JUSTICE LEAGUE: THE ATOM PROJECT #2 (DC COMICS)

Captain Atom is on the run! In the wake of “Absolute Power”, super powers are been misplaced. Ray Palmer and Ryan Choi have put their minds together for a solution. The result has been “The Atom Project”. Their experimental plans seem to have potential. Nathanial Adam was part of the solution. Now, he’s become the lead of the problem.

JUSTICE LEAGUE: THE ATOM PROJECT #2 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas, and Wes Abbott continues the search for the answers.

Let’s take a deeper dive and see what happens now!

JUSTICE LEAGUE: THE ATOM PROJECT #2 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

With the search for answers growing, this latest chapter leans into building distrust. Palmer and Choi are forming cracks in their partnership. This is all circling around how to handle their friend on the run. The question is posed out loud: what’s more valuable - the man or the project. In the opening sequence, it appears the latter. Readers watch as Palmer’s drive might be more harmful than good.

Captain Atom is growing into a sympathetic figure through this early stage. Pacing continues to tease the eventual turning. It also tries building up a large payoff later. The bear sequence is a surprising one. The fallout seems to get a desired, if not temporary, result. Once events shift back again to the present, the story becomes more clear. Judging by the final pages, there is more mystery getting added to what the endgame here truly is.

Perkins and Lucas starts events off with a full page Atoms image. The pair’s slow decent is clearly written on their faces. It is contrast to the many sides of Captain Atom. With the multiple time jumps, the art conveys the evolution of his current state. This excels when he finds who or what has his powers.

The full page reveal kicks off a wild confrontation. A two page splash throws everything into high gear. Lucas’ coloring brings the power struggle to a high point. The fallout is tied together with a great full page vision. As the final pages start, the mood shifts back to a grim tone. Readers watch as the final full page gives a haunting message as the fate of Captain Atom is still an unsolved enigma.

OVERALL GRADE: 7.8

The Atoms’ quest for answers starts breaking at its seams with the latest issue. Parrott and Ridley peel back more layers to the overall picture. Perkins, Lucas and Abbott display a wide spectrum of times with a hero’s journey of discovery. With the continuous climb, readers are expecting a monstrous payoff. Only time will tell how this wraps up.

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ABSOLUTE SUPERMAN #4 (DC COMICS)

Kal-El is on the run. After an encounter with the Lazarus Corp., the Last Son Of Krypton made some enemies. One soldier looking for more information is Lois Lane. Lane’s initial run-in with El has begun to consumer her. This doesn’t sit well with some new players known as the Omega Men. Something has to give.

ABSOLUTE SUPERMAN #4 by Jason Aaron, Rafa Sandoval, Ulises Arreola and Becca Carey brings forth another explosive chapter to the Absolute Universe.

Let’s take a closer look at what is unfolding now!

ABSOLUTE SUPERMAN #4 by Jason Aaron, Rafa Sandoval, Ulises Arreola and Becca Carey (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Aaron moves the spotlight to Lois Lane for the majority of the issue. Right from the start, Lane’s journalism skills start appearing in her soldier persona. Readers watch as she starts interviewing Superman witnesses. The quest for knowledge leads her into a needed conversation. General Sam Lane comes across as a gruff, concerned parent. It plays well of Lois’s inquisitive mind. The result ushers in some new (and old faces) into the field.

Readers watch as the Omega Men are introduced. Aaron twists their familiar concept. The run-in starts turning into a “cat and Mouse” confrontation. This only becomes more complicated with Peacemakers. With an inflated cast for this chapter, pacing steers into a direct close. It is vintage Superman that scores big. The end results tie back to a loose plot point.

Seeing Peacemaker Smith go through the Lazarus Corp. protocol makes quite the impression. It may seem telegraphed in parts but doesn’t miss its’ landing. This throws the closing pages in flux. With Superman out of the picture, One Peacemaker does the unthinkable. It is a moment that is sure to come back to haunt Lazarus Corp. later. Where this now leads is anyone’s guess.

Sandoval and Arreola set up the interviews in a very throwback way. Using a 9-panel grid adds more context to what begins here. The slower pace fades when Lois must discipline a Peacemaker. A full page image of Lois handling business launches her portion. The banter with her father conveys another story. Each panel amps Lois’ disinterest in what she’s told. Much like her DCU counterpart, when she’s focused, Lois takes over situation like few others.

The Omega Men are presented in a vastly different light. Their use in this story is much more direct than lax. A near full page reveal shows their leader. Panels reflect the highly intense fight. With a red shroud crashes the party, the action goes even higher. It concludes with a vintage Superman power move. Little does anyone realize that Peacemaker Smith has done wrong. A near full page panel brings the horror front and center. Is the world ready for what’s next?

OVERALL GRADE: 9.2

With forces maneuvering. Krypton’s last son hits readers with a very thought provoking issue. Aaron pens a tale of drive hidden behind the action. Sandoval and Arreola lock in on the viewpoint of Lois as the latest chapter moves forward. Readers had better brace for what lies on the last page. Don’t miss it!

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BATMAN #157 (DC COMICS)

Gotham City is about to say goodbye to some old friends. After 32 issues, Chip Zdarsky and Jorge Jiménez conclude their run on “Batman”. The pair have pushed Bruce Wayne to the edge and back. From “Failsafe” to “Joker: Year One”, there hasn’t been a shortage of exciting tales.

It is no surprise that their final story pulls out all the stops. “The Dying City” has cast a new light on Jim Gordon. Readers watched The Riddler form an uneasy alliance with the Court Of Owls. The result may lead to a global catastrophe. If that wasn’t enough, a new Rogue has entered the game.

BATMAN #157 by Chip Zdarsky, Jorge Jiménez, Tony S. Daniel, Tomeu Morey and Clayton Cowles sees the Dark Knight take one last shot to save Gotham from falling.

Let’s not wait any longer & dive into this conclusion!

BATMAN #157 by Chip Zdarsky, Jorge Jiménez, Tony S. Daniel, Tomeu Morey and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

In this parting chapter, Zdarsky swings big. The overall sense of failure weighs heavy on both Batman and Gordon. During his run, both have had set-backs. Batman’s strained family relationship. Gordon’s fall from grace. The writing brings out their true selves. This is evident with Batman’s daredevil attempt to stop Kull from returning to Russia with Riddler’s info.

