BATMAN/SUPERMAN : WORLD'S FINEST #37 (DC COMICS)

The Floronic Man has the Underseas kingdoms on the brink of War. Batman and Robin played their ace card and failed. Swamp Thing struggled to stop the dangerous villain. Aquaman is tied up with King Ronal. Superman has reconnected with Lori Lemuris but what did he just do!

BATMAN/SUPERMAN: WORLD’S FINEST #37 by Mark Waid, Adrián Gutiérrez, Matt Herms and Steve Wands (DC Comics) concludes this classic underseas adventure.

Let’s take a deeper dive as to where things stand now.

BATMAN/SUPERMAN: WORLD’S FINEST #37 by Mark Waid, Adrián Gutiérrez, Matt Herms and Steve Wands (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid caps off a thrilling challenge while putting moments in perspective. Lori’s kiss of Superman is an attempt to draw some attention towards her loneliness. The writing makes The Floronic Man a truly dangerous threat. Seeing how he handles Swamp Thing in his element makes an impression. It draws upon a King’s wisdom to straighten out any glimmer of hope.

Aquaman proves to be the star of this issue. His conversation with Ronal helps navigate the losing scenario. The dialogue hits many points before launching into a showdown. Readers watch as the heroes united front brings forth much vintage superhero excitement. The close also gives Ronal and Lori a proper ending. Knowing how the pressures of royalty go, readers see how they handle their issues. It leaves events in a great spot heading into next month’s event.

Gutiérrez and Herms open with an immediate reaction to Lois’s kiss of Superman. Emotions run high in the pages. It’s matched by the Floronic Man volley. A near full page splash brings the fight to the Dynamic Duo. The panels have an energetic feel as their standoff commences. It ends with a half panel of Swamp Thing making a stance. Readers see the small break coming before trekking to the finish.

Aquaman and Ronal’s meeting packs a sense of uncertainty with it. The mannerisms tell the struggle of their crowns. It resolves into the final play to stop Floronic Man. The art sets the stage with a haunting half page image. Panels ramp up with each blow. It comes to a head with a strong full page shot. This leads to an emotionally charged close. Seeing a couple work through their struggles will strike a chord with the readers. Events wrap up with a fun knod to the beginning chapter. This series doesn’t miss.

OVERALL GRADE: 8.7

The Floronic Man’s takeover of the deep seas concludes with a fantastic finish. Waid deals with many egos as the fight for good takes a dive. Gutiérrez and Herms construct phenomenal panels as the story ramps up on the action. Arguably the best superhero book at the LCS right now.

Let me know in the comments below your thoughts on BATMAN/SUPERMAN: WORLD’S FINEST #37. Thanks for reading!

THE NEW GODS #4 (DC COMICS)

On Earth, the powers of a god hide inside a young child. Is this child a savior or harbinger for death? This has drawn attention from HighFather. He sends Orion to deal with this potential threat. Mister Miracle and Big Barda seek to protect this child from the vicious warrior.

With Apokolips in a power void, the Nyctari strike. Their fight now shifts to New Genesis. Is this child a savior or harbinger for death? Suffice to say, there’s many moving parts involving Jack Kirby’s legendary characters.

The New Gods #4 by Ram V., Evan Cagle, Bernard Chang, Francesco Segala & Tom Napolitano prepare for battle with their latest chapter.

Let’s take a closer look at where things stand now.

*** POSSIBLE SPOILER WARNING ***

The plight of the Gods turns to violence for the majority of this chapter. Ram V. goes in on the frustrations of High-Father. The flashback sequence foreshadows the impending attack from the Nyctari. It shows the readers a very different HighFather than we’ve seen in this series. There is no long wait for business to pick up with conflict. One character stands head and shoulders amongst most in this sequence. Shadowfall steals this portion with a breakout moment of this chapter.

Back on Earth, the Frees have their hands full on many fronts. Protecting the child from humans is one thing. Stopping Orion is a whole other issue. There’s plenty to enjoy with this scrap. Its’ conclusion (for now) executes another domino to fall. This runs side-by-side with the battle of New Genesis. Heading into the closing act, Ram V. twists more burdens onto HighFather’s group. Once the final page appears, choices are made that can’t be taken back. The writing reflects the deep thought made for the heavy choice. It’s a strong finish until the battle resumes next chapter.

Chang takes the flashback staple for this issue. The panels burst with optimism. Seeing Highfather in an almost jovial state is a far cry from the present. Once the time jump happens with Cagle and company, war has been declared. Nyctari start with a near full page image. They had met and defeated by Shadowfall’s presence. The art gives her a distinct showcase of skill. It’s capped off by a superb full page image.

Earth’s battle is much smaller in comparison. Big Barda handling human attacks carries a strong sense to it. The difference between her and Mister Miracle’s more playful demeanor is very clear. Readers watch as he attempts to diffuse the tension. This disappears once Orion appears via half page image. Their action scenes pop due to Napolitano’s lettering.

Events shift back to New Genesis for a few epic pages. Cagle’ art truly crafts the brutality of war. It also leaves readers with a firm landing spot. Highfather makes a call that a half page image screams out. This whole issue had excellent art that readers will rave about.

OVERALL GRADE: 9.3

New Genesis is attacked! The New Gods unleash their wrath on the Nyctari but is it enough? Ram V.’s writing sets a fast pace driven by action. The mesmerizing art on display from Cagle and company will floor readers. That chapter will be one fans will be talking about.

Let me know in the comments below your thoughts on The New Gods #4. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #6 (DC COMICS)

A grizzled mentor. An upstart sidekick. In the early days, Bruce Wayne and Dick Grayson working together wasn’t perfect. An impulsive Robin decided to ignore orders to stay home. The result is his capture by General Grimaldi.

With a life hanging in the balance, Batman is about to show the crime world why you don’t cross this line.

BATMAN AND ROBIN: YEAR ONE #6 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles continues to take fans into the past with another chapter.

Let’s not wait any longer & head right into the issue.

BATMAN AND ROBIN: YEAR ONE #6 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Waid takes readers into the creation of the Bat Family. Seeing how Dick Grayson processes his new persona is quite delightful. The writing brings his youthful ignorance to the front. Even when Grimaldi starts pressuring him, Grayson never folds. It borderlines thinking this is a joke. Seeing this attitude unveiled gives more clarity into Batman’s over protective nature.

