BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

CANARY #6 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have finally arrived at the conclusion of the last ride of Marshall Holt via Comixology Originals & Best Jackett Press. Since its’ debut in the second wave of Scott Snyder’s line of BJP comics, the horror-western tale has grabbed readers’ imagination and never loosened its’ grip. Now, all best are off for the final showdown of good and evil in the wild, wild west.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis brings down the curtain on the mystery of the terrors of a small town. Let’s take a closer look and see how things play out.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

Marshall Holt is on the verge of retirement. He’s recruited to investigate a murder in 1891. The case leads him to the town of Canary. Holt knows this town all too well. It is the location of his most disturbing case: Hyrum Tell.

While searching the case, Holt is joined by Edison Edwards (or Ed-Ed), & Mabel Warren, daughter of Canary founder Chester Warren. The trio’s journey leads them from an abandoned cave to “The Global Geological & Divination Society 1081” or House 1081. The “Canary Evolution” theory looms heavy as they can’t escape the danger. All the while, Holt is trying to hold it together with the memories of his past begin to creep into the present.

After a monstrous figure reveals itself from the grave surroundings below, Holt leads the charge to head to the bottom of the cave and address whatever evil lies there once and for all.

The issue begins with Holt returning to his family’s home. The mood is dark and looming with an evil hiss. As Holt walks in the house, he finds his wife and baby dead as canary eggs lie on the floor.

Suddenly, Holt is back with Mabel as they prepare to descend to the bottom of the cave. Knowing time is not on their side, the pair lowers the elevator. Once they begin to head downward, Mabel notices that things are not normal.

The road to Hell is paved with dark intentions as Holt and Mabel finally land at the deep bottom. Once they walk out of the elevator, readers see the insanity they set into. Answers are revealed and more burden is put on Holt’s soul as he now finds himself in a place he never expected.

The closing act floods the pages with excitement and rising uncertainty. Can Holt save the day one last time? Readers will walk away with a few parting images before a surprising one to conclude this epic tale with.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

Snyder sends Holt off into the sunset with an unforgettable issue. The challenges he has faced have not been an ordinary case. Tull’s impact on his life never strays too far from this story. Holt battles the ghosts of his past to find a possible future. Snyder focuses in on this element during the key points of this finale.

Once the big revelation appears, Snyder presents our lead with the challenge of being vigilant for the greater good, no matter the cost. The conflict is one that will not easily escape reader’s minds as they read the tale. It pushes Holt to his breaking point. Knowing what lies ahead, his actions re-assure any doubt of his nobility in the face of overwhelming odds.

The final moments move briskly to end this saga on a very strong note. The parting images will have readers talking as the “Canary Evolution” theory leaves a lasting impression for an immediate re-read for years to come.

Panosian delivers on looming horror and crushing drama art to conclude the last ride. The heart-wrenching images of Holt struggling to deal with his family’s state instantly sets a devious overtone to the story. Once the decent inside the cave begins, readers brace for the impact of Holt’s valiant efforts.

The cave is filled with brooding images of terror and anxiety. There are a run of two-page spreads that scream volumes of the breaking of Holt’s spirit right before the evil’s reveal. Panosian welcomes that element to the main story with a devilish hello via its’ body language. Showing Holt’s reaction to all of this further cements the cost he must decide to pay to end things. The conflict concludes with another fantastic double page action shot before bringing the curtain down. The mastery of horror and western styles is truly remarkable with the artistry.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

FINAL POINT: 9.5 OUT OF 10

When the dust settles and smoke clears, Snyder and Panosian conclude Marshall Holt’s last case with a spectacular conclusion! Superb writing lays the foundation for mind-blowing visuals to guide readers into a gritty showdown of good verses evil.

Hit me up on ODPH Social media and let me know your thoughts on Canary #6. Thanks for reading.

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

BLACK SIGHT #3 (COMIXOLOGY ORIGINALS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we’re diving further into the madness and mystery of Alex Greer. Since its’ debut on Comixology Originals, the psychological thriller set in the 1960’s has kept readers on the edge of their seats. Now approaching the midway point, all bets are off on what levels of danger awaits the lost American in Amsterdam.

BLACK SIGHT #3 by STEPHANIE PHILLIPS, Conor Boyle and Tom Napolitano continues to peel back the layers of the haunting story. Let’s take a closer look to see where things head now, shall we?

Editor Note: This is a MATURE READERS story. Some of the images might be difficult for younger readers. Discression is advised.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

*** POSSIBLE SPOILER WARNING ***

Alex Greer has been through quite the ordeal. After waking up next to a dead woman, Alex has been placed under psychiatric watch. With a vested party watching her every move, Alex tries to find a way out. This is easier said then done. After seeing the alleged victim working as a nurse, Alex is convinced more is going on. Will she get the chance to prove her innocence?

This chapter opens up with Alex waking up in the middle of a residential street. With kids poking her with a stick, Alex comes to and knows something is wrong. When she looks at a house, readers find out that Greer is “home”.

As she walks in, Greer sees her mother riving in pain. Readers see the relationship between the two is fragile at best (if at all). As the moments progress, it ends with a chilling message of blaming Alex.

Once it ends, Alex is back at the hospital. Restrained and confused, Dr. Kincaid is standing over her. The drama intensifies as Alex and the doctor have a conversation that doesn’t bode well for his patient. What over evils are lurking? Can Alex survive another night? More questions arise as Dr. Kinciad is just starting to impose his plan with Alex. Once the final image is revealed, any hope of survival sees further and further out of reach.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

Phillips kicks this chapter off pushing Alex’s psyche into an uncomfortable state. Dealing with her relationship with her mother, Alex experiences a truly terrifying experience. Once it concludes, the reality of the situation might be worse than the dream itself.

The verbal chess match between Kincaid and Alex is a strong point to this issue. With everything falling around her, readers see Alex is sill holding onto hope that she will be free soon. Phillips takes this moment of hope and throws readers a curveball with the parting panels. Just when readers think they have an idea, Phillips changes the questions.

Boyle and Napolitano being with a nightmare that will shake readers to their core. The imagery of Alex’s mother reflects their broken state. The lettering only amplifies the fear being felt by Alex. For anyone who’s seen Napolitano’s work, this is no surprise as he is one of the best in the field. Its a connection easy for the readers to make.