Pacing keeps rising as stakes become insurmountable. Even when there is one victory, the gravity of Gotham’s last stand never leaves the reader. Zdarsky throws in a few layered showdowns towards the closing act. None might be larger than the face-off internally. Between the action is a struggle. It perfectly brings events full circle with both leads. The result is a bittersweet ending. The conversation between Batman and Gordon puts perspective on the past while closing the chapter with new promise. No better way to say goodbye for now but hopefully not forever.

Jiménez is joined by Daniel for this final outing. Right from the start, Jiménez brings a dramatic flair to the aerial escape. Readers can’t help but be swept up in the chase. It concludes with a bold image of Batman lunging at his latest foe. The mid-panel shot throws a huge exclamation point on this portion.

It is equally matched for Daniel’s portions. The showdown between Riddler and Gordon had been building. Seeing both release their anger lives up to the build. It also provides Gordon something he has been searching for: internal acceptance. With his involvement in Mayor Nakano’s death, the art deals with his tortured conscience. Readers get this moment of calm before the main event starts.

Jiménez closes out the action with a brutal fight. Each panel becomes filled with tensions. Batman realizes there is no turning back. The sheer ferocity of this match connects. It leads into a surprising end before the epilogue. Daniel brings out the pent-up feeling from the heroes. Their reactions speak volumes to the guilt they have been carrying. It leaves readers with a spectacular parting image. A full page vision of Batman via Jiménez ends events with a hopeful thought for what’s next. A bittersweet ending indeed.

OVERALL GRADE: 9.6

Zdarsky and Jiménez leave it all in the pages as their epic run concludes! The thrilling last stand of Gotham is cemented with strong writing and phenomenal art. Readers simply can’t afford to pass on saying goodbye and hope this pair returns to Gotham’s streets sooner than later.

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BOOK OF CUTTER #1 (BOOM! STUDIOS)

In 2024, the “Slaughterverse” celebrated its’ 5th anniversary. The saga of Erica Slaughter continues to captivate fans with no signs of slowing down. One character who has been moving in the shadows is Maxine Slaughter.

Since taking up the mantle of a Black Mask, Slaughter’s journey has taken a sharper turn. The Order of St. George needs hunters. There is no room for failure. Maxine is being tested like never before. Her latest lesson takes her to Europe. Will she survive in the house of that produced Charlotte Cutter?

BOOK OF CUTTER #1 by James Tynion IV, Werther Dell'Edera, Antonio Fuso, Letizia Cadonici, Miquel Muerto and AndWorld Design takes Maxine into the belly of the House of Cutter!

Let’s not delay any longer and dive into the drama.

BOOK OF CUTTER #1 by James Tynion IV, Werther Dell'Edera, Antonio Fuso, Letizia Cadonici, Miquel Muerto and AndWorld Design (BOOM! Studios) Cover: Dan Mora

*** POSSIBLE SPOILER WARNING ***

If you are new to the “Book Of…” SIKTC series, they are set up differently than normal issues. The story delves into the history of the house in mention. As one would predict, the Cutter house is one of chaos and staying one step ahead. It mirrors Maxine’s learnings on her journey. They are vital reading for SIKTC fans and new readers. Each gives many details that reflect the current drama unraveling.

When the story focuses on Maxine, we find her questioning her surroundings. The banter between her and George Cutter proves challenging. Maxine strives for answers but is given questions. It gives the unforgiving nature of the order a spotlight. Readers watch as a new player enters the mix: Victor Saint-Georges.

Where the story takes flight is the business dealings Victor has with another major House player. The proposal is quite intriguing. There is one part that may halter the deal. If the order is to move forward, all loose ties must be dealt with. This spins into the closing act. Maxine and George have a discussion that leaves quite the impact. It brings a close to a darker chapter of Order history while launching a new path Maxine may not be ready for.

With Three SIKTC artists on the book, the art changes in phases. Dell'Edera takes the opening moments. The tension with Maxine and George doesn’t take long to boil. Maxine’s trepidation is very noticeable as George tests her.

Fuso steps in for a more subtle time. The mingling at the house takes on a whole new feel. Maxine questioning George in front of Albie Cutter stands out. Their conversation volleys. The art locks in on key points. Albie’s smile versus Maxine’s stare downs. It ultimately drives to a haunting picture on the wall. The eyes of Charlotte Cutter never escape the house. It only steps aside for a new guest.

The meeting between Victor and a certain boss plays off their on-upmanship. Both think they have the upper hand. Dell'Edera leans heavily into smaller panels here. Readers can sense the tension with close up of he reactions.

Cadonici handles the side breaks with the House history. It is set up in a clear read. The smaller designs mixed in jump out as the past is being revisited. The chapter ultimately circles back to Dell'Edera taking George and Maxine on the final lesson. The panels carry much weight. It finishes with a subtle image which speaks very loudly towards the future.

OVERALL GRADE: 8.8

Maxine Slaughter’s evolution takes her into House Cutter’s uncharted territory. The writing takes readers into the deep politics of the hunting Houses. Dramatic imagery is broken up with a detailed look at where the most dangerous house rose up. This is a must-read for all SIKTC as the long build of Maxine blazes another path.

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BLACK CLOAK #11 (IMAGE COMICS)

Phaedra Essex has always been a polarizing figure in Kiros. The former Black Cloak was the catalyst of city breaking event. Five years later, Kiros is still picking up the pieces of the great fire.

With a serial killer on the loose, Essex is brought back into the fray by Pax and Alden. Dancing the public line is difficult enough. Searching for answers might finally end the last city of the known world!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey brings forth a show-stopping conclusion to its second arc!

Let’s not wait any longer & jump into the arc finale!

*** POSSIBLE SPOILER WARNING ***

Thompson gives a big pay-off for long time readers with this issue. The slow burn method works to exemplify Essex’s importance to Kiros. Dagmar’s “interrogation” is prime example of this. Seeing how Essex and her team push unlocks secrets to readers’ delight. The writing hones in on the personal blow dealt with Dagmar’s revelations. It sets a course to an intense final act.

Once the group descends into the darkness of truth, the pacing picks up. Readers are hit with great payoffs. This pushes Essex and her partners into uncomfortable waters. Desperate times call for action. The story takes flight as a move is made with dire intentions. Thompson throws more twists into this segment. Its’ fallout perfectly caps off the dangers. The epilogue ties up loose ends while leaving much to reflect on. There is no better way to say goodbye for now, but hopefully not for too long.