Knowing Grayson is his responsibility, Batman’s approach comes off with more edge. It’s telling of how aggressive he is when invading Grimaldi’s place. Even with a side distraction, Batman shows no doubt what his goals are. The end result is one that firmly cements a long standing notion of the pair. Both need each other. This leads into the strongest part of the book. A heart-to-heart in the Bat Cave dominates with emotion. Seeing both reactions to the others pleas is an instant smash. There’s no way to read that without a smile. The final pages set up the next round superbly. If ever a question of their dynamic, this series answers it.

Samnee and Lopes begin with a summary of Dick Grayson’s life. The panels capture key moments. They only add to Batman’s dire situation. Grayson’s game face throws Grimaldi for a challenge. The art drives home his doubt of danger. It’s telling of how confident Grayson is during his capture. His mentor doesn’t demonstrate that same opinion.

With a slow build, Batman’s distraction pops off the page. Cowles lettering amplifies this moment. It gives weight to Batman’s search. What he encounters will surprise readers. Even as a side obstacle, the art team depicts this challenge with seriousness. It carries some fun action moments, mirroring Grayson’s attitude. The result is a solid staircase ascent. With gripping dialogue, readers will be locked in. The feeling stays when back at the Batcave. Images give way to a more personal flare. Seeing both sides give in to their feelings is a great touch. It helps bring the chapter to a close. The final page throws a great tease in before departing. Another fantastic chapter to witness.

OVERALL GRADE: 9.4

The bond between the Dynamic Duo grows stronger through danger with this chapter. Waid’s writing brings out two different sides of the same coin. Samnee, Lopes and Cowles construct an excellent visit to the days of yesteryear. This whole series is a must read for any Batman and/or Robin fan.

Let me know in the comments below your thoughts on BATMAN AND ROBIN: YEAR ONE #6. Thanks for reading!

DETECTIVE COMICS #1095 (DC COMICS)

Asema’s grip over Gotham grows stronger. Bruce Wayne has been offered a chance at renewed youth. It appears as wayward teens are being mysteriously killed. All roads point to a dark time in the past. Have the sins of the Father struck down the son of Today?

DETECTIVE COMICS #1095 by Tom Taylor, Mikel Janin, Norm Rapmund, Alex Guimarães and Wes Abbott positions Batman in a collision course with a ghost from the past.

Let’s take a closer look at where things stand now.

*** POSSIBLE SPOILER WARNING ***

Taylor devotes the majority of the issue back to an early story point. The eerie connection between Thomas Wayne and Joe Chill is finally clarified for Batman. Using Leslie Thompkins as a conscience works to help Bruce through the news. The emotional wounds resurface. It puts Batman in a place readers rarely see. For being the one always two steps ahead, he’s far behind. This doesn’t help as he confronts his childhood fear.

There is never a shortage of tension in this meeting. The payoff ties up a loose end for a brief moment. Taylor throws in another curve before closing up this point. Readers get a quick Bat break with a fun Penguin/Vandal Savage moment. The one-upmanship is very evident. Its’ timing provides a perfect segway moment for the final pages. The writing shows Batman swinging big to draw out Asema. Its fallout brings an exciting cliffhanger for the murder/mystery. There’s no shortage of questions coming out from this chapter.

The art works off the brooding of Bruce Wayne to set pace. Seeing him working out and unshaven indicates the envelopes info hit its mark. Leslie Thompkins concerned nature shines in these panels. This all leads to a long awaited confrontation. Batman’s reactions to seeing Joe Chill remind readers that some scars never heal. It’s followed up by a near full page answer to the fear.

Each panel never lets up on the weight of the matter. Chill’s tense expressions are met with Batman’s cold demeanor. It leaves readers with a firm close to this moment. The story also pushes a surprise onto the pages with an excellent twist. Presentation-wise, it leaves readers guessing if that really happened. Penguin’s standoff with Savage constructs a unique duel. It’s shott lived but works. Janin escalates events quickly with the closing pages. The final page is a full shot indicating an unlikely ending to foil Batman’s big strike. This is a very solid issue with its’ art.

OVERALL GRADE: 9

Secrets of the past come to light in Batman’s latest case. Taylor delivers on a long awaited confrontation with the writing. Janin, Rapmund and Guimarães craft a steady dose of drama with each page. Judging by the close, the case or Batman is about to crack. Get ready for a big payoff from this chapter.

Let me know in the comments below your thoughts on Detective Comics #1095. Thanks for reading!

G.I. JOE #5 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Time has run out for G.I. Joe. On their heels from Cobra, Duke and the remaining squad are in the belly of the beast. They’re behind enemy lines. Destro is ready to handle business. Rock N’ Roll was the first Joe to fall. Are more of the team doomed the same fate?

G.I. JOE #5 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) kicks into high gear action with its latest chapter.

Let’s not delay and head right into the throwdown!

*** POSSIBLE SPOILER WARNING ***

Williamson cracks everything to 11 with this chapter. Seeing the Joes at their lowest should seal their fate. Duke comes across as defiant to the overwhelming odds. His actions reflect that of either pure bravery or insanity. Readers may actually question this at one point. One action proves to quiet that inquiry long enough to throw everything into high-gear.

The only moment where things slow down is with Cobra Commander. The evil leader is solely focused on obtaining power. Williamson writes him as cold and ruthless as he should be. Commander makes a chilling move. It gets lost in the action but circles back to the close. Readers won’t mind as the action is what they came for. There’s no shortage of that here. As eluded to, events circle back to the Commander. His goals hit a snag in the form of a monster cliffhanger. The only thing wrong with this is we have to wait for next issue. This series just doesn’t miss.

Reilly and Bellaire light the fuse for the combustible face-off in style. A two page spread brings Duke face to face with an “old friend.” Seeing the punches connect gives readers a sense of what to expect. Its aftermath is set up nicely. Even in a beaten state can Duke still appear to win. Readers see the power of “Vroom” come into the spotlight.

Destro’s standoff accelerates the wild action to another gear. It also gives readers a much anticipated moment. I’m genuinely surprised this wasn’t a larger panel. It still delivered on the intended goal. Reilly goes for smaller panels. The compact images don’t take it easy. Pacing is really flying at this stage. Only Cobra Commander’s smaller role slows things down. Save the drastic action, it assist in providing a simple break point. This all leads to a monster final page. The full image sets up a can’t miss event that readers will be jazzed to finally see. Strong work per usual.

