TRANSFORMERS #26 (IMAGE COMICS/SKYBOUND)

No rest for a good soul. Optimus Prime has been trying to refocus since the brutal encounter with Megatron. His allies are in need of Energon. Miles Mayhem has emerged as a possible human resource for help. There is room to proceed with caution. Not all humans reveal what’s behind their M.A.S.K.’s

If that wasn’t enough, Earth problems are only one side of drama. The Cybertronian front is not too pleased with his actions. How will Prime navigate these waters?

TRANSFORMERS #26 by Robert Kirkman, Dan Mora, Mike Spicer & Rus Wooton expands the impact of the Energon Universe.

Let’s take a closer look at what is going down now.

TRANSFORMERS #26 by Robert Kirkman, Dan Mora, Mike Spicer & Rus Wooton (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Kirkman starts putting more weight on Prime’s shoulders to justify actions. With Skywarp imprisoned inside the arc via StarScream, his essence becomes a topic of debate. Many Autobots don’t see the point of trusting him or Thundercracker. Readers can’t blame the worry. They can also see Prime’s point. The writing shows his eternal optimism. How that becomes a crutch or strength is explained later in the chapter.

Miles Mayhem’s involvement proves to slowly reveal itself. Even with returning fallen Autobots, the deception is hiding in sight. His dialogue is cold and filled with dark ambition. Brief but to the point. The same can be said for Elita. Her stance on Earth and Prime becomes more fueled with anger in each panel.

This gives way to circle back to Skywarp. Readers watch as loyalties are tested. The scenes are flooded with varying emotions. This proves to be a costly event for multiple characters. From here, the closing pages tease another surprise moment. What this all entails is up in the air for now. Don’t doubt a huge payoff later.

Mora and Spicer unleash the pent-up rage of Thundercracker to start events off. His facial reactions are impactful in translating motives. This pushes into more action. Ultra Magnus shuts events done via a near full page look. This allows Prime to make a grand entrance. Readers see the fight resolved with more bargaining between humans and Transformers.

Pacing slows enough to let the drama build in the panels. The face-off with Soundwave and Prime tells much in the panels. Blind Optimism vs. Dark loyalty. It is a moment that never loses its drive on both sides.

As the story goes into the final act, Mora takes lead with unloading reactions to Prime’s moves. These panels pit friends into enemies and vice versa. Readers watch the moving pieces fall into place. It leaves a solid, yet somber conclusion in its wake. The final pages add another key figure unto play. His parting image leaves many questions heading into the next chapter.

FINAL GRADE: 8.8

No good deed ever goes unpunished. Optimus Prime is learning this the hard way in this new chapter. Kirkman tests the limits of Prime’s hope with the writing. Mora and Spicer elevate each page to new heights. This series never fails to impress every time out.

Let me know your thoughts on Transformers #26 in the comments below. Thanks for reading!

SPIDER-MAN: NOIR #2 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 2nd issue of Spider-Man Noir from Marvel Comics!

The scene is 1939, and Peter Parker is a private detective by day, and the masked vigilante Spider-Man by night! He's investigating the murder of none other than George Stacy, the father of Gwen Stacy! So will he crack the case? Let's jump into it!

credit: Marvel Comics

Spider-Man Noir #2 by Erik Larsen (Writer), Andrea Broccardo (Artist), Rachelle Rosenberg (Color Artist) & VC's Joe Sabino (Letterer) is a great issue that is filled with mystery & intrigue that helps it stand out from other Spider-Man comics!

The Story

Erik Larsen does an incredible job with the story throughout this issue, and he isn't afraid to push some boundaries. The story feels like a murder/mystery movie you might find on Turner Classic Movies on a Saturday afternoon and it plays out beautifully. It has some familiar beats to the story, but it does a great job at staying rooted in the 1930's.

We're introduced to the villain Hard Boil in this issue, He's a mountain of a man that's sharply dressed and means business. I will say his name is extremely spot on and it gave me a laugh reading the issue.

Peter does eventually work out just who it was that murdered George Stacy, and it isn't good. I won't spoil it here, but it's safe to say that the relationship between this universe's Peter Parker & Gwen Stacy will not be anything like what we've seen in previous incarnations.

The Artwork

Andrea Broccardo & Rachelle Rosenberg both do an AMAZING job on the artwork from start to finish on the issue. They do such a great job with the look of the characters & the backgrounds of the panels. It genuinely looks like the 1930's, and stays away from some of the recent iterations styles. It works so incredibly well and is just so much fun to look at!

FINAL POINT: Erik Larsen provides a different look at Spider-Man than what we've been used to the last couple of years. Together with stellar artwork from Andrea & Rachelle, this is an issue (and a series) that should be at the top of your lists!

Overall Grade: 10/10

Thank you for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

C.O.R.T. (CHILDREN OF THE ROUND TABLE) #3 (DC COMICS)

Call it destiny. Say it’s Fate. No matter how you describe it, a group of young individuals’ lives are forever changed. They are bestowed magical weaponry. Put into a life they never asked for, the kids are in trouble. They have drawn unwanted attention.

Now they need to figure out what to do next and FAST!

C.O.R.T.(Children Of The Round Table) #3 by Tom Taylor, Daniele Di Nicuolo, Rain Beredo & Wes Abbott continues forward with its’ magical tale.

Let’s take a deeper dive into what is unfolding now.

C.O.R.T.(Children Of The Round Table) #3 by Tom Taylor, Daniele Di Nicuolo, Rain Beredo & Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

The kids are presented with their first major conflict in Mordred’s forces. Readers watch as they have to adapt on the fly to survive. This results in some quick action before the odds become stacked against them. Readers watch as their weapons’ souls become teachers in resisting the threat. It isn’t until a familiar face crashes the party that the objective becomes clearer.

Merlin’s appearence throws a new dynamic into play. The writing pulls off his charisma while averting capture. His presence proves to be the guiding voice needed to advance. This mentorship works wonders on Connor. The dialogue gives clarity on the destiny he is staring at now. There is a small presence of magic to take readers into the closing act. Once here, the story starts developing into a merger of two worlds. Whether the kids are ready or not is another question yet to be answered.

