after revealing he was working undercover to expose them. With the bodies laying dead and a room full of scared patrons, the man simply walks up to the counter and leaves his business card to give to the authorities. His name is Sgt. Steel

Steel is now put in charge of a unit known as the Amazon Extradition Entity (A.X.E.). AXE is the result of the Congress-passed Amazon Safety Act, which bans Amazons from being inside U.S. Borders.

Readers will need to brace for the viciousness of Steele and his unit. What transpires next will send shockwaves through the DCU. These actions don’t go unanswered as there is someone who has a very vested interest in discovering the truth and the U.S. might not be ready for what Hell she will bring when she strikes. If that is not enough, just wait for the final moments to add more fuel on an already enraged fire!

WONDER WOMAN #1 by Tom King (Mr. Miracle), Daniel Sampere (ACTION COMICS), Tomeu Morey and Clayton Cowles (Credit: DC Comics - Cover : Chris Bachalo)

King constructs such a multi-layered conflict in this opening issue. The idea of the Amazons being banned from the United States is a fantastic twist. With Diana being such a popular and respected public figure, the new stat quo brings forth how will the people now look at Diana after Congress makes their move. King gives some insight to this, but readers can expect the payoff to be later in this series. The question ultimately becomes where will they ultimately side: Diana or the Government?

Steel proves to be a solid foil to what Diana is up against. His blind loyalty is a reflection of the government’s opinions as they push an agenda forward. This is brought to terrifying light on their initial move. The pace nicely builds the tension before the eventual meeting of opposing forces. The action hits when it graces the story but its’ fallout plays a bigger factor. the closing moments throw everything on its’ head as another piece is added to an already impressive puzzle.

Sampere brings this story to life with easy and anxiousness as things swiftly change. The initial outing in the bar paints a vivid picture of the melee that transpired. Excellent full-page panel to light the fuse for this portion. Also noteworthy is the use of the 9-panel page for when the reporters come into the story. Sampere also adds much emotion to the supporting cast of Steel’s attack.

The mannerisms range from scared, frightened to Steel’s maniacal enjoyment of what is happening. The mood changes later as Steel sees exactly who he’s up against as a ill page stand-out visual welcomes that character to the party. The closing moments throw a swerve into where things are heading with a parting image to close out a strong debut chapter.

WONDER WOMAN #1 by Tom King (Mr. Miracle), Daniel Sampere (ACTION COMICS), Tomeu Morey and Clayton Cowles (Credit: DC Comics - Cover : Mikel Janín)

FINAL POINT: 9.5 OUT OF 10

Mixing in the superhero world with political conspiracies brings forth a grave challenge to Princess Diana of Themyscira. Through King’s superb writing, the visuals from Sampere and Morey paint a fractured and dangerous new world with one character fighting for justice against insurmountable odds. The hype is completely justified on what is happening within these pages. Don’t miss out on NCBD!

Hit me up on ODPH social media and let me know what you thought of Wonder Woman #1. Thanks for reading!

BATMAN / CATWOMAN: THE GOTHAM WAR - BATTLE LINES #1 (DC COMICS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are taking a look at a major event hitting Gotham City via DC Comics. Through the course of history, the relationship between Bruce Wayne (Batman) and Selina Kyle (Catwoman) can easily be defined as “Complicated”. Lovers, Allies, Enemies….they’ve been it all over decades. Recently, it has been strained stemming from a failed marriage attempt. Like I said … “complicated.”

Coming off the fallout from Knight Terrors, a new stat quo has been established for Gotham, which has major ramifications on the city’s family of protectors. Batman / Catwoman: The Gotham War - Battle Lines #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Adriano Di Benedetto, and Romulo Fajardo Jr. lights the match for what is sure to be an explosive story. Let’s take a closer look and see how things kick off, shall we?