This leads into another strong use of Yellow to establish where the story leads now. It’s complimented by a four panel page exemplifying the terror. As Alex descends further into the dangerous world of Kincaid, the art mirrors the hellish landscape. This builds towards the closing act with captures a facial expression that perfectly closes out another excellent chapter.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

FINAL POINT: 9 OUT OF 10

The slow-burn breakdown of Alex Greer sinks into a dangerous low with another thrilling chapter. Phillps’ strong writing tears away another layer of Alex’s psyche with Boyle and Napolitano delivering magnificent imagery to ensnare readers throughout the pages. You don’t want to miss this one on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Black Sight #3. Thanks for reading.

SOMNA #1 (DSTLRY)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out a brand new series debuting from DSTLRY! Over the summer of 2023, “The Devil’s Cut” gave readers an insight of what to expect from the upstart line. With some of the best creators in the business involved, it was a huge win with fans.

Since that point, the anticipation for more content from this line has been building. Recently, Gone #1 by Jock was released. Now, another entry from this imprint is hitting the shops with a great buzz behind it. Considering its’ creative team, there’s no doubt why fans are excited to check this series out.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni brings an erotic horror element to the local comic shops with this series. Let’s take a closer look and see how this debut fares.

Editor note: This is a MATUTRE READERS book. Viewing discression is advised.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY)

*** POSSIBLE SPOILER WARNING ***

A woman named Ingrid is walking through a forest landscape. The narration leads readers to believe it is a dream. She is wakes up after being enamored to a cold reality. However, it appears that the dream might not be done as a figure lurks trying to connect with her on a physical and sexual manner.

Suddenly, Ingrid wakes up to her husband Roland, a bailiff, who’s trying to have her accompany him to a trial. Ingrid doesn’t want to go and this causes Roland to storm off. In response, Ingrid heads into the forest and looks overhead at her village with a roaring fire. It is no ordinary fire. It appears to be where witches were burnt at the stake.

The fire snaps her back into the dream-like world. Ingrid sees herself as the one in the fire. She’s snapped back to the present by Maja and her son. The conversation shifts to who was being punished.

Later that evening, Ingrid sits by a fire as Roland returns. As she tries to initiate passion, he scoffs it away. As they sleep, the mysterious stranger reappears in her dreams, connecting with her on a level Roland cannot. When she wakes, Roland is not as understanding to what she is describing.

How does Ingrid process her dreams? After the recent trial and reactions from the village, her thoughts wander. As her dreams intensify, Ingrid becomes entrapped between two worlds. As the closing act approaches, readers see where Ingrid leads to as an event occurs that sets her on an unforeseen path. The journey now begins that will have readers locked in until the next chapter drops.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Becky Cloonan)

The writing breaks down Ingrid into multiple stories. The first is the gruff relationship with Roland. The mood is tense and cold as their interactions lead to mounting tension with little middle ground. Ingrid comes across as a character yearning for more, which drives her to lean into her dreamscape.

Her path leads to the question of “Is perception really reality” as Ingrid walks a fine line throughout this issue. Knowing there’s a hint of danger in her dreams, the writing reflects her wanting more than she has and how scary that could be. As the story rolls into its’ closing portion, readers see how Ingrid inches closer to the edge. After the event transpires, there is a sense of looming fear of that should transpire next which leaves a lasting impression.

The art duties are split into two distinct areas. Cloonan handles the present time, featuring the interactions with the village. The mood is that of trepidation as the burning trial lingers on Ingrid’s mind. The body language of Ingrid and Roland shows disfunction and frustration on all parities.

This only adds to the significance of the dreamscape. Lotay paints a vivid landscape of wonder and anxiousness as Ingrid’s interactions with the figure intensify with each page. The art captures the raw emotions of the encounters bringing readers along to sense what Ingrid wants and sense her fear in the consequences. It all ties together with a striking final vision leading to more thrilling drama yet to be seen.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Tula Lotay)

FINAL POINT: 8.5 OUT OF 10

Cloonan and Lotay welcome readers into the complex world of Ingrid with a visually impressive debut. Ingrid’s haunting dreams battle the harsh reality of her world with excellent art and writing. The layers of this mystery are just being peeled back so readers won’t want to miss jumping on-board now to see where things lead from here.

Hit me up on ODPH social media and let me know your thoughts on Somna #1. Thanks for reading!

PARLIAMENT OF ROOKS #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, Comixology Originals has a brand new series debuting with a very familiar creator returning to the line. Since 2018, Abigail Jill Harding has been gifting fans with the stunning imagery of the “Ask For Mercy” series with Richard Starkings. With this new series, Harding is making her writing debut with a tremendous amount of buzz behind it.

Parliament of Rooks #1 by Abigail Jill Harding and
Richard Starkings looks to have fans attention with a magnetic story playing out behind its’ concept. Let’s see how this debut fares, shall we?

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

*** POSSIBLE SPOILER WARNING ***

The story begins with birds known as rooks flying around a graveyard. Behind guarding stone angels guarding a room, the sky has a red moon. A monstrous figure walks from the doorway with the angles weeping. As it approaches a gateway, the creature shapeshifts and flies away into the night sky.

The scenery moves to a castle on a hill. Inside lies a woman appearing on her deathbed. As she looks out the window, the creature shifts into a human form. Known as Darius Ravenscar, he kneels at her side. Readers sense there is a strong connection to the pair with the woman asking to relive their past. The stranger obliges and the story kicks into gear.

With imagery of a woman casting a spell into a fire deep in the forest, Ravenscar awakes inside his bed. Franticly running late, he makes his way into the city of Eborvik, towards the castle. Inside, he sees a woman named Princess Seraphina playing her harp.

The noticable admiration fills the scenes but there is one person not happy with what is unfolding. King Sitric, Lord of the Four Vales, orders Ravenscar to leave.

While leaving the castle, events start to unfold that drastically change the path of the story. What happens to Darius when he leaves? How does his life change? Readers see there is more than the King interfering with what Darius cares for. Fate has intervened in an unlikely way. The closing act covers a range of emotions before charging into its’ final moments. Once seen, the ending of the chapter foreshadows a deeper story lurking that has only just begun to come to the surface.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Harding paints a dark and complex story with her writing debut. Ravenscar instantly comes across as a tortured soul when he debuts. The elements of horror and hope dance through the dialogue as both he and Seraphina play into a world they hoped to have found together but never did.

