SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #31 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, one of the best series in comics returns from a brief hiatus with a vengeance! SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design kicks off the next phase of Erica Slaughter’s greatest challenge! How does the latest issue from BOOM! Studios bring back the award winning story. Let’s not wait another second and return to the world of monsters and hunters!

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

*** POSSIBLE SPOILER WARNING *** SEE PREVIOUS REVIEW

Ever since her re-emergence in Tribulation, New Mexico, Erica Slaughter’s latest case has been anything but easy. Hunting down a monster known as a Duplicate, Erica has been trying to protect Gabi, the sole witness to the Monster’s attack of her family and Riqui, a local bartender turned guardian of Gabi from the dangerous evil. To complicate matters even more, The Order of St. George has unleashed Cutter, a vicious killer to take care of Erica once and for all!

Last issue saw Cutter frame Erica for the multiple killings of the Tribulation Police dept. Making matters worse, the duplicate has assumed Erica’s likeness in its’ attacks. Wounded and on the run, it appears time is running out for Erica to stop these forces once and for all.

This issue picks up with a survivor form the Duplicate’s latest attack. In their description to the Sheriff, Readers get a frightening picture of the events that took place. The fear in Owen’s voice recapping the attack leaves nothing held back. With the information given, Erica is clearly described as the attacker.

This should please Cutter, whose plan looks like its’ on the verge of success. However, Erica took something from her last issue that has the ruthless killer on edge: her Dolly. With noticeable outbursts, Cutter tries recomposing herself, but to no avail. Cutter is now pushed to the brink of insanity. This doesn’t bode well for Erica as she and her companions lay low in preparation for their next move.

With the dangers mounting, can Erica survive? What of the people under her protection? What of Cutter and the duplicate? Readers get an insight to Erica’s handling of the situation before a new player enters the deadly game. Get ready for an interesting change of events as the closing moments bring more than even the great Erica Slaughter could bargin for.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

BREAKDOWN: Nobody currently does slow burn drama quite like James Tynion. Kicking off the new arc. the pacing allows for steady builds in all the major storylines. Seeing Cutter even more unhinged is a strong point to readers as her character appears ready to obtain victory. The initial outbursts leave no doubt as to how far gone she truly is. Meanwhile, Erica tries to regroup over recent events.

With her confidence rattled, Erica comes across determined to get back on track. This is overshadowed by moments between Gabi and Riqui. Seeing the pair bond over this ordeal breaks the tension up just enough before shifts back gears. Tynion throws in an excellent new development before tying off events in this return chapter. It’s issues like this readers fully understand why this series gets so much credit and praise.

Dell’edera and Muerto drive home how unglued Cutter has become. Seeing the visuals of the breakdown all leads to a full page panel that fans won’t soon forget. The art team also delivers on the latest Duplicate victim’s emotional state. Watching them relive a nightmare with their testimony to the sheriff set an early feel that never escaped the issue.

It balanced out with Gabi and Riqui’s more “normal” moments as they follow Erica’s lead. The break gives readers a chance to soak in the story before the shocking close-out panels. With the latest development, there is no way to pass on becoming hooked into the latest arc.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

FINAL POINT: 9.5 OUT OF 10

The latest story arc of SIKTC kicks off with a superb return issue that fans can’t afford to miss. Excellent writing combined with haunting imagery sets the stage for a combustible series of future events. After reading the first few pages, the creative team defines what incredible storytelling is all about. Don’t miss this issue on New Comic Book day!

Hit me up on ODPH social media and let me know your thoughts on SIKTC #31. Thanks for reading!

HOUSE OF SLAUGHTER #15 (BOOM! STUDIOS)

Welcome to a brand-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the conclusion of the third arc of the spin-off series based from the award winning series from Boom! Studios: “Something Is Killing The Children.” Since its’ debut, House Of Slaughter has provided fantastic reads in short arcs involving characters based in the Order of St. George universe. The latest tale featured a character who made waves in the inaugural start of the series: “The Butcher” Jace Boucher. Now featured in his own solo story, things have drastically changed since we last saw the Butcher. His current life as guardian over some orphans has been impacted by ghosts from his past returning. When one he’s watching over goes missing, Jace’s worst nightmares appear to becoming real.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) brings a finale to the current story run.