Di Nicuolo & Beredo ramp up the tense setting early in the chapter. As the kids are being confronted, their weapons take over. The action starts spilling into the panels. This leads into an unlikely full page image. The art carries a very kinetic feel as the fighting escalates. This leads into a full page debut of a powerful figure. Timing couldn’t be better.

Readers watch as Merlin takes over the pages with quiet moves. The kids’ reaction to his leadership varies from worry to shock. It results in a planned escape into a new surrounding. Once at their destination, the mood swings to a lighter approach. There is a sense of wonder as they discover where they truly are. The final page presents their new home via full page. It conveys much magic as their next chapters are about to be written.

FINAL GRADE: 8.4

The new knights are thrown into uncharted territory in this latest chapter. Taylor guides readers through the transforming scenario via strong writing. Di Nicuolo & Beredo construct impressive pages to assist in delivering the wonder of their course. Judging by the closing page, there’s much more to ponder on the horizon.

Let me know your thoughts on C.O.R.T.(Children Of The Round Table) #3 in the comments below. Thanks for reading!

BATMAN: DARK PATTERNS #12 (DC COMICS)

A legacy is not built overnight. As Bruce Wayne has evolved into the World’s Greatest Detective, he has been dealt tough calls. This was especially true in his early days. Some of the grimiest cases have crossed his path. Each more challenging than the last.

One series has flown under the radar in exposing these trials. The format has been self contained cases during the initial BATMAN days. All have shocked and awed readers. Before bowing out for this round, there’s one more case to close.

BATMAN: DARK PATTERNS #12 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic presents the finale to “The Child Of Fire”.

Let’s take a deeper dive into this explosive ending.

BATMAN: DARK PATTERNS #12 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters brings the curtain down with a thrilling conclusion. Watching Nicky Harris maneuver his plans as all lead to his final vision. The writing shows him in all his glory declaring victory. Even as Jim Gordon crosses an ethical line, there’s little he can do to halt the madness. Readers watch as the dialogue between Harris and Dr. Serekia adds more gas to that inferno. Knowing how far gone he is, Harris’ vision is easily interrupted. His explanation of manipulating events moves that notion forward until it’s slammed shut.

The payoff fans have been waiting for finally kicks in. It is a perfect Batman moment. Even in a weakened state, his sheer will shines through. This moves into a more steady landing spot for the case at hand. The dialogue delivers on a colder tone. It results in building up the mystique of the Bat. Watters tie up all loose ends before leaving with a final message. One case has closed but another is set to become wide open.

Sherman and Farrell set the stage early with this issue. The opening pages reflect the intense attempt to stop Harris. Gordon’s doubt is written all over his face. This moves into Harris addressing Serekia. The two page splash reveals many details to the overall schemes. It helps establish the long term booking of his attacks. The use of Batman’s shadow is perfect in these panels. Structure also moves events into a showstopping moment.

Seeing Batman emerge through the raging inferno is going to be a fan-favorite image. The near full page launches into a quick physical standoff. Readers watch as the heat becomes too much of a factor. This allows for a near full page image to end this fight & focus on the greater threat. Using Gordon’s eyes as a blurred panel sells the crash he was involved in. The creativity displayed here is second to none. Having the bat symbol used to block off panels hits a bullseye! It allows the art to finish each sub-plot before the final panel. Once here, a simple freefall carries a new weight into a darker knight’s destiny.

FINAL GRADE: 9.7

The case is bittersweetly closed on this amazing look at Batman’s early years. Sherman weaves in the sleuthing with strong writing. Sherman and Farrell bring out the phenomenal views as the case rages to its’ close. The best Bat series may be over for now but hopefully readers will get a second look in the future.

Let me know your thoughts on Batman: Dark Patterns #12 in the comments below. Thanks for reading!

BATMAN AND ROBIN #27 (DC COMICS)

A father’s revenge. How far would one man go to seek atonement for his son’s passing? That is the mystery surrounding “The Quiet Man”. Hitting Gotham City with a vengeance, he has made an immediate statement. The Iceberg Lounge was destroyed. Penguin and Two-Face are scrambling to solve this problem.

The Dynamic Duo is now on the case and walked into the wrong fight. There is also another player hiding in the shadows that is the key to this conflict.

BATMAN AND ROBIN #27 by Phillip Kennedy Johnson, Fico Ossio, Marcelo Maiolo, and Steve Wands (DC Comics) continues its’ explosive arc.

Let’s take a closer look at what is unfolding now.

BATMAN AND ROBIN #27 by Phillip Kennedy Johnson, Fico Ossio, Marcelo Maiolo, and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Johnson wastes no time in bringing action to the audience. The firefight in the junkyard ramps up to an uncontrollable level. Readers watch as The Quiet Man shows a few new sides to his personality. One of which is trying to save Damian Wayne. It is the fatherly instinct kicking in that make this surprising. Showing a weakness in his persona makes this mission all more complicated. Readers watch as this becomes more complex as the Quiet Man’s origin starts coming to light. It is a solid reveal that makes Batman reflect on fatherhood while dealing with the media.

Speaking of media, The Daily Planet is assisting in some PR work for Gotham’s famous family. Johnson pens a deep look at Wayne’s struggles in raising Damian, not Robin. Clark Kent’s rebuttal put pieces in proper focus. It is a rare insight into lives readers don’t see often enough. The same can be said for Jon Kent and Damian Wayne. The Super Sons have a fun reunion that injects a breather into the brooding aura. This is sure to be a crowd pleaser before events swing back to closing. Once here, the key player in Quiet Man’s mission gets a rude awakening. Desperation sinks in as a violent past is about to be unlocked for where things head now.

Ossio and Maiolo have set a high bar for the action on display in this series. The opening fight is pouring with high paced combat. If anyone can make the Riddler’s old typewriter into a key action moment, you know they’re doing something right. Everything in this sequence feels big and matching the high stakes involved. The art sneaks in some more subtle timeframes with Damian and the Quiet Man. Little expressions in these stages assist in connecting the character with the audience. A full page image of the Dup swinging away launches events into the more grounded area.