The backstory of the pair dives into the brooding conflict with the King. Emotions run high as his majesty is determined not to allow events to grow further. The direction of the book shifts after the castle into unlikely places. This is where Harding’s writing goes up another level, connecting the doomed couple into fleeting moments of happiness. It’s these events that feel even further away once the closing moments happen. Once the chapter close, there is much left for readers to return and see how things play out.

The art reflects the moods and themes portrayed from the beginning. The full-page introduction image of Darius creates a bold debut locking readers in. This is also matched buy another full page panel of Darius after events have changed his future.

The use of coloring adds another layer to the saga at hand. Being a black and white book, once the red coloring is used, it signifies a change. It also announces the Rooks hovering overhead and where they connect to the shift in moments. The book is detailed with emotion and striking visuals. It has a great deal going on but paced enough where nothing feels out of place. The final panel brings the book to a screeching halt but leaves no doubt for things to come.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

FINAL POINT: 8 OUT OF 10

Powerful imagery bolsters the strong writing debut of Harding for a love story unlike any other. Blending the worlds of horror and hope, the story of Ravenscar and Seraphina takes readers into many directions before leaving a terrifying note as to what the future holds.

Hit me up on ODPH social media and let me know your thoughts on Parliament of Rooks #1. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

DUCK AND COVER #2 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are following along one of the latest Scott Snyder stories on the Comixology Originals line! In case anyone has been missing out on the Best Jackett Press imprint, the next wave of books are hitting the digital shop with “By a Thread” and the next chapter in a story based in the 1950’s.

DUCK AND COVER #2 by Snyder, Rafael Albuquerque, Marcelo Maiolo and Bernardo Brice leads readers on an epic journey into sci-fi and mystery. Let’s not wait another second and head into breaking down this chapter!

DUCK AND COVER #2 - SCOTT SNYDER, Rafael Albuquerque, Marcelo Maiolo and Bernardo Brice (CREDIT: Comixology Originals via Best Jackett Press and Stout Club)

*** POSSIBLE SPOILER WARNING *** LAST ISSUE REVIEW

Del Reeves never thought in his wildest dreams the world around him would change so much. After the fallout at a drive-in theatre fight, Del and others involved with the fight get caught in a bomb blast at “Daytension”. Once they come to, the kids witness first hand how much has changed!

This chapter begins with Pugg Lansky having a flashback to an incident with his father. Lansky is the person responsible for the fight at Del’s Drive-In Movie. Snapping back to the present storyline and Pugg’s head is reattached to a new body. It is a gripping scene that reminds all that not everything will have a happy ending.

Meanwhile the remaining survivors assess what has happened to their world. However, they don’t have time as they’re ambushed but some mutated creatures. Del quickly sees that the radio station is near by. A plan is made and the group braves the harsh environment. The group arrives but not with ease. Luckily, the DJ known as Popscile blares loud music to be a distraction.

Readers quickly learn that more has happened to this world than anyone knows. What secrets are found? What dangers lie ahead. The New World Status dives into the unknown as the closing moments build towards a shocking final page. After witnessing the visual, it will be difficult to patiently wait for the next chapter. There’s many things to like with this story.

Snyder keeps readers guessing with where the story heads now. The group of survivors have an uneasiness to their actions as they process what has happened. Being caught up in a letteral unstable environment pushes their limits. Snyder showcases how they are not ready for what lies ahead. The sense of fear and doubt haunt this group/ That said, a quick easter egg is dropped later in this issue that can only add to more distrust. This builds to the final page where the story bookends perfectly from where it started here.

Albuquerque and Maiolo waste no time blending in various elements to this story. From the opening flashback to the current state of Pugg, the art team leaves no doubt on the beginning of the story. There’s a subtle but excellent panel of how the survivors drive forward through a clear night sky via the coloring of panels. It gives readers a sense of calm before the script ramps up the speed. The latter half of the book may catch some off-guard but it plays into the essence of this thrilling sci-fi tale.

FINAL POINT: 9 OUT OF 10

The sharp writing of Snyder blends with Albuquerque’s creative visuals to give readers an engaging chapter to an already impressive story. The elements of mystery and horror challenge Del and the survivors to new levels. This leads readers to be clamoring for the next chapter whenever its’ hitting the digital shop next.

Hit me up on ODPH social media and let me know your thoughts on Duck and Cover #2. Thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

THE DEVIL THAT WEARS MY FACE #1 (MAD CAVE STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a brand new horror series from Mad Cave Studios! Being the start of October, it’s the perfect time to release this to comic book readers. That said, it’s also a challenge to stand out amongst the related theme tales at the local comic shop. Considering the creative team behind this, standing out and grabbing fans’ attention won’t be a problem.

THE DEVIL THAT WEARS MY FACE #1 by DAVID PEOPOSE (Savage Avengers, Spencer and Locke), Alex Cormack and Justin Birch present a multi-layered story that is a lock to win over fans no matter what their fandom is. Let’s take a closer look and see what is being unleashed to the masses here, shall we?

Editor Note: Some of the artwork reflects the tones of the Mature readers theme in the book. Viewing discression is advised.

THE DEVIL THAT WEARS MY FACE #1 by DAVID PEOPOSE (Savage Avengers, Spencer and Locke), Alex Cormack and Justin Birch (Credit: MAD CAVE STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The year is 1740. Hugo Izan and a woman are talking as they watch over a cell. They are wondering how Father Mattias is doing as he is locked inside with something sinister. As the holy man tries to help the poor soul locked inside, he soon realizes that things are much more evil inside these walls than he could ever imagine.

With a terrifying voice and glowing red eyes, Hugo’s son Santiago, stares back at Father Mattias with evil intentions. With thunderous noise, the pair outside the door brace for the worse What they see even tops their wildest notions. Father Mattias has been brutally murdered. The man behind the killing is shackled to the wall, but this is no ordinary man. He is possessed by a devil named Legion.

In Rome, Father Franco Vieri is talking inside a confession booth. Readers witness Vieri’s portrayal of confronting a possessed soul. This ultimately leads him to accepting an offer to try succeeding where others have failed: save Santiago.

What will Vieri find when he arrives at the scene? Can he pull off what so many others have failed at. Readers brace for a journey as they watch as Vieri crosses paths with pure evil. Just when it seems to all fall into place, there are quite the surprises heading into the final pages. Once the last page is seen, there is no doubt that this will be a story that simply can not be passed up on.