OVERALL GRADE: 9.2

Can Duke rally his defeated team for one more round? That is the question posed in this latest chapter. Williamson takes readers for a daring confrontation with the writing. Reilly, Bellaire and Wooton raise the stakes with the non-stop action. This series sets the blueprint for what dramatic action should strive for.

Let me know your thoughts in the comments below about G.I. JOE #5. Thanks for reading!

THE QUESTION: ALL ALONG THE WATCHTOWER #5 (DC COMICS)

Cyborg Superman is on the verge of total victory. The attack on the JL Watchtower has been devastating. Heroes have been corrupted. Hope is fading fast. Only one person is the last line of defense against Hank Henshaw. The Question makes a final play to stop him once and for all. Will it be enough?

THE QUESTION: ALL ALONG THE WATCHTOWER #5 (DC COMICS) by Alex Segura, Cian Tormey, Raul Fernandez, Romulo Fajardo Jr. and Willie Schubert delivers its pen-ultimate chapter.

Let’s not delay and check out where events stand now!

THE QUESTION: ALL ALONG THE WATCHTOWER #5 (DC COMICS) by Alex Segura, Cian Tormey, Raul Fernandez, Romulo Fajardo Jr. and Willie Schubert

*** POSSIBLE SPOILER WARNING ***

This is arguably the best issue of the series thus far. Segura opens up with a subtle recap of events. Even this late in the series, it is a nice touch. Montoya’s last stand carries a heavy intensity. Each fight against her allies escalates events nicely. Even when time shifts to Henshaw’s gloating, the edge never leaves. Readers watch the eventual breakdown occur between him and Eradicator. It gives enough pause before reupping to the finish.

Batwoman’s face-off delivers on the drama. The writing plays off their past to show a possible future. Even with the injection of “Crispus”, the mood never sways too far. It pushes the story into its’ final charge. Once here, events unfold setting up the finale. It is expected but doesn’t feel telegraphed. The final pages leave readers on their seats edge as it’s now or never for Montoya and company.

The art team starts with a full page image of the Question in action. Her allies twisted looks surrounding her adds to the uncertainty. There’s plenty of great action panels spotlighting Montoya’s frantic fight. Readers watch as only Henshaw’s insanity can break up the action. The panels show the inevitable dissolvement of his group. It gives enough space to segway back to Montoya’s flight.

The full page decent of Batwoman onto the scene sparks the next round of action. Montoya’s eyes read the situation perfectly. They reflect the sadness of events. It becomes a catalyst for a moment most have been waiting for. This leads into the closing act. Readers watch as a few full images escort them to the shocking ending. With a parting full page, Montoya’s last stand has commenced whether she’s ready or not.

OVERALL GRADE: 9.1

All roads have led to Renee Montoya’s final round with Cyborg Superman. Segura captures the drama while escalating events. The art team goes big when needed to add more weight to an already loaded chapter. This should be one hell of a finish.

Let me know in the comments below your thoughts on THE QUESTION: ALL ALONG THE WATCHTOWER #5. Thanks for reading!

ABSOLUTE BATMAN #6 (DC COMICS)

The road to Hell is paved with good intentions. Bruce Wayne has adopted a persona in wake of his father’s murder. As he sets out to save Gotham City, Wayne turned down his lucrative offer of service from Black mask. The criminal responded viciously. He’s unleashed chaos for a price. One way was putting bounties on the heads of prominent figures. Deputy Mayor Martha Wayne is one of the top prizes in the sick game.

ABSOLUTE BATMAN #6 by Scott Snyder, Nick Dragotta, Frank Martin, Clayton Cowles closes up the Dark Knight’s first arc in the Absolute Universe.

Lets take a closer look at how things end up.

Note: There are some graphic images in this issue.

*** POSSIBLE SPOILER WARNING ***

Snyder wraps up the first arc with an ambitious and volatile close. Black Mask’s deadly game works to establish an uneasy backdrop. Feeding the insecurities of Gotham pushes the city to the edge. The writing doesn’t shy away from the anarchy the move makes. A train scene details the lawlessness. It gives more impact to Batman’s need to fight back. This move also brings his friends into the mix with different results.

Seeing this new “Bat Family” at work provides some strong character moments. It plays well off the flashback sequences guided by Martha Wayne. Readers watch as she shows her defiance to back down like her son. Her calming message brings out Bruce’s inner strength when needed most. The showdown with Black Mask is brutally poetic. The writing leans into Wayne’s love of being Batman. Wayne’s ego proves to pull a drastic but needed move to end the conflict. The fallout is perfect for where the story goes. Is there ever such a thing as a happy ending in Gotham or is it just calm? Readers will be locked in by the epilogue page. This is not the Batman we know and it’s bringing out the best of Snyder’s writing along the way.

Dragotta and Martin never shy away of the violent nature of the Absolute Universe. The only moments of joy comes via a splash photo of young Bruce and friends. Even as innocent as this starts, the nightmare scenario pushes the flashbacks into a poignant course. Martha’s honest care assembles as Bruce’s guide in the darkness. This serves as a great counter balance as Gotham falls apart.

From the full page crashing of Black mask’s yacht, the pace speeds up. There’s no shortage of violence in these pages. Dragotta even sneaks in an “Anchorman” homage at one point, cause “it’s How (Bruce) rolls”. Readers watch in baited breath as the savage fight begins. There is no punches pulled as both Batman and Black Mask cross lines. A full page image will haunt readers as it ends the conflict. It mirrors the tense atmosphere Martha and Jim Gordon navigate through. In the aftermath lies a strong half page image for the future. It is quickly upended by a terrifying epilogue page. The imagery here puts the proverbial cherry on the frightening future of Gotham City’s protector.

OVERALL GRADE: 9.7

Absolute Batman concludes its first arc on a fiery and violent fueled note. Snyder’s writing shoots Bruce Wayne into the savage close flawlessly. Dragotta and Martin push the envelope on the line of heroic and horror with their art. Forget any preconceived notions. This vision of the Dark Knight stands out on its own pedestal for good reason.

Let me know in the comments below your thoughts on Absolute Batman #6. Thanks for reading!

ABSOLUTE FLASH #1 (DC COMICS)

The Absolute Universe has taken comics by storm! Darkseid has left the DCU. In his wake, a darker version of the universe is left. Readers have seen the trinity of DC make their debuts. Versions of Superman, Batman and Wonder Woman are nothing like fans have seen. Their adventures have been selling big numbers at the LCS.

Now the second wave of heroes make their debuts. Leading the pack is the fastest man alive. Don’t blink.