The full page shot of the Kents in Wayne Manor kickstarts a lighter portion of the issue. Damian and Jon’s reactions are priceless as the old friends reconnect. The same can be said for Bruce and Clark. Their talk about fatherhood shows the weight of pressure Bruce puts upon himself. Looking over Gotham’s skyline, the pair showcase their friendship with optimism moving forward. The full image of the dads in costumes signs off on the easier times. The art doesn’t delay in moving readers back into the drama before departing. Final pages lead into an exclamation point end panel. Another strong showing form the art team for this one.

FINAL GRADE: 8.8

The Quiet Man’s story gets louder with reveals as force Batman to examine an area of needed growth. Johnson weaves in fatherhood issues through an ever evolving tale. Ossio and Maiolo deliver on the energetic action with the art. Don’t miss on what is developing with this current arc.

Let me know your thoughts on Batman and Robin #27 in the comments below. Thanks for reading!

STAR WARS #7 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 7th issue of the main line Star Wars comic from the folks over at Marvel!

It's a very tense point in time for the young New Republic so far. Yes, the Empire has been defeated at the Battle of Jakku but that doesn't mean it's all parties and fancy dinners! They've had to contend with several issues that threaten to push them to the brink! So just can they get through this? Let's jump into it!

Credit: Marvel Comics

Star Wars #7 by Alex Segura (Writer), Pete Woods (Artist) & VC's Clayton Cowles (Letterer) is a great entry into the series that adds a new wrinkle to things!

The Story

Alex Segura does a great job with the story that is tense & filled with plenty of plot twists from start to finish. From the moment our heroes touch down on the planet Kaltaris the battle is already in full swing.

The battle is great and reminded me of the battle between Luke, Leia, Lando & Chewie against the Empire on Cloud City in The Empire Strikes Back which is always a great battle to emulate.

It doesn't last forever though, because diplomacy does win out in the end. It was great to see it play out in the issue because it reminded me of some of the great episodes of The Clone Wars. However there is a twist at the end, and a new wrinkle is introduced. And it's a wrinkle that's sure to throw a wrench into the New Republic's plans for peace. Just what will happen next is yet to be seen, but it's sure to be great to read.

The Artwork

Pete Woods does a great job with the artwork, as he puts his own spin on things but still maintains the look and feel you're used to with the main line Star Wars series. The way he structures the panels is fascinating because it really gives you that sense of urgency that the characters are feeling in the heat of battle. 

The battle sequences are also spectacular in this scope and just how much is going on in the panel. I'm fairly certain this is the first time I'm seeing Pete Woods work, and I'm very impressed with what I see. I would absolutely love to see Pete on more Star Wars projects.

FINAL POINT: Alex Segura is telling a great story that continues to intrigue and add mystery to the Star Wars mythos. That together with stellar artwork from Pete Woods make this an issue you're not going to want to miss!

Overall Grade: 8.0/10

Thanks for checking out my review! Be sure to reach out to me on Twitter & tell me what you thought of the issue!

BATMAN #162 (DC COMICS)

It has been a hot minute but H2SH is returning to comic shops. Tommy Elliot has emerged with a vengeance. After defeating the Joker, Elliot looks to make Batman’s life a living hell. The former childhood “friend” has forced Batman to be the savoir to the Clown Prince of Crime.

His actions haven’t set well with the Bat Family. Jason Todd became involved. He was followed by Damian Wayne and BANE?! Also, Nightwing & Batgirl have an allaince with The Riddler?!

There’s a lot to unpack with this story.

BATMAN #162 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair, Tyler Smith and Richard Starkings continues its’ very polarizing tale.

We’ve waited long enough. Where do things go from here?

BATMAN #162 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair, Tyler Smith and Richard Starkings (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Five chapters in and there’s a lot left in question. Loeb’s writing tries establishing Hush’s manipulations on the Bat family. In execution, there are some awkward landing spots. From the initial start here, Batman’s monologue depicts one riddled with extremes. One of which is the brutal method of dealing with his allies. There isn’t a sense that he is the hero in these moments. They come across like a paranoid traveler lost in direction.

The conversation with Catwoman feels more like a brewing fight than a talk between lovers. Readers sense the dialogue won’t flow as easy as it should. There’s never a let-up of Batman’s convictions with self guilt. Even as other Bat-fam arrive, the internal voice never switches off its’ harder takes.

Readers get some relief when Hush is revealed in the shadows. While brief, it chops up the brooding presence of Batman. The Red Hood/Huntress portion feels forced into the mix. Its’ briefness helps get to the close. There’s a few tricks attempted to sway the readers. They never get off the ground as the final page brings Batman into a somewhat full circle moment. There are just too many forced pieces that divert an organic push for Batman’s latest escapades.

Lee and company continue to be the saving grace of this series. Batman’s face-off with his family leads into a solid two page splash. Showing the tragic pasts of Nightwing and Batgirl attempts to make Bat’s moves more sympathetic. This moves events into the Catwoman portion of the book. Their tension is easy to witness. In this capacity, they come across more as bitter enemies than previously star-crossed lovers.

Damian Wayne’s two page splash amps up pacing. While brief, it hits key points before Riddler steals spotlight. Panel set-up puts a good spin on their confrontation. Hush’s attack carries more purpose when unleashed. The half page shot of Huntress deflecting fire ushers in a pause on the brooding. Jason Todd’s party crashing feels very traditional in set-up. Nothing seems too out of place here. Readers watch as the closing gets a few new looks added into play. A bold two page splash kicks in the door for the final page. Bearing witness to the final full page, where things go from here is literally anyone’s guess.

FINAL GRADE: 6

Had it not be for Lee’s art, this story might be all but lost. The writing pushes a tense combative nature between Batman and allies. Lee lifts this chapter higher with excellent visuals. It’s still anyone’s guess where Batman’s latest landing spot takes him.

Let me know your thoughts on Batman #162 in the comments below. Thanks for reading!