Batman / Catwoman: The Gotham War - Battle Lines #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Adriano Di Benedetto, and Romulo Fajardo Jr. (credit: DC Comics -cover: Jorge Jiménez)

*** POSSIBLE SPOILER WARNING ***

The story begins as a nameless man returns home from his dangerous line of work. Readers see that the man worked for Professor Pyg, taking a beating for failing him. As he lays down to rest, a cat is at his window with a message tied to its’ collar. The message reads “If you risk your life … you deserve the rewards” with an address underneath.

Meanwhile, Batman is recapping his past few weeks, finishing with a visual of the “Knight Terrors” story. Exhausted, Batman finally collapses to sleep. In his dreamscape, he runs into an old friend: Zur-En-Arrh. if anyone doesn’t know, Batman has an emergency personality that takes over when he is too far broken down. Zur-En-Arrh leaves Bruce with parting words to rest up before disappearing in his subconscious.

Bruce Wayne wakes up in his home surroundings. Readers find out that he’s been asleep for EIGHT WEEKS (due to the toll his body took in “Knight Terrors"). Ready to pick up his fight of Justice, Batman senses something is different.

Scouring the streets of Gotham, he comes across a museum. Investigating, Batman comes across two low level henchmen trying to steal a diamond. In pursuit, they escape but someone else has stolen the jewelry. This looks very suspect from the normal criminal moves.

All the while, a criminal named Roland (possibly the same man from the beginning with newly dyed hair) appears to be training on how to steal. His mentor: Catwoman?! What has been going on in the streets of Gotham since Batman has been gone? Why is Catwoman training criminals?

Readers quickly find out that a new movement has been brought to the city and some will not be fans of this. Things escalate to a point where the lines of communication are severed. There is no turning back now after the final pages. There will be a war in the streets of Gotham. What side will you be on?

Batman / Catwoman: The Gotham War - Battle Lines #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Adriano Di Benedetto, and Romulo Fajardo Jr. (credit: DC Comics -cover: Joe Quesada)

Zdarsky and Howard set wheels in motion for a defining moment in the relationship between the Bat and the Cat. With Batman recovering from the events of “Knight Terrors”, the writers test Batman as the city has moved on without him. The movement Catwoman is leading is a very unique concept. It challenges the ethics of Batman (without the “No Killing” standard), which plays against his greatest fear: losing Gotham. As dedicated as he is, the loss of the city he’s sworn to protect is one he will not let happen.

The writing team ties in the Bat-Family reactions very well as the message reaction is mixed. Pacing moves very briskly to get the major plot points time to shine. The strongest moment of the book is the meeting of the family, where Catwoman states her plan and how it is doing. The reactions of Batman play out as one would expect but Zdarsky and Howard mix in the personal shots to drive home the emotional impact of past events. The closing act leaves a great easter egg heading into the next chapter. The team lays a solid foundation to build from with this arc.

Hawthorne and Di Benedetto tie in the after effects of “Knight Terrors” as a strong start to the next phase of this story. The Zur-En-Arrh reveal keeps readers guessing as to what that persona plays into the current story. The art team also gives readers a vintage feel to the crimefighting panels of Batman that readers have come to expect. They have more of a “superhero” feel than grim and gritty but works superbly for the story at hand.

The “Family Meeting” scenes are the big visuals readers will be talking about here. Catwoman comes off defiant and seemingly victorious before Batman even says a say. The banter between them is reflected in the growing body language where business becomes more emotional. Selina’s facial expressions as she brings up past events makes a lasting impression. The closing pages cap off those emotions tying things back full circle while subtly dropping a hint at what may lie ahead.

Batman / Catwoman: The Gotham War - Battle Lines #1 by Chip Zdarsky, Tini Howard, Mike Hawthorne, Adriano Di Benedetto, and Romulo Fajardo Jr. (credit: DC Comics -cover: Kael Ngu)

FINAL POINT: 8 OUT OF 10

The battle between the first couple of Gotham challenges the status quo with an excellent kickoff story. Zdarsky and Howard craft a story grounded in multi-layered writing with the art team spotlighting this conflict is more personal than fighting the good fight. Don’t miss this at the local Comic Shops this week!