Before we get started, some of the imagery might be too intense for younger readers. Reading discression is advised. That said, Let’s see how the fate of the Butcher plays out, shall we?

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

*** POSSIBLE SPOILER WARNING ***

Before this story began, readers witnessed the tragic love story involving Jace and Aaron Slaughter. In its’ wake, Jace has become protector to a group of orphans waiting for Aaron to come back to him. Unfortunately, that day will not come as Aaron was killed after returning to the Order to protect Jace. Without this knowledge, Jace is trying to start life post St. George and adjusting to losing a hand. During this time, a young orphan named Sunny has taken upon himself to try and follow in Jace’s footsteps.

His endeavors brought him into contact with someone who Jace never thought he would see again: Jolie Boucher. Jolie has welcomed Sunny into the lifestyle and her family with open arms. Once Jace becomes aware of who is influencing Sunny, he makes a desperate attempt to save the boy from the fate he knows comes with this lifestyle. This leads to a confrontation between Jace and Jolie, who have some unsettled business from when they last saw each other. The conversation starts friendly but true motives are shown as Jolie winds up capturing Jace, settling some payback for “leaving her” to die in a fire many years prior. All the while, Sunny faced his first monster to become a member of Jolie’s hunting family, losing his eye in the process.

This issue opens up with a flashback to where Jace first found Sunny. Readers remember this school bus as it was the setting shown at the beginning of this arc. Readers have nothing held back as the emotional impact is felt from the scene. It leads to present day where Jace is tied up in a meat locker. Vionette and Cassius Boucher are watching over and taunting Jace. It is during this moment that Jace finds out news that the readers have been dreading he would. It is upon this revelation that Jace has a vision that proves to be the park for something else entirely. Jolie’s actions have woken up …. The Butcher.

Will Jace save Sunny in time? And what of the other orphans who make an attempt to help? Readers get this answers along with seeing first hand what Jace is capable of. It leads to a final confrontation that no one is expecting things to play out as they do. It is a fitting end to a story that has pushed its’ protagonists to their threshold before they can’t hold back who they truly are.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

BREAKDOWN: Brombal sends the Butcher out with a very solid conclusion. The entire arc has been about redefining who he is post-hunting. Jace’s life seems to be at peace until Sunny tries taking his “hero worship” too far. Brombal sets up Jace to be a complex character, wrestling with the demons of his past. The back-story with Jolie fits perfectly as someone who mirrors what Sunny is doing now in their young age. The showdown doesn’t falter as readers see first hand what Jace can do when fully unleashed. Seeing the face-of with Jolie plays right into the boiling point of this story. Once it commences, it delivers on what fans are expecting…until the conclusion. Brombal shifts gears and throws in some twists that some may not be ready for. It caps off what readers should expect from this universe and know it brings the drama and tension every time.

Fuso and Muerto paint a vivid picture of how dangerous Jace can be. Seeing him angry and unhinged is an intense visual for the reader. These panels do not shy away from what he can do and leaves readers knowing exactly why he has the nickname that he does. They set it up nicely with Jace taking cover in a tree, ready to strike at a given notice. The art really elevates the final stand-off between Jace and Jolie to another level. Readers can sense the feeling involved with this confrontation. Fuso and Muerto also present the shocking moments near the final act with well-timed reactions to the events transpiring. It all ties together with the final visuals bringing a close to this chapter and having fans discuss what happens now with what they have just witnessed.

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

House of Slaughter #15 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) Cover: Danny Luckert

Credit: Boom! Studios - On Sale May 17th, 2023

FINAL POINT: 8 OUT OF 10

The conclusion of “The Butcher’s return” is a complete send-off for Jace Boucher and his life post Aaron Slaughter. Brombal, Fuso, Muerto and the team create a finale filled with solid writing and strong art that leave no question to the readers about why Jace has the nickname of “The Butcher.” You’ll want to keep an eye out for this issue and series at the local comic book shop this week.

Hit me up on ODPHpod social media and let me know what you thought of House of Slaughter #15. Thanks for reading.

W0RLDTR33 #1 (IMAGE COMICS)

Welcome to a brand new edition of Parlay Points, the comic book review blog to the ODPH podcast.