SPIDER-MAN & WOLVERINE #7 (MARVEL COMICS)

Spider-Man and Wolverine get yanked into a Parallel Universe by that universes Reed Richards. They discover in this universe there are no superheroes, but there are super villains. One of these villains is responsible for murdering Reed’s wife, which affects Logan as well.

credit: marvel comics

Spider-Man & Wolverine #7

Written By Marc Guggenheim – Art By Kaare Andrews

Colors By Brian Reber - Letters By Travis Lanham

Edited By Mark Basso - Published By Marvel Comics

***Minor Spoilers Possible***

In Another Universe

It’s a normal evening for Logan and Peter, until it’s not. The two find themselves in a Parallel Universe, 4587 to be exact. They were brought there by Reed Richards, who needed their help getting justice on the super villain team The Revengers, who are led by Arachnix who is only found in this universe. He is also a mix of Spider-Man and Wolverine, and that’s why Reed brought them here. At first Logan had no interest in helping because it’s not their universe. However, once Reed reveals that his wife was killed by Arachnix and in this universe his wife has ties to Logan, that changes his mind. So now they hunt Arachnix, but once they find him, they discover this may be harder than they think, and failure has happened before.

A Shared Love

The twists and turns in this issue keep the reader on the edge of their seat. Marc Guggenheim does an excellent job of revealing the multiple plot twists this issue has. Just when you think you know what’s going on, the script gets flipped and what you think you know gets turned upside down. Guggenheim also does a great job with the lore of the revealed villain Arachnix. The fact that he shares the strongest traits of both of our heroes makes for a hard fight for Spidey & Wolvie. The great setup and reveal leads to a tremendous cliffhanger of an ending that really has the reader fiending for the next issue.

The art in this issue is awesome and captures this world perfectly. Kaare Andrews does a fantastic job of bringing this new universe to life. Andrews also does an amazing job on the character designs, specifically Reed Richards and Arachnix. Pulling from the familiar designs, well twisting them enough to make them feel original. Brian Reber matches the art with his colors seamlessly and makes the art jump off the pages.

Final Thoughts

Spider-Man & Wolverine #7 is an insane ride that keeps the reader uneasy until all the cards are on the table. The twists make sense, well seamlessly bringing the characters from each universe together. The only thing better than the numerous twists is the cliffhanger ending leading into the next issue. This is a must get at the LCS this week, and don’t worry if you haven’t been reading this series as this is a perfect jump on point.

Overall Grade: 10/10

GRIM #25 (BOOM! STUDIOS)

“Don’t Fear The Reaper”. That has been a statement that has defined Jessica Harrow’s adventure. From being an unknown reaper to the heir apparent to the afterlife, Harrow has blazed her own unique trail.

Recently, Harrow’s destiny took a unique turn. After confronting The End, Jessica chose Life over Death. She opted to live a life of a human. Now her time has come to say farewell with an old friend by her side.

GRIM #25 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) concludes the mind-blowing series with its’ closing chapter.

Let’s take one final ride to the other side….

GRIM #25 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips pens a beautiful send-off to a life few could ever envision. Passing the attention to Jessica’s daughter Rowan allows for a full circle structure. The writing shows how Rowan is very similar to her mother. Harold’s interactions with her showcase the sharp tongue Jessica displayed. It also allows her to forge her own destiny with an unexpected trip to Las Vegas.

Readers watch as Rowan starts meeting key players from Jessica’s past. Their interactions are met with the same skepticisms. This leads into an ultimate confrontation. The writing shows the vulnerability and buried feelings in trying to hold a family dynamic. Rowan’s reactions to processing this info is priceless. It mirrors much of when Jessica found out her truths. This all results in a bittersweet bonding moment that hits all the marks. You can’t help but have a smile reading the final page and reliving those memories. All of which make life stronger than death, eh?

Flaviano, Renzi and Napolitano open with a final goodbye to Jessica. Renzi’s coloring transitions panels flawlessly. This moves into Rowan meeting with Harold. Their panels come off as awkward as one might expect. This leads into Rowan’s life in NYC. The art is very gritty to translate her tougher times. It is contrasted greatly when Rowan goes to Vegas on her ticket.

Colors pop as she sees the big lights of the city. The full page image of Life playing slots is vintage Grim. This helps to move the story along to its’ big confrontation. A near full page shows the participating characters meeting. It translates into an emotional ride with Rowan trying to comprehend much. This comes across greatly when Rowan’s childhood is explained. It leads into a more grounded close. The full page final is legitimately the only way to end this issue. There’s much to enjoy from this final goodbye.

FINAL GRADE: 10

In 25 issues, what Phillips, Flaviano, Renzi & Napolitano have done is truly special. Blending in themes and elements that shouldn’t work and making it into superb storytelling is an experience. This finale says goodbye with emotional points that nail the landing right to the close. It has been the “coolest book at the LCS” every time for good reason. This issue is another prime example why.

Let me know your thoughts on Grim #25 in the comments below. Thanks for reading!

MEDIEVAL #1 (COMIXOLOGY ORIGINALS)

The knights of the round table. Lancelot. Percival. Galahad. Danny Landau?

What happens when you mix the drama of baseball with the chaos of King Arthur times? A wild, vulgar and entertaining adventure is the answer.

MEDIEVAL #1 by Neil Kleid (“Nice Jewish Boys”) & Alex Cormack (“The Devil That Wears My Face”) throws the first pitch into the lake of Avalon.

Let’s take a closer look at what’s happening here.

MEDIEVAL #1 by Neil Kleid & Alex Cormack (Comixology Originals)

*** POSSIBLE SPOILER WARNING ***

Readers get much more than bargained for with this chapter (in all the good ways). Opening with Danny Landau and Gina Rabinowitz enjoying some Y*nkee* baseball, the tone mirrors the best rivalry in sports. Dialogue is sharp and unapologetic. It is everything you would expect with Boston in the Bronx. One home run later and everything changes in a New York minute.

Once the story heads into the past, it really finds its’ groove. The writing plays into the fish out of water theme with Danny. His New York Swagger never leaves his side. This plays into his first shown conflict one year later. As trouble finds his bar, Danny answers accordingly. Readers watch as the approach isn’t cordial. It allows a release of his anger for his life being lost. This moves into the closing pages.

After reflecting and venting, Danny’s plight becomes more grounded. Seeing his actions haven’t gone unnoticed, the final panel shakes everything up. There are many moving parts to figure out, but enough to lock in another inning of storytelling for sure.

Cormack captures the energy of a Bronx bleacher creature in the opening shots. The panels are filled up with the heated emotions of the rivalry. It spills into the back and forth banter. This builds up into the moment Danny’s life changes. From here, the tone takes a different route but hits the same punch.