McClaren opens the chapter up with simple panels. The color usages takes them up a few levels. Jumping deep into the chapter, Dagmar’s questioning hits with a unique panel drawing out memories. It is a sequence that connects with readers, allowing big payoffs.

The world of Kiros is a visual win in its own right. McClaren makes each vision of the city stand out. This rings true when dealing with The Heights. The near full page image pops as it launches a final standoff. This mood carries into the drastic move made by the guilty party. All the expressions by Essex and her team cover many emotions. It elevates the scene to new levels as readers watch. The fallout out teases a gory situation but structure leaves it in the minds’ eye. Readers can sense the emotional height slowly lifting. A full circle moment caps off the chapter with a defiant message narrating it. Nothing but a huge win for fans of this series.

OVERALL GRADE: 9.6

The latest saga of Phaedra Essex comes to a thunderous close with its’ strong arc ending chapter. Thompson’s slow burn writing brings readers an impactful ending. McClaren and Carey pull out all the stops, sending readers into the next phase of Kiros history. One of the best series at the shelves when it drops for a reason!

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SILVERHAWKS #1 (DYNAMITE COMICS)

Quicksilver. Bluegrass. Steelheart. Steelwill. The Copper Kidd. Together, they form a unit defending the galaxy from the evil of organized crime! They are the SILVERHAWKS!

Their legendary cartoon debuted in 1986. A small Marvel/Star Comics run followed until 1998. Since then, the franchise had remained dormant until now. The half metal/half human squad returns in an all new series via Dynamite Comics!

SILVERHAWKS #1 by Ed Brisson, George Kambadais, Ellie Wright, and Jeff Eckleberry ushers in a new era of space justice!

Let’s take a closer look at how the return shapes up!

*** POSSIBLE SPOILER WARNING ***

Brisson pens a solid re-envisioning of the classic team. It is very easy to jump in with little or no previous knowledge. Jonathan Quick comes across as the ever confident lead. His beginnings are overshadowed by the grand escape of Mon*star. This clearly ruins Commander Stargazer’s retirement. It just readers just enough calm before the action kicks into high gear.

Quick’s case turns out to be more than bargained for. The intensity picks up rather quickly. It is needed to connect to the readers. When modernizing cartoon properties, there has to be something new offered. The writing takes a simple heist gone wrong into new places. This also fits for Mon*Star’s attacks. Both lead into a natural closing point. With time as a factor, measures are taken. The closing point solidifies that leaving readers locked in for the future of the franchise.

Kambadais and Wright keep panels simple to start. The Quick build is based off the wanting of action. This shifts gears with Mon*star’s escape. The full page image of the freed prisoners elevates the escape. Stargazer’s dread hearing news speaks volumes on the panels. It pushes for a reaction to be made.

The ambush of Quick and his squad shifts gears into a more serious tone. A near full page image explodes off the page. It’s followed up by a half panel finishing the job. The excitement doesn’t slow down here. Mon*star watching his created chaos is given a full page splash. He caps it off with a half panel attack. This shoves the story into its’ close. It is a bittersweet moment as a passing of the torch happens. The result is a full page splash to send readers home on a happy note. Get ready to take flight!

OVERALL SCORE: 8.5

In space, justice soars! The return of the Silverhawks delivers on a modern sense to the classic story. Brisson taps into a slightly edgier feel for the origin issue. Kambadais and Wright construct an explosive look at Bedlama City once events start taking hold. It’s a great starting point for new and old readers alike to jump aboard.

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GREEN LANTERN #19 (DC COMICS)

The Book of Oa stolen. It is now in the possession of Sorrow. With its’ content in evil hands, danger grows. Hal Jordan and the Green Lantern Corps are back in action. Opposing them is a growing number of "fractal" lanterns. There’s no rest for the weary as duty calls the emerald heroes.

GREEN LANTERN #19 by Jeremy Adams, Fernando Pasarin, Oclair Albert, Jason Paz, Romulo Fajardo Jr. and Dave Sharpe launches the newly reformed Corps into “the Fractured Spectrum” saga!

Let’s take a closer look at where things stand now!

*** POSSIBLE SPOILER WARNING ***

Adams dives into the new beginnings for Hal Jordan and company. The opening of this issue delves into Carol Ferris’ life as a JLU member. Seeing Ferris hold her own amongst the DCU’s heavies provides a fun set-up before Jordan crashes the party. With the two getting some quiet time, The writing blends their hero worlds with their relationship. It’s a solid break before events shift towards another familiar face.

Kyle Rayner’s mission with Odyssey leads to another addition to the cast. Readers will be amped up to see who’s added into the book rescue mission. Pacing devotes a lengthy period to get this all established. Once settled, the story briefly spotlights Sorrow’s alliance. There is a larger picture painted in the closing act. The case lead provides more surprises. None might be larger than the final page. It leaves many questions as the latest saga finally starts taking shape.

This issue has three artists on taking the image reigns. The Justice League conflict opens with a full page action splash. It shows the readers how the team is working. As the threat starts growing stronger, Hal Jordan crashes the conflict. The full page intro changes the mood. Ferris’ reaction beams with excitement. This is a stark difference than Batman’s brooding. Jordan and Ferris never let the audience escape their bond as events are playing out.

Rayner experiences more of the same with Odyssey. The full page shot grants the time traveler access to the issue. Odyssey isn’t the only one with a full page welcome. A recruited heavy hitter is gifted the same favor. Readers watch as the contrasting personalities light up the panels. As events steer back toward the mission, the art team changes the look for the closing act. The pages carry a dark tone until the final reveal. A closing full page splash is at the end of a haunting lead-in. It will have readers guessing what’s next as the story takes shape.

OVERALL GRADE: 8.2

The “Fractured Spectrum” starts its’ saga with a great jumping point. Adams’ writing sets the stage as the Lanterns brace for the chase. The art team construct the ever-evolving tale with a mix of heroics and personal reactions. There’s much room to grow from what is sure to be a classic Lantern tale in the making.