Pepose stretches out the themes of the story to truly make this tale stand out. The beginning of the story gives enough clues to the readers to sense the danger looming. Once Veiri enters the mix, Pepose does an excellent job building him up to the audience. Vieri approaches the situation with new eyes but the writing reflects the mood of fear and anxiousness.

The pacing gives the overall conflict time to grow and is an easy follow for the readers. The final page will be what fans talk most about here and with Pepose at the helm, the surprises are just beginning.

Cormack brings a gritty and dark style to the story. The introduction to Legion was haunting and build a solid foundation. Excellent full page shot of Legion and Father Mattias depicting the evil at hand. Veiri’s beginning created a noteworthy impression right from the start.

This adds more emotions to what eventually transpires with Vieri once he initially encounters Legion. The closing half of the book delivers on a strong visual confrontation that fans won’t want to miss. Fantastic final full page to let any doubt disappear. The story is far from over.

FINAL GRADE: 9.5 OUT OF 10

With Pepose’s sharp writing blended with Cormack’s haunting art, the ideas one would have about not doing an “exorcist” story in this time period quickly disappear. Combining action, drama plus the overall feel of horror and fans simply won’t be ready for what this issue and series is going to be bringing on New Comic Book Day. You don’t want to miss this one.

Hit me up on ODPH Podcast social media and let me know your thoughts on The Devil Who Wears My Face #1. Thanks for reading.

GRIM #13 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a series that transcends comics. Since its’ debut, GRIM from Boom! Studios has been more than just “reading a comic”. It literally has been an experience and vibe all its’ own. With unique visuals and an ever-engaging story, the life and times of a reaper and her friends have never been more featured in such a stand-out way. Now on its’ third arc, all bets are off on how Jessica Harrow gets out of the latest situation she finds herself in.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano breaks away from the main story to focus on a dive into one character’s personal hell (literally). Let’s not waste another moment and jump into this incredible series, shall we?

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Since readers have been introduced to Jessica Harrow, they have bared witness to danger following her at every moment. From an initial runaway soul transfer to finding out she is the daughter of Death, “It’s Complicated” is arguably the easiest way to describe her life. Along for the ride are two friends: Eddie and Marcel.

In the current arc, Jessica was betrayed by Annabel, a fellow reaper to Adira, the current reigning figure of the afterlife. Adira is also Jessica’s aunt. Annabel has had ulterior motives for what she does. Working a deal with Kelly (a devil), Annabel uses Marcel’s soul as payment. Feeling the pressure of her plans caving in, Adira tries pleading with Jessica to assist her in a surprise twist. However, Jessica has never lost sight that Marcel is gone because of her scheming.

This issue finally catches readers up to what happened to Marcel as Kelly sent him to hell (literally). The story begins with an “Act 1: Creation” introduction like a play. A narrator speaks in French to let the audience know the back story. Suddenly, the story lands in France 1898.

Marcel and his lover Henri are in the Cabaret watching the narrator. The couple’s playful banter camouflages the situation at hand. Henri pleads his case with Marcel until they wind up on stage in-front of the crowd. The scene turns quickly as Marcel is confronted with questions if he is an angel or devil? While trying to escape the mob, the breaking of Marcel has begun with haunting questions.

What level of Hell has Marcel wound up in? Readers quickly see that Marcel is being forced to relive his past mistakes along the way down. The mood is brooding and at times, Marcel becomes shaken at what he is witnessing. There are more acts to follow until the final destination is hit but is it truly the end? There is much to break down in this emotional issue.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios) Cover: Zu Orzu

Phillips pens a tale of self-exploration, forcing Marcel into uncomfortable territory. Due to the tragic way things ended with his lover previously, the writing reflects that pain. The pacing takes Marcel’s decent into personal hell slowly enough that readers can feel the torment.

The conversations of Henri and Marcel vary from playful to anger with more in-between. Once the final act starts, the tension built unloads into a boiling point. Its’ resolution concludes the issue on an intriguing note as to where things go from here.

Flaviano and Renzi construct the visuals in another standout way. Marking the acts in Full Page Panels let readers know what level Marcus was descending into. The coloring inside the Cabaret gave a distinct feel as Henri and Marcel’s banter took the chapter into a noteworthy direction.

This is mixed in with strong images ranging from a frightening end to the middle act while raising the emotional tension between the two in the final act. The closing panel poses some questions but completes the torturous journey for now.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios) Cover: Cully Hamner

FINAL POINT: 9 OUT OF 10

The descent into personal Hell makes a lasting impression in the pages of Boom! Studios’ hit series. Phillips presents the emotional turmoil of a tortured soul with the always impressive visuals of Flaviano, giving this series a feel and look like no one else. There is no excuse to pass on this issue on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Grim #13! Thanks for reading!

HOUSE OF SLAUGHTER #17 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re returning to the spin-off series stemming from Boom! Studios’ Something is Killing the Children. With House Of Slaughter, the spotlight is shinning on a specific character of the SIKTC. All the previous tales have been excellent reads, following the “slow burn” drama method fans have come to know and admire. With a brand new arc just beginning, the focus is on Bait, the White Mask with no arms.

House Of Slaughter #17 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera continues the tale of “Alabaster”. Let’s take a closer look and see how the story is progressing, shall we?

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Erie, Pennsylvania is the home of the latest mission involving the secret Order of St. George. With at least 14 dead in a small town, Bait has been sent undercover into a foster home to start investigating what is the cause of these killings. The move might be one that other younger members of the order question, but there s much more to this White Mask than anyone realizes.

This issue opens up with Bait waking up in his new surroundings. Making his way down the stairs, the foster house residents are all waiting. The meeting becomes a touch awkward with Bait keeping his emotions in check. Even with a playful welcome is given, Bait is thinking of taking out his “greeter”.

Things shift gears as another member of the house catches Bait’s attention: Nannette. Bait is distracted by her presence but regroups to focus on the mission at hand. Someone in the house is connected to the case. Someone is going to be exposed.

Readers see Bait go into action. What does he encounter in his travels? Why is he so infatuated in Nan? There are many questions laid out as small clues are revealed to the overall picture coming into view.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Werther Dell’Edera)

Johns delves into Bait’s character for quite a few standout moments. The interactions meeting the house residents plays into his mysteriousness. It isn’t until Nan makes her appearance that Bait gives any inkling of emotion. The lone action sequence adds more fuel on that building fire of Bait’s true feelings.