The lead-in for the bar fight comes to a head with dramatic flair. Danny’s full page image takes everyone into the wild action sequences. Readers watch as things get brutal with the violence. These panels are not for the squeamish. Its’ fallout teeters to a more realistic view of events. Danny’s frustration is clearly looming overhead. This changes with the final pages in Camelot. A few surprises are thrown into play before departing. It caps off a one-of a kind intro with much room to expand.

FINAL GRADE: 8.6

At its core, “Medieval” is a fun and blunt display of clashing times and emotions. Kleid’s writing takes risks for huge wins. Cormack’s art doesn’t miss in bringing the vivid imagery to life. Step up to the plate on NCBD for this one.

Let me know your thoughts on Medieval #1 in the comments below. Thanks for reading!

GARGOYLES: DEMONA #4 (DYNAMITE COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 4th issue of Gargoyles: Demona from Dynamite Comics!

Demona is continuing her journey through time with a singular goal in mind, vengeance. She’s been joined by her adopted daughter Angelika on that journey and this time their journey has brought them to Constantinople! So just what brings them there? Let's jump into it!

credit: dynamite comics

Gargoyles: Demona #4 by Greg Weisman (Writer), Frank Paur (Artist), Robby Bevard (Colorist) & Jeff Eckleberry (Letterer) is a great issue with some great callbacks to the animated series!

The Story

Greg Weisman does a fantastic job with the story and weaves together multiple perspectives for a mystery that is sure to keep you guessing right up to the very end.

Angelika & Demona have returned to Constantinople (in 1195) for a reason that Angelika cannot figure out. Demona has her reasons, and they become apparent as the issue goes on. I really liked how it was weaved together and came together.

I also get the feeling the building blocks are getting placed for possible spin offs, and future stories. If that ends up being the case, I'm fully on board with the idea. Any opportunity to explore this incredibly rich & deep world is one I would love to see.

The Artwork

Frank Paur & Robby Bevard do a fantastic job with the art in this issue and it really shows in the color. Frank does a great job with the artwork, and that comes through in just how detailed everything is. From the characters, to the backgrounds. You can look behind the characters in the foreground & see just how detailed everything is. I really loved the color Robby uses because it really adds to the depth of the detail provided by Frank, and it also helps everything pop off the page.

FINAL POINT: If you're a Gargoyles fan, you are NOT going to want to miss this issue. It has all the storytelling you're used to from the comics & the tv series, together with some artwork that is some of the best in the series.

Overall Grade: 9.0/10

 Thanks for checking out my review! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

GODZILLA #4 (IDW PUBLISHING)

G-Force USA has split into 2 teams, with vastly different agendas. But when a dark force reveals itself to one of the teams, will the allure of killing Godzilla blind them to the nefarious nature of their new ally?

CREDIT: IDW PUBLISHING

Written By Tim Seeley – Art By Nikola Čižmešija

Colors By Francesco Segala & Gloria Martinelli – Letters By Nathan Widick

Edited By Jake Williams - Published By IDW Publishing

***Minor Spoilers Possible***

An Uneasy Alliance

Rumi, Jacen, and Jet Jaguar are investigating the underground tunnels Anguirus made, and Godzilla used to attack Atlanta. As they follow the tunnels, they run into Godzilla who is now attacking Kansas City. Even though he’s not fully ready, Jacen is thrust into action against the King of the Monsters. Meanwhile, Captain Riviera and the rest of the team are hunting down who created the Yacumama Leeches. After a short investigation they find out exactly who is behind it and are shocked that a Kaiju can talk. But that doesn’t stop them from forming an alliance based on their mutual hate for Godzilla.  

A Team Divided 

Godzilla #4 continues the rift between the G-Force team, well adding a new wrinkle with a unique alliance. Tim Seeley does a wonderful job of explaining the rift between the 2 sides of the G-Force team. Seeley really shows what the characters are thinking and their underlying motivations. Add to that the mysterious puppet master that is pulling the strings, and who now has aligned with Riviera, and the suspense is really building. 

The art in this issue is awesome and really brings this world to life. Nikola Čižmešija does a phenomenal job with the character and monster design. Čižmešija also does a fantastic job with the backgrounds and settings of the story, which really brings the world to life. Francesco Segala & Gloria Martinelli do an incredible job of matching the colors with the art seamlessly, making the art really pop. 

Overall Grade: 9/10 

Godzilla #4 really moves the story forward well keeping some motivations mysterious, which really builds up the suspense. As the story ramps up, the mythos keeps growing, which is setting the Kai-Sei Era apart from every other iteration of the Godzilla franchise. This series has delivered and then some and should be on everyone’s Pull List.

STAR WARS: LEGACY OF VADER #10 (MARVEL COMICS)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! This week I'm going to be reviewing the 10th issue of Star Wars: Legacy of Vader from Marvel Comics!

CREDIT: MARVEL COMICS

Set between The Last Jedi & The Rise of Skywalker, Kylo Ren has been on a journey to learn more about his grandfather Darth Vader. Thus far his journey has brought him to Tatooine & Naboo, and working alongside the Resistance. So just what happens when Kylo Ren makes his way to Mustafar and Vader's Fortress? Let's jump into it!

Star Wars: Legacy of Vader #10 by Charles Soule (Writer), Luke Ross (Artist), Nolan Woodard (Color Artist) & VC's Joe Caramagna (Letterer) is a tremendous addition to the series that will keep you on the edge of your seat!

The Story

As I said before, Ren's journey has taken him to Mustafar & Vader's Fortress. His journey has been going on for some time now & he's starting to have his doubts about how reliable Vanee really is. Kylo even goes so far as to say, "I weary of threatening you. Be of use to me or die."

The story really picks up when Kylo is brought to Vader's Vault, but things don't go as planned. It's fascinating to read, because we know how obsessed he is with all things Vader. I also really enjoyed how Charles is digging into Kylo's character in this issue. We really didn't get to see a whole lot of that in the film's, so to get that now is making me appreciate the films a little bit more.

The Artwork

Luke Ross & Nolan Woodard really did an amazing job with the art in this issue. They did a great job at capturing Adam Driver's likeness in a 2D format. The use of color in the issue was also fantastic and really gave it a dark and dreary look throughout the issue.