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SUPERMAN: LEX LUTHOR SPECIAL #1 (DC COMICS)

Lex Luthor’s memory was wiped away. The “House Of Brainiac” left Luthor a shell of his former self. It has provided Superman’s greatest rival a unique calm. Unfortunately, all good things may not last.

The fallout from Darkseid’s attack on the JL Watchtower has hide a piece of reality away. Only one person can crack the mystery. Will Lex give up his new status quo of happiness to try gaining his memories back?

SUPERMAN: LEX LUTHOR SPECIAL #1 by Joshua Williamson, Eddy Barrows, Eber Ferreira, Adriano Lucas and Dave Sharpe brings a difficult choice to Superman.

Let’s take a closer look to see where events play out.

SUPERMAN: LEX LUTHOR SPECIAL #1 by Joshua Williamson, Eddy Barrows, Eber Ferreira, Adriano Lucas and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Williamson crafts the ultimate lose-lose situation for the Man of Steel. With Lex losing his memory, he is a completely new person. Finding a conscience and sense of humanity has done wonders. Lex’s troubled past is sprinkled in throughout the story. It makes Superman’s dilemma much worse. Giving a sense of sympathy to Luthor will hit readers with an unexpected response.

The story never lets up of the pressure on Superman. This becomes clear when a walk in the park becomes an incident. Superman’s conversation leads into a question of morals with this move. Readers watch as the outcome becomes a larger catalyst than expected. Cracks in the foundation had been forming between the two characters. Superman’s reaction becomes more than realized. After another flashback, the story leads into its’ concluding point. Judging where it appears to be heading, there may not be any good solution for a bad man’s future.

Barrows opens up the issue with a quiet father-daughter moment with the Luthors. It doesn’t take long for some action to creep in. The two page action splash works perfectly here. It allows for the set-up with Superman making the call. A full page splash by Barrows shows what the wrong choice can lead to.

Once events move to the park, the mood lightens until an incident goes down. Superman crashes the scene with a near full page image. The conversation between enemies pours with consequences. Ferreira’s flashback sequences keep adding more layers to that foundation. Readers watch as a half panel tips off where things may lead. The closing act is very deceptive as it appears an issue was addressed. Happiness is fleeting as the pieces start coming together. Readers watch as a full page image delivers a mic drop as the DCU may never be the same again.

OVERALL GRADE: 9

The rebirth of Evil? That is the problem facing Superman in a soul-stirring tale. Williamson throws in emotional reflections before heading into a difficult move. The art team shines with big moments mirroring the heavy soul of a great hero. No good choice ever works without grave consequences.

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AMAZING SPIDER-MAN #66 (MARVEL COMICS)

With a new sorcerer supreme in place, the MCU is on edge. DOOM has taken the mantle from Dr. Strange. He has given Spider-Man a mission to complete. Last readers watch, he was forced to endure the deaths of his loved ones. The challenge has pushed Peter Parker to a broken state. He has now walked away from his alter-ego. What does this mean for the fate of the Universe?

AMAZING SPIDER-MAN #66 by Justina Ireland, Andrea Broccardo, Marcio Menyz, Erick Arciniega and Joe Caramagna contintes “the 8 Deaths of Spider-Man” saga.

Let’s see what unfolds for Peter Parker now!

AMAZING SPIDER-MAN #66 by Justina Ireland, Andrea Broccardo, Marcio Menyz, Erick Arciniega and Joe Caramagna (MARVEL COMICS) Cover: Mark Bagley

*** POSSIBLE SPOILER WARNING ***

Ireland takes readers on the journey of understanding guilt. No one in comics carries grief quite like Parker. Seeing how the vicious cycle of loss affects him is an impactful move. A conveyance store robbery displays how Parker is shattered. The dialogue between him and the robber is cold and emotionless. This mood continues with various other characters. None more impactful than with Shay Martin.

The writing puts Parker’s depression against Shay’s reasons for nursing. It is a jarring picture of a challenged hero. Seeing Parker left in this state will impact readers. It leads him into familiar arms via Felicia Hardy. Their dialogue mirrors their conflicting past. The moments leaves them both in an awkward state. For where his path goes now is up in the air. Save for the cameo from a certain Alaska team, this issue is very grounded in coping with failure.

Broccardo and the team never shy away from displaying Parker’s guilt. A two page shot shows Peter reflecting on the deaths he’s witnessed. The image sets the pave for the remainder of the chapter. Watching the store robbery play out, Peter is shown to be numb to caring. His mannerisms show no life as he walks through the incident.

The conversation with Shay hit key points. It shows Peter grasping for anything to spark him. Shay’s eyes speak of worry for Peter’s wellbeing. It’s quickly swayed with a glimpse of him standing around dead bodies in his mind. Once Hardy and Parker have their meet-up, the scenes are very familiar. It ends with a kiss between former lovers. Both have dealt with pain before. The art locks in on that moment. The closing page is one that loops back to a solid group shot as new heroes have entered the game.

FINAL POINT: 8

The post Spider-Man life starts off with a empty Peter Parker in this latest chapter. Ireland’s writing leans into his guilt of failure. Broccardo and the team bring the pain to life sending Peter into looking for comfort. This is a changing point as the fight against the Scions continues on.

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DC HORROR PRESENTS.... #4 (DC COMICS)

Even heroes can’t escape Horror. That is the premise behind an anthology series from DC Comics. Each issue focuses on terror tales firmly placed in the DCU. For its’ final chapter, two fan-favorite candidates take center stage. What awaits CATWOMAN & MATTER-EATER LAD from some of the top creators in comics?

DC HORROR Presents…. #4 by Patton Oswalt, Jordan Blum Danny Earls, Jão Canola, Simon Bowland (Catwoman), Steven Kostanski, Brendan Hay, and Logan Faerber (Matter-Eater Lad) spins two spine-tingling tales onto readers.

Let’s not wait any longer and see what unfolds now.

*** POSSIBLE SPOILER WARNING ***

“The Diamond That Steals Back” Grade :9

The writing presents Catwoman faced with a cursed diamond. Oswalt and Blum lean intot he curse as Selina Kyle struggles to cope. The nightmare set-up swings quickly into a crime caper. Readers watch as Kyle starts tracking down the fault of her score. It results in a very unique and fitting fashion. The closing ties up events perfectly. It never steers away from Catwoman’s crime life. Readers couldn’t ask for a better finish.

