Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH podcast!
For this entry, we are checking out a brand new series from DC Comics that features one of the most iconic rogues in the history of BATMAN. Over the years, Oswald Cobblepot has evolved from a gimmick villain to a force of nature in Gotham City’s underworld. Now with a new lease on life and past behind him, it appears fate has decided to pull him back to where it all began.
The Penguin #1 by Tom King, Rafael De Latorre, Marcelo Maiolo and Clayton Cowles gives readers an exciting tale as the next phase of Mr. Cobblepot’s life begins. Let’s take a closer look and see what’s happening now, shall we?
*** POSSIBLE SPOILER WARNING ***
The story starts out with the Batmobile floating in the Gotham River. Readers quickly find out it has been damaged and its’ two passengers aren’t fairing well either. Batman is severely injured, to the point he cannot escape. With being in a weakened state, Bats tries not letting his guard down to his unlikely companion: Oswald Cobblepot aka THE PENGUIN!
Cobblepot is wounded as well. Batman can’t save them. Cobblepot doesn’t want his help. There’s more on his mind at the moment.
Readers are taken back to Metropolis one year prior. A tailor is working on a suit for Cobblepot. A smart joke slips out his mouth while working on the suit. The tailor panics with fear as he knows he shouldn’t have said this. However, in a surprise move, Cobblepot brushes it off and forgives him for the snark remark!
What happened to the feared crime boss of Gotham? The journey begins to reveal itself as Oswald has appeared to have left his past goodbye for the realm of normalcy. However, as with all good things, how long can they last? An event transpires that changes the world Oswald has grown to love away from Gotham. Once the smokes clears, readers can fully expect big things forthcoming as the final image cements this story becoming an instant classic.
King sets up a complex foundation for the Penguin’s next journey. One area which King excels at is breaking down the inner thinking of his lead characters. In this scenario, Cobblepot’s life away from Crime seems to have given him some sense of peace. It is a vastly different approach to one of Batman’s most dangerous foes. The initial reaction I felt was Keyser Soze-esque. If you know, you know.
Once the scenario of events is presented for the reader, King leaves nothing to the imagination as Cobblepot’s return to the past is cemented with a final act. The build towards Cobblepot’s trouble was well-staged as the slow grind build will connect with readers that this will be something truly special to pick up at the LCS.
De Latorre and Maiolo kicks things off with an exclamation point as the Batmobile is sinking with a striking full page panel. Seeing both Batman and Penguin worse for wear lead into the story’s flashback on a high note. Their mannerisms of defeat were very noticable. Knowing their history (and How Bats was framed for Oswald’s “Death”), the art showcased their long-standing rivalry with a tensions feel. Their vision of Metropolis felt grounded and voided of anything connecting with the Man of Steel.
This played strongly into the shift in story. The panels had a distinct gritty feel heading into the final chapter. The tension grows as the art team goes for 9-panel pages before ultimately capping off this portion with a full-page climax to the big event happening with Oswald. The final few pages leaves o shadows of doubt that The Penguin is back in business and business is “good”.
FINAL POINT: 9.5 OUT OF 10
Oswald Cobblepot is dead. Long live Gotham’s Crime King. King shatters dreams of a peaceful life with superb writing. The panels by De Latorre and Maiolo’s bold visuals set the tone for a forging a new trail in what is sure to be a suspenseful tale for the ages. Make sure this issue is in your possession on New Comic Book Day!
Hit me up on ODPH Social Media and let me know what you thought of The Penguin #1. Thanks for reading.