Overall Grade: 10/10

There's a lot to love in this issue for all Star Wars fans. There's some great character development with Kylo Ren, and the set up for the next issue is exciting! Charles Soule is doing his best work in this series!

Thanks for checking out my review on ODPHpodcast.com! Be sure to reach out to me on Twitter & let me know what you thought of the issue!

ROOK: EXODUS #8 (IMAGE COMICS/GHOST MACHINE)

Navigating the world of Exodus requires much skill. Rook is learning this the hard way. After discovering Better-World’s reason for his arrival on the planet, a new focus is forged. Taking down the company will need help. Dire Wolf and Matterhorn are joining the cause but there’s more at play.

The planet’s eco-system is failing. It will require a desperate repair to the World Engine. One person may hold the key. He is the mad Warden Bloodhound.

ROOK: EXODUS #8 by Geoff Johns, Jason Fabok, Brad Anderson & Rob Leigh takes readers into the dark corners of the mysterious planet.

Let’s take a closer look at what unfolds now.

ROOK: EXODUS #8 by Geoff Johns, Jason Fabok, Brad Anderson & Rob Leigh (Image Comics/Ghost Machine)

*** POSSIBLE SPOILER WARNING ***

Whenever reading this series, there is a true sense of world shattering drama. This issue sets the stage with a quick recap of issue and Bloodhound’s importance. Readers watch as Rook and company process this while heading into the unknown. The emotions start creeping out of Dire Wolf. It is easy to pick up the emotional weight with the additional crux of danger at hand.

Once events decent in search, the story builds around an eerie feel. There are certain horror elements lingering as the trio searches for Bloodhound. Upon discovery, readers what in shock and awe to their findings. Pacing allows for this portion to hit deeply. It doesn’t take too long before trouble finds them.

There’s plenty of action moments to impress as they make their planned exit. Before departing, another player enters the game. They leave a chilling message to ponder as this issue wraps up. There’s no way to walk away from this without wanting more answers!

Fabok opens the search with a fantastic two page splash. Even with helmets on, readers can sense the worry and feelings surrounding the task at hand. The “flashback” imagery drives home the uncertainty of Bloodhound’s fate. It’s a small addition to elevate a larger conflict in waiting.

The decent into the underground is an instant hit. Readers can easily sense the unknown worry rise. As previously mentioned, there is a touch of horror floating in the scenes. This comes to a head with the discovery of Bloodhound’s body. The two page splash is eye-catching as to the discovery. Panels move swiftly as the action starts ramping up. This leads into a horrific two page splash of more danger. Readers can appreciate the detail Fabok is putting in these scenes.

This moves events into the closing pages. There is a chaotic escape to deal with. It helps usher in a character with an axe to grind. The full page vision leaves no question things have now changed. Readers see that a message is sent on the final page with much anger behind it. It helps elevate the final panel before bowing out till next time. Always impressive art each time out.

FINAL GRADE: 8.8

Rook’s desperate search for Bloodhound takes a dangerous twist with the latest chapter. The writing dabbles in a few themes while crafting its voice. Fabok and Anderson construct magnificent images through the ever changing tale. This series is an experience not to miss!

Let me know your thoughts on Rook: Exodus #8 in the comments below. Thanks for reading!

G.I. JOE #13 (IMAGE COMICS/SKYBOUND)

Honor amongst Thieves, It is a saying that has defined many partnerships. In the case of COBRA, it is a loose connection. Cobra Commander has been making some questionable moves. This hasn't set well with Destro. Seeing a way to assume more power, actions are put into motion. No line is sacred not to cross.

Re-igniting a blood feud, Ripper walks the Commander into a deadly trap. There should be no way to survive this attack. Leave it to an unlikely hero to save the day. That hero is DUKE?!?!

G.I. Joe #13 by Joshua Williamson, Tom Reilly, Jordie Bellaire & Rus Wooten kicks off the “Dreadnok War”!

Let’s take a closer look at how this event launches!

G.I. Joe #13 by Joshua Williamson, Tom Reilly, Jordie Bellaire & Rus Wooten (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Williamson constructs the tangled web of deceit with this opening. The opening sequence of Cobra Commander sets the pace. His slithering dialogue shows the lack of compassion he carries. This sense of arrogance leads to the initial salvo from Destro. Manipulating Ripper into action is a cutthroat move. Readers watch as the mood shifts quickly into a state of revenge. Adding in the flashbacks of the original Cobra Commander series throws more gas on an already exploding situation.

This provides a pivot to Duke’s latest events. Taking time to pay respects is interrupted by duty. Knowing who controls Energon can rule the world, any PTO is off the table. Readers watch as the investigation takes a violent turn. With the set-up coming to goal, all seems lost for the Cobra leader. Action escalates even further with the most surprising “Guardian Angel”. The writing shows how fast the Commander can flip on a dime. Knowing this, Duke takes an ultimate gamble. This segways to a frantic escape. The deck is completely stacked against a duo no one expected. It is all to a delight of an opportunist on the final page. The chapter moves very fast but leaves a monster first impression.

Reilly is back on art duties & there’s no one better for this assignment. The despair of Dr. Laszlo boils as the full image of the Commander on his throne takes hold. There are subtle reactions between the two Cobra leaders as plans are made. This transfers over to Destro’s mischievous ways. Using Bellaire’s coloring as the driver, the flashback sequences cement the deal to kill the Commander. Parting with a sly grin, Destro feels the changes are already starting to happen.

Duke visiting Tyler Frost’s grave gets a full page image. Tying in the events of Transformers #2 adds to the emotional impact. This provides the start of Duke’s investigation via two page splash. Upon arrival, he sees a shocking vision in the desert. Panel structure does a slow build into the attack commences. Once here, readers watch as the action turns up to 11. Ripper’s attack on the Commander pops off the page. The half page shot throws everything out of control. This breaks when Duke makes the save. Using the nine-panel format, the back and forth of Duke and Commander jumps off page. It leads to a stunning half panel. There’s no time to rest as a two page splash welcomes in Ripper’s back-up. It all goes according to plan if the final page has anything to say about it. The full page image screams volumes as this saga is just getting started.