Hit me up on ODPH social media and let me know what you thought of Batman / Catwoman: The Gotham War - Battle Lines #1. Thanks for reading!

BOOK OF EVIL #4 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we have reached the conclusion of a mesmerizing story from Best Jackett Press, home of the Scott Snyder line of books for Comixology Originals. Since it’s debut with We Have Demons (w/art from Greg Capullo), the line has been a fan favorite for both digital and print readers.

Debuting for Comixology then transitioning to the local comic shops via Dark Horse Comics, The line has produced hit series such as Clear (w/ Francis Manupal), Night Of The Ghoul (w/ Francesco Francavilla), Canary (w/ Dan Panosian) and the Eisner winning Barnstormers (w/ Tula Lotay) to name a few. With a new phase of series about to start, the second wave of books near completion of their current runs,

One of those finales is Book Of Evil from Synder, Jock and Emma Price. The nightmare landscape prepares to unveil Homer and his friends’ fate with issue #4. Let’s see how the coming of age story completes its’ run, shall we?

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

*** POSSIBLE SPOILER WARNING ***

A 12 yr old boy named Homer is an “animal”. At least that is what society has defined him as. In the 1960’s, children were demonstrating behavior cyphered as “psychopathic” once they reached 14-16 yrs old. Only 8% have not changed and are deemed “animals” or less than human.

Homer doesn’t have the easiest life. “Humans” are making his days miserable. When his brother Poe goes missing, Homer takes action. With his friends Blake, Milton and Elliot, Homer sets out to find out where his brother is and fearing the worst. Finding his brother isn’t Homer’s only goal. A cartoon written by E. C. Happ known as “The Book Of Evil” might hold the clues on how to find Happ and possibly end this hellish period of humanity once and for all.

Their journey has led them right into danger’s doorway. From a group known as “Shepards”, with a human Poe in tow to a new colony of “ghosts”, Homer has encountered terrors no one his age should ever cross. With the Shepards in pursuit, it looks like Homer and company might catch a break. It appears they have finally tracked down the location of E.C. Happ!

The finale begins with Homer narrating the history of “The Book Of Evil”. Readers find out about the 610 chapters/installments of the cartoon. The chapters center around the Goode Brothers as they embark on trying to fix the crisis of “humans”. The words paint a bleak picture of what they are enduring with a cartoonish feel.

From this point, the story jumps to Homer and his friends breaking a latch to enter an area that they have only dreamt of. The group has made it to Fort Goode. As they walk into the refuge of their hope, they see a fireplace lit with food on a table. The group is scared to think who is here. The fears are put to ease as a voice makes their Prescence known. The voice belongs to E.C. Happ!

The conversation Homer has been waiting to have finally arrives! Is there hope in the hopeless world? Readers find out that the answer is not so easy. The complexity of the situation brings out many emotions from the group. Happ’s breakdown of the world is one that will catch some off-guard. Will Homer accept the information or fight back?

The closing arc will provide a fitting and satisfying end to a story that keeps tugging at emotional heartstrings. Events speed up long enough to catch readers not expecting certain outcomes. A well-crafted final page ties up what has been an excellent read to dive into.

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

Snyder poses a great question in this finale issue: Is a dream worth it if it was only a dream? The differing views of Happ and Homer bring this to light as their interactions play off as strong segments. The viewpoints of an “animal” will clash with someone who sees the world through different eyes. Snyder challenges the readers with whose argument is stronger. There are great surprises brought out for the finale which readers can’t help but feel. This builds into a fast-moving final act as time becomes a factor for all involved. The closing moments will hit their marks and leave a lasting impression. The series has been an intense read and the finale never falters driving that home in the closing moments. Another excellent story from Snyder and this line of books!