For this entry, we’re checking out the latest new series from the mastermind behind the mega hit series “Something Is Killing The Children.” Considering who else is along for the horror tale being told, it completely justifies the hype surrounding this book. W0RLDTR33 #1 by JAMES TYNION IV, FERNANDO BLANCO, JORDIE BELLAIRE and ADITYA BIDIKAR from Image Comics embarks a journey into the darkest portion of the internet known as the Undernet and the results are terrifying.

Before we get started with the review, this book has some extreme violent imagery and themes throughout that might be upsetting to some. Reader discretion is strongly advised before jumping into this issue.

That said, if you’re still in for the review, let’s see what all the hype is about, shall we?

W0RLDTR33 #1 

Creative by JAMES TYNION IV, FERNANDO BLANCO, JORDIE BELLAIRE and ADITYA BIDIKAR 

Credit: Image Comics

*** POSSBILE SPOILER WARNING ***

An ominous quote welcomes readers to this series: “ Let me Tell You How Much I’ve Come To Hate You Since I Began To Live” - Harlen Ellison “I Have No Mouth and I need To scream (2024).”

A naked woman opens her laptop after committing a murder in what appears to be a hotel room. Signing in with the username of “PH34R” , She accesses the Undernet. With images of violent acts appear all across the screen, she focuses in on one with almost 30,000 views! Readers watch in horror as a young man knocks on a random house and flashes his cell phone in front of an unsuspecting victim, making them disoriented before slitting the gentleman’s throat. The killer is talking to the watching audience and going through his process of murder. The killer does the same thing to the woman in the kitchen of the house before going into the bathroom. The killer is a fifteen year old named Gibson Lane with a camera strapped to his head. On his stream, he brags about killing forty people, much to the delight of “PH34R” watching.

From here, the story shifts to a man named Ellison and his girlfriends Fausta driving by a mountain side en route to Pittsburgh. Ellison is talking about how he found his brother talking about what he saw on the dark web and it was some truly disturbing images. Fausta tries calming his nerves but with little success. While driving, she searches his brother’s social media to calm his nerves more but sees something that chills her to the bone instead. They pull the car over and see that Ellison’s fears were correct that something was terribly wrong.

The story shifts to a man named Gabriel watching on the news about Gibson’s killing spree (now at sixty plus). He stares into a picture on the wall, which triggers a flashback. During this moment, readers see a young Gabriel along with other teenagers trying to stop something from leaving the computer servers they are on. The stakes feel huge for, as one person points out, “we’re just kids”.

The story shifts back to the present as Gabriel calls Liam (presumed to be the boy with the “kids” quote from the flashback. The conversation is uncomfortable, but the message is clear: the undernet has to be stopped from spreading. Gabriel mentions a possible solution is back active: a message board known as W0rldtr33. Gabriel summons Liam and the others from the flashback to meet in Pittsburgh to take this challenge head on.

At this stage, Ellison arrives at the police station to see his brother. However, he’s not alone in arriving at the station. Who else appears wanting to see Gibson? Readers see a final act that no one can predict which way it goes. The final image caps off a brutal and violently horrific saga that has just only begun.

BREAKDOWN: Tynion wastes no time in setting things in motions with this story. Each major player (thus far) gets their fair share of panel time to start their stories but all pale in comparison to the heinous actions of Gibson. Tynion writes him as a delusional psychopath throughout his murder spree. Ellison comes across as a caring brother, lost at what to do with the situation at hand (and rightfully so). “PH34R” and Gabriel have only begun to make an impact but, at first read, they have a destined collision course waiting in the wings. The story itself is extremely upsetting as the Undernet has only shown a fraction of what its capable of. It is pure horror at a terrifying high level. As with most of his writing, no one is better at the slow burn build than Tynion. With only one issue down, readers sense the terror behind what is about to come and will be locked in for the long haul to see where this story is heading.

Blanco and Bellaire spare no expense in visualizing the insanity unfolding within these pages. The murder spree is horrific and unapologetic. The set-up of 12 or 9 panel pages gave those disturbing moments a more direct impact when reading. Gibson looking in the bathroom mirror after killing the couple was a blunt depiction into his madness. His mannerisms will be unsettling to some readers. It’s matched on impacting the readers with Fausta’s reaction to finding his social media videos. Once her tears start, readers will connect with her reaction to what she just saw. “PH34R” stands out (not because she is nude the majority of time) from her slight grin seeing the lunacy transpire. The final act caps off the brutal tale perfectly with a final parting image showing the fallout response to what has just unraveled before he audience.