FINAL GRADE: 9.5

“The Dreadnok War” kicks off with an explosive first salvo. Williamson takes readers on a fast-paced action roller coaster. Reilly & Bellaire bring the heat with incredible art visuals. If you want an event living up to the hype, look no further.

Let me know your thoughts on G.I. Joe #13 in the comments below. Thanks for reading!

AMAZING SPIDER-MAN #15 (MARVEL COMICS)

Friendly interstellar Spider-Man? That appears to be the new stat quo for Peter Parker. After his encounter with Hellgate, Parker was knocked light-years into space (literally). He was rescued by Dr. Xanto Starblood. Their partnership has been strained due to Starblood’s experimentation on other lifeforms.

After freeing the captured aliens, Parker sets forth on a new path home & round two with Hellgate. That is easier said than done.

AMAZING SPIDER-MAN #15 by Joe Kelly, Emilio Laiso, Marte Gracia, Marcio Menyz, Erick Arciniega & Joe Caramagna sees Parker caught up in some dirty deals done space cheap.

Let’s take a deeper dive into what’s happening now!

AMAZING SPIDER-MAN #15 by Joe Kelly, Emilio Laiso, Marte Gracia, Marcio Menyz, Erick Arciniega & Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Kelly puts Parker in a very uncomfortable role. Having him be the defacto leader of the ragtag group of aliens challenges him on many levels. The opening sequence reminds readers the goal is to get home. It does come with a frightening point. This transitions to one of the more surprising pairings in comics. The banter between Rocket Raccoon and Parker never misfires. It’s sharp, witty and a much needed relief from the drama.

Speaking of said drama, Spidey’s latest problems are getting out of Rocket’s debt. This results into entering a contest fitting for a certain X-villain. The result is a very straight-forward Spidey fight. Kelly does mix in a few surprises with the new Spidey suit. Readers watch as the suit reveals some deep truths. It results in a unique resolution to combat. The fallout stirs up more emotions before throwing in another curve. Where the space odyssey leads next is anyone’s true guess.

Laiso steps in for art duties this issue. The dream sequence is caped off with a terrifying full page image. This sense of worry is drowned out by an unlikely source. The dynamic between Rocket and Peter can’t be ignored. Panels present them as a dysfunctional pair. It helps to build up the oncoming problems to a nice plateau.

Readers see Spidey’s opponent in near full page glory. Their initial rounds are vintage Spidey fighting. The art goes for broke on the upkick page. Panel structure helps to push the loud combat. It does get served a break when Spidey’s new suit exposes their story. The two page splash offers readers answers to what is happening here. It results in a very fast moving fallout. Once in the epilogue, the tone is more calm. Panels still work in the emotions before leaving with more questions. It’s a steady finish for a long voyage thus far.

FINAL GRADE: 8.6

The truths of Spidey’s new suit come into light with another solid space chapter. Kelly brings out classic themes while pushing Peter in new directions. Laiso and the art team present an exciting trip with their images. Readers better buckle in for where this story is heading now.

Let me know your thoughts on Amazing Spider-Man #15 in the comments below. Thanks for reading!

VOID RIVALS #24 (IMAGE COMICS/SKYBOUND)

As uneasy allies share tense peace agreements, the cracks in the façade of said peace are becoming apparent. Which side will pop off first is the only question that hasn’t been answered yet.

CREDIT: IMAGE COMICS/SKYBOUND

Void Rivals #24 By Robert Kirkman, Connor Hughes, Patricio Delpeche & Rus Wooton

Edited By Ben Abernathy - Published By Skybound Entertainment/Image Comics

***Minor Spoilers Possible***

A Peaceful Time…

Zerta is directing an uprising involving the Quintessions from behind the scenes with no one being the wiser. At the same time Pythona is learning all she needs to know about the Cybertronians from the overly talkative Wheelie. Meanwhile, Darak has gifted Hot Rod and Springer with a ship full of Energon to take to their ailing planet, as a thank you for their help on Agorria. Unbeknownst to Darak, his father’s tentative peace with Zertonia is feeling like a powder keg, that Darak may find himself in the middle of.

But War Awaits

This issue really highlights the behind the scenes of what is brewing in the background. Robert Kirkman does an awesome job of showing the reader what is simmering below the surface, while also showing the façade. Kirkman is also doing a great job of teasing who will turn and betray first, keeping the reader on the edge of their seat. The only detraction is that the issue lacks a lot of action, but what it lacks in that department it more than makes up for in a great set up for what’s to come.

The art in this issue is great and really brings these alien worlds to life. Conor Hughes does an incredible job of making every planet feel unique. The character designs and robust backgrounds really highlight this uniqueness. The colors that Patricio Delpeche uses really make the art pop and adds to the unique vibe perfectly.

 Overall Grade: 8/10

Void Rivals #24 continues to build up the powder keg that this series has become. Knowing that sooner than later the match that will ignite this war will drop makes for some real suspense building. If you have not been reading Void Rivals, this is a great time to jump in and get on board. This issue should be on your list of books to pick up at the LCS this week.

ABSOLUTE SUPERMAN #13 (DC COMICS)

A line in the sand has been drawn. Ra’s Al Ghul wants the last son of Krypton under his wing. Kal-El wants nothing to do with the tyrant. The demon is not known to take “No” for an answer.

Al Ghul has unleashed his forces onto Smallville. How will the residents fare against The Lazarus Corp?

ABSOLUTE SUPERMAN #13 by Jason Aaron, Rafa Sandoval, Ulises Arreola & Becca Carey heads into the “Battle Of Kansas”.

Let’s take a closer look into the events of combat.

ABSOLUTE SUPERMAN #13 by Jason Aaron, Rafa Sandoval, Ulises Arreola & Becca Carey (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Aaron leaves no doubt in readers minds that war is Hell. The opening salvo shows the viciousness of Al Ghul. Attacking the small town with a powerful army is only one example of the lines crossed. The writing also nails another key component. Superman being a symbol of hope shines bright. Even if this may be a losing cause, readers instantly see there will be no quiet surrender.

Another large part of this chapter is Lois Lane & Jimmy Olsen. Both being on different sides of view, their dialogue shows how both have seen a better path. It is reflected in their actions of defense. Aaron throws in a few more inspiring moments before dashing to the swinging close. Readers sense the struggle to maintain moments. This becomes more complicated as Ghul’s reach grows. It ultimately moves into a dire ending spot. The message is very clear. Hope might not be enough for victory to be achieved.