Johns mixes in well-placed breaks to have readers guessing as to what’s a flashback or a dream. The slow pacing gives the character moments time to breathe and build up to a memorable parting page. It’s a great send off and one that looks to be one Bait might not be ready to handle.

Cadonici and Segala mix the moods of the story with perfect use of coloring. The blue shading of Bait’s “greeting” inside the house makes for a solid connection to the readers. Whenever Nan appears, the lighting shifts to an orange-red glow some would think is Bait’s emotions reflecting to the readers.

The action portions play out fast-moving and capped with a great two page flowing spread. The closing images are subtle in comparison but leave nothing behind heading into the story’s next phase.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Raul Allen)

FINAL POINT: 8 OUT OF 10

The latest chapter of “Alabaster” keeps reader’s attention with excellent storytelling. Johns’ writing starts peeling back the layers of Bait’s character while the art team mixes in different coloring to lead the readers into the many levels of the mysterious White Mask. Don’t miss this book on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #17. Thanks for reading.

KILL YOUR DARLINGS #1 (IMAGE COMICS)

Welcome to an all new edition of Parlay Points, the comic boom review blog to the ODPH podcast!

For this edition, we’re checking out a new series coming out from Image Comics by way of KLC Press. The imprint has been making some noise as of late with series like Vanish and The Schlub winning over fans at the comic shops. Now, the latest series from this line is ready to make its debut.

KILL YOUR DARLINGS #1 by ETHAN S. PARKER, GRIFFIN SHERIDAN, BOB QUINN and JOHN J. HILL looks to keep the hot streak of hit series going. Let’s take a deeper dive into this premier issue, shall we?

KILL YOUR DARLINGS #1 by ETHAN S. PARKER, GRIFFIN SHERIDAN, BOB QUINN and JOHN J. HILL (Credit: Image Comics)

*** POSSIBLE SPOILER WARNING ***

The story begins in 1692. A young girl is tied to a stake, pleading for her life. The mob watching isn’t welcoming the idea. Readers look on as the girl’s pleads fall on deaf ears as the stage is hit on fire.

The story shifts gears to a brighter time with an army of armored animals ready to brace for the fight ahead. They are addressing their queen, who is fully prepared to lead her troops into battle. As she unsheathes her blade, the time period jumps to 1995 where an eight year old girl named Rose is playing with her stuffed animals. Her “quest” leads her to where her mother is handling bills. Rose asks her mother to join in on her “fight” but real-world problems are taking a higher precedent.

As the battle winds up and Rose returns home from school the next day, she’s looking to play again. However, there is nothing giving a happy vibe to Rose’s world on this day. Something happens this go-around that no one is expecting. Rose is transported into her fantasy realm. This trip, things have gone very grim.

What happened to “The Kingdom Of Rosewood”? How does Rose handle this latest threat? The journey just begins as the lines blur between imagination and reality. Even when the story starts taking off, the final pages leave no room for mis-interpretations as the mystery begins to change directions before it starts.

KILL YOUR DARLINGS #1 by ETHAN S. PARKER, GRIFFIN SHERIDAN, BOB QUINN and JOHN J. HILL (Credit: Image Comics)

KILL YOUR DARLINGS #1 by ETHAN S. PARKER, GRIFFIN SHERIDAN, BOB QUINN and JOHN J. HILL (Credit: Image Comics)

Parker and Sheridan weave quite the engaging tale with this debut issue. The pacing gives enough balance to where Rose’s worlds of reality and fantasy can make their marks while keeping readers guessing. The book kicks into high gear with the actions of one fateful night.

At that point, the writing duo play into the fairytale aspects with the “big bad” slowly making their Prescence felt. One can guess this ties into the beginning moments but (as with every great story), readers will have to wait and see the connection there. The closing moments give a chilling close to what is sure to be a saga like no other.

Quinn and Hill balance the light hearted imagination moments with the dark and brooding panels with ease. The team constructs an imaginative world that conceals the dangers lying ahead. Once the moment where Rose sees her “kingdom” come crashing around her, the art takes a swift change in tone to reflect the growing terrors unfolding.

The prime examples of this are Rose’s drawings. With the use of full page panels, the truth of her world have turned grim and violent. The art builds the heightened fear up and adds more to the shocking final page. It’s very creative in set-up and fans will be impressed with what they see.

KILL YOUR DARLINGS #1 by ETHAN S. PARKER, GRIFFIN SHERIDAN, BOB QUINN and JOHN J. HILL (Credit: Image Comics)

KILL YOUR DARLINGS #1 by ETHAN S. PARKER, GRIFFIN SHERIDAN, BOB QUINN and JOHN J. HILL (Credit: Image Comics)

FINAL POINT: 9 OUT OF 10

For fans of fantasy mixed with a touch of horror, the latest series coming out of KLC Press and Image Comics is one to check out. Excellent writing and creative imagery usher in a story that will question the line between dreams and nightmares. You won’t want to miss this on New Comic Book Day!

Hit me up on ODPH Social media and let me know your thoughts about Kill Your Darlings #1. Thanks for reading!

BOOK OF EVIL #4 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we have reached the conclusion of a mesmerizing story from Best Jackett Press, home of the Scott Snyder line of books for Comixology Originals. Since it’s debut with We Have Demons (w/art from Greg Capullo), the line has been a fan favorite for both digital and print readers.

Debuting for Comixology then transitioning to the local comic shops via Dark Horse Comics, The line has produced hit series such as Clear (w/ Francis Manupal), Night Of The Ghoul (w/ Francesco Francavilla), Canary (w/ Dan Panosian) and the Eisner winning Barnstormers (w/ Tula Lotay) to name a few. With a new phase of series about to start, the second wave of books near completion of their current runs,

One of those finales is Book Of Evil from Synder, Jock and Emma Price. The nightmare landscape prepares to unveil Homer and his friends’ fate with issue #4. Let’s see how the coming of age story completes its’ run, shall we?

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

*** POSSIBLE SPOILER WARNING ***

A 12 yr old boy named Homer is an “animal”. At least that is what society has defined him as. In the 1960’s, children were demonstrating behavior cyphered as “psychopathic” once they reached 14-16 yrs old. Only 8% have not changed and are deemed “animals” or less than human.