FINAL POINT: The darkest secret of the internet steps into the spotlight in the pages of Image Comic’s latest series. Tynion, Blanco and the team present an absolutely frightening tale of horror in disturbing fashion. Solid storytelling equaled out with alarming imagery gives this story a distinct feel as it progresses to the next chapter. Makes sure to keep an eye out for this on New Comic Book Day.

Hit me up on ODPH social media and let me know what you think of W0rldTr33 #1. Thanks for reading.

HOUSE OF SLAUGHTER #14 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we’re following along the slow burn build centering round a popular character in the Something Is Killing The Children universe from Boom! Studios. HOUSE OF SLAUGHTER #14 by Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) features Jace Boucher aka The Butcher as he struggles dealing with his past catching up to him while waiting for a love to return that never will. Considering how things went last issue, Jace is in a race against time to save someone before it’s too late. Let’s take a deeper dive on what’ happening here, shall we?

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

Jace Boucher has been trying to start life over after having a “falling out” with the Order of St. George. The result costed him his hand and his lover Aaron Slaughter was killed but Jace has no knowledge of this. All he has been doing is being a guardian to orphans waiting for Aaron to come back.

During this time, an orphan named Sunny has become persistent in following in Jace’s hunting footsteps. This resulted him in coming into contact with Jolie Boucher and her family, who have taken him in trying to induct him into their order. Jolie and Jace have a noted history with things not ending well years ago. Jace knows the danger surrounding Sunny and makes a return back to New Orleans in an attempt to save him from the danger Jolie is welcoming him into to. The prime example o this is Sunny is locked in a room with a monster to see if he can become a hunter or not.

This issue opens up with Jace entering the Messiah Bar, in hopes of finding Jolie. The place is packed with party-goers and at the end of the bar is Jolie. Jace approaches her and the reunion is surprisingly very happy. Over a few drinks, they start a conversation which leads to Jace asking about Sunny. Jolie counters with bringing up when they first met. It leads to talk of Aaron Slaughter which Jolie realizes Jace doesn’t know the truth.

The pair gets moved to a private room where readers get the truth about what went down between Jolie and Jace. It gives some much needed clarity to why Jolie has such an axe to grind with Jace. The tension builds to a breaking point as Jolie keeps dodging the questions about Sunny until a moment happens that changes everything. Can Jace handle what transpires? What about the fate of Sunny? Readers see how things are not what they seem as Jace’s noble plans has a new challenge thrown in his direction steering the story into a new avenue.

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

BREAKDOWN: The dynamic between Jolie and Jace has always been one centered in mystery but Brombal centers this issue around that plot point. Readers get many details on their history and clarity on why Jolie has used Sunny as a means to attack Jace. The conversation comes across as one between old friends before turning into an emotional standoff, bringing back many buried feelings between them both. Even with only two characters involved for the majority of the issue, Brombal keeps things moving without stalling the pace to hang on o stay in neutral gear. The ending is a solid surprise which sets up the major players involved for a collision course that readers can expect a big payoff for.

Fuso creates a unique setting for the conversation this issue. The conversation reflects a casual talk between two old friends. Jolie’s mannerisms doesn’t tip off too much to worry Jace. She comes across excited for her friend and even concerned when she realizes Jace doesn’t know the truth about Aaron. The panels featuring Sunny stands out with the coloring used for these panels. It helps connect with readers what danger he’s going thru while Jolie is calm and relaxed with all of this. The big change in the story is easily felt with the full page shot of the surprise. It all ties together to feature Jace’s struggle to save Sunny even though it appears it’s more and more a losing battle.

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

HOUSE OF SLAUGHTER #14 - On Sale April 19th, 2023

Creative: Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Deisgns and Development: Werther Dell’edera) - Cover: Mateus Manhanini

Credit: BOOM! Studios

FINAL POINT: Readers see the history of Jolie and Jace unfold right before their eyes within the pages of House of Slaughter #14. Brombal, Fuso and the team present the personal talk between the two leads with an ever-changing conversation that sets things up for a huge closing looming in the wings. Keep an eye out for this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know what you thought of House of Slaughter #14. Thanks for reading.