Sandoval and Arreola display the brutality of Al Ghul’s attack in the opening pages. Seeing the residents stand up to fight is filled with mixed emotions. The two page splash of Superman flying in changes everything. It injects the possibility of hope into play. His near full page flying is responded to by awe from onlookers. It becomes the only bright spot in the hell on earth.

Another full page action shot shows Superman taking down some helicopters. As flashbacks start occurring, the expressions from Lois Lane shows the painful acceptance of reality. Readers watch as the action starts ramping up more. Within these pages, the art goes back to the emotional pulls. It is a very even back and forth. Once the smoke clears, there is a definite ending at hand. A full page shot shows Hope’s final moments as the tides appear to have swung once again. Another very strong visual performance.

FINAL GRADE: 9

The Battle Of Kansas proves to be difficult for the Man of Tomorrow to handle. Aaron pens an excellent view of Superman’s impact in crisis. Sandoval and Arreola construct a realistic and violent view of survival. Judging by the final page, time may be out for Truth, Justice and a Better Tomorrow.

Let me know your thoughts on Absolute Superman #13 in the comments below. Thanks for reading!

BATMAN #3 (DC COMICS)

Dark days loom over Gotham City. Vandal Savage is using the GCPD as his personal army. Jim Gordon has been taken off the board. Without allies in the police force, Batman is faced with a new yet familiar challenge. He has now become their most wanted target.

BATMAN #3 by Matt Fraction, Jorge Jiménez, Tomeu Morey, & Clayton Cowles continues this unique look at the Dark Knight.

Let’s not wait any longer and dive into the mystery.

BATMAN #3 by Matt Fraction, Jorge Jiménez, Tomeu Morey, & Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Fraction opens up events with a family speaking of Gotham’s changes. This is interrupted by Savage’s abuse of power. Watching Batman escape and be framed will strike a nerve. This mood is broken up by a hospital visit. The writing puts Batman at odds with an unlikely “foe”. Their dialogue is sharp but connects the dangers of Savage’s plans via Tim Drake’s status. It camouflages another danger lying in wait.

Readers see Hugo Strange appear in an unlikely role. It serves up the main drama forthcoming. There are other familiar faces in new stat quos that further cement Savage’s plans. The message is quite clear: Savage’s patience has gone. This forces another rogue into the mix. Batman’s fight with the villain feels a sense short. Even brief, it furthers the main drama just enough. In its’ aftermath, Batman leaves with a full page image. It sets the table for a more filling course yet to be revealed.

Jiménez & Morey bring out the viciousness of Savage early. After the solid use of “cellphone panels,” the drama escalates fast. Watching Savage tamper with evidence lowers a dire mood into play. This carries into a hospital ordeal. The maniacal face of Savage brings an intensity to these panels. This becomes quieter once Bruce Wayne runs into a unlikely obstacle.

Having Bernard play off Drake’s “secret life” becomes a fun break. Once the events move into a gritty tone, the story becomes more similar in delivery. Watching Jim Gordon navigates in the shadows leads into a more traditional meeting. Readers watch as a classic rogue makes a monster splash.

A Full page image of Bats undercover handling the threat starts off the closing run. There’s plenty of action for the casual fans. The art shows off Riddler’s unhinged nature. Once in its’ resolution, readers keep focused on the last page. Seeing Batman ride into the night proves more impactful than one may think. The full page images crushed this chapter by banking on the slow roll drama. It is a superb way to exit Gotham for now but not for too long.

FINAL GRADE: 9

The intense feud between Savage and Batman is taken up a level for this chapter. Fraction pens a even balance of drama and thought via the writing. Jiménez and Morey construct amazing visuals to push Batman into deeper water. Best be ready to swim.

Let me know your thoughts on Batman #3. Thanks for reading!

JSA #13 (DC COMICS)

The World’s first Super Hero team. A group of individuals joined forces to fight extreme evil in 1940. Since that time, this unit has carved a legacy unmatched. Times may change. Heroes never do.

After the latest round with the Injustice Society, events turn back the clock. The latest adventure is a true throwback. Welcome to JSA: Year One!

JSA #13 by Jeff Lemire, Gavin Guidry, Luis Guerrero and Steve Wands (DC Comics) kicks off a detailed look at the early days of the JSA.

Let’s take a closer look at how legends were made.

JSA #13 by Jeff Lemire, Gavin Guidry, Luis Guerrero and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Lemire welcomes readers to this timeless era with a easy intro. Seeing glimpses of the key players teases the inevitable. Once the spotlight moves to Alan Grant, the story finds its’ footing. Running into his old friend Gordon plants a few key seeds. One of which is who is pulling the strings on a recent project.

The mystery of Starco slowly starts to peel back its’ layers. Readers watch as the first hero team-up teases many themes. One of which is a dire premonition. Other major players get page time building their own cases. Hawkman’s has a more heroic flare to lead this pack. The writing moves these portions at a steady pace. Events circle back to Scott’s meeting for the close. Scott’s investigation leads into a shocking parting moment. Paired with the narration, it is a fitting ending to this engaging opening salvo.

Guidry helms art duties for this story arc. The opening page carries a vintage aura as the 1940’s come alive. A two page splash ushers in the era with smaller panels. This allows a larger moment to follow. Alan Scott’s conversation gets a stacked look via its’ panels. It draws up the drama being weaved. Both characters’ eye speak volumes.

Once events move to Hourman and Sandman, the display has a new vibe. Their unlikely grouping unveils a shocking image in a mid-shot. It is balanced out in the most action-filled portion of the book. Hawkman’s encounter flows very fast. Atom Smasher hits the scene via half panel. His discoveries tease a dark future. Readers watch as this all gives way to the final page. Seeing Alan Scott in a full page vision teases to danger mounting in the distance. There’s much to enjoy with this chapter.

FINAL GRADE: 8.6

A look back into the 1940’s explores the JSA’s foundations. Lemire crosses through a loaded cast to present the impending drama. Guidry and Guerrero deliver on a historic feel with the art. From cover to cover, an engaging tale not to miss.

Let me know your thoughts on JSA #13 in the comments below. Thanks for reading!