Earls and Canola hit the shock factor early. The full page nightmare of “The Wayne Family” sets a high bar. It leads into the fight for Kyle to regain control. Her interrogation methods shine. A unique “diamond centered” page breaks down the key history of the object. Readers watch as a certain Gotham fixture steps up for the diamond. Its’ result is a crowd pleaser of panels. The art gives readers something to smile about as the closing page hits. There’s a lot to enjoy here.

“A Matter of Life and Undeath” grade: 8.8

This tale takes place in the 30th century. Seasoned DCU fans know this is the Legion of Superheroes Era. MEL is a very tricky character to work with. When the power is to “eat Matter”, it allows some options. Kostanski and Hay play up the uniqueness. A change of heart leads into a mission to stop a zombie outbreak. The writing gives off a redemption arc for the hero. It is quirky and campy. Both are perfect for MEL. Readers watch the insanity unfold. Events close with a solid finish with no room for leftovers.

Faerber takes the art in to a more pop feel to begin. Once the mission comes up front, MEL is challenged to finish. The challenge is in all its’ gruesome glory. Once it attacks, a touch of fear fills the panels. MEL’s reactions knowing what he has done are priceless. Even with the zombies on the loose, MEL’s reactions front a good wall of confidence. Once events arrive at the showdown, a near full page image shows a hero’s redemption. The final panels reclaim its’ more friendly tone. Even in his faults, MEL conveys to the readers he is the only one who can stomach this challenge (literally).

FINAL POINT: 8.9

The final round of Horror and heroes doesn’t disappoint in its’ close. Each story carried a different vision that will work on readers. The Catwoman tale is filled with sharp writing and solid art. MEL’s problem spirals into a unique place via strong work from the creative team. It’s one not to pass on this week at the LCS!

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ARCBOUND #3 (DARK HORSE COMICS)

Kai’s new stat quo has been anything but easy. After being betrayed by Xander, his lifeless body was saved. It wasn’t in a conventional way. Kai’s body is now that of an Arc. Dr. Zon needs his help. With nothing left to lose, Kai accepted. Is he ready for who and what is next?

ARCBOUND #3 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman and Buddy Beaudoin (Dark Horse Comics) continues its’ sci-fi epic with another shot of action.

Let’s take a closer look at what is prevailing now.

ARCBOUND #3 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman and Buddy Beaudoin (Dark Horse Comics)

*** POSSIBLE SPOILER WARNING ***

Kai’s journey puts him in the direct crossfire of Barnes. Before that commences, Snyder and Tieri take a look back. The writing opens up about a past mission. Kai’s dialogue holds a sense of uncertainty as he dives into action. Once he arrives at the Regulator, old memories are not the only thing to resurfaces.

Xander sends Barnes to eliminate Kai. Their confrontation mirrors their high skill level. Once that settles, the writing throws in another swerve. It forces a change of direction. Pacing moves very fast in this portion. After some great action, Kai makes a necessary call. It does feel tipped off but with the pacing, it makes sense. Readers watch as Kai’s plan starts adding some strength to carry its’ heavy weight. it’s a solid set-up issue with many moving parts at play.

Smallman shows Kai in his element. The soldier’s perspective comes across very grizzled. Panels show Kai ready to return to action. A full page image shows his new destination. It leaves quite the impression. As he starts making moves, Kai seems to switch mannerisms into business mode. It’s subtle but is quickly interrupted when Barnes makes her play.

The full page image welcomes her into the direct conflict. There are great action images that follow. Readers watch as Xander’s move throws all plans off the deck. The art takes events up quite a few levels. It never holds back on the hellish aspects of combat. After the guns stop firing, Stallman brings a calm over the storm. The closing page sends everything onto a new path. It’s sealed with a bond forged in battle. Enemies beware.

FINAL POINT: 8.8

Kai’s path of vengeance starts with a deep dive into danger. The writing takes Kai back to a past place with new beginnings. Stallman and Beaudoin take the bloody battles up a few levels with the art. The series continues its strong start with all the elements readers are wanting in a sci-fi classic.

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RIPPERLAND #1 (DARK HORSE COMICS)

A murder in 2188 London is eerie similar to a past evil. Kenneth Fitzpatrick is the grandson of a wealthy American mogul. This causes a great deal of tension between the post-Brexit England and US. One question is now posed onto the law enforcement. Jack the Ripper is back? Can they stop a serial killer before its too late?

RIPPERLAND #1 by Steve Orlando, John Harris Dunning, Alessandro Oliveri, Francesca Vivaldi and Fabio Amelia unleashes terror onto the streets of 22nd Century London.

Let’s take a closer look at what unfolds now!

*** POSSIBLE SPOILER WARNING ***

The writing steers the audience into a classic horror set-up. Detective Edwin Fogg comes across as a grizzled officer. It is easy to tell he’s seen much in his time. The reception to Fitzpatrick is unwelcomed. His brash arrogance isn’t winning him any favors. It reflects the social standoff taking place. Everything comes to a head when Fitzpatrick is found violently killed.

The added dynamic of Jesse Holden gives Fogg someone to banter with. Readers watch as the clash of culture starts battling for page time. Knowing what is at stake, the pair makes a go of trying to work together. Once in the closing arc, there seems to be some common ground forming. The pair cyphers Ripper’s style in the killing. That appears to be the only thing “normal” here. Judging by the end panel, there is more to a simple case than meets the eye.

Oliveri & Vivaldi give readers much to ponder with the art. The version of London is a fitting throwback to yesteryear. It is dark and gloomy. There are some bright spots but none lasting so long. Fogg’s confrontation with a thief provides a break of pace. It also diverges before the issue’s main case is exposed.

The two page spread of Fitzpatrick’s body is a shocking sight. It leads to Holden’s arrival to London. The one page image makes a statement as the case gears up. With their first meeting, Fogg and Holden get a half page to showcase their standoff. It leaves readers in a position for the close. Once the final panel hits, a startling image floods the mid size shot. It is a solid close as much is to process before the next chapter.

FINAL POINT: 8.4

The new age murder mystery of Jack The Ripper starts on a solid note. Orlando and Dunning delve into past themes for this future take of London crime. Oliveri, Vivaldi and Amelia delve into the grizzly violent act and an international incident in the making. All the ingredients for a series to remember.