ABSOLUTE FLASH #1 by Jeff Lemire, Nick Robles, Adriano Lucas and Tom Napolitano presents an all new saga of speed and superheroics.

Let’s not wait another second & dive into the chapter.

ABSOLUTE FLASH #1 by Jeff Lemire, Nick Robles, Adriano Lucas and Tom Napolitano (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Lemire dives into the relationship between Wally West and Barry Allen to reset their narrative. Keeping Wally's situation at arms length adds to the ever evolving drama. The writing portrays him as a loner searching for something. It's far from the happier version of West we've seen in the comics.

For doing an alternate version, this mystique works. The same can be said for Barry Allen. Allen comes off as a surrogate father in moments. Even though he works with Wally's dad, Allen genuinely shows concern for the wayward teen. Can the same be said for Wally's dad? He pushes more of a "tough love" which misses the mark.

The issue does its' fair share of time jumping. It is always a difficult challenge to pull this off without losing something. Lemire blends the pacing extremely well that this issue flows through segments.

Even in the present, a certain group gets a proper reset. It adds more to the combustible element of Wally and his dad. This pushes everything into the close. Lemire puts some tricks out to throw everything in flux. The result is a solid mystery that has many miles left to run.

Robles and Lucas kick events off with a vibrant two page splash. It's loud, bold and unapologetically Flash. Events start slowing down to unveil the worry of West. Being alone in his mind, the images depict his search for belonging. Project Olympus gets a two page reveal. Things have come a long way since lightning in the crime lab twice.

At this stage, Napolitano's lettering maneuvers readers through the time jumps. This also gives way for Wally's freedom to be put to the test. A full page image brings those familiar faces mentioned previously in style. The art team gives proper time to focus on the West family dynamic before speeding to the end.

It takes two pages to truly bring out the impact of West' ill-fated choice. This thrusts his life into a full page shocking close. Readers are complimented with a fun two page epilogue before running to next issue. It leaves much for fans to ponder before revving up the engines next time.

OVERALL GRADE: 9

Is speed absolute? Judging by the latest addition to the DC new universe, the answer is yes. Lemire's writing brings out a conflicted lead to take the baton and run. Robles, Lucas and Napolitano keep the energy high with the electric art images. This series is firing on all gears with much left in the tank.

Let us know what you thought of Absolute Flash #1 in the comments below. Thanks for reading!

OUT OF ALCATRAZ #1 (ONI PRESS)

Alcatraz. Arguably the most famous prison in the world. An inescapable fortress. In June 1962, Frank Morris and Clarence Anglin escaped. Modesto is their current location but it can’t be for long. Fugitives from Alcatraz is something law enforcement doesn’t want to have out in public. The hunt is on the pair. Freedom seems to be in their grasp. What gives first?

OUT OF ALCATRAZ #1 by Christopher Cantwell and Tyler Crook ushers in one of 2025’s most highly anticipated series.

Let’s not wait any longer and dive into the story.

*** POSSIBLE SPOILER WARNING ***

Cantwell pieces together an thrilling intro in mere moments. Morris and Anglin are not good men. Their escape on rough waters is met with much intensity. When Anglin’s brother becomes lost at sea, their dynamic instantly changes. The uneasy partnership makes its way into Modesto. Escaping seems like the easy part at this stage. Once on land, both struggle to handle the consequences of the escape.

Their deal with a mysterious contact crafts a ticking timebomb. Every conversation with the driven Morris and grieving Anglin bursts with anger and guilt. This spills over as they try staying out of sight. A simple visit into town draws rage from Morris. Knowing what is at stake, he’s not willing to let Anglin ruin his “freedom”. This spirals into uncomfortable moments with the towns people.

The writing doesn’t back down from the immense pressure rising. Bothe escapees Readers watch as an ill-fated curve is thrown into the mix. Cantwell brings out the ugliness of society which is decided by the lesser of two evils. There’s never a moment that lets up the weight of what unfolds. Readers won’t have time to process after they see the final page. Talk about a showstopping moment. If this is the opening chapter, there is no telling what to expect from here!

Crook doesn’t delay in constructing the bold escape. The panels are loaded with the challenges of the escape. There is many expressions displayed in these panels. It ultimately wraps up with a two page spread of the survivors. As Morris and Anglin maneuver off the radar, readers see the frustrations boil over. The back and forth images of Alcatraz to their freedom get a huge boost from the lettering. Readers witness the frantic reactions to find out what happened. This leads to a semblance of normalcy that is short lived.

The art doesn’t back away from the repulsiveness of society themes in this era. Readers watch as this comes into play multiple times in the issue. There never is a sense of these are “good” people to cheer for. The art shows how deeply flawed and damaged they are. This is seen in almost every interaction Morris comes across. Panels capture his broken soul as his anger responds to issues. Heading into the latter half of the book, this becomes clear.

One instance becomes a complicated problem for the pair. Switching up the coloring, a red half page image crashes down one conflict. This becomes quickly doused by the final page’s impact. The final panel puts everything in flux. Crook leaves it all in this issue which fans will be raving about.

OVERALL GRADE: 10

An escape from Alcatraz becomes a highway to Hell in this opening salvo. Cantwell takes the two leads into deep levels with the writing. Crook’s art sets the stage with the painful repercussions of their actions. This story is one readers won’t want to escape from anytime soon.

Let me know in the comments below your thoughts on OUT OF ALCATRAZ #1. Thanks for reading!

TRANSFORMERS #18 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Seattle is barely hanging on. It has become the epicenter for the Decepticon Civil War. Starscream and his forces are taking the battle to Soundwave’s crew. Caught in the middle are innocent humans. Optimus Prime is doing all he can to help. The odds are truly stacked against him. Can he find some way to survive the crossfire?

TRANSFORMERS #18 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) brings a close to the latest arc.

Let’s take a closer look at where events play out now.

TRANSFORMERS #18 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson brings the house down with this latest chapter. The Cybertron portion debuts the latest Autobot in grand fashion. Shredhead’s injection lifts up the scenario. The panels are all big action. It establishes him as a true threat to the Decepticons. The writing gives them a sorely needed win in comparison to the rest of the chapter.

Ultra Magnus’s portion reflects more on the deep emotional wounds he has suffered. The bonding with Carly helps to start healing. Johnson gives these little fleeting spots before throwing more weight on the constant battle.