Homer doesn’t have the easiest life. “Humans” are making his days miserable. When his brother Poe goes missing, Homer takes action. With his friends Blake, Milton and Elliot, Homer sets out to find out where his brother is and fearing the worst. Finding his brother isn’t Homer’s only goal. A cartoon written by E. C. Happ known as “The Book Of Evil” might hold the clues on how to find Happ and possibly end this hellish period of humanity once and for all.

Their journey has led them right into danger’s doorway. From a group known as “Shepards”, with a human Poe in tow to a new colony of “ghosts”, Homer has encountered terrors no one his age should ever cross. With the Shepards in pursuit, it looks like Homer and company might catch a break. It appears they have finally tracked down the location of E.C. Happ!

The finale begins with Homer narrating the history of “The Book Of Evil”. Readers find out about the 610 chapters/installments of the cartoon. The chapters center around the Goode Brothers as they embark on trying to fix the crisis of “humans”. The words paint a bleak picture of what they are enduring with a cartoonish feel.

From this point, the story jumps to Homer and his friends breaking a latch to enter an area that they have only dreamt of. The group has made it to Fort Goode. As they walk into the refuge of their hope, they see a fireplace lit with food on a table. The group is scared to think who is here. The fears are put to ease as a voice makes their Prescence known. The voice belongs to E.C. Happ!

The conversation Homer has been waiting to have finally arrives! Is there hope in the hopeless world? Readers find out that the answer is not so easy. The complexity of the situation brings out many emotions from the group. Happ’s breakdown of the world is one that will catch some off-guard. Will Homer accept the information or fight back?

The closing arc will provide a fitting and satisfying end to a story that keeps tugging at emotional heartstrings. Events speed up long enough to catch readers not expecting certain outcomes. A well-crafted final page ties up what has been an excellent read to dive into.

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

Snyder poses a great question in this finale issue: Is a dream worth it if it was only a dream? The differing views of Happ and Homer bring this to light as their interactions play off as strong segments. The viewpoints of an “animal” will clash with someone who sees the world through different eyes. Snyder challenges the readers with whose argument is stronger. There are great surprises brought out for the finale which readers can’t help but feel. This builds into a fast-moving final act as time becomes a factor for all involved. The closing moments will hit their marks and leave a lasting impression. The series has been an intense read and the finale never falters driving that home in the closing moments. Another excellent story from Snyder and this line of books!

The look and panel structure of this series has been very different than other comics at the local comic shops. That said, when Jock drops a visual in this series, it is not to be missed. The initial introduction to Fort Goode jumps out with the use of coloring showing the fireplace and table of food. This is matched with a full page shot late in the book to hit readers with a strong emotional visual before bringing the story to an end.

The usage of colors makes another prime case of creativity later in the issue. When red and yellow hits the pages here, it represents more than the usual danger at hand. Emma Price deserves to be acknowledged for her format presentation in this series as well. This is not your average comic. Book Of Evil comes across as a journal into growing up more than what some might expect. It stands on its’ own and won’t be soon forgotten.

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

Book Of Evil #4 from Scott Snyder, Jock and Emma Price (credit: Comixology originals via Best Jackett Press)

FINAL POINT: 9.5 OUT OF 10

Homer’s odyssey comes to a thrilling and heart-breaking end within the pages of Best Jackett Press’s latest hit. Snyder, Jock and Price give readers superb writing with haunting visuals to bring the curtain down on what has been a chilling tale of hope and hurt. Make a point to pick this up digitally or in print when it drops in at the local comic shops.

Hit me up on ODPH social media and let me know your thoughts on Book Of Evil #4. Thanks for reading.

KNIGHT TERRORS #4 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, we’re continuing to follow the terror encompassing the DC Comics Universe. During their “Dawn Of DC” storyline, “Knight Terrors” has snuck up on the DC heroes, putting them in an endless nightmare landscape. With the crossover coming to a close soon, all bets are off on how the DC Universe survives.

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri takes DC’s last standing defenders head on into the heart of the danger. Let’s see how the latest events unfold, shall we?

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteriv (Credit: DC COMICS - Cover: Ivan Reis)

*** POSSIBLE SPOILER WARNING ***

With the world put in an endless slumber, Insomnia has unleashed an evil in the DC Universe unlike anything else witnessed. The forces of good are trapped fighting their own personal demons. Who is left standing is a trio of heroes that have the fate of the world on their shoulders.

DEADMAN (who is currently possessing Batman’s body), Wesley Dodds (the re-incarnated Golden Age Sandman) and Damian Wayne are the trio of heroes left standing (and awake) to save the day. Last issue, the group heads to the House Of Horrors for the Nightmare Stone, the key to ending this ordeal. In Deadman’s possession, things seem to be looking up but is he really in control or has Insomnia been manipulating them all along?

This issue opens up with Deadman addressing the readers eluding to the story isn’t going to have a happy ending. The trio of Heroes make their way to Arkham Tower in search of Insomnia, whose body is inside. Deadman claims the stone is telling him to steal Insomina’s power. The group heads inside, not knowing what to expect.

The building is clean and unphased by the event. As they progress, Damien is confronted by Batman, who praises what his son has done. Knowing something is off, Damian stabs him! Damian snaps back to the present and its’ revealed he is now starting to fall asleep. The trio finds Insomnia and Deadman leads the charge to end things once and for all.

What happens when he uses the stone to steal Insomnia’s powers? Readers bare witness as Deadman takes the lead with one last shot to save the day. Can he do the impossible? What happens if he fails? The events start becoming clear as secrets are revealed with a shocking play made that alters the course of the story. The closing moments will have readers talking as the final chapter appears to be at hand.

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteriv (Credit: DC COMICS - Cover: Casper Wijngaard)

Williamson speeds things up to brace readers for the upcoming conclusion with this issue. The segments with Robin give a small break to the overall theme. Readers can sense Damian’s closed emotions start peeking out when Batman speaks with him. However, this story has been all about Deadman. With his venture to end this nightmares, he becomes challenged with a truth that he is not expecting. The flashback moment hear translates to the readers about another layer to Insomnia’s character. It plays strong into the set-up for the final act. With what lies ahead, fans can expect a big ending as the major players are set in place to face off.

Camuncoli, Nesi, and Wijngaard keep the chilling feel throughout this issue. The time in Arkham Tower sets up like a true horror movie. The expressions of “Batman” plays into Damian’s fears very good to progress his story. Insomnia’s body made for a strong visual to express the terrors at hand. The flashback points hit their marks as Insomnia’s motives become clearer to a degree. It’s capped off with a solid two page spread late, leading readers into the final stage of the crossover.