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JUSTICE LEAGUE UNLIMITED #3 (DC COMICS)

The world of the DC Universe is changed forever. An initiative has created the Ultimate Justice League. A rotating team of heroes handling the dangers. Even with this movement, there are issues looming. Not everyone is on board. A traitor appears lurking in the shadows. It’s hard to believe but that might be the least of their worries.

JUSTICE LEAGUE UNLIMITED #3 by Mark Waid, Dan Mora, Tamra Bonvillain, and Ariana Maher heads right back into the fire with an explosive chapter.

Let’s take a closer look at what unfolds now!

JUSTICE LEAGUE UNLIMITED #3 by Mark Waid, Dan Mora, Tamra Bonvillain, and Ariana Maher (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

With this chapter, there are a great deal of tie-in’s to other series. It is very refreshing to see the overall reach of “All In”. Readers get a big injection of “The Atom Project” saga. The Atoms and Plastic Man showcase the project plan with an easy example. Waid dabbles into it enough without leaving the main driver behind. This is all about the JLU vs the dangerous Inferno. As the action escalates, so does the uncertainty.

The fires raging in the Amazon provides a big event. Seeing the team adapt on the fly provides great shake-ups. It also gives some surprises. The dialogue tries cyphering the riddles of the mysterious figure. Waid’s writing plants doubt into the heroes. The result shows one hero making a bold dash into the chaos. Seeing the overreaction proves a flaw in the league design. This drives the closing act. Having a lead, the team reaches out for a powerful ally. What they find hits the audience with a thunderous statement. A huge blow is dealt that might be too great to overcome.

Mora and Bonvillain tease the calm before the storm with the opening pages. Watching JLU members on the “off time” helps to feature the vast roster. Once the Amazon drama unfolds, the JLU does what they do best. Fantastic art raises the stakes of the magical fight. The art gives each panel a huge feel. It never escapes the reader even with the story detours.

The “Atom Project” section spotlights a larger side story. Seeing the after effects of “Absolute Power” is blunt with a mid panel image. The panels explain the secret mission. It also eludes into the dangers behind it. Once events go back to the Amazon, the art hits with an iconic Aquaman half panel. It is quickly followed by a near full page guest spot. The mood swings quickly as the final panels change everything as the League struggles to find a break.

FINAL POINT: 8.8

Inferno makes a big statement as the JLU is searching for answers. Waid’s writing hits with big moments and building side-plots. The art of Mora and Bonvillain keeps the action intense as moves are made. DC’s premier team doesn’t slow down in giving fans a blockbuster chapter.

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SUPERMAN #22 (DC COMICS)

Doomsday has returned like never before. Under the guise of the Time Trapper, he has offered Superman a deal. It is one that carries grave consequences. Unfortunately, time has run out. An alien armada has arrived in Metropolis. Their request is simple: “Give Us Doomsday.” What will the Man of Steel do?

SUPERMAN #22 by Joshua Williamson, Dan Mora, Alejandro Sánchez and Ariana Maher presents an ever-mounting challenge towards Superman and Superwoman.

Let’s take a deeper dive into what unfolds now!

*** POSSIBLE SPOILER WARNING ***

“The Enemy of My Enemy”. What a complex corner Superman has been put into. Williamson has thrown a no win challenge into place. As the people of Calatron arrive, they demand Doomsday. Their offer is one that makes sense on many levels. It also sounds too good to be true. Leave it to two reporters to cypher through the front. The writing exposes both sides to come to a lie in wait. It leads to an expected response.

Knowing what Doomsday has done, it’s a justifiable rage. Pacing picks up as the frantic reactions take hold. The true threat here comes unto focus. Longtime Superman fans can appreciate the character’s reintroduction. Williamson leads readers into the fray with an unlikely team-up. It leans itself into a shocking direction. Right before it plays out, a switch is played for the close. A new character is taxed with handling the heavy choice. It’s an excellent spot to conclude events for now, but not for long.

Mora and Sanchez welcome readers into the tense landscape with a gorgeous two page spread. As the conversation starts between the “super couple” and invaders, the tensions rise. Each panel brings out more hesitation and fear. It reflects what is at stake. Readers watch as eventually things boil over to an extreme reaction.

An incredible full page blast brings a familiar competitor into the mix. As they maneuver through the book, the excitement grows. Readers can sense how intense this conflict is becoming. Seeing a direct close-up of Superman’s face defines this. It rolls into a jaw-dropping two page shot. Once the smoke clears, prepare for the final page. The art team leaves readers with a final full image that throws more weight on an already heavy decision.

FINAL POINT: 9.2

The burden of Doomsday starts breaking the Man of Steel in an exciting new chapter. Williamson takes readers for a thrilling ride. Mora, Sanchez and Maher never stop delivering on bold moments from start to finish. Just when you think you have answers, the creative team swerves with a great twist. Get ready for it!

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BLACK CANARY: BEST OF THE BEST #3 (DC COMICS)

How much can a fighter’s heart take? That is the question posed to Dinah Lance. With her mother’s health failing, time is not on her side. Lance has challenged Lady Shiva to a fight. The most dangerous fighter in all the DCU is ready. Who will walk away the victor in this epic face-off?

BLACK CANARY: BEST OF THE BEST #3 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles serves up another round of emotion and excitement.

Let’s take a closer look at where things stand now.

BLACK CANARY: BEST OF THE BEST #3 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

King twists events around with a few notable guests stopping by. The addition of Batman into the equation elevates Lance’s plans. Who else knows how to fight Shiva better? Their banter exposes Lance’s lies for the fight. Batman knows this match has never been about self-pride. Lance sticks to her guns even though the foundation cracks. It leaves the pair at a stand-still. This is reflected with Lance’s deal with a savage devil.

Using her mother’s health as a weapon, Savage throws down his deal. It plays into Lance’s struggles. Readers watch as the end justifies the painful means. The result puts Lance on her painful collision course. King handles the fight pace with a touch of wrestling flare. Wildcat’s interview style will win over readers. It doesn’t work so well on Shiva. Once in the closing pages, the pendulum swings. It leaves events pushing Lance into a new course. Whether she survives is long enough is anyone’s guess.