All of these plots take a back seat to the main event. The Battle of Seattle devlivers on all accounts. Readers watch as the best shots are taken from all sides. Optimus is helplessly watching this brawl take place. No one is ready for the new combatant to enter the field. It is a long awaited return that sends shivers up the audience spines. The fallout launches a new era into effect for the Energon Universe. All bets are off on who will be standing in its wake.

Corona and Spicer put a Hollywood monster fight for the latetr half of this issue. Before that arrives, they give Shredhead a large statement. The action panels leave little doubt about his impact. Case in point is the half page image where someone is shredded. The Ultra Magnus portion is a wide range of fractured responses through healing. Both will connect with readers. They both are shown up by the Seattle brawl.

The art team make this whole sequence feel like a Godzilla-King Kong showdown. Each sides’ Combiner makes a claim for a throne. One stands tall through A TWO PAGE SPLASH CUTTER! The wrestling fan in me marked out seeing this! Starscream and Soundwave’s fight is as vicious as it needs to be. It stops on a dime when a certain return happens via a haunting two page spread. This leads to a striking final image. The darkest hour appears to be setting on the Autobots. Brace for impact.

OVERALL GRADE: 9.8

The war between Soundwave and Starscream ends with a thunderous conclusion. Johnson adds in much emotion with the intense fighting. Corona, Spicer and Wooten construct a devasting melee that shows no mercy. There’s never a doubt at the high level of quality with this series.

Hit me up on ODPHpod social media and let me know your thoughts on Transformers #18. Thanks for reading!

ROGUE SUN #25 (IMAGE COMICS/MASSIVE-VERSE)

The attack on the Aviary has been stopped. Dylan Siegal is more focused to stop Mourningstar than ever. A father and son appear to have hit some common ground. It seems all is trending upward for the Massive-verse’s supernatural defender. If that was only the case…

ROGUE SUN #25 by Ryan Parrott, Nick Cotton, Abel, Natalia Marques and Becca Carey kickstarts a brand new story arc!

Let’s take a deeper dive into the latest chapter!

ROGUE SUN #25 by Ryan Parrott, Nick Cotton, Abel, Natalia Marques and Becca Carey (Cover: Stefano Simeone - Image Comics)

*** POSSIBLE SPOILER WARNING ***

The writing brings a question of ethics to the father-son dynamic. Dylan lets a robber go because he knows him. Marcus (his dad/ghost mentor) has issues with this. The dialogue showcases their friction of topic. It leans into Dylan’s brash arrogance to the hero blueprint. Conventional methods are not too appealing. He wants to forge his own legacy. When a financial offer comes his way to accomplish this, it throws everything in flux.

This allows his step-sister Aurie to (finally!) get her chance to become Rogue Sun. Watching the faustian-esque partnership develop will be a treat for readers. Even when the latest villain crashes the scene, each dynamic takes center stage. Pacing slows things down just enough to sense Dylan’s shock. Knowing who’s helping Aurie spells certain disaster. Even with the new “Sun” on the block, one staple stays true. The closing page turns everything on its axis. Readers won’t see this ending coming! Expect this to be a long wait until next issue.

Abel and Marques set a high bar with the action. Seeing Dylan fighting “normal” bad guys is a new look. It leads to a more tense face off between the pair. Readers can sense the tension is ever building. Each panel carries a unique vibe as all parties argue about what should be done with the role. The drama flows into the Bell household. With each reaction, Dylan’s decision appears to be made for him. That was something quickly opposed as events progressed.

The latest villain gets introduced with a full page image. It leads to some great action shots. Events get upstaged when “Aurie Sun” hits the scene. The half page panel lets her make an immediate impact with readers. From here, the pacing revs up. In the conflict aftermath is a few shocked faces. Once Caleb has been announced as back, the mood changes. It stirs up the drama with Dylan and Marcus again. This leads into the closing moments. All build towards a mic drop moment. The closing image gets a full page to convey its message. It is one that is sure to leave a huge impression as Dylan’s path becomes clear.

OVERALL GRADE: 9

Sins of the past strike a nerve as a new hero makes their debut. Parrott and Cotton’s writing delve into the rebuilding bond of family. Abel and the team keep pages balanced with quick action and deeper drama. The final page is sure to have Massiveverse fans talking about the future.

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ABSOLUTE SUPERMAN #5 (DC COMICS)

Even in a new world, old sins can strike. The Absolute Universe has a Superman. He is unlike the Kal-El readers have known for years. The same can be said for the home planet of Krypton. One factor does still connect both worlds. The ignorance of the ruling factors into the fate of a planet.

ABSOLUTE SUPERMAN #5 by Jason Aaron, Rafa Sandoval, Ulises Arreola and Becca Carey brings a close to the initial first arc.

Let’s see how arc events close for the Man of Tomorrow.

ABSOLUTE SUPERMAN #5 by Jason Aaron, Rafa Sandoval, Ulises Arreola and Becca Carey (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Aaron pens a heartbreaking tale of lost hope. The destruction of Krypton is nothing new. How the planet gets to that point is always the trick. In this case, the Els are ignored by the powerful class in charge. The costly mistake starts the road to the inevitable. There’s a fair share of civil unrest. This comes right to the El’s house. It leads into a frantic last attempt to save lives instead of lose them.

The wiring reflects the empathy and caring Kal’s parents continuously demonstrates. It leaves a lasting impression on the young boy. Pacing speeds through the chaos to the escape. Aaron leaves no stone unturned as the fleeting attempt of survival slips further away. Readers can feel the emotions pour off the pages with what transpires. This leaves an impact on how the future Superman sees the world.

In present time, Kal-El is fueled by rage from what Peacemaker Smith did. Finding restraint becomes a deeper challenge than readers may think. It leads to a reflective close. Knowing how far he went, El is put in a stance of searching. Judging by the last page, there’s only on place know he may find that peace. Will it last? Time will tell.

Sandoval and Arreola present the manic state of Krypton with some striking images. The two page splash immediately makes a connection with readers. There may be something to be said with the Absolute Universe and vehicles. If you read Absolute Batman, you know where I’m heading with that.

The pain and fear of the Els never escapes panels. They knew Krypton was a ticking time bomb. The art brings that to the spotlight. There are a wave of emotions unveiled. Even as the escapes are taking place, the art extinguishes all hope. It is very tragic seeing the downfall occur. Another two page spread wraps up the planet’s fate before the close. Once here, a final image leaves no doubt the past may be gone. All that’s left now are memories for the Man of Steel.