KNIGHT TERRORS #4 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteriv (Credit: DC COMICS - Cover: Darick Robertson)

FINAL POINT: 8 OUT OF 10

Insomnia’s final play makes for an engaging issue to send readers into the upcoming finale of DC Comics’ massive crossover event. Williamson, Camuncoli, and the team give the major villain some definition to his character as the closing chapter is about to begin. Keep an eye out for this issue on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Knight Terrors #4. Thanks for reading

HORUS IN HELL #1 (SOURCE POINT PRESS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this edition, we are checking out the phenomenon that took Kickstarter by storm just a few weeks ago. The team behind the smash indie hit Pocus Hocus has spun off one of its most popular characters into his own series. With Pocus now hitting the comic shops later this year, the little universe being built here has fans excited to see what is coming next.

HORUS IN HELL #1 BY Allen Dunford and Will Radford (Pocus Hocus, Grandma Chainsaw), Kit Wallis (Good Boy), AND Letters by Dave Lentz swings for the fences with its’ explosive debut. Let’s take a closer look and see how events unfold from here, shall we?

HORUS IN HELL #1 BY Allen Dunford and Will Radford (Pocus Hocus, Grandma Chainsaw), Kit Wallis (Good Boy), AND Letters by Dave lentz - Credit: Source Point Press

POCUS HOCUS #1 - FOC AUGUST 13TH - ORDER NOW

*** POSSIBLE SPOILER WARNING ***

The story begins as a normal night on the job with Pocus Hocus doing what he does best. Powered by the strength of “beverages”, Pocus does a trick pulling Horus out of his ear. With the crowd raving in applause, someone is not happy with the current situation. That is Horus.

Readers are taken on a flashback to Horus’ time in Hell’s army. As a respected warrior, Horus’ reputation spoke volumes in the battle between Angels and Demons. The action is not for the squeamish as Horus takes down his enemies in ruthless fashion.

During one of these battles, Horus is on the losing end to a powerful angel. Fearing the end is here, Horus braces to certain doom. However “Demonic” intervention happens in his eyes as a fist crushes the angel. Thinking this is a sign from below(?), Horus embraces the save. Quickly, his dreams are crushed as he sees who’s hand made the save. Horus becomes part of the act as Pocus Hocus pulls him from his magic hat to an audience.

After a random show later, Emily (Pocus’s assistant) has Horus promise he will look after Pocus. He agrees, but little does he realize what he’s in for.

What kind of trouble does Pocus get everyone in this time? Can Horus rise to the challenge at hand? And if he does, is Horus ready for the next chapter in his story to be told? Readers bare witness to Horus doing what he does best: Mayhem and Malice.

However, this time, it appears Horus has bitten off more than he can choose as the closing arc sets him on an unforeseen direction which can only lead to more of what fans crave when they see the rampaging rabbit on the loose!

HORUS IN HELL #1 BY Allen Dunford and Will Radford (Pocus Hocus, Grandma Chainsaw), Kit Wallis (Good Boy), AND Letters by Dave lentz - Credit: Source Point Press

Dunford and Radford strike again with their one-two combination of dark humor and destruction. On the surface, Horus looks the part of Pocus’ sidekick. Once this story gets rolling, readers quickly pick up on how there is more layers to this character than a magic prop. The backstory of his days in Hell instantly build a foundation of how vastly wrong fans might be about Horus.

Seeing his past and ruthlessness in combat easily wins over readers. Once the middle act begins, it is business as usual with Horus. There’s a great sequence where Horus is called a “bunny” which sparks a berzerker rage like Wolverine in him. It is playful moments like this which balance out the wild action.

The final act throws a new factor into the mix which is sure to add more heat to the drama. The story moves briskly but at a speed that you can sense how Horus is ready for what lies ahead and whoever is in his way is not ready.

Wallis is the perfect artist for this story. His style is tailor made for this book. The action scenes pay off as brutal as a fight between Heaven and Hell’s warriors would. There is an excellent full page image of Horus standing in the middle of the page while the fighting is happening in small panels around him. The facial expressions made hit a home run as most rely solely on how readers can watch Horus’ eyes as events unfold. This all leads to a strong final full page image knowing what happens next is going to a one hell of a sight to be seen.

HORUS IN HELL #1 BY Allen Dunford and Will Radford (Pocus Hocus, Grandma Chainsaw), Kit Wallis (Good Boy), AND Letters by Dave lentz - Credit: Source Point Press

FINAL POINT: 8.5 OUT OF 10

The spin-off title from Pocus Hocus does not mis-step bringing one of its’ most beloved characters into the spotlight. Radford, Dunford, Wallis and Lentz brings Horus “road back to Hell with good intentions” as they combine the brutality with brilliant banter to make for an undeniable debut.

Make sure to check this out (and also pre-order Pocus Hocus) if you’re looking for the next big thing in indie comics to be added to your collection.

Hit me up on ODPH social media and let me know your thoughts on Horus in Hell #1. Thanks for reading.

KNIGHT TERRORS #3 (DC COMICS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the flagship title of DC Comics’ monster crossover of 2023! What happens when the DC Universe keeps living in an endless nightmare? Readers are quickly finding out in the pages of Knight Terrors and its’ companion stories. Issue #3 by Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri pushes the attack of Insomnia forward with an unlikely pair getting a much needed assist.

Let’s take a deeper dive into what’s happening now, shall we?

Knight Terrors #3 - Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri (Credit: DC COMICS)

*** POSSIBLE SPOILER WARNING ***

When a mysterious foe named Insomnia takes out longtime JLA foe Dr. Destiny in the Hall Of Justice, the trinity of the DCU (Superman, Batman and Wonder Woman) are challenged like never before. With the world put to sleep and cast into their own personal nightmares, things look very grim for both heroes and villains alike. There are only a few heroes left awake to fight back. One of which might be the key to ending the terror: DEADMAN, the body possessing spirit!

With Insomnia’s Sleepless Knights in hot pursuit for the Nightmare Stone, Deadman (who’s possessing Batman) involves an unlikely ally to help with the case. Wesley Dodds, the Golden Age Sandman has been brought from the dead to help with this battle. One is a spirit. The other is a zombie reincarnate. How does the pair survive the latest onslaught?