The look and panel structure of this series has been very different than other comics at the local comic shops. That said, when Jock drops a visual in this series, it is not to be missed. The initial introduction to Fort Goode jumps out with the use of coloring showing the fireplace and table of food. This is matched with a full page shot late in the book to hit readers with a strong emotional visual before bringing the story to an end.

The usage of colors makes another prime case of creativity later in the issue. When red and yellow hits the pages here, it represents more than the usual danger at hand. Emma Price deserves to be acknowledged for her format presentation in this series as well. This is not your average comic. Book Of Evil comes across as a journal into growing up more than what some might expect. It stands on its’ own and won’t be soon forgotten.

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

FINAL POINT: 9.5 OUT OF 10

Homer’s odyssey comes to a thrilling and heart-breaking end within the pages of Best Jackett Press’s latest hit. Snyder, Jock and Price give readers superb writing with haunting visuals to bring the curtain down on what has been a chilling tale of hope and hurt. Make a point to pick this up digitally or in print when it drops in at the local comic shops.

Hit me up on ODPH social media and let me know your thoughts on Book Of Evil #4. Thanks for reading.

BATTLE CHASERS #12 (IMAGE COMICS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH podcast!

For this entry, we’re checking out the latest installment from the epic return of one of comic’s most legendary fantasy series. Since its’ return after a LONG hiatus, the Image Comics series hasn’t faltered recapturing the magic that made this book popular in the late 1990’s! Two issues back and the fans have been greeted to a phenomenal run leading into this latest installment.

Battle Chasers #12 by Joe Madureira and LUDO LULLABI continues the saga of Garrison, Red Monika, Gully, Calibretto aka Bretto & Knolan as the world of Gaia falls further into chaos! Let’s take a look at how the latest chapter progresses, shall we?

BATTLE CHASERS #12 by by Joe Madureira and LUDO LULLABI (Credit: Image Comics)

*** POSSIBLE SPOILER WARNING ***

Last we saw our favorite characters, things were very grim. Garrison and Red Monika have been getting hunted by Mastreo and the Martial Paladins. Gully, Calibretto and Knolan have been under the watch of King Vaneer!

As readers start this issue, Knolan is pleading with the King about Gully being in possession of her father Aramus’s magical gauntlets. the King is none too pleased with this and gives a stern warning to Knolan about loyalty.

Meanwhile, Garrison has gone thru a transformation while facing certain doom from the Master Paladins. He has re-emerged as a blue-skinned figure, seething with energy. Limbo, one of the Paladins, looks ready to strike but is now not dealing with Garrision, but a figure named Wrenneth.

What happens now with Wrenneth in control? The action is taken up few notches as the darker side of Garrison is released. Does Mastreo know what is unleashed now? And what of Red Monika? There is no shortage of excitement coming from this issue as things shift in a new direction for Gaia’s fiercest warriors.

BATTLE CHASERS #12 by by Joe Madureira and LUDO LULLABI (Credit: Image Comics)

BATTLE CHASERS #12 by by Joe Madureira and LUDO LULLABI (Credit: Image Comics)

Madureira splits up time between Garrision’s and Gully’s stories more equally this go-around than previously. Garrison’s has a more balanced narrative with mystery and action. It’s caped off with big action and showing a possible threat to what the King has been preparing for.

Gully’s is slow-building into more but has many moving parts attached. With her brother arrested and facing a possible end, Gully is still searching for her own path. The supporting cast there gives more support to the story but has some ways to go which I’m assuming will be heavily feature in the next arc. The issue finishes with a solid build for that story whenever issue #13 hits the shelves.

LULLABI firmly establishes the terrifying potential of Wrenneth during the action panels. The pace is fast and holds nothing back as Wrenneth deals with the Paladins. Right down to the evil smile, the art reflects how much evil is flowing thru Garrison at those moments. the action involving Red Monika doesn’t hit any brakes either.

