Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!
For this entry, we’re checking out an intriguing limited series coming from Image Comics via Black Market Narrative. Readers should be very familiar with hearing those two entities paired together. Image and BMN are always connected to comics’ most exciting superhero line: the Massive-Verse. However, The latest book to come out from that pairing isn’t of the Radiant Black lore. It is one that will connect with readers of all walks of life for being based around the world of music. DEEP CUTS #1 by KYLE HIGGINS & JOE CLARK (RADIANT BLACK), Danilo Beyruth, Igor Monti and Hassan Otsmane-Elhaou takes readers on a voyage thru story centered around the sphere of Jazz Music! Let’s take a closer look at this amazing debut, shall we?
DEEP CUTS #1 - On Sale April 26th
Creative: KYLE HIGGINS & JOE CLARK (RADIANT BLACK), Danilo Beyruth, Igor Monti and Hassan Otsmane-Elhaou
Credit: Image Comics via Black Market Narrative
*** POSSIBLE SPOILER WARNING ***
The story kicks off in the era of New Orleans in 1917. A young man with case in hand named Charles Stewart walks thru the streets, ignoring the people around. Stewart is focused on the musical notes filling the air. He is “looking” for a certain sound and is determined to find it through the busy city. After some stops, the young man finds what or should we say who he’s looking for. Making a run for the door, Stewart runs into the bouncer of the club and is turned away for his age. Determined to play in the show, Stewart pulls out his Clarinet and starts playing thru an opened window. This causes the bouncer to approach Stewart to stop him. Before he can make a move, a man peaks his head outside and invites Stewart in. That man is none Jack Cartier, the charismatic star of the show inside.
Cartier convinces the bouncer to let Stewart stay. Cartier recognizes Stewart from trying to crash other shows. It is revealed that Stewart wants to join Cartier’s band. Cartier is impressed by the effort of the young man but doesn’t have him join in the show that night. Instead, Stewart is offered to join Cartier’s band for a parade the next day. Excited beyond belief, Stewart leaves with his dreams in sight. Returning home, he greats his grandmother about his new job. She tries to pass on a warning of “Be careful around musicians. They will break your heart.” It reflects a similar message she gave Charles’ mother. The next day, Charles arrives for the show but finds out it’s not what he was thinking. Cartier greets him with the “honor” of holding his case while they walk in the parade, claiming their isn’t a current spot but if something happens, Charles is in. The parade leads to another opportunity with Cartier, one that Charles will actually be playing his instrument in.
Where is this job based? Readers find out quickly that the entry level Charles is starting at might not be ideal to his grandmother’s liking. The job leads to a whole new world that Charles may or may not be ready for. All he has to guide him is a love for music and makes an unlikely friend in a woman named “Dixie” who works at the establishment. With all these outside influences , what does the future hold for young Charles? Readers see a journey into self discovery as Charles begins to grow in his voice and playing which leads into many surprise directions. The ending is fitting for a first issue that has only begun to show what it’s all about.
BREAKDOWN: Higgins and Clark start this series off on a very strong note. Seeing the hopefulness pour out of Charles while he is chasing his dream is a theme that drives this first issue. His willingness to be a part of the band moves him into crossing paths with a variety of characters and morals. The relationships that form with the young player along the way each have a significant impact on his path. Cartier comes across as a charming but suspicious musician that reflects a side of the world Charles wants to enter. Due to his eagerness to play, Charles looks past what Cartier is doing but it plays into his eventual growth in this story. Dixie makes a great counter to Cartier as her intentions come across as genuine. The pacing of the tale allows moments to build along with seeing the overall effect music has on Charles. It is easy for readers to connect with what Charles is aspiring for. Once the closing moments begin, there are payoffs for the build that tie all the sub-stories together. It is a solid beginning to introducing readers to the power of jazz and music as a whole.
The art of Beyruth and Monti visualize the hypnotic power of music that engulfs Charles. His search for Cartier’s band comes across almost trance-like as he dodges the world around him until he finds the source. The depiction later in the book when Charles is paying at the new job stands out for much of the same reason. The panels’ coloring of notes and playing comes across as impactful to the listeners in attendance. The expressions of Cartier adds another dynamic to the story. He always comes across smiling with a devilish smirk . This plays into many of his actions with all the characters (not just Charles). Perfect example of this is with Mother Martha. The way that Cartier switches directions with his banter plays right into his influence on Charles and the overall story. The closing brings everything together and sets the tempo for more adventures to come.
FINAL POINT: Higgins, Clark, Beyruth and the team invite readers on a compelling introduction to one of music’s most famous genres. Readers won’t be able to deny seeing how one young man’s ambition leads him on a journey of self-discovery thru the mesmerizing appeal of jazz. Sharp writing and art fill the pages with bringing the story of Charles Stewart front and center to comic readers. You definitely don’t want to miss this on New Comic Book day.
Hit me up on ODPH social media and let me know your thoughts on Deep Cuts #1. Thanks for reading!