Sook and Stewart keep the best of the squared circle in the spotlight. The interview page with Wildcat is a fun start. Readers sit back and watch the action fly. The art locks in on Shiva’s confidence beaming. Her dive to the outside of the ring is prime example. A subtle panel of a devilish smirk speaks volumes. Lance is not to be outdone. A page close up shows Lance is broken but ready to fight. This might have something to due with a sparring partner.

Once the flashback hits, Batman is welcomed with a full page shot. Their sparring session is more than technique. The art closes in on Lance trying to keep up the deception. As readers see Vandal Savage make his offer, things become clear. The images are straight forward as both don’t want to tip their hands. It results in a set-up in brutality. The Wildcat fight is crushing. It spawns two full page images of the fight turning. The chapter closes on a quieter moment. A small conversation grows more doubts as events conclude. The art packs an overhand right for this sequence.

FINAL POINT: 9

The truth starts coming to light in another round of combat for Dinah Lance. King balances the brutality with Lance’s internal struggle. Sook, Stewart and Cowles amp up the combat as the fight escalates forward. Gear up for another round because no final bell has rung yet!

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LIFE #4 (DSTLRY)

Honor amongst Thieves. That phrase is being pushed to the limits in DSTLRY’s latest hit! Bobby Prost is brought back into the crime life for one last score. An uninhabited planet with riches. A quick score. Unfortunately, reality says otherwise.

The “Casanova Killer” Cory James is there with others serving a relentless life sentence. They see the chance to escape their daily hell and look ready to take it. Who will be the one to survive this deadly game of Life?

LIFE #4 by Brian Azzarello, Stephanie Phillips, Danijel Zezelj, Lee Loughridge and Jared K. Fletcher leads readers into the next chapter of the flip-style story of “Pros” and “Cons”

Let’s not wait any longer & see where things fare now.

*** POSSIBLE SPOILER WARNING ***

“Pros” leads off with an attack onto the ship. It launches the story into a frantic pace. There is an overwhelming sense of danger looming. The thieves panic and do as needed to survive. It results with more damage than good. The writing showcases their trust breakdown. This is highlighted with Caddy and Fiona. Their dialogue coves up the brooding resentment of the mission at hand. Readers also witness Jax leading a squad to a possible win. The writing here builds up a glimmer of hope but for how long? Only time will say.

“Cons” picks right up with James’ deal with Jax from last issue. James’ devilish calm shines again as he brokers a deal. The conflict with Queen pours on the pages. It leads to some memorable banter between her and James. Queen’s endgame is a shocking move. This pushes towards the closing act. The writing continues to keep the audience guessing. As the final page hits, a sobering realization hits with doubts for a future. It’s seemless how Azzarello and Phillips pull this off. High level storytelling at its’ finest.

Zezelj and Loughridge let the raw emotions take over the beginning of “Pros”. Both parties flow on the pages to create the uneasiness. Loughridge’s coloring makes each moment jump off the page. Between Jax’s group and Caddy/Fiona, the frustrations are boiling over. Panels are very detailed as the mission presses forward. It concludes with a full page image that seems too good to be real.

“Cons” brings out James’ dark charisma while facing off with Queen. The coloring here brightens the dark mood. It leads into recap of James’ transformation. Readers watch in awe as the story moves through points to Queen’s endgame. At this stage, all bets are off. The close is presented in a reddish light. It translates to readers the rage brewing of what has just happened. The closing full image spells certain doom for one person. It’s a haunting shot that works to put an exclamation point on the chapter.

FINAL POINT: 9.5

Is there honor amongst thieves? That is the question answered within Life’s latest installment. Azzarello and Phillips weave many layers into a highly tense story. Zezelj and Fltecher’s work is taken to a whole other level with Loughridge’s coloring. There really is nothing like “Life” at the shops. It’s a true storytelling experience.

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DETECTIVE COMICS #1093 (DC COMICS)

The Dark Knight sinks deeper in his own mind. An offer of renewed youth comes Bruce Wayne’s way. It coincides with a string of wayward teen murders. The killer is known as Asema. Batman’s efforts to stop the killings has stalled. Can he regain an edge on the case or has it already broken the bat?

DETECTIVE COMICS #1093 by Tom Taylor, Mikel Janin, and Wes Abbott takes readers into deeper levels as Asema strikes again!

Let’s take a closer look to where events land now!

DETECTIVE COMICS #1093 by Tom Taylor, Mikel Janin, and Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Taylor opens up with a flashback sequence fans have been waiting for. The tie in to Thomas Wayne has been left to boil. Its’ tease drops a small foreshadowing. Wayne’s newest love has ties to that era. Readers have to wait as Bats enlists the family for help. The dialogue has many ranges. It all carries a center theme. Has Batman’s judgement been clouded with his current flame?

The result leads into Batman confronting Asema head on. It never falters on excitement. The action is paced out well. A key moment changes directions for Batman. It is one that is too be expected. That said, it doesn’t hold back on impact. The closing pages leave a new wrinkle on the case. Where it leads can only be to no good.

Janin begins with a striking opening sequence. The flashbacks are filled with rage and sorrow as a young Bruce addresses Chill’s partner. The story jumps back into present with a full page credits roll. Seeing the Bat family in action adds another layer to the story. Their role grows further when Batman arrives at a meet-up. The various members offer their input about current events. Janin captures each’s expressions as the pieces start forming the puzzle.

Asema’s showdown with Batman steals this spotlight. The use of panels plus Abbott’s lettering elevates this to new heights. Readers watch as the brutal fight holds nothing back. Each page escalates the frantic mood. Once an unplanned move happens, the fight slows down. This leads into a simple but touching image of Bats and the latest victim. It rolls right into the closing sequence. Once the final page hits, readers are left with a strong final panel. It leaves no questions as how personal this case has become for the Dark Knight.

FINAL POINT: 9

Asema’s reign of terror pushes Batman to his limits in the latest installment. Taylor’s writing hits readers with a fast moving tale. Janin and Abbott give the latest confrontation an impressive feel with bold action. How Batman stops spiraling downward is anyone’s guess.

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STORM #4 (MARVEL COMICS)

DOOM has summoned Ororo Munroe. Marvel’s mightiest mutant is still recovering from her near-death experience. It has cost her the use of her powers for seven days. In that time, Munroe has reconnected with the X-Men but happiness is short lived. Now en route to Latveria, Munroe had better be ready for anything.

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham stages a business meeting for the ages.