Fans who want big battles have plenty to enjoy. The Gully portion does more foundation building with Sebastian Nefar pulling the strings. Those panels ultimately lead to a definitive close for the return arc with plenty of ideas to where things head to next.

BATTLE CHASERS #12 by by Joe Madureira and LUDO LULLABI (Credit: Image Comics)

FINAL POINT: 8 OUT OF 10

The first arc back for the legendary fantasy series wraps up one story while setting the stage to an ever bigger tale in the near future. Madureira and Lullabi continue their successful formula of strong writing and artwork to leave no doubt to new and old readers alike that Battle Chasers is back and here to stay!

Hit me up on ODPH social media and let me know your thoughts on Battle Chasers #12. Thanks for reading.

ROGUE SUN #15 (IMAGE COMICS via BLACK MARKET NARRATIVE)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast.

For this entry, the Massive-Verse from IMAGE COMICS via BLACK MARKET NARRATIVE has come back in a monster way since the “Supermassive 2023” crossover event. One series that is kicking into the next level is Rogue Sun. The adventures of Dylan Siegal have been anything but calm as the latest arc has challenged him like never before.

ROGUE SUN #15 by Ryan Parrott, Abel and Marco Renna (Artists), Natalia Marques, Becca Carey, Michael Busuttil (Editor and Design) keeps readers guessing on what is next for the young hero. Let’s take a deeper dive and see what is happening now, shall we?

ROGUE SUN #15 by Ryan Parrott, Abel and Marco Renna (Artists), Natalia Marques, Becca Carey, Michael Busuttil (Editor and Design) - (credit: Image Comics via Black market Narrative) Cover - Luana Vecchio

*** POSSIBLE SPOILER WARNING ***

Dylan’s tenure as the defender of the supernatural hasn’t exactly been an easy road. His estranged dead father’s spirit served as a mentor until Dylan decided to dismiss him. The replacement turned out to be Caleb Hawthorne, the Knight Sun. When Dylan couldn’t defeat Hellbent on his own, he turned over control of his body to Caleb to secure victory. However with that choice, Caleb has decided not to relinquish hold.

Now a literal prisoner in his own body, Dylan is learning the hard way that not every hero has good intentions.

With full possession of Dylan’s body and the power of the Sun Stone, Caleb has summoned the attention of Mourningstar, who has been responsible for most of Dylan’s troubles as Rogue Sun.

This issue kicks off with Caleb facing off with Mourningstar and her minions of creatures. What appears to be a challenge turns into a surprise no one is expecting. Caleb hasn’t come to fight, he’s come with a proposition. It is one readers will not believe when they read it!

Meanwhile, Dylan is meeting with his father and Grandfather in the astral plane in a configured reminder of family life: a cabin in the woods. The trio converse about life as Rogue Suns and how Dylan should move forward. Their journey takes them into a place where Dylan learns about the history of the mantle he once had. Dylan also makes a choice with big ramifications.

What choices are made? Can the heroes survive with the decisions they made? Readers witness how choices are always followed by consequences. Even with these stories going on, the final act drops one f the biggest shocking moments in this series history and that is saying something! Readers - BRACE FOR THE LAST PAGE!

ROGUE SUN #15 by Ryan Parrott, Abel and Marco Renna (Artists), Natalia Marques, Becca Carey, Michael Busuttil (Editor and Design) - (credit: Image Comics via Black market Narrative) Cover: Holly-Renee Blakeway

Parrott continues to weave more surprises and twists into Dylan’s life proving that any ideas you have about this series are far from concrete. The opening moments with Caleb and Mourningstar proves to be a solid pace setter for the remaining plots in this issue/story. Caleb has been one character that keeps his true intentions close to the vest but appears to be peeling back some of those layers with his actions. The family “reunion” breaks away from the overall story long enough to give some insight into the Bell’s dynamic while challenging if the powers of Rogue Sun affects the wielder more than anything thinks. Excellent final act to raise the stakes even higher as Dylan and Caleb appear on a much needed collision course.