OVERALL GRADE: 9.5

The absolute fate of Krypton is revealed in a tragic manner for this chapter. Arron pens a heartbreaking final stand with the impactful writing. Sandoval and the art team blitz readers with powerful images to close the past for Kal-El as he enters a new phase. Very strong storytelling with this issue.

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THE HIVE #2 (IMAGE COMICS)

The line between biology and crimeology blur with Image Comics’ latest hit series. Mason Shaw is drawn into a world he’s not ready for. Queen Shay demands complete control. When there’s a mutiny forming, the repercussions will be deadly.

THE HIVE #2 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu dives further into the crime drama with a new gritty chapter.

Let’s take a closer look at where things stand now.

THE HIVE #2 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Lieberman does the slow play to dig into Shay’s hold over the hive. The writing never escapes its gritty demeanor. This all stems off the robbery and murder of security guards. The attack creates a ripple effect that’s bad for business. Shay’s focus move back to retaining control when doubts start creeping in. Readers watch as the payoff becomes a diversion to take the heat off the organization. It appears the plan might backfire in this stage as the last page dictates.

As for Shaw, his role in this equation becomes a touch more clearer. The writing starts unveiling the biological methods used. This comes to light when Shaw finally meets the Queen. Readers get some key info before events shift back to Shay’s long game. At times, it moves very quick to fully nail its’ mark. There’s still enough intrigue that isn’t lost in the shuffling.

Henderson drops another gem with the art. The opening pages in the dark swamp sets a brooding tempo. It matches the same mood of Ash and Benji’s story portion. There’s a sense of relief with the Beekeeper’s diagnosis. It appears short lived when an examiner starts diving into Quinn. Knowing how the tampering plays out, it draws more heat on a growing fire.

Shaw’s encounter with the Queen carries a sense of uneasiness. The art reflects the power play being enforced by the Queen. It also unveils a surprising factor into their dynamic. Readers can get the understanding of Shay’s set-up. It connects enough before the story jumps to a show of force at a business meeting. A solid action sequence puts Shay’s plans in motion. This all rolls over into the final page. A near full page image indicates the business is drawing more attention than meets the eye.

OVERALL GRADE: 8.4

The sophomore chapter of the bio-crime noir saga builds up some key character moments. Lieberman’s writing dabbles into the long build of Shay’s moves. Henderson and Azpiazu capture the dark nature of dirty business with the art. Sit back and buckle in. This is a long build with a huge payoff coming.

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BATMAN: DARK PATTERNS #4

Time and time again, Batman leaves no doubt of his detective skills. They weren’t always at a high peak level. In “Dark Patterns”, the focus is on the early years of Batman’s career. Each case pushes his capabilities to new heights. The road to that level isn’t exactly paved with gold.

BATMAN: DARK PATTERNS #4 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic kicks off a brand new case.

Let’s follow along as Batman takes on “The Voice In The Tower”.

*** POSSIBLE SPOILER WARNING ***

Watters throws many elements into what first appears to be a more simplistic case. Bledin Towers is responsible for one homicide. The writing mirrors the tough environment and people refusing to leave. Batman’s approach is straight-forward. It isn’t as detailed on one may think. Once inside, the secrets become more unveiled. The results create a very strong tale of deception.

Working through the labyrinth type building becomes difficult. The dangers lie within the residents themselves. They come off as rough and unforgiving to the city. There is a fair share of quick action before heading to close. During this portion, Batman’s inexperience comes into play. Watters sets the stage with a horrific discovery. Once Batman finds out, it’s too late. The opening chapter leaves with a haunting scenario unforeseen. Readers will be surprised to find the horror scenario play out. It gives a great mic drop ending that won’t be overlooked.

Sherman adds a flair of 70’s spy art into the pages here. The opening page with the murder pops with the crashing visuals. Farrell’s coloring makes the fall stand out. This shifts to Batman’s assault on the complex. The graffiti blended into the credits door is brilliant. It is quickly upstages by a gorgeous two page splash. The deceptive nature of the building starts coming into focus.

Panel structure is another strength in this issue. There are many instances where the “normal” search feels fresh and new. Using multiple curve edges gives the pages a distinct vibe. Readers will want to keep an eye out for a page later in the book with a quiet easter egg. The panels mirror the face of the main villain in the case. Nothing will prepare them for the final pages. Both are incredible visual statements. All are full page exclamation points to wrap things up for now but hopefully not long.

OVERALL GRADE: 9.6

Diving into the past of Batman’s detective days can be a challenge. Watters, Sherman and the team put together a near perfect start for the latest case. Excellent writing builds the foundation for a mystery. The incredible visuals of Sherman evoke a throwback mod-esque feel that gives this tale a unique presence. Trust me, you don’t want to miss this.

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ASSORTED CRISIS EVENTS #1 (IMAGE COMICS)

Time is broken. Alternate realities. Multiple eras merging at one point. Time paradoxes. Forget everything you know. It is a new day or is it? That is the question posed in Image Comics’ next BIG series. Knowing the creative team involved, the hype is very real.

ASSORTED CRISIS EVENTS #1 by Deniz Camp, Eric Zawadzki, Jordie Bellaire and Hassan Otsmane-Elhaou ushers in a new thought provoking anthology series.

Let’s take a deeper dive into this brand new series!

*** POSSIBLE SPOILER WARNING ***

Camp presents many elements for this debut chapter Ashley is a reluctant lead in this new world. Her “normal” day is compromised by an ever changing environment. From day to day, there is no certainty of what to expect. Ice Ages to deadly viruses are common day occurrences. Hollywood filmmakers are cashing in on the damaged surroundings. All the while, Ashley is trying to live a normal life. The results are far from that.

Events take more of a personal turn as she moves onward. Readers see the toll taken as time displaces everything. The writing isn’t afraid to take events into dark places. Ultimately, this story is Ashley’s. Readers can sympathize with her fading hope. It centers to an antique clock with sentimental value. Even when there is some sense of compliance, moods turns quickly back into wanting normalcy. The close throws everything into the air as events change again. Its’ fallout leaves many questions in its wake. If this is any indication of what to expect, readers will be happily surprised at what they witness.

Zawadzki and Bellaire set up pages with unconventional panels. The technique mirrors the unstable periods crashing this world. Ashley’s “normal” start is sprinkled in with some of the time variables. A two page splash indicates she is part of a larger production…or vice versa. Bellaire’s coloring brings out the most of these displaced moments. It gives a very distinct uncertainty of what to expect.