This issue opens up with Deadman giving a monologue to the readers in theatrical fashion. His grab looks that of Shakespearian times. In the present, “DeadBat” and Sandman are fending off some of the Sleepless Knights. As the pair looks to be overwhelmed, Robin (Damian Wayne) enters the fray, swinging his sword! Deadman speaks of his interactions with Damian while readers see the young hero fight their way out of danger. This all leads to the Batplane making the save, lifting them to safety.

While on the ship, Damian forces Deadman to relinquish his possession of Batman. The trio try to assess what’s next. This leads Deadman to try connecting with Insomnia to find more information about his endgame.

What does he find when they connect? Readers see first hand how unhinged this antagonist has become. With a flashback sequence that will send chills after reading, there appears to be a lead into where the Stone may be.

Where does the journey go from here? What are the trio willing to do to stop Insomnia? Readers see the dangers the heroes are prepared to cross to end this terror once and for all. Insomnia isn’t going down without a fight. This makes for an interesting dynamic as the closing attack raises the stakes. This all leads to an ending page that will leave some with questions heading into the next chapter.

Knight Terrors #3 - Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri (Credit: DC COMICS, Cover: Francesco Mattina)

Knight Terrors #3 - Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri (Credit: DC COMICS, cover : Giuseppe Camuncoli)

First off, Williamson deserves all the praise for making Deadman the center of this story. The one-liners and banter with Damian (and Batman previously) have been fantastic. The pairing with Dodds works on various levels. Having another detective on the case brings a new perspective to the events unfolding.

Dodds has a whole vibe all his own (even in zombie form). This becomes evident in how things build into the final act. Williamson shows how Dodds plan has a certain confidence to it without coming across arrogantly. Pacing keeps things moving at a brisk pace but takes nothing away from the events playing out. The final page is a fitting close to what became an intriguing mix of characters and personalities.

Camuncoli, Nesi, and Wijngaard keep the horror aspects blended in with the action sequences for this chapter. The Damian Wayne full page panel introduction is a visual that will jump right off the page. It is preceded by an excellent two page spread building to that moment.

The dream/flashback sequence in Insomnia’s mind is another noteworthy portion of the story. The coloring gives these panels a somber feel as readers witness how troubled the villain has been. The third act moves at a quick pace but the team leaves no doubt that the story has much further to go. With a strong ending visual, fans will have much to ponder until the next chapter.

Knight Terrors #3 - Joshua Williamson, Giuseppe Camuncoli, Stefano Nesi, Casper Wijngaard, Frank Martin and Troy Peteri (Credit: DC COMICS - Cover: Christian Duce)

FINAL POINT: 8 OUT OF 10

The latest installment of DC Comics’ horror-infused nightmare leaves fans wide awake with some impactful events to process. Williamson, Camuncoli, and the team deliver a solid companion piece to the larger story unfolding across the DCU. Keep an eye out for this on New Comic Book Day!

Hit me up on ODPH social media and let me know what you thought of Knight Terrors #3. Thanks for reading!

GRIM #12 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this edition, the coolest book at the LCS has returned for another arc via BOOM! Studios. The story of Jessica Harrow came back with a big return last month. Now with things looking very dire, an unexpected offer was made that could literally change everything.

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano ushers in the next chapter of the latest story. Let’s take a closer look and see what’s going on, shall we?

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING *** PREVIOUS ISSUE REVIEW

Currently, life for Jessica Harrow isn’t exactly going all so well. After a series of events following the deadly battle between The End and Death, people stopped dying. This lead to the Reaper’s powers starting to fade.

With no Death, Adira (Current ruler of the Afterlife & Jessica’s aunt) has been trying to avoid an uprising from the reapers while eliminating the threat to her position as ruler. She made Jessica the prime target for blame. After an assistance from Annabel (a reaper with ambitions of her own), Adira has imprisoned Jessica and fellow reaper Eddie.

However, “The enemy of my enemy is my friend” has become Adira’s motto now. Annabel is trying to unleash an evil as payment for betraying Jessica and using Jessica’s friend Marcel’s soul as payment to Kelly (a devil). With the pressure rising, Adira visits the pair in their prison and does the unthinkable. Adira is willing to give Jessica Death’s Scythe to handle this looming issue.

Meanwhile, Jessica’s human mother Lilah has escaped prison and is being courted by Life, who wants an amulet in Lilah’s possession. Offering the world hasn’t been enough so far, but he is determined to get it.

This issue starts with a flashback to the initial encounter between Death and Lilah. readers witness how Lilah’s past caught up with her and changed her future forever. Fast forward to the present and Life makes another play for Lilah’s amulet. Just when he thinks he’s got it locked up, Lilah turns the tables on him.

At this same moment, Adira pleads her case to Jessica. During the conversation, something happens with the sycthe that no one sees coming!

What happens now? Will Jessica take the deal? Can Lilah continue to deny Life? There is much more to process as the story heads into a new direction that will eave fans guessing at what is about to unfold!

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

BREAKDOWN: Phillips devotes a big portion into Lilah’s story. Seeing the initial encounter between her and Death starts putting together pieces to the larger puzzle at hand. The interactions with Life prove there is more going on with her than she is letting known. Since her introduction, she has been a character shrouded in mystery. With this issues structure, readers can start building a strong reaction to her.

Jessica’s current situation is another great swerve to the story at hand. The tension between her and arguably the book’s best character Adira continues to lock readers in. The endgame is very unclear with Adira and that’s nothing but win for fans. Seeing where Jessica ends up by this issue’s conclusion will keep things exciting until the next issue hits. One guarantee with this series is to always expect the unexpected.

Flaviano and Renzi make a big splash with the art for this issue. The moment that Lilah is shot, the perspective from seeing it through her eyes is a unique visual that readers will feel as the story plays out. The biggest image that will “WOW” readers is a moment with Jessica that gives more clarity about the destiny she is running from. It is a full page panel that screams in volumes! The final act is anothe rvisual hit. Where Jessica lands up and who/what she encounters makes a bold statement with an excellent backdrop. With this series, the art is a sure-fire win each time out.

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

FINAL POINT: 8.5 OUT of 10

The latest installment of Comics’ favorite reaper dives head-first into the power struggle of the afterlife with a can’t miss issue. Phillips’ excellent writing is complemented by the always impressive art of Flaviano to showcase the dangers unfolding not just for Jessica, but her mother as well. There’s a reason why this is comics’ coolest series at the LCS on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Grim #12. Thanks for reading!