Abel and Renna continue to be a winning team splitting art duties. Caleb’s body language with Mourningstar speaks volumes without seeing his face. The feel is tense as the enemies could attack at any moment. The family time showcases the strained relationship the Bell/Siegal family have with the pent-up emotions pouring out on the panels. Events move at a quick pace but never loses the readers attention as the escalation grows. It’s perfectly capped off with a final act and mind-blowing parting visual that will leave readers shocked at what’s about to happen next.

FINAL POINT: 9 OUT OF 10

The life and times of Dylan Siegal never disappoint as the creative team continues to find ways to lead readers into directions that no one sees coming. Parrott delivers on the drama with exceptional writing. Factor in the one-two punch of Abela and Renna (along with the rest of the team) and Rogue Sun continues to be a must have on New Comic Book day.

Hit me up on ODPH Social Media and let me know your thoughts on Rogue Sun #15. Thanks for reading.

THE SCHLUB #1 (IMAGE COMICS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out a brand new series from Image Comics that has been making a lot of buzz in anticipation with comic book fans. With an all-star creative team behind it, there’s no doubt why readers have this book on their radar for New Comic Book Day.

THE SCHLUB #1 by RYAN STEGMAN (Vanish), KENNY PORTER (Superboy), TYRELL CANNON (Beef Bros), MIKE SPICER and JOHN J. HILL introduces Roger Dalton to the world and welcomes everyone to tag along with the start of an unlikely hero’s journey. Let’s take a closer look and see what’s happening here, shall we?

THE SCHLUB #1 by RYAN STEGMAN, KENNY PORTER, TYRELL CANNON, MIKE SPICER and JOHN J. HILL (Image Comics)

*** POSSIBLE SPOILER WARNING ***

The story begins in a dentist office. Roger Dalton is working on someone’s teeth. The narration describes him as a loser who’s never had a big win. While working on his patient, Dalton looks out the window and catches a sight he doesn’t want to see. His Father and brother are setting up shop across the street with their 13th business location. Roger is not handling the news well while he’s on the phone with his ex-wife.

As he’s having the conversation, Roger is oblivious to a few things. The TV is broadcasting about an evacuation downtown. There’s a patient that is sitting there waiting for Roger to work. Right as he is ready to begin his work, the office starts shaking. Bursting thru the room is Cirrus, a powerful superhero.

Cirrus is squaring of with WYRM, a magical sorcerer. During the fight in the office, Wyrm drops a mysterious object. Roger picks it up and activates it! What happens next changes the course of not only this ordinary nobody but the fabled superhero trying to save the day!

What happens with great power in irresponsible hands? That becomes the question surrounding this series as Roger is no longer a nobody with the fate of the world now in his hands. Can he defeat Wyrm? Is he ready for what’s next? The final image leaves no doubt that this story is far from being your average superhero tale.

Breakdown: Stegman and Porter set a course of unlikely circumstance with the base of this story. Dalton is far from a worthy candidate to become a hero. His persona is driven by jealousy and failure. Even in what appears to be his greatest moment, it happens by sheer luck. The irony of his luck is uncanny and will win readers over as his story progresses. The pairing of Dalton and Cirrus meshes well as polar opposites fighting for the same cause but gives this issue a solid balance of light-hearted jokes in between the action. There’s a lot to enjoy of this debut.

Cannon and Spicer bring to life the absurdity of Dalton’s actions ranging from his jealously of his dad and brother to his cluelessness of his patient. Each panel comes across with a great sense of levity before the heroics begin. That portion starts with a big two page spread instantly bringing the bold world of Cirrus to readers. Seeing Dalton’s facial reactions after becoming a surprise hero added a grounded connection to the overall story. This all paved the way for the closing act which lets readers know Dalton’s life as he knew it will never be “normal” again.