The moments with Clock shops jump out from most scenes. From the lettering to the colors, everything about these pages pop. Ashley’s more regular moments are filled with steady emotional reactions. Trying to process what’s unfolding is not easy. The art team demonstrate the ever-changing expressions with ease. This leads right into the strong close. Using new coloring, the event feels different. Paired with the faster tempo and it leaves readers questioning much. This is exactly what you want for a debut.

OVERALL GRADE: 10

The concept of time displacement is always a gamble for comics. Within these pages, a new perspective is given. Camp crafts a story of pain and loss through a consistently evolving lead. Zawadzki and company take fresh approaches to display the combustible surroundings. The Hype is real! This is absolutely going to blow people away!

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AQUAMAN #3 (DC COMICS)

Arthur Curry’s kingdom is missing! While fighting a monster on the surface, Atlantis has disappeared. A portal is the only thing left. It has an ominous shape that is all too familiar. Could Darkseid have a hand in this? It does not matter to Aquaman as he goes through the gateway.

On the other side, the King of the Seven Seas now finds himself challenged like never before. Will he rise to the occasion or drown under the weight?

AQUAMAN #3 by Jeremy Adams, John Timms, Rex Lokus and Dave Sharpe continues the search for Atlantis.

Let’s take a closer look at where events land now.

AQUAMAN #3 by Jeremy Adams, John Timms, Rex Lokus and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Adams continues to push Curry out of his comfort zone. The beginning of the chapter speaks of his childhood. A father and son moment plants a seed of heroism into the future King. Readers watch as the new landscape provides a mythical feel. Seeing the underwater hero dealing with the infusion of magic proves quite the unlikely discovery.

Breaking down the complexity of water is a solid twist. Making it more than just an element adds another player to the saga. It also elevates Aquaman as a stronger piece to this puzzle. The writing throws in a few more surprises with the reveals. One cameo plays off another DC series happening right now. Seeing synergy in this level is a true treat for readers. The ending ties everything back full circle. It leaves readers with a sense of curiosity as the travels of Arthur Curry takes a big detour.

Timms and Lokus kick things off with a throwback full page image. The lighthouse pops off the page. Seeing father and son have a chat carries a great deal of emotion. It’s quickly dashed to the present time. The incredible tow page splash is simple but effective. Readers watch as this journey to Atlantis takes quite a magical turn.

The showcase of power in the DCU crafts many easter eggs. It also establishes how impactful Aquaman plays a part into a larger scale of power. Sharpe’s lettering makes a simple weapon construction into a reflection of Curry’s thoughts. It gives weigh to a striking half page image of Aquaman attacked. As the story sails towards its’ end, a final full page image makes an immediate impression. Readers walk away heading into the unknown and there’s no place they would rather be.

OVERALL GRADE: 9.1

A question of power surges Aquaman into uncharted waters. Adams continues to inject new elements that challenge Curry to his core. Timms and Lokus bring the new world to life with phenomenal imagery. This story never stops diving deeper into new storytelling.

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GREEN LANTERN CORPS #2 (DC COMICS)

There’s no rest for DC’s Emerald fighting force. After dealing with Thaaros, the Green Lantern Corps are back! Sorrow has attacked and the Book of Oa is gone. John Stewart leads a group into action. This time around, a familiar face joins the mission. Will Hawkwoman be the deciding factor as the Lanterns return to Thanagar?

GREEN LANTERN CORPS #2 by Jeremy Adams, Morgan Hampton, Fernando Pasarin, Oclair Albert, Arif Prianto, and Dave Sharpe heads right into the heart of the matter!

Let’s take a closer look at where things play out now!

GREEN LANTERN CORPS #2 by Jeremy Adams, Morgan Hampton, Fernando Pasarin, Oclair Albert, Arif Prianto, and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

This is vintage Lanterns storytelling. The writing injects a reunion of former flames as old enemies resurface. Hawkwoman causes Stewart to act off game. Knowing their past, the tension is easy to see. It adds more into the reveal of Thanagar’s state. With a dash into a minor sub-plot, events steer back into an old enemy’s path.

Atrocitus returns in Lantern lore loudly. Seeing his rage pour on the page is a welcomed sight. It leads the story into a few directions. Kilowog and Razer are caught in the crossfire. Readers are going to be more locked in with Shiera and Stewart. Their feelings are almost as hard to kill as they are. The showdown with Atrocitus lives up to billing. It’s an intense melee that needs to be ran back soon. Once the ending kicks into gear, all parties are thrown a big curve before departing. The remains of Hawkworld leave many questions as their true meanings will keep readers guessing until next time.

Pasarin and the art team don’t delay in showing the Civil Corps fallout. A full page image emerges leaving the audience in awe. This provides a small break between Hawkwoman and Stewart’s brewing reactions. It all becomes short lived as the main antagonist here debuts in style.

With a full visual of his ship, Atrocitus and company arrive. The art gives him a new look as moves begun to start in shadows. Readers get another dose of drama between Hawkwoman and Stewart. Panels focus on thier awkward facial motions hiding from Dex-Starr. It becomes the calm before an unpredictable storm. Pacing picks up with big action. Readers will not be disappointed here. The closing page is a full image that comes with many questions. It’s a space odyssey that shows no signs on slowing down soon.

OVERALL GRADE: 8.9

Familiar friends and foes take over the sophomore chapter of the GLC return. Solid writing plays off big emotion. Pasarin and the art team flood the pages with a great balance of drama and danger. This story is swinging big out of the gate. Fans won’t what to miss what’s cooking here.

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ARCBOUND #4 (DARK HORSE COMICS)

Kai’s mission finds an unlikely ally. Barnes was hired by Xander to eliminate the disgraced solider. In dealing with double crosses, few are on Xander’s level. Unfortunately for him, he over-estimated. The deal went off the tracks. Zynitec’s hold over Kronium now has a larger problem on its’ hands.

ARCBOUND #4 by Scott Snyder, Frank Tieri, Tom Hardy, Ryan Smallman, Frank William and Buddy Beaudoin (Dark Horse Comics) shows Kai’s rebellion take a huge leap.

Let’s dive into the latest chapter of the sci-fi epic!

*** POSSIBLE SPOILER WARNING ***

The writing pushes Kai and company into a direct line of danger. Readers witness the Queen of Zynitec take an assessment of events. There are many emotions at play during this. The Queen shows little reaction as she processes what she’s told. General Shrush and Xander attempt to cover the misleading with some success. It all leads to a reunion with Kai and his new friends.