Let’s take a closer look at what’s happening now!

STORM #4 by Murewa Ayodele, Lucas Werneck, Alex Guimarâes, and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Ayodele continues to push Munroe into new heights with this series. Throwing DOOM into the mix provides unique banter. Both characters are royalty in the MCU. Their dynamic is as combustible as one may think. Doom carries a sense of arrogance as he tries discussing plans. Munroe stands her ground and delivers back. This leads to a choice with dire consequences.

The writing ties ack to the dealing of Brother Vooddo. Its’ payoff throws a monster curve into the mix. All the while, Ayodele slides in some heartbreaking moments before the close. The writing with the “flashback” moments are a big win. Nothing will prepare readers for the ending. The final pages shatter any preconceived notions. Events end with a loud exclamation point heading into next issue.

Wenrick and Guimarâes never let reader escape the regal flare on display. Storm arriving for her dinner gets a fantastic full page image. The expressions she and Doom duel with only add more tension as the night progresses. It is offset with DOOM forcing a hand to be played. The result vasty speeds up the pages.

Once the deal is broken, a shocking action is taken. The art depicts the fading life in the panel set-up. It is countered with an incredible afterlife sequence. This completes with a fitting full page image. Once here, the closing pages change everything readers know thus far. Get ready to be WOW’ed by the images here.

FINAL POINT: 9.3

The Mutant world crashes into the regal landscape with a stellar issue. Ayodele’s writing keeps raising the nobility and possibilities in Storm. Wenrick, Guimarâes and Lanham build the impactful surroundings of a meeting fit for Kings and Queens. This series never is short of surprises and drama. What a winning combination.

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RESURGENCE: BLOODSHOT (VALIANT COMICS/ALIEN BOOKS)

With Dr. Silk promising paradise, the Valiant Universe has been torn in half. Some are buying into a life without death. Others are resisting the temptation of the Faustian deal. Each hero has something to gain or lose. One with a vested interest is BLOODSHOT.

The enigmatic killing machine wants to save his family. There is another party more concerned with saving a world gone mad. Something has to give.

RESURGENCE: BLOODSHOT by Fred Van Lente, Rodrigo Rocha, Leo Lujan, Brushu Studio, Ludwig Olimba and Ezequiel Inverni puts the deadly soldier across a foe that knows him all too well: RAI!

Let’s not wait any longer & see who wins this showdown!

RESURGENCE: BLOODSHOT by Fred Van Lente, Rodrigo Rocha, Leo Lujan, Brushu Studio, Ludwig Olimba and Ezequiel Inverni (valiant comics/ Alien Books - cover: Fernando Baldo)

*** POSSIBLE SPOILER WARNING ***

For longtime Valiant readers, there will be much to enjoy with this throwdown. If you are new to Valiant, they always lead off with a great “new readers” page. Instantly, you’re caught up to speed just enough to join the story. For this issue, the back story for Bloodshot is longer. There is a purpose for this. Once the fight gets started, there’s more of a connection to feel what he’s fighting for.

The conflict becomes very violent in a hurry. Knowing both heroes, this delivers on may fronts. Van Lente pens a strategic match in between the broken bones. Literally. Both characters utilize their abilities to their max. Only then do readers start seeing the personalities come out. Bloodshot comes off very brash to the reserved Rai. It’s a reflection of both strengths. As the combat marches on, it eventually hits a breaking point. One plays for keeps and executes a unique move for victory The fallout plays into a solid conclusion for now but not forever.

The art never shies away from the brutality of the fight. It only delays the inevitable with the opening pages. Taking readers into a longer look at Bloodshot’s drive cements why he does as he does. It doesn’t take long to shift gears into the main event.

The fight begins with an artist switch-up. Lujan spares no expense on presenting a vicious showdown. It is one not for the weak of stomach. The panels reflect the desperation for each fighter’s cause. It eventually leads to some unique spots. Seeing Bloodshot react in most scenes covers a wide ground base. It leads to a near half page conclusion image. Events may be over for now but the art deems there will be more to come.

FINAL POINT: 7.8

The billing of “Soldier vs Samurai” lives up to the marquee in this Resurgence spin-off. Van Lente pens a brutal throwdown centered on noble causes. The art holds nothing back as two unstoppable forces unleash Hell on the other. This is a fight that will have readers wanting one more round.

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G.I. JOE #3 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Cobra has drawn first blood. Rock N’ Roll was killed in the line of duty. The terrorist organization unveiled new powerful weapons. Even an elite fighting force might be out of luck here. The world is glad Duke isn’t hearing it. He plans to lead the team back into action. Unfortunately, the team’s newest member might derail that from happening.

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) goes al in on their explosive return!

Let’s take a closer look at what is happening now!

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson delivers a very direct shot of action with this chapter. The team is still reeling from the loss of Rock N’ Roll. Cobra is asserting their dominance with every action. Readers watch as Clutch is behind enemy lines. This leads into a birds eye view of how dangerous they have become. Cobra Commander’s treatment of a spy will clear any doubts of the terror he is bringing.

This is very different from the wounded Joes. Williamson creates a good amount of friction with their latest member. Risk and Duke come to an uneasy interaction. The fallout spins into a new start for the broken team. It leads into a high paced closing act. Fans will be amped up for who crashes the party in the final page. This is as vintage G.I. Joe as it gets!

Reilly and Bellaire start things off with a strong two page spread of Cobra. Seeing how the partnership of Destro and Cobra Commander play out pops off the panel. The art doesn’t shy away from the ruthless nature of the commander. Readers watch the bloody resolution of a spy in their midst. It is a direct shot of fear sent to the readers.

In contrast, The fighting between Duke and Risk is frantic and emotion driven. This is capped off with a perfectly placed arm-bar attempt. With recent events, tensions have been building. Each panel leans into the toll that has been taken. It also moves events along to the next desperate attempt to rebound. The final act is filled with an adrenaline shot of excitement. Each panel feels fast paced. This comes to a crashing halt with the reveal on the parting page. Fans will have a tough time waiting until next round to see what happens next.

FINAL POINT: 9

With each mounting set-back, G.I. Joe struggles to get one back against Cobra. Williamson hits readers with a strong balance of action and emotion. Reilly, Bellaire and Wooton never let up on bringing the excitement. This is everything you could want when you think G.I. Joe!

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