FINAL POINT: 8 OUT OF 10

Will great power wield great responsiblity? That is the question posed by Stegman, Porter, Cannon and the team with this highly engaging tale. The pairing of Dalton and Cirrus proves for a great combo of heroics and humor that should be a hit with readers for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts about THE SCHLUB #1. Thanks for reading.

KNIGHT TERRORS #4 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, we’re continuing to follow the terror encompassing the DC Comics Universe. During their “Dawn Of DC” storyline, “Knight Terrors” has snuck up on the DC heroes, putting them in an endless nightmare landscape. With the crossover coming to a close soon, all bets are off on how the DC Universe survives.

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri takes DC’s last standing defenders head on into the heart of the danger. Let’s see how the latest events unfold, shall we?

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteriv (Credit: DC COMICS - Cover: Ivan Reis)

*** POSSIBLE SPOILER WARNING ***

With the world put in an endless slumber, Insomnia has unleashed an evil in the DC Universe unlike anything else witnessed. The forces of good are trapped fighting their own personal demons. Who is left standing is a trio of heroes that have the fate of the world on their shoulders.

DEADMAN (who is currently possessing Batman’s body), Wesley Dodds (the re-incarnated Golden Age Sandman) and Damian Wayne are the trio of heroes left standing (and awake) to save the day. Last issue, the group heads to the House Of Horrors for the Nightmare Stone, the key to ending this ordeal. In Deadman’s possession, things seem to be looking up but is he really in control or has Insomnia been manipulating them all along?

This issue opens up with Deadman addressing the readers eluding to the story isn’t going to have a happy ending. The trio of Heroes make their way to Arkham Tower in search of Insomnia, whose body is inside. Deadman claims the stone is telling him to steal Insomina’s power. The group heads inside, not knowing what to expect.

The building is clean and unphased by the event. As they progress, Damien is confronted by Batman, who praises what his son has done. Knowing something is off, Damian stabs him! Damian snaps back to the present and its’ revealed he is now starting to fall asleep. The trio finds Insomnia and Deadman leads the charge to end things once and for all.

What happens when he uses the stone to steal Insomnia’s powers? Readers bare witness as Deadman takes the lead with one last shot to save the day. Can he do the impossible? What happens if he fails? The events start becoming clear as secrets are revealed with a shocking play made that alters the course of the story. The closing moments will have readers talking as the final chapter appears to be at hand.

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteriv (Credit: DC COMICS - Cover: Casper Wijngaard)

Williamson speeds things up to brace readers for the upcoming conclusion with this issue. The segments with Robin give a small break to the overall theme. Readers can sense Damian’s closed emotions start peeking out when Batman speaks with him. However, this story has been all about Deadman. With his venture to end this nightmares, he becomes challenged with a truth that he is not expecting. The flashback moment hear translates to the readers about another layer to Insomnia’s character. It plays strong into the set-up for the final act. With what lies ahead, fans can expect a big ending as the major players are set in place to face off.

Camuncoli, Nesi, and Wijngaard keep the chilling feel throughout this issue. The time in Arkham Tower sets up like a true horror movie. The expressions of “Batman” plays into Damian’s fears very good to progress his story. Insomnia’s body made for a strong visual to express the terrors at hand. The flashback points hit their marks as Insomnia’s motives become clearer to a degree. It’s capped off with a solid two page spread late, leading readers into the final stage of the crossover.