Their plans of raiding a vault don’t go according to plan. Events shift gears into a electric fight for survival. The writing escalates the battle extremely well. It’s a gradual build until the big move taken to secure victory. Readers watch as the gamble works and doesn’t. The outcome casts Kai onto an all too familiar landscape. Readers watch as their location carries its’ own unique story. The closing pages leave things on a solid foundation. There’s nowhere to go but up from this conclusion.

Smallman and William give the Queen a regal welcome to the chapter. The near full page image of her addressing her people elevates impressions. Shrush and Xander’s debriefing packs a sense of fraud when the details are presses. The images depict more is not being shared by all parties. In contrast, it appears Kai and his group are on the same thought concerning their task.

Their location is compromised in a bold full page spread. It’s non stop action from this point. readers ride along as the group scrambles to survive the Zynitec attack. Just when they think they’ve escaped, another full page image shows how futile their attempt was. Many tricks are pulled out to escape this conflict. The result is a new planet with unstable energy it gives off. Another full page shot oversees this new landscape. This leads to the closing images. They will strike a chord with how human they make Kai. It’s a moment of peace in a very conflict driven chapter. Readers will be wondering what’s next from this challenging series.

OVERALL GRADE: 8.6

The latest chapter of an Arc’s rebellion pushes events right along. Solid writing brings out Kai’s frantic quest to fight back. Stallman and the team build an exciting stand-off which only leads to more trouble. Readers had better settle in for another wild ride of intrigue and intensity.

Let me know in the comments what you thought of Arcbound #4. Thanks for reaidng!

JSA #5 (DC COMICS)

The injustice Society has struck the JSA on many fronts. Obsidian was replaced to cause a disruption. Another faction of the team has been reeling in Dr. Fate’s castle. None have been more graver than Hawkman. Seemingly killed in action, the Winged Warrior awaits his fate. Help has arrived in an unlikely soul. Can she be trusted enough to start turning the tide?

JSA #5 by Jeff Lemire, Diego Olortegui, Luis Guerrero and Steve Wands (DC Comics) continues its “Ragnorak” storyline.

Let’s take a deeper dive into the latest chapter!

*** POSSIBLE SPOILER WARNING ***

Lemire juggles around well-timed twists while taking readers to the close. Hawkman’s story takes center stage. The unlikely pairing of him and Kid Eternity works. It provides an awkward break before heading into action. The initial showdown with Wotan’s forces launches readers into the ever evolving main plot.

The Injustice Society’s chess moves start backfiring a touch. This leads into great character moments for Dr. Mid-Nite and Jade respectively. With the Obsidian switch, more focus is put on Jade’s shoulder. The result pushes events towards an eventual showdown. Each party involved has a moment to prepare before heading into action. With their backs against the wall, the JSA’s elder guard close the chapter down. Knowing their fate is uncertain, it’s a solid landing spot to pause events on. Brace for a big arc finale.

Olortegui returns to art duties w/ Guerrero after one issue off. Hawkman’s showdown with Woton’s troops begins with a full page shot. It is quickly followed by a stellar two page spread of the calvary swooping in. Events turn to Dr. Mid-Nite’s escape. Pacing moves fast to hit the key areas. This style helps with such a large ensemble cast.

Obsidian and Jakeem get a distinct two page image to break down their troubles. It gets upstages by Jade’s saga. Her broken reactions convey the sense of loss to the readers. It quickly shifts into rage as the pieces of the evil puzzle come into focus. Event close off with an intense two page image of the assault on Fate’s tower. There’s no way anyone sees this and isn’t impressed. This leads into the closing image of the heroes. Knowing what’s outside, the sense of impending danger simply can’t be ignored.

OVERALL GRADE: 8.1

The march to “Ragnarök” continues with a fast moving chapter. Lemire packs the writing with a dire feel. Olortegui returns to construct a path where the heroes may not make it out in one piece. If looking for a classic superhero saga, look no further.

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JUSTICE LEAGUE: THE ATOM PROJECT #3 (DC COMICS)

With great power comes greater measures. In the wake of Amanda Waller’s attack on the DCU superpowered community, there have been complications. Some has their powers transferred away. Ryan Choi and Ray Palmer have attempted to solve this problem. The only question following them is: was the cost too much?

JUSTICE LEAGUE: THE ATOM PROJECT #3 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas, and Wes Abbott continues the ambitious project looming over the DCU heroes.

Let’s take a closer look at what happens now.

JUSTICE LEAGUE: THE ATOM PROJECT #3 by Ryan Parrott, John Ridley, Mike Perkins, Adriano Lucas, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

In its’ strongest moments, readers are getting the set-up for the tragic fall of Captain Atom. When the moments gel, there is something that cements the story’s importance. This isn’t fluid to do the structure of past vs. present. It proves more difficult to put the pieces together due to its time hopping. There is one moment that really stands out throughout the jumping.

After Choi and Palmer have proved another test worked, a disturbance erupts on the tower. Readers watch as a noble Captain deals with it head on. The rescue might have tipped the writers hand as how the present takes shape. Once in the close, the ending plays off this set-up well. It also throws Palmer into a polarizing light. His actions through this series have had some suspicion. This really comes to fruition here. The issue bows out with a great cliffhanger that proves the project becomes even more complicated.

Perkins and Lucas show a happier side of the troubled Captain with a full page image. This goes against his present state. The facial expressions tell the struggle and pain Atom is dealing with. Readers watch as the burden of Power becomes too heavy.

The rescue pages begin with the painful ordeal of power switching. As the Atoms celebrate, Atom Smasher is screaming. This is an indicator of how their project isn’t exactly safe. there’s no time to rest when the Tower is rocked in its’ Triage Unit. A two-page spread shows the mad state unfolding. Palmer’s fearful look spells certain disaster. Captain Atom makes an effort to save the day with a half page image. The results (imo) can be seen in the closing pages. Before readers get the payoff, a familar face crashes. The final full page shot leaves a hint of excitement as things wrap up.

OVERALL GRADE: 7.9

Three issues in and the structure style hampers what should be a pay-off in waiting. The writing hones in on the painful saga of Captain Atom. Each panel mirrors the deadly grind to solve this overbearing dilemma. Once the closing page hits, readers are left with a showdown that will either make or break the project. The choice is theirs.

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