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteriv (Credit: DC COMICS - Cover: Darick Robertson)

FINAL POINT: 8 OUT OF 10

Insomnia’s final play makes for an engaging issue to send readers into the upcoming finale of DC Comics’ massive crossover event. Williamson, Camuncoli, and the team give the major villain some definition to his character as the closing chapter is about to begin. Keep an eye out for this issue on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Knight Terrors #4. Thanks for reading

BATMAN/SUPERMAN: WORLD'S FINEST #18 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this edition, we’re checking out arguably THE best superhero comic on the market today. Bringing together two of the most iconic characters in all of pop culture, let alone their presences in DC comics history, can be a challenge. With Mark Waid and Dan Mora behind this book, fans have been greeted to fresh takes that reminds everyone why this pair earned the moniker of “World’s Finest”

The series has a shift in art for the next two issues but duties are in safe hands. Travis Moore steps in for Mora with Waid, Tamra Bonvillain and Steve Wands along for the ride as Batman/Superman: World’s Finest #18 looks to take a trip back in time to where things all began for the pair. Let’s not wait any longer and see how this new story arc begins!

BATMAN/SUPERMAN: WORLD’S FINEST #18 - Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands (Credit: DC COMICS - cover: DAN MORA)

*** POSSIBLE SPOILER WARNING ***

The story begins in Gotham City years in the past. Commissioner Gordon leads the investigation into a heist on a showboat. The only clue they have to work with is “a riddle.” Gordon doesn’t seem to phased as he senses a certain caped crusader might be already on the job.

Meanwhile in Metropolis, The Daily Planet has taken notice of the events in Gotham. Jimmy Olsen points out the news to one Clark Kent. They break down that “the Riddler” (as called by the cops at this time) is behind the stealing. Along with the thefts, there has been some disappearances. As Clark looks at the case, there is a message left in a foreign language to humans, but not Clark. It is in KRYPTONIAN!

Superman flies to Gotham and meets up with Gordon. As they exchange information of the case, Clark references a vigilante in Gotham. Gordon mentions he has his own way to interact with the investigation, but Superman flies away catching Batman listening in.

At this stage, readers are treated to the first meeting between the World’s Finest! How does the initial interaction go? What happens when ideologies clash? What connection does the Riddle have with Superman? This issue has much to offer fans new and old as a great mystery has begun. The final panels give readers a solid parting image to hold them over until next issue.

BATMAN/SUPERMAN: WORLD’S FINEST #18 - Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands (Credit: DC COMICS - cover: Darick Robertson & Diego Rodriguez)

Waid captures the essence of the total opposite mannerisms that make this pair great. The “by the books” method of Superman conflicts during each encounter with Batman’s more “direct” approach to solving crime. The little variances were a treasure to read. Superman’s time in Gordon’s office is a great example. The conversation comes off more cordial and a stark contrast between Batman’s brooding.

Readers can rest assured that the dark Knight demeanor is still there (though turned down a few notches) when he and Clark meet for the first time. The story builds itself at a steady pace with each following time, the pair starts to lay the foundation for their iconic bond. Readers will be walking away very pleased at what’s happening and waiting to see what lies ahead.

Moore’s art sets up these classic images nicely throughout the issue. The Superman/Gordon encounter kicks off with a solid visual of Gordon reacting to seeing Superman flying in his office. Its’ matched when the iconic heroes finally meet for the first times (as alter-egos and in uniform) as well. Moore’s use of half-page panels for these moments hit their marks flush. Bonvillain’s coloring is a major part on how these brief visuals leave a lasting impression. There’s great action thrown in the latter half of the book with a can’t miss full page panel leading into a reveal keeping readers on the edge f their seats until the next issue drops!

BATMAN/SUPERMAN: WORLD’S FINEST #18 - Mark Waid, Travis Moore, Tamra Bonvillain and Steve Wands (Credit: DC COMICS - cover: Meghan Hetrick)

FINAL POINT: 9 OUT OF 10

A magnificent part of DC Comics history is brought to life with an exceptional start that all comic fans won’t want to miss. Waid, Moore and the team construct the beginnings of a legendary duo with superb writing and art. The series continues to define what superhero storytelling is all about.

Hit me up on ODPH social media and let me know your thoughts on Batman/Superman: World’s Finest #18. Thanks for listening!